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In-Demand Drummer Rudy Royston Steps out As a Leader with 303
Two for the Show Media Chris DiGirolamo PO Box 534 Mattituck, New York 11952 tel: 631-298-7823 cell: 718-669-0752 www.Twofortheshowmedia.com Email: [email protected] _________________________________________ th For Immediate Release: Release Date: February 4 , 2013 Greenleaf Records In-Demand Drummer Rudy Royston Steps Out as a Leader with 303. Greenleaf Music debut scheduled for February 4th, 2014 release features ten Royston originals plus interpretations of Mozart and Radiohead. Since moving to New York City in 2006 from his home base in Denver, Rudy Royston has emerged as one of the most exciting and in- demand young drummers on the jazz scene. Having already racked up a list of impressive credits as a sideman with the likes of rising star of the tenor sax, J.D. Allen, alto saxophonist Tia Fuller, bassist Ben Allison, guitarist Bill Frisell and trumpeter Dave Douglas, Royston was ready to step out as a leader in his own right. His debut on Greenleaf Music, 303 (named for Denver’s area code), not only features his brilliant and versatile playing on the kit but also showcases his considerable skills as a composer on ten originals. With a stellar crew of some of the brightest young lights on the New York scene -- guitarist Nir Felder, pianist Sam Harris, saxophonist Jon Irabagon, trumpeter Nadja Noordhuis and the two-bass tandem of Mimi Jones and Yasushi Nakamura -- Royston and company also turn in dramatic interpretations of Mozart’s “Ave Verum Corpus” and Radiohead’s “High and Dry” on this outstanding debut. “Rudy is such a dynamic drummer, intensely polyrhythmic, both subtle and explosive,” says trumpeter-composer-bandleader and Greenleaf Music founder Dave Douglas. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
Jazz Trio Plays Spanos Theatre Oct. 4
Cal Poly Arts Season Launches with Jazz Trio Oct. 4 http://www.calpolynews.calpoly.edu/news_releases/2006/September... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 11, 2006 FOR IMMEDIATE RELEASE Jazz Trio Plays Spanos Theatre Oct. 4 SAN LUIS OBISPO – In a spectacular showcase featuring jazz greats Bill Frisell (guitar/banjo), Jack DeJohnette (drums, percussion, piano) and Jerome Harris (electric bass/vocals), Cal Poly Arts launches its new 2006-07 performing arts season. The trio of master musicians will perform on Wednesday, October 4, 2006 at 8 p.m. in the Spanos Theatre. The evening will include highlights from the acclaimed release, “The Elephant Sleeps But Still Remembers.” Recorded at Seattle’s Earshot Festival in October 2001, “The Elephant Sleeps But Still Remembers” brilliantly captures the collaboration of two unparalleled musical visionaries: Jack DeJohnette -- “our era’s most expansive percussive talent” (Jazz Times) -- and Bill Frisell, “the most important jazz guitarist of the last quarter of the 20th century” (Acoustic Guitar). DeJohnette and Frisell first worked together in 1999. “We immediately had a rapport and we talked about doing more,” DeJohnette recalls. Frisell needed no convincing: “I have been such a fan of Jack’s since the late ’60s when I first heard him,” the guitarist says. “He’s been such an influence and inspiration throughout my musical life.” The two got together the afternoon before the 2001 Earshot concert and at the soundcheck, ran through a couple of numbers, but the encounter was largely improvised. “We had a few themes prepared,” Frisell says, “but it was pretty much just start playing, and go for it.” According to DeJohnette, “Bill and I co-composed in real time, on the spot” for “The Elephant Sleeps...” The album features 11 tracks covering a breadth of sonic territories. -
October 1999
