Boys Night out First Circle Free Download Boys Night out First Circle Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Boys Night out First Circle Free Download Boys Night out First Circle Free Download boys night out first circle free download Boys night out first circle free download. Named after his maternal grandfather, Sam Roy, Hagar was born in Salinas, California. His family soon moved to Fontana, where his father worked at the Kaiser Steel Mill. Hagar graduated from Fontana High School. Hagar's first major success came from his work with the group Montrose on their debut and second albums, including the first song Hagar wrote, "Bad Motor Scooter". After difficulties with the band's founder, Ronnie Montrose, during a European tour, Hagar departed from the group. Bassist Bill Church (who had quit Montrose after the first album) and drummer Denny Carmassi would eventually find themselves playing in Hagar's backing band. After the album Paper Money, Hagar left Montrose for a solo career. In the mid-1970s, Hagar started a solo recording and touring career to increasing success. He enjoyed moderate success on Capitol Records under the tutelage of A&R man Carter, with such albums as Nine on a Ten Scale and hits such as "Red", which would build his persona and style, leading to his nickname of "The Red Rocker". However, Hagar felt that Carter did not play to his strengths as "a heavy-metal guy" and instead tried to generate Top 40 hits (such as a cover of Otis Redding's "Dock of the Bay" with little success. Hagar was scheduled to open for Boston in San Bernardino, California, during their 1979 world tour. Prior to the Boston show, Hagar was replaced on the bill by the up-and-coming Los Angeles club band, The Knack, rather than being an opening act so close to his former hometown of Fontana. Hagar split with Carter for his 1979 Street Machine album which he self-produced. But after it and 1980's Danger Zone failed to break out, Hagar felt that Capitol wasn't supporting him sufficiently. Hagar left Capitol for the newly formed Geffen Records and made some personnel changes, including enlisting long-time friend and former Justice Brothers bandmate David Lauser as his drummer. His first Geffen release, Standing Hampton, was his biggest-selling album to date and went platinum on the strength of songs such as "There's Only One Way to Rock". The follow-up, Three Lock Box, generated his first pop Top 40 hit and his highest charting solo single on the Billboard Hot 100, "Your Love Is Driving Me Crazy", which peaked at #13 in early 1983. Hagar continued to enjoy commercial success in the 1980s, with perhaps his best-known song, "I Can't Drive 55", from his 1984 album VOA, reaching #26 on the Billboard Hot 100 singles chart. By this time, Hagar had become a headlining act in many parts of the United States and Europe. In 1987, Hagar had his first #1 hit on Billboard's Album Rock Tracks with "Give to Live" from I Never Said Goodbye, released after he had joined Van Halen. In 1983�84 Hagar and Neal Schon formed the supergroup HSAS (Hagar Schon Aaronson Shrieve) along with former Foghat bassist Kenny Aaronson and former Santana drummer Michael Shrieve. HSAS did a small Christmas tour to benefit local charities and released an album, Through The Fire. The tracks which appeared on the album were recorded live, but crowd noise was removed during the mixing process to create the feel of a studio album. As intended from its start, HSAS was a short-lived project. One song in particular, a cover of "A Whiter Shade of Pale", received some airplay, peaking at #94 on the Billboard Pop 100 Singles chart. Hagar went on to produce several new solo records after the split with Van Halen in 1996. He hit #1 on the Mainstream Rock Tracks chart again in 1997 with the song "Little White Lie". In 1999, Hagar formed a long term solo band, called The Waboritas, consisting again of David Lauser on drums, as well as former keyboardist Jesse Harms, and new to the mix was former The Bus Boys guitarist Vic Johnson, and former Tommy Tutone bassist Mona Gnader. His subsequent tours were known for spontaneity, once doing an improvised version of "Folsom Prison" by Johnny Cash at the IC