Two Louies December 2002

Total Page:16

File Type:pdf, Size:1020Kb

Two Louies December 2002 OREGON MUSIC / DECEMBER 2002 photo Pat Snyder Page 2 - TWO LOUIES, December 2002 TWO LOUIES, December 2002 - Page 3 ecember 2002 marks the 23 year and looked to the east and saw a huge mushroom through a discombobulating roller coaster ride anniversary for Two Louies. Like cloud right where the studio had previously been. I with Geffen Records, the Dthosethose otherother keykey aanniversariesnniversaries 1111 found the CD labellabel whichwhich droppeddropped themthem and 17, this histhistoricoric eeventvent in the midst ofof recordingrecording begs for a “Diary.”“Diary.” LaelLael putput thethe retrospective CDCD ooutut iindependentlyndependently of the last thenthen latlaterer headedheaded outout onon 2.3 decades. tourtour solo downdown the wwestest Since I’ve coast.coast. AAfterfter hhee ccameame bback,ack, only been he bbeganegan ttoo gathergather plaplay-y- writing for ersers forfor a newnew band and Two Louies emailedemailed hishis fanfan listlist aboutabout for the last band names…sortnames…sort ofof a 0.27 decades, betabeta test.test. Phase eventu-eventu- however, allyally becamebecame FayesFayes andand I willwill thethe BellaBella FayesFayes waswas havehave toto assumeassume born.born. I thoughtthought thethe thatthat thethe mostmost bandband namename shouldshould historichistoric eventsevents havehave beenbeen “Geffen“Geffen havehave happenedhappened MadeMade a BigBig Mistake”Mistake” duringduring thisthis butbut that’sthat’s justjust me. timetime frame.frame. In the mean- Coincidentally,Coincidentally, time,time, a wonderfulwonderful 0.270.27 isis mymy luckylucky band called Drive number.number. ThisThis Dizzy Fish had arrived. Drive maymay explainexplain whywhy photo Pat Snyder andand Lael,Lael, alongalong withwith I nevernever winwin thethe TheThe AAmericanmerican GirlsGirls and CameroCamero Hair,Hair, allall shareshare a lottery. “After he came back, he began to gather players Bands That Go Pop for a new band and emailed his fan list about band Did anyone ever wonder what happened to Portland buzz band “Spin Jupiter Spin?” Their names…sort of a beta test. Phase eventually became enchanting Indie Pop sound was conjured from bands including Miss Red Flowers and the Dandy Fayes and the Bella Fayes was born. I thought the band Warhols. So intense were the expectations, maga- name should have been “Geffen Made a Big Mistake” zine editors were requesting an advance release of their new CD; even going as far as to bug the studio but that’s just me.” engineer for a burn. The buzz was so explosive in amidst the rubble. Three years later, it still glows level interconnectedness. They all know each other fact, that the band blew up before the CD was in the dark. and have helped each other out. Drive proceeded released. I heard it. I was standing in my back yard Lael Alderman and the Loved had been Continued on page 17 phone and door. Richard celebrated his 60th Richard as our long and devoted friend. Luckily we birthday Sunday December 1, at the Swiss Club in jammed with Rich and the boys on his birthday. It’s Tacoma, Washington, performing with his Butter been a long run, and always an honor to perform Bean band with members Michael Kinder and with Rich as a fellow fabulous Wailer. We are for- Buck Englund. Several musician friends attended tunate to have so many fond memories of Richard the event to jam with Rich and wish him a happy and his impressive contribution to the world of Richard Dangel Passes birthday. The group was in top form that night, music, whether it was jazz, blues, rock n roll, Dear Two Louies, with Rich playing as amazingly as always, and as funk, Rich knew it, well. He had so much more to It is with profound regret that this message great as we have ever heard him. He will not only offer. Rest in peace now Richard. We all love you. is one of deep sadness. Richard Dangel, our great be sorely missed by his enormous family of musi- Contact: Buck Ormsby, Kent Morrill and wonderful friend, sensational person, and one cian friends, but by the world of music, his fans, The fabulous Wailers of the greatest guitar players in the world passed and so many who have been entertained, inspired, 2315-10 No. Pearl St., #217 away unexpectedly. He was discovered in his and have learned so much from this wonderfully Tacoma, WA 98406 north Seattle home by his close friend Charlotte talented man. 253-396-1024 or 253-396-1055 on Tuesday evening after failing to answer his Kent Morrill and I feel blessed to have had toll free: 1-866-255-2791 or Fax: 253-396-1029LL Page 2 - TWO LOUIES, December 2002 TWO LOUIES, December 2002 - Page 3 master’s degree in jazz guitar from the Manhattan School of Music in New York. By 1989 Helmet