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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Science and Criticism in Coleridge and Peirce
ABDUCTING THE IMAGINATION: THE METHODOLOGICAL FOUNDATION OF SCIENCE AND CRITICISM IN COLERIDGE AND PEIRCE by Thomas Dechand A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland October, 2014 © 2014 Thomas Dechand All Rights Reserved Abstract The core the dissertation examines S. T. Coleridge’s writings on method and imagination from the 1815 composition of Biographia Literaria through the publication of the “Essays on the Principles of Method” in the 1818 Friend. I demonstrate how these writings clarify, develop, and indeed repair Coleridge’s earlier theory of imagination by articulating its role within a general theory of inquiry meant to comprehend the works of science and literature as methodical investigations. Whereas the Biographia fails in its attempt to ground the imagination within a conception of the self as intellectually intuited in a manner conceived by German Idealists such as Schelling, Coleridge’s “Essays on Method” explore the imagination through a theory of inquiry predicated on the discovery, analysis, and contemplation of relations. I argue that Coleridge aligns the operation of the secondary imagination to a logical function: the eduction of an “idea,” according to Coleridge’s precise sense of that term as a necessarily tautegorical relation – one that expresses the same subject, but with a difference. It is ideas, so conceived, that serve to guide inquiry. Coleridge’s refinement of the theory of imagination is done in serve of his argument that ideas are “constitutive” -- that is, they play a fundamental role in what it is, internal to our constitution and that of the world, that enables inquiry in the first place -- and should be seen as part of Coleridge’s answer to what he identifies as the highest problem of philosophy in the 1816 Statesman’s Manual. -
Kant, Neo-Kantianism, and Phenomenology Sebastian Luft Marquette University, [email protected]
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 7-1-2018 Kant, Neo-Kantianism, and Phenomenology Sebastian Luft Marquette University, [email protected] Published version. Oxford Handbook of the History of Phenomenology (07/18). DOI. © 2018 Oxford University Press. Used with permission. Kant, Neo-Kantianism, and Phenomenology Kant, Neo-Kantianism, and Phenomenology Sebastian Luft The Oxford Handbook of the History of Phenomenology Edited by Dan Zahavi Print Publication Date: Jun 2018 Subject: Philosophy, Philosophy of Mind, History of Western Philosophy (Post-Classical) Online Publication Date: Jul 2018 DOI: 10.1093/oxfordhb/9780198755340.013.5 Abstract and Keywords This chapter offers a reassessment of the relationship between Kant, the Kantian tradi tion, and phenomenology, here focusing mainly on Husserl and Heidegger. Part of this re assessment concerns those philosophers who, during the lives of Husserl and Heidegger, sought to defend an updated version of Kant’s philosophy, the neo-Kantians. The chapter shows where the phenomenologists were able to benefit from some of the insights on the part of Kant and the neo-Kantians, but also clearly points to the differences. The aim of this chapter is to offer a fair evaluation of the relation of the main phenomenologists to Kant and to what was at the time the most powerful philosophical movement in Europe. Keywords: Immanuel Kant, neo-Kantianism, Edmund Husserl, Martin Heidegger, Marburg School of neo-Kantian ism 3.1 Introduction THE relation between phenomenology, Kant, and Kantian philosophizing broadly con strued (historically and systematically), has been a mainstay in phenomenological re search.1 This mutual testing of both philosophies is hardly surprising given phenomenology’s promise to provide a wholly novel type of philosophy. -
"Maxims in Old English Poetry" by Paul Cavil!, BA, Mphil Thesis Submitted to the University of Nottingham for the Degr
