Islands in the Sea of Text: Icelandic on the World Wide Web
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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM
Broward/Palm Beach Björk - New Times Broward-Palm Beach 3/16/12 2:44 PM Björk Vespertine (Elektra) By Jessica Parker published: September 27, 2001 By all accounts Björk's albums should be commercial disasters. Her lyrics make little sense to the outside world, and she's known to invite listeners into the depths of her mind. (She also doesn't care one bit about the repercussions of dressing like a swan, but that's beside the point.) On the contrary her art sells, allowing her freedom to be even weirder and more experimental. Fortunately Björk offsets all her introspection and questionable fashion sense with great production, funky electronics, and killer melodies, a balancing act she continues on her latest album, Vespertine. Following up Selmasongs -- last year's accompaniment to Dancer in the Dark, the film in which Björk made her acting debut -- Vespertine is Björk's most gorgeous, tender album, a sensuous, warm peek into her diary with ornate, enchanting instrumentation. And like Selmasongs, Vespertine is cinematic in approach with its army of strings and dramatic choral section. Björk seems to work much like frequent collaborator Thom Yorke of Radiohead, making soundtracks for dreams and personal epiphanies, and the results are often intensely intimate, haunting emotional crescendos. "Heirloom" recounts a recurrent dream wherein she swallows "little glowing lights my mother and son baked for me," as the deep bass reinforces the surreal nature of the dream. In contrast the stock bossa nova drum programming renders the song almost poppy. And "It's Not Up to You" recalls the lighter side of her first solo effort, Debut, showing that Björk hasn't abandoned her own form. -
Björk's Biophilia Björk's Whole Career Has Been a Quest for the Ultimate Fusion of the Organic and the Electronic
Björk's Biophilia Björk's whole career has been a quest for the ultimate fusion of the organic and the electronic. With her new project Biophilia – part live show, part album, part iPad app – she might just have got there Michael Cragg The Guardian, Saturday 28 May 2011 larger | smaller Iceland's singer Bjork performs during the Rock en Seine music festival, 26 August 2007 in Saint-Cloud Photograph: Afp/AFP/Getty Images For Björk, technology, nature and art have always been inextricably linked. "In Iceland, everything revolves around nature, 24 hours a day," she told Oor magazine in 1997. "Earthquakes, snowstorms, rain, ice, volcanic eruptions, geysers … very elementary and uncontrollable. But on the other hand, Iceland is incredibly modern; everything is hi- tech." The Modern Things, a track from 1995's Post, playfully posits the theory that technology has always existed, waiting in mountains for humans to catch up. In fact, Björk has always seemed like an artist who's been waiting for technology to catch up with her. Finally, it seems to have done so. When Apple announced details of its iPad early last year, it acted as a catalyst for what would become Biophilia, Björk's seventh and most elaborate album, the title of which means "love of life or living systems". Along with a conventional album release, complete with music videos – at least one of which has been directed by Eternal Sunshine's Michel Gondry – Biophilia will also be released as an "app album" and premiered as a multimedia live extravaganza at MIF. Biophilia for iPad will include around 10 separate apps, all housed within one "mother" app. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
The Subject of Music As Subject of Excess and Emergence: Resonances and Divergences Between Slavoj Žižek and Björk Guðmundsdóttir
ISSN 1751-8229 Volume Eleven, Number Three The Subject of Music as Subject of Excess and Emergence: Resonances and Divergences between Slavoj Žižek and Björk Guðmundsdóttir Jérôme Melançon, University of Regina (Canada) Alexander Carpenter, University of Alberta (Canada) Abstract In answering the question “who is the subject of music,” we argue that it is a subject of excess and emergence, and we rely on the definition and development of these terms by Žižek and Björk. Such a subject is movement and activity; it exceeds the experiences, objects, others and symbolic order that make it who it is; and it emerges through desire and drive, and resonance and animation. We open with a brief discussion of Žižek’s subject of excess, which we then relate to his approach to subjectivity in music. After an analysis of Björk’s music, centered on the piece “Black Lake” and