was formed, and as they say, the rest is history. Well that was all then, but what is now? I spoke with Page shortly after the formation of his new band Gandhi, his only group venture since Helmet By N.L. Fogerty disbanded in 1998. After pursuing possibilities for some solo work, Page grew impatient at the lack of In the Meantime... Page Hamilton has been a very busy man. opportunities to play live. “It got to the point where And now he has a brand new band to show us. I had spoken with a couple of record companies about making a record and gotten a record deal he average person may not recall Page sense that a lot of rock bands were, and I think it set done. Then Sept 11th happened and everything, Hamilton by name, me off on the right foot and then a lot of stuff fell apart. It slowed me Tbut I assure you down… all that stuff sort this forty-two year old guitar of forced me to say, ‘Hey, maestro has built quite a career you know I can’t wait any and reputation for himself. His longer, I’ve gotta play now!’” wealth of experience ranges And play they did. Page had from playing in Glenn Branca’s found a band in guitarists guitar orchestra during the early Anthony Truglio and John eighties, to more recent excur- Andrews, bassist Christian sions in scoring music for fi lm. Bongers (of Loudspeaker, His career has afforded col- Botanica) and drummer and laborations and performances longtime friend Matt Flynn with the likes of David Bowie, (Botanica). During October, members of Nine Inch Nails, Gandhi completed a round and Limp Bizkit. But Page of shows in the east playing Hamilton will always be their new material alongside most closely associated with some old Helmet faves to masterminding the brilliant small but receptive crowds. sonic extremes of Helmet. They headed into the studio Helmet was a com- early November, laying down pound mass of aggressive, tracks for a release anticipated riff-oriented sound that also sometime early next year. had personality, sustained in It would appear that a capacity for experimenta- in a musical context, Gandhi tion, and the expression of Gandhi from L-R: Christian Bongers, Matt Flynn, John Andrews, represents an expansion on moods and intellect. During Anthony Truglio, and Page Hamilton. the songwriting skills Page had the early nineties Helmet established with Helmet. While was noted for their heavily the new material bears some layered guitar assault and elements of Helmet’s weight, strong rhythmic impulses, photo Kristine Larsen it goes further to incorporate while remaining free of all the excess and ego that a certain song-writing matu- hard rock was usually guilty of. The end result of to maintain a level of music and not be worried rity that reaches beyond anything Helmet their nine-year career was four albums (including about the other rock stardom stuff.” With that in had produced. “Its probably more song-oriented one gold record) of music that was weighty but skilled, and smart but not too calculated. And “His career has afforded collabora- oh yeah, fucking loud. Helmet rightfully owned their title as the chief suppliers of ‘thinking man’s tions and performances with the likes metal’. Musical integrity is something Page picked of David Bowie, members of Nine Inch up early. His initial spark of musical inspiration came in the form of Led Zeppelin’s fi rst album, Nails, and Limp Bizkit. But Page Hamil- which he remembers discovering at a payless drugstore in southern Oregon, where he grew up. ton will always be most closely associated After picking up the guitar however, he soon found himself drawn more strongly by the sentiments of with masterminding the brilliant sonic jazz music, which would become a lifelong object extremes of Helmet.” of enthusiasm for him. “In the jazz world what I discovered at a young age was that those guys didn’t really sell millions of records. Coltrane and Miles mind, Page went on to study classical guitar at the Davis, they did okay, but they weren’t stars in the University of Oregon, and eventually pursued a Continued on page 23 Page 4 - TWO LOUIES, December 2002 TWO LOUIES, December 2002 - Page 5 RESOLVING CO-WRITER end up entering into a collaboration agreement you and your co-writer have already co-written, COPYRIGHT PROBLEMS with the co-writer, you could still fi le your own and all songs which you may write together in copyright applications, in order to claim copyright the future. ver the years, I have received several ownership for the two of you. Then, the respec- As for those songs already written, the agree- letters from Two Louies readers con- tive legal rights of you and your co-writer could ment should specifi cally refer to the titles of the Ocerning problems between co-writers be resolved either by a settlement agreement, or songs.
