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Kate and Kilimanjaro
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Kate and Kilimanjaro John Nirenberg University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Nirenberg, John, "Kate and Kilimanjaro" (2007). University of New Orleans Theses and Dissertations. 1066. https://scholarworks.uno.edu/td/1066 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Kate and Kilimanjaro A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by John Nirenberg B.A. University of Connecticut, 1968 M.S. Southern Connecticut State College, 1971 Ph.D. University of Connecticut, 1975 May, 2007 © 2007, John Nirenberg ii Acknowledgements This seemed like a good story to tell. My partner Allyson Villars encouraged me to tell it and gave me the encouragement and support throughout this late-in-life academic indulgence to finally put it to paper. -
'Out of Sight, out of Mind? Australia's Diaspora As A
Out of sight, out of mind? Australia’s diaspora as a pathway to innovation March 2018 Contents Collaborating with our diaspora .........................................................................................................3 Australian businesses’ ‘collaboration deficit’ .......................................................................................4 The diaspora as an accelerator for collaboration .................................................................................7 Understanding the Australian diaspora’s connection to Australia ......................................................14 What now? .......................................................................................................................................27 References ........................................................................................................................................30 This report has been prepared jointly with Advance. Advance is the leading network of global Australians and alumni worldwide. The many millions of Australians who have, do, or will live outside of the country represent an incredible, unique and largely untapped national resource. Its mission is to engage, connect and empower leading global Australians and Alumni; to reinvest new skills, talents and opportunities into Australia; to move the country forward. diaspora di·as·po·ra noun A diaspora is a scattered population whose origin lies within a smaller geographic locale. Diaspora can also refer to the movement of the population from -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Gary Clark, Jr
GARY CLARK, JR. 21st Century Blues The last two years have yielded a dizzying RISING FROM AUSTIN parade of triumphs for Gary Clark, Jr., the 28-year-old artist from Austin, Texas. With the by Tom Hyslop force of Warner Brothers Records behind him, Clark has received a promotional push that rivals that of any mainstream artist, one that certainly exceeds anything witnessed in the blues realm at least since the 1980s, with the mainstream breakouts of Stevie Ray Vaughan and Robert Cray, and possibly since the highly-publicized signing of Johnny Winter by Columbia Records in 1969. In the course of the blitz, Clark has performed at every major festival, including Coachella, SXSW, Made In America, Bonnaroo, Summerfest, Lollapalooza, Dave Mathews Band Caravan, Newport Folk Fest, Electric Forest, Sasquatch! Festival, Mountain Jam, and others, along with dates in the most coveted clubs; received ink in a dizzying variety of publications, from MOJO and SPIN to such unexpected settings as Esquire, Vanity Fair, and even the mainstream Entertainment Weekly, with recurring coverage in Rolling Stone, including a five- star rating for his debut EP on Warners, in a write-up that led off the review section; and made appearances on the major late-night shows: Conan, The Late Show with David Letterman, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno. He has taped an episode of Austin City Limits as headliner. A fragment of “Bright Lights” provided the soundtrack to a major mobile phone provider’s ubiquitous TV advertisement, and the video for “Ain’t Messin’ ‘Round” received regular rotation on VH1, America’s almost univer- sally available cable music television channel. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
On the Road to Memphis
Ottawa BLUES Society Winter 2008 MonkeyJunk In this issue: OBS AGM & Christmas Party 3 Save DAWG FM 4 Kat Danser’s Blues Pilgrimage 6 On the Road to Cisco Bluesfest News 8 Blues on the Rideau 10 International Blues Challenge 12 Memphis CD Reviews 13 Postcards From The Road 18 Corporate Directory 22 New and Renewing OBS Members – July-December 2008 We welcome two new Corporate Members to the Ottawa Blues Society Gerald Baillie, David Bedard, Pierre Brisson, Ross Brown & Lori Kerfoot, Colin Chesterman, Brian Clark, Bob Crane (family), Louise Dontigny, James Doran & Diane Leduc-Doran, Jean-Louis Dubé, Alison Edgar, Cleo Evans, Bernard Fournier, Robewrt Gowan, Mike Graham, Sandy Kusugak, Jeff Lockhart, Jack Logan, Annette Longchamps, Hugh MacEachern, Fraser Manson, Tom Morelli, Tom Morris, Gary and Vickie Paradis, Roxanne Pilon, Terry Perkins, Chris Pudney, Jeff Roberts, Mark Roberts, Tom Rowe, Jim Roy (benefactor), Bill Saunders, Ursula Scherfer, Ken Stasiak, John Swayze, Liz Sykes (benefactor), Ian Tomlinson, Chris & Linda Waite, Gord White, Larry Williams, Ross Wilson, Linda and Pat Yarema www.worksburger.com www.lorenzos.ca 2 OBScene Deadlines 3 OBS CONTACTS OBS Annual General Meeting Issue Copy Deadline Distribution Date Website: www.OttawaBluesSociety.com OBS Mission Spring March 15 Online in April & Christmas Party E-mail: Please use feedback form on website Summer June 15 Mailed in early July Saturday, December 6, 2008 CORRESPONDENCE AND ADDRESS CHANGES To foster appreciation, Ottawa Blues Society promotion, preservation P.O. Box 708, Station “B” The OBS AGM got underway at 8:15 pm with Cover charges for this event, along with money From the Editor … and enjoyment of the Ottawa, ON K1P 5P8 reports from the President and Board Members. -
BLUES ROCK GUITARIST JIMMIE VAUGHAN ADDED to BETHEL WOODS EVENT GALLERY LINE-UP Tickets On-Sale Friday, June 7Th at 10 AM
