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TURNER PRIZE: Most Prestigious— Yet Also Controversial
TURNER PRIZE: Most prestigious— yet also controversial Since its inception, the Turner Prize has been synonymous with new British art – and with lively debate. For while the prize has helped to build the careers of a great many young British artists, it has also generated controversy. Yet it has survived endless media attacks, changes of terms and sponsor, and even a year of suspension, to arrive at its current status as one of the most significant contemporary art awards in the world. How has this controversial event shaped the development of British art? What has been its role in transforming the new art being made in Britain into an essential part of the country’s cultural landscape? The Beginning The Turner Prize was set up in 1984 by the Patrons of New Art (PNA), a group of Tate Gallery benefactors committed to raising the profile of contemporary art. 1 The prize was to be awarded each year to “the person who, in the opinion of the jury, has made the greatest contribution to art in Britain in the previous twelve months”. Shortlisted artists would present a selection of their works in an exhibition at the Tate Gallery. The brainchild of Tate Gallery director Alan Bowness, the prize was conceived with the explicit aim of stimulating public interest in contemporary art, and promoting contemporary British artists through broadening the audience base. At that time, few people were interested in contemporary art. It rarely featured in non-specialist publications, let alone in the everyday conversations of ordinary members of the public. The Turner Prize was named after the famous British painter J. -
Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Dissertatie Cvanwinkel
UvA-DARE (Digital Academic Repository) During the exhibition the gallery will be closed: contemporary art and the paradoxes of conceptualism van Winkel, C.H. Publication date 2012 Document Version Final published version Link to publication Citation for published version (APA): van Winkel, C. H. (2012). During the exhibition the gallery will be closed: contemporary art and the paradoxes of conceptualism. Valiz uitgeverij. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:11 Oct 2021 during the exhibition the gallery will be closed contemporary art and the paradoxes of conceptualism CAMIEL VAN WINKEL 2 3 During the Exhibition the Gallery Will Be Closed: Contemporary Art and the Paradoxes of Conceptualism ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. -
CV Born 1966, Folkestone, UK. Lives and Works In
Jyll Bradley - CV Born 1966, Folkestone, UK. Lives and works in London Education 1985-1988 Goldsmiths’ College, University of London. BA (Hons) Fine Art 1991-1993 Slade School of Art, University of London. Higher Diploma, Fine Art (Media) Selected Solo Exhibitions and Projects 2019 ‘Currency/Dial (for K&M)’ Private Commission, London, UK 2019 ‘Currency/Dial (for C&A)’ Private Commission, Mallorca, Spain 2019 ‘Opening the Air and Other Stories’, HS Projects, Howick Place, London, UK 2019 ‘Dutch/Light (for Agneta Block)’, Sculpture in the City, London, UK 2018 ‘Opening the Air’, Sculpture in the City, London, UK. Commissioned by City of London. 2017-18 ‘Dutch/Light (for Agneta Block)’ Turner Contemporary, Margate, UK Curated by Victoria Pomery and Sarah Martin 2017 ‘Green/Shade’ Riverside projects, Hull, UK 2017 ‘Brigitte’, Strange Cargo, Cheriton, UK. Curated by Strangelove Festival 2016 ‘Currency’, L’etrangere, London UK. Curated by Joseph Constable 2015 'Le Jardin hospitalier', Hopital Roger Salangro, CHRU, Lille, France. Commissioned and Produced by Amanda Crabtree, artconnexion, Lille, France. 