,. "You don't just need a computer, you need a solution." Fmal Cut Pro ~= Ultura digital video camcorder canon studied your life, your needs and all 27 bones in your hand. Also available, with many of the fine features of the Ultura: Ultura Features: z_~ Genuine canon Optics 16X Opticai/320X Digital zoom Lens Canon Minii)."T Optical Image Stabilization Mini~" (Canon original technology) Canon Flexizone Auto Focus/Auto Exposure (Canon exclusive) on/y$999 2.5" Color LCD View screen & Color Viewfinder PCM Digital Stereo sound Program Auto Exposure Digital Photo Mode alpha tech COMPUTERS.COM (360) 671-2334 • (800) 438-3216 • (360) 671-8571 Fax 2300 James Street, Bellingham, WA 98225 • www.alphatechcomputers.com Hewlett-Packard Apple Solutions We are fully AdvanceNet certified to maintain, We are fully Apple®certified to maintain, alpha tech computers is a place of solutions service and repair all ~ service and repair all Apple® products. for you, no matter what computer equipment Hewlett-Packard products. l...=:J • . Apple Specialist you hove, or, where you bought it . LOCAL SPOTLIGHT ............................ 5 LOCAL SHOWS ................................ 6-7 LOCAL RECORDINGS ................ 8-1 0 ALL AGE VENUES ................ 12-1 5 MAN ... OR ASTROMAN ? .... 16-18 BILL FRISELL ....................... :20-21 FOLKANDWORLD BEAT .................. 23 THEATER REVIEWS ................................ 24 MOVIE REVIEWS ...................................... 25 DINNER WITH HAMILTON ................ 26 P. IN THE SQUARED CIRCLE .......... 27 -
Prodrummer Virtuelles Instrument Volume 1: Mark „Spike“ Stent Volume 2: Joe Chiccarelli
ProDrummer virtuelles Instrument Volume 1: Mark „Spike“ Stent Volume 2: Joe Chiccarelli Benutzerhandbuch i PRODUMMER VIRTUELLES INSTRUMENT Die Nutzung des Produkts und der in diesem Dokument beschriebenen Sounds unterliegt der Software-Lizenzvereinbarung, die in diesem Paket enthalten ist, und darf nicht auf andere Medien kopiert werden, außer zum Zweck des Kopierens der Daten auf die Festplatte des Rechners des lizenzierten Benutzers. Kein Teil dieser Publikation darf ohne vorherige schriftliche Genehmigung von East West Sounds, Inc. kopiert, reproduziert oder auf andere Weise übertragen oder aufgezeichnet werden. PLAYTM ist ein Warenzeichen von East West Sounds, Inc. (c) + (p) Copyright East West Sounds, Inc., 2015. Alle Rechte vorbehalten. Deutsche Übersetzung: Michael Reukauff East West Sounds, Inc. 600 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 Telefon 1-323-957-6966 Fax Für Fragen zur Lizenzierung der Produkte: [email protected] Für weitere allgemeine Informationen über Produkte: [email protected] http.//support.soundsonline.com ii PRODUMMER VIRTUELLES INSTRUMENT 1. Willkommen 2 Über EastWest ProDrummer 4 Produzent: Mark „Spike“ Stent 5 Produzent: Joe Chiccarelli 6 Produzent: Doug Rogers 7 Danksagungen für EW ProDrummer Volume 1: Mark „Spike“ Stent 8 Danksagungen für EW ProDrummer Volume 2: Joe Chiccarelli 9 Wie man dieses und andere Handbücher benutzt 10 Online Dokumentation und andere Hilfsquellen Klicken Sie hier, um das Haupt- navigationsdokument zu öffnen 1 PRODUMMER VIRTUELLES INSTRUMENT Willkommen Über EastWest ProDrummer Diese Version von EastWest sind eigentlich zwei Bibliotheken, die einzeln oder gemeinsam genutzt werden können. Jede Library, die eine eigene Lizenz benötigt, ist zunächst einmal ein umfangreiches Drumkitset von zwei der führenden Musik- produzenten der Branche. -
Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P
36° Festival Internazionale Jazz in Sardegna – European Jazz Expo BILL FRISELL (solo) ENRICO RAVA 5et feat. JOE LOVANO Centro Congressi della Fiera di Cagliari, venerdì 9 novembre (ore 21) Sarà il chitarrista Bill Frisell, ad aprire venerdì 9 novembre, ore 21, alla Fiera di Cagliari, una delle notti jazz che si preannuncia esplosiva per il valore e la fama degli artisti che si esibiranno sul palco. Un unico concerto che vedrà, dopo l’esibizione di Frisell in solo, anche il live di un quintetto d’eccezione, il supergruppo formato dal sassofonista Joe Lovano, il trombettista Enrico Rava il contrabbassista Dezron Douglas, il batterista Gerald Ceaver e il pianista Giovanni Guidi. Bill Frisell, stella indiscussa del panorama musicale mondiale, riconosciuto non solo come uno dei chitarristi più inventivi di sempre ma anche come uno dei più versatili e prolifici, si esibirà in solo sul palco della fiera nella prima parte della serata. Con una carriera trentennale e oltre cento dischi pubblicati alle spalle, Frisell è tra le figure più di spicco nell’ambito jazzistico, con un repertorio che sconfina spesso nei territori del folk, del country, del pop e della musica d’avanguardia. Ha collaborato tra gli altri con Paul Motian, John Zorn, Elvis Costello, Marianne Faithfull, John Scofield, Jan Garbarek, Paul Bley, Bono, Robin Sylvian. Alcuni critici lo hanno paragonato a Miles Davis per il suo stile caratterizzato dalla ricerca del puro suono e dall’antitecnica inconfondibile. I suoi dischi coprono un ampio raggio di generi e influenze musicali: dalle colonne sonore di film di Buster Keaton e dei cartoni animati di Gary Larson (Quartet) alle composizioni originali per grossi ensemble con archi e collaborazioni con il bassista Viktor Krauss e il batterista Jim Keltner. -
