Index

Abbott, George 67 use of boy actors 208 abuse, sexual 128 see also Philip Henslowe; Prince Henry’s Men accounting records 323–327 Adrasta (Jones) 605 acoustics 60, 199–200, 261–262, 276 adultery 118, 133–136, 388–390, 400, 460–461 acting practice 250, 256–265 advertisements 242–243 actors aesthetic nervousness 494, 495–496 celebrated 203–205 Aglaura (Suckling) 602 dual consciousness of actor and character 279 Alchemist, The (Jonson) 129, 160–161, 176, 503, 513, players bonds 106 521, 524 “sides” 202 alchemy 159–162 Spanish Wars 225–226 aldermen, of London 79–80 vagrants 120–122 Alleyn, Edward wealth 204–205 career 84, 203–204, 239, 244, 300, 304 see also individual actors; performance; historically companies 242 informed performance delivery 200–201 Act for the Punishment of Vagabonds 113, 329 Doctor Faustus 198 “actress effect” 290 playhouses 215, 220, 222, 223 Acts and Monuments (“Foxe’s Book of Martyrs”) 146, voice 200 185, 380 COPYRIGHTEDsee also MATERIAL Lord Admiral’s Men Adams, Henry Hitch 391–392 All’s Well That Ends Well (Shakespeare) 164–165 adiaphora 148 amateur dramatics 607–608 Admiral’s Men 61, 231, 241–246, 305, 329, 333, Anatomie of the Abuses in England (Stubbes) 59, 112–113, 379, 535, 553, 557 186, 187, 189 playhouses used 215, 220 anatomy 165–166 principal actors 201, 203, 206–208 Anatomy of Melancholy, The (Burton) 166 performances 201–203, 390, 600 Anatomy of the World, An (Donne) 166

A New Companion to Renaissance Drama, First Edition. Edited by Arthur F. Kinney and Thomas Warren Hopper. © 2017 John Wiley & Sons Ltd. Published 2017 by John Wiley & Sons Ltd.

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Anglicanism 143 astronomy 157–159, 167, 168 Anne (Anna) of Denmark, Queen Consort 204–205, 312, Astrophil and Stella (Philip Sidney) 25, 28 330, 358, 364 As You Like It (Shakespeare) 28, 190, 449, 513, 524 Anthropometamorphosis (Bulwer) 478 audiences antimasques 135, 313, 358, 362, 469 capacities 197 Antipodes, The (Brome) 56, 93, 551 envisioning 196–199 antitheatricality 182–192 galleries 212 catharsis 188–189 participation 198–199 Catholicism 187–188 women 289 contagion 183–189 aural culture 199–200, 328, 366 see also acoustics moral reformers 184–189 authors see individual authors onstage 190–191 Awdeley, John 117–118 pamphlets 183, 185–189 prejudice 47–49 Bach, Rebecca Ann 449–450 religion 183–188 Bacon, Francis 19, 155, 167, 314, 359, 363, 404, 406, sexuality and queerness 447–448 491–492 xenophobia 189 Bale, John 47–48, 185, 328 Antonio’s Revenge (Marston) 231, 246, 274, 405, ballet de cour 309, 364 406–409, 411 Bancroft, Richard 23, 146–147 Antonius (Mary Sidney) 579–583 Barber Surgeons College charter 166 Antony and Cleopatra (Shakespeare) 371, 462, 480, Barbican Centre, The 255–256 577, 581 barter 101–102 Apologie of the Citie of London 78, 337 Bartholemew Fair (Jonson) 59, 89–90, 182–183, 222, 463, Apology for Actors (Heywood) 188, 276 503, 513, 534–535 Apology of the Commons 17 Barton, John 255–256 Apology for Poetry, An (Philip Sidney) 409–410 Barton, Robert 89 apprentices, clashes with gentlemen 61, 80–81 Battle of Alcazar, The (Peele) 244, 372, 405, 474–475 Araygnement of Paris, The (Peele) 330 Bear Garden, the 222 archaeology 195, 214–218, 222, 316 Beaufort, Margaret 330 Arches of Triumph (Harrison) 317 Beaumont, Francis 55, 61, 246–247, 277, 421, 426, 532, Arden of Faversham (anon.) 53, 377, 388–395, 399 547, 553, 556, 602 see also individual works Arden, Thomas 377, 389, 392–393 Beeston, Christopher 61–62, 204, 221, 223, 233, 247, Ariosto, Ludovico 28, 32 278–279, 288 aristocracy 322–336 Beeston, William 224 marriage 132 Beeston’s Boys 247 masques 287–288 Belchier, Daubridgecourt 92–93 published female writers 576–597 Believe as You List (Massinger) 229, 547, 549 REED project 322–324 Bell in Campo (Cavendish) 588, 589 women 287–288 Bell Savage (playhouse) 213, 218, 228, 288 see also great households; progresses Benger, Sir Thomas 268 Aristophanes 43, 48 Bennett, Elizabeth 175, 178 Aristotle 67, 127, 154–157, 165, 188, 479, 515, 516 Bennett, Jane 534 Armada, Spanish 13–14, 241, 373 Best, George 476–477 Arte of English Poesie, The (Puttenham) 36 Bible artifacts, provenance 530–531 Bishops’ 23 Art of Rhetorique (Wilson) 183–184 Elizabeth I 340, 456, 458 Astley, Sir John 233 Geneva 23, 151 astrology 157–159, 163, 171, 175 “Great” Bible 145

