Angels in the Architecture 2: Build It Bigger Round 6 1. This Structure
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The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
Conferencia Inaugural Keynote Address
CONFERENCIA INAUGURAL KEYNOTE ADDRESS LA HUELLA DE LA HISTORIA: LA SEVILLA AMERICANA THE FOOTPRINT OF HISTORY: THE AMERICAN SEVILLE Ramón María SERRERA, Catedrático de Historia de América. Universidad de Sevilla Professor of American History. University of Seville I agree with our mayor in that it has been a good decision to choose the city of Seville as the venue for this meeting. And this is not only because of what happened to me two days ago when I was consulting the Website of one of the leading tourist operators of the Anglo Saxon world, which defined Seville as follows: “Welcome to Seville, the capital of Andalusia, a region famous for its bullfights and its Flamenco dancers and sing- ers”. It is also because that for us, Sevillanos by birth, to live in this city is a dream. A dream that I would like to share with you as a professional historian. I have spent 40 years teaching the History of America and the same amount of time working in the document repository of the General Archive of the Indies. I therefore want to talk to you about the American Seville, i.e., the footprint that America has left on the art, architecture and urban development of Seville from the time of the discovery to the present. There are hundreds of American references in the city of Seville, some so forgotten that it is generally not known that the current head- quarters of the Comisiones Obreras trade union was previously the Church of San Miguel where Amerigo Vespucci was buried, the Church of La Magdalena was where Fray Bartolomé de las Casas was ordained, Calle Sierpes was the first Botanical Gar- Suscribo la afirmación de nuestro alcalde sobre el gran acierto que ha den with American plants, etc. -
The Marian Philatelist, Whole No. 33
University of Dayton eCommons The Marian Philatelist Marian Library Special Collections 11-1-1967 The Marian Philatelist, Whole No. 33 A. S. Horn W. J. Hoffman Follow this and additional works at: https://ecommons.udayton.edu/imri_marian_philatelist Recommended Citation Horn, A. S. and Hoffman, W. J., "The Marian Philatelist, Whole No. 33" (1967). The Marian Philatelist. 33. https://ecommons.udayton.edu/imri_marian_philatelist/33 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in The Marian Philatelist by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Marian Pfiilafelisf PUBLISHED BY THE MARIAN PHILATELIC STUDY GROUP Rev. A. S. Horn Chairman Business Address: W. J. Hoffman Editor 424 West Crystal View Avenue Orange, California 92667, USA Whole No. 33 NOVEMBER 1, 1967 Vol. 5 No. 6 ---------------------- r ANDORRA - French Admin- j January 1, 1968 issue with an article. istration: (Class 2). ] Set of 3 stamps released) COSTA RICA: A set of stamps depicting various September 25, 1967 re- i churches was issued in August 1967. Stamps producing 16th century | have not been obtainable, but we have read frescoes from the Maison) that the following will appear on the stamps: des Vallees. The 0,60 5d - Church of La Soledad; 30c Church of value shows a DEPOSITION! La Merced; 35c Church of Our Lady of the in which are seen the Angels; 45c Ujarras Shrine of Our Lady of Dead Christ, the Sorrow-i the Immaculate Conception; 5 col. -
June 2016 in France: Chasing the Neolithic - Elly’S Notes
June 2016 in France: chasing the Neolithic - Elly’s notes I had a conference in the middle of June in Caen, Normandy, and another the end of June in Ghent, Belgium. I rented a car in Paris and drove to Caen and then vacationed in Brittany among the spectacular Neolithic monuments that remain from 6500 years ago. I also saw family in The Netherland before going to Gent. The Brexit vote happened during my stay as did real conversations about the E.U., very different from before. One conference participant cancelled because he was ashamed to be British. Map of the first part of my trip, with the arrows pointing to some of the major areas I visited in France Normandy I spent four days in Caen, Normandy, which was a city much beloved by William the Conqueror and his wife Mathilde. Bayoux, with its famous carpet, is not far but I didn’t visit that. Both William and Mathilda built monasteries to convince the pope into ok-ing their marriage. Below are some pictures of Caen. Very little but interesting street art The city of churches A famous recipee from Caen but not for vegans And more street art The parking garage I had trouble getting out Many bookstores… of! After Caen, I visited Mont St Michel; its size is immense. Before the church was built, there had been a pointed rock – pyramid-like. To construct the church, they first built four crypts around the point and then put the church on the plateau formed that way. The building styles vary depending in which ages they were built: Norman, to Gothic, to Classic. -
The Unifying Role of the Choir Screen in Gothic Churches Author(S): Jacqueline E
Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches Author(s): Jacqueline E. Jung Source: The Art Bulletin, Vol. 82, No. 4, (Dec., 2000), pp. 622-657 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3051415 Accessed: 29/04/2008 18:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches JacquelineE. Jung Thomas Hardy's early novel A Laodicean (first published in in church rituals, "anti-pastoral devices"4 designed to prevent 1881) focuses on the relationship between Paula Power, a ordinary people from gaining access to the sacred mysteries. -
ALCALA DE HENARES Located 30 Kilometres from Madrid On
ALCALA DE HENARES 1. Colegio Mayor de S. Ildefonso 2. Paraninfo 3. Capilla de S. Ildefonso 4. Convento de S. Bernando 5. Iglesia Magistral 6. Palacio Arzobispal 7. Oratorio de S. Felipe Neri 8. Capilla del Oidor 9. Casa-museo Cervantes 10. Salón-teatro Cervantes 11. Casa de las Entrevistas 12. Calle Mayor 13. Complutum 14. Museo Escultural al aire libre Located 30 kilometres from Madrid on expressway A-2, on the banks of the river after which it is named, Alcalá de Henares today is a sizeable city with a population of 170,000. Archaelogical ruins found in the area indicate that the first human settlements date from de heolithic Era. In Roman times it was an important centre known as Complutum, a name it traded for the current one during Muslim rule. After the Reconquest, Alcalá became a domain of the Archbishops of Toledo, Who built a large palace- fortress here as a second residence. In 1293 King Sancho IV granted Alcalá the privilege of creating an “Academy of General Schools”, the origin of its seven century-old university. In 1499 cisneros decided to found a university, which opened its doors eight years later, making Alcalá the most important intellectual centre in Spain at that time. The city was to be the birthplace or residence of important political and cultural celebrities: Nebrija, Catalina de Aragón, the emperor Ferdinand, Cervantes, Quevedo, Tirso de Molina, Calderón de la Barca, Lope de Vega, St Ignatious of Loyola, etc. King Charles III granted Alcalá de Henares de title of “city” in 1687. -
Study of Chicano/Mexican Architecture in the Modern World
1 CHICANO/MEXICAN ARCHITECTURE Study of Chicano/Mexican Architecture in the Modern World Nicholas R. Law ANTH 166-77 June 1, 2014 2 CHICANO/MEXICAN ARCHITECTURE Abstract Although sometimes overlooked, Latino/Chicano architecture is all around us and continues to influence modern structures today. From early century megalithic architecture to the baroque cathedrals and even to the Modernism movement, Latino architects have played a large role in establishing beautiful works of art and attributing to modern day architecture. In this paper I will address the influence Chicanos have had on modern day architecture. Tracing back to the Stone Age, Latino architecture can be discovered, though primitive it shows some of the earliest examples of their designs. As time progressed, Latino architecture was influenced by the Romans, Moors, Celts and even natives such as the Aztecs and Mayans as well as many others, spawning the Romanesque, Mudejar, Puuc, Castros and other styles that were practiced and still are practiced by Chicano/Latino architects. Chicano architecture is prevalent in the U.S. in areas such as the Olvera Street Market in LA and Old town in San Diego and in many cities and towns across North America. Using published works on architecture and architectural magazines, I will explain the influence Chicano/Latino architecture has on the U.S. and beyond. Keywords: attributing, discovered, published and influence 3 CHICANO/MEXICAN ARCHITECTURE Chicano/Mexican Architecture int the Modern World Mexican architecture has been around since the megalithic structures can be discovered, today Mexican and Chicano architecture can be observed worldwide. The influence of Chicano/Latino architects on modern architecture is very prevalent, as is Mexican architecture throughout history. -
Gothic Europe 12-15Th C
Gothic Europe 12-15th c. The term “Gothic” was popularized by the 16th c. artist and historian Giorgio Vasari who attributed the style to the Goths, Germanic invaders who had “destroyed” the classical civilization of the Roman empire. In it’s own day the Gothic style was simply called “modern art” or “The French style” Gothic Age: Historical Background • Widespread prosperity caused by warmer climate, technological advances such as the heavy plough, watermills and windmills, and population increase . • Development of cities. Although Europe remained rural, cities gained increasing prominence. They became centers of artistic patronage, fostering communal identity by public projects and ceremonies. • Guilds (professional associations) of scholars founded the first universities. A system of reasoned analysis known as scholasticism emerged from these universities, intent on reconciling Christian theology and Classical philosophy. • Age of cathedrals (Cathedral = a church that is the official seat of a bishop) • 11-13th c - The Crusades bring Islamic and Byzantine influences to Europe. • 14th c. - Black Death killing about one third of population in western Europe and devastating much of Europe’s economy. Europe About 1200 England and France were becoming strong nation-states while the Holy Roman Empire was weakened and ceased to be a significant power in the 13th c. French Gothic Architecture The Gothic style emerged in the Ile- de-France region (French royal domain around Paris) around 1140. It coincided with the emergence of the monarchy as a powerful centralizing force. Within 100 years, an estimate 2700 Gothic churches were built in the Ile-de-France alone. Abbot Suger, 1081-1151, French cleric and statesman, abbot of Saint- Denis from 1122, minister of kings Louis VI and Louis VII. -