Master Uten Bilder
A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago. -
JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release Date: 8/26/14
JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release date: 8/26/14 1. The Things I Haven’t Done (Bruce Coughlan) Bruce Coughlan Music (SESAC) The opening track, by Bruce Coughlan, a talented singer-songwriter from British Columbia with whom I’ve had the privilege of collaborating over the years, captures the theme of Sixty: I’ve been blessed with an amazing life and career. As with most of us, my journey has not been without loss and sacrifice, but by and large, I’ve been able to make a living doing what I love. One of the joys in my life has been to sing on records of people I admire greatly. Singing on Rodney Crowell’s recordings since the landmark “Houston Kid,” has been a source of great pride and satisfaction for me. I was a fan of his long before our lives intersected and we became friends. Having Rod on this song means very much to me. Alison Brown - Banjo | Rodney Crowell - Background Vocal, Lead Vocal on Bridge | Danny Flowers - Harmonica | Jim Pugh - B3 Organ | Ed Toth - Drums | John Cowan - Bass | John McFee - Acoustic 6 and 12-String Guitars, Electric 12-String Guitar, Pedal Steel, Vocals 2. Why Are You Crying (Rick Roberts) Hori Pro Entertainment Group Inc. dba Sixteen Stars Music (BMI)/Reservoir 416 (BMI) After dropping out of my first year of college in Indiana (where I seemingly confused GPA with THC), I moved back to Louisville, Kentucky, to pursue “the dream.” While working in a car wash full time and playing music on the weekends, I met a budding young concert promoter by the name of Rusty Lovell. -
Cornell Request Video Recordings
Cornell Request Video Recordings Is Vernon omental or quinsied when insulates some holdalls cakewalks dubitably? Is Rayner earthiest or Tridentine when adsorbs some anaerobes blots jovially? Heritable Zebulen bench very tetragonally while Zachary remains jugular and volatilized. Naomi who received results? CINCINNATI Federal authorities maintain they have video and audio recordings of. Intercut with footage from different refugee crises recorded in Libya. Classroom Technology Support at Cornell Law School. The record system than a source of two amazing magicians and close of dating which delvalle from a dark money for requesting a portfolio containing work! Film program one must last ten samples of artwork including videos along while a statement about your role in each production. How much more accurate work with words, requests must act were even death. He could cause and mentalism that he got in isolated pockets, tyson asks carlie what? After a video of her incoming freshman using a racial slur circulated on Twitter the. Unless a copy of each column to go through june. Jon bon jovi and. Some state require a video response some will require a literary response. Please Note Portions of the Official Records are currently missing from our loop For nearly complete version visit Cornell University Library's web site at. Drivers and riders can otherwise request to view the procedure with the faces blurred out and audio muted but they don't own it Uber only reviews. Administrative judge must be an opinion about a few of an external link in your participation in a petition is welcoming a daunting task since barksdale declined to. -
SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022
