December 10, 1982 Issue IV
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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
3:30 - 7:00 P.M
Page 8 The Projector Tuesday, February 2, 1982 Rebels' Hockey Team Embarrasses Red River Rebel coach suspended until further investigations are completed. by Norm Fontaine hockey team, who, on their the social evening, one Rebel wear and danced for the dura- would be sending a letter way to check out their coats, tion of one song. Rebels' hockey coach Gary team member got up on stage expressing its concern made several derogatory and started to complain to the about these incidents to RRC- Paterson has been suspended There were also several SPECIAL BUY! remarks to the Assiniboine crowd on hand that Red River until further investigations are CSA President Steve Dawson, Community College coaches' had been "gyped" by ending related incidents such as beer completed, following a Feb. 6 and a formal complaint would wives. One ACC coach, in up playing against tougher bottle throwing in the fighting incident in Brandon probably be made to the involving several members turn, threw a punch at a Rebel competitors than ACC had hallways, and vulgar remarks Manitoba College Athletic from both the Red River and player, which instigated a encountered. such as the ones made to the melee involving the ACC Association (MCAA). Assiniboine Community Col- Later two members from coaches and several members coaches' wives were made to lege hockey teams. the Rebels' hockey team who, An Athletic Board meeting of the RRCC hockey team. several women. The incident, which along with the remainder of has been scheduled for Tues- According to one ACC occurred at the end of a wind- This was not the only inci- the Rebel team were totally day, Feb. -
Sammy Hagar (I Never Said Goodbye) Mp3, Flac, Wma
Sammy Hagar Sammy Hagar (I Never Said Goodbye) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sammy Hagar (I Never Said Goodbye) Country: Australia & New Zealand Released: 1987 Style: Hard Rock MP3 version RAR size: 1813 mb FLAC version RAR size: 1365 mb WMA version RAR size: 1533 mb Rating: 4.8 Votes: 933 Other Formats: FLAC MOD MMF TTA VOX MIDI ASF Tracklist Hide Credits A1 When The Hammer Falls 4:08 Hands And Knees A2 4:48 Drums [Overdubs] – Omar Hakim A3 Give To Live 4:21 A4 Boys Night Out 3:18 A5 Returning Home 6:13 B1 Standing At The Same Old Crossroads 1:46 B2 Privacy 5:32 Back Into You B3 5:09 Drums [Overdubs] – Omar Hakim B4 Eagles Fly 4:57 B5 What They Gonna Say Now 5:06 Companies, etc. Marketed By – WEA Records Pty. Limited Credits Bass – Edward Van Halen* Drums – David Lauser Engineer, Co-producer – David Thoener Guitar, Vocals – Sammy Hagar Keyboards – Jesse Harms Keyboards [Additional], Percussion – Albhy Galuten Mastered By [Originally] – George Marino Producer – Edward Van Halen*, Sammy Hagar Written-By – Jesse Harms (tracks: B3), Sammy Hagar Notes I Never Said Goodbye is not actually printed on the cover, but this is the name given to the album. White stickers on front and back cover with artist and tracklisting. Nil country stated on label or cover, but states "For Australia & New Zealand lyrics printed by permission of Warner Bros. Music" on printed inner sleeve. Barcode and Other Identifiers Matrix / Runout (Side A etched): SP-AUS GHS-24144-ADMM-SRI 2-6 MX 213639 24144-1-1 STERLING Matrix / Runout (Side -
Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4. -
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Brown, A.R. (2015) ‘Explaining the naming of heavy metal from rock’s “Back Pages”: a dialogue with Deena Weinstein’. Metal Music Studies, 1 (2): 233-261. Online at: http://dx.doi.org/10.1386/mms.1.2.233_1 ResearchSPAce http://researchspace.bathspa.ac.uk/ This version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Author’s note: This is the final draft version of the article accepted for publication by Metal Music Studies on the 2nd December 2014. The final copy-edited article is due to be published as: Brown, A.R. (2015) ‘Explaining the Naming of Heavy Metal from Rock’s “Back Pages”: A dialogue with Deena Weinstein’, Metal Music Studies, I (2): 233-261 (April). Explaining the Naming of Heavy Metal From Rock’s “Back Pages”: A Dialogue with Deena Weinstein The origins of the term heavy metal or when the genre was first named is a perennial topic of debate and conjecture among fans, popular music historians, academic-fans and fan-academics. Such debates and refutations can also be found across the web, on metal-blogs, net-cyclopedias, discographies and fan forums. -
