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Ono Mato Pee 145
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Brands We Love
Brands We Love # D I N T DENIM 3.1 PHILLIP LIM DANSKO IRO NICOLE MILLER THEORY AG 360 CASHMERE DAVID YURMAN ISABEL MARANT NILI LOTAN THE GREAT AGOLDE We Do Not Accept: DEREK LAM ISSEY MIYAKE NO 6 STORE THE ROW AMO DL1961 NORTH FACE TIBI CITIZENS OF HUMANITY ABERCROMBIE & FITCH H&M A DOLCE & GABBANA TIFFANY & CO CURRENT/ELLIOTT AMERICAN APPAREL HOLLISTER ACNE STUDIOS AMERICAN EAGLE HOT TOPIC DONNA KARAN J TOCCA DL1961 ANN TAYLOR AG INC DOSA J BRAND O TOD’S FRAME ANGIE JACLYN SMITH AGL DRIES VAN NOTEN J CREW OBAKKI TOM FORD GOLDSIGN APT 9 JOE BOXER AGOLDE DVF JAMES PERSE OFFICINE CREATIVE TOP SHOP HUDSON ATTENTION JUICY COUTURE ALAIA JEAN PAUL GAULTIER OPENING CEREMONY AX PARIS LAND’S END TORY BURCH J BRAND BANANA REPUBLIC ALC OSCAR DE LA RENTA LOVE 21 JIL SANDER TRINA TURK JOES BDG LUX ALEXANDER MCQUEEN E JIMMY CHOO LEVIS BEBE MAX STUDIO ALEXANDER WANG EILEEN FISHER JOIE MOTHER BLUES METAPHOR BONGO ALICE & OLIVIA EMANUEL UNGARO P U MOUSSY MISS ME PAIGE CANDIE’S MISS TINA ANNA SUI ELIZABETH & JAMES UGG PAIGE CANYON RIVER PARKER MOSSIMO ANN DEMEULEMEESTER EMILIO PUCCI K ULLA JOHNSON R13 CATALINA NICKI MINAJ ANTHROPOLOGIE BRANDS ENZA COSTA KATE SPADE PATAGONIA RE/DONE CATHY DANIELS OLD NAVY ATM ERDEM PIERRE HARDY CHAPS ROCK & REPUBLIC SIMON MILLER CHARLOTTE RUSSE AUTUMN CASHMERE EVERLANE PRADA ROUTE 66 V CHIC ROXY AVANT TOI L PROENZA SCHOULER VALENTINO CHICOS L’AGENCE SAG HARBOR VANESSA BRUNO ATHLETIC CHRISTINALOVE SIMPLY VERA WANG F LANVIN VELVET ALO COVINGTON SO... CROFT & BARROW FENDI LEM LEM R VERONICA BEARD ATHLETA SONOMA LEVIS RACHEL COMEY DAISY FUENTES SOFIA VERGARA B FIORENTINI + BAKER VERSACE LULULEMON DANSKIN LOEFFLER RANDALL RAG & BONE STUDIO TAHARI BABATON FREE PEOPLE VICTORIA BECKHAM OUTDOOR VOICES ECOTE TARGET BALENCIAGA FRYE LOEWE RAILS VINCE NORTH FACE ELLE URBAN OUTFITTERS ETC.. -
Intelligent Design Creationism and the Constitution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Washington University St. Louis: Open Scholarship Washington University Law Review Volume 83 Issue 1 2005 Is It Science Yet?: Intelligent Design Creationism and the Constitution Matthew J. Brauer Princeton University Barbara Forrest Southeastern Louisiana University Steven G. Gey Florida State University Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Constitutional Law Commons, Education Law Commons, First Amendment Commons, Religion Law Commons, and the Science and Technology Law Commons Recommended Citation Matthew J. Brauer, Barbara Forrest, and Steven G. Gey, Is It Science Yet?: Intelligent Design Creationism and the Constitution, 83 WASH. U. L. Q. 1 (2005). Available at: https://openscholarship.wustl.edu/law_lawreview/vol83/iss1/1 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Washington University Law Quarterly VOLUME 83 NUMBER 1 2005 IS IT SCIENCE YET?: INTELLIGENT DESIGN CREATIONISM AND THE CONSTITUTION MATTHEW J. BRAUER BARBARA FORREST STEVEN G. GEY* TABLE OF CONTENTS ABSTRACT ................................................................................................... 3 INTRODUCTION.................................................................................................. -
The Design Argument
The design argument The different versions of the cosmological argument we discussed over the last few weeks were arguments for the existence of God based on extremely abstract and general features of the universe, such as the fact that some things come into existence, and that there are some contingent things. The argument we’ll be discussing today is not like this. The basic idea of the argument is that if we pay close attention to the details of the universe in which we live, we’ll be able to see that that universe must have been created by an intelligent designer. This design argument, or, as its sometimes called, the teleological argument, has probably been the most influential argument for the existence of God throughout most of history. You will by now not be surprised that a version of the teleological argument can be found in the writings of Thomas Aquinas. You will by now not be surprised that a version of the teleological argument can be found in the writings of Thomas Aquinas. Aquinas is noting that things we observe in nature, like plants and animals, typically act in ways which are advantageous to themselves. Think, for example, of the way that many plants grow in the direction of light. Clearly, as Aquinas says, plants don’t do this because they know where the light is; as he says, they “lack knowledge.” But then how do they manage this? What does explain the fact that plants grow in the direction of light, if not knowledge? Aquinas’ answer to this question is that they must be “directed to their end” -- i.e., designed to be such as to grow toward the light -- by God. -
