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PRESS 1996 C-J Charpentier, 'Gudar av betong', Nya Lidkoping-Tidningen, Lidkoping, Sweden, 24 December 1996 Britte Montigny, 'Manniskor innesluts I armerad betong', Ostra Smaland, Kalmar, Sweden, 18 December 1996 Tina Jackson, 'Go on - make your mark', The Big Issue, London, England, 16-29 December 1996 Marten Castenfors, 'Personligt vackert avsked som vager tungt', Svenska Dagbladet, Stockholm, Sweden, 23 November 1996 Daniel Birmbaum, 'Betong med effekter', Dagens Nyheter, Stockholm, Sweden, 23 November 1996 Larsolof Carlsson, 'I betongens sallsamma varld', Helsingborgs Dagblad, Helsingborg, Sweden, 23 November 1996 Karl-Erik Johansson, 'Betong' blir en klassiker?', Hallandsposten, Halmstad, Sweden, 16 November 1996 Bertil Kaa Hedberg, 'Hapnadsvackande vackert I betong', Norra Skane, Hassleholm, Sweden, 14 November 1996 Anders Mildner, 'Varsagod: 150 ton betong', Smalandsposten, Vaxjo, Sweden, 13 November 1996 Ingamaj Beck, 'Subtilt I betong', Aftonbladet, Stockholm, Sweden, 13 November 1996 Kiss, Tokyo, Japan, 12 November 1996 Pontus Kyander, 'En arme av malmobor I betong', Sydsvenska Dagbladet, Malmo, Sweden, 11 November 1996 Margaretha Wilson, 'Betong', Nordvastra Skanes Tidningar, Angelholm, Sweden, 10 November 1996 Annika B Anjou, 'Massor av betong I Malmo konsthall', Helsingborgs Dagblad, Helsingborg, Sweden, 8 November 1996 Eri Kawabe, BT, Tokyo, Japan, November 1996 Matt Carey-Williams, 'Antony Gormley: Body and Light and other drawings 1990-1996', SPEC, London, November 1996 Annie Taylor, 'The difference a day made', The Guardian, London, England, 31 October 1996 Rosanna Negrotti, 'Antony Gormley: The Hayward Gallery', What's On, London, England, 30 October 1996 Author Unknown, 'Whose turn for the Turner?', The Independent on Sunday Review, London, England, 27 October 1996 Lotta Satz, 'Snart ar hon gjuten I betong', Skanska Dagbladet, Sweden, 20 October 1996 Jay Rayner, 'Gorm winner', The Observer, London, England, 13 October 1996 Maggie Gee, 'Triumph of the little man', New Statesman, London, England, 11 October 1996 Philip Hensher, 'Masters of allusion', Mail on Sunday, London, England, 6 October 1996 Thomas Sutcliffe, 'Don't dismiss the craziness of modern artists....' The Independent, London, England, 5 October 1996 Brian Sewell, 'Empire of the senseless', Evening Standard, London, England, 3 October 1996 Martin Gayford, 'A tiny tide evokes the vastness of humanity', The Daily Telegraph, London, England, 2 October 1996 Kipper Williams, 'The Lady and The Wimp' (Comic Strip), Time Out, London, England, 2-9 October 1996 Hidetaka Matsumoto, JAAM no.52, Japanese Association of Art Museums, Tokyo, Japan, October 1996 Tsutomu Mizusawa, Yomiuri, Kanagawa, Japan, 1 October 1996 Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, October/November/ December 1996 Author Unknown, Asahi Shimbum Weekly AERA, Tokyo, Japan, 30 September 1996 Crispin Ahlstrom, 'Platsen skapar nya betydelser', Goteborgs-Posten, Sweden, 29 September 1996 Sarah Kent, 'Antony Gormley: Hayward', Time Out, London, England, 25 September 1996 Richard Cork, 'Full frontal power show', The Times, London, Engalnd, 24 September 1996 Hidefumi Hashi, Yomiuri, Kanagawa, Japan, 15 September 1996 John Whitley, 'Artist on the side of the angels', The Daily Telegraph, London, England, 14 September 1996 Joel Perron, 'Bodies cloaked in paradox', Daily Yomiuri, Tokyo, Japan, 13 September 1996 Hikaru Harada, Yomiuri, Kanagawa, Japan, 12 September 1996 Norio Sugawara, Yomiuri Shimbun, Tokyo, Japan, 11 September 1996 Pia, Tokyo, Japan, 10 September 1996 Tim Hilton, 'Portrait of the young man as an artist', The Independent on Sunday, London, England, 9 September 1996 Tina Jackson, 'The galloping Gormley', The Big