DOCSLIB.ORG

Volume 9, Issue 2 August 2020 Read

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

NEWS Volume 9 Issue 2, August, 2020 About IACA A word from the IACA President IACA, the Indigenous Art Centre Alliance, is the peak body that supports and advocates for the community-based Aboriginal and Torres Strait Islander art and cultural centres of Far North Queensland. Contents IACA works under the guidance and direction of a majority Volume 9 Issue 2, August, 2020 Indigenous Management Committee and is a not-for-profit organisation. There are currently 13 member art centres spread across the islands of the Torres Strait, the Gulf of Carpentaria, IACA Contacts Cape York and the tropical rainforest and coastal regions of Far 4 - 5 Elliot Koonutta: Email: [email protected] North Queensland. Pormpuraaw Art Centre Phone: +61 (0)7 4031 2745 6 - 7 Meredith Arkwookerum: Office Pormpuraaw Art Centre 16 Scott St Indigenous Art Centre Alliance members: Parramatta Park IACA Chair Phillip Rist. Image: IACA 8 - 9 Michael Norman: Queensland 4870 Badu Art Centre / Badhulgaw Kuthinaw Mudh - Badu Island Pormpuraaw Art Centre Australia An interview with the IACA Your thoughts on IACA’s response Bana Yirriji Art Centre - Wujal Wujal to COVID Travel restrictions and President Phillip Rist Lila Creek: Postal Erub Arts - Darnley Island cancellation of members conference 10 Bana Yirriji Art Centre P O Box 6587 and move to online training? Girringun Aboriginal Art Centre - Cardwell Has the lockdown affected you Cairns IACA has taken a very practical Gab Titui Cultural Centre personally? Queensland 4870 approach and provided online training 11 Sonya Creek: HopeVale Arts and Culture Centre It has been a blessing in disguise to Australia to its members which has worked well Bana Yirriji Art Centre be able to spend time with family. Not Lockhart River Art Centre and enabled the art centres to learn rushing and travelling as I have been in Facebook Mornington Island Art new things and have had the time to the past. We have had time to reflect 12 - 13 Erub Arts innovates through www.facebook.com implement their new skills in the art Moa Arts / Ngalmun Lagau Minaral - Mua Island on what is important and we realise the challenges with huge @IACAQLD centre. The Advocacy work IACA has Pormpuraaw Art and Culture Centre as long as we have each other we can wave of support done to provide extra funds for the Wei’num Arts - Western Cape York survive anything. In my house we have six Instagram art centres has been amazing and so @iacaqld Wik and Kugu Art Centre - Aurukun grandchildren, my daughter and partner 14 Melanie Gibson shines as gratefully received. manager, Hopevale Art & Yalanji Arts - Mossman Gorge all in the house together, it’s been busy and noisy but we’ve all been well and Culture Centre Twitter Yarrabah Arts and Cultural Precinct @IACAqld IACA member locations we hope to carry this togetherness and What is your outlook for the future? I believe the landscape has changed connection out of this time and keep it in 15 Virtual conference for IACA forever we are still not sure how that Website our day to day lives . and its members www.iaca.com.au will all look when this disease is gone 2019-2020 IACA Management Committee: but we are an adaptive and resilient How has the lockdown affected the Joelene Roughsey: mob we’ve been adapting for 1000s of 16 - 17 IACA board? How was the first Zoom Mornington Island Art Phil Rist - (President) EO Girringun Aboriginal Corporation years and I think the future is bright. I Board Meeting? Centre hope we can learn from this time, take Vikki Burrows - (Treasurer) Manager Bana Yirriji Art Centre We haven’t been able to meet as often the good and make change, especially Abe Muriata - Artist Girringun Aboriginal Art Centre as usual we’ve had one Zoom board regarding the environment. There 18 - 19 Amanda Gabori: Solomon Booth - Board Chair Ngalmun Lagau Minaral Art Centre – Moa Arts meeting, but for us as an Indigenous will be some pain, but we need to be Mornington Island Art Harold Ludwick - Board Director Hopevale Aboriginal Art Centre organization the Zoom meetings don’t innovative and embrace the change provide the ability to engage with one John Armstrong - Manager Mornington Island Art that needs to occur. Lex Namponan: another and make decisions with the 19 Eric Orcher - Artist Yarrabah Arts and Cultural Precinct Wik and Kugu Art Centre proper cultural authority required. The Margaret Mara - Wei’num Arts and Crafts technology doesn’t allow us to be guided Phil Rist by eye contact, body language and 20 - 21 My remote workshop President, experience, by Nephi facial expressions, nor the importance IACA Management Committee of what is not said as much as what is Denham said. As the chair I