Light Amphitheatre in Pittsburgh after a train disturbed his show. In the summer of 2002, Roth and Hagar teamed up in the Song For Song, the Heavyweight Champs of Rock and Roll tour (also known as the 'Sans-Halen' or 'Sam & Dave' Tour). The joint tour headlining both former lead singers attracted media and audience fascination because it seemed more improbable than even a Van Halen tour with Roth or Hagar could be. The tour drew large crowds and featured no opening acts, Roth and Hagar alternating opening as the first act during the tour. In an interview, Roth contrasted his personality with Hagar's, saying, "He's the kind of guy you go out with to split a bottle with a friend. I'm the kind of guy you go out with if you want to split your friend with a bottle." Michael Anthony guested with Hagar's band, The Waboritas, numerous times and sometimes even sang lead vocals. During performances, Hagar would tease Anthony by asking, "Do the brothers know you're here?". Anthony never played with Roth. Gary Cherone appeared on occasion. Hagar released a live album (Hallelujah), featuring vocals by Mike and Gary, and a documentary DVD, Long Road to Cabo, about touring with Roth. Sammy and The Waboritas (2005�present) In 2005, Hagar continued to play with The Waboritas as he toured the Atlantic coast and the Midwest and added ex-Van Halen bass player Michael Anthony. Hagar's 2006 tour with The Waboritas also included a segment with Anthony, playing as a band called The Other Half (a reference to Hagar and Anthony being the half of Van Halen that was not Van Halen by name) for a set of songs in the middle of the show, including both Hagar- and Roth-era tunes. Hagar released an album and DVD called Livin' It Up! In St. Louis with the Wabos on July 25, 2006. Hagar has a longstanding and strong relationship with St. Louis. He often credits St. Louis fans and the radio station KSHE in St. Louis with helping to launch his professional career. Chickenfoot and The Circle (2008�present) In 2008, Hagar formed a "supergroup" named Chickenfoot with Michael Anthony, Red Hot Chili Peppers drummer Chad Smith, and guitar virtuoso Joe Satriani. Their self-titled debut album was released in June 2009 and debuted at #4 on the Billboard Music Chart. A brief tour was followed up by a second album, Chickenfoot III, in 2011. Hagar formed a new supergroup in 2014, featuring Michael Anthony, Waboritas guitarist Vic Johnson, and drummer Jason Bonham. The group was called The Circle as according to Hagar, "this band has kinda taken me full circle in my career", featuring tracks from his solo foray along with Montrose, Van Halen, and Chickenfoot. Led Zeppelin songs were also featured in homage to Bonham, son of the band's drummer John Bonham who fills in for his father in Led Zeppelin's occasional reunions. Focusing on The Circle meant Chickenfoot would be put on hiatus, helped by the fact the other supergroup gave Hagar some frustration in "spending a half-million on a record, writ[ing] and record[ing] for six months. It's a lot of work, and then to not sell many records." The Circle begin touring in 2014, and the results will be released on live album At Your Service on May 2015. Sammy Hagar Discography. 1976 - Nine On A Ten Scale 1 - Keep On Rockin' 2 - Urban Guerilla 3 - Flamingos Fly 4 - China 5 - Silver Lights 6 - All American 7 - Confession (Please Come Back) 8 - Young Girl Blues 9 - Rock'n'Roll Romeo. 1977 - Musical Chair 01 - Turn Up The Music 02 - It's Gonna Be All Right 03 - You Make Me Crazy 04 - Reckless 05 - Try (Try To Fall In Love) 06 - Don't Stop Me Now 07 - Straight From The Hip Kid 08 - Hey Boys 09 - Someone Out There 10 - Crack In The World. 1977 - Sammy Hagar 01 - Red 02 - Catch The Wind 03 - Crusin' And Boozin' 04 - Free Money 05 - Rock 'N' Roll Weekend 06 - Fillmore Shuffle 07 - Hungry 08 - The Pits 09 - Love Has Found Me 10 - Little Star/Eclipse. 