Issue, London, England, 9 September 1996 Hiroshi Ohno, Yomiuri, Kanagawa, Japan, 7 September 1996 Richard Cork, 'Critic's choice of autumn shows', The Times, London, England, 4 September 1996 Niels Hebert, 'Massans magi', Arbetarbladet, Gavle, Sweden, 3 September 1996 Geijutsu Shincho, Tokyo, Japan, 1 September 1996 Ann-Sofie Ingman, 'Markvardigt mote med massiv skara', Ornskoldsviks Allehanda, Ornskoldvik, Sweden, 28 August 1996 Patric Moreau, 'Unika lerfigurer breder ut sig....', Smalandsposten, Vaxjo, Sweden, 21 August 1996 Lars Ericsson, 'Humanistisk arme invaderar Magasin 3', Dagens Nyheter, Stockholm, Sweden, 21 August 1996 Tina Ekerot, 'Malmobor sokes till betongkonst', Boras Tidning, Boras, Sweden, 20 August 1996 Bertil Kaa Hedberg, 'Vill du bli avgjuten?', Norra Skane, Hassleholm, Sweden, 20 August 1996 Lilith Waltenberg, 'Lat dig gjutas I betong och bli ett hus!', Sydsvenska Dagbladet, Malmo, Sweden, 18 August 1996 Asa Wall, Spoklik arme av lerfigurer i hamn, Svenska Dagbladet, Stockholm, Sweden, 17 August 1996 Agneta Nordenankar, 'Mot blicken hos 40 000 lerfigurer', Dagens Nyheter, Stockholm, Sweden, 16-22 August 1996 Eva Killberg, 'Individens globala falt', Nordvastra Skanes Tidninger, Angelholm, Sweden, 15 August 1996 Author Unknown, 'Gormley and Gombrich in conversation', Prospect no.11, London, England, August/September 1996 Katja Blomberg, 'Innen im Inneren', Frankfurter Allgemeine Zeitung, Frankfurt, Germany, August 1996 Andy Beckett, 'The angel with a dirty face', The Sunday Review, Independent on Sunday, London, England, 28 July 1996 Laure Bernard, 'A Saint-Remy, l'hommage au calme', Le Figaro, Paris, France, 9 July 1996 Author Unknown, 'Antony Gormley Exhibition', The British Council Bulletin, Tokyo, Japan, July/August/September 1996 Hidefumi Hashi, 'Antony Gormley', JAAM no.51, Japanese Association of Art Museums, Tokyo, Japan, July 1996 Author Unknown, 'Les sculptures d'Antony Gormley', Le Provencal, Avignon, France, 22 June 1996 Elisabeth Lebovici, 'Les Anglais sculptent leur classicisme', Liberation, Paris, France, 6 June 1996 Jonathan Tulloch, 'The case for an Angel', Iron issue 79, Newcastle, England, Summer 1996 Miriam Yizrael, Studio Art magazine, Israel, June/July 1996 Ann Hindry, 'Sculpture anglaise: le clavier de l'imagination', Art Press no.214, Paris, France, June 1996 David Bell, 'Iron Man will stay insist city leaders', Evening Mail, Birmingham, England, 22 May 1996 Miriam Yizrael, Iton Yerushalaim, Jerusalem, Israel, 17 May 1996 An.S, 'Razumijevanje', Oslobodenje, Sarajevo, Bosnia, 4 May 1996 Author Unknown, 'JCCC exhibit features British artist's sculpture', Olathe Daily News, Kansas City, USA, 4-5 May 1996 N. Lipa, 'Kriticna vajarska masa', Dnevni avaz, Sarajevo, Bosnia, 4-5 May 1996 N.O, 'Tijelo je prostor', Oslobodenje, Sarajevo, Bosnia, 3 May 1996 Author Unknown, 'Promijenila se ideja o Zemlji...', Oslobodenje, Sarajevo, Bosnia, 2 May 1996 Author Unknown, 'Orijaska zeljezna konstrukcija', Dnevni avaz, Sarajevo, Bosnia, 2 May 1996 Author Unknown, 'Epski sou A. Gromleya', Sarajevo, Bosnia, 2 May 1996 Anne de Charmant, 'so british: cent ans de sculpture', Museart no.60, Paris, France, May 1996 Terry Grimley, 'Iron man is true symbol of our city', Birmingham Post, Birmingham, England, May 1996 Michael Ellison, 'Sculpture of angel to rise before doubting Geordies', The Guardian, London, England, 12 April 1996 Nigel Reynolds, 'Lottery to make A1 angel more than just a vision', The Daily Telegraph, London, England, 12 April 1996 Dalya Alberge, 'Lottery cash adds to war over artist's peace angel', The Times, London, England, 11 April 1996 Marianne MacDonald, '£500,000 grant for steel angel', The Independent, London, England, 11 April 1996 Jonathan Glancey, 'It's out there: the art we love and