Burt Bacharach

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Late Night Jazz: Burt Bacharach Samstag, 10. August 2019, 22.05 - 24.00 Uhr Eine Wiederholung vom 13. August 2016 Redaktion: Beat Blaser Moderation: Andreas Müller-Crepon Carpenters: Singles 1969-1981 (1971) CD A&M Track 20: Close To You David Hazeltine: Close To You (2003) CD Criss Track 1: Close To You Bill Frisell: The Sweetest Punch (1998) CD Decca Track 15: God Give Me Strenght Track 1: The Sweetest Punch Track 6: What’s Her Name Today Track 10: I Still Have That Other Girl Metropol Orchestra / Traincha: The Look of Love (2006) CD Blue Note Track 6: I’ll Never Fall In Love Again Track 7: Falling Out of Love Diana Krall: Diana Krall In Paris (2002) CD Verve Track 4: The Look of Love Stan Getz: What the World Needs Now. Stan Getz plays Bacharach (1967) CD Verve Track 11: Walk On By Track 4: Any Old Time of the Day Elvis Costello: Painted From Memory (1998) CD Mercury Track 9: Painted From Memory Johnny Hartmann: Raindrops Keep Falling On My Head CD Definitive Track 11: Raindrops Keep Falling On My Head Don Byron: The New Songs of Elvis Costello and Burt Bacharach (1998) CD Decca Track 9: My Thief Track 3: Such Unlikely Lovers David Hazeltine: Modern Standards (2004) CD Sharp Nine Track 2: A House Is Not a Home Rigmor Gustafsson: Calling You (2010) CD ACT Track 4: I Just Don’t Know What To Do Russell Malone: Black Butterfly (1993) CD Columbia Track 6: I Say a Little Prayer For You Ani Di Franco : My Best Friend's Wedding CD Work Sony Track 2: Wishin’ and Hopin’ Larry Goldings Trio: Sweet Science (2002) CD Palmetto Track 5: This Guy’s In Love With You Nancy Wilson: Today, Tomorrow, Forever (1964) CD Capitol Track 5: Wives and Lovers Art Farmer: The Summer Knows (1976) CD Test of Time Track 3: Alfie Stacey Kent: The Boy Next Door (2003) CD Candid Track 8: What the World Needs Now Is Love Quincy Jones Orchestra: Talkin‘ Verve - With a Twist CD Verve Track 14: What’s New, Pussycat? Rigmor Gustafsson and The Jacky Terrasson Trio: Close to You (2004) CD ACT Track 11: Always Something There To Remind Me McCoy Tyner Trio with Symphony: What the World Needs Now (1996) CD Impulse Track 5: One Less Bell To Answer .

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In-Demand Drummer Rudy Royston Steps out As a Leader with 303
Two for the Show Media Chris DiGirolamo PO Box 534 Mattituck, New York 11952 tel: 631-298-7823 cell: 718-669-0752 www.Twofortheshowmedia.com Email: [email protected] _________________________________________ th For Immediate Release: Release Date: February 4 , 2013 Greenleaf Records In-Demand Drummer Rudy Royston Steps Out as a Leader with 303. Greenleaf Music debut scheduled for February 4th, 2014 release features ten Royston originals plus interpretations of Mozart and Radiohead. Since moving to New York City in 2006 from his home base in Denver, Rudy Royston has emerged as one of the most exciting and in- demand young drummers on the jazz scene. Having already racked up a list of impressive credits as a sideman with the likes of rising star of the tenor sax, J.D. Allen, alto saxophonist Tia Fuller, bassist Ben Allison, guitarist Bill Frisell and trumpeter Dave Douglas, Royston was ready to step out as a leader in his own right. His debut on Greenleaf Music, 303 (named for Denver’s area code), not only features his brilliant and versatile playing on the kit but also showcases his considerable skills as a composer on ten originals. With a stellar crew of some of the brightest young lights on the New York scene -- guitarist Nir Felder, pianist Sam Harris, saxophonist Jon Irabagon, trumpeter Nadja Noordhuis and the two-bass tandem of Mimi Jones and Yasushi Nakamura -- Royston and company also turn in dramatic interpretations of Mozart’s “Ave Verum Corpus” and Radiohead’s “High and Dry” on this outstanding debut. “Rudy is such a dynamic drummer, intensely polyrhythmic, both subtle and explosive,” says trumpeter-composer-bandleader and Greenleaf Music founder Dave Douglas.
