(Inculding Billboard) File: PKM – Episode 2 Billboar

Total Page:16

File Type:pdf, Size:1020Kb

(Inculding Billboard) File: PKM – Episode 2 Billboar Please Kill ME: Voices from the Archives Hour 2 Total Running Time: 56:30 (inculding Billboard) File: PKM – Episode 2 Billboard (1:00) – INCUE: “Punk Rock...” – OUTCUE: “...voices from the archives” Music: “Search and Destroy” by The Stooges File: PKM Episode 2 – SEG A (13:00) – INCUE: (Music) “Hello, my name is Michael...” – OUTCUE: “...stay with us (music until end)” Music: “Anarchy in the U.K.” by The Sex Pistols; “Blitzkrieg Bop” by The Ramones; “London Calling” by The Clash; “I Wanna Be Your Dog” by The Stooges; “Pretty Vacant” by The Sex Pistols; “God Save the Queen” by The Sex Pistols; “Holiday in the Sun” by The Sex Pistols; “Anarchy in the UK” by The Sex Pistols File: PKM Episode 2 – SEG B (18:00) – INCUE: (MUSIC) “Welcome back...” – OUTCUE: “...stay with us (music until end) Music: “Chinese Rocks” by The Heartbreakers; “Monkey Man” by The Rolling Stones; “Gimmie Shelter” by The Rolling Stones; “Ziggy Stardust” by David Bowie; “Golden Years” by David Bowie; “China Girl” as performed by David Bowie; “My Way” as performed by Sid Vicious; “Suffragette City” by David Bowie; “High Tension Wire” by The Dead Boys File: PKM Episode 2 – SEG C (24:30) – INCUE: “Welcome back to...” – OUTCUE: “...go to please kill me dot com (music until end) Music: “Break it Up” by Patti Smith; “Wave” by Patti Smith”; “People Who Died” by Jim Carroll; “Nightclubbing” by Iggy Pop”; “Rapture” by Blondie; “Do You Remember Rock and Roll Radio” by The Ramones; “Lust for Life” by Iggy Pop; “Blitzkrieg Bop” by The Ramones; “Free Money” by Patti Smith”; “Fame” by David Bowie; “Blank Generation” by Richard Hell and the Voidoids; “Sunday Bloody Sunday” by U2; “Danny Says” by The Ramones; “Blank Generation” by Richard Hell and the Voidoids .
Recommended publications
  • WS Folk Riot Booklet
    1 playing “cover” songs as diverse and influential Meanwhile, due to our leftist leanings and omni- 10,000 Watts of Folk as the Statler Brothers’ “Flowers on the Wall,” presence in the Village, activist Abbie Hoffman 1. I AIN’T KISSING YOU (0:54) by Trixie A. Balm met with we three Squares and co-wrote a theme VANGUARD STUDIOS, NYC (aka Lauren Agnelli) Alas, that deal fell through. though the song for his new live radio show, “Radio Free September 1985 sessions remain, with Tom, Lauren, Bruce and Billy U.S.A.”: heard here for the first time since the playing “cover” songs as diverse and influential debut show back in 1986 at the Village Gate. By 1985, we Washington Squares, having worked, as the Statler Brothers’ “Flowers on the Wall,” Vanguard, an important folk label during the ‘50s sang and played our way through the ‘80’s Richard Hell’s “Love Comes in Spurts,” Lou Reed’s At last, in 1987, Gold Castle/Polydor records who and ‘60s was sold in 1985. Vanguard sold off their Greenwich Village folk scene fray, were ready to “Sweet Jane,” and Johnny Thunders’ “Chinese Rocks.” DID sign us to a deal found the perfect sound classical collection and reissued their folk and then record. The record company interest was there though producer Mitch Easter (of the group Let’s started looking for new acts. With a bunch of well and soon serious recording contracts would dangle Having somewhat mastered those formative nuggets, Active— he also recorded REM’s initial sessions) known original Vanguard producers in the control room: before our fresh (very fresh!) young smirks.
    [Show full text]
  • RAMONES the Sire Years 1976-1981 Die Ersten Sechs Alben Der Punkrock-Pioniere in Einer Box!