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Bible (cont’d) boy companies 268–281 interpretation 23 apprenticeship 277–278 King James 16, 151 Blackfriars 273, 275–277 reading habits 147, 151–152 Caroline revivals 278 revenge tragedy 404 choristers 270–278 secular plays 47–48 city comedies 274 Bird, William 106, 204 contemporary revivals 278–279 Black Book, Edward IV 323–325 demise 277–278 Blackfriars (playhouse) 60, 62, 76, 218–220, 221, 223, entrepreneurs 272–273 232, 246, 271–277 see also Children of Blackfriars; grammar schools 269–270 Children of the Chapel; King’s Men “impression” 271 Blackfriars Playhouse, Staunton, Virginia 211, 262 repertory 273–277 blackness see race Bray, Alan 444 Blagrave, William 223–224, 278–279 Brayne, John 106, 170, 213–214 bloodletting 163–164 Brayne, Margaret 289 Blount, Charles, Lord Mountjoy 14 Bridewell 81–82, 115, 128, 232 Blount, Edward 54, 567–568, 570–571 Broken Heart, The (Ford) 408 Boar’s Head (playhouse) 212, 218, 245–246, 289 see also Brome, Alexander 602, 609 Derby’s Men Brome, Richard 56, 93, 278, 465–469, 514, 524, 551, Boke Named the Governour (Elyot) 92 599, 602–603 see also individual works bonds brothels 80, 81, 215, 505 conditional 104–105 Brown, Anthony, Viscount Montague 316 credit economy 102 Brown, Pamela Allen 290–291 forbearance 105 Bruster, Douglas 99 The Merchant of Venice 108–109 Buc, Sir George 227, 228, 229, 232–233 penal 80, 104–105 Buckingham, 1st Duke of see Villiers, George, 1st Duke of theatrical business 106–108 Buckingham see also debt Buckingham, 3rd Duke of see Stafford, Edward, 3rd Duke of Book of Common Prayer 145, 151 Buckingham Book of the Courtier, The (Castiglione) 25, 28, 30, 515, 517 Bull (playhouse) 213, 218 “book keeper/holders” 202 Bulwer, John 201, 478 books Burbage, James 121, 213–214, 218–220, 240, 242, creation 547–549 374, 546 history 531–532 Burbage, Richard 218–220, 242, 245, 253, 277, 346, 520, nonprofessional playwrights 598–611 546 see also Lord Chamberlain’s Men prices 556 Burby, Cuthbert 553, 556, 565–567 printing 552–557, 561 Burre, Walter 55 publishers (see publishing) Burton, Robert 166, 460, 493 women in print 576–597 Bussy D’Ambois (Chapman) 274–275, 277 books of ordinances 323–327 by‐work 288 Book of Sports 59 borrowing see bonds; debt calculus 167 Bourdieu, Pierre 522 Calvinism 144–150 boy(s) Campion, Thomas 318, 363, 364, 365, 366 female impersonation 207–209, 447–448 Cane, Andrew 200 gendering 464–465 Canterbury, touring companies ban 306 puberty 208 Captives, The (Heywood) 547, 549 training 202 Carlell, Lodowick 234

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Caroline era 1–3, 19–20, 234–235, 278, 363–364 children Carr, Robert 18, 362, 363 domestic life 137–138 cartography 92, 167, 503 immigrants 68–69 Cary, Elizabeth 462–463, 577, 583–587 out of marriage 128 Cary, Sir Henry, Viscount Falkland 584 see also boys; choristers Castiglione, Baldassare 21, 25–30, 272, 515, 517 Children of Blackfriars 55 casting off for print 554 Children of the Chapel 231, 246, 270–278 Catesby, Robert 17 Children of the King’s Revels 221 catharsis 188–189, 410, 426 Children of Paul’s 212–213, 219, 231, 245, 270–271, Cathay Company 94 273–274 Catholicism Children of the Queen’s Revels 222, 226, 276–277 antitheatricality 187–188 chin chucking 452 break from 145 Chirologia, or the Naturall Language of the Hand Charles I 18–19 (Bulwer) 201 during Elizabethan years 146–149 Cholmley, John 215 Elizabeth I 11–14 choreography in revenge tragedies 406–409 history plays 380–383 choristers James I 16–17 chapel choirs 231, 270–278, 326 Mary I 146 companies 270–278 Reformation 146 entrepreneurs 272–273 Caveat or Warening for Commen Cursetors, A (Harman) great households 326, 327 115–116 playhouses 213 Cavell, Stanley 22, 32–33 repertory 273–275 Cavendish, Margaret 331, 577–578, 587–592 St. Pauls 212–213, 219, 231, 245, 270–271, Cecil, Robert, 1st Earl of Salisbury 18–19, 79 273–274 Cecil, William 11, 161, 298 Windsor Castle 213 censorship Christian Hospitalitie Handled Common‐place‐wise 67 end of touring companies 305–307 Christian Turned Turk, A (Daborne) 91, 385, 481 imprisonment 233–234 Christmas, social inversion 313 licensing 228, 232–233 Christus triumphans 185 manuscripts 549–551 Chronicles of England, Scotland, and Ireland 377, rehearsal 251–252 389–390 Cervantes, Miguel de 427 church courts 128, 132, 134 Chamberlain, John 197–198 Church of England Chamberlain, Robert 602 Calvinism 144–150 Chamberlain’s Men 121, 215, 218–219, 242, 245, 246 Elizabeth I 11–14, 146–149 Chambers, E. K. 37, 283–284 Henry VIII 145 Chancery 80 James I 149–150 Changeling, The (Middleton) 25–26, 462, 488 Mary I 146 chapel choirs 231, 270–278, 326 Puritanism 144, 149–150 Chapman, George 363 the Reformation 143–153 Characters (Overbury) 253 churches charivari 55 dedications 38–39 Charles I 1–3, 19–20, 234–235, 278, 363–364 as performance spaces 37–38 Charles, Prince 18–19 sermons 147, 151–152 Chaste Maid in Cheapside, A (Middleton) 460–462 church law chastity 131–132 divorce 143 Chester cycle 40 marriage 131–132