Recommended publications
  • En Route 1/30/15 12:05 PM
    en Route 1/30/15 12:05 PM Having trouble viewing this email? Click here You're receiving this email because of your relationship with LeMay. Please confirm your continued interest in receiving email from us. To ensure that you continue to receive emails from us, add [email protected] to your address book today. You may unsubscribe if you no longer wish to receive our emails. https://ui.constantcontact.com/visualeditor/visual_editor_preview.jsp?agent.uid=1110562193534&format=html&printFrame=true Page 1 of 14 en Route 1/30/15 12:05 PM JULY 24, 2012 THE MUSEUM IS LOUIEFEST IS COMING TO ACM, JULY 28-29 NOW OPEN! Click here to plan https://ui.constantcontact.com/visualeditor/visual_editor_preview.jsp?agent.uid=1110562193534&format=html&printFrame=true Page 2 of 14 en Route 1/30/15 12:05 PM your visit today. Summer Hours: 10 a.m to 5 p.m. everyday UPCOMING EVENTS AT ACM LOUIEFEST July 28-29 MEET AT THE ACE August 24-26 KIRKLAND CONCOURS September 9 FOLLOW US! 40 live bands, including Moby Grape, The Fabulous Wailers and The Kingsmen "Louie Louie," the most recorded rock song in history, returns to the music forefront at Louiefest, July 28-29. ACM will host the outdoor music festival (which last occurred in 2008) on the Haub Family Field. GET INVOLVED The 1960's song "Louie Louie," written by the late Richard Berry and arranged into rock & STAY format by Tacoma's own The Fabulous Wailers, ranks No. 55 among Rolling Stone INFORMED! magazine's "500 Greatest Songs of All Time." LouieFest, established in 2003, was inspired by the song and celebrates Pacific Northwest music, arts, crafts and culture.
    [Show full text]
  • Garageland Rodeo Is Neither a Garage Band Nor Country Band
    Booking and Information Rodeo 925 348 2089 GarageLand www.garagelandrodeo.com rock and blues, with a lotta soul! Greetings, Don’t let the name fool you—Garageland Rodeo is neither a garage band nor country band. They’re a free-wheeling, 6 piece powerhouse that revels in playing rock and blues, with a lot of soul. Formed in 2004, and currently celebrating their 11th Anniversary as a band, Garageland Rodeo is comprised of local east bay musicians that bring a broad diversity of influences to the stage. They take pride in their craft (whether unplugged or fully charged) and play for events of all kinds, from music fests to weddings to wine bars to dive bars. Armed with both original songs as well as an eclectic mix of covers, this band has come together to create their own distinct sound, original style, and warm, welcoming energy. For more information, including audio and video samples, images and scheduled appearances, please visit http://www.garagelandrodeo.com Like Garageland Rodeo on Facebook to get all of the updates in one easy place. Meet the Band The Core Players: Pat Brady: Bass, Vocals Chris Bryant: Guitars, Vocals Bruce Campbell: Guitars, Vocals Tod Dauer: Keyboards Jenny Starmack: Lead Vocals Charles Waltmire: Drums, Percussion Supplemental Players Erol Gokbora - Saxophone Jay Olson: Harp Acoustic Duo: Chris Bryant: Guitars, Vocals Jay Olson: Harp Jenny Starmack: Lead Vocals (yeah we know it’s technically a trio...) Thank you for considering Garageland Rodeo for your venue or event. Feel to contact us at 925.348-2089 or drop us an email at [email protected] We look forward to providing entertainment for you in the future.