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Jazz Trio Plays Spanos Theatre Oct. 4
Cal Poly Arts Season Launches with Jazz Trio Oct. 4 http://www.calpolynews.calpoly.edu/news_releases/2006/September... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 11, 2006 FOR IMMEDIATE RELEASE Jazz Trio Plays Spanos Theatre Oct. 4 SAN LUIS OBISPO – In a spectacular showcase featuring jazz greats Bill Frisell (guitar/banjo), Jack DeJohnette (drums, percussion, piano) and Jerome Harris (electric bass/vocals), Cal Poly Arts launches its new 2006-07 performing arts season. The trio of master musicians will perform on Wednesday, October 4, 2006 at 8 p.m. in the Spanos Theatre. The evening will include highlights from the acclaimed release, “The Elephant Sleeps But Still Remembers.” Recorded at Seattle’s Earshot Festival in October 2001, “The Elephant Sleeps But Still Remembers” brilliantly captures the collaboration of two unparalleled musical visionaries: Jack DeJohnette -- “our era’s most expansive percussive talent” (Jazz Times) -- and Bill Frisell, “the most important jazz guitarist of the last quarter of the 20th century” (Acoustic Guitar). DeJohnette and Frisell first worked together in 1999. “We immediately had a rapport and we talked about doing more,” DeJohnette recalls. Frisell needed no convincing: “I have been such a fan of Jack’s since the late ’60s when I first heard him,” the guitarist says. “He’s been such an influence and inspiration throughout my musical life.” The two got together the afternoon before the 2001 Earshot concert and at the soundcheck, ran through a couple of numbers, but the encounter was largely improvised. “We had a few themes prepared,” Frisell says, “but it was pretty much just start playing, and go for it.” According to DeJohnette, “Bill and I co-composed in real time, on the spot” for “The Elephant Sleeps...” The album features 11 tracks covering a breadth of sonic territories.
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Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P
36° Festival Internazionale Jazz in Sardegna – European Jazz Expo BILL FRISELL (solo) ENRICO RAVA 5et feat. JOE LOVANO Centro Congressi della Fiera di Cagliari, venerdì 9 novembre (ore 21) Sarà il chitarrista Bill Frisell, ad aprire venerdì 9 novembre, ore 21, alla Fiera di Cagliari, una delle notti jazz che si preannuncia esplosiva per il valore e la fama degli artisti che si esibiranno sul palco. Un unico concerto che vedrà, dopo l’esibizione di Frisell in solo, anche il live di un quintetto d’eccezione, il supergruppo formato dal sassofonista Joe Lovano, il trombettista Enrico Rava il contrabbassista Dezron Douglas, il batterista Gerald Ceaver e il pianista Giovanni Guidi. Bill Frisell, stella indiscussa del panorama musicale mondiale, riconosciuto non solo come uno dei chitarristi più inventivi di sempre ma anche come uno dei più versatili e prolifici, si esibirà in solo sul palco della fiera nella prima parte della serata. Con una carriera trentennale e oltre cento dischi pubblicati alle spalle, Frisell è tra le figure più di spicco nell’ambito jazzistico, con un repertorio che sconfina spesso nei territori del folk, del country, del pop e della musica d’avanguardia. Ha collaborato tra gli altri con Paul Motian, John Zorn, Elvis Costello, Marianne Faithfull, John Scofield, Jan Garbarek, Paul Bley, Bono, Robin Sylvian. Alcuni critici lo hanno paragonato a Miles Davis per il suo stile caratterizzato dalla ricerca del puro suono e dall’antitecnica inconfondibile. I suoi dischi coprono un ampio raggio di generi e influenze musicali: dalle colonne sonore di film di Buster Keaton e dei cartoni animati di Gary Larson (Quartet) alle composizioni originali per grossi ensemble con archi e collaborazioni con il bassista Viktor Krauss e il batterista Jim Keltner.