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Churchyard, Thomas 315, 318 naming 239 Cicero 25, 27, 515, 517–518 patron relationships 329–334 circular motions in revenge tragedies 413–415 repertory 201, 239–249 citizen comedy 75, 76, 84 sizes 201 city comedy 92, 274, 383 texts 549–552 civic authority, touring 299–300 touring 296–308 civic drama 337–353 Company of Merchant Adventurers 94 Lord Mayor’s show 338–341, 346–351 composition of plays 547–549 royal celebrations 338–341, 342–343 Compton, Lord 83 secular rituals 341–346 Concealed Fancies, The (Brackley and Cavendish) 331, 593 spaces 505–509 constables 128 civic rituals 341–346 construction of playhouses 200 civility 515 consumer culture 15–16, 98–99, 102–103 class conflict 75–77, 80–82 contagion Clavell, John 604–605 antitheatricality 183–188 Clegg, Cyndia Susan 54 cure 409–412 Cleopatra, dramatic representations of 252, 462, 480, continental influences 21–34 563, 577, 580–582, 585 Convent of Pleasure (Cavendish) 588–589 Cleopatra (Daniel) 563 Cooke, William 572 Clifford, Lady Anne 78–79 Copernicus, Nicolaus 155, 157–158 Clifton, Thomas 275 Coriolanus (Shakespeare) 119–120 closet drama 49, 331, 567, 576, 580, 609 Corpus Christi festivities 36, 40, 185, 240, 299, closures of playhouses 235–236 314, 341 cloth exports 16, 77, 94 coronations 314, 338–341, 342–343, 456–458 clowns 42, 56, 205–206 Coryat(e), Thomas 91, 286, 289–290 Cockayne, Alderman Sir William 83 cosmology 157–159 Cockpit (playhouse) 53, 61, 183, 223, 602 costs codes of conduct in court 310–311 boy companies 268–269 cognition and materiality 537–538 playhouse entrance 212 cognitive ecology 202–203 printing 556 coin production 101–102 touring 297–298 comedies Court of Aldermen 79–80 clowns 205–206 Court of Burgesses 79 economy 99 Court of Common Council 228 female impersonation 208 Courtier, The see Book of the Courtier, The (Castiglione) gendering 464–467 courting 131–132 popular culture 57–58 Court masques see masques spaces 503–509 courts wit 514–516 church 128 women 286–287 codes of conduct 310–311 see also city comedy; citizen comedy; tragicomedy coronations 314 commerce entertainment 287–288, 309–321 London 77–82 coronations 314 popular culture 54–58 foreign policy 312 commodification 100 jousts 313–314 common light 259 occasional 313–315 communities, scrutiny 128 pageants 314–315, 317 companies performance 310–312

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progresses 309, 314–319 race 474–486 social inversion 313 Huarte, Juan 477–478 space 310–312 Marlowe 476, 479–480 texts 316–318 religion 481–483 Italian 25–26 Shakespeare 475, 477, 480–483 jousts 313–314 social cohesion 478–480 military exercises 313 transmission 477–478 philosophy 310–311 sexuality and queerness 443–455 progresses 287–288, 309, 314–316 fetish 452 social bias 80–82 gender fluidity 447–448 social inclusion 82 homoeroticism 444–447, 451–453 theater support 82 homonormativity 449–450 witchcraft trials 171–176 unhistoricism 452 Covent Garden 78 women 448–451 Coventry touring companies ban 307 space and place 501–512 Cowley, Richard 242 spaces 501–512 Cox, Captain 55 comedies 505–509 Crane, William 515–516 digital turn 510 credit economy 100–102 gender 503–505 Creede, Thomas 565–567 histories 502–505 crime 53, 114, 116–119 present 509–510 critical approaches 441–542 urban 505–509 disability 487–500 wit 513–528 aesthetic nervousness 494, 495–496 concepts 513–515 compensatory model 492 evolution of 518–522 future directions 496–497 matter of 522–525 material model 492 underpinnings 515–518 moral model 490–492, 493 Cromwellian Era performances 330–331 religious model 492–493 Crooke, Andrew 572 Shakespeare 487–488, 491, 496–497 cross‐dressing 207–209, 447–448, 463–470 theater 493–496 Cross Keys (playhouse) 213 theories 489–493 Coryat’s Crudities see Coryat, Thomas gender 456–473 Coryat, Thomas 91, 286, 289 cross‐dressing 463–470 Crystal, David 264–265 Elizabeth I 456–459 cuckoldry 135–136, 460–461 femininity 467–469 Cullen, Mildred 400 fluidity 447–448 Cullen, Thomas 400 Jonson 463–467, 468–469 cultural materialism 529–530 see also materiality masculinity 464–467 cultural model of disability 492 pageants 456–458 culture patriarchy 459–460 of debt 103–106 pregnancy 459–461 global trade and labor 533–535 materiality 529–542 race 478–483 books 531–532 tragicomedies/romances 427–428 cognition 537–538 transmission 286–287 global trade and labor 533–535 cunning folk 171 phenomenology 538–540 Cunning Lover, The (Alexander Brome) 602 provenance 530–531 Cupid’s Revenge (Beaumont) 277

