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Actresses (Self) Fashioning
View metadata, citation and similar papers at core.ac.uk brought to you by CORE INTERNATIONAL STUDIES INTERDISCIPLINARY POLITICAL AND CULTURAL JOURNAL, Vol. 16, No. 1/2014 97–110, DOI: 10.2478/ipcj-2014-0007 ∗ Raquel Serrano González,* Laura Martínez-García* HOW TO REPRESENT FEMALE IDENTITY ON THE ∗∗ RESTORATION STAGE: ACTRESSES (SELF) FASHIONING ABSTRACT: Despite the shifting ideologies of gender of the seventeenth century, the arrival of the first actresses caused deep social anxiety: theatre gave women a voice to air grievances and to contest, through their own bodies, traditional gender roles. This paper studies two of the best-known actresses, Nell Gwyn and Anne Bracegirdle, and the different public personae they created to negotiate their presence in this all—male world. In spite of their differing strategies, both women gained fame and profit in the male—dominated theatrical marketplace, confirming them as the ultimate “gender benders,” who appropriated the male role of family’s supporter and bread-winner. KEY WORDS: Actresses, Restoration, Bracegirdle, Gwyn, gender notions, deployment of alliance, deployment of sexuality. Introduction: Men, Women and Changing Gender Notions The early seventeenth century was an eventful time for Britain, a moment when turmoil and war gave way to a strict regime, which then resulted in the return of peace and stability in the form of Parliamentary Monarchy. The 1600s saw two of the most significant events in the history of the British Isles: the Civil War and the execution of Charles I. ∗ University of Oviedo, Dpto. Filología Anglogermánica y Francesa Teniente Alfonso Martínez s/n 33011 – Oviedo (Asturias). E-mail: [email protected], [email protected] ∗∗ We gratefully acknowledge financial suport from FICYT under the research grant Severo Ochoa (BP 10-028). -
Restoration Verse Satires on Nell Gwyn As Life-Writing
This is a postprint! The Version of Record of this manuscript has been published and is available in Life Writing 13.4 (Taylor & Francis, 2016): 449-64. http://www.tandfonline.com/DOI: 10.1080/14484528.2015.1073715. ‘Rais’d from a Dunghill, to a King’s Embrace’: Restoration Verse Satires on Nell Gwyn as Life-Writing Dr. Julia Novak University of Salzburg Hertha Firnberg Research Fellow (FWF) Department of English and American Studies University of Salzburg Erzabt-Klotzstraße 1 5020 Salzburg AUSTRIA Tel. +43(0)699 81761689 Email: [email protected] This work was supported by the Austrian Science Fund (FWF) under Grant T 589-G23. Abstract Nell Gwyn (1650-1687), one of the very early theatre actresses on the Restoration stage and long-term mistress to King Charles II, has today become a popular cultural icon, revered for her wit and good-naturedness. The image of Gwyn that emerges from Restoration satires, by contrast, is considerably more critical of the king’s actress-mistress. It is this image, arising from satiric references to and verse lives of Nell Gwyn, which forms the focus of this paper. Creating an image – a ‘likeness’ – of the subject is often cited as one of the chief purposes of biography. From the perspective of biography studies, this paper will probe to what extent Restoration verse satire can be read as life-writing and where it can be situated in the context of other 17th-century life-writing forms. It will examine which aspects of Gwyn’s life and character the satires address and what these choices reveal about the purposes of satire as a form of biographical storytelling. -
John Vanderbank, Was the Son of a Tapestry Weaver of Dutch Origins
Neil Jeffares, Dictionary of pastellists before 1800 Online edition VANDERBANK, John London 9.IX.1694–23.XII.1739 Johann van der Banck, known as John Vanderbank, was the son of a tapestry weaver of Dutch origins. From 1711 he was a pupil at Kneller’s academy, but in 1720 he joined Louis Chéron (q.v.) in establishing the first St Martin’s Lane academy; there were 33 subscribers, including established artists such as Louis Laguerre, William Kent and Giuseppe Grisoni; younger artists included Joseph Highmore, Bartholomew Dandridge, George Knapton and William Hogarth, with Arthur Pond one of the youngest and least prepared. Leading an extravagant lifestyle, Vanderbank was forced to quit England in 1724 to avoid his creditors, but returned by 1727 and resumed his career as a history painter, portraitist and illustrator. On 23.VI.1737 he took on John Robinson as an apprentice for five years for a premium of £157 10s. He normally worked in oil but produced many drawings; however virtually no pastels survive. His painting technique has been described as “lively”, in the sense of a Hogarthian lack of finish; the portraits are brightly, sometimes crudely lit. Bibliography Bénézit, s.v. Banck; Lippincott 1983; New Haven 1979; Oxford DNB; Walpole 1828, p. 53f; Waterhouse 1981; Wright 2006; Register of duties paid for apprentices’ indentures, 1710– 1811 Pastels J.7414.101 ?SELF-PORTRAIT in red coat, white wig, pstl, 58.5x43 (Sir Edward Coates; London, Sotheby’s, 22.VI.1922, Lot 2 n.r., 40 gns; Newstead) J.7414.106 Man in a brown coat, pstl/ppr, 57x42.5 (Barnard Castle, Bowes Museum, inv. -
