Nicotine Records, Spain to the Family!!!

Total Page:16

File Type:pdf, Size:1020Kb

Nicotine Records, Spain to the Family!!! CCoocckkRRooaacchh MMeeddiiaa WWeellccoommeess NNiiccoottiinnee RReeccoorrddss (((SSppaaiinn))) TToo oouurr FFaammiillyy ooff LLaabbeellss A Available to Ship August 2nd CONTACT: COCKROACH MEDIA LABEL GROUP US Distribution: Sound of Jimmy White California [email protected] AEC www.CockRoachMedia.com Edge SDID / (Super D / Available to ship August 1st, 2010 Cockroach Media welcomes Nicotine Records, Spain to the family!!! ORIGINAL ARTIST TITLE EUROPEAN LABEL CAT # UPC# CONF. SRP RELEASE DATE APRIL 2010- VORACIOUS APPETITE, FLASHFALCON NEW NICOTINE RECORDS NICO71 8032523590715 CD $12.98 VENOMOUS BITE RELEASE APRIL 2010- KANI ROCKABEAST NEW NICOTINE RECORDS NICO70 8032523590708 CD $12.98 RELEASE APRIL 2010- CHILLIHOUNDS WELCOME TO THE SHOW NEW NICOTINE RECORDS NICO69 8032523590692 CD $12.98 RELEASE NOVA ASCHERE ROTTEN MAKE UP Sep-09 NICOTINE RECORDS NICO67 8032523590678 CD $12.98 CHUCKIES, CHUCKIES THE CHUCKIES Sep-09 NICOTINE RECORDS NICO66 8032523590661 CD $12.98 SKINNY BONES & THE SHOT MY TV Sep-09 NICOTINE RECORDS NICO64 8032523590647 CD $12.98 GONEDADDYS NAZI DOGS, THE OLD HABITS DIE HARD Jul-09 NICOTINE RECORDS NICO62 8032523590623 CD $12.98 ASHTONES MAINLINE ROCKET Sep-09 NICOTINE RECORDS NICO61 8032523590616 CD $12.98 FUCK 'EM ALL, WE'VE ALTREADY (NOW) FALSE ALARM Apr-09 NICOTINE RECORDS NICO60 8032523590609 CD $12.98 WON MOCHINES, THE THE EAGLE HAS LANDED Apr-09 NICOTINE RECORDS NICO59 8032523590593 CD $12.98 THE BEECHCRAFT BONANZA + FRUTTI ACCIDENTS, THE Jan-09 NICOTINE RECORDS NICO57 8032523590579 CD $12.98 DI BOSCO THINGS, THE SOME KIND OF KICK Oct-08 NICOTINE RECORDS NICO55 8032523590555 CD $12.98 LIME SPIDERS LIVE AT THE ESPLANADE Sep-08 NICOTINE RECORDS NICO53 8032523590531 CD $12.98 BAD DAYS, THE EAT MY LUCK Sep-08 NICOTINE RECORDS NICO51 8032523590517 CD $12.98 LURE, WALTER LIVE IN BERLIN Oct-08 NICOTINE RECORDS NICO50 8032523590500 CD $12.98 GAZA STRIPPERS FROM THE DESK OF DR. FREEPILL… Nov-02 NICOTINE RECORDS NICO006 8032523590067 CD $12.98 LUSTKILLERS, THE BLACK SUGAR SESSION May-08 NICOTINE RECORDS NICO49 8032523590494 CD $12.98 BAD MACHINE SURFIN' IN THE CITY Apr-08 NICOTINE RECORDS NICO48 8032523590487 CD $12.98 COWBOY PROSTITUTES SWINGIN' AT THE FENCES Mar-08 NICOTINE RECORDS NICO47 8032523590470 CD $12.98 LOVE INJECTIONS TREES ON A HILL Apr-08 NICOTINE RECORDS NICO43 8032523590432 CD $12.98 HIGHSCHOOL LOCKERS NEVER ENDING PARTY Mar-06 NICOTINE RECORDS NICO30 8032523590302 CD $12.98 JAYWALKER, DEE 59 O CLOCK May-06 NICOTINE RECORDS NICO35 8032523590357 CD $12.98 WE'VE FORGOTTEN MORE THAN YOU'LL JOHNNNY CASINO'S EASY ACTION Sep-05 NICOTINE RECORDS NICO26 8032523590265 CD $12.98 EVER KNOW DEVILTONES, THE RIDING THE HIGH HORSE Jun-05 NICOTINE RECORDS NICO25 8032523590258 CD $12.98 POPZILLAS, THE TU E L'ESTATE (PUNK ROCK BABY) Oct-04 NICOTINE RECORDS NICO22 8032523590227 CD $12.98 SWEETBACKS, THE THE SWEETBACKS Aug-04 NICOTINE RECORDS NICO17 8032523590173 CD $12.98 ELECTRIC FRANKENSTEIN/BAD DOCTOR FRANKENDRAGSTER (SPLIT Mar-04 NICOTINE RECORDS NICO13 8032523590135 CD $12.98 DOG BOOGIE CD) NNIICCOOTTIINNEE RREECCOORRDDSS favorite underground rock n'sleaze label! Artist : Flashfalcon Title : "Voracious Appetite, Venomous Bite" Format : CD Catalog Number : NIC071 SRP: $12.98 Release Date : April 2010 Barcode : 8032523590715 Total playing time : 50:49 File Under: Thin Lizzy, Gluecifer Description : Get ready for Flashfalcon's new wild album : VORACIOUS APPETITE, VENOMOUS BITE ! With one balls-smashing track after the other on the unapologetic LP, Flashfalcon – who have been tearing up the stage since 2005 – are set to bury all those mediocre rock ‘n’ roll bands with their blood-spitting hew of cleaving guitars. Mastered by the glorious Glen Robinson at studios D.O.C. in Montreal (Nashville Pussy, Probot, AC/DC, Iggy Pop), these 12 powerful tracks are coming over you, like high-powered 1970 Ford Torinos flying down the highway at 200 miles an hour! You have been warned! Tracklist : 1.The Endless Flow Of Crimson Ink 2.Moody Weather 3.Let's Start Tonight 4.One After The Other 5.You Ain't No Good (For Rock) 6.Eternal Lonesome Boy 7.God Dammit 8.Trailer Park Queen 9.Last Rain 10.Guts On Fire 11.Breakout Killers 12.Dome Fragments Artist : Kani Title : "Rockabeast" Format : CD Catalog Number : NIC070 SRP: $12.98 Release Date : April 2010 Barcode : 8032523590708 Total playing time : 42:36 File Under: Uriah Heep, Motorhead, Nashville Pussy Description : “Rockabeast ? What does it mean? A rock ’n’ roll extremist, you know…”. Welcome to the raucous, thunderous, coarse, hoarse, stoned out, ironic, sensitive, smoky, wacky, dead drunky and philty world of Kani, ladies and gentlemen! This is the shit: a mix of hard rock, heavy sound, punk attitude and adoration for good ol’ blues. No mercy for you, emo-pop-ass-lickers! In these 11 songs there are sex with your mother (Too sexy for my pants), drugs for when you feel lonely in your Wild West (Dead soul cowboy), and rock’n’roll for that girl you love so much but doesn’t even look at you (Chicken dance). And many, many, many cigarettes (Proud smoker). This italian fast&furious band, born in 2007, is not only for Motorhead, Peter Pan Speedrock or Nashville Pussy fans, but also for all original rock fans. God is dead, rock’n’roll’s not. Come to see them live! Tracklist : 1.Getcha Hellyeah! 2.Proud Smoker 3.Too Sexy For My Pants 4.The Dirty Son Of Joe Cocker 5.Lost & Shaken 6.Dead Soul Cowboy 7.Nail 'Em Up 8.Chicken Dance 9.Don't Steal My Boots 10.4 Bastards 4 A Roll 11.Rockabeast Artist : Chillihounds Title : "Welcome To The Show" Format : CD Catalog Number : NIC069 SRP: $12.98 Release Date : April 2010 Barcode : 8032523590692 Total playing time : 39:07 File Under: Z.Z.Top, Cult, AC/DC Description : There’s no other word better describing the music coming from this Swedish rock’n’roll outfit. Welcome to the Show is CHILLIHOUNDS highly anticipated follow up to their debut “The Album”. Although both outings share the same loose vibe, this time the group has dug further into their vinyl collections and explored all the branches of the classic rock tree. The result is a ten track onslaught with both variety and depth. There’s the party anthem of (Meet Me) On the Rocks, the groovelicious feel of Good Dog Gone Bad, the funky heaviness of Lady Pink and then there’s the acoustic southern rock of Sugar Lou. Is there a concept to it all? You bet. Everyone’s invited to come along for the trip when CHILLIHOUNDS tell the tale of rock’n’roll debauchery through an imaginary concert – hence the albums title. The frantic show opener Hello! Hello! Hello! bids you welcome to a show full of rowdy parties, temporary female liaisons and unruly crowds. The songs reflect upon the good life on the road in general. It’s the ultimate party album. Welcome to the Show concludes with the encore in the dressing room where the boys hammer out the finale Thank You and Goodnight. In other words, Welcome to the Show is the new Destroyer (KISS) for a new bunch of rock’n’roll fans. Tracklist : 1.Hello! Hello! Hello! 2.