    [Show full text]
  • The Sound of the Suburbs: a Case Study of Three Garage Bands in San Jose, California During the 1960S
    San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library October 2006 The oundS of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "The oundS of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s" Popular Music and Society (2006): 391-405. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California During the 1960s by Paul Kauppila INTRODUCTION/THE BEATLES The recent spate of articles, television specials, radio shows, and other observations of the fortieth anniversary of the Beatles' appearance on the Ed Sullivan show attest to that moment's lasting significance in the history of popular music and popular culture. In an increasingly fragmented era of media consumption through multiple technological avenues, most prominently cable and pay television and the Internet, it is sometimes difficult to imagine the profound effect that a single television program could have in the year 1964. The tremendous popularity of the Beatles, coupled with an expanding and increasingly affluent middle class, led to an explosion of bands playing music in a style that eventually came to be known as "garage rock", although that term did not come into common usage until several years later.
    [Show full text]
  • 45 Sales Master List
    Garage 45 set sale September 12, 2021 version 1b [email protected] Artist Titles Label Condition Notes Price Audio clip 1 Audio clip 2 1. Recent additions Styrene 45 has scuffs but both sides play well. Labels Ben Benay & the Gary have date stamps, several stickers with numbers, and Paxton Orch. Outskirts / Atlanta, GA Garpax 45-44183 VG+ large "C" stamped several times. $15 Side 1 Side 2 Birdwatchers She Tears Me Up / Wake Up Little Susie Tara 1002 VG+ $35 Side 1 Side 2 White promo labels - large tears on b-side. Styrene 45 has scuffs and some spots - maybe from tape or contact with some liquid? In any case it plays better than it looks. Large tear on b-side is partly filled in with blue United Artists UA pen. Labels also have some stains from removed $21 Black and Blues Come to Me / Bye Bye Baby 50245 G+ stickers. HOLD Side 1 Side 2 Rite pressing is somewhat noisy. Slight warp does not Bobby & the Farraris In the Morning / Pretty Tuff-Nuff 20146/5 VG affect play. $30 Side 1 Side 2 Calico Wall I'm a Living Sickness / Flight Reaction Dove VJS 84-3/4 VG+ 1984 issue of unreleased 1967 songs $25 Much wear and scuffing, A-side plays very well How Is the Air up There / Young & Innocent considering. Flip plays noisier. Drill hole and ring wear Changin' Times Girl Philips 40341 VG- to labels. $22 Side 1 Glossy vinyl, "The Wedge" label has small number Dick Dale The Wedge / Night Rider Capitol 5098 VG+ sticker.
    [Show full text]
  • Instrumental Newsletter!) but Mark Is a Fantastic Guitar Oliver‟S “Opus One” to “The Flintstones Theme”, This a Player, with a Unique Style
    THE ATLANTICS EDITORIAL “THE ATLANTICS LIVE AT FRESHWATER” (DVD) Welcome to Issue 27. Lots of reviews this time, BOMBORA CREATIVE (Aust) BOMBORA 23 along with news on the Cliff / Shadows tour and TICKET TO RIO / COSSACK / ONE MORE SUMMER / associated products. Some good news for a change – NIGHT STAR / WEDDING CAKE ISLAND / RIFF A GO GO Kim Humphreys seems to be making a recovery, and is / BOMBORA hoping that his new CD will be available soon. Thanks to This DVD is FANTASTIC! Every home should Kim for the special Christmas header, thanks to Mandy have one. Some new tracks, some old ones – all recorded Hall for the Atlantics news and photo‟s, and thanks to all in the days leading up to the “Delightful Rain” project. those who have supported 2G4W. Delightfully filmed and produced, you‟ll be spellbound by the magical Atlantics. Go out now and buy it!! As this looks like being the last 2G4W before Christmas, I‟d like to wish you all a happy and joyful time, and all best wishes for 2010. Cheers, Geoff CD REVIEWS FROM GEOFF’S JUKEBOX ♫♫♫♫♫♫ BRAD PAISLEY “PLAY: THE GUITAR ALBUM” MARTIN CILIA ARISTA / SONY (Aust) 88697-26908-2 HUCKLEBERRY JAM / TURF‟S UP / START A BAND “THE ODD ONE OUT (BACKING TRACKS)” (Duet with KEITH URBAN) / KIM / DEPARTURE / COME BOMBORA CREATIVE (Aust) BOMBORA 22 ON IN (Featuring BUCK OWENS) / KENTUCKY JELLY / THE ODD ONE OUT / REAL TO REEL / CRY FOR A PLAYING WITH FIRE / MORE THAN JUST THIS SONG SHADOW / EXILE ON CHAPEL STREET / MEDICATION / (Featuring STEVE WARINER) / LES IS MORE / PRE- THE SAME SONG REMAINS / OLD GUITARS (v) / CLUSTER CLUSTER PLUCK PREQUEL (PRELUDE) / CHUNKY / PICK ON ME / ANCESTOR / WEST OF BONDI CLUSTER PLUCK / CLIFFS OF ROCK CITY / LET THE / 1993 / ROAD TO BALLARAT GOOD TIMES ROLL (Featuring B.B.