Household of Prince George of Denmark 1680-1708 The
Household of Prince George of Denmark 1680-1708 The Household of Prince George of Denmark was established in 1683-84 upon his marriage to Lady Anne, daughter of James, Duke of York, whereupon she became the Princess of Denmark. The household was paid for by a grant of £20,000 pounds per annum supplied evenly by Charles II and the Duke of York. This was to be supplemented by the Prince of Denmark’s personal estates, estimated, optimistically, to yield £17,500. In 1689 the Crown contribution rose to £50,000 per annum.1 Danes were not to be appointed, though exceptions were made for a number of the Prince’s closest confidants, in particular Christian Siegfried von Plessen, who was nevertheless forced to exercise his duties from Denmark. 1. Chamberlayne [1684], p. 237; ibid. [1692], p. 183; A. Somerset, Queen Anne: The Politics of Passion (2012), p. 41; E. Gregg, Queen Anne (1980), p. 32. Council and Revenue Treasurer of the Household and Revenue c. 1683-1702 By 1684, the “Treasurer of the Revenue and Treasurer and Comptroller of the Household” made £200 per annum.1 1. Chamberlayne [1684], p. 236; Add. MS. 15897, f. 54. By 1684 Bathurst, Sir B. Treasurer and Receiver General 1702-1708 In 1702 the treasurer and receiver general made £400 per annum.1 1. RA EB 14; John Rylands Library NP 35. 1702 June Nicholas, E. 1707 26 Apr. Compton, S. Deputy Treasurer c. 1707-1708 By 1707 Godfrey, T. Treasurer’s Clerk c. 1702-1708 In 1702 the treasurer’s clerk made £140 per annum.1 1. -
THE POWER of BEAUTY in RESTORATION ENGLAND Dr
THE POWER OF BEAUTY IN RESTORATION ENGLAND Dr. Laurence Shafe [email protected] THE WINDSOR BEAUTIES www.shafe.uk • It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country disorientated. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could catch the King’s eye and become his mistress found that this brought great wealth, titles and power. Some historians think their power has been exaggerated but everyone agrees they could influence appointments at Court and at least proposition the King for political change. • The new freedoms introduced by the Reformation Court spread through society. Women could appear on stage for the first time, write books and Margaret Cavendish was the first British scientist. However, it was a totally male dominated society and so these heroic women had to fight against established norms and laws. Notes • The Restoration followed a turbulent twenty years that included three English Civil Wars (1642-46, 1648-9 and 1649-51), the execution of Charles I in 1649, the Commonwealth of England (1649-53) and the Protectorate (1653-59) under Oliver Cromwell’s (1599-1658) personal rule. • Following the Restoration of the Stuarts, a small number of court mistresses and beauties are renowned for their influence over Charles II and his courtiers. They were immortalised by Sir Peter Lely as the ‘Windsor Beauties’. Today, I will talk about Charles II and his mistresses, Peter Lely and those portraits as well as another set of portraits known as the ‘Hampton Court Beauties’ which were painted by Godfrey Kneller (1646-1723) during the reign of William III and Mary II. -
Australian Bred Roses
UNSH Newsletter Edition 2020.5.MAY The Rose Society of NSW: Upper North Shore & Hills Regional Email: unsh. [email protected] Phone: 9653 2202 (9am - 7 pm) Facebook: UNSH Rose Regional UNSH meets on 3rd Sunday of each month in 2020. Meeting time: 2 pm Autumn/Winter;4 pm Spring/Summer PLEASE ARRIVE 15 minutes earlier to ‘Sign On’; buy raffle tickets Patron: Sandra Ross UNSH Rose Advisors: Brigitte & Klaus Eckart Chair: Kate Stanley Assistant Chair: David Smith Treasurer: Judy Satchell Secretary: Paul Stanley LOOK ON PAGE 2 FOR WHAT’S HAPPENING AT UNSH Special Edition: Australian Bred Roses. Table of Contents • PLEASE READ important note regarding the Australian Bred Roses information compiled by Kate L. Stanley…page 2 • Chronological Spreadsheet of Australian Rose Breeders ((Hybridists), accolades, cultivars…pages 3-17 • List of A-Z Australian Bred (AB) roses by Rose Breeder (that doesn’t fit into Spreadsheet Table)…pages 18-32 • List of WALSH roses …pages 32-34 • List of MILLINGTON roses…pages 34-39 • Answers for April Crossword…page 41 An Autumn Poem… “A hush has come over the garden, Just a crinkle and crunch of fallen leaves, The cars and planes punctuating what’s heard, Are silenced for a time. A reflective time in our gardens Hearing little birds’ search for worms, The rich blue sky and warming sun, Lighting up the leaves in colour ” . K.S. 12.5.20 , Page 1 UNSH Newsletter 2020. 5.May Membership Renewal due by June 30th 2020. Please send your money to State as per form sent out in “The Rose”. -
Tudor Roses Kindle