Charlie Siem
RENCONTRE RENCONTRE Meet Meet Par Caroline Stefani Charlie Siem Charlie Siem, Avec ses airs Although Charlie Siem spends most of his time mannequin pour between London, New York and Paris, he chose LE DANDY VIOLONISTE les grands noms de play-boy, de la mode. son accent to make his home in Monaco and has been a Monegasque resident for several years now. When british et son not off on one of his world tours, he enjoys playing A fashion-plate violinist large sourire, concerts in the Principality and the south of Charlie Siem France, performing recently in Beaulieu-sur-Mer. dépoussière Soon too he will delight audiences at the Opéra et apporte une de Nice under the musical direction of Derrick Inouye, playing Finnish composer Jean Sibelius's touche glamour only violin concerto, first conducted by Richard l a ses habitudes à Londres, à la musique Strauss. “My violin is an extension of my hand. New York et Paris, mais c’est classique. Music has become my whole life, without me bien à Monaco que le musi- Rencontre really realising. It was just obvious, and when I'm Icien a décidé de poser ses avec l’un des on stage I'm transported by the melodies of those valises. Résident monégasque illustrious composers. It's a personal journey into © DR violonistes depuis quelques années, en the emotions they wanted to transcribe.” At an age les plus marge de ses tournées inter- when most kids are captivated by Disney tunes, nationales, Charlie Siem aime se produire en Principauté et dans le sud talentueux de Charlie's attention was caught by a Beethoven piece de la France. -
Intelligent Design the Relationship of Economic Theory to Experiments
Intelligent Design The Relationship of Economic Theory to Experiments: Treatment driven Experiments Muriel Niederle Stanford University and NBER August 13, 2010 When I interact with colleagues and friends who are venturing into experimental economics, either as they prepare for their own experiment, or aim for a critical view of experiments run by others, I often hear the question: “What is a good experiment?” My first reaction is to answer my empirically minded colleagues “Well, let me ask you: What is a good regression?” Clearly a good experiment (or regression) is one that allows testing for the main effect while controlling for other plausible alternatives. This helps ensure that the original hypothesis is reached for the right reasons and the initial theory is not wrongly confirmed. However, there is an aspect of experimental design that is probably closer connected to theory than empirical work: As designers, we are responsible for the environment in which the data are generated. As such a good experimental design also needs to fulfill requirements one may impose on good theory papers: The environment should be such that it is easy to see what drives the result, and as simple as possible to make the point. The design has to provide a good environment for studying the questions at hand. Furthermore, ideally, the design (just like good theory) should be such that it seems plausible that the results could serve as prediction for behavior in other environments. The design of experiments has some interplay with empirical methods as a good experimental design foreshadows how the data to be generated can be analyzed. -
Intelligent Design Enables Architectural Evolution