"Maxims in Old English Poetry" by Paul Cavil!, BA, MPhil Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy, October 1996 hll ýyý'1 166 -c ý syb, r,..ý "Maxims in Old English Poetry" by Paul Cavil!, BA, MPhil Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy, October 1996 ulS ý2 ý/ý w rý 1 ý"ýýJ . ' 1ý:!''ý" 1. TABLE OF CONTENTS Abstract iv Abbreviations vi Preface: INTENTIONS x Chapter 1: IMPRESSIONS 1 Maxims organising thought and experience 5 Maxims organising society 9 Maxims codifying ethics 13 Maxims structuring literature 17 Maxims in the Old Germanic languages 23 Maxims in Old Saxon and Old High German 36 Summary 43 Chapter 2: DEFINITIONS 52 Towards a definition 52 Verbs in the gnome and maxim 58 A working definition 66 The maxim and the formula 68 Summary 80 Chapter 3: THE MAXIM AND THE PROVERB 84 `Proverbiality' and maxims 98 Proverbs in the Maxims 103 Summary 107 Chapter 4: A GNOMIC FORMULA 113 The formula 114 The sets 117 Sources 135 Back to Beowulf 139 Summary 147 Chapter 5: THE SOCIAL FUNCTIONS OF MAXIMS AND THE BATTLE OF MALDON 153 Maxim enactment and the social function of maxims 153 Maxims and other genres of expressive folklore 166 The Battle of Maldon 171 Contents iii Chapter 6: CHRISTIAN OR NOT? 198 Paganism in wisdom literature 199 Pagan associations 212 A pre-Christian expression? 216 A bit of old lore preserved 229 Summary 233 Chapter 7: THE OLD ENGLISH MAXIMS 240 Style and wisdom 243 Sources? 246 A different kind of literature? 253 Oral literature 258 Purpose 263 `Frost freezes' 264 An approach from the sociology of knowledge 267 The Maxims 275 Conclusion 289 Bibliography 293 ABSTRACT The focus of the thesis is on maxims and gnomes in Old English poetry, but the occasional occurrence of these forms of expression in Old English prose and in other Old Germanic literature is also given attention, particularly in the earlier chapters. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
The Role of Conversational Maxims, Implicature and Presupposition in the Creation of Humour: an Analysis of Woody Allen’S Anything Else
MASTER IN ENGLISH LANGUAGE AND LINGUISTICS MASTER DISSERTATION THE ROLE OF CONVERSATIONAL MAXIMS, IMPLICATURE AND PRESUPPOSITION IN THE CREATION OF HUMOUR: AN ANALYSIS OF WOODY ALLEN’S ANYTHING ELSE Department of English Philology I, UCM STUDENT: Ramiro Nieto Álvaro TUTOR: Dr. Marta Begoña Carretero Lapeyre Septiembre de 2011 1 TABLE OF CONTENTS ABSTRACT........................................................................................................................4 1. Introduction.....................................................................................................................5 1.1 Framework and outline................................................................................................5 1.2. Research hypothesis and aim of the study..................................................................6 1.3. Overview of the method.............................................................................................7 1.4. Description of the data................................................................................................8 1.4.1. Plot and characters........................................................................................9 1.4.2. Film poster analysis.........................................................................................10 1.5. Context and “double level” …......………………………………………………...15 2. Humour in Woody Allen’s Anything Else..............................................................17 2.1 What is humour?........................................................................................................17 -
The Poems of Isabella Whitney: a Critical Edition
THE POEMS OF ISABELLA WHITNEY: A CRITICAL EDITION by MICHAEL DAVID FELKER, B.A., M.A. A DISSERTATION IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved May 1990 (c) 1990, Michael David Felker ACKNOWLEDGMENT S I would like especially to thank the librarians and staff of the Bodleian Library, Oxford, and the British Library for their assistance and expertise in helping me trace the ownership of the two volumes of Isabella Whitney's poetry, and for their permission to make the poems of Isabella Whitney available to a larger audience. I would also like to thank the members of my committee. Dr. Kenneth Davis, Dr. Constance Kuriyama, Dr. Walter McDonald, Dr. Ernest Sullivan, and especially Dr. Donald Rude who contributed his knowledge and advice, and who provided constant encouragement throughout the lengthy process of researching and writing this dissertation. To my wife, who helped me collate and proof the texts until she knew them as well as I, I owe my greatest thanks. 11 TABLE OF CONTENTS PREFACE vi BIOGRAPHICAL NOTE viii BIBLIOGRAPHICAL NOTE xxxviii INTRODUCTION Literary Tradition and the Conventions Ixii Prosody cvi NOTE ON EDITORIAL PRINCIPLES cxix THE POEMS The Copy of a Letter 1 [THE PRINTER TO the Reader] 2 I. W. To her vnconstant Louer 3 The admonition by the Auctor 10 [A Loueletter, sent from a faythful Louer] 16 [R W Against the wilfull Inconstancie of his deare Foe E. T. ] 22 A Sweet Nosgay 29 To the worshipfull and right vertuous yong Gentylman, GEORGE MAINWARING Esquier 30 The Auctor to the Reader 32 [T. -