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Curtain (playhouse) 80–81, 214 Derby, Earl of see Stanley, William, sixth Earl of Derby curtains 128 Derby’s Men 218, 231, 242–243, 245 Cutpurse, Moll see Frith, Mary De revolutionibus (Copernicus) 155, 157 Cymbeline (Shakespeare) 252, 371, 420, 421 Descartes, René 32, 33 Cynthia’s Revels (Jonson) 246, 275–276 “deserving” poor 113, 114–115 Cyprian Conqueror, The (anon.) 608 Desmond revolts 14 De rerum natura (Lucretius) 27 Daborne, Robert 91, 106, 385, 481, 546, 557 Devereux, Robert, 3rd Earl of Essex 11, 12, 14, 230, Daemonologie (James VI and I) 175 314, 607 Dalechamp, Caleb 67 Device of the Pageant Borne Before Wolston Dixi (Peele) 347 damnum emergens 107 devil’s mark 174 dancing, masques 366–367, 408–409 Diary, Henslowe’s 199, 251, 288, 323, 390, 546 Daniel, Samuel 232, 276 digital turn 510 Danter, John 553 directors, absence of 262–263 David and Bethsabe (Peele) 58 disability 487–500 Davies, Sir John 52, 314, 585 aesthetic nervousness 494, 495–496 Dawes, Robert 251–252 compensatory model 492 Day, John 91, 246, 276, 391, 398, 600 future directions 496–497 death rate 76 material model 492 debt 98–111 moral model 490–492, 493 culture of 103–106 religious model 492–493 defaults 104–105 Shakespeare 487–488, 491, 496–497 drama of 106–109 theater 493–496 imprisonment 104–105 theories 489–493 institutionalization 103–105 Discouerie of Witchcraft, The (Scot) 52 London 80 disguisings 313 see also masque macroeconomics 100–102 dissolution of monasteries 114–115, 377, 382, 389, microeconomics 102–103 393, 535 see also bonds division of labour 99–100 de casibus 24–25, 31, 46, 392, 564 divorce 133–134 “Declaration of Sports” 17 Doctor Faustus see Tragicall History of the Life and Death decline of touring companies 305–307 of Doctor Faustus, The (Marlowe) Dee, John 155, 161 domestic life 125–142 Defense of Poesy, The (Philip Sidney) 27, 36, 422 adultery 134, 135–136 deformities 487–489, 491–492 see also disability Cary 583–587 Dekker, Thomas 52, 60, 61, 274, 422 children 137–138 history plays 381, 383 divorce 133–134 immigration 67, 69, 71 expectations 135–136 trade and travel 95–96, 533 family 125–127 vagrancy 118 historiography 138–140 see also individual works marriage 130–138 Deloney, Thomas 61 parenting 137–138 Demoiselle, The (Brome) 465–469 privacy 128–129 demonic pacts 174–175 scrutiny 128 demonization of vagrants 115–120 separation 133–134 demonology 173, 174–175 sex 128, 131–132 De Oratore (Cicero) 25, 27, 515, 517–518 sources 138–140 depth effects 504–507 “domestic theater” 287–288 see also great households

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domestic tragedies 388–402 Edward II (Marlowe) 243, 371, 444–446, 452 Arden of Faversham 53, 377, 388–390, 392–395, 399 Edward IV (Heywood) 245, 345, 391, 396 definitions 390–392 Edward VI, king of England 58, 65, 145, 324, 332–333 Heywood 397–399 grammar school 279 laughter 399–400 Edwardes, Richard 272 performance 399–400 Edwardian Reformation 145 reality 399–400 Edward’s Boys 279, 464 repertory 390–399 Elckerlijc 43 Donne, John 113, 152, 155, 162, 166, 515–516 Eld, George 561–562, 570–571 Downton, Thomas 106, 201 Elector Palatine’s Men 246 see also Admiral’s Men; Prince Drake, Sir Francis 12, 13, 90 Henry’s Men drama, civic 337–353, 505–509 Elizabeth I, Queen of England 11–16 dramaturgy of the mistakable 406 alchemy 161 Drayton, Michael 221, 390, 546 censorship 229 Dryden, John 425, 514 death 16 Duchess of Malfi, The (Webster) end of reign 231 astrology 158 gendering 456–459 contagion and cure 410–412 Ireland 14–15 continental influences 22, 26, 31 licensing 226–231 gender 461, 462 Reformation 146–149 marriage 131 St. Stephens pageant 457–458 Dudley, Ambrose, third Earl of Warwick 227, 240 Spanish Wars 225–226 Dudley, Robert, 1st Earl of Leicester 11, 55, 240, 305, 310, succession 11, 12, 148, 317, 374 315, 317–318, 329 see also Leicester’s Men Vagrancy 112–113 dueling 81 Elizabethan society Dutch Church Libel 65–68, 72 education 51–52 Dutch Courtesan, The (Marston) 66, 69 medieval roots 36 Dymock, Sir Edward 68 women 52 Elizabethan Stage, The (Chambers) 283 Earl of Oxford’s Men 60–61, 271, 299 Elyot, Sir Thomas 92 Earl of Sussex’s Men 240 enclosure movement 114 Earl of Warwick see Dudley, Ambrose, third Earl of Warwick Englishmen for My Money (Haughton) 69, 70, 505 Earl of Warwick’s Men see Warwick’s Men English masques 309–310 see also masques early modern text usage 262–264 Englishness 69 Easter tropes 39 English Traveller, The (Heywood) 93, 398–399 East India Company 77, 82, 88, 94, 349, 599 Entertainment at Britain’s Burse (Jonson) 93 Eastward Ho! (Jonson, Chapman, and Marston) 226, 274 entrance fees for playhouses 212 economy entrepreneurs 93–96, 272–273 boy companies 268–269 Epicoene (Jonson) 448, 464–465, 503, 523–524, 526, culture of debt 103–106 590–591, 602 drama of debt 106–109 epistemology 32–33, 372, 376, 406 international trade 93–95 Erasmus, Desiderius 29, 33, 515 macroeconomics 100–102 erotic jealousy 32 microeconomics 102–103 Essay of Dramatic Poesie (Dryden) 425 vagrancy 114 Essex, Earl of see Devereux, Robert, 3rd Earl of Essex education euphuia 515 Elizabethan society 51–52 Euripides 457, 593 wit 518–521 European actresses 285–286, 289–291