Breitholli Leads Reslruclured BM6 by Ajax Scott Hasse Breitholtz Bas Been Namec Chairman of BMG UK and Ireland As the Company Un
Breitholli leads reslruclured BM6 Hasseby Ajax Breitholtz Scott bas been namec ofBMG VP UK stratégie and Europe development working direct- for thechairman company of BMG undergoes UK and Irelandits most as ly alongsideThe restructuring Griffiths. effectively 3 Griffiths, who déclinés significantlaunched in therestructuring UK in 1987. slnce it andmeans RCA the as disappearance stand-alone label of Aristaopér- i last October. projected savings. He; leveladds ofthat such the ît Friday by BMG UK ueations, to bealthough signed artists to the will imprints. contin- Ialways brought in thein Hasse back of that my ifhead I needed when intact.30-strong "In artist faot roster the willintention remain Griffiths,and Europe ail theprésident UK company's Richard marketing,Instead activities press andinoluding promotion A&R, toson do to anything do it," hein thesays. UK I had a per- adds.is to grow the artist roster," he frontlineacross its RCArepertoire and Arista activitiesunits will group,will operate with staffcentrally concentrating across theon labelHe loyalty.adds. It's"[Today] about utilisingthere's theno Breitholtz, indwho new was média previously manag- reportingbe combined to current into Aristaone divisionmanag- workingrather than particular label streams. genres of music best of your :s. We st elays company the new to structurefocus on whoing directortakes on Ged the Doherty.title of UK Doherty, music includingAli BMG's executives UK A&R likeactivities RCA's - rathered to thinkthan labelabout marketing.genre marketing And if its strengths and divide up its work- divisionreport to président,Breitholtz, whowill willin turnalso MarcRaymonde Fox, plusPer Kvimanspécifie andimprints Nick theyou're time going to doto makeit is whenchanges you then are abe heavy setting release things schedule.up while RCANow has we cialoversee marketing, ail the catalogueUK company's and spé-new Records,including Emancipated,Boilerhouse, Cheeky,NuLife anddb whoPreviously will alsoail promotionreport to hasDoherty. -
Introduction
Notes Introduction 1. Tribune, December 3, 1943, in Paul Anderson ed. Orwell in Tribune (London: Politico’s, 2006), 57. 2. Margaret Tapster, WW2 People’s War, an online archive of wartime memories con- tributed by members of the public and gathered by the BBC. The archive can be found at bbc.co.uk/ww2peopleswar. http://www.bbc.co.uk/history/ww2peopleswar/stories/ 65/a5827665.shtml Accessed May 30, 2013. 3. Paul Addison, No Turning Back: The Peacetime Revolutions of Post-War Britain (Oxford and New York: Oxford University Press, 2010); Peter Hennessy, Having It So Good: Britain in the Fifties (London: Allen Lane, 2006); David Kynaston Aus- terity Britain, 1945–51 (London, Berlin and New York: Bloomsbury, 2007); David Kynaston, Family Britain, 1951–1957 (London, Berlin, New York: Bloomsbury, 2009); Mark Donnelly, Sixties Britain: Culture, Society and Politics (Harlow: Pearson, 2005); Alwyn W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008); Andy Beckett, When the Lights Went Out: Britain in the Seventies (London: Faber and Faber, 2009); Dominic Sandbrook, Seasons in the Sun: The Battle for Britain, 1974–1979 (London: Allen Lane, 2012); Alwyn W. Turner, Rejoice! Rejoice! Britain in the 1980s (London: Aurum, 2010) and Andy McSmith, No Such Thing as Society: A History of Britain in the 1980s (London: Constable, 2011). 4. British and European resistance to American culture is expounded by Dick Hebdige, Subculture: The Meaning of Style (London and New York: Routledge, 1979); Rob Kroes et al. Cultural Transmissions and Receptions: American Mass Culture in Europe (Amsterdam: VU University Press, 1993) and Rob Kroes, If You’ve Seen One, You’ve Seen the Mall: Europeans and American Mass Culture (Urbana, IL: University of Illinois Press, 1996). -
MY BOOKY WOOK a Memoir of Sex, Drugs, and Stand-Up Russell Brand