2014 'The friend I have/is a passionate friend', Mummery+Schnelle, London, UK. Curated by Gill Hedley. 2013 'City of Trees', The National Library of Australia, Canberra, Australia. Produced by Canberra 100 (The Centenary of Canberra). 2012 'Lovers, neighbours, friends', artconnexion, Lille, France. Curated by Amanda Crabtree. 2011 'Airports for the Lights, Shadows and Particles' the Bluecoat, Liverpool, UK. Curated by Sara-Jayne Parsons. 2010 'Naming Spaces' Newlyn Art Gallery (The Exchange), Penzance, UK. Curated by Blair Todd. 2008 'The Botanic Garden' The Walker Art Gallery, Liverpool, UK. Project commissioned for Liverpool European Capital of Culture. -
Turner Prize Winner Lubaina Himid to Exhibit Unique Instructional Version of Vernet’S Studio in South Africa
NOT A SINGLE STORY –Turner Prize winner Lubaina Himid to exhibit unique instructional version of Vernet’s Studio in South Africa. Hosted from 12 May – 29 July at the NIROX Sculpture Park in the Cradle of Humankind, NOT A SINGLE STORY is a collaboration between the NIROX Foundation, South Africa and Wanås Konst, The Wanås Foundation, Sweden. NOT A SINGLE STORY is the NIROX Winter sculpture exhibition 2018. The exhibition and its educational program are made possible with the support of The Swedish Postcode Foundation, The Swedish Institute and the Swedish Embassy. NIROX Foundation: Facebook | Twitter| Instagram Wanås Konst, The Wanås Foundation: Facebook | Instagram On Saturday 12 May, the NIROX Sculpture Park opens the exhibition NOT A SINGLE STORY. The title references “The Danger of a Single Story,” a TED Talk presented by acclaimed novelist and feminist writer, Chimamanda Ngozi Adichie, which posits that our differences strengthen rather than divides us. Curated by Elisabeth Millqvist and Mattias Givell, co-directors of the Wanås Foundation, the exhibition is a celebration of diversity and includes works made of wishes, space blankets and large scale sound pieces by established and emerging artists from the continent and abroad. Notable is the participation of 2017 Turner Prize winner Lubaina Himid (ZNZ/UK) who will exhibit eight figures from the 26-piece installation Vernet’s Studio uniquely produced under instruction by studio artists at NIROX. This installation comprises of female artists from art history featuring the likes of Frida Kahlo, Rosemary Trocke, Maud Sulter and Georgia O’Keefe. This work is exemplary of Himid’s practise, which is embedded in foregrounding stories and narratives. -
Antagonism and Relational Aesthetics Author(S): Claire Bishop Source: October, Vol
Antagonism and Relational Aesthetics Author(s): Claire Bishop Source: October, Vol. 110 (Autumn, 2004), pp. 51-79 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3397557 Accessed: 19/10/2010 19:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org Antagonism and Relational Aesthetics CLAIRE BISHOP The Palais de Tokyo On the occasion of its opening in 2002, the Palais de Tokyo immediately struck the visitor as different from other contemporary art venues that had recently opened in Europe. -
From 199C to 199D Liam Gillick