can’t embrace the Zoom technology, there is no Kinship and 22 - 23 Moa artists embrace new Phil Rist is the executive officer of the fellowship there with the computer screen; possibilities through their Girringun Aboriginal Corporation and we need that cup of tea and face to face Deputy Chair of the North Queensland weaving yarn. It has affected our ability to make Land Council. Phil is a widely respected IACA supports the Nywaigi Indigenous leader whose Indigenous Art Code decisions with cultural authority, but we’ve made the best of it and have delayed skill and determination has played a key role in establishing the Girringun Cover image: culturally important decisions until we can IACA programs and events receive financial assistance from the Queensland Government through Arts Aboriginal Corporation as one of the Collective Weaving Project for Moa Queensland’s Backing Indigenous Arts initiative, from the Federal Government’s Ministry for the Arts through meet face to face again and engage in most successful Indigenous community- the Indigenous Visual Arts Industry Support program and the Indigenous Languages and Arts program and the and St Pauls weavers. Image: Moa Arts Australia Council for the Arts . true customary decision making. based organisations in Australia. Elliot Koonutta: “I’m carrying on what the old people taught my generation. Pormpuraaw Arts Their stories are in my artwork.” and Cultural centre I was born in Aurukun in 1964 and I am a Wik Mungkan man. My grandparents brought me up. When I was 15 we returned to our ancestral country on the Kendall River for a couple of years. It truly was the best time of my life. We lived in a tin shed with 15 other members of my immediate family. There was a bush airstrip close by, so every week we had supplies delivered. We also lived on bush tucker. We returned to Aurukun after a cyclone destroyed our shed and camp area. In both Aurukun and at the Kendall River I watched the old people make spears, woomeras and carvings. I kept it on my mind that when my turn came, I would do it too. I worked on cattle stations for a while before I got a 3-year scholarship to study music in Adelaide. That was a great time. I love music and art. When I returned to Aurukun in 2004 I started making woomeras, spears and boomerangs. When the Pormpuraaw Art Centre opened in 2005, I developed my carving and painting skills. Then I explored lino-prints, etching and ghost-net sculptures. It makes me feel good because I’m carrying on what the old people taught my generation. Their stories are in my artwork. Now I’m passing their knowledge to the next generation. I like working with young boys and teaching them how to make spears and woomeras. I love helping out at youth culture camps in Pormpuraaw and Woree. My ghost net work helps to educate people about the needless destruction of fish and turtles that become caught in illegally discarded nets. I have exhibited my works at CIAF for 10 years and DAAF the last 3 years. My artwork has been exhibited in Melbourne, Sydney, Paris, Geneva and New York City. I have been one of the most successful Pormpuraaw artists in terms of sales. It is a great way to make my own way in the world. I want to become the best artist I possibly can be, and then pass my skills onto my grandchildren. I would love to travel the world with my artwork then move back to my homeland on the Kendall River. I dream of building my own house on that beautiful country, where I lived in my youth. Maybe even build a school where I could teach the kids how to make spears and woomeras. Elliot Koonutta teaching spear making. Image: Pormpuraaw Arts and Cultural Centre 4 5 Meredith Arkwookerum: “I started painting in 2018 when I was 60 years old. Art brings me happiness. Pormpuraaw Arts and I just love colour.” Cultural centre I was born in Aurukun in the late 1950s deciding which colours will work best on during the Mission times. I am a Kugu my paintings. I am inspired to paint my Mu’inh woman. My homelands of homeland and totems because that is my Thadjakulin and Konthe are situated identity. I enjoy working with colours that between Aurukun and Pormpuraaw are the same as the bird feathers, sea, on Christmas Creek, Upan Waalang. I clouds, grass and pretty flowers of my was forced to grow up in the Aurukun homeland. I like when other people look dormitory. Presbyterians ran the at my paintings. I think they are attracted dormitory, the church and the town. to the bright colours I use. When I go In those days the last family groups home after painting at the art centre in the were coming out of the bush so their morning I use an application that allows children could get an education.
Recommended publications
  • Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan

    Many Voices Queensland Aboriginal and Torres Strait Islander Languages Action Plan

    Yetimarala Yidinji Yi rawarka lba Yima Yawa n Yir bina ach Wik-Keyangan Wik- Yiron Yam Wik Pa Me'nh W t ga pom inda rnn k Om rungu Wik Adinda Wik Elk Win ala r Wi ay Wa en Wik da ji Y har rrgam Epa Wir an at Wa angkumara Wapabura Wik i W al Ng arra W Iya ulg Y ik nam nh ar nu W a Wa haayorre Thaynakwit Wi uk ke arr thiggi T h Tjung k M ab ay luw eppa und un a h Wa g T N ji To g W ak a lan tta dornd rre ka ul Y kk ibe ta Pi orin s S n i W u a Tar Pit anh Mu Nga tra W u g W riya n Mpalitj lgu Moon dja it ik li in ka Pir ondja djan n N Cre N W al ak nd Mo Mpa un ol ga u g W ga iyan andandanji Margany M litja uk e T th th Ya u an M lgu M ayi-K nh ul ur a a ig yk ka nda ulan M N ru n th dj O ha Ma Kunjen Kutha M ul ya b i a gi it rra haypan nt Kuu ayi gu w u W y i M ba ku-T k Tha -Ku M ay l U a wa d an Ku ayo tu ul g m j a oo M angan rre na ur i O p ad y k u a-Dy K M id y i l N ita m Kuk uu a ji k la W u M a nh Kaantju K ku yi M an U yi k i M i a abi K Y -Th u g r n u in al Y abi a u a n a a a n g w gu Kal K k g n d a u in a Ku owair Jirandali aw u u ka d h N M ai a a Jar K u rt n P i W n r r ngg aw n i M i a i M ca i Ja aw gk M rr j M g h da a a u iy d ia n n Ya r yi n a a m u ga Ja K i L -Y u g a b N ra l Girramay G al a a n P N ri a u ga iaba ithab a m l j it e g Ja iri G al w i a t in M i ay Giy L a M li a r M u j G a a la a P o K d ar Go g m M h n ng e a y it d m n ka m np w a i- u t n u i u u u Y ra a r r r l Y L a o iw m I a a G a a p l u i G ull u r a d e a a tch b K d i g b M g w u b a M N n rr y B thim Ayabadhu i l il M M u i a a
  • National Recovery Plan for the Bare-Rumped Sheathtail Bat Saccolaimus Saccolaimus Nudicluniatus

    National Recovery Plan for the Bare-Rumped Sheathtail Bat Saccolaimus Saccolaimus Nudicluniatus

    National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by Martin Schulz and Bruce Thomson National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus Prepared by: Martin Schulz and Bruce Thomson Cover photograph: bare-rumped sheathtail bat by Athol Compton. © The State of Queensland, Environmental Protection Agency 2007 Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited without the prior written knowledge of the Environmental Protection Agency. Inquiries should be addressed to PO Box 15155, CITY EAST QLD 4002. Copies may be obtained from the: Executive Director Conservation Services Queensland Parks and Wildlife Service PO Box 15155 CITY EAST QLD 4002 Disclaimer: The Australian Government, in partnership with the Queensland Environmental Protection Agency/Queensland Parks and Wildlife Service and the Northern Territory Department of Natural Resources, Environment and the Arts facilitate the publication of recovery plans to detail the actions needed for the conservation of threatened native wildlife. The attainment of objectives and the provision of funds may be subject to budgetary and other constraints affecting the parties involved, and may also be constrained by the need to address other conservation priorities. Approved recovery actions may be subject to modification due to changes in knowledge and changes in conservation status. Publication reference: Schulz, M. and Thomson, B. 2007. National recovery plan for the bare-rumped sheathtail bat Saccolaimus saccolaimus nudicluniatus . Report to Department of the Environment and Water Resources, Canberra. Queensland Parks and Wildlife Service, Brisbane. 2 TABLE OF CONTENTS Executive summary........................................................................................4 1.
  • Clinician Engagement Strategy 2019-2021