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] RAMONES The Sire Years 1976-1981 Die ersten sechs Alben der Punkrock-Pioniere in einer Box! „Hey ho, let’s go!” Mit diesem Schlachtruf begann eine Epoche. Bei allen Diskussionen, wer nun wo den Punkrock erfunden habe, steht eine Tatsache außer Zweifel: Die RAMONES haben ihn auf den Punkt gebracht wie keine andere Band. Sie nahmen den dahinsiechenden Rock’n’Roll unter ihre Mähnen, erfanden ihn neu und gaben ihm die Kraft und Innovation zurück, die irgendwo zwischen Woodstock und Progrock verlorengegangen war. 1974 in Forest Hill, Queens, NYC, gegründet, waren die RAMONES neu, authentisch und kreierten einen aufwühlenden Sound, der zur Hebamme einer der lebhaftesten Musikstile aller Zeiten wurde: Punkrock. Mit der 6-CD-Box RAMONES: The Sire Years (1976-1981) präsentieren Rhino Records das Erbe einer der innovativsten Bands in einer umfassenden Box, die die bedeutendsten Alben des Quartetts in einer längst fälligen Sammlung vereint: Ramones (1976), Leave Home (1977), Rocket To Russia (1977), Road To Ruin(1978), End Of The Century (1980) bis Pleasant Dreams (1981) – sämtlich mit ursprünglichen Tracklistings und Original- Artwork. Das Debüt der RAMONES aus dem Jahr 1976 war zugleich ein Manifest und eine Aufforderung zum musikalischen Aufstand, der zahllose Fans anspornte, selbst die Gitarre in die Hand zu nehmen. 14 Songs brauchten gerade mal eine Gesamtlänge von 32 Minuten. Reduziert auf das Nötigste, erreichte keine der Nummern die 3-Minuten Marke – die meisten blieben sogar unter zwei Minuten. Und es waren Klassiker, die da über die Musikwelt hereinbrachen: „Blitzkrieg Bop“, „Beat On The Brat“, „Judy Is A Punk“ und „I Wanna Be Your Boyfriend“.
    [Show full text]
  • Music 10378 Songs, 32.6 Days, 109.89 GB
    Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’…
    [Show full text]
  • Dedicated to the Needs of the Music/Rec Albums
    DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).
    [Show full text]
  • Reviews Punk Page 1 of 14
    God Save The Sex Pistols - Reviews Punk Page 1 of 14 REVIEWS PUNK This section covers non - Pistols products which I have enjoyed and may be of interest to Sex Pistols' fans. Bad Brains - Live at CBGB 1982 (Wienerworld WNRD2393) Released 25th September 2006 In the early 80s, with punk largely on the wane back in the UK, over in the US the Hardcore scene was exploding. Filmed at a three-day Hardcore festival held at CBGB's 24-26th December 1982, the DVD brings together footage from the festival. Bad Brains are perhaps unique in hardcore terms as they intersperse full-on thrash, such as Big Take Over and Riot Squad, with great reggae grooves like King Of Glory. What's most striking about the footage, as well as the intensity of the band, is the audience who are so into the band they go crazy, spilling on and off the stage dancing like punks possessed. It's chaos. If you think you know how to mix it up at a punk show, think again. "Someone get this dude, he's bleedin" says vocalist H.R.as a punter sustains an injury. It's captured on film by multiple cameras both off stage and on, often getting caught up in the action. Bad Brains belong in the top echelons of US Hardcore, along with Black Flag and the Dead Kennedys. Fast, accomplished and wild. Which brings us onto... Dead Kennedys - In God We Trust Inc. The Lost Tapes (Wienerworld WNRD2207) Brilliant. In God We Trust Inc. was a landmark EP heralding the arrival of Hardcore.
    [Show full text]
  • Refreshing Congeniality Flourishes in Gay Bar Punk Pioneers Emerge From
    The Retriever, February 26, 1980, '.e 9 Refreshing congeniality flourishes in gay bar dative, and those with the inclination to By Tom DiMartino make their approbation concrete held up On a recent Sunday evening, The Blade, dollar bills, which the honored performer Karen and I visited the Masquerade Inter­ collected in his travels about the floor, and national Disco, on Boston Street, near Fells for which the benefactor received a kiss. Point. This is a gay bar, and is aptly named Tish and Mhogany did a well-executed - drag shows are featured ~ularly. It was version of "Enough is Enough", imitating the drag show that brought us here, and by Barbara and Donna Summer, and Shirley's happy coincidence, owner Connie Hoffer captial "You're So Vain" was dedicated to was also hosting a public party that night Terry. Kelly Stevenson, a long foxy blonde, in honor of her partner Terry's birthday. electrified the crowd with her dynamic Our two dollar cover took care of the show impression of Bette Midler's "Rose", with and an open buffet. "When A Man Loves A Woman," for The Masquerade is a very pleasant, tidy which he was called for an encore. club, with a small dance floor, pool tables, During the break, while the drag queens pinball machine, and an excellent sound were in the back room planning their next system. It's not a large place, but there are set, I had a short interview with them. The two opera~ing bars (a third was guys were pretty well shellacked by that abandoned).