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Evans, Henry 219, 246, 271, 275 Field, Nathan 106, 275, 277, 427 Everyman 43 field of wit 522–525 Every Man in His Humour (Jonson) 523 finance, national 19, 101 Every Man out of His Humour (Jonson) 83, 245, 551 Findlen, Polly 399 Evil May Day riot 67, 75–76 Five Books of Architecture (Serlio) 505–506 “evil” spirits 171, 198 Fleet Street, class conflict 81 evolutionary hypothesis of Reformation 36–37 Fletcher, John 61–62, 419, 427, 488 see also individual evolution of works history plays 373–377 folio printing 553–554, 556–557 masque 356–358 Folio Syndicate, the 570–572 wit 518–522 folklore in progresses 315 Examination of Men’s Wits, The (Huarte) 477–478 food see materiality excommunication 128 fool’s plays 46 execution of Charles I 1–3 forbearance 105 Ford, John 53, 166 see also individual works Faerie Queene, The (Spenser) 31–32, 59, 314, 418 foreign policy in masques 312 Fair Maid of the Exchange (Heywood) 488 forfeiture 108–109 “fair maids” in popular culture 57–58 formal patents 203 Fair Maid of the West, Part I, The (Heywood) 53–54, Forman, Simon 197 458–459 forme, printing 554–556 faith by statute 144–147 fortune (luck) 24–25, 30, 31, 43–44, 96, 421, 463 Faithful Shepherdess, The (Fletcher) 62, 419, 426 Fortune (playhouses) 197, 198, 203–204, 220, 223, 240, faits divers 53 244, 290 Falkland, Viscount see Cary, Sir Henry, Viscount Falkland Foucault, Michel 6, 444, 449 familiars 174–175 Four Prentices of London, The (Heywood) 61, 76, 92, 424 family Foxe, John 146, 185, 380 marriage 130–133 foul papers 547–550, 554–555 significance of 125–127 frames, printing 554–555 witchcraft 173–174 France, Catholic League 14 see also domestic life freedom of the city 68 Family of Arthur, Lord Capel, The (Johnson) 126 French actresses 286 Farrant, Richard 213, 271, 275 Friar Bacon and Friar Bungay (Greene) 53, 241, 243, 302, Fawkes, Guy 17 374, 604 female authorship 576–597 Frith, Mary 57, 289–290, 383, 458, 461–462, 469, Cary, Elizabeth 462–463, 577, 583–587 507, 509 Cavendish, Margaret 331, 577–578, 587–592 frons scenae 252, 260–261 Sidney, Mary 577, 579–583 Fulgens and Lucres (Medwall) 45–46, 325–326 female impersonation 207–209, 447–448, 463–470 Fuller, Nicholas 68 female minstrels 330 furnishings 128–129, 508, 535 femininity 467–469 furniture 258, 311, 508 feminism gendered erasure 530 Gainsford, Thomas 83, 84, 94 spaces 503–505 Galatea (Lyly) 54, 448, 451, 464 see also gender Galen 163–165 femmes soles 41 Galileo 155, 157, 168 fencing 81 Game at Chess, A (Middleton) 226, 229, 232, 233, fetish 452, 533–534 549, 552 Feuillerat, Albert 323–324, 333 “gaming” 460