Intelligent Design Enables Architectural Evolution Ali Ghodsi Teemu Koponen Barath Raghavan KTH / UC Berkeley Nicira Networks ICSI Scott Shenker Ankit Singla James Wilcox ICSI / UC Berkeley UIUC Williams College ABSTRACT enables the research community to investigate how to address What does it take for an Internet architecture to be evolvable? these problems architecturally, even if the changes themselves Despite our ongoing frustration with today’s rigid IP-based cannot be incrementally deployed. architecture and the research community’s extensive research These clean slate efforts have increased our intellectual on clean-slate designs, it remains unclear how to best design understanding of Internet architecture — particularly in for architectural evolvability. We argue here that evolvability the areas of security, reliability, route selection, and mo- is far from mysterious. In fact, we claim that only a few bility/multihoming — and there are now many clean-slate “intelligent” design changes are needed to support evolvability. proposals that offer significantly better functionality than While these changes are definitely nonincremental (i.e., our current Internet. However, in recent years these clean cannot be deployed in an incremental fashion starting with slate efforts moved beyond adding functionality and have today’s architecture), they follow directly from the well- begun addressing the reason we had to turn to clean slate known engineering principles of indirection, modularity, and design in the first place: architectural rigidity. That is, the extensibility. research community is now devoting significant attention to the design of architectures that can support architectural Categories and Subject Descriptors evolution, so that future architectural changes could be made incrementally rather than through a series of clean-slate C.2.1 [Computer-Communication Networks]: Network designs. -
Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK. -
Devious Distortions- Durston Or Myers
Devious Distortions: Durston or Myers? or Estimating the Probability of Functional Biological Proteins Kirk Durston, Ph.D. Biophysics A few days after his 2009 debate with me on the existence of God, well-known atheist, PZ Myers, posted a blog with the title, ‘Durston’s Devious Distortions’, in which he attempted to address my claim that amino acid sequences coding for biological protein families have an astonishingly low probability … so low that they definitively falsify the hypothesis that biological proteins could have been assembled via an evolutionary process. For his resource material, Myers referred to an online video of a lecture I gave at the University of Edinburgh about a year earlier. That video was for a general, interdisciplinary audience and did not actually discuss how the probabilities of biological proteins are calculated. Given this absence of information, Myers made some assumptions as to how I calculate protein probabilities. It appears that he did not check his own numbers by plugging them back into the relevant equation to see if they gave the results I had obtained. Those who tried to use Myers’ numbers found that they were incorrect, not yielding anything close to the results for SecY or RecA that I had published in the literature and shown in the video. Unfortunately, some atheists who follow Myers, unquestioningly accepted his explanation without checking his numbers, thus spreading Myers’ confusion. In reality, the probabilities of biological proteins were calculated using a two-step procedure. The first step was to calculate the functional complexity required to code for a particular protein using a method I had published in 2007.[1] That paper was referenced in the video in a slide titled, ‘Case 3: Average protein’ so that inquiring minds could obtain further details. -
A Multi-Agent Intelligent Design System Integrating Manufacturing and Shop-Floor Control
From: Proceedings of the First International Conference on Multiagent Systems. Copyright © 1995, AAAI (www.aaai.org). All rights reserved. A Multi-AgentIntelligent Design System Integrating ManufacturingAnd Shop-Floor Control SivaramBsll ubramanianand Douglas H. Norrie Division of ManufaclnringEngineering Depamnentof MechanicalEngineering University of Calgely Calgary, AB, C.