    [Show full text]
  • Monarch Database: Known Release Information for Monarch-Pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat
    Monarch Database: Known Release Information for Monarch-pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat. # Number Year Month Day Info Chet Baker Sings and Plays with Bud Shank… Pacific Jazz PJ-1202 △ 3268/9-12 1955 c. March Chet Baker The Trumpet Artistry Pacific Jazz PJ-1206 △ 31 1955 November 26 Gerry Mulligan Quartet Paris Concert Pacific Jazz PJ-1210 △ 37/8 1956 LP released 3/3/1956 Gerry Mulligan Quartet Gerry Mulligan Quartet Pacific Jazz PJ-1207 △ 32/41 1956 LP released 12/3/1955 Chico Hamilton Quintet Chico Hamilton Quintet Pacific Jazz PJ-1209 △ 49 1956 LP released January, 1956 Pinky Winters Lonely One Creative/Argo ALP-604 △ 119/147 1956 LP released 8/1956 The Five Keys Best of the Five Keys Aladdin LP-806 △ 189/90 1957 June LP released 12/8/1956 The Five Keys On the Town Score SLP-4003 △ 189/90 1957 June 3 Ahmad Jamal Count 'Em 88 Argo LP-610 △ 221/2 1957 May 20 LP released May 20, 1957 Johnny Cash With his Hot and Blue Guitar Sun SLP-1220 △ 248/9 1957 November 11 Carl Perkins Dance Album Sun SLP-1225 △ 250/1 1957 November Kermit Schaefer Pardon My Blooper, Vol. 2 Jubilee PMB-2 △ 282/3 1957 November Kermit Schaefer Pardon My Blooper, Vol. 4 Jubilee PMB-4 △ 294/-- 1957 November Kermit Schaefer Pardon My Blooper, Vol. 3 Jubilee PMB-3 △ 295/6 1957 November Kermit Schaefer Comedy of Errors Jubilee JGM-2001 △ 300/1 1957 November reissue of LP-2 Chuck Berry After School Session Chess LP-1426 △ 316/7 1957 October LP released May 20, 1957 Ella Fitzgerald and Louis Armstrong Ella and Louis Again Verve MGV-4006-2 △ 363/4 1957 October 11 First mention: 10/14/57 Kermit Schaefer Pardon My Blooper, Vol.
    [Show full text]
  • Attention Blues Musicians and Blues Fans!
    In Th s Issue... Leroy Bell at Sunbanks! Lady “A” Buck Ormsby, Rest in Peace (Photo by Paul Brown) (Photo by Michel Villard) (Photo by Blues Boss) Letter from the President 2 Mondo Ray’s Jam Profile 6 Ringo Starr: It Don’t Come Easy 10 Letter from the Editor 3 Lady “A” Presents 6 The Vote is In! 12 Offic s and Directors 4 James “Buddy” Rogers: Bluesman 8 Blues Bash Preview 13 On the Cover 4 Blues on New Year’s Eve 9 Membership Opportunities 14 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, the Merry Gentlemen, and the always entertaining category. It is okay to talk with your friends and Patti Allen with her band Monster Road. The fellow music lovers and mutually share your Hard to believe that it is December already. It Naughty Blokes are based up in the Bellingham thoughts and ideas on who you feel deserve to be has been a whirlwind of a year loaded with many area and have really exploded onto the scene with acknowledged for their talents. hours spent promoting and working to spread the their creative take on British Blues and other “Blues” as part of our culture and lifestyles. We classics with nice compliment of originals. The The nominations will be open from December 1st have worked very hard this past year to keep this Merry Gentlemen are a collection of very talented through January 10th. That’s a forty day window root of all American music alive and thriving. We musicians who will give us a show that many will for all dues current members to fill out their have had many successes this past year and our list talk about for quite a while.
