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Home , Abigail Lane, Angela Bulloch, Angus Fairhurst, Anya Gallaccio, Damien Hirst, East Country Yard Show

Library Special Collections and Archives Collection: bibliography Printed on the occasion of the reception to celebrate the donation of the Angus Fairhurst Collection, Deptford Town Hall, Goldsmiths, on 21st May 2009.

Library Goldsmiths, University of 1st edition, May 2009 Essay and bibliography by Thom O’Nions Edited by Jacqueline Cooke

The Angus Fairhurst Collection Angus Fairhurst (1966-2008) graduated in 1989 with a BA , from Goldsmiths. Whilst in his second hear at Goldsmiths, Angus, along with , and , participated in the famous group show , which took place in 1988 in London’s docklands. Freeze helped launch a generation of artists who became known as the . He continued with his career as a successful multi-media artist until the time of his death. Angus was found dead at Bridge of Orchy, Argyll, in 2008 at the age of 41. Angus Fairhurst’s collection of books arrived in the Library in August 2008, donated to the library in his memory by Angus’s mother Sally and brother Charles. A selection of books is held as the the Angus Fairhurst Collection, in the library’s special collections. The remainder are held in the main library collection, to be used by current and future students and other visitors to the library. The entire collection is documented in this bibliography. On the Angus Fairhurst Collection Thom O’Nions The Angus Fairhurst Collection ActualIy, inheritance is the soundest way of acquiring a collection. For a collector’s attitude toward his possessions stems from an owner’s feeling of responsibility toward his property. Thus it is, in the highest sense, the attitude of an heir, and the most distinguished trait of a collection will always be its transmissibility. – , ‘Unpacking my Library’ Someone’s library can tell us a lot about that person. The books that we collect throughout our lifetime provide an index of our interests, our passions, and our character; they provide a complex multifarious reflection of our lives. For an artist, among these books are often more perspicuous records; assorted catalogues from exhibitions they have produced or taken part in, artist’s books, and texts they have published all go towards forming an account of an artist’s life and activities. The library of Angus Fairhurst offers a portrait of both Fairhurst himself and of a generation of artists that emerged from Goldsmiths in the late 80s and early 90s. As a student contemporary of Damien Hirst, Sarah Lucas and Gary Hume, Fairhurst was central to the emergence of the YBA movement. Among the most interesting books in the collection are a series of catalogues from what have now become iconic shows of the YBA generation, shows such as Freeze (1988), Gambler (1991), and Modern Medicine (1991), all of which Fairhurst exhibited in. There are also many artist’s books and catalogues from important shows of friends and contemporaries’ throughout the 90s. These books provide an important document in charting both the history of Goldsmiths and of a key period in the history of 20th century British art. The most prominent facet of the collection is the extensive assortment of exhibition catalogues, however these are not its sole contents. The collection consists of a wide range of books covering varied and diverse subjects, from philosophy, to science, to the history of primates. These books reveal a sensitive, thoughtful engagement with the world that was clearly evident in Fairhurst’s work. This bibliography provides a fascinating lens through which to look at the work of Fairhurst and also to understand the intellectual milieu of a generation of artists. In his essay Unpacking my Library Walter Benjamin writes of how the collection’s ‘acquisition of an old book is its rebirth’ and here this phrase seems very apt. A few of the books in the collection bear the stamps and tags of Goldsmiths library, books presumably acquired during Fairhurst’s time at the college. There is a great sense of circularity here as these books find themselves back to the library and to subsequent generations of students. The collection of books that Fairhurst has left to the Goldsmith’s library provide a unique insight into the practice of an important and influential artist and will be both a point of reference and an inspiration for many years to come. Bibliography

