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Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019
16 March — 14 July 2019 British Royal Portraits Exhibition organised by the National Portrait Gallery, London Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019 Tudors to Windsors traces the history of the British monarchy through the outstanding collection of the National Portrait Gallery, London. This exhibition highlights major events in British (and world) history from the sixteenth century to the present, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. Presenting some of the most significant royal portraits, the exhibition will explore five royal dynasties: the Tudors, the Stuarts, the Georgians, the Victorians and the Windsors shedding light on key figures and important historical moments. This exhibition also offers insight into the development of British art including works by the most important artists to have worked in Britain, from Sir Peter Lely and Sir Godfrey Kneller to Cecil Beaton and Annie Leibovitz. 2 UK WORLDWIDE 1485 Henry Tudor defeats Richard III at the Battle of Bosworth Field, becoming King Henry VII The Tudors and founding the Tudor dynasty 1492 An expedition led by Italian explorer Christopher Columbus encounters the Americas 1509 while searching for a Western passage to Asia Henry VII dies and is succeeded Introduction by King Henry VIII 1510 The Inca abandon the settlement of Machu Picchu in modern day Peru Between 1485 and 1603, England was ruled by 1517 Martin Luther nails his 95 theses to the five Tudor monarchs. From King Henry VII who won the door of the Castle Church in Wittenberg, crown in battle, to King Henry VIII with his six wives and a catalyst for the Protestant Reformation 1519 Elizabeth I, England’s ‘Virgin Queen’, the Tudors are some Hernando Cortes lands on of the most familiar figures in British history. -
Bulletin 145 Winter
b.145 BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU winter june – septemberaugust 06 06 Exhibitions Programme June, July, August JEFFREY HARRIS A unique journey through the extraordinary career of Touring Exhibition Galleries Jeffrey Harris. & Borg Henry Gallery • until 25 June • publication available WELTSPRACHE FUSSBALL / PLANET FOOTBALL The Gallery is New Zealand’s only venue for this international Balconies touring exhibition of football images from the world’s finest • 10 June – 16 July photography agency, Magnum. SOUTHERN LIGHTS A remarkable installation by leading photographer Anne Noble Tait Electronics Antarctica explores how the medium of photography shapes our impressions Gallery of Antarctica. • until 30 July CECIL BEATON The glamorous worlds of fashion, literature and film meet in this William A. Sutton major international exhibition of one of the most celebrated & Ravenscar Galleries British portrait photographers of the twentieth century. Toured by • until 10 September the National Portrait Gallery, London. • admission charges apply • publication available A LOOP AROUND A LOOP Sensual, complex, arresting, the work of Julia Morison is an Touring Exhibition Galleries intellectual order made physical. This major exhibition of more & Borg Henry Gallery than two decades of work by one of New Zealand’s most • 21 July – 23 October inventive artists has been developed by Christchurch Art Gallery • publication available and Dunedin Public Art Gallery. ROOM WITH A VIEW This interactive installation of jewellery object art by Kirsten Tait Electronics Antarctica Haydon was inspired by a visit to Antarctica, and looks at the way Gallery souvenirs are reminders of journeys and encounters. • 11 August – 3 December From the Gallery Collections THE COLLECTIONS Divided into Historical, Twentieth Century and Contemporary Collection Galleries Collections, this installation displays a rotating selection of • catalogue available treasures. -
Newsletter 07/15 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 07/15 DIGITAL EDITION Nr. 352 - November 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 07/15 (Nr. 352) November 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Paul Hyett Auf unserem Titelfoto strahlen dieses Mal zwei Herren, die wir schlicht und ergreifend als “The IMAX Force” be- zeichnen: David Keighley, Chief Quality Officer, und Andrew Cripps, President EMEA, sind zwei der führen- den Köpfe beim kanadischen Großprojektionsspezialisten IMAX. Anlässlich der Wiedereröffnung des IMAX-Kinos in Karlsruhe waren die beiden Hochkaräter zu Gast im Film- palast am ZKM und wir nutzten die Gelegenheit für ein Interview. Zu sehen gibt es das wie immer auf unserem Youtube-Kanal. Wer noch mehr zum neuen IMAX wissen möchte, dem sei Seite 3 wärmstens empfohlen. Apropos warm: haben Sie IM SOM- MER WOHNT ER UNTEN schon im Kino gesehen? Falls nein, dann sollten Sie das schleunigst nachholen und einen der besten deutschen Filme des Jahres anschauen. Mehr zum Film und Übrigens ist Paul einer der fleissigsten gelegt. Das Drehbuch zu dem auf einer seinen Machern erfahren Sie in unse- Special Make Up Artist in der Branche wahren Begebenheit beruhenden Film rem speziellen Youtube-Video, auf das und hat an zahllosen Filmen (darunter stammt von dem 22jährigen Ahmed wir auf Seite 19 hinweisen. unser Liebling THE DESCENT) mitge- Dramé, der die damaligen Ereignisse arbeitet. -