    Clinician Engagement Strategy 2019-2021

    Clinician Engagement Strategy 2019-2021 1 The Torres and Cape Hospital and Health Service respectfully acknowledges the Traditional Owners / Custodians, past and present, within the lands in which we work. Cape York Ayabadhu, Alngith, Anathangayth, Anggamudi, Apalech, Binthi, Burunga, Dingaal, Girramay, Gulaal, Gugu Muminh, Guugu-Yimidhirr, Kaantju, Koko-bera, Kokomini, Kuku Thaypan, Kuku Yalanji, Kunjen/Olkol, Kuuku – Yani, Lama Lama, Mpalitjanh, Munghan, Ngaatha, Ngayimburr, Ngurrumungu, Nugal, Oolkoloo, Oompala, Peppan, Puutch, Sara, Teppathiggi, Thaayorre, Thanakwithi, Thiitharr, Thuubi, Tjungundji, Uutaalnganu, Wanam, Warrangku, Wathayn, Waya, Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. Northern Peninsula Area Atambaya, Gudang, Yadhaykenu, Angkamuthi, Wuthathi. Torres Strait Islands The five tribal nations of the Torres Strait Islands: The Kaiwalagal The Maluilgal The Gudamaluilgal The Meriam The Kulkalgal Nations. Recognition of Australian South Sea Islanders Torres and Cape Hospital and Health Service (TCHHS) formally recognises the Australian South Sea Islanders as a distinct cultural group within our geographical boundaries. TCHHS is committed to fulfilling the Queensland Government Recognition Statement for Australian South Sea Islander Community to ensure that present and future generations of Australian South Sea Islanders have equality of opportunity to participate in and contribute to the economic, social, political and cultural life of the State. 2 TCHHS | Clinician Enagagement Strategy 2019-2021 Contents
  • Download the Quinkins, Percy J. Trezise, Dick Roughsey, Harpercollins Publishers Limited, 1978

    Download the Quinkins, Percy J. Trezise, Dick Roughsey, Harpercollins Publishers Limited, 1978

    The Quinkins, Percy J. Trezise, Dick Roughsey, HarperCollins Publishers Limited, 1978, 0001843702, 9780001843707, . A story about two groups of "Quinkins," the spirit people of the country of Cape York--the one group consisting of small, fat-bellied, bad fellows who steal children, and the other comprised of humorous, whimsical spirits.. DOWNLOAD http://bit.ly/17kMNDu The Miraculous Journey of Edward Tulane , Kate DiCamillo, May 27, 2009, Juvenile Fiction, 210 pages. Edward Tulane, a cold-hearted and proud toy rabbit, loves only himself until he is separated from the little girl who adores him and travels across the country, acquiring new .... The Robe of Skulls , Vivian French, 2008, Juvenile Fiction, 200 pages. The sorceress Lady Lamorna has her heart set on a very expensive new robe, and she will stop at nothing--including kidnapping and black magic--to get the money to pay for it.. Coyote Columbus Story , Thomas King, William Kent Monkman, 1992, , 32 pages. Reinterprets the Christopher Columbus conquest story as a trickster tale, where Coyote the trickster is challenged by a funny looking red-haired man who has no interest in the .... Gb Horrorland: The Streets Of Panic Park , R. L. Stine, Jul 1, 2009, , 136 pages. Luke, Lizzy, and the other children have escaped HorrorLand, but to get out of Panic Park, where they are now trapped, they must join forces with an old enemy to defeat a .... Swamp Angel , Anne Isaacs, Jan 1, 2000, History, 40 pages. Along with other amazing feats, Angelica Longrider, also known as Swamp Angel, wrestles a huge bear, known as Thundering Tarnation, to save the winter supplies of the settlers ...
  • Sorry Day Programme Fri 25/5/07