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SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022
FOR IMMEDIATE RELEASE SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022 Tickets on Sale to SFJAZZ Members, Thursday, July 29 at 11:00amPST Tickets on Sale to Public, Thursday, August 5 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, July 22, 2021) -- SFJAZZ announces the 2021-2022 Concert Ceason running September 23, 2021 to May 29, 2022. The organization will be presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Grace Cathedral, and Paramount Theatre in Oakland. Tickets will go on sale to SFJAZZ Members on Thursday, July 29 at 11:00am PST and on sale to the general public on Thursday, August 5 at 11:00amPST. For more information, visit sfjazz.org. SFJAZZ will celebrate the official Re-Opening of the SFJAZZ Center with its first full-capacity concert since March 2020 on Thursday, September 23 featuring Thelonious Monk Competition winner and soundtrack composer for Bridgerton and Green Book, pianist Kris Bowers. The SFJAZZ Center Re-Opening weekend includes concerts featuring Zakir Hussain, Eric Harland, and Abbos Kosimov on Friday September 24, and Pat Metheny’s Side-Eye project with James Francies and Joe Dyson on Saturday, September 25 and Sunday, September 26. “Over the past 18 months, all of us have been torn from the rhythms of everyday life and with the SFJAZZ 2021-2022 Season, and what is the our 39th year, we – artists, staff, and board -- are looking forward to a new rhythm and welcoming audiences back to the SFJAZZ Center,” says SFJAZZ Founder and Executive Artistic Director Randall Kline.
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Liner Notes by Michelle Mercer
When Ron Miles teaches Jazz Styles to... college students, he likes to open the ﬁrst day of class with a 1926 quote from Langston Hughes: “We younger Negro artists who create, now intend to express our individual dark-skinned selves without fear or shame.... We know we are beautiful. And ugly too.... We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.” It’s a smart way to start, emphasizing jazz’s essential relationship to blackness and to deﬁant creativity, the latter of which is sure to resonate with young students. Ron Miles also likes to discuss this quote with his peers, because he truly believes that expressing the full complexity of the human condition is the primary work of every artist at every stage of a career. “That quote gets at the sense that this music and art in general have to embrace everything,” Ron says. “To really go as deep as we can, we have to embrace our failings as well as our success; the beauty of the human condition but also the parts that aren’t so great, because we’re here, and we have to deal with it.” So when Bill Frisell, Jason Moran,Thomas Morgan, and Brian Blade arrived at Ron’s Denver home to rehearse for this album, their big hugs for Ron mattered. The December snow that hadn’t fallen quite thickly enough to be scenic mattered. The pleasant studio at the back of the brick house whose modesty left money for his children’s education mattered.The musicians’deep moments of active listening during the session mattered.
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Palo Colorado Dream Press Release
Bio information: ANTHONY PIROG Title: PALO COLORADO DREAM (Cuneiform Rune 398) Format: CD / DIGITAL DOWNLOAD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / ROCK / EXPERIMENTAL Washington D.C.’s Leading Jazz/Experimental/Rock Guitarist, Anthony Pirog, Goes National with Palo Colorado Dream, His Debut Album as a Trio Leader with Acclaimed Drummer Ches Smith and Bassist Michael Formanek Washington, D.C.’s thriving jazz and experimental music scenes wouldn’t be quite where they are today without Anthony Pirog. The guitarist, composer and loops magician is a quiet but ubiquitous force on stages around his hometown. With fearsome chops and a keen ear for odd beauty, Pirog has helped expand the possibilities of jazz, rock and experimentalism in a city formerly known for its straight-ahead tradition. Pirog performs regularly in a broad spectrum of venues (and musical contexts) across DC – jazz and rock clubs, the Kennedy Center Millenium Stage, art galleries and museums, the annual Sonic Circuits Festival of Experimental Music, and much more. DC has a rich legacy of brilliant guitarists and gifted composers – Danny Gatton, Roy Buchanan, John Fahey, and Duke Ellington come to mind for key roles they played in the city’s 20th Century musical past. In the cutting-edge cultural and technological mecca that is the new, 21st Century Washington, Anthony Pirog is DC’s leading guitarist/composer and fast rising star. Palo Colorado Dream—recorded with the all-star trio of Michael Formanek on bass and Ches Smith on drums—is Pirog’s Cuneiform Records debut as a bandleader, and it marks the young innovator’s entrance onto the national stage.