The Long and Short of It : from Aphorism to Novel / Gary Saul Morson
THE LONG AND SHORT O F I T THE L O N G A N D SHORT OF I T FROM APHORISM TO NOVEL GARY SA U L MO R S O N STA NFO R D UNI VERSITY P RESS STA NFO R D , CAL I F O R N I A Stanford University Press Stanford, California © by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Morson, Gary Saul, – author. The long and short of it : from aphorism to novel / Gary Saul Morson. pages cm Includes bibliographical references and index. ---- (cloth : alk. paper) — ---- (pbk. : alk. paper) . Aphorisms and apothegms—History and criticism. Wit and humor—History and criticism. Epigram. Literary form. I. Title. . '.—dc Typeset by Bruce Lundquist in / Minion FOR KATIE They were arguing about something complex and important, and neither one of them could convince the other. They did not agree about anything, and that made their dispute all the more engaging and endless. —Mikhail Bulgakov, The Master and Margarita ACK NOWL E DGM E N T S Some thirty years ago, my former teacher, the late Martin Price, commenting on my first book, remarked that my style tended to the aphoristic and sug- gested that I might someday examine the form systematically. -
Hegel and Phenomenology Alfredo Ferrarin • Dermot Moran Elisa Magrì • Danilo Manca Editors
Contributions To Phenomenology 102 Alfredo Ferrarin Dermot Moran Elisa Magrì Danilo Manca Editors Hegel and Phenomenology Alfredo Ferrarin • Dermot Moran Elisa Magrì • Danilo Manca Editors Hegel and Phenomenology Contents Husserl’s Phenomenology of Spirit: A Reading of the Crisis of European Sciences and Related Manuscripts ���������������������� 1 Dermot Moran How is a Phenomenology of Historical Worlds Possible? . 29 Tanja Staehler Hegel and Husserl on the History of Reason . 45 Danilo Manca Hegel’s Critique of Foundationalism and Its Implications for Husserl’s Dream of Rigorous Science . 61 Chong-Fuk Lau Archeo-Logos: Hegel and Heidegger on Finding the Principle in Heraclitus’ Saying. 77 Antoine Cantin-Brault The Phenomenology of the Pure Ego and Its Dialectical Actuality . 93 Andrea Altobrando Hegel, Husserl and Imagination . 115 Alfredo Ferrarin Hegel, Merleau-Ponty, and the Paradox of Expression �������������������������������� 131 Elisa Magrì Adorno on the Meaning of Phenomenology �������������������������������������������������� 147 Giovanni Zanotti Ricœur as a Reader of Hegel: Between Defiance and Nostalgia ������������������ 163 Gilles Marmasse Méditations Hégéliennes vs. Méditations Cartésiennes. Edmund Husserl and Wilfrid Sellars on the Given �������������������������������������� 177 Daniele De Santis xiii Husserl’s Phenomenology of Spirit: A Reading of the Crisis of European Sciences and Related Manuscripts Dermot Moran It is true not only for nineteenth-century Germany but also for the whole of Europe that philosophy developed under the sign of Hegel. (Brunschwicg 1927, 35) For the spirit alone is immortal [Denn der Geist allein ist unsterblich]. (Vienna Lecture, Husserl 1954, 348) Abstract In this paper I trace the revival of Hegel in France and Germany in the early twentieth century and point especially to the crucial role of phenomenology (both Husserl and Heidegger, as well as their students, e.g. -
Normativity and Phenomenology in Husserl and Heidegger