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] BLUES ROCK GUITARIST JIMMIE VAUGHAN ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On-Sale Friday, June 7th at 10 AM May 31, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the historic site of the 1969 Woodstock festival in Bethel, N.Y., will welcome blues legend Jimmie Vaughan on September 29th for a performance in the Event Gallery. Reserved seating tickets will go on-sale to the general public on Friday, June 7th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Plus, prior to the concert, Bethel Woods will put a farm-fresh twist on its Event Gallery concert experience with a bountiful pre-show farm-to-table dinner. Taking place in the open-air Market Sheds overlooking the historic Woodstock festival field, the multi-course dinner will feature delicious recipes using locally-sourced ingredients and are presented by Bethel Woods' own Executive Chef, Jodi Cummings. The communal, family style seating wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. Tickets for the farm-to- table experience also go on-sale Friday, June 7th; this does not include admission into the concert. Jimmie Vaughan's new album, BABY, PLEASE COME HOME, is a rolling and righteous celebration of everything the blues can be. The songs can go up, down, sideways and even off in their own distinctive direction, but one thing is certain, each and every one of them is packed with pure feeling and striking originality. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
The Production of Gospel Music: an Ethnographic Study of Studio-Recorded Music in Bellville, Cape Town
The production of gospel music: An ethnographic study of studio-recorded music in Bellville, Cape Town A mini thesis submitted in partial fulfillment of the degree of Master of Arts in Anthropology Robin L. Thompson Department of Anthropology and Sociology University of the Western Cape November 2015 Supervisor: Professor Heike Becker Table of Contents Abstract ................................................................................................ ......................................................... i Declaration ................................................................ ................................................................................... ii Acknowledgements ..................................................................................................................................... iii CHAPTER 1: Introduction ...........................................................................................................................1 1.1 The prevalence of Pentecostalism and music in Christian households, churches and media in Cape Town .............................................................................................................................................................4 1.2 Rethinking the idea of genre through ‘Pentecospel’ music ....................................................................8 1.3 Going forth ............................................................................................................................................10 1.4 Chapter Outline -
Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p. -
Jimmie Vaughan More Blues, Ballads and Favorites Bio
Jimmie Vaughan More Blues, Ballads and Favorites Bio For Jimmie Vaughan, too much of a good thing is a concept that simply doesn‟t exist. The legendary Texan guitar dynamo was so pleased with the response to his 2010 album Blues, Ballads and Favorites that he decided to follow it up with a brand new collection he‟s calling— what else?—More Blues, Ballads and Favorites! Packed with 16 covers of classic tunes that are close to his heart, the album—recorded, like the previous one, in his hometown of Austin, Texas—reunites Vaughan with the same cast of musicians that helped him out on the previous set. Also returning for round two, to assist with the vocals, is Lou Ann Barton, whose powerful pipes grace several tunes on the new release. “The first album was a success,” says Vaughan, “and what happened is I never really stopped. Even after I turned the first one in I was still recording. I‟ve decided that, as long as I feel like it, I‟m going to do that from now on.” Jimmie Vaughan—who first came to prominence as co-founder of the pioneering Texas blues- rock band the Fabulous Thunderbirds in the ‟70s— has certainly earned the right to do whatever he wants whenever he wants to do it. Since he was a kid, Vaughan has dedicated his life to mastering his axe and reminding folks what American music is all about—music, he says, that need not be categorized. “When I talk about country and blues, they‟re the same thing,” he says. -
How to Pay Zero Taxes, Live Overseas & Make Giant Piles of Money
EXPAT SECRETS : HOW TO PAY ZERO TAXES, LIVE OVERSEAS & MAKE GIANT PILES OF MONEY Author: Mikkel Thorup Number of Pages: 150 pages Published Date: 03 Dec 2018 Publisher: Independently Published Publication Country: none Language: English ISBN: 9781790703937 DOWNLOAD: EXPAT SECRETS : HOW TO PAY ZERO TAXES, LIVE OVERSEAS & MAKE GIANT PILES OF MONEY Expat Secrets : How To Pay Zero Taxes, Live Overseas & Make Giant Piles of Money PDF Book Perez Henriquez argues that, despite ideological disagreements, the ETS approach, or, more popularly, 'cap-and-trade' policy design, remains the best hope for a cost-effective policy to reduce GHG emissions around the world. This exercise allows you to paint a figurative, or even literal picture of what your life will look like in the future. These kinds of solutions are theoretically and practically impossible to implement based on c- tralised client-server architectures. PRAISE FOR BOTTLED FOR BUSINESS "The inside scoop from one of the country's leading entrepreneurs-essential reading. Despite this broadening of substance and support, these laboratories remain the unique locus of science and engineering (SE) for the U. This work was reproduced from the original artifact, and remains as true to the original work as possible. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. He takes apart the varying responses from authorities and the discrepancies in reports, the wide range of theories, the startling fact that the plane actually turned around and flew in the opposite direction, and what solutions the aviation industry must now implement to ensure it never happens again.