(Meet Me) On The Rocks 3.Lady Pink 4.Slave To Love 5.Good Dog Gone Bad 6.Sugar Lou 7.Mobile Lifestyle 8.Night Time Is The Right Time 9.Oh Yeah!Oh Yeah! 10.Thankyou And Goodnight Artist : Nova Aschere Title : "Rotten Make Up" Format : CD Catalog Number : NIC067 SRP: $12.98 Release Date : September 2009 Barcode : 8032523590678 Total playing time : 46:46 File Under: David Bowie,Nick Cave Description : Some cover-versions out of the glamrock-aera and some songs written by Nova. He`s influenced by artist like Roxy Music, David Bowie, T.Rex and Brian Eno, but also by artists like Peter Murphy and Nick Cave.It`s suprising how this different styles (Glamrock, and more experimental pop music) fits togheter,his impressiv and emotional voice goes straight into your heart and mind. Tracklist : 1.All My Mind 2.In Every Dreamhome 3.Another Sunday Morning 4.Climbing Up The Walls 5.Dirt 6.Babys On Fire 7.All Tomorrows Party 8. Es Flustert Der Feind 9.20 th Century Boy 10.She Speak Different Language Artist : The Chuckies Title : "ST" Format : CD Catalog Number : NIC066 SRP: $12.98 Release Date : September 2009 Barcode : 8032523590661 Total playing time : 35:41 File Under: Chuck Norris Experiment Description : Having re-arranged some classic Chuck Norris Experiment songs and writing new ones exclusively for The Chuckies, the outcome is a energetic Rockabilly Country brawl stripped down to the basics, fueled up with enough energy to get your feet stomping and to get that ass shaking! Tracklist : 1.The roof is about to cave in 2.Evil empire vampire 3.Ugly motherfucker 4.Hey Now 5.Fire alive! 6.158 7.She moves in murderous ways 8.Radio Shadow 9. Roll 10.Senorita (Lookout) - Bonustrack 11.The roof is about to cave in (Clean version) – Bonustrack 12.Roll (Clean version) – Bonustrack Artist : Skinny Bones & The Gonedadys Title : "Shot My TV" Format : CD Catalog Number : NIC064 SRP: $12.98 Release Date : September 2009 Barcode : 8032523590647 Total playing time : 39:40 File Under: Dream Syndicate,Swall Map Description : Written /recorded and produced by Skinny Bones, Shot My TV marks the return of this young new york punk rock veteran whose songwriting and guitar playing skills have already marked a couple of generations of music fans around the world. Skinny Bones co-wrote and recorded several songs with Dee Dee before teaming up with Marky Ramone , co-writing The Job That Ate My Brain and Anxiety for the Ramones’ album Mondo Bizarro in 1992.
Recommended publications
  • 2004 General Catalog
    MASTERS SERIES Masters Series Lacquer Finish . Available Colors MMX MRX MHX BRX Masters Series Covered Finish . Available Colors MSX No.100 Wine Red No.400 White Marine Pearl No.102 Natural Maple No.401 Royal Gold No.103 Piano Black No.402 Abalone No.112 Natural Birch No.403 Red Onyx No.122 Black Mist No.404 Amethyst No.128 Vintage Sunburst No.141 Red Mahogany No.148 Emerald Fade No.151 Platinum Mist PEARL DRUMS No.152 Antique Gold No.153 Sunrise Fade m No.154 Midnight Fade o c . No.156 Purple Storm m No.160 Silver Sparkle u r d No.165 Diamond Burst l r No.166 Black Sparkle a e p No.168 Ocean Sparkle . w w w SESSION / EXPORT / FORUM / RHYTHM TRAVELER . Lacquer Finish Available Colors SMX SBX ELX Covered Finish Available Colors EXR EX FX RT www.pearldrum.com No.281 Carbon Mist No.430 Prizm Blue No.290 Vintage Fade No.431 Strata Black No.291 Cranberry Fade No.432 Prizm Purple No.292 Marine Blue Fade No.433 Strata White No.296 Green Burst No.21 Smokey Chrome No.280 Vintage Wine No.31 Jet Black No.283 Solid Black No.33 Pure White No.284 Tobacco Burst No.49 Polished Chrome No.289 Blue Burst No.78 Teal Metallic No.271 Ebony Mist No.91 Red Wine No.273 Blue Mist No.95 Deep Blue No.274 Amber Mist No.98 Charcoal Metallic No.294 Amber Fade No.295 Ruby Fade No.299 Cobalt Fade For more information on these or any Pearl product, visit your local authorized Pearl Dealer.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr.