1979 - Street Machine 01 - Growing Pains 02 - Child To Man 03 - Trans Am (Highway Wonderland) 04 - Feels Like Love 05 - Plain Jane 06 - Never Say Die 07 - This Planet's On Fire (Burn In Hell) 08 - Wounded In Love 09 - Falling In Love 10 - Straight To The Top. 1980 - Danger Zone 01 - Love Or Money 02 - 20th Century Man 03 - Miles From Boredom 04 - Mommy Says 05 - In The Night 06 - The Iceman 07 - Bad Reputation 08 - Heartbeat 09 - Run For Your Life 10 - Danger Zone. 1981 - Standing Hampton 01 - I'll Fall In Love Again 02 - There's Only One Way To Rock 03 - Baby's On Fire 04 - Can't Get Loose 05 - Heavy Metal 06 - Baby, It's You 07 - Surrender 08 - Inside Lookin' In 09 - Sweet Hitchhiker 10 - Piece Of My Heart. 1982 - Three Lock Box 01 - Three Lock Box 02 - Remote Love 03 - Remember The Heroes 04 - Your Love Is Driving Me Crazy 05 - In The Room 06 - Rise Of The Animal 07 - I Wouldn't Change A Thing 08 - Growing Up 09 - Never Give Up 10 - I Don't Need Love. 1984 - VOA 1 - I Can't Drive 55 2 - Swept Away 3 - Rock Is In My Blood 4 - Two Sides of Love 5 - Dick in the Dirt 6 - VOA 7 - Don't Make Me Wait 8 - Burnin' Down the City.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Oregon to Maximize Testing Capacity MAX KIRKENDALL Allen and Dr
    e PATCHYEdition DRIZZLE 68 • 55 | WEDNESDAY, OCTOBER 7, 2020 | theworldlink.com Follow us online: facebook.com/theworldnewspaper twitter.com/TheWorldLink instagram.com/theworldlink Oregon to maximize testing capacity MAX KIRKENDALL Allen and Dr. Melissa Sutton, includes over 35,000 positive Gov. Brown said the rise in over again that COVID does not The News Guard Senior Health Advisor for OHA. cases in Oregon and 581 deaths cases was to be expected after discriminate, it doesn’t matter if “Because of COVID, this year, related to the virus. Allen said Labor Day weekend and the you are old or young, it doesn’t SALEM — Governor Kate we have learned to live with there has been a steady increase intense wildfires that forced matter your race, your political Brown said more COVID-19 separation, grief and ever-pres- of daily cases over the past few people from their homes. OHA beliefs or your religion. It doesn’t (coronavirus) testing is on its ent uncertainty. I know it hasn’t weeks, with a 25% increase since has a growing concern of seeing even matter if you’re president way to Oregon as daily case been easy,” Gov. Brown said Aug. 31. Oregon has recorded on more spikes in case counts as the of the United States. COVID can counts continue to rise statewide. in her opening remarks. “Par- average 285 new cases per day weather shifts and forces people find a way to any of us.” Ahead of the cold and rainy ents have really struggled with with a large portion stemming inside, where the virus spreads OHA continues to study the Oregon fall and winter seasons, difficult choices, sending kids to from social gatherings, according more easily.
    [Show full text]
  • December People Band Biographies
    December People Band Biographies Robert Berry: Robert Berry was born into a musical family. His father had a dance band that travelled the ballroom circuit in the late 40's and 50's, where his mother was the featured vocalist. When Berry was born his father opened a music store. There, through the busy store’s affiliation with Vox guitars and amps - the brand the Beatles used, Robert was introduced to many of the local musicians. Local hit makers like the Count Five, Syndicate of Sound, Harper’s Bizarre and others often frequented the store. Berry began studying piano in earnest at 6 years old and by age 12 was recruited to join his first rock band with 4 older high school seniors. He continued classical and jazz studies before entering San Jose State University, as a music major. Berry first gained international attention with San Francisco based Hush, and headed to the UK to play in GTR along with Steve Howe of Yes fame, and then achieved a top ten charting single and toured with 3, his partnership with Keith Emerson and Carl Palmer. Before launching December People, Robert played with Sammy Hagar and toured with Ambrosia. When not touring with December People Robert is the bass player with the Greg Kihn Band. Gary Pihl: Raised in the suburbs of Chicago for the first 12 years of his life, Gary Pihl relocated to the San Francisco Bay area. Gary had his recording debut at age 19 with Day Blindness. He says, “After my time in Day Blindness, I was in a band called Fox with Roy Garcia and Johnny V (Vernazza), who went on to play in Elvin Bishop’s band.