Edward VIII's Abdication and the Preservation of the British Monarchy
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 12-2017 "Something Must Be Done!": Edward VIII's Abdication and the Preservation of the British Monarchy Allyse C. Zajac Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the European History Commons, and the Political History Commons Zajac, Allyse C., ""Something Must Be Done!": Edward VIII's Abdication and the Preservation of the British Monarchy" (2017). Pell Scholars and Senior Theses. 118. https://digitalcommons.salve.edu/pell_theses/118 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. “SOMETHING MUST BE DONE!”: EDWARD VIII’S ABDICATION AND THE PRESERVATION OF THE BRITISH MONARCHY Allyse Zajac Salve Regina University Department of History Senior Thesis Dr. Leeman December 2017 Acknowledgements I would like to thank the McGinty family for creating the John E. McGinty Fund in History. Thanks to the John E. McGinty Fund, I was able to conduct research at both the Lambeth Palace Library and Parliamentary Archives in London. The documents I had access to at both of these archives have been fundamental to my research and I would not have had the opportunity to view them without the McGintys’ generosity. Zajac 1 To the average Englishman, 1936 appeared to be a good year. -
The British Monarchy: Symbolism and Salience in Times of Crisis Danielle
The British Monarchy: Symbolism and Salience in Times of Crisis Danielle Foss University of Colorado Department of International Affairs April 3, 2012 Honors Thesis Committee: Primary Advisor: Dr. Susan Kent, Department of History IAFS Honors Director: Dr. Vicki Hunter, Department of International Affairs Secondary Advisor: Dr. Joseph Jupille, Department of Political Science Foss 2 Table of Contents Abstract……………………………………………………………………………3 Introduction………………………………………………………………………..4 Theory to be Tested……………………………………………………………...10 The Research Design: Methodology…………………………………………..…14 Historical Overview………………...……………………………………………18 Literature Review………………………………………………………………...22 Findings………………………………………………………………………….28 George VI and the Second World War…………………………………..29 Elizabeth II and Decolonization………………………………………….34 Summary of Findings…………………………………………………….52 Alternate Hypotheses…………………………………………………………….59 Conclusion……………………………………………………………………….62 Bibliography……………………………………………………………………..66 Foss 3 Abstract In this paper I endeavor to answer the question: what accounts for the British monarchy’s continued salience in British affairs? My hypothesis is that the monarchy is a symbol of continuity, stability, and British values during times of crisis or upheaval, and that the monarch’s performance of this essential function has resulted in an enduring relevance for the institution. Through a historical analysis of the reigns of King George VI and Queen Elizabeth II, I aim to establish a foundation for my hypothesis and help fill a considerable gap -
Queen Elizabeth
The British monarchy on screen oving images of the British monarchy, in fact and fiction, are almost as M old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new ‘animated photography’ from 1896. Half a The British century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century’s end, Princess Diana’s funeral was viewed by 2.5 billion worldwide. monarchy Historians have argued that the power of the image has bolstered the British monarchy as its political power has waned, but media scholars have been slow to examine how that power has been secured by royal self-promotion, entrepreneurial on screen deference, narrative sympathy, reportorial discretion and spectacular exhibition. In the first book-length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyse the screen representations of royalty from Henry VIII to ‘William and Kate’. Among their concerns are the commercial value of royal representations, the convergence of the monarch and the movie star, and the historical use of the moving image to maintain the Crown’s legitimacy. Seventeen essays by international commentators examine the portrayal of royalty in the ‘actuality’ picture, the early extended feature, amateur cinema, Edited by Mandy Merck the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. -
Executive Intelligence Review, Volume 23, Number 22, May 24, 1996