FOR IMMEDIATE RELEASE SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022 Tickets on Sale to SFJAZZ Members, Thursday, July 29 at 11:00amPST Tickets on Sale to Public, Thursday, August 5 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, July 22, 2021) -- SFJAZZ announces the 2021-2022 Concert Ceason running September 23, 2021 to May 29, 2022. The organization will be presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Grace Cathedral, and Paramount Theatre in Oakland. Tickets will go on sale to SFJAZZ Members on Thursday, July 29 at 11:00am PST and on sale to the general public on Thursday, August 5 at 11:00amPST. For more information, visit sfjazz.org. SFJAZZ will celebrate the official Re-Opening of the SFJAZZ Center with its first full-capacity concert since March 2020 on Thursday, September 23 featuring Thelonious Monk Competition winner and soundtrack composer for Bridgerton and Green Book, pianist Kris Bowers. The SFJAZZ Center Re-Opening weekend includes concerts featuring Zakir Hussain, Eric Harland, and Abbos Kosimov on Friday September 24, and Pat Metheny’s Side-Eye project with James Francies and Joe Dyson on Saturday, September 25 and Sunday, September 26. “Over the past 18 months, all of us have been torn from the rhythms of everyday life and with the SFJAZZ 2021-2022 Season, and what is the our 39th year, we – artists, staff, and board -- are looking forward to a new rhythm and welcoming audiences back to the SFJAZZ Center,” says SFJAZZ Founder and Executive Artistic Director Randall Kline. -
Liner Notes by Michelle Mercer
When Ron Miles teaches Jazz Styles to... college students, he likes to open the first day of class with a 1926 quote from Langston Hughes: “We younger Negro artists who create, now intend to express our individual dark-skinned selves without fear or shame.... We know we are beautiful. And ugly too.... We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.” It’s a smart way to start, emphasizing jazz’s essential relationship to blackness and to defiant creativity, the latter of which is sure to resonate with young students. Ron Miles also likes to discuss this quote with his peers, because he truly believes that expressing the full complexity of the human condition is the primary work of every artist at every stage of a career. “That quote gets at the sense that this music and art in general have to embrace everything,” Ron says. “To really go as deep as we can, we have to embrace our failings as well as our success; the beauty of the human condition but also the parts that aren’t so great, because we’re here, and we have to deal with it.” So when Bill Frisell, Jason Moran,Thomas Morgan, and Brian Blade arrived at Ron’s Denver home to rehearse for this album, their big hugs for Ron mattered. The December snow that hadn’t fallen quite thickly enough to be scenic mattered. The pleasant studio at the back of the brick house whose modesty left money for his children’s education mattered.The musicians’deep moments of active listening during the session mattered. -
DYLAN RYAN / SAND Title: CIRCA (Cuneiform Rune 397) Format: CD / DIGITAL
Bio information: DYLAN RYAN / SAND Title: CIRCA (Cuneiform Rune 397) Format: CD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / ELECTRIC JAZZ / ROCK Dylan Ryan’s LA Guitar Power Trio with Timothy Young and Devin Hoff, – Dylan Ryan / Sand – Returns with a New Album, Circa, A Musically and Emotionally Evocative, Guitar-Drenched Disc Born on the Road and in Moonlight, in Caves on Libyan Sea Shores Los Angeles, CA is home base for one of the most inventive and musically awesome guitar power trios on the current electric jazz and rock scenes: Dylan Ryan / Sand. Led by Dylan Ryan, a drummer/composer with feet firmly planted in both indie rock and jazz, the group features guitarist Timothy Young (David Sylvian, Reggie Watts, Wayne Horvitz) and Devin Hoff (Nels Cline Singers, Yoko Ono, Cibo Matto). Together on Circa, their second release on Cuneiform Records, the trio forge a wholly unique, emotionally-charged and stylistically omnivorous music that invokes elements of Rush, Fugazi, Fred Frith’s Massacre, James ‘Blood’ Ulmer, and more, and sonically ranges from fearlessly improvisational to tender; the abrasive to the understated. Indeed, this range of influences and openness to sonic possibilities is what initially drew Ryan to his bandmates. “I saw Tim Young play somewhat by chance in an old bar The Doors used to play in and I was so impressed that I wanted to be in a band with him immediately.