TUDOR ROSES PDF, EPUB, EBOOK Alice Starmore | 176 pages | 06 Dec 2013 | Dover Publications Inc. | 9781606600474 | English | New York, United States Tudor Roses PDF Book I had to laugh when I saw pattern notes that referred to a couple of the patterns as "easy". This category only includes cookies that ensures basic functionalities and security features of the website. John and Terre were warm, welcoming hosts. I designed and made garments never seen in knitting before, full of meaningful details, carefully constructed to evoke character. Necessary cookies are absolutely essential for the website to function properly. We also use third-party cookies that help us analyze and understand how you use this website. Enlarge cover. The crowned and slipped Tudor rose is used as the plant badge of England, as Scotland uses the thistle , Wales uses the leek , and Ireland uses the shamrock Northern Ireland sometimes using flax instead. I compared the old patterns with those in the new book and find it interesting to see the more updated colors of those patterns that were in the original. The knitwear designs that appear in the version of this title have been altered and updated from those that appeared in the version. Your pictures Take a look at the photos you sent us during the show. See 1 question about Tudor Roses…. The Tudor Rose is as much a part of English heraldry now as it has always been, and is still worn on the uniform of the Yeoman Guards Beefeaters at the Tower of London. We will continue to pay part of your postage and packaging costs, but we are asking our UK customers to contribute to their shipping costs as follows —. -
John Constable (1776-1837)
A STROLL THROUGH TATE BRITAIN John Constable (1776-1837) This two-hour talk is part of a series of twenty talks on the works of art displayed in Tate Britain, London, in June 2017. Unless otherwise mentioned all works of art are at Tate Britain. References and Copyright • The talk is given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • Our sponsored charities are Save the Children and Cancer UK. • Unless otherwise mentioned all works of art are at Tate Britain and the Tate’s online notes, display captions, articles and other information are used. • Each page has a section called ‘References’ that gives a link or links to sources of information. • Wikipedia, the Oxford Dictionary of National Biography, Khan Academy and the Art Story are used as additional sources of information. • The information from Wikipedia is under an Attribution-Share Alike Creative Commons License. • Other books and articles are used and referenced. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 A STROLL THROUGH TATE BRITAIN 1. The History of the Tate 2. From Absolute Monarch to Civil War, 1540-1650 3. From Commonwealth to the Georgians, 1650-1730 4. The Georgians, 1730-1780 5. Revolutionary Times, 1780-1810 6. Regency to Victorian, 1810-1840 7. William Blake 8. J. M. W. Turner 9. John Constable 10. The Pre-Raphaelites, 1840-1860 West galleries are 1540, 1650, 1730, 1760, 1780, 1810, 1840, 1890, 1900, 1910 East galleries are 1930, 1940, 1950, 1960, 1970, 1980, 1990, 2000 Turner Wing includes Turner, Constable, Blake and Pre-Raphaelite drawings Agenda 1. -
Hadleigh Farm and Country Park Green Infrastructure Case Study the Olympic Mountain Biking Venue for London 2012
Hadleigh Farm and Country Park Green Infrastructure Case Study The Olympic mountain biking venue for London 2012 The creation of an elite mountain biking venue at Hadleigh Farm in Key facts: Essex for the London 2012 Olympic Games provided an opportunity to expand investment in the long-term sporting and recreational Size of the Olympic Mountain facilities within the area. A partnership between landowners, councils Biking Venue: 220 ha (550 acres) and Natural England has capitalised on this opportunity to enhance Combined size of Hadleigh green infrastructure and improve the quality and accessibility of the Farm (Salvation Army) and Country Park (Essex County natural environment for the benefit of local communities and visitors. Council): 512 ha (1,287 acres) The Country Park is one of the largest in Essex and used by Snapshot around 125,000 visitors per year Selection as an Olympic venue provided the catalyst for short The site includes areas and long-term investment designated as a Site of Special Elite and general mountain biking facilities integrated with Scientific Interest, a Special nature conservation objectives Protection Area and Ramsar site (Wetlands of International Legacy facilities for sport and recreation are projected to Importance, especially as increase the number and mix of visitors waterfowl habitat) and a Local Improved accessibility to local green infrastructure has Wildlife Site, and contains promoted healthy and active communities several Scheduled Monuments Construction work on the Olympic course began in July -
Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019