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Garnier, Robert 577, 579–583, 584, 585 see also Gosson, Stephen 183–184, 185, 187, 188–189 Marc Antoine grammar schools 269–270 gatherers 289 Graves, Thornton Shirley 282–285 gender Great Fire of London 224 A Chaste Maid in Cheapside 460–462 great households 322–336 critical approaches 456–473 books of ordinances 323–327 cross‐dressing 463–470 domestic life 324–325 domestic tragedies 397–399 masques 323, 326, 328–329, 357–370 The Duchess of Malfi 461, 462 musicians 326–327, 366–367 Elizabeth I 456–459 patronage 329–334 female impersonation 207–209, 447–448 personnel 324–325, 329, 331 femininity 467–469 playwrights 331 fluidity 447–448 REED project 322–324 Jonson 463–467, 468–469 regulations 324 masculinity 464–467 religious ceremonies 325 pageants 456–458 retainers 324–327, 329–334 patriarchy 138, 459–460 royal progresses 326, 363–365 spaces 503–505 stages 325–326 The Tragedy of Mariam 462–463 touring 305, 329 wit 524–525 women 329–331 witchcraft 173 Greene, Robert 53, 58, 117, 221, 244 see also individual see also men; sexuality; women works gendered erasure 530 Gresham, Sir Thomas 95 generic type‐names 43–45 Grey, Lady Jane 457 genres Grounde of Artes, The (Recorde) 167 “kinship networks” 418 group violence, “rough music” 55 see also individual genres Guarini, Giambattista 31, 426 Gentillet, Innocent 24 guilds 41, 68, 69, 77 gentlemen Gull’s Hornbook, The (Dekker) 60 becoming 83–84 Gunnell, Richard 223–224 clashes with apprentices 80–81 gunpowder plot 17 preferences 76 Guy of Warwick (anon.) 423–424 violence 81–82 gypsies 118 ghosts 404–406 Gypsies Metamorphosed, The (Jonson) 118 Gifford, George 175–176 Gifford, Gilbert 13 Hakluyt, Richard 88, 90–91, 94–95 Giles, Nathaniel 219, 275 Hakluytus Posthumus or Purchas his Pilgrims (Purchas) 91 Globe (playhouses) 60–61, 218–219, 222, 255–256, Hall, Bishop Joseph 93 260–261 Halls and touring shows 302–303 Glory of England … Whereby She Triumpheth Over All the Hamlet (Shakespeare) 22, 33, 406 Nations of the World, The (Gainsford) 94 handfasting 131–132 Gloucester touring companies ban 306 Hankins, James 25 Goldberg, Jonathan 444–446 Hans Beer‐Pot … or See Me and See Me Not Golden Chaine, A (Perkins) 151 (Daubridgecourt) 92 Golden Hind 12 Harbage, Alfred 196 Gorboduc (Sackville and Norton) 36, 48, 229, Hariot, Thomas 91 317–318 Harman, Thomas 115–119 Gospels 39 Harrison, Stephen 317

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Harvey–Nashe quarrel 522 reconstructed and extant spaces 261–262 Harvey, William 166 single‐gendered casts 264 Haughton, Henry 213 subtext 259–260 Haughton, William 69 history Head, Richard 117–118 books 531–532 Helgerson, Richard 379–380 gendered erasure 530 Henrietta Maria, Queen Consort 186, 287, 330, 361, of spaces 502–505 363–364 history plays 371–387 Henry IV, King of France 14 beginnings 373–377 Henry IV Part 1, continental influences 29 definitions 371–373 Henry V, religion 381–382 development of history plays 373–377 Henry VIII, King of England 145 propaganda 375–377 Henry, Prince of Wales 204–205, 312 Queen’s Men 374–377 Henslowe, Philip 61–62, 99, 215–216, 198, 228, religion 380–383 242–244, 251–252, 323, 535, 551, 556 Shakespeare 377, 378–380 Agnes Henslowe (wife) 288 source materials 374 debt 106–107 Tudor dynasty 375–377 Diary 199, 251, 288, 323, 390, 546 Histrio‐Mastix (Prynne) 59, 186, 469–470 Rose (playhouse) 99, 106–107, 197–199, 215–216, 220, Hitchcock, Richard 12 240, 242 Hohenheim, P. A. T. B. von see Paracelsus Fortune (playhouse) 197, 198, 203–204, 220, 223, 240, Holbein, Hans, the Younger 126 244, 290 Holinshed, Raphael 377, 389–390 Hope (playhouse) 222 Holland, Aaron 221 see also Lord Admiral’s Men Hollar, Wenceslaus 222 heraldic minstrels 326–327 Holyday, Barten 168 Herbert, George 162 Holy Land, pilgrimages 92 Herbert, Sir Henry 225–226, 233, 234, 235 homiletic tragedy 392 Herbert, William, 3rd Earl of Pembroke 235 Homily against Idleness, An 112–113, 115 Hertford, Earl of see Seymour, Edward, 1st Earl of Hertford homoeroticism 444–447, 451–453 heterohistory 452 homohistory 452 Heywood, Jasper 46–47 homonormativity 449–450 Heywood, Thomas 53–54, 61, 93 homosexuality 446 see also queerness antitheatricality 188 homosociality 449–450 domestic tragedies 396–400 honestas 186 gender 458–459 Hope (playhouse) 222 satire by children 276 Hotspur 29 trade 95 Houghton, William 69, 70, 505 see also individual works “Household of Magnificence” 311 Hickes, Richard 215 households hierarchy and vagrancy 115–120 Arden of Faversham 392–395 historically informed performance 256–265 aristocratic 324–334 amounts of rehearsal 257–259 musicians 326–327 common light 259 personnel 324–327, 329, 331 costumes 264 privacy and space 128–129 director‐free processes 262–263 regulations 324 early modern text versions 262–264 retainers 324–327, 329–334 “original pronunciation” 264–265 roles 129, 138 parts, memorization and prompting 259–261 scrutiny 128