hate', The Independent, London, England, 6 April 1996 Maud Milton, 'Magnetic Field', Artists Newsletter, April 1996 William Feaver, 'Kurt dismissal', The Observer, London, England, 10 March 1996 Chris Lloyd, 'You can almost hear them squeaking', Northern Echo, Newcastle, 9 March 1996 Michael Ratcliffe, 'Our trends in the North', The Observer Review, London, England, 3 March 1996 Hans Pietsh, 'Engel des Nordens' mit 50 meter Fluegelspann weite', ART no.3, Hamburg, March 1996 Author Unknown, 'Fragments de chair et corps de plomb', Vogue, Paris, France, March 1996 Michelle Thompson, 'Field of dreams', Gateshead Post, Gateshead, England, 29 February 1996 Author Unknown, 'Little People', The Independent, London, England, 27 February 1996 Hideki Nakamura /Min Tanaka, Interview with Antony Gormley, Revue de la pensee d'aujourd'hui vol.25-2, Tokyo, Japan, February 1996 Irena Buzinska, 'Velreiz par Antonija Gormlija izstadi', Jzglitiba, Latvia, 18 January 1996 Anita Meinarte, 'Visa notiekosa kopsakaribas', Literatura Maksla, Latvia, 18 January 1996 Alertina Ryabinina, 'Neatvairamais', Zeme, Latvia, 16 January 1996 Pauls Bankovskis, '40 000 acu paru', Diena, Latvia, 12 January 1996 Mara Grunte, 'Ietilpigais', Izglitiba un Kultura, Latvia, 11 January 1996 Anna Gunnert, 'Ekon av manskligt liv', Konststichningen no. 96-04, Sweden, 1996 Astrida Rogule, 'Antonijs Gormlijs Latvija', Maksla no.4, Riga, Latvia, 1996 Tippi Engstrom, 'Lergubben far manniskor att tanka', 8 Sidor no.36, Stockholm, Sweden, 1996 Roger Bevan, 'Critical Mass in Critical Condition', Art & Auction, 1996 1995 Andrew Renton, 'Antony Gormley: Reclaiming the subject or making a case for the angel', Art & Design, No.41, 1995 1994 Adrian Searle, 'We know you're in there'. The Independent, 4 November 1994 Angella Johnson, 'Man of iron forges hard image in the name of art', The Guardian, London, England, 2 November 1994 Author Unknown, 'Tate unveils entries for Turner Prize', The Times, London, England, 2 November 1994 Dan Conaghan, 'Artists bend over
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  • Joseph Atkins, the Story of a Family by Francis Higginson Atkins

    Joseph Atkins, the Story of a Family by Francis Higginson Atkins

    9. m '!: M: E& i tr.f L>; $ ¦ii •13 Bf m m mmSßmmh­ m M m mif ili HStJji;! its^ii1 i j<s'.'ji !< ;1t»ii:!iJ*s il l*Jnr is Bi.i; li^i ¦?•: His !1^u:-.;i .••JRjj; R': !8! MiKftaim 'Alii n fcfJjiilS ffiii i:: !JW•M |:« 1' I, V !t?i m Ml tin =1 t , ||fgl; Ri ilSHI BS fii «a81 SSfe Mi: mmv! il »' Hi >1 Bssissi* T MM 3M71mi­1; ERRATA. "P. iS, near" bottom, for" "40-S" read" "1401-08." " 49' " middle, " "women" " "woman." s°* bottom, "Addington" "Davenport." " " (See foot note to Dudley chart.) 52, middle, for "diptheria" read "diphtheria." " " bottom, " u 55. " " "Reed's" "Ree's." " 57, " "social in" U "insocial." 58, " top, " "then" "than." " 61, " bottom, " "presevere" u "persevere." " " " u "than." " 65, " top," " "then" 75. " "dosen't" u "doesn't." " 76, a middle, "frm" a "from." " " " " a " 85, " " " '"Gottingen" "Gottingen." " 98, " " "chevron" " "bend." 101, top, "unostensibly" "unostentatiously a a " bottom, " "viseed" "a "viseed." THE BARBICAN,SANDWICH, KENT, ENGLAND. JOSEPH AIKINS THE STORY OF A FAMILY •by- FRANCIS HIGGINSON ATKINS. "Itis indeed a desirable thing to be well descended, but the glory belongs to our an­ cestors." \ i -^ftsfftn. DUDLEYATKINS,SOOK AND JOB PRINTER. 1891. & r° t> «« "0! tell me, tell me, Tam-a-line, 0! tell, an' tell me true; Tellme this nicht, an' mak' nae lee, What pedigree are you?" —Child's Ballads. "Suppose therefore a gentleman, fullofhis illustrious family, should, in the same manner as Virgilmakes iEneas look over his descendants, see the whole line of his progenitors pass in a review before his