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International Foundation Year Pre-Masters Programme International Study Centre 3 Outstanding Fashion Schools, 3 Great Cities: London 1 World of Fashion
international foundation year pre-masters programme international study centre 3 outstanding fashion schools, 3 great cities: London 1 world of fashion. Milano The world of fashion has 3 capitals: London, Paris and Milano. As well as being home to the world’s most important fashion and prêt-à-porter companies these ‘capitals of creativity’ also Paris offer the best job opportunities and experiences to launch an exciting career in fashion. International Study Centre Based in London, Europe’s vibrant creative centre, Istituto Marangoni International Study Centre provides a tailor-made university preparation programme for international students hoping to enter the fashion industry. Upon successful completion of the programme Istituto Marangoni offers a wide range of degrees in the fields of fashion and design. Students that meet the required entry requirements will love the atmosphere of the three fashion schools in London, Paris and Milano*. With schools at these 3 world fashion capitals, Istituto Marangoni offers students the unique opportunity to experience different locations and cultures over the course of their degree programme. Students can study their first year at a location of their choosing, before completing their final two years at any one of the other locations (you can of course also complete your entire course at one location if you prefer)*. * The three year undergraduate programmes in Milano are awarded by Istituto Marangoni, and are diplomas. The three year undergraduate programmes in Paris are awarded by Istituto Marangoni; the undergraduate courses taught in London, as well as those taught in English in Paris, will be awarded with BA (Hons) degrees by Manchester Metropolitan University. -
With a Little Help from Their Friends Kate Mossman on the Artists Whocoveredthebeatles
Friday September 11 2009 ...with a little help from their friends Kate Mossman on the artists whocoveredtheBeatles ‘Men run the studios and live their own fantasies through them’ Meryl Streep skewers Hollywood sexism. By Tim Teeman THETIMESFridaySeptember112009 THETIMESFridaySeptember112009 66 times2 times2 67 RETNA PHOTOSHOT tion.” She’s the most nominated? “Yes, I’ve Worstjournalisticfauxpas lostit 13times!” Next, her voice features as Mrs Fox in Twomembers ofthepresssharethis We all respond Wes Anderson’s animated adaptation of award.Thefirst istheAmericanreporter Roald Dahl’s The Fantastic Mr Fox, which whoassumedthatLourdes,abeautifully to instinct, and opens the Times BFI London Film Festival observed filmseton aCatholicpilgrimage, ‘‘ next month. “He’s very demanding,” wasaboutMadonna’sdaughter.Theother their inner boy Streep says of Anderson. “He hears every- istheAustraliantelevisionjournalistwho thing, even a quasi-breath. It’s almost like acquiredTildaSwinton’sfestivalaccredit- goes, ‘Yeah, I he’stasting,tasting, tasting . ‘Right, that’s ationpassandworeit forseveralhours wanna see enough salt’. It was more like working with untilsomebodypointedout themistake. a composer, like he was hearing music Bestuseofreptiles another GI Joe’ inside his head and you couldn’t hear it.” WernerHerzog’s BadLieutenant:Portof Later in the year she appears in a post- CallNewOrleansisa shambolicmessof a divorce comedy, It’s Complicated. The moviebutithasa coupleofmomentsof Norma Desmond role in the remake of madgenius.Themostmemorable ofthese Sunset Boulevard is still for the taking. iswhenNicCage,playingtheeponymous sadness for herself. Streep says, “There are “Ooh, yeeessss. It would be fun. But my rogue cop,startstohallucinate ascocaine big expectations a woman has for her life. friend Glenn [Close] really knocked it out psychosis kicksin. “Whatarethose All the script said was ‘I’m so happy’. -