    [Show full text]
  • Introducing Experience: the Band
    THE MEMBER PUBLICATION OF EMP|SFM WINTER 2008 Introducing Experience: The Band New Jimi Hendrix Exhibition Science Fiction Short Film Festival 2008 Sound Off! 2008 From the Cover • Experience: The Band members: • Austin DeVries, age 15, Meadowdale High School, drums and guitar, inspired by Muse and The Strokes • Spencer Doren, age 17, Mercer Island High School, bass, inspired by Kevin Eubanks and Tool • Olivia Kosaka, age 15, Holy Names Academy, vocals, inspired by Janis Joplin, Regina Spektor • Taylor Lloyd, age 12, Stahl Jr. High School, guitar, inspired by Metallica, Stevie Ray Vaughan • Grace Noah, age 13, Seattle Let the Rocking Out Begin! Country Day School, vocals and guitar, inspired by Paramore In October, an innovative rock band program at EMP|SFM was born. Nine musicians from diverse backgrounds held their first practice session and embarked on a musical journey that could take them • Nathan Read, age 17, New to one of the most acclaimed music schools in the country. Horizon, keyboards and drums, inspired by Cradle of Filth and Experience: The Band is a part of the Berklee City Music Network, a scholarship program and partnership between Experience Music Godsmack Project|Science Fiction Museum and Hall of Fame (EMP|SFM) and the Berklee College of Music in Boston. Members of Experience: The • Robin Sadinsky, age 15, Band receive weekly music lessons by Seattle Berklee instructors Garfield High School, guitar, and practice as a rock band. Members study theory and composition, inspired by The Beatles utilize state-of-the-art online learning materials and perform concerts at EMP|SFM. • David E.
    [Show full text]
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • 20Th Century Masters Liner Notes
    Media: Please keep in mind, these liner notes are NOT the final approved copy. This is provided in working form to meet your deadlines. ARTIST: Extreme TITLES: The Best Of Extreme 20th Century Masters The Millennium Collection CD #: 069 493 165-2 UPC #: 6 069 493 165-2 5 CD Logo: A&M Records Attached please find all necessary liner notes and credits for this package. Beth Extreme – Millennium 069 493 165-2 1 12/01/1911:47 AM Extreme The Best Of Extreme 20th Century Masters The Millennium Collection (CD Folder) Played on Top 40 radio and at countless weddings in 1991, the acoustic ballad “More Than Words” hit #1, went gold, and put Extreme on the musical map. It also undoubtedly confused the hell out of some of the two million-plus people who bought Pornograffitti, looking for more of the same. Truth be told, Extreme is a funk-metal band that just happened to hit all the right chords with an uncharacteristic foray into unplugged territory, and to define them by a single, though memorable song does a disservice to their considerable accomplishments. Extreme’s members traveled in overlapping circles on the mid-’80s music scene in Boston. Vocalist Gary Cherone and drummer Paul Geary were in a band called Dream, while Nuno Bettencourt had gained a reputation as a guitar wizard in outfits like Myth and Sinful. Cherone met Bettencourt in the summer of ’85 and invited him to replace two imminently-departing axemen, and the two quickly became a formidable lyricist-composer team. The band’s self-created video for “Mutha (Don’t Wanna Go To School Today)” won an MTV Basement Tapes competition that fall, got into rotation, and upped label interest in the band.