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Bill Frisell Interview by Ken Gallo of Meet the Composer Guitarist/Composer Bill Frisell Is Looking for That "Thing."
Bill Frisell interview by Ken Gallo of Meet The Composer Guitarist/Composer Bill Frisell is looking for that "thing." He always has been. The quest started in high school with the clarinet, brought him to NYC in 1979, and passed through Nashville, Tennessee in 1996. He hasn't found it yet, and he probably never will. Why should he? Searching for it has made Mr. Frisell's eclectic career what it is today. That "thing" is what he believes is at the core of art, the layers of subtext behind what we see and hear. Mr. Frisell, who cemented his reputation as the "downtown" New York City avant- jazz guitarist in the late 1980s (most notably with John Zorn's Naked City) would have seemed quite out of place in Nashville, Tennessee, but it was there that he recorded one of his biggest triumphs: the critically acclaimed Nashville. Although recorded with many local country/bluegrass musicians, the recording, as with most of his work, is of an unidentifiable genre, just like Mr. Frisell himself. More recently, Mr. Frisell recorded The Willies (2002); a trio record with jazz legends Dave Holland (bass) and Elvin Jones (drums), Bill Frisell with Dave Holland and Elvin Jones (2001); as a sideman on vocalist Norah Jones's Come Away With Me (2002); and scored music for films (including Wim Wenders' Million Dollar Hotel and Gus Van Zant's Finding Forrester). He was commissioned by Meet The Composer's Commissioning Music/USA 2002 for the multi-media suite Mysterio Sympatico, a collaboration with the "alternative" cartoonist/visual artist Jim Woodring (who has done the art work for the covers of Mr.
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Bill Frisell
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PDF Version Here
My Favorite Music of 2018 Dave Purcell Spotify playlist at: https://goo.gl/oz6Y7M Hi all, Here’s a shorter-than-usual version of my annual music list. I hope you find something new to dig. Best wishes for a peaceful, healthy, and music-filled 2019. Favorite 2018 releases 1 (tie). Calexico – The Thread That Keeps Us I’ve long been a casual Calexico fan. This is the first release of theirs I’ve loved from beginning to end. It helps that their show at Woodward Theater was one of my top shows of the year – a joyous blast with a multi-talented band and a deep catalog. Angelique Kidjo – Remain in Light There’s a classic line from The Wire – “You come at the king, you best not miss” – that applies here. It takes a lot of courage to cover one of the greatest records of all time. Fortunately, Angelique Kidjo – a fierce artist with an earth-shaking voice, a native of Benin who developed Paris and NYC – is the right woman for the job. She took Remain back to Fela Kuti and the other African artists that David Byrne and Brian Eno used as inspiration. This was another top show of the year. 3. Donny McCaslin – Blow I fell in love with McCaslin and his band after they collaborated with David Bowie on Blackstar (2016). Amy and I have seen them twice since – once at the venerable Village Vanguard – and they’re now my favorite live act. On Blow, McCaslin followed Bowie’s lead and changed up his usual approach.