NORMATIVITY AND PHENOMENOLOGY IN HUSSERL AND HEIDEGGER Steven Crowell has been for many years a leading voice in debates on twentieth-century European philosophy. h is volume presents thirteen recent essays that together provide a systematic account of the relation between meaningful experience (intentionality) and responsiveness to norms. h ey argue for a new understanding of the philosophical import- ance of phenomenology, taking the work of Husserl and Heidegger as exemplary, and introducing a conception of phenomenology broad enough to encompass the practices of both philosophers. Crowell dis- cusses Husserl’s analyses of i rst-person authority, the semantics of con- scious experience, the structure of perceptual content, and the embodied subject, and shows how Heidegger’s interpretation of the self addresses problems in Husserl’s approach to the normative structure of meaning. His volume will be valuable for upper-level students and scholars inter- ested in phenomenological approaches to philosophical questions in both the European and the analytic traditions. steven crowell is Joseph and Joanna Nazro Mullen Professor of Philosophy at Rice University. He is the author of Husserl, Heidegger, and the Space of Meaning (2001), and editor of h e Prism of the Self: Philosophical Essays in Honor of Maurice Natanson (1995), Transcendental Heidegger (with Jef Malpas, 2007), and h e Cambridge Companion to Existentialism (Cambridge, 2012). Downloaded from Cambridge Books Online by IP 137.205.50.42 on Thu Sep 24 07:05:01 BST 2015. http://ebooks.cambridge.org/ebook.jsf?bid=CBO9781139548908 Cambridge Books Online © Cambridge University Press, 2015 Downloaded from Cambridge Books Online by IP 137.205.50.42 on Thu Sep 24 07:05:01 BST 2015. -
Dipartimento Di Filosofia «A. Aliotta» DOTTORATO DI RICERCA In
UNIVERSITÀ DEGLI STUDI DI NAPOLI “FEDERICO II” Dipartimento di Filosofia «A. Aliotta» DOTTORATO DI RICERCA in “Scienze Filosofiche” - ciclo XIX - TESI DI DOTTORATO Il Pathos della Forma. Sul pensiero di Emil Lask G. Grosz, Repubblica Automatons TUTOR CANDIDATO Ch.mo prof. Eugenio Mazzarella dott. Felice Masi COORDINATORE Ch.mo prof. Domenico Jervolino Il Pathos della Forma INDICE INDICE…………………………………………... ..……………………………...I INTRODUZIONE. Il Pathos della Forma………… .……………………………..V I. La Dualità dell’Origine. Condizioni preliminari del confronto con il pensiero di Emil Lask………………………………… ...…..………………………...1 §. 1. La distanza della decisione……….………. .....…………………………...2 §. 2. Un quadro d’epoca. La formazione e l’irregolarità................................................ .…………………………….20 §. 3. «Welche Bewandtnis hat es mit diesem Anderem?»: il luogo della Dottrina delle idee platonica ……………………………. ...……..…………………….29 3.1. Un abbozzo di storia della metafisica…................................................ .…………………………….32 3.2. Alterità del Valere: le letture platoniche di Lotze ed Husserl……….….. ……….…………………….37 3.3. La validità dell’oggetto: il confronto con la lettura natorpiana di Platone…….... ….………………………….49 3.4. Digressione: l’incompletezza della valenza………………………………..….. ……….…………………….60 II. Formazione ed Individuazione………...…. ………….………………….51 §. 1. Zurück zu Kant………………………….… ………….………………….51 §. 2. Per una Teoria trascendentale della formazione concettuale………………..…. …………….……………….76 2.1. Teoria e Genealogia: tra Herbart ed Husserl…………………………………… -
Applied Ontology Cannot Share Data with One Another
Ontology is the philosophical discipline which aims to understand how things in the world are divided into categories and how these categories are related together. This is exactly what information scientists aim for in creating structured, automated Katherine Munn representations, called 'ontologies,' for managing information in fields such as science, government, Barry Smith (Eds.) industry, and healthcare. Currently, these systems are designed in a variety of different ways, so they Applied Ontology cannot share data with one another. They are often · idiosyncratically structured, accessible only to those who created them, and unable to serve as inputs for automated reasoning. This volume shows, in a non- Applied Ontology technical way and using examples from medicine and biology, how the rigorous application of An Introduction theories and insights from philosophical ontology can improve the ontologies upon which information Wachter management depends. RESEARCH Edited by Maria E. Reicher · Johanna Seibt Barry Smith · Daniel von METAPHYSICAL Katherine Munn, Barry Smith (Eds.) ontos 9 783938 793985 verlag Distributed in North and South America by Transaction Books ISBN 978-3-938793-98-5 Katherine Munn, Barry Smith Applied Ontology An Introduction M E T A P H Y S I C A L R E S E A R C H Herausgegeben von / Edited by Uwe Meixner • Johanna Seibt Barry Smith • Daniel von Wachter Band 8 / Volume 9 Katherine Munn, Barry Smith Applied Ontology An Introduction Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de.