What the Middle Ages Knew Gothic Art Piero Scaruffi Copyright 2018
What the Middle Ages knew Gothic Art Piero Scaruffi Copyright 2018 http://www.scaruffi.com/know 1 What the Middle Ages knew • Gothic architecture – Economic prosperity – Growing independence of towns from feudal lords – Intellectual fervor of cathedral schools and scholastics – Birth of the French nation-state 2 What the Middle Ages knew • Gothic architecture – Pointed arch (creative freedom in designing bays) – Rib vault (St Denis, Paris) – Flying buttress (Chartres, France) 3 (Suger’s choir, St Denis, Paris) What the Middle Ages knew • Gothic architecture – Consequences: • High naves • Campaniles, towers, spires: vertical ascent • Large windows (walls not needed for support) • Stained glass windows • Light 4 What the Middle Ages knew • Gothic architecture – Consequences: • The painting (and its biblical iconography) moves from the church walls to the glass windows 5 What the Middle Ages knew • Architectural styles of the Middle Ages 6 Lyon-Rowen- Hameroff: A History of the Western World What the Middle Ages knew • Gothic architecture – Consequences: • Stained glass windows (Chartres, France) 7 What the Middle Ages knew • Gothic – 1130: the most royal church is a monastery (St Denis), not a cathedral – Suger redesigns it on thelogical bases (St Denis preserved the mystical manuscript attributed to Dionysus the Aeropagite) – St Denis built at the peak of excitement for the conquest of Jerusalem (focus on Jesus, the one of the three persons that most mattered to the crusaders) – St Denis built on geometry and arithmetics (influence of Arab -
Pellucid Paper by Adam Wickberg
PELLUCID PAPER BY ADAM WICKBERG Pellucid Paper Bureaucratic Media And Poetry In Early Modern Spain Technographies Series Editors: Steven Connor, David Trotter and James Purdon How was it that technology and writing came to inform each other so exten- sively that today there is only information? Technographies seeks to answer that question by putting the emphasis on writing as an answer to the large question of ‘through what?’. Writing about technographies in history, our con- tributors will themselves write technographically. Pellucid Paper Bureaucratic Media And Poetry In Early Modern Spain Adam Wickberg OPEN HUMANITIES PRESS London 2018 First edition published by Open Humanities Press 2018 Copyright © 2018 Adam Wickberg This is an open access book, licensed under Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy their work so long as the authors and source are cited and resulting derivative works are licensed under the same or simi- lar license. No permission is required from the authors or the publisher. Statutory fair use and other rights are in no way affected by the above. Read more about the license at creativecommons.org/licenses/by-sa/4.0 Freely available at: http://www.openhumanitiespress.org/books/titles/pellucid-paper/ Cover Art, figures, and other media included with this book may be under different copyright restrictions. Cover Illustration © 2018 Navine G. Khan-Dossos Print ISBN 978-1-78542-054-2 PDF ISBN 978-1-78542-055-9 OPEN HUMANITIES PRESS Open Humanities Press is an international, scholar-led open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide. -
25 Aniversario De La Denominación De Origen Calatayud
Coordinación / Coordination José Juan Verón Lassa y PRAMES Textos / Texts José Luis Cortes Ernesto Franco Miguel Lorente Javier Millán Gil Julián Millán Gil José Solanilla José Verón Gormaz José Juan Verón Lassa Fotografía / Photography © Archivo PRAMES - Rubén Fernández (166), Julio Foster (62), Fernando Lampre (200), Javier Melero (26, 33, 196- 197, 205), Javier Pardos (86-87), Javier Romeo (6, 28-29, 34, 40, 45, 46, 51 52, 57, 58, 78, 104, 112, 115, 142, 148-149, 150, 158, 160-161, 163, 169, 170, 172, 174, 176-177, 178, 179, 180, 185, 186, 188, 189, 191, 192, 194, 198, 202, 206, 209) © José Luis Cortes (153, 154) © DO Calatayud (24, 143) © DO Calatayud - José Verón Gormaz (19, 20, 23, 64, 66-67, 71, 74, 79, 92, 93, 97, 99, 101, 102, 103, 105, 106-107, 108, 111, 116, 118, 119, 120-121, 126, 131, 133, 134, 137, 139, 141, 144) © Antonio Lajusticia (sobrecubierta, 12-13, 14-15, 84-85, 123, 124, 157,210-211) © José Verón Gormaz (156, 8, 16, 39, 72, 73, 162, 201) © José Juan Verón Lassa (10, 25, 96, 122, 125, 130, 136, 146-147, 182,183) Cartografía / Cartography Miguel Lorente (Calatayud. El vino y el territorio) Diseño y maquetación / Design and layout Equipo gráfico de PRAMES Edita / Published by Gobierno de Aragón. Departamento de Agricultura, Ganadería y Medio Ambiente Depósito legal / Legal depository Z 624-2015 ISBN 978-84-8380-310-0 Imprime / Printed by Zaforsa 25º aniversario de la creación de la Denominación de Origen Protegida «Calatayud» / Modesto Lobón. Consejero de Agricultura, Ganadería y Medio Ambiente / pág.