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women 329–331 insolvency 104–105 see also domestic life Institutio oratoria (Quintilian) 27 houses of correction 115 insurrection 121–122 Howard, Jean E. 379 interest 107–109 Howes, Edmund 198 interludes 45, 325, 326 Howson, William 213 interpretation of masques 316 Huarte, Juan 477–478 intimacy 255–256 Huguenots 14 IOU’s 101–102 Humanism 21–34, 45–48 Island Princess, The (Fletcher) 427 Bancroft 23 Isle of Dogs, The (Nashe and Jonson) 216, 231 Luther 22 Isle of Gulls, The (Day) 276 Machiavelli 22–25 Italian actresses 285–286, 289–291 wit 517–518 Italian court opera, concepts 309 humors 163–166 itineraries, touring 304–305 Hunnis, William 271 Hutchinson, Elizabeth 288 Jack Drum’s Entertainment (Marston) 273, 274 James VI and I, King of England and Scotland 11–20, 82, iatrochemistry 155, 164–165 149–150, 232–233 ideology, representations of vagrancy 118–119 Jameson, Frederic 427 idleness 115 see also vagrancy Jew of Malta, The (Marlowe) 23, 95, 201, 243, 244, 476 If You Know Not Me, You Know Nobody (Heywood) 95, 383 Jews 23, 66, 89, 118, 184, 426, 481 Il Pastor Fido (Guarini) 31 Johnson, Cornelius 126 Images of Englishmen and Foreigners (Hoenselaars) 70 Jones, Inigo 309, 316, 326, 359, 361–362, 366, 507 “imaginative” religious dramas 40 Jones, John 605 immigration Jones, Richard 106, 201, 245, 566 children 68–69 Jones, William 566, 567 Dutch Church Libel 65–68 Jonson, Ben guilds 68, 69 alchemy 160–161 London 76–77 antitheatricality 182–183, 190 multiculturalism 65–74 boy companies 274 rights to trade 68 censorship 226 self–other dynamics 70–71 dancing 366–367 imports gender 463–467, 468–469 London 78–79 global trade and labor 534–535 luxury items 94 masques 313, 364–367, 468–469 “impression”, power of 271 The New Inn 465–467 imprisonment printing 555, 556 debt 104–105 travel 93 licensing 233–234 vagrancy 118 improvisation 205–206, 285 wit 523, 524 inaugural celebrations 338–341, 342–343 see also individual works income from touring 297–300 Josephus 585 indoor playhouses 211–212 see also private playhouses jousts 313–314 infidelity 135–136 Julius Caesar (Shakespeare) 247, 372, 384, 523 inflation 100–102, 114 inflation of honours 18 Kempe, William 56–57, 219, 239, 242, 245, 246, ingenium 515–522 520–521 Innes, A. Mitchell 101 Kendall, Thomas 276

0003101650.indd 623 4/3/2017 10:01:49 AM 624 Index

Kenilworth, progresses 310, 315, 317, 364 length of performances 254–255 Kermode, Lloyd Edward 70 Levant Company 89, 94 Keysar, Robert 221–222, 276–277 Levine, Laura 447, 463 Kindleberger, Charles 101 Liberties, the 69, 99 King James IV (Greene) 371 Liber Vagatorum 117–118 King Johan (Bale) 47 licensing 225–238 King Lear (Shakespeare) 22, 120, 158, 166 Caroline era 234–235 kings as beggars 119–120 censoring 228, 229–230, 232–233 King’s Men 222–223, 233, 246–247, 604 closures 235–236 King’s Revels 224, 301 competing authorities 227–228 King and the Subject, The (Massinger) 234 at end of Elizabeth I 231 “kinship networks” 418 fees 228 Kirkham, Edward 273–274 James I 232–233 kissing 208 origins 226–227 kitchens 303 playhouse building 213, 228 Knack to Know a Knave, A 239, 243 for the press 232–233 Knight of the Burning Pestle, The (Beaumont) 55, 301, protection afforded 229–230 330, 464 Puritanism 234–236 Knight of Malta, The (attr. Fletcher, Field, and text transmission 549–551 Massinger) 478 touring 298–299 Koivisto–Alanko, Paivi 513, 514 women 288–289 Kyd, Thomas 51–52, 405–406 Life, The (Cary) 584 Linton, Simi 489–490 labor 533–535 listening versus watching 60 Lady Elizabeth’s Men 216, 222, 247, 278 literacy, print culture 53–54 Lady of May (Mary Sidney) 364 Little French Lawyer, The (Beaumont and Fletcher) 488 landed gentry 83–84 liturgical seeds 38–45 landscape 503 location‐specific writing 199 Laneham, Robert 55 logarithms 167 Langley, Francis 216 London 75–87 language 199–200 aldermen 79–80 oral culture 199–200 antitheatricality 182–192 “original pronunciation” 264–265 apprentices 80–81 wit 513–514 civic rituals 342–345 Lanyer, Aemelia 330 class conflict 75–82, 85 Larum for London, A (anon.) 488, 492, 495 commerce 77–82 Late Murder of the Son upon the Mother (Dekker, Ford, Rowley, coronations 338, 342–343 and Webster) 391 debt 80 Latin plays 269–270 Great Fire 224 Laud, William 148, 234 immigration 65–66, 68, 76–77 laughter international trade 93–95 popular culture 57–58 Lord Mayor’s show 338–341, 346–351 tragedies 399–400 luxury imports 78–79 Laws (Plato) 515 manufacturing and trade 77–78 lazzi 287 plague 223 Lefebvre, Henri 502 population growth 76–77 Leibniz, Gottfried 167 prostitution 81 Leicester’s Men 206, 213, 227, 239, 240, 241, 297, 329 Royal entry 339–340