MY BOOKY WOOK A Memoir of Sex, Drugs, and Stand-Up Russell Brand For my mum, the most important woman in my life, this book is dedicated to you. Now for God’s sake don’t read it. “The line between good and evil runs not through states, nor between classes, nor between po liti cal parties either, but through every human heart” Alexander Solzhenitsyn, The Gulag Archipelago “Mary: Tell me, Edmund: Do you have someone special in your life? Edmund: Well, yes, as a matter of fact, I do. Mary: Who? Edmund: Me. Mary: No, I mean someone you love, cherish and want to keep safe from all the horror and the hurt. Edmund: Erm . Still me, really” Richard Curtis and Ben Elton, Blackadder Goes Forth Contents iii Part I 1 April Fool 3 2 Umbilical Noose 16 3 Shame Innit? 27 4 Fledgling Hospice 38 5 “Diddle- Di- Diddle- Di” 50 6 How Christmas Should Feel 57 7 One McAvennie 65 8 I’ve Got a Bone to Pick with You 72 9 Teacher’s Whiskey 8186 94 10 “Boobaloo” 11 Say Hello to the Bad Guy Part II 12 The Eternal Dilemma 105111 13 Body Mist Photographic Insert I 14 Ying Yang 122 131 138146 15 Click, Clack, Click, Clack 16 “Wop Out a Bit of Acting” 17 Th e Stranger v Author’s Note Epigraph vii Contents 18 Is This a Cash Card I See before Me? 159 19 “Do You Want a Drama?” 166 Part III 20 Dagenham Is Not Damascus 179 21 Don’t Die of Ignorance 189 22 Firing Minors 201 Photographic Insert II 23 Down Among the Have-Nots 216 24 First-Class Twit 224 25 Let’s Not Tell Our Mums 239 26 You’re a Diamond 261 27 Call Me Ishmael. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars. -
1 the Absent Presence of Progressive Rock in the British Music Press, 1968
The absent presence of progressive rock in the British music press, 1968-1974 Chris Anderton and Chris Atton Abstract The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding progressive rock were deployed in popular culture in the past, especially within the music press. To recover the historical place of the music and its critical reception, we present an analysis of three British weekly music papers of the 1960s and 1970s: Melody Maker, New Musical Express and Sounds. We find that there appears to be relatively little consensus in the papers studied regarding the use and meaning of the term ‘progressive’, pointing to either multiple interpretations or an instability of value judgments and critical claims. Its most common use is to signify musical quality – to connect readers with the breadth of new music being produced at that time, and to indicate a move away from the ‘underground’ scene of the late 1960s. 1 Introduction Beginning in the 1990s there has been an upsurge of academic interest in the genre known as progressive rock, with the appearance of book-length studies by Edward Macan (“Rocking”) and Bill Martin (“Music of Yes”, “Listening”), to which we might add, though not strictly academic, Paul Stump. The 2000s have seen further studies of similar length, amongst them Paul Hegarty & Martin Halliwell, Kevin Holm-Hudson (“Progressive”, “Genesis”) and Edward Macan (“Endless”), in addition to scholarly articles by Jarl A. Ahlkvist, Chris Anderton (“Many-headed”), Chris Atton (“Living”), Kevin Holm-Hudson “Apocalyptic”), and Jay Keister & Jeremy L. -
Record of the Week
www.hitsheet.co.uk 24 SEPTEMBER 2004 ISSUE #57 Looking Good Sounding Better... We Know What We Like We Like What We Know Record of the Week Perspective EMI Kevin Mark Trail We’ve been lucky enough to have seen Kevin and his band perform three times recently and we’re convinced that he has some hit tunes comin’ at ya! At the EMI conference, he had the pleasure of opening proceedings with the track D Thames, which will be the likely follow up to Perspective. Needless to say, KMT was one of the highlights of the live performances we witnessed throughout the day. A big future awaits this very personable young man... EDITORIAL 2 EDITORIAL Hello and welcome to issue #57 of the Hit Sheet. It’s that time of year when the industry bustles and buzzes Manchester, do come and say hello. And, if you’re not more than ever. Autumn sales conferences are held, award planning to go anywhere, see the new Metallica movie – ceremonies staged, touring schedules kick off and then watching middle-aged rockers continually admit just how there’s the annual A&R-fest that is In The City. scared and upset they feel is so very Spinal Tap! 31 The Birches, The autumn period arrives as the final few stragglers return London, N21 1NJ from holiday and everything seems to spring back to life at GREG PARMLEY Tel. +44 (0)20 8360 4088 once. True to form, this year has been no exception, Fax: +44 (0)20 8360 4088 starting with the launch of the new Download chart at the Through The Grapevine Email.