Friday 14 February 2020, London. BFI Southbank's TILDA SWINTON
Friday 14 February 2020, London. BFI Southbank’s TILDA SWINTON season, programmed in partnership with the performer and filmmaker herself, will run from 1 – 18 March 2020, celebrating the extraordinary, convention-defying career of one of cinema’s finest and most deft chameleons. The BFI today announce that a number of Swinton’s closest collaborators will join her on stage during the season to speak about their work together including Wes Anderson (Isle of Dogs, The French Dispatch, The Grand Budapest Hotel, Moonrise Kingdom), Bong Joon-ho (Snowpiercer, Okja), Sally Potter (Orlando) and Joanna Hogg (The Souvenir, Caprice). Also announced today is Tilda Swinton’s Film Equipment (28 February – 26 April) a free exhibit to accompany the season which has been curated in close collaboration with BFI and Swinton’s personal archive. Alongside a programme of feature film screenings, shorts and personal favourites, the season will include Tilda Swinton in Conversation with host Mark Kermode on 3 March, during which Swinton will look back on her wide- reaching career as a performer across independent and Hollywood cinema, as well as producer, director and general ally of maverick free spirits everywhere. On the same evening will be Tilda Swinton and Wes Anderson on stage: A Magical Tour of Cinema – a unique chance to hear from two of the most fervent disciples of the church of make believe, as Swinton and Anderson take to the BFI stage to discuss their many collaborations and their film passions. The event will offer a glimpse into their intimate partnership as the two long-time co-conspirators and voracious cinephiles select and explore personal favourite gems from throughout cinema’s history. -
Ready-Made-Mode Über Vetements
MODE READY-MADE-MODE Über Vetements Monica Titton ie Mode von Vetements (›vêtements‹: frz. für ›Kleidung‹) ist unschein- 69 D bar, dezidiert alltagstauglich und eigentlich nichts Besonderes. Trotzdem sind die Sachen ausverkauft und das Label extrem gehypt. Hinter Vetements steht ein 5- bis 15-köpfiges Design-Kollektiv mit Sitz in Paris, die erste Kollek- tion wurde im Frühjahr 2014 im Pariser Schwulenclub Le Dépot vorgestellt. Zunächst kannte man Vetements nur in engsten Pariser Modekreisen. Spätes- tens seit Demna Gvasalia, gewissermaßen das Oberhaupt des Kollektivs, im Oktober 2015 die Nachfolge von Alexander Wang als Chefdesigner des altehr- würdigen Modehauses Balenciaga antrat, wurde Vetements jedoch einer breite- ren Öffentlichkeit bekannt. Die Modewelt ist freilich in ihrer Einschätzung gespalten wie schon lange nicht mehr – erstaunlich für eine Branche, in der Provokationen und Regelbrü- che auf der Tagesordnung stehen und darum keine mehr sind. Die Abneigung und Verstörung hat tatsächlich mit der Mode des Labels zu tun. Vetements spuckt der Modewelt vertraute, jedoch subtil modifizierte Alltagskleidung vor die Füße: zum Beispiel überdimensionierte Bomber-Jacken, bodenlange schwar- ze Regenmäntel mit »Vetements«-Logo oder »Polizei«-Schriftzug auf dem Rü- cken, aus zwei verschiedenen Paar alten Levi’s zusammengenähte Jeans mit aus- gefransten, asymmetrischen Hosensäumen, martialische Plateaustiefeletten, unauffällig geschnittene, aber schmeichelnde geblümte Sommerkleider, Over- size-Kapuzenpullover und Sweatshirts mit Textfragmenten am Ärmel oder auf der Brust und stinknormale Baumwoll-T-Shirts mit passiv-aggressiven Slogans POP. Kultur und Kritik ◆ Heft 9 Herbst 2016 ◆ S. 69–79 ◆ © transcript (»Hello Boys«, »May the bridges I burn light the way«, »You Fuckin’ Ass- hole«). Der Stil von Vetements ist die Antithese zu luxuriöser High Fashion und lässt sich als post-sowjetischer Normcore beschreiben, als eine Mischung aus Berghain-Look und 90er-Jahre-Anti-Fashion. -