FIDELIO Journal of Poetry, Science, and Statecraft Publisher of LaRouche's major theoretical writings FEATURED in the Spring 1996 issue: How Hobbes) Mathematics FIDELI Misshaped Modern History O Journal of Poetry, Science, and Statecraft by Lyndon H. LaRouche, Jf. "There is no area of prevailing opinion in the fme arts, the so-called 'social sciences,' in political-economy, in the teaching of theology, in doctrines of historiography, within the departments of philosophy, and so on, which is not premised upon the same, false, axiomatic assumptions which are derived from the mathematical-physics presumptions of the mathematicians Sarpi, Galileo, Hobbes, et al." Thomas Hobbes: Fascist Exponent of Enlightenment Science) by Brian Lantz The Mandeville Model) by H. Graham Lowry Christian Economics-Or the (Structures of Sin)? by William F. Wertz, Jf. Sign me up for FIDELIO $20 for 4 issues NAME _______________________________________________ ADDRESS ____________________________________________ CITY ____________STATE _---- ZIP ______ TEL (day) ___________(eve) _________ __ Make checks or money orders payable to: Schiller, Institute, Inc. Dept. E P.O. Box 20244 Washington, D.C. 20041-0244 Founder and Contributing Editor: Lyndon H. LaRouche, Jr. Editorial Board: Melvin Klenetsky, Antony From theAssociate Editor Papert, Gerald Rose, Dennis Small, Edward Spannaus, Nancy Spannaus, Jeffrey Steinberg, Webster Tarpley, Carol White, Christopher White Senior Editor: Nora Hamerman T his special issue of EIR is devoted entirely to the subject of the Associate -
A Guide to Visiting Film and TV Locations in Britain
4040 FILM & TV Fold-out fi lm & TV location map inside A guide to visiting Film and TV locations in Britain From Sherlock’s London to the magic of Harry Potter © BBC/Hartswood Films PIC CREDIT 01_FC_FilmTVGB_Cover 2016 final.indd 40 03/06/2016 10:03 TM & © 2016 Warner Bros. Entertainment Inc. Harry Potter Publishing Rights © JKR. TM & © 2016 Warner WARNER BROS IFC.indd 1 18/05/2016 15:41 OPENING LETTER WELCOME STUDIO HEAD: DAN DARK ilm in the UK is in for the plains of Africa – undergoing a golden age: extraordinary what you can do 2015 was a record year at with a bit of technical wizardry. F the box office, with takings Towards the beginning of of just over £1.2bn, while film my own film career, when I production in the UK had its worked in special effects, I’d second best year (just beaten by be blowing things up. Now I’m 2014), with £1.4bn spent across running Warner Bros. Studios more than 200 films. High-end Leavesden, which is undergoing television production increased yet another expansion by 20 per cent. programme, I spend my time As well as the great actors in Making of Harry Potter. building things. I’m proud of front of the camera, we have We also have some of the the film and TV industry we arguably the greatest behind- most spectacular locations. have created in the UK, and the-scenes talent in the world. A Drive just four hours hope this magazine veritable army creates every film: out of London and will take your own “I used to painters, carpenters, plasterers, you’re amid the enjoyment of it a through to visual effects mountains and blow things up. -
The Family Firm Monarchy, Mass Media and the British Public, 1932–53
The Family Firm Monarchy, Mass Media and the British Public, 1932–53 EDWARD OWENS The Family Firm Monarchy, Mass Media and the British Public, 1932–53 New Historical Perspectives is a book series for early career scholars within the UK and the Republic of Ireland. Books in the series are overseen by an expert editorial board to ensure the highest standards of peer-reviewed scholarship. Commissioning and editing is undertaken by the Royal Historical Society, and the series is published under the imprint of the Institute of Historical Research by the University of London Press. The series is supported by the Economic History Society and the Past and Present Society. Series co-editors: Heather Shore (Manchester Metropolitan University) and Jane Winters (School of Advanced Study, University of London) Founding co-editors: Simon Newman (University of Glasgow) and Penny Summerfield (University of Manchester) New Historical Perspectives Editorial Board Charlotte Alston, Northumbria University David Andress, University of Portsmouth Philip Carter, Institute of Historical Research, University of London Ian Forrest, University of Oxford Leigh Gardner, London School of Economics Tim Harper, University of Cambridge Guy Rowlands, University of St Andrews Alec Ryrie, Durham University Richard Toye, University of Exeter Natalie Zacek, University of Manchester The Family Firm Monarchy, Mass Media and the British Public, 1932–53 Edward Owens LONDON ROYAL HISTORICAL SOCIETY INSTITUTE OF HISTORICAL RESEARCH UNIVERSITY OF LONDON PRESS Published in 2019 by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU © Edward Owens 2019 The author has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work. -
Im Krisenjahr Mit Viel Zug Chance BLS AG Steigerte Im Jahr 2009 Den Konzerngewinn Zur Integration B E R N