16 March — 14 July 2019 British Royal Portraits Exhibition organised by the National Portrait Gallery, London Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019 Tudors to Windsors traces the history of the British monarchy through the outstanding collection of the National Portrait Gallery, London. This exhibition highlights major events in British (and world) history from the sixteenth century to the present, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. Presenting some of the most significant royal portraits, the exhibition will explore five royal dynasties: the Tudors, the Stuarts, the Georgians, the Victorians and the Windsors shedding light on key figures and important historical moments. This exhibition also offers insight into the development of British art including works by the most important artists to have worked in Britain, from Sir Peter Lely and Sir Godfrey Kneller to Cecil Beaton and Annie Leibovitz. 2 UK WORLDWIDE 1485 Henry Tudor defeats Richard III at the Battle of Bosworth Field, becoming King Henry VII The Tudors and founding the Tudor dynasty 1492 An expedition led by Italian explorer Christopher Columbus encounters the Americas 1509 while searching for a Western passage to Asia Henry VII dies and is succeeded Introduction by King Henry VIII 1510 The Inca abandon the settlement of Machu Picchu in modern day Peru Between 1485 and 1603, England was ruled by 1517 Martin Luther nails his 95 theses to the five Tudor monarchs. From King Henry VII who won the door of the Castle Church in Wittenberg, crown in battle, to King Henry VIII with his six wives and a catalyst for the Protestant Reformation 1519 Elizabeth I, England’s ‘Virgin Queen’, the Tudors are some Hernando Cortes lands on of the most familiar figures in British history. -
Government Art Collection Annual Report 2008-2009
Annual Report and Acquisitions 2008 – 2009 Contents 3 Foreword – Julia Somerville, Chairman of the Advisory Committee 4 Director’s Report – Penny Johnson 15 Advisory Committee members and GAC staff 16 Acquisitions 28 Annex 1 – List of works lent to public exhibitions 34 Annex 2 – List of long-term loans outside Government Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Foreword Looking back over the past year, what stands out is the extraordinary growth in public interest in the Government Art Collection (GAC). We’ve been featured on radio and in the newspapers. And the public continues to flock through the doors of our headquarters when we have open house days. Visitors enjoying an Open House Tour at the GAC’s premises We continue to make our resources stretch as far as they can. The Director’s report highlights some of the exciting and important works which we have been able to acquire over the last year. This continues the GAC’s track record of making acquisitions by British artists of the highest calibre, fulfilling its role in promoting British art by displaying it in Government buildings in the UK and abroad. The Collection plays a vital part in Britain’s representation abroad: both as a reminder of our historical past and an illustration of our contemporary preoccupations. Our activities are an integral part of the UK’s diplomatic mission. We are pleased that we are increasingly playing a strategic role when new embassies are being planned. -
Queen's House Conference 2017 European Court Culture
Queen’s House Conference 2017 European Court Culture & Greenwich Palace, 1500-1750 RCIN405291, Royal Collection Trust/© Her Majesty Queen Elizabeth II, 2017 Thursday to Saturday, 20-22 April 2017 Location: National Maritime Museum and the Queen’s House, Greenwich Conference organisers: Janet Dickinson (University of Oxford), Christine Riding (Royal Museums Greenwich) and Jonathan Spangler (Manchester Metropolitan University). With support from the Society for Court Studies. For queries about the programme, please: [email protected] For bookings: call 020 8312 6716 or e-mail [email protected] Booking form: http://www.rmg.co.uk/see-do/exhibitions-events/queens-house- conference-2017 Thursday, 20 April 12.30–13.00 Registration 13.00–15.00 Introduction, conference organisers Jemma Field, Brunel University: Greenwich Palace and Anna of Denmark: Royal Precedence, Royal Rituals, and Political Ambition Karen Hearn, University College London): “‘The Queenes Picture therein’: Henrietta Maria amid architectural magnificence” Anna Whitelock, Royal Holloway, University of London: Title to be confirmed 15.00–15.30 Coffee and tea 15.30 17.00 Christine Riding, Royal Museums Greenwich: Private Patronage, Public Display: The Armada Portraits and Tapestries, and Representations of Queenship Natalie Mears, Durham University: Tapestries and paintings of the Spanish Armada: Culture and Horticulture in Elizabethan and Jacobean England Charlotte Bolland, National Portrait Gallery: The Armada Portrait of Elizabeth I 17.00–18.00 Keynote lecture Simon Thurley, Institute of Historical Research, London: Defining Tudor Greenwich: landscape, religion and industry 1 18.00–19.00 Wine reception in the Queen’s House, followed by dinner at restaurant in Greenwich, at own expense.