Mike Kelley's Studio
No PMS Flood Varnish Spine: 3/16” (.1875”) 0413_WSJ_Cover_02.indd 1 2/4/13 1:31 PM Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK FIFTH AVENUE 646 692-6469 – NEW YORK MADISON AVENUE 212 288-4014 BEVERLY HILLS 310 860-9911 – BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM QUEEN1-WSJ_501x292.indd 1-2 01.02.13 16:56 BREGUET_205640303.indd 2 2/1/13 1:05 PM BREGUET_205640303.indd 3 2/1/13 1:06 PM a sporting life! 1-800-441-4488 Hermes.com 03_501,6x292,1_WSJMag_Avril_US.indd 1 04/02/13 16:00 FOR PRIVATE APPOINTMENTS AND MADE TO MEASURE INQUIRIES: 888.475.7674 R ALPHLAUREN.COM NEW YORK BEVERLY HILLS DALLAS CHICAGO PALM BEACH BAL HARBOUR WASHINGTON, DC BOSTON 1.855.44.ZEGNA | Shop at zegna.com Passion for Details Available at Macy’s and macys.com the new intense fragrance visit Armanibeauty.com SHIONS INC. Phone +1 212 940 0600 FA BOSS 0510/S HUGO BOSS shop online hugoboss.com www.omegawatches.com We imagined an 18K red gold diving scale so perfectly bonded with a ceramic watch bezel that it would be absolutely smooth to the touch. And then we created it. The result is as aesthetically pleasing as it is innovative. You would expect nothing less from OMEGA. Discover more about Ceragold technology on www.omegawatches.com/ceragold New York · London · Paris · Zurich · Geneva · Munich · Rome · Moscow · Beijing · Shanghai · Hong Kong · Tokyo · Singapore 26 Editor’s LEttEr 28 MasthEad 30 Contributors 32 on thE CovEr slam dunk Fashion is another way Carmelo Anthony is scoring this season. -
Praising Vetements: the Celebrity Digital Surface and the Making of a Leading Fashion Brand
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7603 ISSN 2611-0563 (Ap)Praising Vetements: the Celebrity Digital Surface and the Making of a Leading Fashion Brand David Sanchez-Aguilera Published: December 29, 2017 Abstract In this paper, I situate the meteoric rise of the Parisian fashion collective Vetements within the paratex- tual circulation of celebrity images that have accompanied the press, media, and publicity coverage for this brand. I argue that “selling out” is a pithy turn-of-phrase that is useful for understanding Vetements’ aesethetic and business sensibilities. As the literalness of the translation of Vetements into “clothes” makes clear, Vetements strips the wide-eyed lure of luxury fashion—one that evokes both the extrava- gancy of the runway or red carpet and the expert craftsmanship of couture—and replaces it with a form of what I am calling spectacular mundanity, offering products that are simultaneously more and less real than your mother’s weathered, vintage Champion hoodie. The brand’s exchange value, I argue, is made extravagant not through any notion of intrinsic worth, as is the case with couture and the logics of congealed labor and expert craft held therein, but rather through the symbolic surplus value generated through the brand’s proximity to celebrity culture and its discursively constructed status as an “it brand”. Keywords: Commodity Fetishism; Reality Television; Instagram; Demna Gvasalia; Meme David Sanchez-Aguilera: UC San Diego (United States) Corresponding Author: [email protected] He is a 4th year Ph.D. student at UC San Diego in the Department of Ethnic Studies. -
How Fashion Erased the Politics of Streetwear in 2017
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool. -
Brands We Love