AZ 3900 Brig • Mittwoch, 12. Mai 2010 • Nr. 109 • 170. Jahrgang • Fr. 2.20 .FSKFO 4UBMEFO74 5FM XXXQSFNJPDI www.walliserbote.ch • Redaktion Telefon 027 922 99 88 • Abonnentendienst Telefon 027 948 30 50 • Mengis Annoncen Telefon 027 948 30 40 • Auflage 25 261 Expl. KOMMENTAR Im Krisenjahr mit viel Zug Chance BLS AG steigerte im Jahr 2009 den Konzerngewinn zur Integration B e r n. – (wb) Die BLS AG hat im Geschäftsjahr 2009 einen Derzeit sind im Wallis rund Konzerngewinn von 12,9 Mil- 1650 Asylsuchende in den lionen Franken erzielt. verschiedenen Zentren und Im Personenverkehr nahm die Wohnheimen untergebracht. Nachfrage bei Bahn, Bus, Das Wort «Asylant» ist in der Schiff und Autoverlad stark zu. Wahrnehmung der breiten Öf- Im Güterverkehr spürte BLS fentlichkeit ein Begriff mit ne- Cargo die Wirtschaftskrise. gativ besetzter Bedeutung. Die Gewinnsteigerung bei der Was allein durch die Oppositi- BLS AG beruht hauptsächlich auf einmaligen Sondereffekten on der Bevölkerung gegen wie der vorzeitigen Auflösung Asylheime in ihren Dörfern von Leasing-Verträgen für Roll- untermauert wird. material. Auch in Steg war man vor der Der BLS-Autoverlad am Eröffnung des Empfangszen- Lötschberg transportierte 2009 trums für Familien skeptisch. insgesamt 1,34 Millionen Fahr- Seit einigen Monaten leben zeuge (ein Plus von 2,3 Pro- dort fünf Familien mit insge- zent) und steigerte den Ertrag samt rund zwanzig Personen, entsprechend auf 26,3 Millio- die sich ernsthaft um Integra- nen Franken. Seit dem Fahr- planwechsel 2007/2008 durch- tion bemühen. Grössere Pro- fuhren 63563 Züge den Basis- bleme gebe es keine zu ver- tunnel. Im Fahrplanjahr 2009 zeichnen, wie die Leiterin verkehrten laut Bernard Guillel- Claudia Jentsch versichert. -
1500-1800, a Summary
• We have covered 300 years of British art starting in 1500. We started at about 1500 as there are very few British paintings produced before this date. Many religious paintings were destroyed during the period of iconoclasm from about 1533 to 1660 particularly during the reigns of Henry VIII and Edward VI and during the Commonwealth period. Notes Kings and Queens of England Anglo-Saxon kings ending in Canute, Harold I (Harefoot) illegitimate son of Canute, Harthacanute son of Canute died aged 24 toasting the bride, last Danish king to rule England. • Edward the Confessor (1042-1066), religious, rebuilt Westminster Abbey, left Earl Godwin and his son Harold to rule. • Harold II (1066), no royal bloodline, elected king but William, Duke of Normandy claimed Edward had promised him the throne. The Normans (1066 - 1154) • William I, the Conqueror 1066 – 1087, illegitimate son of Robert the Devil, Duke of Normandy, 1085 Doomsday Survey, died at Rouen after falling from his horse. • William II, Rufus 1087 – 1100, cruel, not popular, never married, killed in New Forest 1 by a ‘stray’ arrow. • Henry I 1100 – 1135, Henry Beauclerc, well educated founded a zoo at Woodstock, gave England good laws, his daughter Matilda was made his heir. • Stephen 1135 – 1154, Council offered Stephen the throne, grandson of William I, very weak king, barons, Scots and Welsh looted, civil war when Matilda invaded. • Empress Matilda 1141, agreed Treaty of Westminster so that her son Henry Plantagenet would rule when Stephen died. Plantagenets (1154 - 1399) • Henry II 1154 – 1189, strong king, brilliant soldier, ruled most of France, created English jury system, raised new taxes, had Thomas Becket murdered 29 Dec 1170. -
Wikijunior:Kings and Queens of England
Wikijunior:Kings and Queens of England en.wikibooks.org January 26, 2014 On the 28th of April 2012 the contents of the English as well as German Wikibooks and Wikipedia projects were licensed under Creative Commons Attribution-ShareAlike 3.0 Unported license. A URI to this license is given in the list of figures on page 139. If this document is a derived work from the contents of one of these projects and the content was still licensed by the project under this license at the time of derivation this document has to be licensed under the same, a similar or a compatible license, as stated in section 4b of the license. The list of contributors is included in chapter Contributors on page 137. The licenses GPL, LGPL and GFDL are included in chapter Licenses on page 143, since this book and/or parts of it may or may not be licensed under one or more of these licenses, and thus require inclusion of these licenses. The licenses of the figures are given in the list of figures on page 139. This PDF was generated by the LATEX typesetting software. The LATEX source code is included as an attachment (source.7z.txt) in this PDF file. To extract the source from the PDF file, you can use the pdfdetach tool including in the poppler suite, or the http://www. pdflabs.com/tools/pdftk-the-pdf-toolkit/ utility. Some PDF viewers may also let you save the attachment to a file. After extracting it from the PDF file you have to rename it to source.7z.