FROM 199C TO 199D LIAM GILLICK MAGASIN / Centre National d’Art Contemporain École du MAGASIN June 6 - September 7, 2014 For more than twenty years Liam Gillick (born 1964, U.K.) has questioned the exhibition as a phenomenon and isolated the possible markers that could define it. These include the occupation of time, the role of the institu- tion and varied forms of collaboration. In the 1990s the most prominent of his interests questioned the dynamic relationship between artists, curators and institutions. Twenty years later he is working with curatorial students to reanimate early works from the 1990s. The first version of this process was From 199A to 199B at the CCS Bard Hessel Museum in New York in 2012. The exhibition From 199C to 199D is a completely new development that expands upon the original exhibition. Liam Gillick has worked closely alongside the students of the École du MAGASIN - Claire Astier, Neringa Bum- bliené, Paola Bonino, Giulia Bortoluzzi, Selma Boskailo and Anna Tomczak – and MAGASIN Director Yves Aupetitallot for nine months towards the reanimation of a selection of key works from the 1990s. Particular focus is upon works that articulate changes and continuities in cultural, political and social discourse over the last twenty years. The exhibition at MAGASIN expands in different way through a forthcoming publication and the official website of Session 23. A book will be published by JRP/Ringier that includes a survey of the Bard and MAGASIN exhibitions and includes essays by Paul O’Neill and Jorn Schaffaf. MAGASIN/Centre national d’art contemporain Site Bouchayer-Viallet, 8, esplanade Andry-Farcy, 38028 Grenoble cedex 1, France T + 33 (0)4 76 21 95 84 F + 33 (0)4 76 21 24 22 www.magasin-cnac.org ARTiT Liam Gillick Part I. -
Contemporary Art Magazine Issue # Sixteen December | January Twothousandnine Spedizione in A.P
contemporary art magazine issue # sixteen december | january twothousandnine Spedizione in a.p. -70% _ DCB Milano NOVEMBER TO JANUARY, 2009 KAREN KILIMNIK NOVEMBER TO JANUARY, 2009 WadeGUYTON BLURRY CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan Triangle of Need VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. RENOIR Liquid hamburger. Then I hit you. After that we are both out of words. January - February 2009 DEBUSSY URS FISCHER GALERIE EVA PRESENHUBER WWW.PRESENHUBER.COM TEL: +41 (0) 43 444 70 50 / FAX: +41 (0) 43 444 70 60 LIMMATSTRASSE 270, P.O.BOX 1517, CH–8031 ZURICH GALLERY HOURS: TUE-FR 12-6, SA 11-5 DOUG AITKEN, EMMANUELLE ANTILLE, MONIKA BAER, MARTIN BOYCE, ANGELA BULLOCH, VALENTIN CARRON, VERNE DAWSON, TRISHA DONNELLY, MARIA EICHHORN, URS FISCHER, PETER FISCHLI/DAVID WEISS, SYLVIE FLEURY, LIAM GILLICK, DOUGLAS GORDON, MARK HANDFORTH, CANDIDA HÖFER, KAREN KILIMNIK, ANDREW LORD, HUGO MARKL, RICHARD PRINCE, GERWALD ROCKENSCHAUB, TIM ROLLINS AND K.O.S., UGO RONDINONE, DIETER ROTH, EVA ROTHSCHILD, JEAN-FRÉDÉRIC SCHNYDER, STEVEN SHEARER, JOSH SMITH, BEAT STREULI, FRANZ WEST, SUE WILLIAMS DOUBLESTANDARDS.NET 1012_MOUSSE_AD_Dec2008.indd 1 28.11.2008 16:55:12 Uhr Galleria Emi Fontana MICHAEL SMITH Viale Bligny 42 20136 Milano Opening 17 January 2009 T. +39 0258322237 18 January - 28 February F. +39 0258306855 [email protected] www.galleriaemifontana.com Photo General Idea, 1981 David Lamelas, The Violent Tapes of 1975, 1975 - courtesy: Galerie Kienzie & GmpH, Berlin L’allarme è generale. Iper e sovraproduzione, scialo e vacche grasse si sono tra- sformati di colpo in inflazione, deflazione e stagflazione. -
PLUS-ONE Gallery Sven 'T Jolle ° 1966, Antwerp, Belgium Lives and Works in Australia
