Celebrate World Ballet Day 2018
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Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
MAYERLING Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Intervals Or Afterwards with #Rohmayerling BALLET in THREE ACTS
THE ROYAL BALLET DIRECTOR KEVIN O’HARE CBE OM CH DBE Approximate timings FOUNDER DAME NINETTE DE VALOIS FOUNDER CHOREOGRAPHER Live cinema relay begins at 7.15pm; ballet begins at 7.30pm SIR FREDERICK ASHTON OM CH CBE FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Act I 41 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Act II 53 minutes Interval Act III 37 minutes The performance will end at approximately 10.30pm MAYERLING Tweet your thoughts about tonight’s performance before it starts, during the intervals or afterwards with #ROHmayerling BALLET IN THREE ACTS POINTE SHOES APPEAL CHOREOGRAPHY KENNETH MACMILLAN MUSIC FRANZ LISZT Each year The Royal Ballet dances through more than 6,000 pairs ARRANGED AND ORCHESTRATED BY JOHN LANCHBERY of pointe shoes. A gift of £5 to the Pointe Shoes Appeal could buy DESIGNER enough ribbon for five pairs. Donate online. NICHOLAS GEORGIADIS SCENARIO GILLIAN FREEMAN roh.org.uk/pointe LIGHTING DESIGNER JOHN B. READ STAGING CHRISTOPHER SAUNDERS, GRANT COYLE, KARL BURNETT BALLET MASTERS GARY AVIS, RICARDO CERVERA 2018/19 LIVE CINEMA SEASON INCLUDES: BALLET MISTRESS SAMANTHA RAINE ASSISTANT BALLET MISTRESS SIAN MURPHY DIE WALKÜRE SUNDAY 28 OCTOBER 2018 PRINCIPAL COACHING ALEXANDER AGADZHANOV, LEANNE BENJAMIN, LA BAYADÈRE TUESDAY 13 NOVEMBER 2018 ANTONY DOWSON, ZENAIDA YANOWSKY THE NUTCRACKER MONDAY 3 DECEMBER 2018 BENESH CHOREOLOGISTS KARL BURNETT, GRANT COYLE THE QUEEN OF SPADES TUESDAY 22 JANUARY 2019 LA TRAVIATA WEDNESDAY 30 JANUARY 2019 CONDUCTOR KOEN KESSELS DON QUIXOTE TUESDAY 19 FEBRUARY 2019 -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
Bolshoi Theater
FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet. -
Dance Studio Generica
A NEW HOME FOR DANCE AT CHAPMAN UNIVERSITY September 23, 2019 Grand Opening of the Marybelle and Sebastian P. Musco Center for the Arts on Saturday, March 19, 2016. WHEN THE MAGNIFICENT THIS STUNNING FACILITY COULD NEVER HAVE BEEN BUILT WITHOUT THE VISIONARY SUPPORT MUSCO CENTER FOR THE ARTS AND LEADERSHIP OF MARYBELLE AND PAUL MUSCO. OPENED ON MARCH 19, 2016, Musco Center was an extraordinary gift to the entire Orange County community. With a schedule filled with renowned artists and dazzling performances, the community embraced Musco Center from its spectacular opening IT USHERED IN A NEW ERA week of events and it continues to do so to the present day. FOR THE PERFORMING ARTS Paul and Marybelle’s gift was most important to the exceptional students in the University’s College of Performing Arts AT CHAPMAN UNIVERSITY. and the Hall-Musco Conservatory of Music because it provided them with a world-class environment in which to master their performing abilities. With the Musco’s help, Musco Center stands as a testament to Chapman University’s uncompromising standards, relentless pursuit of excellence and passionate commitment to attracting world-class talent to our campus and our community. A NEW HOME FOR DANCE AT CHAPMAN UNIVERSITY | 2 CP elebrating Dance Artist rendering of Chapman University’s new dance facility It is time to turn our attention to building a new, urgently needed home for Chapman University’s highly regarded To touch, to move, Department of Dance – one of the top dance programs in the United States and one of the Chapman’s great success stories. -
2019 Annual Report Celebrating 55 Years of the Australian Ballet School