    [Show full text]
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Mcauley Schenker Group MSG Mp3, Flac, Wma
    McAuley Schenker Group MSG mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: MSG Country: US Released: 1992 Style: Hard Rock MP3 version RAR size: 1813 mb FLAC version RAR size: 1642 mb WMA version RAR size: 1817 mb Rating: 4.2 Votes: 556 Other Formats: DMF ASF DXD AAC AUD MP4 MP3 Tracklist Hide Credits Eve 1 Written-By – Michael Schenker, Robin McAuley Paradise 2 Written-By – Michael Schenker, Robin McAuley When I'm Gone 3 Written-By – Jesse Harms, Robin McAuley This Is My Heart 4 Written-By – Michael Schenker, Robin McAuley We Believe In Love 5 Written-By – Michael Schenker, Robin McAuley Crazy 6 Written-By – Robin McAuley, Rocky Newton Invincible 7 Written-By – Michael Schenker, Robin McAuley What Happened To Me 8 Written-By – Michael Schenker, Robin McAuley Lonely Nights 9 Written-By – Michael Schenker, Robin McAuley This Night Is Gonna Last Forever 10 Written-By – Kenny Stewart, Rocky Newton Never Ending Nightmare 11 Written-By – Michael Schenker, Robin McAuley Credits Executive-Producer – Randy Nicklaus Producer – Frank Filipetti (tracks: 11), Kevin Beamish Barcode and Other Identifiers Barcode: 0 0881 10385 2 6 Other versions Title Category Artist Label Category Country Year (Format) 1C 064-7 98487 McAuley Electrola, 1C 064-7 98487 MSG (LP, 1, 064-7 98487 Schenker Electrola, 1, 064-7 98487 Germany 1992 Album) 1, EUSLP 3 Group Electrola 1, EUSLP 3 McAuley MSG (CDr, EMI 564 7 98487 2 564 7 98487 2 Schenker Album, Electrola Russia Unknown /EUSCD 3 /EUSCD 3 Group Unofficial) GmbH McAuley 7 98487 4 / MSG (Cass, 7 98487 4 / Schenker Electrola Germany 1992 EUSMC 3 Album) EUSMC 3 Group McAuley M.S.G.
    [Show full text]
  • Cathy Grier & the Troublemakers I'm All Burn CG
    ad - funky biscuit ­­ ­ ­ … ­ ­ ­ Frank Bang | Crazy Uncle Mikes Photo: Chris Schmitt 4 | www.SFLMusic.com 6 | www.SFLMusic.com Turnstiles | The Funky Biscuit Photo: Jay Skolnick Oct/Nov 2020 4. FRANK BANG 8. MONDAY JAM Issue #97 10. KEVIN BURT PUBLISHERS Jay Skolnick 12. DAYRIDE RITUAL [email protected] 18. VANESSA COLLIER Gary Skolnick [email protected] 22. SAMANTHA RUSSELL BAND EDITOR IN CHIEF Sean McCloskey 24. RED VOODOO [email protected] 28. CATHY GRIER SENIOR EDITOR Todd McFliker 30. LISA MANN [email protected] DISTRIBUTION MANAGER 32. LAURA GREEN Gary Skolnick [email protected] 34. MUSIC & COVID OPERATIONS MAGAGER 48. MONTE MELNICK Jessica Delgadillo [email protected] 56. TYLER BRYANT & THE SHAKEDOWN ADVERTISING [email protected] 60. SOCIALLY RESPONSIBLE FUN CONTRIBUTORS 62. THE REIS BROTHERS Brad Stevens Ray Anton • Debbie Brautman Message to our readers and advertisers Lori Smerilson Carson • Tom Craig Jessie Finkelstein As SFL Music Magazine adjusts to the events transpiring over the last several Peter “Blewzzman” Lauro weeks we have decided to put out the April issue, online only. We believe that Alex Liscio • Janine Mangini there is a need to continue to communicate what is happening in the music Audrey Michelle • Larry Marano community we love so dearly and want to be here for all of you, our readers Romy Santos • David Shaw and fellow concert goers and live music attendees, musicians, venues, clubs, Darla Skolnick and all the people who make the music industry what it is. SFL is dependent on its advertisers to bring you our “in print” all music maga- COVER PHOTO zine here in South Florida every month.