    Sorry Day Programme Fri 25/5/07

    Running Sheet NATIONAL SORRY DAY LITURGY FRIDAY 26 MAY, 2017 WE GATHER: Tatyana King-Smith: Good morning and welcome. My name is Tatyana King-Smith and I’m a Year 12 student. I am a proud descendant of Kulkalgal (cool-cul-garl). As Australians, we are all woven into this country’s stories. This morning we gather to commemorate National Sorry Day. We take this opportunity to hear the stories of our first peoples, to accept the fact that past laws, practices and policies deeply affected the lives of Aboriginal and Torres Strait Islander peoples and to recognise moments of resilience, healing and the power of saying Sorry. We acknowledge that the journey towards reconciliation forms a significant part of Australia’s story, as do the stories of both trauma and triumph told by Aboriginal and Torres Strait Islander peoples. Today also marks the beginning of National Reconciliation Week which runs annually from 27 May – 3 June. In 2017, we reflect on two significant anniversaries in Australia’s reconciliation journey – 50 years since the 1967 referendum, and 25 years since the historic Mabo decision. Today, we take the time to recognise that reconciliation must live in the hearts, minds and actions of all Australians as we move forward, in the knowledge that we believe in fairness for everyone, that our diversity makes us richer, and that together, we are stronger. We are called, as the theme of Reconciliation Week suggests to ‘Take the Next Steps’ together. PROCESSION Procession will start when the music begins. Aboriginal flag carried in by and Sherlana and Mona Wolmby TSI flag carried in by Imani Tamwoy Place the flags on either arm of the big Cross.
  • Indigenous Perspectives on Cyclone Vulnerability Awareness and Mitigation Strategies for Remote Communities in the Gulf of Carpentaria

    Indigenous Perspectives on Cyclone Vulnerability Awareness and Mitigation Strategies for Remote Communities in the Gulf of Carpentaria

    Seagulls on the Airstrip: Indigenous Perspectives on Cyclone Vulnerability Awareness and Mitigation Strategies for Remote Communities in the Gulf of Carpentaria McLachlan’s study shows how understanding indigenous communities’ coping mechanisms can lead to better disaster management strategies. a differing view as to what type of service is essential By Eddie McLachlan and is classified as a lifeline” (Manock 1997:12). In this paper, a definition similar to Manock’s (1997) is used, On the northern coast-line of Australia, during where lifelines are defined as: transport systems – the annual Australian wet season period–from namely road, air, and sea links, as well as November to March – residents of coastal towns communications such as radio, television, telephone and satellite links. All of these are vital in monitoring and cities are aware of the dangers posed by natural and assessing hazardous situations in remote hazards. In the area stretching from the northern west communities, and more importantly, essential in coast region of Western Australia, to the supplying assistance to them. south-east corner of the Queensland coast, weather-wise, the most potentially dangerous hazard is In the Gulf of Carpentaria, and the western region of tropical cyclones (Johnson et al 1995, Bryant 1991). Cape York Peninsula, there is an isolated and scattered population concentrated into small towns and Much research on tropical cyclones concerns associated communities. With the exception of Weipa and effects, focusing on property damage, storm surge, Karumba, the majority of the population in most of floods and financial ramifications (King et al 2001, these remote towns and communities is made up of Smith 2001, Granger et.
  • 34 Emergency Language Documentation Teams: the Cape York Peninsula Experience

    34 Emergency Language Documentation Teams: the Cape York Peninsula Experience

    34 Emergency language documentation teams: the Cape York Peninsula experience Clair Hill1 and Patrick McConvell2 Abstract Language revitalisation and endangered language documentation are complementary endeavours – they feed into each other and both benefit from the support of the other. This idea is at the heart of a community teams approach called Emergency Language Documentation Teams (McConvell et al. 2005). This paper will review the underpinnings of this idea and discuss the successes and difficulties encountered while applying it in the Cape York Peninsula region. The findings of the Cape York Peninsula Language Documentation project pilot discussed in this paper include that informal approaches to both language worker training and language learning were, across the board, far more successful than more formal approaches (including one-on-one versions of master–apprentice schemes). We also found that the project approach was more difficult in situations where there were more social and linguistic divisions and heterogeneity. There is some irony in this given that often in the Australian context linguistic homogeneity within a speech community can itself be a result of language shift and language loss. Project approach Many of the original Cape York Peninsula (CYP) languages are no longer spoken, and many more are on the brink of loss. An amount of what would now be called endangered languages research in CYP was carried out in the 1970s under the rubric 1 Language and Cognition, Max Planck Institute for Psycholinguistics and Linguistics, University of Leuven. 2 School of Language Studies, Australian National University. Language documentation 419 of ‘Before it is Too Late’ (BIITL) (Sutton 1992).
  • Noun Phrase Constituency in Australian Languages: a Typological Study