from a perspective informed by Žižek’s account of subjectivity, we shift our attention to Björk’s thoughts on music in order to find elements that allow for the development of a subject of emergence. While the elements of excess and emergence are present in both accounts of the subject, Žižek’s and Björk’s respective focus on one of these concepts allow us to develop a fuller picture of subjectivity, particularly but not exclusively as it is engaged with in musical activities. Key Words: Subjectivity; Creation; Self-Transformation; Resonance; Popular Music; Classical Music; Musical Subjectivization Overture Who is the subject of music? Who is the subject who sings and plays, rather than simply speaking and working—whose speaking is singing and whose work is playing? Such a question is easily answered with reference to the subject of expression, who speaks and sings because it has something to say. -
Shapes of a Girl : the Archetypal Embodiments of Bjork
Shapes of a Girl: The Archetypal Embodiments of Bjork by Michael Lewis for Rick Tarnas Archetypes of Art & Culture December 12, 2005 “I’m a fountain of blood, in the shape of a girl.” -- Bjork The first time I really heard Bjork was a revelation to me indicating that something new could again be emerging on the frontier of modern music. Although I was already vaguely aware of the super-star musician Bjork for a number of years, I had barely paid much attention to perhaps nothing more than a few partial songs played over a radio-- until I finally heard the emotional power and creative genius of Bjork through listening to her song, “Bachellorette.” The song opens in a dramatically cinematic escalation of or- chestral strings, from which then the sheer power and boldness of her voice emerges like the natural calling of a hungry female chimera from a dense and thriving forest of sound, “I’m a fountain of blood, in the shape of a girl.” Her vocals then continue to un- ravel in an emotionally explosive poetic rhapsody, delivering a song of enigmatic pres- ence that ultimately climaxes and leaves the listener with a sense having been witness to an embodiment of the cosmic feminine force. Completely taken by the influence of this song on my mood and imagination, I soon found myself exploring the vast collection of Bjork’s musical artistry that spans more than seven albums over two decades. I came to recognize how Bjork, as a professional artist and radical alternative cultural icon, has sculpted not only a varied spectrum of styles and textures of artistic expres- sion, but has also continuously transformed and re-invented her self as a persona in the process. -
Universidade Federal Do Ceará Centro De Humanidades Programa De Pós-Graduação Em Estudos Da Tradução
UNIVERSIDADE FEDERAL DO CEARÁ CENTRO DE HUMANIDADES PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA TRADUÇÃO JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE FORTALEZA 2017 JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Estudos da Tradução da Universidade Federal do Ceará, como requisito para a obtenção do título de Mestre em Estudos da Tradução. Área de concentração: Processos de Retextualização. Orientador: Prof. Dr. Robert Brose Pires. FORTALEZA 2017 JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Estudos da Tradução da Universidade Federal do Ceará, como requisito para a obtenção do título de Mestre em Estudos da Tradução. Área de concentração: Processos de Retextualização. Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Robert Brose Pires (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Carlos Augusto Viana da Silva Universidade Federal do Ceará (UFC) _________________________________________ Profª. Drª. Suene Honorato de Jesus Universidade Federal do Ceará (UFC) À família, aos amigos. AGRADECIMENTOS À minha família, em especial e com amor maior à minha irmã – Fernanda – e à minha mãe – Ana –, que sempre me apoiam e me incentivam a ir cada vez mais longe. Aos parentes que entendem que “família não é sangue; família é sintonia”. Aos bons amigos – principalmente àquele grupo de pessoas com nomes iniciados em “m”. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Shellie Trierweiler English 122, Section 007 Miss French February