    [Show full text]
  • Mvdv4818 Deafsparrow
    History On My Arms - Dee Dee Ramone Documentary - Deaf Sparrow Zine http://www.deafsparrow.com/deedee-historyonmyarms-dvd-review.htm home | reviews | interviews | features | lost & found | dvd reviews | links | about sparrow | contact us dvd/books reviews dee dee - history on my arms NASHVILLE PUSSY Live in Hollywood HISTORY ON MY ARMS (MVD) Lech Kowalski BLACK METAL (MVD Visual) SATANICA Quick History & Philosophy (MVD) It’s a shame man, because as I watch this lengthy interview with Dee Dee I can GORGOROTH see the little kid from Queens quite clearly. With a cleaner skin, for sure. The Black Mass Krakow 2004 (Metal Mind) years had marked his soul, skin and spirit and he sheds some of what's left in this interview ( he also pulls back a little, he says, ‘ I won’t go in to that’ at least twice) TAD with filmmaker Lech Kowalski. Busted Circuits and Ringing Ears (Metal Mind) Set against a dark background – in what looks like an abandoned NY loft - what you see is what you get. An often times bare chest Dee Dee telling the old stories ICRUSHER about Johnny Thunders and how much he pissed him off (in one of the best bits Extensive Videography From Influential Brit Label Dee Dee says something to the effect of ‘I didn’t like him, that’s why I left him (Earache) turning blue in the bath tub’ ), about getting ripped off on his songwriting of “Chinese Rocks”, about tough times in Europe, trying to stay clean while being DARK FUNERAL surrounded by drug fiends, about his tattoos and their history.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • New York City's Societal Influence on the Punk
    Department of Humanities, Northumbria University Honours Dissertation New York City’s Societal Influence on the Punk Movement, 1975-1979 Gavin Keen BA Hons History 2016 This dissertation has been made available on condition that anyone who consults it recognises that its copyright rests with its author and that quotation from the thesis and/or the use of information derived from it must be acknowledged. © Gavin Keen A dissertation submitted in partial fulfilment of the requirements for the degree of BA (Hons) History !1 Contents Introduction: ‘Fear City’ and the Creation of a Scene 3 Chapter 1: ‘Trying to turn a trick’:The NYC Sex Industry and its Influence on Punk 8 Chapter 2: ‘All I see is little dots’: The NYC Drug Industry and its Influence on Punk 15 Chapter 3: ‘Yuck! She’s too much’: Gender and Sexuality in NYC and Punk 22 Conclusion: ‘New York City Really Has It All’: Punk as a Social Commentary 33 Appendices 37 Bibliography 43 !2 Introduction ‘Fear City’ and the Creation of a Scene New York’s economic situation in the mid 1970s saw unprecedented levels of austerity imposed upon the city and, as a result, contributed to the creation of what the historian Dominic Sandbrook described as ‘a terrifying urban Hades’.1 Swathes of New Yorkers were riled by the closure of libraries, hospitals and fire stations and had their anger compounded by subway fare hikes, the abolition of free public college education and severe cuts to public service employment; a total of sixty three thousand public servants, ranging from teachers to police officers, were put out of work.2 The drastic economic measures implemented by Mayor Abraham Beame as part of the conditions of New York’s federal financial bail out contributed significantly to a rise in crime and societal dysfunction across the city.
    [Show full text]
  • IGGY POP - PARA a BANDA SIOUXSIE TRANSMISSION Um Gênio (Indomável) Do and the BANSHEES: RÁDIO P.03 P.08 Rock and Roll
    CONFIRA OS BASTIDORES DO TRIBUTO BRASILEIRO FEITO Conheça a IGGY POP - PARA A BANDA SIOUXSIE TRANSMISSION Um gênio (indomável) do AND THE BANSHEES: RÁDIO p.03 p.08 Rock And Roll: P.09 WOODGOTHIC 2017: Biografia de todas as bandas que participarão da edição 2017: p.11 EM PAUTA: P. 04 SPLEEN and IDEAL DEAD CAN DANCE p. 34 PUNK E MAIS: ESPECIAL: MULHERES QUE MUDARAM OS RUMOS DO 77! “TOP 5”: álbuns do IRON ROCK AND ROLL Listamos quinze álbuns MAIDEN: p.28 de Punk Rock p.24 que marcaram o ano de 1977: “Indicação de BANDA”: SIGUR RÓS p.30 p. 28. 1 NESTA EDIÇÃO: Underground: Tributo Siouxsie And The Banshees - 03 Em pauta: Em pauta: Spleen And Ideal – 04 - 07 Dead Can Dance Extra! Extra! Transmission Radio/Indicação – 08 Resenha: Iggy Pop: gênio (indomável) do Rock And Roll – 09-10 Especial: 1. Conheça as bandas que participarão do Woodgothic 2017 – 11 - 23 2. Dia da Mulher: as feras do Rock And Roll - 24 - 27 Análise: Discografia comentada do Iron Mainden – 28 – 29 Lista: 18 álbuns clássicos do PUNK77 – 30 - 33 Mais: Cinema e Rock And Roll – 34 – 35 O Que Rola na Minha PLAYLIST – 36 Caro leitor, seja muito bem-vindo. Esta é a edição 00 da revista virtual Fanzine Brasil. O intuito deste projeto é reunir textos diversificados sobre música, com ênfase no Rock And Roll e suas várias vertentes. Os editores-chefes do projeto, sentem-se imensamente honrados em finalmente poder disponibilizar a revista. Nossa maior inspiração foram as revistas undergrounds produzidas nos EUA e na Inglaterra durante a eclosão do movimento Punk.