Brands We Love # D I N T DENIM 3.1 PHILLIP LIM DANSKO IRO NICOLE MILLER THEORY AG 360 CASHMERE DAVID YURMAN ISABEL MARANT NILI LOTAN THE GREAT AGOLDE We Do Not Accept: DEREK LAM ISSEY MIYAKE NO 6 STORE THE ROW AMO DL1961 NORTH FACE TIBI CITIZENS OF HUMANITY ABERCROMBIE & FITCH H&M A DOLCE & GABBANA TIFFANY & CO CURRENT/ELLIOTT AMERICAN APPAREL HOLLISTER ACNE STUDIOS AMERICAN EAGLE HOT TOPIC DONNA KARAN J TOCCA DL1961 ANN TAYLOR AG INC DOSA J BRAND O TOD’S FRAME ANGIE JACLYN SMITH AGL DRIES VAN NOTEN J CREW OBAKKI TOM FORD GOLDSIGN APT 9 JOE BOXER AGOLDE DVF JAMES PERSE OFFICINE CREATIVE TOP SHOP HUDSON ATTENTION JUICY COUTURE ALAIA JEAN PAUL GAULTIER OPENING CEREMONY AX PARIS LAND’S END TORY BURCH J BRAND BANANA REPUBLIC ALC OSCAR DE LA RENTA LOVE 21 JIL SANDER TRINA TURK JOES BDG LUX ALEXANDER MCQUEEN E JIMMY CHOO LEVIS BEBE MAX STUDIO ALEXANDER WANG EILEEN FISHER JOIE MOTHER BLUES METAPHOR BONGO ALICE & OLIVIA EMANUEL UNGARO P U MOUSSY MISS ME PAIGE CANDIE’S MISS TINA ANNA SUI ELIZABETH & JAMES UGG PAIGE CANYON RIVER PARKER MOSSIMO ANN DEMEULEMEESTER EMILIO PUCCI K ULLA JOHNSON R13 CATALINA NICKI MINAJ ANTHROPOLOGIE BRANDS ENZA COSTA KATE SPADE PATAGONIA RE/DONE CATHY DANIELS OLD NAVY ATM ERDEM PIERRE HARDY CHAPS ROCK & REPUBLIC SIMON MILLER CHARLOTTE RUSSE AUTUMN CASHMERE EVERLANE PRADA ROUTE 66 V CHIC ROXY AVANT TOI L PROENZA SCHOULER VALENTINO CHICOS L’AGENCE SAG HARBOR VANESSA BRUNO ATHLETIC CHRISTINALOVE SIMPLY VERA WANG F LANVIN VELVET ALO COVINGTON SO... CROFT & BARROW FENDI LEM LEM R VERONICA BEARD ATHLETA SONOMA LEVIS RACHEL COMEY DAISY FUENTES SOFIA VERGARA B FIORENTINI + BAKER VERSACE LULULEMON DANSKIN LOEFFLER RANDALL RAG & BONE STUDIO TAHARI BABATON FREE PEOPLE VICTORIA BECKHAM OUTDOOR VOICES ECOTE TARGET BALENCIAGA FRYE LOEWE RAILS VINCE NORTH FACE ELLE URBAN OUTFITTERS ETC.. -
Film London Jarman Award 2020 Film London Jarman Award 2020 Shortlisted Artists
Film London Jarman Award 2020 Film London Jarman Award 2020 Shortlisted Artists Michelle Williams Gamaker Hannah Quinlan & Rosie Hastings Jenn Nkiru Project Art Works Larissa Sansour Andrea Luka Zimmerman Jury About the Jarman Award Iwona Blazwick OBE The Film London Jarman Award Director, Whitechapel Gallery recognises and supports artists working with moving image Shaminder Nahal and celebrates the spirit of Commissioning Editor (Arts and experimentation, imagination and Factual), Channel 4 innovation in the work of UK-based artist filmmakers. The Award is Hetain Patel, Artist, winner of inspired by visionary filmmaker Jarman Award 2019 Derek Jarman, and is presented in partnership with the Whitechapel Tyrone Walker-Hebborn Gallery and Genesis Cinema. Director, Genesis Cinema The previous Jarman Award Andrea Lissoni winners are: Luke Fowler (2008), Artistic Director, Haus der Kunst Lindsay Seers (2009), Emily Wardill and Film London Board Member (2010), Anja Kirschner & David Panos (2011), James Richards Chaired by Film London Artists’ (2012), John Smith (2013), Ursula Moving Image Network (FLAMIN) Mayer (2014), Seamus Harahan (2015), Heather Phillipson (2016) Oreet Ashery (2017), Daria Martin (2018) and Hetain Patel (2019). Welcome Film London Jarman Award Patrons With the impact of COVID-19 being felt so deeply by artists This year we are delighted to announce an esteemed group of and exhibitors, we are more proud than ever to present this of artists, actors, screenwriters and musicians as the new Film year’s Jarman Award shortlist and help raise the profile of this London Jarman Award Patrons. important body of original work, that questions and articulates the world around us. We would like to congratulate all the shortlisted artists and thank our funders, Arts Council England, as well as returning partners Whitechapel Gallery and Genesis Cinema for all their vital support. -
Bridging the Two Cultures: Georgian Contemporary Artists Exhibited In