    [Show full text]
  • Midnight Highway Eighteen-Year-Old Prodigy and Buddy Guy Protégée
    extra EXTRA ating in and around New Orleans, dropping albums BETH GARNER QUINN SULLIVAN Midnight Highway since the late 1990s. His Snake Farm Eighteen-year-old prodigy slow-burning countrified Texas’ Garner is double and Buddy Guy protégée blues nods to the music of trouble. She can sing a Sullivan returns with his Robbie Robertson and the DOUG MUNRO AND soulful tune and play a third album of high-octane cool soul of Curtis Mayfield. LA POMPE ATTACK mean blues guitar. The blues. He’s got the licks, the The title cut starts the album, The Harry Warren Songbook title tune was penned sound, and the kudos from establishing its seductively Guitar heaven here as by Ray Wylie Hubbard the greats, and the disc languid style and Robertson’s Munro and friends cover about the real-life snake musical buddy Daniel Lanois Warren tunes in the style farm roadside attraction won’t disappoint. – MD adds tasty slide to several of Django Reinhardt. You near San Antonio. “Used ear-pleasing cuts. – RA have the likes of Howard To Be” is a tip of the hat Alden, Vinny Raniolo, Vic to Hound Dog Taylor and Juris, and several oth- Elmo James. – MD ers shining on tunes like “Lullaby Of Broadway,” “Jeepers Creepers,” and CURTIS KNIGHT (FEATUR- the wonderful ballad “I Only ING JIMI HENDRIX) Live At George’s Club 20 CHICKENFOOT Have Eyes For You.” – JH This is pre-Experience Best + Live Hendrix playing with Knight’s This best-of collection THE DRUGSTORE GYPSIES The Drugstore Gypsies band between 1965 and ’66.
    [Show full text]
  • Sammy Hagar (I Never Said Goodbye) Mp3, Flac, Wma
    Sammy Hagar Sammy Hagar (I Never Said Goodbye) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sammy Hagar (I Never Said Goodbye) Country: Australia & New Zealand Released: 1987 Style: Hard Rock MP3 version RAR size: 1813 mb FLAC version RAR size: 1365 mb WMA version RAR size: 1533 mb Rating: 4.8 Votes: 933 Other Formats: FLAC MOD MMF TTA VOX MIDI ASF Tracklist Hide Credits A1 When The Hammer Falls 4:08 Hands And Knees A2 4:48 Drums [Overdubs] – Omar Hakim A3 Give To Live 4:21 A4 Boys Night Out 3:18 A5 Returning Home 6:13 B1 Standing At The Same Old Crossroads 1:46 B2 Privacy 5:32 Back Into You B3 5:09 Drums [Overdubs] – Omar Hakim B4 Eagles Fly 4:57 B5 What They Gonna Say Now 5:06 Companies, etc. Marketed By – WEA Records Pty. Limited Credits Bass – Edward Van Halen* Drums – David Lauser Engineer, Co-producer – David Thoener Guitar, Vocals – Sammy Hagar Keyboards – Jesse Harms Keyboards [Additional], Percussion – Albhy Galuten Mastered By [Originally] – George Marino Producer – Edward Van Halen*, Sammy Hagar Written-By – Jesse Harms (tracks: B3), Sammy Hagar Notes I Never Said Goodbye is not actually printed on the cover, but this is the name given to the album. White stickers on front and back cover with artist and tracklisting. Nil country stated on label or cover, but states "For Australia & New Zealand lyrics printed by permission of Warner Bros. Music" on printed inner sleeve. Barcode and Other Identifiers Matrix / Runout (Side A etched): SP-AUS GHS-24144-ADMM-SRI 2-6 MX 213639 24144-1-1 STERLING Matrix / Runout (Side
    [Show full text]