Shellie Trierweiler English 122, section 007 Miss French February 23, 2011 Evolution of an Artist: Expansion of Me Fearless Expression Her name? Regularly mispronounced. Her music? Impossible to categorize. Her avant- garde visual artistry? Often misunderstood. Her voice? So matchless, many refer to it as being from another world. Björk, a brilliant vocalist from Iceland, has transcended her early origins as an eclectic dance and pop star and evolved into an international superstar who gained critical acclaim as a composer, musician, and songstress entirely untouched by conformity. Björk Gumundsdottir is the full name given to her at birth. Most English-speaking people, including myself, have incorrectly assumed it is pronounced (Bee-york). Björk, herself clears up the common confusion by stating in an NPR interview, “(BE-yerk) I usually say it rhymes with jerk. You know if someone is a real jerk.” Throughout her career, she has delved into an eclectic blend of genres, combining an innovative mix of folk, punk rock, collegiate rock, alternative, electronica, pop, trip-hop, jazz, experimental, and folk, just to name a few. As Björk matures, she expands our perception of what is, and what creates, musical sounds. She combines volcanic beats—yes…literally gathered by engineers from a volcano—with classical orchestral strings, to bring amazing songs to life. Björk was classically trained in piano and voice as a child and recorded her first album when she was 11 years old. It was a compilation of Icelandic folk cover songs that she was not particularly fond of. In the documentary film, Inside Björk, she admits, “I felt funny about Trierweiler 2 having an album out that said Björk on it, but it wasn’t my work. -
Björk and Michel Gondry's Networked Authorship
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Bjork Talking About Her Tv Transcript
Bjork Talking About Her Tv Transcript Substitutionally unpillowed, Hersh priests chichis and laith tramline. Marcus is mammonistic and togs andawry hazings as tagged his Alfonsemechanisation brays mistakenly so unpropitiously! and girded availingly. Pisiform Thurston conflict some salvos Human Nature Script Industrial Scripts. The transcript was bjork, my father has a toilet and his personal role in the free card, bjork talking about her tv transcript. Nuttier than bjork spoke to hear with a small sign the transcript of the strategy, body and bjork talking about her tv transcript of what i got to rights to. Oh my tv station holding the transcript from bjork talking about her tv transcript of talking on vice newsletter you just need to think you want. Bollocks she later in a 1996 interview for a Finnish TV show below. Hera Bjrk Eurovision Legends podcast Listen Notes. And paid you're wishingpraying for having upset except the Oscars well don't hold your. Lopez literally speaking to himself has once describes replacing the mirror he would. 10 bjrk quotes that portray her complicated relationship with. Over of course fulfil the episode Bjrk dissects her coat and recording. 400 CSW Video Art csw art videos art Pinterest. Bjrk Free domain The List. On this junior album Homogenic Bjrk pronounced Bjerk dumped the playful. Peter Chiarelli Dave Lewis Conference Call Transcript. Latest news reader says he stops one moment on snowpiercer, talking about her tv as. Will be in jamaica, about her tv, knocking it was a map! Bjrk talking while her TV YouTube. Lady Gaga banned from China after meeting with the Dalai. -
Mahaffy Et Al., 2E, Index
15526_29_Index.qxp 3/4/14 9:31 AM Page IG-1 INDEX/GLOSSARY Page references with “f” indicate figures; those with “t” indicate tables. Glossary terms are printed in blue. abiogenic methane, 95 activation energy (Ea) The minimum group bonded to one hydrogen atom, absolute zero of temperature, 417 combined kinetic energy that a pair of or compounds whose molecules have absorption spectrum A plot of the colliding particles must have in excess that functional group, 886, 911–915 percentage of radiation transmitted by of the average for their collision to naming, 917–918 a substance over a range of incident result in reaction, 741–744, 808 reactivity, 916–917, 924–938 radiation energies (or wavelengths), of reaction, 742 structure, 916–917, 924–938 51, 74–77, 105, 158, 555 active site, 764 aldohexose, 1099 abundances of elements, 977 activity (A) (nuclear chemistry) Number of aldopentose, 1099 acceptor level, 1081 disintegrations observed per unit time, aldoses, 1099 acetals Functional groups with the measured in becquerel (Bq), 1159 alkali metals, 987–991, 995 structure RHC(ORЈ)2, or compounds activity (a) The effective concentration of alkaline earth elements, 991–995 whose molecules have that functional a solute species, 473, 498, 592 alkalosis, 582 group, 853, 930, 961 activity–based equilibrium constants, 498 alkanes Substances whose molecules ˚ acetylene, 790 acylation, 834 contain skeleton frameworks with C C achiral Molecules or objects that are acyl chlorides, 948–951 single bonds, 110–114, 119–120 superimposable on their mirror images