    [Show full text]
  • Forensic Science: Peering Down a Blind Alley
    THE MICROSCOPE • Vol. 63:2, pp 77–88 (2015) C R I T I C A L FOCUS Brian J. Ford Forensic Science: Peering Down a Blind Alley uess: Which character wasn’t crucial — being Gin fiction is the most The criminal justice system today is nominated was enough for widely portrayed on the the producers. Everywhere screen? Names flood the in crisis, marred by dishonesty and you look, you see films that mind, from Abraham Lin- an overriding desire for pinning blame were “nominated” for an coln to Zeus, but it is actu- instead of uncovering the facts. award that they didn’t win. ally Sherlock Holmes. Not a You just enjoy the occasion celebrity or a mighty ruler, and the French hospitality not even a real person; it is that while savoring the fabulous food. doyen of forensic investigators who Danson’s “CSI” series was a is the most frequently portrayed huge winner, claiming the presti- character across the world of film gious International Television and television. There is a similar Audience Award for a Drama TV surprise when we look at the kind Series — for the fifth time. Danson of television most people watch. Is plays the role of D.B. Russell, a it humor? Reality shows? It is actu- scientist with an interest in ally forensic science. The annual sur- forensic botany (a substantial shift vey by the Eurodata TV Worldwide from playing Sam Malone in organization in 2012 said that “CSI: the sitcom “Cheers”). Danson’s Crime Scene Investigation” was the forensic series is bigger even than most-watched show in the world.
    [Show full text]
  • Kearney W. Barton Collection of Northwest Sound Recordings, 1950-2000
    Kearney W. Barton collection of Northwest sound recordings, 1950-2000 Overview of the Collection Rce Title Kearney W. Barton collection of Northwest sound recordings Dates 1950-2000 (inclusive) 1950 2000 Quantity approximately 11,100 items, (over 6000 audio reels, 3000 documents, 1000 audiocassettes, 500 compact discs, and 600 phonograph records) Collection Number 2010012 Summary The Kearney W. Barton collection of Northwest sound recordings primarily consists of original recordings engineered and/or produced by Barton at Audio Recording, Inc., his own recording studio, which operated out of various locations in Seattle, Washington from 1961 through the late 2000s. The bulk of the collection is comprised of music recordings, but also contains a smaller percentage of spoken word recordings, as well as radio advertisements (many of which also incorporate music). Specific audio formats represented in the collection include: open reel analog tape, compact cassettes, analog sound discs (7 inch, 10 inch, 12 inch, and 16 inch), magnetic wire records, and compact discs. The collection also contains a small amount of manuscript material, which mainly consists of technical notes that were found with some recordings and very limited correspondence (chiefly from lawyers). In some instances, notes included on original containers also have been preserved when material has been rehoused. Repository University of Washington Ethnomusicology Archives University of Washington Ethnomusicology Archives Box 353450 Seattle, WA 98195-3450 Telephone: 206-543-0974 [email protected] Access Restrictions Access to original items restricted. Some items may be available as service copies. Other items which need preservation work may require advance notification for use. Refer to item descriptions in the finding aid for more information.
    [Show full text]
  • THE ALMOST-COMPLETE LOUIE LOUIE DISCOGRAPHY Last Update: July 10, 2004, Page 1
    THE ALMOST-COMPLETE LOUIE LOUIE DISCOGRAPHY last update: July 10, 2004, page 1 Artist (s) Song Title Primary Release Year Released LOUIE-LOUIE 1+2 Lukewarm Water Louie Louie 10 Points From Palo Alto Louie Louie (39) Thirty Nine Clocks Psychotic Louie Louie LP, Subnarcotic, Eigelstein / 1980 Psychocotic Promotion PS-B PS-B 4 Eyes Louie Louie AAA Club Louie Louie Aardvark Zone Louie Louie Aardvark Zone Louie Louie Aardvarks Louie Louie Aardvarks Louie Louie Accoustic Fools Louie Louie Acksid Myvob Louie Louie The Ad-Libs Louie Louie LP, Beat Party in Stereo, CBS S 1965? 52 327 Agent Orange Louie Louie in-store performance, live @ 1999 Compact Disc Land, May 1999, The Airboys Louie Louie Alamos Louie Louie The Alarm Clocks Louie Louie CD/ LP, Yeah!, Norton (C)ED 285 2000 Albany Dread Louie Louie Albatross Louie Louie Barry Allen Louie Louie LP, Goin' Places, Capitol T 6164 1966 Almost From Cleveland Louie Louie The Almost Live Band Louie Louie LP, The Almost Live Band, Almost 1985 Live Band SLP 102 Aloicious & the Stoners Louie Louie Alphonso M. Louie Louie Alviso Noodle Stompers Louie Louie radio, (KFJC radio exclusive), 1983 All information copyright ERIC PREDOEHL & LOUIELOUIE.NET. This list would not be possible without the help of Stretch Riedle, Theo deGrood, Clay Stabler, Frank Luft, Doc Pelzel, Andy Martello, Phil Milstein, Jesse Block, Jeff Miller, Dave Marsh, Gerry Fialka, and many people that have truly helped expand this LOUIE-database. My thanks to all involved! This list is not complete, as one could never do a completely comprehensive inventory of “LOUIE LOUIE” recordings, or water drops, for that matter.
    [Show full text]
  • Viewmirror”..…………………………………………..……..………………1
    “Who said don’t look back?/ Don’t believe ‘em” - Devo, “Turnaround” Later covered by Nirvana University of Alberta This is Not For You: The Rise and Fall of Music Milieux in Seattle and the Pacific Northwest, 1950s -1990s by Rylan Kristopher Kafara A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics ©Rylan Kafara Spring, 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This one goes out to my family. Thanks for the support when I walked off to look for America. It is also dedicated to the memory of my father. Abstract When Nirvana found sudden commercial success with the song “Smells Like Teen Spirit” in 1991, the music industry’s attention became focused on Seattle for the first time. The city, however, had a rich musical tradition going back decades. This thesis examines the rise and fall of music communities in Seattle and the Pacific Northwest from the 1950s to the 1990s: the jazz mileu in Seattle in the 1950s, the Pacific Northwest garage rock network of the 1960s, and the alternative music community of the 1980s and early 1990s.
    [Show full text]
  • Golden Crest Records: the Independent Record Industry Comes to Long Island
    LIHJ — Founded 1988 by Roger Wunderlich Published by the Center for Global & Local History Stony Brook University, Stony Brook, NY 11794-4348 ISSN 0898-7084 Editor in Chief Associate Editor Associate Editor Editor at Large Charles Backfish Jennifer Anderson Joshua Ruff Wolf Schäfer HOME ABOUT LIHJ LIHJ BOARD AUTHORS RESOURCES SEARCH SUBSCRIBE 2012, Volume 23, Issue 1 Golden Crest Records: The Independent Record Industry Comes to Long Island John Broven Abstract: Golden Crest Records was headed by Cold Spring Harbor resident Clark Galehouse at manufacturing premises in Huntington Station from 1956 until his death in 1983. Galehouse saw the independent record business grow from a cottage industry to a powerhouse on the back of rock ‘n’ roll music. He participated in this growth through his Shelley Products pressing plant, servicing many national labels. Through Golden Crest and other labels, he released a wide range of music from rock ‘n’ roll and rhythm & blues to the classics; artists included veteran jazz violinist Joe Venuti, composer Alec Wilder and rock ‘n’ rollers the Wailers. Galehouse also recorded many college bands throughout the country. As a musician, plastics expert, recording engineer and educator he put his talents to full use in the Shelley Products and Golden Crest businesses. Keywords: Clark Galehouse, Golden Crest Records, Huntington Station, independent record label, pressing plant, recording studio, rock ‘n’ roll, Shelley Products, Shelley Records, Wailers 1 Before this technological era of music carriers, iPods, MP3s and digital downloads, Golden Crest Records was Long Island’s only significant gramophone record company. Operating from 1956 through 1984 and based in Huntington Station, it flirted with national influence through hit records by the Wailers in 1959 and 1964, and released a broad spectrum of American music from rock ‘n’ roll, doo wop, teen and R&B to the classics, chamber music and jazz.
    [Show full text]