Acker, K. (1991) Hannibal Lecter, My Father, 1 ed., New York: Semiotext(e). Ackroyd, P. (2001) London the Biography, 2 ed., London: Vintage. Ackroyd, P., Dyer, G., Bush, K. and Wentworth, R. (2001) Richard Wentworth/Eugène Atget, London: Photographers Gallery. Ades, D., Natalie, R. and Blake, P. (2000) Peter Blake: About . London: Gallery. Alberro, A., Alice, Z., Buchloh, B. H. D. and Batchelor, D. (1998) , 1 ed., London: . Alison, J., Brayer, M.-A., Migayrou, F. and Spiller, N. (2006) Future City: Experiment and Utopia in Architecture, New York: Thames & Hudson Allen, K. (2007) Grow Up, 1 ed., London: Ebury Press. Allt, A. H. (1970) The American Civil War, Then and There, 5 ed., London: Longman Group. Als, H. (1998) The Women, 1 ed., New York: The Noonday Press. , Stedelijk, M., Haus der Kunst, M., Knoebel, I., Knoebel, C., Bloem, M. and Gassner, H. (1996) Imi Knoebel: works 1968-1996, Amsterdam Ostfildern-Ruit: Stedlijk Museum; Cantz. Anderson, S. H. C., Davies, G. and R., D. H. (1999) Key Topics in Gastroenterology, Key Topics, 1 ed., Oxford: BIOS Scientific Publishers. Anderson, W. (1998) Green Man: The Archetype of our Oneness with the Earth, Fakenham, England: COMPASSbooks. Andriesse, P., Hutchinson, J., Tiger, S. and Elliott, F. (2001) Ipsamas: an album of photographs, Amsterdam: De Verbeelding. Annan, D. (1974) Ape: The Kingdom of Kong, 1 ed., London: Lorrimer Publishing. Annan, D. (1975) Ape: the Kingdom of Kong, London: Lorrimer. Anton, F. and Dockstader, F. J. (1967) Pre-Columbian art and later Indian tribal , Panorama of world art series, New York: Abrams. Arason, P. and Kawara, O. (1999) On Kawara: Pure Consciousness. Reykjavik: Petur Arason. Arbus, D. and San Francisco Museum of Modern, A. (2003) Diane Arbus: revelations, New York: Random . Archer, M. and Gallaccio, A. (1993) . : Galerie Krinzinger Aristotle (1988) Ethics, 13 ed., London: Penguin. Arkhipov, V. (2006) Home-Made: Contemporary Russian Folk Artifacts, 1 ed., London: FUEL Publishing. 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(2002) : opening 8 September ... 10 September-13 October 2002, Institute of Visual Culture, Cambridge, Cambridge: Institute for Visual Culture Fitzwilliam Museum. Bulloch, A., Troncy, E. and contemporain, A. C. d. a. (1990) Angela Bulloch/: text: Eric Troncy, Nevers: APAC - Centre d’Art contemporain. Cage, J. (1973) Silence, Hanover: Wesleyan University Press. Cain, P., Saltz, J. and Karsten Schubert, L. (1991) Peter Cain, Michael Jenkins, , London: Karsten Schubert. Calvino, I. (1989) The Literature Machine, London: Pan Books. Campbell, J. L., ed. (1998) The Book of Barra, 2 ed., Stornoway: Acair. Carey, F. (1999) The Apocalypse and the shape of things to come, London: British Museum. Carey, F. and Griffiths, A. (1994) German Printmaking in the Age of Goethe, 1 ed., London: British Museum Press. Carey, J., ed. (1999) The Faber Book of Utopias, 1 ed., London: Faber and Faber. Carr, E. H. (1981) What is History, 10 ed., London: Penguin. Castaneda, C. 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(1999) by Himself, London: National Gallery. Whitfield, S., Hayward, G. and South Bank, C. (1999) Lucio Fontana [exhibition catalogue], London: Hayward Gallery. Wien, B. (2005) Dieter Roth: The Piccadillies, 1 ed., London: Edition Hansjorg Mayer. Wilcox, T. J. (2006) Films, 1 ed., Zurich: JRP Ringier. Wilson, J. a. L., Muir, G. and Cherry, S. (1995) : Normapaths, London: Winchester, S. (1999) The Surgeon of Crowthorne, 2 ed., London: Penguin. Wolf, R., Tiravanija, R., Sterling, B. and Parreno, P. (2005) Rikrit Tiravanija, A Retrospective (Tomorrow is Another Fine Day), Distributed Art Pub Wollheim, R. (1979) Freud, Fontana Modern Masters, 5 ed., Glasgow: Fontana. Wool, C. (1990) Works on Paper, Luhring Augustine Gallery Wyn Evans, C. (1999) In Girum Imus Nocte Et Consumimur Igni, 1 ed., Kitakyushu: Centre for Contemporary Arts Kitakyushu. Zweifel, S., Steiner, J. and Stahlhut, H. (2006) In Girum Imus Nocte Et Consumimur Igni - The Situationist International (1957 - 1972), JRP/Ringier Zweig, S. (2001) Casanove: A Study in Self-Portraiture, 2 ed., London: Pushkin Press. Library, Special Collections and Archives Special Collections support Goldsmiths research profile and the qualities of complexity, diversity, individuality and radical thinking upon which it is based. Collections cover the creative and performing arts, culture and society, particularly in the nineteenth and twentieth centuries, and include audio and visual materials as well as printed matter and archives. The collections are made available for research at all levels, and are used to support events such as concerts, conferences, performances, screenings, exhibitions and artist residencies. The Angus Fairhurst Collection can be found on the library catalogue, http://library.gold.ac.uk by a search for the collection code FAIR. Open hours Special Collections are normally open Monday – Thursday 10-5, Friday 1-5 and until 7 on Wednesdays. See the website for current opening times. Visitors from outside the College are invited to make an appointment to view material. Contact us Telephone: 020 7717 2295 Fax: 020 7919 7165 Email: [email protected] Web: http://libweb.gold.ac.uk/collections/speccoll.php Special Collections, Library Goldsmiths, Lewisham Way London SE14 6NW, UK