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Mehldau-Frisell Notes.Indd
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, January 22, 2006, 7 pm Mehldau’s second solo piano recording, Live Zellerbach Hall in Tokyo, was released in 2004. Day Is Done, the fi rst recording featuring his new trio, was re- leased by Nonesuch in September 2005. It in- cludes interpretations of songs by Lennon and McCartney, Burt Bacharach, Paul Simon and Nick Drake, among others, as well as two original com- positions by Mehldau. Bassist Larry Grenadier received a B.A. in (l–r: Jeff Ballard, Brad Mehldau, Larry Grenadier) English literature from Stanford University. After relocating to Boston, he toured the United States Like many of his contemporaries, pianist Brad and Europe as a member of Gary Burton’s band. Mehldau began his career with intense classical He then moved to New York, where he has per- training long before he was exposed to jazz. He formed with Joe Henderson, Betty Carter, Pat began experimenting with the piano at age four Metheny and John Scofi eld, among others. When and began formal training at six, which continued not working with Brad Mehldau, he tours and re- until he was 14. cords with the Pat Metheny Trio. Brad Mehldau Trio Since arriving in New York in 1988, Mehldau Drummer Jeff Ballard grew up in Santa Cruz, Brad Mehldau, piano has collaborated with many of his musical peers, California. He toured with Ray Charles from 1988 including guitarists Peter Bernstein and Kurt Larry Grenadier, bass until 1990, when he settled in New York. Since Rosenwinkel and tenor saxophonist Mark Turner. Jeff Ballard, drums then, Ballard has performed and recorded with In 1995, he formed his fi rst trio with bassist Larry Lou Donaldson, Danilo Perez, Chick Corea and Grenadier and drummer Jorge Rossy, which toured Joshua Redman, among others.
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Liste Extraits
Quand le jazz rencontre la pop (liste des extraits audios) Ex. mus. 1 : Wes Montgomery (1967) A Day in the Life / The Beatles Ex. mus. 2 : Count Basie Orchestra « Basie’s Beatle Bag » (1966) Can’t Buy Me Love Life / The Beatles Penny Lane / The Beatles Help ! / The Beatles Ex. mus. 3 : Ella Fitzgerald (1965) A Hard Day’s Night / The Beatles Ex. mus. 4 : John Pizzarelli « Meets The Beatles » (1998) When I’m 64 / The Beatles Ex. mus. 5 : Gordon Beck « Experiments with Pops » (1967) Michelle / The Beatles Ex. mus. 6a : Miles Davis « Circle on the Round » (1970) Guinnevere / Crosby, Stills & Nash Ex. mus. 6c : Miles Davis « Filles de Kilimanjaro » (1968) The Wind Cries Mary / Jimi Hendrix Ex. mus. 7 : Steve Marcus “ Tomorrow Never Knows » (1968) Tomorrow Never Knows / The Beatles Ex. mus. 8 : Brad Mehldau « Largo » (2002) Dear Prudence / The Beatles Ex. mus 9 : The Bad Plus « Give » (2004) Iron Man / Black Sabbath Ex. mus. 10 : Herbie Hancock «The New Standard » (1996) Norwegian Wood / The Beatles Ex. mus. 11 : Tony Williams “ The story of neptune “ (1992) Blackbird / The Beatles Ex. mus. 12 : Miles Davis « You’re Under Arrest » (1985) Human Nature / Mickael Jackson Ex. mus. 13 : Larry Schneider « So Easy » (1988) Tom’s Dinner / Suzanne Vega Ex. mus. 14 : Caecilie Norby « My Corner of the Sky » (1996) Life on Mars / David Bowie Ex. mus. 15 : Pat Metheny « One Quiet Night » (2001) Don’t Know Why / Norah Jones Ex. mus. 16a : Bill Frisell “ The sweetest punch “ (1999) The Sweetest Punch / Elvis Costello Ex. mus. 16b : version Costello « Painted From Memory “ (1998) Ex.
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Bill Frisell Releases First Solo Album in 18 Years Music Is – Available March 16 on Okeh / Sony Music Masterworks
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