2019 Annual Report Celebrating 55 Years of The Australian Ballet School 1 The Australian Ballet School 2019 Annual Report “The highly entertaining program for Summer Season 2019 again highlights The Australian Ballet School as not just an esteemed and invaluable institute but as a trusted brand for brightly polished, modestly priced performances.” Simon Parris: Man in Chair (Theatre, Opera and Ballet Reviewer), December 2019 2 The Australian Ballet School 2019 Annual Report 3 The Australian Ballet School 2019 Annual Report Vale Dame Margaret Scott In the 55th year of The Australian Ballet School, Founding Director Dame Margaret Scott AC DBE passed away peacefully on 24 February. Born in Johannesburg, South Africa, Dame Margaret began her professional dance career with Sadler’s Wells Ballet in London, where she was appointed Principal in 1941. She soon joined Ballet Rambert, also in London, and was Principal from 1943 to 1948. She arrived in Australia in 1947 as part of Ballet Rambert’s overseas tour and chose to remain. Dame Margaret was a founding member of the National Theatre Ballet in Melbourne and danced in its early seasons as Principal. In the late 1950s, she was involved in negotiations with the Australian Elizabethan Theatre Trust, which led to the formation of The Australian Ballet. In 1964, she was appointed Founding Director of The Australian Ballet School, and continued in that role until 1990. She was invested as a Dame Commander of the British Empire (DBE) in 1981 for services to ballet. This followed the earlier award of an Order of the British Empire (OBE) in 1976. -
Goh Ballet Bayview Your Dance Journey Starts with Us
Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation. -
A Strange Land Tschaikovsky Pas De Deux Vertigo
Friday, September 14, 2018 at 8:00pm | Saturday, September 15, 2018 at 8:00pm Cobb Energy Performing Arts Centre Atlanta, GA Return to a Strange Land Music by Leoš Janáček Choreography, Scenic and Costume Design by Jiří Kylián Assistant to the Choreographer, Jeanne Solan Lighting Design by Kees Tjebbes Technical Realization (Lights/Set) by Hans Boven Return to a Strange Land costumes provided courtesy of Ballet West Adam Sklute, Artistic Director Brown Trio Airi Igarashi, Jordan Leeper, Anderson Souza Blue Duet Sujin Han, Moisés Martín Brown Duet Airi Igarashi, Jordan Leeper Blue Trio Sujin Han, Moisés Martín, Keith Reeves Tschaikovsky Pas de Deux Music by Peter Ilyich Tchaikovsky Choreography by George Balanchine© The George Balanchine Trust* Staging by Robert Barnett Lighting Design by Joseph R. Walls Jessica He and Ivan Tarakanov Vertigo Music by Dmitri Shostakovich Choreography and Costume Design by Mauro Bigonzetti Lighting, Scenic and Video Design by Carlo Cerri Performed by Guest Artists of the Czech National Ballet Filip Barankiewicz, Artistic Director Miho Ogimoto and Michal Štípa *The performance of Tschaikovsky Pas de Deux, a Balanchine© Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style© and Balanchine Technique© Service Standards established and provided by the Trust. Don Quixote Act III – Pas de Deux Music by Ludwig Minkus Choreography by Marius Petipa Lighting Design by Joseph R. Walls Jessica Assef and Nikolas Gaifullin The Premiere Class. Rehearsal. Performance. World Premiere Music by Camille Saint-Saëns Choreography by Ricardo Amarante Costume and Scenic Design by Renê Salazar Lighting Design by Joseph R. -
Submission to the Standing Committee on Finance Pre-Budget
Submission to the Standing Committee on Finance Pre-Budget Consultations 2018 August 2017 For Further Information Contact: Barry C. Hughson, Executive Director National Ballet of Canada Phone: 416-345-9686 x350 E-Mail: [email protected] EXECUTIVE SUMMARY The National Ballet of Canada is considered one of the top ballet companies in the world, and is the fourth largest ballet company in North America. In recent years, the company’s artistic excellence has been recognized with invitations to perform in major international venues and festivals and collaborate with top international companies and artists. Innovation is at the heart of our culture on both sides of the footlights. From new stage technologies to the pursuit of advancements in dance medicine, to non-traditional ways to engage and develop our audiences. As an organization, we understand the critical importance of innovation and adaptability to deliver our mission and advance our field. In recent years, the federal government has been an engaged partner in achieving many of these goals. Increased investment to the cultural sector in Budget 2016 were well received, especially the increased funding envelope for the Canada Council for the Arts, from which the National Ballet receives significant resources toward programming and operational activities. As an active member of the Canadian Arts Coalition, we support the asks contained in their submission, including: • Raising the annual cap on the Canada Cultural Investment fund – Endowment Incentives to $3 million to assist Canadian arts organizations in becoming more competitive and to encourage new revenue streams. • Investments in training and development through two essential programs, Canadian Arts Training Fund and Building Careers in Heritage, to recognize the significant growth in the arts sector. -
Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P. -
World Ballet Day 2014
GLOBAL FIRST: FIVE WORLD-CLASS BALLET COMPANIES, ONE DAY OF LIVE STREAMING ON WEDNESDAY 1 OCTOBER www.roh.org.uk/worldballetday The A u str a lia n B a llet | B o lsho i B a llet | The R o y a l B a llet | The N a tio n a l B a llet o f C a n a d a | S a n F r a n c isc o B a llet T h e first ev er W o r ld B a llet D a y w ill see an u n p rec ed en ted c ollab oration b etw een fiv e of th e w orld ‘s lead in g b allet c om p an ies. T h is on lin e ev en t w ill tak e p lac e on W ed n esd ay 1 O c tob er w h en eac h of th e c om p an ies w ill stream liv e b eh in d th e sc en es ac tion from th eir reh earsal stu d ios. S tartin g at th e b egin n in g of th e d an c ers‘ d ay , eac h of th e fiv e b allet c om p an ies œ The A u str a lia n B a llet, B o lsho i B a llet, The R o y a l B a llet, The N a tio n a l B a llet o f C a n a d a an d S a n F r a n c isc o B a llet œ w ill tak e th e lead for a fou r h ou r p eriod stream in g liv e from th eir h ead q u arters startin g w ith th e A u stralian B allet in M elb ou rn e. -
Support Materials
720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] 1. ABOUT THE ARTIST 720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] ROBERT SHER-MACHHERNDL 720 771 0162 [email protected] www.lemonspongecake.org PROFILE Robert Sher-Machherndl, a native of Vienna, Austria, has enjoyed a distinguished career in the performing arts ranging from Principal Dancer, Choreographer, Master Teacher to Artistic Director. He is currently Artistic Director and Choreographer of Lemon Sponge Cake Contemporary Ballet, from 2000 to present. SELECT CHOREOGRAPHIES • 2020 Seriously Solo - Boulder JCC • 2019 Dexter - Trinity Laban Conservatoire of Music & Dance, London, UK • 2019 Juliet - Boulder JCC • 2018 Gone - Junction Place, Boulder • 2017 Grasping Aspects of Shekhinah - University of Colorado Boulder • 2017 Vertical Migration Experiment - Boulder JCC • 2016 White Fields - Public Art Commission, City of Boulder • 2016 White Mirror Second Look - Ellie Caulkins Opera House, Denver • 2015 White Mirror - Bowdoin College, Maine • 2015 Rush - National College Dance Festival, Kennedy Center for Performing Arts • 2015 Rush - Yerba Buena Center for the Arts, San Francisco • 2015 White Mirror - Public Art Commission, City of Denver • 2014 Solo - Ballet Next, Joyce Theater, New York City • 2014 Hanna - Vienna State Ballet /Jugendkompanie, Vienna State Opera, Austria • 2014. Leopoldstatdt 22 - Mizel Museum, Denver • 2013 Man Made Men - Dairy Art Center, Boulder • 2012 Scarlet - Dairy Art Center, Boulder • 2011 BluePrint - Newman