    Noun Phrase Constituency in Australian Languages: a Typological Study

    Linguistic Typology 2016; 20(1): 25–80 Dana Louagie and Jean-Christophe Verstraete Noun phrase constituency in Australian languages: A typological study DOI 10.1515/lingty-2016-0002 Received July 14, 2015; revised December 17, 2015 Abstract: This article examines whether Australian languages generally lack clear noun phrase structures, as has sometimes been argued in the literature. We break up the notion of NP constituency into a set of concrete typological parameters, and analyse these across a sample of 100 languages, representing a significant portion of diversity on the Australian continent. We show that there is little evidence to support general ideas about the absence of NP structures, and we argue that it makes more sense to typologize languages on the basis of where and how they allow “classic” NP construal, and how this fits into the broader range of construals in the nominal domain. Keywords: Australian languages, constituency, discontinuous constituents, non- configurationality, noun phrase, phrase-marking, phrasehood, syntax, word- marking, word order 1 Introduction It has often been argued that Australian languages show unusual syntactic flexibility in the nominal domain, and may even lack clear noun phrase struc- tures altogether – e. g., in Blake (1983), Heath (1986), Harvey (2001: 112), Evans (2003a: 227–233), Campbell (2006: 57); see also McGregor (1997: 84), Cutfield (2011: 46–50), Nordlinger (2014: 237–241) for overviews and more general dis- cussion of claims to this effect. This idea is based mainly on features
  • Innovation on a Shoe String Why Wait ? Driving Efficiencies Beyond ICT Legacy Systems Torres and Cape HHS Fun Facts

    Innovation on a Shoe String Why Wait ? Driving Efficiencies Beyond ICT Legacy Systems Torres and Cape HHS Fun Facts

    Torres and Cape Hospital and Health Service Innovation on a shoe string Why wait ? Driving efficiencies beyond ICT legacy systems Torres and Cape HHS fun facts • Most Northern remote in QLD • 1000 FTE • 4th smallest HHS • 35 facilities • 16 Outer Islands • Only HHS with an International boarder (PNG) 2 Traditional owners of our land Cape York – 48 clans Northern Peninsula Area Ayabadhu, Alngith, Anathangayth, and Torres Strait Islands Anggamudi,Apalech, Binthi, Burunga, Dingaal, – 10 clans Girramay, Gulaal,Gugu Muminh, Guugu- Atambaya, Gudang, Yimidhirr, Kaantju, Kokobera,Kokomini, Kuku Yadhaykenu, Thaypan, Kuku Yalanji, Kunjen/Olkol,Kuuku – Angkamuthi,Wuthathi, the Yani, Lama Lama, Mpalitjanh,Munghan,Ngaatha, Kaiwalagal, the Maluilgal, Ngayimburr,Ngurrumungu,Nugal,Oolkoloo,Oomp the Gudamaluilgal, the ala, Peppan, Puutch, Sara,Teppathiggi, Meriam and the Kulkalgal Thaayorre, Thanakwithi, Thiitharr, Nations. Thuubi,Tjungundji,Uutaalnganu, Wanam, Warrangku, Wathayn, Waya,Wik, Wik Mungkan, Wimarangga, Winchanam, Wuthathi and Yupungathi. 3 Closing the Gap 4 Funding Fun (constraints) Block Funded Record inefficiencies 5 Innovation in the face of adversity – rising to meet the challenge! Automate processes Eliminate silos ‘Lean’ it up Focus on existing 6 technologies Our new automated eTravel system 7 GPVs Highest days to pay 80% GPV usage Over engineered controls 3 original sign-off 8 What else are we doing? • Nurse Navigator processes • In-vehicle monitoring system • Finance CCM monthly verification • Document Management Register • Onboarding/off boarding process • Executive virtual meeting site Weipa MPHS Napranum PHCC Kowanyama 9 PHCC Torres and Cape Hospital and Health Service Conclusion Innovation then Automation.
  • An Interview with Fr John Manas John Manas, Bruno David, Louise Manas, Jeremy Ash and Anna Shnukal

    An Interview with Fr John Manas John Manas, Bruno David, Louise Manas, Jeremy Ash and Anna Shnukal