=nadn T2NIN4 Abm’aet Jacksonet al. 1993], serviceability [’Makinnet ul. 1989], and reo/d~ility [Markino et al. 1994] early into the A multi-agnnt architectnre has been developedfor the design phase. These aspects of the product are integration of design, riming, and shop floor considered conjointly with the design functions. This control activities. This is based on cooperating approach can reduce the number of redesigns, thus intellismt entities in the sub-domain~which make shorteningproduct developmentlead times. In addition, decisions through negotiation, using domain-specific better products with moretml~nced overall performance knowledgeboth distributed amongthe entities and be produced, because of early consideration of all ao~ssible to them. Using this archRecmral relevant aspects of the product.life cycle. framework, an Agent Based Coty~’rent Design Achieving good manufactarab~ty and minimum Environmentsystem has been developed for featare- productioncost is often consideredto be the mostcritical based design, manufacturability evaluation, and factors when implementing concurrent engineering dypnmlc process planning. This is a multi-agent design. This brings the downstreamconcerns up front prototype system involving the following types of and helps avoid costly redesign iterations at the agent: design agent; geometric interface agent; manufacturing stage. Using Design for feature agent; part agem;machine agent; tool agent; ManufLetumbilitytools, a designer can significantly environment manager; and shop floor manager. -
Fashion. Beauty. Business. the Latest Round of Fashion Weeks in New York
Fashion. Beauty. Business. March 13, 2019 Patterns of Fall The latest round of fashion weeks in New York, London, Milan and Paris has come to a close, and naturally there were plenty of trends for fall 2019, from silhouettes to accessories to colors. WWD has isolated 14 of them — including that of New Heritage, as seen on the runway of Chanel — all ideal for consumers to refresh their wardrobes for what retailers raved was a strong season filled with dressier, chicer styles. photograph By Aitor rosás suñé 3.12 FGI.indd 1 3/11/19 7:53 PM 2 march 13, 2019 Balenciaga Valentino max mara The Trends From the big and the bold to the sophisticated and smart, the fall runways pulsed with energy and excitement. by Emily mErcEr, AndrEw ShAng, luiS cAmpuzAno, ThomAS wAllEr and AlEx BAdiA carolina herrera off-White JW anderson iannoni g iovanni iovanni g saint laurent daVid Koma Bold Colors hotographs by by hotographs p 3.12 FGI.indd 2 3/11/19 7:25 PM march 13, 2019 3 alexander Wang haider acKermann marine serre louis Vuitton Punk r evival iannoni g iovanni iovanni g ll others by by ll others a odin Banica; r 13 by 13 by r noda; o asato asato m christian dior Prada alexander mcqueen r13 Wang photograph by by photograph Wang 3.12 FGI.indd 3 3/11/19 7:25 PM 4 march 13, 2019 BurBerry oscar de la renta Koché michael Kors loeWe Feathers dion lee erdem mary Katrantzou iannoni g iovanni iovanni g ll others by by ll others a odin Banica; r Lee photograph by by photograph Lee 3.12 FGI.indd 4 3/11/19 7:25 PM march 13, 2019 5 altuzarra lanVin celine oliVier -
Jacksonville Symphony Presents Fanfare! an Opening Night Celebration
Jacksonville Symphony Presents Fanfare! An Opening Night Celebration Jacksonville, FL (September 6, 2017) --- The Jacksonville Symphony will begin their 2017- 2018 season with Fanfare! An Opening Night Celebration on Saturday, September 16. The announcement was made by Robert Massey, President and Chief Executive Officer of the Jacksonville Symphony. WHO: Music Director Courtney Lewis will lead the Jacksonville Symphony in Fanfare! An Opening Night Celebration. Joining Lewis on stage will be his Cambridge classmate and guest violinist, Charlie Siem. Born to a Norwegian father and British mother, Siem says in an interview with South China Morning Post “I picked up the violin when I was three and never looked back.” Siem has spent most of his life in Britain performing with some of the world’s most well-known orchestras, including both the London Symphony Orchestra and the Royal Philharmonic Orchestra. Siem has worked to revive the age-old tradition of composing virtuosic variations of popular themes including works by jazz-pop artist Jamie Cullum, Bryan Adams and famous rock band, The Who. Siem has paired with iconic fashion brands such as Armani, Chanel and Hugo Boss to create violin-inspired collaborations aimed to introduce classical music to a wider audience. Siem plays the 1735 Guarneri del Gesù violin, known as the ‘D’Egville.’ WHAT: In order to kick-off the 2017-2018 “Season of Magic,” the Jacksonville Symphony has created a one-night only event to truly celebrate the beginning of a new year of symphonic music. The event is being chaired by Symphony Board Member Chung-Hae Casler. Guests can dress to impress with a splash of color to brighten the concert hall on this momentous night.