SILK IN GEORGIAN CULTURE AND RELIGION: PAST AND PRESENT Dr. Prof. Irina Bakhtadze INTRODUCTION Silk is a Philosophy Today, silk producers and designers have found new application of silk fiber. Silk is a philosophy: it is everywhere and yet invisible; Silk is a bridge between civilizations (Ancient Silk Rout), between the epochs - past and present; Silk has been a part of many religions - Christian, Muslim, Buddhism, appearing in religious attire, embroidery and different religious items; it has become a material and immaterial commodity throughout centuries; Silk is transparent and light, and still very firm; Its softness, elegance and grace have inspired poets and artists, and is loved by rich and poor alike. Silk could become our vision of peaceful world which is not cruel, vulgar and coarse; Silk is our wish to see the future relations between the nations as soft and transparent, as firm and clear as silk itself; Silk is a network made of delicate thin silk thread which unites world nations, many of which are presented here at the conference; Silk is like a Sphinx which is being revived all the time; it finds new life forms and is virtually immortal! It continues to find new applications in industry, art, fashion. Historical roots: Sericulture in Orthodox, Islamic and other religions have always been a part of common historical memory. Historical roots of silk production in Georgia, wide application of silk fiber and silk thread in different branches of industry, culture, religion, art and lifestyle, historical annals reflecting sericulture and silk application – all evidence about the significance of sericulture and silk production in Georgia Ancient trade route from west to East -“Silk Road” passed through Georgia which played an important role in popularization of silk production and silk trade. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Design to Algorithmic-Design, Design Used to Dictate
Back in 2003, Berlin was described by its former mayor Klaus Wowereit as “arm, aber sexy” (poor, but sexy) – despite being one of the fastest- rising property markets in the world, with as much as 35 percent overvaluation. Berlin still boasts many creatives, with more affordable studio and living spaces than New York or 01/08 London, albeit fewer job opportunities.1 To understand why most freelance creatives struggle with depression and face the stigmas associated with mental illness in Berlin, one could look at some commonly used words that exist only in the German language: Unverbindlich, non committed; Phlegmatisch, skipping everything to the point of not doing anything; Ahmet ğüt Verrafft, people who are confused about life; and something right-wing extremists like to use: Links-Grün-versifft, left-green-dirty. From Self- ÊÊÊÊÊÊÊÊÊÊYes, Berlin is still proudly a stronghold of the left, green, and dirty; and its queer club Design to scene also actively fights to protect the city’s politically engaged culture so that Berlin doesn’t Algorithmic- become just another global center for entertainment.2 In spite of all this, it’s not at all a coincidence that Germany was represented at Design the 2017 Venice Biennale by an artist who wore a Balenciaga hat while receiving the Golden Lion award for best pavilion.3 This was perhaps a double confirmation of the institutionalization of streetwear garments as high fashion, developing hand in hand with the adoption of “attitude” as high art. This is a far cry from the days when, for example, legendary fashion designer and activist Katharine Hamnett met with Prime Minister Margaret Thatcher in 1984 and wore a T-shirt that read “58% DON’T WANT PERSHING,” protesting the installation of US missiles on t British soil.