    [Show full text]
  • Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
    PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • It's the Amazing
    Just when you thought it was safe to go near the mailbox... It’s the amazing... MutantMutant PopPop C a t a l o g ONCE AGAIN IN THE ULTRA-TRADITIONALIST PHOTOCOPIED FORMAT! #38 This catalog is so far over due that the phrase “late” doesn’t begin to do the matter justice. Rather than spend this entire page offering up a wave of excuses and explanations—some lame, some valid—I’ll just refer anyone who cares to the Mutant Pop website: http://www.mutantpop.com, then click INTERVIEWS and select interview no. 10. That’s as complete a recita- tion of my discouragements and failings as anything.... I’m very sorry for any inconvenience that the “18 months of sloth” has caused. I’m actually a little amazed that I’m back with full avidity doing label stuff again—orders are shipping on time, and new stuff is once again being accumulated for the inventory here. The next wave of SRCDs is, at long last, in preparation— apologies and thanks are especially due to the long-suffering SRCD subscribers who have been patiently twiddling their thumbs waiting for me to get it back in gear. I thank you for your tolerance and kindness. While I may have earned a failing grade for my (non-)effort with Mutant Pop in 2001, the year was not a total loss. There may AttentionAttention DeficitDeficit have been only two MP releases for all of 2001, but they both kicked some major boo-tay... Take, for example, the full-length compact disc by ATTENTION DEFICIT, Adventures in Laissez-Faire Eco- nomics..
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Ramones 2002.Pdf
    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
    [Show full text]
  • WS Folk Riot Booklet
    1 playing “cover” songs as diverse and influential Meanwhile, due to our leftist leanings and omni- 10,000 Watts of Folk as the Statler Brothers’ “Flowers on the Wall,” presence in the Village, activist Abbie Hoffman 1. I AIN’T KISSING YOU (0:54) by Trixie A. Balm met with we three Squares and co-wrote a theme VANGUARD STUDIOS, NYC (aka Lauren Agnelli) Alas, that deal fell through. though the song for his new live radio show, “Radio Free September 1985 sessions remain, with Tom, Lauren, Bruce and Billy U.S.A.”: heard here for the first time since the playing “cover” songs as diverse and influential debut show back in 1986 at the Village Gate. By 1985, we Washington Squares, having worked, as the Statler Brothers’ “Flowers on the Wall,” Vanguard, an important folk label during the ‘50s sang and played our way through the ‘80’s Richard Hell’s “Love Comes in Spurts,” Lou Reed’s At last, in 1987, Gold Castle/Polydor records who and ‘60s was sold in 1985. Vanguard sold off their Greenwich Village folk scene fray, were ready to “Sweet Jane,” and Johnny Thunders’ “Chinese Rocks.” DID sign us to a deal found the perfect sound classical collection and reissued their folk and then record. The record company interest was there though producer Mitch Easter (of the group Let’s started looking for new acts. With a bunch of well and soon serious recording contracts would dangle Having somewhat mastered those formative nuggets, Active— he also recorded REM’s initial sessions) known original Vanguard producers in the control room: before our fresh (very fresh!) young smirks.
    [Show full text]
  • Treball De Fi De Grau Títol
    Facultat de Ciències de la Comunicació Treball de fi de grau Títol Autor/a Tutor/a Departament Grau Tipus de TFG Data Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: Castellà: Anglès: Autor/a: Tutor/a: Curs: Grau: Paraules clau (mínim 3) Català: Castellà: Anglès: Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Castellà: Anglès: Universitat Autònoma de Barcelona AGRADECIMIENTOS - En primer lugar a mi familia, por aguantar mis arrebatos de locura pasajera y no tan pasajera durante la confección del trabajo en casa. A mis padres Jordi y Susana y a mi hermano Nil, que han hecho gala de una paciencia sin igual. - A Eric, Roc, Aitor i Pau, por abrir camino juntos en esto del punk siendo unos inexpertos totales. Por las muchas horas pasándolo genial juntos versionando a los más grandes y haciendo música, que es lo que nos apasiona. - A Pau V., por nuestras aventuras juntos por el mundo con las guitarras a cuestas con callos en los dedos y las cuerdas vocales destrozadas. Por muchas más. - A Ru y María, por su ayuda con el tema de los videoclips, gracias por estar allí cuando me ha faltado luz y fuerza. - A toda la gente de las plazas de Gracia, por las noches eternas jugando al gato y al ratón con la policía. A toda la gente del Banc Expropiat, que de forma totalmente altruista llevaba a cabo una función muy importante en el barrio ayudando a los más desfavorecidos y se ha visto injustamente envuelta en un espiral de altercados y violencia policial, ordenada desde arriba.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]