    [Show full text]
  • Una Novela Más Accesible
    AÑO 6 - Nº 68 - AGOSTO 2003 Una novela más accesible "Un tributo a Cuáles son los cambios en la nueva edición de Ramones", por The Dark Tower I: The Gunsliger Stephen King El escritor de Maine recuerda a una de sus bandas de rock favoritas A través de la ventana Análizamos el guión de la película basada en Secret Window, Secret Garden El final está cerca ¿El final de The Dark Tower es también el fin de la carrera literaria de King? Además: Noticias, la Opinión de los Lectores, The Dead Zone, Contratapa y más... Nº 68 - AGOSTO 2003 PORTADA Stephen King acaba de editar una UNA NOVELA MÁS versión "revisada y actualizada" de ACCESIBLE EDITORIAL The Dark Tower I: The Gunslinger, y trataremos de analizar, en pocas Cuáles son los cambios NOTICIAS líneas, el porqué de esta nueva en la nueva edición de NO-FICCIÓN edición. The Dark Tower I ENTREVISTA PÁG. 3 Walt Whitman, el popular poeta americano, revisaba y agregaba IMPRESIONES material a cada edición de su obra OPINIÓN Leaves of Grass. Los cambios reflejaban su TORRE OSCURA • En octubre se edita la edición en crecimiento como poeta y su castellano de la antología HE EAD ONE intento de hacer que Leaves of T D Z Everything's Eventual Grass fuera una pieza única de la ICCIÓN • King sale en defensa de Harry F literatura. Potter Ahora Stephen King, el más LECTORES • Un nuevo cortometraje sobre un popular de los novelistas relato de King CONTRATAPA modernos americanos, ha • Un caso de la vida real que parece completado los tres volúmenes ficción finales de su obra The Dark Tower • King sigue escribiendo (La Torre Oscura), de siete ..
    [Show full text]
  • AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What
    ... AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What You Don't Know 10 COMMANDMENTS Not True 1989 100 FLOWERS The Long Arm Of The Social Sciences 100 FLOWERS The Long Arm Of The Social Sciences 100 WATT SMILE Miss You 15 MINUTES Last Chance For You 16 HORSEPOWER 16 Horsepower A&M 540 436 2 CD D 1995 16 HORSEPOWER Sackcloth'n'Ashes PREMAX' TAPESLEEVES PTS 0198 MC A 1996 16 HORSEPOWER Low Estate PREMAX' TAPESLEEVES PTS 0198 MC A 1997 16 HORSEPOWER Clogger 16 HORSEPOWER Cinder Alley 4 PROMILLE Alte Schule 45 GRAVE Insurance From God 45 GRAVE School's Out 4-SKINS One Law For Them 64 SPIDERS Bulemic Saturday 198? 64 SPIDERS There Ain't 198? 99 TALES Baby Out Of Jail A GLOBAL THREAT Cut Ups A GUY CALLED GERALD Humanity A GUY CALLED GERALD Humanity (Funkstörung Remix) A SUBTLE PLAGUE First Street Blues 1997 A SUBTLE PLAGUE Might As Well Get Juiced A SUBTLE PLAGUE Hey Cop A-10 Massive At The Blind School AC 001 12" I 1987 A-10 Bad Karma 1988 AARDVARKS You're My Loving Way AARON NEVILLE Tell It Like It Is ABBA Ring Ring/Rock'n Roll Band POLYDOR 2041 422 7" D 1973 ABBA Waterloo (Swedish version)/Watch Out POLYDOR 2040 117 7" A 1974 ABDELLI Adarghal (The Blind In Spirit) A-BONES Music Minus Five NORTON ED-233 12" US 1993 A-BONES You Can't Beat It ABRISS WEST Kapitalismus tötet ABSOLUTE GREY No Man's Land 1986 ABSOLUTE GREY Broken Promise STRANGE WAYS WAY 101 CD D 1995 ABSOLUTE ZEROS Don't Cry ABSTÜRZENDE BRIEFTAUBEN Das Kriegen Wir schon Hin AU-WEIA SYSTEM 001 12" D 1986 ABSTÜRZENDE BRIEFTAUBEN We Break Together BUCKEL 002 12" D 1987 ABSTÜRZENDE
    [Show full text]