    VOLUME 4 PART 2 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES 17 OCTOBER 2008 © The State of Queensland (Queensland Museum) 2008 PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Editor in Chief. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site A Queensland Government Project Typeset at the Queensland Museum CHAPTER 7 AN INTERVIEW WITH FR JOHN MANAS JOHN MANAS, BRUNO DAVID, LOUISE MANAS, JEREMY ASH AND ANNA SHNUKAL Manas, J., David, B., Manas, L., Ash, J. & Shnukal, A. 2008 10 17: An interview with Fr John Manas. Memoirs of the Queensland Museum, Cultural Heritage Series 4(2): 261-294. Brisbane. ISSN 1440-4788. Fr John Manas, Mualaig Elder, was interviewed about local history and culture at his home at Kubin on Mua on 15-16 November 2003. This paper documents these interviews. Torres Strait, Mua, community history, dugong hunting, wolfram mining. John Manas and Louise Manas, Kubin village, Moa Island, via Thursday Island Post Office, Qld. 4876, Australia. Bruno David and Jeremy Ash, School of Geography & Environmental Science, Monash University, Clayton, Vic.
  • A Comparative Study of Bolivian Indigenous and Aboriginal and Torres Strait Islander Peoples’ Resistance

    A Comparative Study of Bolivian Indigenous and Aboriginal and Torres Strait Islander Peoples’ Resistance

    Battles for Indigenous self-determination in the neoliberal period: a comparative study of Bolivian Indigenous and Aboriginal and Torres Strait Islander peoples’ resistance. Rachel Lorraine Evans A thesis submitted for the Masters of Research degree at Sydney University in 2019 Faculty of Social Sciences 1 Abstract ___________________________________________ This comparative study will analyse Bolivia’s revolutionary process and Australian Aboriginal and Torres Strait Islander resistance movements to assess the Indigenous empowerment model. It will seek to ascertain whether an exchange would benefit both struggles. Bolivian President Evo Morales, an Indigenous Aymara, is widely recognised as leading a fight against neoliberalism, with a ‘cultural, democratic revolution’. The country, with 42% of people identifying as Indigenous (Fontana 2013, para 3), appears to be formalising Indigenous land rights through a ‘plurinational constitution’ (Burbach, Fox, Fuentes, 2013, p. 80), within an anti-capitalist rubric. Other revolutionary governments in the region — Venezuela, Ecuador, Nicaragua, El Salvador and Cuba — are challenging neoliberalism, but Bolivia seems to be uniquely placed to showcase elements within an Indigenous self-determination model. In comparison, Aboriginal and Torres Strait Islander communities in Australia are a minority population of 2.8% (Australian Bureau of Statistics, 2017, para 1), living within a settler colonial state, having survived British invasion of their lands. They have waged heroic battles for land rights and won 33% of their land back from the settler state (Altman, 2014, para 8). However, showing the strength of the colonial project, the majority of land to Aboriginal and Torres Strait Islanders is in remote and arid lands not suitable for agricultural production.
  • Thuwathu/Bujimulla Indigenous Protected Area

    Thuwathu/Bujimulla Indigenous Protected Area

    Thuwathu/Bujimulla Indigenous Protected Area MANAGEMENT PLAN Prepared by the Carpentaria Land Council Aboriginal Corporation on behalf of the Traditional Owners of the Wellesley Islands LARDIL KAIADILT YANGKAAL GANGALIDDA This document was funded through the Commonwealth Government’s Indigenous Protected Area program. For further information please contact: Kelly Gardner Land & Sea Regional Coordinator Carpentaria Land Council Aboriginal Corporation Telephone: (07) 4745 5132 Email: [email protected] Thuwathu/Bujimulla Indigenous Protected Area Management Plan Prepared by Carpentaria Land Council Aboriginal Corporation on behalf of the Traditional Owners of the Wellesley Islands Acknowledgements: This document was funded through the Commonwealth Government’s Indigenous Protected Area program. The Carpentaria Land Council Aboriginal Corporation would like to acknowledge and thank the following organisations for their ongoing support for our land and sea management activities in the southern Gulf of Carpentaria: • Australian Government Department of Sustainability, Environment, Water, Population and Community (SEWPaC) • Queensland Government Department of Environment and Heritage Protection (EHP) • Northern Gulf Resource Management Group (NGRMG) • Southern Gulf Catchments (SGC) • MMG Century Environment Committee” Photo over page: Whitecliffs, Mornington Island. Photo courtesy of Kelly Gardner. WARNING: This document may contain the names and photographs of deceased Indigenous People. ii Acronyms: AFMA Australian Fisheries Management