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RICHARD III SOCIETY Patron: HRH Prince Richard, the Duke of Gloucester KG GCVO
RICHARD III SOCIETY Patron: HRH Prince Richard, The Duke of Gloucester KG GCVO APPENDIX 2 Founder: Dr S Saxon Barton Communications Manager Amanda Geary 22 Camelot Avenue Sherwood Nottingham NG5 1DW Tel: 0115 9706878/07769 800622 Email: [email protected] Website www.richardiii.net PRESS RELEASE An open letter to the Planning Committee of Hinckley and Bosworth Borough Council The battle of Bosworth was one of the most significant events in English history. It is remarkable for the fact that it featured the final cavalry charge of the last English king to die in battle. This event led to the end of over three hundred years of Plantagenet rule, and the beginning of the Tudor era. Despite being a Society with a research focus firmly on events of the past, we are in no way opposed to technological progress. It was indeed more recent advances in genetics and DNA fingerprinting which allowed King Richard himself to be identified once his remains were located beneath the Social Services car park in Leicester in 2012. However, we are concerned that something as historically and culturally important as the battlefield, which has a direct relevance to the king now buried in Leicester Cathedral, will be adversely impacted by this development. We appreciate the need to test this new technology but by its nature, and bearing in mind the speed of future technological advances, it is likely to become quickly obsolete, whereas the damage done to the battlefield will be irreparable. We are therefore concerned that the battlefield will be lost for a project which may be important in the short term, but is unlikely to have a significant lasting value across centuries to come. -
Ricardian Register
Ricardian Register Richard III Society, Inc. Vol. 47 No. 1 March, 2016 King Richard III Printed with permission ~ Jamal Mustafa ~ Copyright © 2014 In this issue: 2016 General Membership Meeting (GMM)/Bylaw Revisions Why it Had to be the Tower of London Richard, Duke of Gloucester, as Admiral and Constable of England Can a Coin from 1483 Solve a Ricardian Mystery? Inside cover (not printed) Contents 2016 General Membership Meeting (GMM) 2 Message from American Branch Chairman 4 ByLaw Revisions 5 Why it Had to be the Tower of London 8 Richard, Duke of Gloucester, as Admiral and Constable of England 11 Can a Coin from 1483 Solve a Ricardian Mystery? 25 Ricardian Reviews 31 ex libris 48 Board, Staff, and Chapter Contacts 50 Membership Application/Renewal Dues 51 Advertise in the Ricardian Register 52 Submission guidelines 52 From the Editor 52 ❖ ❖ ❖ ©2016 Richard III Society, Inc., American Branch. No part may be reproduced or transmitted in any form or by any means mechanical, electrical or photocopying, recording or information storage retrieval—without written permission from the Society. Articles submitted by members remain the property of the author. The Ricardian Register is published two times per year. Subscriptions for the Register only are available at $25 annually. In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to the period, and of the role in English history of this monarch. -
Ricardian Bulletin
Ricardian Bulletin Contents Summer 2007 2 From the Chairman 3 Strategy Update 9 Society News and Notices 12 Media Retrospective 14 News and Reviews 17 The Man Himself: by Tony Goodman 20 Medieval Migration: by Peter W. Lee 22 A Proclamation Against Henry Tudor, 23 June 1485: by David Candlin 25 Hastings and the Meeting at St Paul’s: by Gordon Smith 27 Chedworth Parish Church: by Gwen & Brian Waters 29 A ‘Lost’ Medieval Document: by Lynda Pidgeon 30 Logge Notes and Queries: Helen Barker’s Miracles by Lesley Boatwright 33 Correspondence 36 Guidelines for Contributors to the Bulletin 37 The Barton Library 40 New Members 41 Australasian Convention 2007 44 Report on Society Events 52 Future Society Events 55 Branch and Group Contacts - Update 55 Branches and Groups 58 Obituaries and Recently Deceased Members 60 Calendar Contributions Contributions are welcomed from all members. All contributions should be sent to the Technical Editor, Lynda Pidgeon. Bulletin Press Dates 15 January for Spring issue; 15 April for Summer issue; 15 July for Autumn issue; 15 October for Winter issue. Articles should be sent well in advance. Bulletin & Ricardian Back Numbers Back issues of the The Ricardian and Bulletin are available from Judith Ridley. If you are interested in obtaining any back numbers, please contact Mrs Ridley to establish whether she holds the issue(s) in which you are interested. For contact details see back inside cover of the Bulletin The Ricardian Bulletin is produced by the Bulletin Editorial Committee Printed by St Edmundsbury Press. © Richard III Society, 2007 1 From the Chairman ime for another issue of the Bulletin, and, all being well, you should have the 2007 edition T of The Ricardian too. -
Music and Image Details from the Historical Association Film: An
Music and Image details from the Historical Association Film: An Introduction to Tudor Royal Authority Music: 1. Serenity by Paul Werner. Licensed through Jamendo: https://licensing.jamendo.com/en/track/1532773/serenity Images: 1. Framed print, "Plucking the Red and White Roses in the Old Temple Gardens" after the original 1910 fresco painting by Henry Albert Payne (British, 1868-1940) based upon a scene in Shakespeare's Henry VI, the original in the Palace of Westminster and a later similar painting by Payne in the Birmingham Museum and Art Gallery, this print marked "copyright 1912 in London & Washington by "The Fine Art Publishing Co., Ltd. London", sight: 20.25"h, 21"w, overall: 27"h, 27.5"w, 9.25lbs. Public Domain. 2. King Henry VI. Purchased by National Portrait Gallery in 1930. Copyright NPG. 3. King Edward V, by unknown artist. Copyright National Portrait Gallery. 4. Portrait of Richard III of England. Copyright National Portrait Gallery. 5. King Henry VII, by unknown artist. Copyright National Portrait Gallery. 6. Portrait of Henry VIII (1491-1547). Galleria Nazionale d'Arte Antica. Public Domain. 7. Portrait of Thomas Cromwell. The Frick Collection. Public Domain. 8. Portrait of King Edward VI of England (1537–1553). Public Domain. 9. Portrait of Mary I, Museo del Prado. Public Domain. 10. Portrait of Elizabeth I of England of the 'Badminton' type. The Queen is shown in a black dress with gold embroidery, holding a red rose. Public Domain. 11. The Pelican Portrait by Nicholas Hilliard. The pelican was thought to nourish its young with its own blood and served to depict Elizabeth as the "mother of the Church of England". -
Rope Family History Page 1 of 12
Rope Family History page 1 of 12 Rope Family History Some thoughts on genealogy At previous reunions we had access to a family tree that went back to Edward II. It was a single line someone had established back from Edward Mingay Rope. In reality our ancestry is represented more like a circle than a line. If we were to place any of the first New Zealand generation of Ropes at the centre (in my case, Ted), off to one side we have his mum Emma Morely Powell, and off to the left, we have Edward Mingay Rope, by the time we go back 20 generations, (to the late 1200s) Ted Rope would have over one million ancestors. Ted So now we have a family tree that looks a little like this. We know very little on the Powell side, but the Rope side has been filled out a lot. From Dorothy Wentworth from our original family tree, born in 1532, our tree now fills out dramatically, revealing some fascinating stories. This is thanks to the Latter Day Saints (Mormon) website, Wikipedia and other genealogy sites on the Internet. We knew that we went back to prominent people – which means that their history is recorded and lines of descent are easy to follow. Now we know that we are descended from Vikings (Denmark and Norway), Normans, Spanish, Scots and Irish. And that’s just from this small segment of billions of ancestors. These lines go back to the distant past – AD 160 for the Viking line, and if you follow the Irish line on Wikipedia – it will take you back even further to a place where truth and myth merge. -
Copyrighted Material