PLUS-ONE Gallery Sven ‘t Jolle ° 1966, Antwerp, Belgium Lives and works in Australia Education 1986 - 1990 Royal Academy of Fine Arts, Antwerp (BE) Solo-exhibitions 2017 Collecting Dust, DRAWINGS & Debts, PLUS-ONE Gallery, Zuid and Berchem, (BE) The Age of Entitlement, or Affordable Tooth Extraction, Wiels Centre d’art Contemporain, (BE) 2015 The Good Shepherd (and other sculptures for the not so converted), Voorkamer, Lierre, (BE) Aires Austères, Galerie Laurent Godin, Paris, (FR) 2014 Yves Saint Lazare, Vitrine / Galerie Laurent Godin, Paris, (FR) Mères austères / Austerity Mums, BBB centre d’art, Toulouse, (FR) 2013 Jackpot ! Le temps des cerises (Le temps des cerises), Light box in White Street Mall, Frankston, (AU) 2011 Looking forward to retiring soon, Vera Gliem Gallery, Cologne, (DE) 2010 Entrepreneurship ahoy !Tax haven flags flying, flag project for CC Strombeek, Grimbergen, (BE) 2009 Casse-toi alors pauvre canard !’ (ou faites payer la crise aux retraités, aux handicapéset aux employés), Galerie Laurent Godin, Paris, (FR) ‘Sponsorship AHOY!’, Stella Lohaus Gallery, Antwerp, (BE) 2008 Sven ‘t Jolle, soloproject for Open Space, Art Cologne, Vera Gliem Gallery, Cologne & Stella Lohaus Gallery, Antwerp, (BE) 2007 Die Begriffe ‘Arbeitgeber’ und ‘Arbeitnehmer’befremdeten ihn schon sehr früh, Vera Gliem Gallery, Cologne,(DE) Tea Time (tegen de verhoging van de uitbuitingsgraad), Stroom, Den Haag (NL) 2005 Sans - papiers’ de kabinetten van het smak, SMAK, Gent, (BE) Savoir sur vivre, Stella Lohaus Gallery, Antwerp (BE) 2004 Ploegwerk, Museum Dhondt-Dhaenens, Deurle, (BE) 2003 Rethinking Poverty...and other coffeetable books, Galleria Laura Pecci, Milano, (IT) Ein Bisschen (socialer) Frieden at booth D8”, Art Statement Stella Lohaus Gallery, Art Basel, (DE) 2002 Ein Bisschen (socialer) Frieden, Stella Lohaus Gallery, Antwerp, (BE) 2001 Social Plastics, Das Parkhaus am Malkasten, Düsseldorf, (DE) 2000 Toyotisme is …’, Stella Lohaus Gallery, Antwerp, (BE) 1999 L’atelier Rouge (Merci Mr. -
Shirazeh Houshiary B
Shirazeh Houshiary b. 1955, Shiraz, Iran 1976-79 Chelsea School of Art, London 1979-80 Junior Fellow, Cardiff College of Art 1997 Awarded the title Professor at the London Institute Solo Exhibitions 1980 Chapter Arts Centre, Cardiff 1982 Kettle's Yard Gallery, Cambridge 1983 Centro d'Arte Contemporanea, Siracusa, Italy Galleria Massimo Minini, Milan Galerie Grita Insam, Vienna 1984 Lisson Gallery, London (exh. cat.) 1986 Galerie Paul Andriesse, Amsterdam 1987 Breath, Lisson Gallery, London 1988-89 Centre d'Art Contemporain, Musée Rath, Geneva (exh. cat.), (toured to The Museum of Modern Art, Oxford) 1992 Galleria Valentina Moncada, Rome Isthmus, Lisson Gallery, London 1993 Dancing around my ghost, Camden Arts Centre, London (exh. cat.) 1993-94 Turning Around the Centre, University of Massachusetts at Amherst Fine Art Center (exh. cat.), (toured to York University Art Gallery, Ontario and to University of Florida, the Harn Museum, Gainsville) 1994 The Sense of Unity, Lisson Gallery, London 1995-96 Isthmus, Le Magasin, Centre National d'Art Contemporain, Grenoble (exh. cat.), (touring to Museum Villa Stuck, Munich, Bonnefanten Museum, Maastricht, Hochschule für angewandte Kunst, Vienna). Organised by the British Council 1997 British Museum, Islamic Gallery 1999 Lehmann Maupin Gallery, New York, NY 2000 Self-Portraits, Lisson Gallery, London 2002 Musuem SITE, Santa Fe, NM 2003 Shirazeh Houshiary - Recent Works, Lehman Maupin, New York Shirazeh Houshiary Tate Liverpool (from the collection) Lisson Gallery, London 2004 Shirazeh Houshiary, -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE