DOCSLIB.ORG

BIBLIOTECA MUSICAL.Xlsx

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BIBLIOTECA MUSICAL.Xlsx LIBRERÍA HERDER BIBLIOTECA MUSICAL Te compartimos un poco del material que tenemos disponible en nuestra librería y no se encuentra en nuestra página de internet. LIBROS SUJETOS A DISPONIBILIDAD AL MOMENTO DEL PEDIDO INFORMES AL CORREO: [email protected] CONFIRMA EXISTENCIAS AL CORREO Y PUEDES HACER TU PEDIDO POR ESE MEDIO SI BUSCAS OTROS TÍTULOS O TEMAS PUEDES CONSULTAR SI ES POSIBLE CONSEGUIRLO TITULO AUTOR CLASIFICACION 1 EDITORIAL AÑO ESTADO PRECIO SEE A GROWN MAN CRY ROLLINS Literatura 2.13.61 $300.00 VIAJE MUSICAL POR EUROPA GUSTAVO CAMPA México A. Wagner y Levien Sucs. 1909 bueno $350.00 Rienzi, Der fliegende Holländer, Tannhäuser, Lohengrin RICHARD WAGNER Wagner Adolph Fürstner 1910 (?) bueno $250.00 TRISTAN UND ISOLDE, DIE MEISTERSIGER VON NURNBERG, PARSIFAL RICHARD WAGNER Wagner Adolph Fürstner 1910 (?) bueno $300.00 MOTIVACIONES PARA LA LOCURA CHAVA FLORES Literatura Ageleste $600.00 GALLO CANTA, EL JUAN CALDERON Música popular mexicana Aguilar 2005 bueno $150.00 PUERTA ABIERTA, LA PETER BROOK Teatro Alba $300.00 VIDA DE MOZART STENDHAL Compositores S. XVI-XIX Alba $280.00 GEORGE GERSHWIN DAVID EWEN Compositores siglo XX Aldo Martello $200.00 MUSIC AND BAD MANNERS CARL VAN VECHTEN Ensayo y crítica Alfred A. Knopf $1,000.00 TEMPERAMENT STUART ISACOFF Teoría Alfred A. Knopf $480.00 TEREZIN REQUIEM, THE JOSEF BOR Literatura Alfred A. Knopf $400.00 THEMES AND EPISODES IGOR STRAVINSKY, ROBERTCompositores CRAFT siglo XX Alfred A. Knopf $480.00 WRITINGS AND DRAWINGS BOB DYLAN Gran formato Alfred A. Knopf 1973 bueno $1,000.00 AUS NEUER UND NEUESTER ZEIT EDUARD HANSLICK Ensayo y crítica Allgemeiner Verein für Deutsche Litteratur 1900 bueno $450.00 EMINEM SOBREVIVIENTE MICHAEL HEATLEY, DREW HEATLEYRap, R&B, Hip Hop Altea 2002 nuevo $150.00 PRIMEROS ANALES DEL CONSERVATORIO NACIONAL DE MUSICA ADALBERTO GARCIA DE MENDOZAHistoria Amigos del Conservatorio 1941 bueno $1,000.00 SONIDO, EL HENRY BRINTON Ciencia y tecnología Anaya 1970 bueno $80.00 HISTORIA DE LA ESCUELA DE MUSICA SACRA Y DEL CONSERVATORIO JOSEEDUARDO GUADALUPE LOARCA VELAZQUEZ CASTILLO DEMéxico SANTIAGO DE QUERETARO Archivo Histórico del Estado de Querétaro 1997 bueno $180.00 MUSICA E RIEDUCAZIONE THERESE HIRSCH Teoría Armando Armando Editore $180.00 BARQUITOS DE PAPEL Y OTROS POEMAS DANIEL CASTAÑEDA Literatura Arte de América $250.00 TEQUIO-ROLAS DANIEL GODINEZ NIVON Arte sonoro Asamblea de Migrantes Indígenas 2012 nuevo $80.00 HISTORIA DOCUMENTAL Y GRAFICA DEL DANZON EN MEXICO - SALON MEXICOJESUS FLORES Y ESCALANTEMúsica popular mexicana Asociación Mexicana de Estudios Fonográficos2006 Casi nuevo $450.00 CANCIONERO MUSICAL POPULAR ESPAÑOL RODOLFO HALFFTER México Ateneo Español de México 1990 aceptable $200.00 PRACTICAL VOCABULARY OF MUSIC ROBERTO BRACCINI Referencia y diccionarios Atlantis Musikbuch Verlag / Schott 2000 bueno $300.00 MUSICA GETUTSCHT SEBASTIAN VIRDUNG Música antigua Bärenreiter 1970 Casi nuevo $300.00 MUSIKALISCHE EDITION IM WANDEL DES HISTORISCHEN BEWUßTSEINS Thrasybulos Georgiades Teoría Bärenreiter Ausgabe 1971 casi nuevo $250.00 TRATADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS DIEGOEN LA MUSICA ORTIZ DE VIOLONES Música (en el lomoantigua sólo dice Ortíz) Bärenreiter Ausgabe 1936 casi nuevo $600.00 MORTON FELDMAN ESSAYS WALTER ZIMMERMANN (editor)Ensayo y crítica Beginner Press 1985 aceptable $900.00 MEYERS HANDBUCH UBER DIE MUSIK HEINRICH LINDLAR (comp.) Referencia y diccionarios Bibliographisches Institut 1966 casi nuevo $300.00 DIDGERIDOO DIRK SCHELLBERG Instrumentos Binkey Kok 1996 casi nuevo $300.00 MIKROCOSMOS VOL 5 BELA MARTOK Partituras Boosey & Hawkes $320.00 MIKROCOSMOS VOL 6 BELA MARTOK Partituras Boosey & Hawkes $320.00 JOHANNES BRAHMS. VERSUCH EINER KRITISCHEN DOKUMENTAR-BIOGRAPHIESIEGFRIED (2 vols.) KROSS Compositores S. XVIII-XIX Bouvier 1997 casi nuevo $1,000.00 MIRADAS AL PATRIMONIO MUSICAL UNIVERSITARIO GUSTAVO MAULEON RODRIGUEZHistoria BUAP $450.00 BEGEGNUNG MIT FURTWANGLER KARLA HOCKER Directores de orquesta C. Bertelsmann 1956 bueno $120.00 MEMOIRES HECTOR BERLIOZ Literatura Calmann Lévy 1878 aceptable $800.00 SOIREES DE L'ORCHESTRE, LES HECTOR BERLIOZ Literatura Calmann Lévy 1878 bueno $950.00 Xiª SINFONIA DE BEETHOVEN, LA MATEO BARROSO Beethoven CASTILLO 1959 bueno $300.00 Xiª SINFONIA DE BEETHOVEN, LA MATEO BARROSO Beethoven CASTILLO 1959 casi nuevo $450.00 CANCIONES Y POEMAS LEONARD COHEN Cancioneros Celeste $680.00 BIBLIOGRAFIA MEXICANA DE MUSICOLOGIA Y MUSICOGRAFIA (2 vols.) GABRIEL SALDIVAR México CENIDIM 1991 aceptable $600.00 PAUTA 19 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 20 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 21 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 23 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 24 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 30 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 31 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 33 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 35 V.V.A.A. Revistas CENIDIM $120.00 PAUTA 42 V.V.A.A. Revistas CENIDIM $80.00 PAUTA 44 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 46 V.V.A.A. Revistas CENIDIM $100.00 PAUTA 47-48 V.V.A.A. Revistas CENIDIM $120.00 PAUTA 49 V.V.A.A. Revistas CENIDIM $80.00 PAUTA 59-60 V.V.A.A. Revistas CENIDIM $120.00 PAUTA 65 V.V.A.A. Revistas CENIDIM $100.00 TEXTOS EN TORNO A LA MUSICA MARIO LAVISTA Compositores mexicanos CENIDIM 1988 bueno $250.00 CORRIDO MEXICANO NO DERIVA DEL ROMANCE ESPAÑOL, EL CELEDONIO SERRANO MARTINEZTeoría Centro Cultural Guerrerense $500.00 JOURNEES INTERDISCIPLINAIRES SUR LART CORPOREL ET PERFORMANCESV.V.A.A. Arte Centro de Arte y Comunicación $300.00 ERIK SATIE. ECRITS ERIC SATIE, ORNELLA VOLTACompositores (COOMP.) S. XX Champ Libre 1977 bueno $650.00 WAGNER ANTISEMITE JEAN-JACQUES NATTIEZ Wagner Christian Bourgois 2015 bueno $600.00 MUSIQUE D'INDE DU SUD ISABELLE CLINQUART Música del mundo Cité de la musique 2001 casi nuevo $300.00 CANTORAL LITURGICO NACIONAL V.V.A.A. Cancioneros coeditores Litúrgicos $250.00 FOLKLORE LITERARIO Y MUSICAL DE MEXICO, EL RUBEN CAMPOS México Colección METROpolitana bueno $120.00 COLUMBIA WORLD LIBRARY OF FOLK AND PRIMITIVE MUSIC, THE (1 vinil) V.V.A.A. Discos Columbia Masterworks casi nuevo $600.00 TESTIMONIO DE UNA VIDA JULIAN CARRILLO Compositores siglo XX Comité Organizador "San Luis Potosí 400" $550.00 CARLOS CHAVEZ, EL ORFEO CONTEMPORANEO DE MEXICO ROBERT L. PARKER Compositores mexicanos CONACULTA $200.00 FAVOR DE NO DISPARAR SOBRE EL PIANISTA LUIS JAIME CORTEZ Compositores mexicanos CONACULTA 2000 bueno $150.00 HISTORIA, CULTURA E IDENTIDAD EN EL SOTAVENTO ALFREDO DELGADO CALDERONHistoria CONACULTA $200.00 MUSICA DE LO QUE PASA, LA DAVID HUERTA Literatura CONACULTA $800.00 SILVESTRE REVUELTAS. BAILE, DUELO Y SON EDUARDO CONTRERAS SOTOCompositores mexicanos CONACULTA $200.00 SOY COMO EL PEJE EN MAREA APOLINAR RAMIREZ FELIPE Música tradicional mexicana CONACULTA 1996 bueno $200.00 UN RAP PARA MOZART SERGIO CARDENAS Ensayo y crítica CONACULTA $240.00 ESCUCHARTE MAS V.V.A.A. Literatura Connect Hearing 2011 nuevo $100.00 LIRICA POPULAR TABASQUEÑA FRANCISCO QUEVEDO Música tradicional mexicana Consejo Editorial del Gobierno del Estado de1980 Tabasco casi nuevo $220.00 ORIGEN MUSICAL DE LOS ANIMALES-SÍMBOLOS EN LA MITOLOGÍA Y LA ESCULTURAMARIUS ANTIGUAS,SCHNEIDER EL Vitrina Consejo Superior de Investigaciones Científicas1946 del Institutobueno Español de Musicología$3,000.00 SYMPHONIA HILDEGARD VON BINGEN Música antigua Cornell University Press 1992 casi nuevo $250.00 INCIDENTES MELODICOS DEL MUNDO IRRACIONAL JUAN DE LA CABADA Vitrina CORREO DE LAS AMERICAS 1974 bueno $6,800.00 TITULO AUTOR CLASIFICACION 1 EDITORIAL AÑO ESTADO PRECIO FOLK MUSIC OF HUNGARY ZOLTÁN KODÁLY Música tradicional Corvina Press 1971 bueno $180.00 MEXICO EN UN HIMNO. GENESIS E HISTORIA DEL HIMNO NACIONAL MEXICANOJUAN CID Y MULET Historia Costa-Amic 1974 bueno $180.00 CARLOS CHAVEZ V.V.A.A. Compositores mexicanos CSG PRI $100.00 SILVESTRE REVUELTAS V.V.A.A. Compositores mexicanos CSG PRI $100.00 CRISI MUSICALE EUROPEA, LA GIANNOTO BASTINELLI Vitrina D. Pagnini 1912 bueno $330.00 HANK WILLIAMS COLIN ESCOTT, KIRA FLORITAGran formato DA CAPO 2001 casi nuevo $300.00 DON GIOVANNI WOLFGANG A. MOZART Ópera Daimon $200.00 FAUST CHARLES GOUNOD Ópera Daimon $180.00 ALMA DE LA ARMONIA, EL CRISTINA MA MENENDEZ MALDONADOLiteratura Dairea $270.00 RITMOS DE LA VIDA, LOS EDWARD S. AYENSU, PHILIP CienciaWHITFIELD y tecnología Debate $400.00 FORTISSIMO 15 V.V.A.A. Revistas Departamento de Difusión y Educación Musical de Yamaha de México $50.00 FORTISSIMO 5 V.V.A.A. Revistas Departamento de Difusión y Educación Musical de Yamaha de México $50.00 MARIA CALLAS DAVID LOWE Ópera Diana 1990 Casi nuevo $200.00 SINFONIA, LA ERWIN LEUCHTER Teoría Dirección Municipal de Cultura de Rosario, Argentina1943 aceptable $250.00 AGUSTIN V.V.A.A. Biografía Domes 1980 Bueno $700.00 MUSIQUE AUX PAYS BAS, LA (4 tomos) EDMOND VAN DER STRAETENVitrina Dover 1969 bueno $2,000.00 STRUCTURAL FUNCTIONS IN MUSIC WALLACE BERRY Teoría Dover $280.00 RATIONALEN UND SOZIOLOGISCHEN GRUNDLAGEN DER MUSIK, DIE MAX WEBER Teoría Drei Masken Verlag 1921 bueno $1,400.00 VERNER ARPE: KNAURS SCHAUSPIELFUHRER VERNER ARPE Referencia y diccionarios Droemer Knaur 1971 bueno $80.00 KNAURS SCHAUSPIELFUHRER VERNER ARPE Referencia y diccionarios Droemersche Verlagsanstalt 1957 casi nuevo $100.00 KNAURS KONZERTFUHRER GERHART VON WESTERMANReferencia y diccionarios Droemersche Verlagsantalt 1951 bueno $110.00 KNAURS OPERNFUHRER GERHART VON WESTERMAN,Referencia KARL SCHUMANN y diccionarios Droemersche Verlagsantalt 1969 bueno $120.00 RELFEXIONS SANS ORDRE A PROPOS… Vitrina Dynamo 1965
Load more

Recommended publications
  • The 1963 Berlin Philharmonie – a Breakthrough Architectural Vision
    PRZEGLĄD ZACHODNI I, 2017 BEATA KORNATOWSKA Poznań THE 1963 BERLIN PHILHARMONIE – A BREAKTHROUGH ARCHITECTURAL VISION „I’m convinced that we need (…) an approach that would lead to an interpretation of the far-reaching changes that are happening right in front of us by the means of expression available to modern architecture.1 Walter Gropius The Berlin Philharmonie building opened in October of 1963 and designed by Hans Scharoun has become one of the symbols of both the city and European musical life. Its character and story are inextricably linked with the history of post-war Berlin. Construction was begun thanks to the determination and un- stinting efforts of a citizens initiative – the Friends of the Berliner Philharmo- nie (Gesellschaft der Freunde der Berliner Philharmonie). The competition for a new home for the Berlin Philharmonic Orchestra (Berliner Philharmonisches Orchester) was won by Hans Scharoun whose design was brave and innovative, tailored to a young republic and democratic society. The path to turn the design into reality, however, was anything but easy. Several years were taken up with political maneuvering, debate on issues such as the optimal location, financing and the suitability of the design which brought into question the traditions of concert halls including the old Philharmonie which was destroyed during bomb- ing raids in January 1944. A little over a year after the beginning of construction the Berlin Wall appeared next to it. Thus, instead of being in the heart of the city, as had been planned, with easy access for residents of the Eastern sector, the Philharmonie found itself on the outskirts of West Berlin in the close vicinity of a symbol of the division of the city and the world.
    [Show full text]
  • Schriftenreihe Des Sophie Drinker Instituts Band 4
    Schriftenreihe des Sophie Drinker Instituts Herausgegeben von Freia Hoffmann Band 4 Marion Gerards, Freia Hoffmann (Hrsg.) Musik – Frauen – Gender Bücherverzeichnis 1780–2004 BIS-Verlag der Carl von Ossietzky Universität Oldenburg 2006 Das Werk ist einschließlich aller seiner Teile urheberrechtlich ge- schützt. Jede Verwertung außerhalb der Grenzen des Urheberrechts bedarf der Zustimmung der Autorinnen. Dies gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Medien. © BIS-Verlag, Oldenburg 2006 Umschlaggestaltung: Marta Daul Layout und Satz: BIS-Verlag Verlag / Druck / BIS-Verlag Vertrieb: der Carl von Ossietzky Universität Oldenburg Postfach 25 41, 26015 Oldenburg Tel.: 0441/798 2261, Telefax: 0441/798 4040 e-mail: [email protected] Internet: www.bis.uni-oldenburg.de ISBN 3-8142-0966-4 Inhaltsverzeichnis Vorwort 3 Hinweise zur Benutzung 5 1 Nachschlagewerke 9 1.1 Lexika und biographische Nachschlagewerke 9 1.2 Bibliographien 14 1.3 Notenverzeichnisse 17 1.4 Diskographien 22 2 Einführende Literatur 24 2.1 Kunstmusik 24 2.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 42 2.3 Stilübergreifend und Sonstige 50 3 Personenbezogene Darstellungen 54 3.1 Kunstmusik 54 3.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 320 3.3 Stilübergreifend und Sonstige 433 4 Spezielle Literatur 446 4.1 Kunstmusik 446 4.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 462 4.3 Stilübergreifend
    [Show full text]
  • Annemarie Kleinert Berliner Philharmoniker. Von Karajan Bis
    Annemarie Kleinert Berliner Philharmoniker. Von Karajan bis Rattle Berliner Philharmoniker. Von Karajan bis Rattle von Annemarie Kleinert Jaron Verlag 2005 Annemarie Kleinert BERLINER PHILHARMONIKER. VON KARAJAN BIS RATTLE Jaron Verlag 2005 Dies ist das an den Jaron Verlag eingereichte Manuskript. Es enth¨alt die der Kurze¨ halber im Buch ausgelassenen Anmerkungen (siehe chap7.pdf). Jaron Verlag, Dorotheenstr. 37, 10117 Berlin 2005 Inhalt 1 Philharmoniker und Philharmonie 2 Das Zuhause ::::::::::::::::::::::::::: 2 Hierarchien im Orchester :::::::::::::::::::: 5 Die Sitzordnung der Philharmoniker :::::::::::::: 6 Das Stimmen der Instrumente ::::::::::::::::: 7 Eine demokratische Institution ::::::::::::::::: 7 Weibliche Orchestermitglieder ::::::::::::::::: 9 Das t¨agliche Miteinander :::::::::::::::::::: 11 Ehrungen ::::::::::::::::::::::::::::: 13 Aufzeichnungen von Musik ::::::::::::::::::: 14 Die Intendanz :::::::::::::::::::::::::: 15 Chefdirigenten seit Grundung¨ des Orchesters ::::::::: 19 2 Die Ara¨ Herbert von Karajan 21 Ein Mann mit vielen Qualit¨aten :::::::::::::::: 21 Der Maestro ist uberall¨ zu Hause :::::::::::::::: 21 Proben, proben, proben ::::::::::::::::::::: 23 Rhythmisch unerbittlich ::::::::::::::::::::: 23 Karajans Gestik beim Dirigieren :::::::::::::::: 24 Ohne Partitur :::::::::::::::::::::::::: 24 Die Privatperson ::::::::::::::::::::::::: 25 Ein distanzierter Mensch :::::::::::::::::::: 26 Seine Begeisterung fur¨ Technik ::::::::::::::::: 26 Das Verh¨altnis zu Dirigentenkollegen :::::::::::::: 28 Karajan und
    [Show full text]
  • John Goodyear
    Queen Mary, University of London (QMUL) School of Languages, Linguistics and Film (SLLF) German Department John Goodyear Musikstädte as real and imaginary soundscapes: Urban musical images as literary motifs in twentieth-century German modernism supervised by Professor Rüdiger Görner and Dr. Astrid Köhler This PhD thesis is submitted to the German Department in the School of Languages, Linguistics and Film (SLLF) at Queen Mary, University of London in part-fulfilment of the requirements for the degree of Doctor of Philosophy. London and Oldenburg 2010 “In der Hoffnung auf eine Zeit, da man auch wieder an Musik denken kann! Deine Christel 26. Februar 1945.” Handwritten note on the inside cover of Eberhard Preußner’s Die bürgerliche Musikkultur (1935) in the music collection at Oldenburg University library Acknowledgements From its conception in China to its completion in Germany, this doctoral thesis has been over six years in the making. It has been an enlightening and stimulating intellectual endeavour that has opened my eyes and ears to the significance and meaning of musical life in the German-speaking hemisphere. The entire project, however, would not have been possible without the help, support and guidance of a whole range of people on whom I have come to rely over these past six years. I want to take this opportunity to single out certain individuals and groups whose tireless efforts and support ensured for a successful completion of this PhD. The PhD would not have been financially possible without a studentship from the Westfield Trust in the first year and then an Arts and Humanities Research Council (AHRC) award for the following two years of my doctoral project.
    [Show full text]
  • Scherzo. Núm. 1
    rzo schREVISTA DE MÚSICA Año I - nfi I - Febrero Í986 - 350 ptas. BALLET NACIONAL DE ESPAÑA-CLASICO DIRECCIÓN: MARÍA DE AVILA MINISTERIO DE CULTURA tOTuCMnaaia de te mas Escenas toanwm Año: 1 n° I - FEBRERO 1986 - 330 pías. Edita SCHERZO EDITORIAL C/ Marques de Mondejar, 11 - 53 C 28028- MADRID Tno: (91)246 76 22 SUMARIO Presidente Gerardo Queipo de Llano Director OPINIÓN 4 Antonio Moral ACTUALIDAD 6 Subdirectores BOTÓN DE MUESTRA: Las bellezas de una sinfonía de Javier Alfaya Bruckner (Reencuentro con Sergiu Celibidache) Domingo del Campo Por Arturo Reverter 18 Consejo de Dirección ESTRENOS: LUTOSLAWSKY. Una gran parábola, por Manuel García Franco Tomás Garrido 20 Sanliago Martin Bermudez Agustín Muñoz Jiménez HOMENAJE: EMIL GILELS. El hombre tranquilo, por Enrique Pérez Adrián José Luis Pérez Arteaga 24 VOCES DE AYER Y DE HOY: ELISABETH Colaboradores Miguel Alonso, Roberto Andrade, SCHWARZKOPF. A la búsqueda de la perfección. Ramón Andrés, Cristina Argenta, Por Roberto Andrade 28 Diño Carrera, Tomás Garrido, Sabas de Hoces, Jesús López Cobos, Juan F. ENTREVISTA: AGNES BALTSA, Un temperamento Martin de Aguilera, Enrique Martínez mediterráneo con disciplina alemana. Miura, Ángel F. Mayo, Wolfgang Amadeus Mozart, Piedad Ocaña, Por Francisco José Villalba 30 Ornar, Alfredo Orozco, José Luis DISCOS Y LIBROS 35 Pérez de Arteaga, Fernando Peregrín, LA GUIA DE SCHERZO 48 Arturo Reverter, Jean Jacques Rapin, Pepe Rey, Antoni Ros-Marbá, Wolf- DOSIER: WHILHELM FURTWANGLER 1886-1986. gang Stresemann. Ebbe Traberg, José — UN MITO MUSICAL DEL SIGLO XX, por Luis Tellez, Francisco J. Villalba. Arturo Reverter 51 — EL TERCER RE1CH Y FURTWANGLER, por Distribución W. Stresemann 54 Emilio Rubio — LA EXPERIENCIA DE BAYREUTH, por Ángel Redacción, administración, publicidad F.
    [Show full text]
  • Anmerkungen Zum Vorwort
    8 Anmerkungen zum Vorwort 1 Von einigen ¨alteren Buchern¨ uber¨ das Orchester existieren Restauflagen, u.a. von dem dreib¨andigen, großformatigen und 300 Euro teuren Werk des ehemaligen Bratschers der Philharmoniker, Peter Muck, Einhundert Jahre Berliner Philharmonisches Orchester. Darstellung in Dokumenten, Tutzing: Hans Schneider Verlag 1982, ebenso von dem Photo- band von 1999 Die Berliner Philharmonie. Philharmoniker, Dirigenten, Solisten, mit Pho- tos von Reinhard Friedrich und einen zw¨olfseitigen Text von Joachim Matzner, Berlin: G + H Verlag. Zur Literatur uber¨ die Chefdirigenten oder das Orchester aus der Sicht einzelner Philharmoniker bzw. des Intendanten W. Stresemann siehe die folgenden Anmerkungen. Im Jahre 2005 wurden 12 CD-Konzertaufzeichnungen mit Begleittexten von Journalisten der Zeitungen Die Welt und Welt am Sonntag betitelt Berliner Philharmoniker - Im Takt der Zeit publiziert, 2006 dann 5 DVDs mit dem Titel Berliner Philharmoniker. 125 Years - A Jubilee Celebration (mit einem 45-seitigen Beiheft von Tobias M¨oller). Ebenfalls zum 125-j¨ahrigen Jubil¨aum brachte das Orchester ein H¨orbuch mit 2 CDs heraus mit dem Titel Die Orchesterrepublik - Ein Streifzug durch die Geschichte der Berliner Philharmoniker, 2007. Schließlich ist Herbert Haffners 336-seitiges Werk von 2007 betitelt Die Berliner Philharmoniker. Eine Biografie (Mainz: Schott Verlag) zu nennen. zu Kapitel 1 1 Brief von Richard von Weizs¨acker an die Autorin, 27. 1. 2005. 2 Der 50 Jahre lang genutzte erste große Konzertsaal der Berliner Philharmoniker befand sich in der N¨ahe des Anhalter Bahnhofs. Ursprunglich¨ war das Geb¨aude, das in einem Hinterhof lag und daher baulich wenig in Erscheinung trat, eine Rollschuhbahn fur¨ den um 1880 in Mode gekommenen Sport.
    [Show full text]
  • Beethoven Im „Dritten Reich“
    Moritz Hoffmann Bundesarchiv, Bild 183-R92264 / CC-BY-SA 3.0a Beethoven im Dritten Reich Philosophische Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Bachelor-Arbeit zur Erlangung des akademischen Grades „Bachelor of Arts“ im Studiengang Geschichte / Ästhetische Kommunikation – Musikwissenschaft Beethoven im „Dritten Reich“ Vorgelegt von: Moritz Hoffmann Bonn 8. Fachsemester Themensteller: Dr. Christoph Studt Zweitgutachterin: Prof. Dr. Bettina Schlüter Inhaltsverzeichnis I. Einleitung 3 II. „Dem deutschen Volke geboren“ – Beethoven und der Nationaldiskurs 6 III. „Mehr als alle Engländer zusammen“ – Hitlers Beethovenbild 9 IV. Die Administration der Musikpolitik im „Dritten Reich“ 11 V. Die schwierige Rekonstruktion der Aufführungspraxis bis 1939 12 VI. Das „Beethovenfest der Hitlerjugend“ in Bad Wildbad 1938 13 VII. Die Reichsmusiktage in Düsseldorf und die Ausstellung „Entartete Musik“ 15 VIII. Beethoven in den Massenmedien des „Dritten Reiches“ 18 VIII. 1. Der Beethoven-Zyklus im Jahr 1934 18 VIII. 2. Beethoven im Film des „Dritten Reiches“ 20 VIII. 3. Beethoven in der Presse des „Dritten Reiches“ 22 IX. „Gerede vom Familiensumpf“ – Das Problem der Beethoven-Genealogie 23 X. „Von reinstem deutschen Geiste“ – Kategorien der Abgrenzung 26 XI. Beethoven im Zweiten Weltkrieg 28 XII. „Genius in seiner Vaterstadt“ . Beethoven im nationalsozialistischen Bonn 31 XII. 1. Die Bonner Beethovenfeste unter der Leitung von Elly Ney 31 XII. 2. Die Bonner Beethovenfeste im „Dritten Reich“ 31 XII. 3. Das Bonner Beethovendenkmal von 1939 34 XIII. Die Musikwissenschaft nach 1933 36 XIV. Beethoven in Schulbüchern des „Dritten Reiches“ 38 XV. Schluss 40 Verzeichnis der verwendeten Abkürzungen 43 Anhang 44 Quellen- und Literaturverzeichnis 49 2 I. Einleitung Zwischen der Lebenszeit großer Künstler und der Gegenwart steht immer die Geschichte ihrer Rezeption.
    [Show full text]
  • The Reconstruction of Post-War West German New Music During the Early Allied Occupation
    The Reconstruction of Post -War West German New Music during the early Allied Occupation (1945 -46), and its Roots in the Weimar Republic and Third Reich (1918 -45) PhD Submission, 2018 Cardiff University Ian Pace Abstract This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festiva ls, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some decades were made during this period of a little over eighteen months. I also argue that subsequent developments up to the year 1951, by which time the infra structure was essentially complete, were primarily an extension and expansion of the early period, when many of the key appointments were made, and institutions created. I also consider the role of new music in mainstream programming of orchestras, opera h ouses, chamber music societies, and consider all of these factors in terms of the occupation policies of the three Western powers – the USA, the UK and France. Furthermore, I compare these developments to those which occurred in during the Weimar Republic and the Third Reich, of which I give an overview, and argue as a result that the post -war developments, rather than being radically new, constituted in many ways a continuation and sometimes distillation of what was in place especially in the Weimar years .
    [Show full text]
  • John Goodyear
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism Goodyear, John For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/2505 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] Queen Mary, University of London (QMUL) School of Languages, Linguistics and Film (SLLF) German Department John Goodyear Musikstädte as real and imaginary soundscapes: Urban musical images as literary motifs in twentieth-century German modernism supervised by Professor Rüdiger Görner and Dr. Astrid Köhler This PhD thesis is submitted to the German Department in the School of Languages, Linguistics and Film (SLLF) at Queen Mary, University of London in part-fulfilment of the requirements for the degree of Doctor of Philosophy. London and Oldenburg 2010 “In der Hoffnung auf eine Zeit, da man auch wieder an Musik denken kann! Deine Christel 26. Februar 1945.” Handwritten note on the inside cover of Eberhard Preußner’s Die bürgerliche Musikkultur (1935) in the music collection at Oldenburg University library Acknowledgements From its conception in China to its completion in Germany, this doctoral thesis has been over six years in the making. It has been an enlightening and stimulating intellectual endeavour that has opened my eyes and ears to the significance and meaning of musical life in the German-speaking hemisphere.
    [Show full text]
  • The Reconstruction of Post-War West German New Music During
    The Reconstruction of Post -War West German New Music during the early Allied Occupation (1945 -46), and its Roots in the Weimar Republic and Third Reich (1918 -45) PhD Submission, 2018 Cardiff University Ian Pace Abstract This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festiva ls, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some decades were made during this period of a little over eighteen months. I also argue that subsequent developments up to the year 1951, by which time the infra structure was essentially complete, were primarily an extension and expansion of the early period, when many of the key appointments were made, and institutions created. I also consider the role of new music in mainstream programming of orchestras, opera h ouses, chamber music societies, and consider all of these factors in terms of the occupation policies of the three Western powers – the USA, the UK and France. Furthermore, I compare these developments to those which occurred in during the Weimar Republic and the Third Reich, of which I give an overview, and argue as a result that the post -war developments, rather than being radically new, constituted in many ways a continuation and sometimes distillation of what was in place especially in the Weimar years .
    [Show full text]
  • Werner Egk and Joan Von Zarissa: Music As Politics and Propaganda Under National Socialism Jason P
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Werner Egk and Joan Von Zarissa: Music as Politics and Propaganda under National Socialism Jason P. Hobratschk Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC WERNER EGK AND JOAN VON ZARISSA: MUSIC AS POLITICS AND PROPAGANDA UNDER NATIONAL SOCIALISM By JASON P. HOBRATSCHK A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2011 Jason P. Hobratschk defended this dissertation on October 6, 2011. The members of the supervisory committee were: Denise Von Glahn Professor Directing Dissertation Joseph Kraus University Representative Douglass Seaton Committee Member Birgit Maier-Katkin Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my mother, Linda, for her eternal unconditional love and support; to my father, Harvey, who, despite having only an eighth-grade education, remains one of the most intelligent men I have ever known; and to Ryan, for his love and patience. iii ACKNOWLEDGEMENTS I owe sincere thanks to many people who made this project successful. Foremost among them the governments of Germany and of the United States, who made the research for this project possible through a generous Fulbright Full Grant. I especially thank Prof. Dr. Wolfgang Rathert of Ludwig-Maximilians-Universität, Munich, a wonderful Ersatz-Doktorvater who advocated for this project and provided much helpful guidance along the way.
    [Show full text]