33_056819 bindex.qxp 11/3/06 11:01 AM Page 363 Index fighting the Vikings, 52–54 • A • as law-giver, 57–58 Aberfan tragedy, 304–305 literary interests, 56–57 Act of Union (1707), 2, 251 reforms of, 54–55 Adelaide of Saxe-Meiningen, queen of reign of, 50, 51–52 William IV, 268, 361 Alfred, son of King Aethelred, king of Áed, king of Scotland, 159 England, 73, 74 Áed Findliath, ruler in Ireland, 159 Ambrosius Aurelianus (Roman leader), 40 Aedán mac Gabráin, overking of Dalriada, 153 Andrew, Prince, Duke of York (son of Aelfflaed, queen of Edward, king Elizabeth II) of Wessex, 59 birth of, 301 Aelfgifu of Northampton, queen of Cnut, 68 as naval officer, 33 Aethelbald, king of Mercia, 45 response to death of Princess Diana, 313 Aethelbert, king of Wessex, 49 separation from Sarah, Duchess of York, Aethelflaed, daughter of Alfred, king of 309 Wessex, 46 Anglo-Saxon Chronicle, 57, 58, 63 Aethelfrith, Saxon king, 43 Anglo-Saxons Aethelred, king of England, 51, 65–66 appointing an heir, 16 Aethelred, king of Mercia, 45, 46, 55 invasion of Britain, 39–41 Aethelred, king of Wessex, 50 kingdoms of, 37, 42 Aethelstan, king of Wessex, 51, 61–62 kings of, 41–42 Aethelwold, son of Aethelred, king of overview, 12 Wessex, 60 Anna, queen of Scotland, 204 Aethelwulf, king of Wessex, 49 Anne, Princess Royal, daughter of Africa, as part of British empire, 14 Elizabeth II, 301, 309 Agincourt, battle of, 136–138 Anne, queen of England Albert, Prince, son of George V, later lack of heir, 17 George VI, 283, 291 marriage to George of Denmark, 360–361 Albert of -
The Women of Richard III
The Women of Richard III The character of King Richard III of England is perhaps Shakespeare's most evil creation. A Machiavellian who delights in governing through fear and force, his evil is only offset by his ready and cutting wit. Yet Shakespeare does provide a contrast to Richard's villainy. The women of this play function as voices of protest and morality. They often see through his intrigues and predict dire consequences from his acts. Shakespeare uses the women to point out moral truths and emphasize general principles of the Elizabethan world view of moral and political order. Anne, Elizabeth, the Duchess and Margaret each contribute in furthering Shakespeare's moral themes in three ways: through their roles as victims which is expressed in their intense lamentations, in their cries for revenge through divine retribution, and in alluding to a higher moral order that transcends men's actions. In all these ways, the women of Richard III help illustrate how destruction comes about when order is violated, either through the weakness of a king or through the machinations of those who cause civil war by wanting to take the king's place. Such chaos devastates the individual, the family, and the nation, resulting in moral decay, treachery, anarchy, and profound suffering. The world that Shakespeare shows us in Richard III is a man's world. The women are presented as being on the sidelines to grieve, complain, or bury the dead. Richard views women as tools, as shown by his various asides to the audience when he announces his plots, where the marrying of Anne or Elizabeth are only moves in his elaborate games of intrigue and power. -
Ricardian Bulletin Edited by Elizabeth Nokes and Printed by St Edmundsbury Press
Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 Winter 2003 Richard III Society Founded 1924 In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to this period and of the role in English history of this monarch Patron HRH The Duke of Gloucester KG, GCVO Vice Presidents Isolde Wigram, Carolyn Hammond, Peter Hammond, John Audsley, Morris McGee Executive Committee John Ashdown-Hill, Bill Featherstone, Wendy Moorhen, Elizabeth Nokes, John Saunders, Phil Stone, Anne Sutton, Jane Trump, Neil Trump, Rosemary Waxman, Geoffrey Wheeler, Lesley Wynne-Davies Contacts Chairman & Fotheringhay Co-ordinator: Phil Stone Research Events Adminstrator: Jacqui Emerson 8 Mansel Drive, Borstal, Rochester, Kent ME1 3HX 5 Ripon Drive, Wistaston, Crewe, Cheshire CW2 6SJ 01634 817152; e-mail: [email protected] Editor of the Ricardian: Anne Sutton Ricardian & Bulletin Back Issues: Pat Ruffle 44 Guildhall Street, Bury St Edmunds, Suffolk IP33 1QF 11 De Lucy Avenue, Alresford, Hants SO24 9EU e-mail: [email protected] Editor of Bulletin Articles: Peter Hammond Sales Department: Time Travellers Ltd. 3 Campden Terrace, Linden Gardens, London W4 2EP PO Box 7253, Tamworth, Staffs B79 9BF e-mail: [email protected] 01455 212272; email: [email protected] Librarian -
Week 1 What Do You Know?
The Mystery of History Volume III Week 1 What Do You Know? Pretest 1 Pretests are just what they sound like. They are a test of your previous knowledge to see what you might already know about this time period. Pretests are also designed to introduce new people and places as well as to stir your curiosity. I recommend that you check your answers but do not record a grade. Chances are you will miss a lot of questions, but that’s alright. If you knew all the answers, you wouldn’t need this course! Consider this pretest and those to follow as a sneak peak into what you will be learning. Who/What Am I? Choose the best answers from the Word Bank below. 1. I am a flower representing the House of York in England. What am I? 2. I am a flower representing the House of Lancaster in England. What am I? 3. I am the nickname for a royal English bodyguard. Who am I? 4. I am remembered as the father of Italy. Who am I? 5. We were a rich family of bankers in Florence, Italy. Who are we? 6. My name means Angelic Brother. I painted for the glory of God. Who am I? 7. I was the prince of Aragon and became the king of Spain. Who am I? 8. I was the princess of Castile and became the queen of Spain. Who am I? 9. I was a Dominican friar hired to oversee the Spanish Inquisition. Who am I? Word Bank Isabella white rose Cosimo de’ Medici Fra Angelico Ferdinand Beefeater red rose Tomás de Torquemada Medici family by Linda Lacour Hobar © 2007 Bright Ideas Press The Mystery of History Volume 3 1455–1485 The Wars of the Roses Lesson 1 ONLINE NOTE: Footnotes for Lessons 1–3 are listed at the end of the Lesson 3 Activities. -
Alaris Capture Pro Software
born circa 673, was much venerated in his own time, and even more so not long after his death in 714. He ‘ enjoyed heavenly visions but also had to combat demonic temptations.’2 His whip (almost needless to say,sent in answer to a prayer to his patron saint) was used to flog the Devil. According to Fox- Davies3 the only essential difl'erence in the mitres of abbots and bishops is in the absence or presence of what we call the ribbons (infulae). JOHN RUSSELL: Bishop of Lincoln, died 1494 1449-62 Winchester, New College, etc. 1466 Archdeacon of Berkshire 1474—83 Keeper of the Privy Seal Negotiated marriage between Cicely, daughter of King Edward IV, and the future James IV of Scotland, which did not take place 1476—80 Bishop of Rochester 1480-94 Bishop of Lincoln 1483—85 Chancellor of England 1483-94 Chancellor of Oxford University It seems that the arms of the Sec of Lincoln were not used before 1495 (and then only as a seal),4 so Russell must have his mitre, but his shield cannot impale the arms of the Bishopric. His personal arms were: Blue, two golden chevronels between three silver roses.s He was evidently not of the same family as the later earls and dukes of Bedford. It could be said that the most important thing about Russell is his possible connection with the Second Continuation of the Croyland Chronicle (covering 1483—5), and it seems that one can now again agree with Kendall when he said ‘ There is considerable evidence to suggest that the materials, if not the actual writing, of most of this narrative is the work of John Russell, Bishop of Lincoln, one of Edward’s most intimate advisers and Richard’s Chancellor.“ NOTES AND REFERENCES l. -
Ricardian Register
Ricardian Register Richard III Society, Inc. Vol. 45 No. 2 June, 2014 Richard III Forever Printed with permission l Mary Kelly l Copyright © 2012 In this issue: Crosby Place: A Ricardian Residence Essay: Shakespeare's Hollywood vs. History Ricardian Review 2014 AGM Inside cover (not printed) Contents Crosby Place: A Ricardian Residence 2 Essay: Shakespeare's Hollywood vs. History 5 Ricardian Review 7 From the Editor 13 2014 ANNUAL GENERAL MEETING 14 AGM REGISTRATION FORM 15 Member Challenge: 16 Board, Staff, and Chapter Contacts 18 Membership Application/Renewal Dues 19 Thomas Stanley at Bosworth 20 v v v ©2014 Richard III Society, Inc., American Branch. No part may be reproduced or transmitted in any form or by any means mechanical, electrical or photocopying, recording or information storage retrieval—without written permission from the Society. Articles submitted by members remain the property of the author. The Ricardian Register is published four times per year. Subscriptions for the Register only are available at $25 annually. In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to the period, and of the role in English history of this monarch. The Richard III Society is a nonprofit, educational corporation. Dues, grants and contributions are tax-deductible to the extent allowed by law. Dues are $60 annually for U.S. -
Richard III: the Self-Made King
2020 VII Richard III: The Self-Made King Michael Hicks New Haven: Yale University Press, 2019 Review by: Marina Gerzic Review: Richard III: The Self-Made King Richard III: The Self-Made King. By Michael Hicks. New Haven: Yale University Press, 2019. ISBN 978-0-300-21429-1. xvi + 388 pp. $35.00. ichard III: The Self-Made King provides a thoroughly researched biography of one of England’s most infamous kings, Richard III, at a time when interest in the historical Richard is at its R zenith. Michael Hicks provides the reader with a detailed study of the world that Richard III was born into and lived in, and the political backdrop of a late medieval England dominated by the dynastic struggles of the Wars of the Roses. Hicks’s work opens with an introduction that attempts to debunk the myths surrounding Richard’s life and to tell his story as historical research reveals it to the reader. The spectres of Thomas More and Shakespeare emerge, and while Hicks attempts to dispel Tudor myths about Richard, he also finds some value in these Tudor sources and returns to them throughout his work. For example, he notes of More: “More’s characterisation therefore cannot be accepted as it stands, but neither can it be rejected out of hand. It is not purely Tudor propaganda” (6). Hicks’s introduction also looks at the more modern Ricardian reception and defence of Richard, highlighting the role of the Richard III Society in publishing sources critical to the study of Richard’s life, and also funding the archaeological dig in a Leicester carpark where remains, which have since been identified as Richard III, were discovered.