0003101650.indd 624 4/3/2017 10:01:49 AM Index 625

shopping 78–79 macroeconomics 100–102 social mobility 82–85 Mactacio Abel 41–42 spaces 505–510 magic 170–181 tensions with Westminster 79–82 in context 170–176 urban morality plays 345–346 demonology 173, 174 vagrancy 114, 121–122 Doctor Faustus 198 women 77 onstage 176–178 London Corporation 183 see also alchemy; witchcraft London Royal Exchange 71 Magnetic Lady, The (Jonson) 234 London Watch pageants 344–345 Magnificent Entertainment, The 52 long‐distance trips 90 Magnyfycence (Skelton) 46 Longer Thou Livest the More Fool Thou Art, The Maid’s Tragedy, The (Beaumont and Fletcher) 606 (Wager) 43–44 Makejoy, Matilda 330 Longus 422 Malcontent, The (Marston) 30–31, 279 Looke About You (anon.) 488 maleficium 171–176 Looking Glasse for London and England (Lodge and male friendship 446 Greene) 58 Mankind 42–43 Lord Admiral’s Men see Admiral’s Men Man of Mode, The (Etheridge) 518 Lord Berkley’s Men 302 manufacturing 77–78 Lord Chamberlain’s Men see Chamberlain’s Men manuscripts Lord Dudley’s Players 302 acting companies 549–552 Lord Hay’s Masque (Campion) 363, 365, 366 creation 547–549 Lord Mayor, theaters 121–122 “foul” papers 547–549 Lord Mayor’s show 338–341, 346–351 licensing 549–551 Lord Strange see Stanley, James, 7th Earl of Derby printing 552–557 Lord Strange’s Men see Strange’s Men publishers 560–575 Loseley Manuscripts 323–324 revisions 550–551 love 133, 139–140 maps 92 Love Restored 365 Marathon Man (Schlesinger) 254 Loves Adventures 589, 590–591 Marc Antoine (Garnier) 579 Love’s Labour’s Lost 449, 453, 513, 516, 518, 519 Marching Watch 341, 344 Lucan 591 Maria, Henrietta see Henrietta Maria, Queen Consort Lucretius 27 maritime exploration and trade 77–78, 90 Lust’s Dominion (Dekker) 475, 476 market development 98–100, 523–524 Lutheranism 22, 382 market individualism 102–103 luxury imports and textiles 16, 78–79, 94, 288 Mark, Gospel of 39 Lyly, John 54, 239, 242, 246, 271–272, 275 Marlowe, Christopher 23, 92, 177, 198, 205, 208–209, court masques 318 383, 444–446, 476, 479–480, 536–537 see also sexuality and queerness 448 individual works wit 514–515 marriage 127, 130–138 see also individual works adultery 134, 135–136 Lyric Wonder (Biester) 516–517 age 130–131 aristocracy 132 Macbeth 177–178, 190, 381, 385, 463 children 137–138 Machiavelli, Niccolò 22–25, 323 choice 132–133 McManus, Clare 289 clandestine 131 Macro collection, the 43 divorce and separation 133–134 macrocosm 38, 163–165 Elizabeth I 148

0003101650.indd 625 4/3/2017 10:01:49 AM 626 Index

marriage (cont’d) Master of the Revels 204, 225–238 Elizabeth Cary 584 boy companies 268–269 love 133, 139–140 censorship as protection 229–230 Mary Cavendish 587 fees 228 relations 134–135 license 227 remarriage 133–134 origins 226–227 social convention 127, 130–132, 460 rehearsal 251–252 “Spanish Match” 18–19, 150 text transmission 549–551 Marsh, Thomas 564–565 see also licensing Marston, John 30–31, 226, 245 Matar, Nabil 93 boy companies 273, 274, 276 material artifacts, provenance 530–531 immigration 66, 69 materiality see also individual works books 531–532 Martinelli, Angelica 287 cognition 537–538 Martinelli, Drusiano 287 concepts 529–530 Martin Marprelate controversy 272 critical approaches 529–542 Mary I 65, 146 food 100, 104, 114, 116, 119, 173, 215, 288, 296, Mary, Queen of Scots 12–13 324, 530 masculinity 464–467 global trade and labor 533–535 Masque of Blackness (Jonson) 313, 323, 330, 364, 478–480 phenomenology 538–540 Masque of Flowers 363 religious objects 535–537 Masque of Queens (Jonson) 313, 468–469 trifles 535–537 masques 310–312, 323, 326, 328–329, 357–370 wit 525–527 antimasques 313 material model of disability 492 concepts 309–310 mathematics 167–168 conventions 358–361 matter of wit 522–525 critical history 361–363 Matthew, Gospel of 39 dancing 366–367, 408–409 Mazer, Cary 253–254 definitions 357 Meade, Jacob 106 evolution 357–358 medical model of disability 490 foreign policy 312 Medici, Marie de 317 gender 469 medicine 162–166 interpretations 316 medieval roots of drama 35–50 musicians 366–367 liturgical seeds 38–45 pamphlets 317–318 morality plays 42–45 performance 310–312, 365–367 mystery plays 36–38, 40–42 perspectives portrayed 363–365 pageants 40–42 revenge tragedies 408–409, 413–414 secularization 36–38 royal celebrations 312–316 secular plays 45–48 Stuart 310 Medieval Stage, The (Chambers) 37 texts 316–318 Meditations (Aurelius) 33 women 287–288 Medwall, Henry 45–46, 325–326 Massacre at Paris (Marlowe) 383 Meighen, Richard 572 Massinger, Philip 76, 84–85, 234–235, 427, 428, 555 Memorable Masque (Chapman) 363 see also individual works memorization 259–261 mass sociability, popular culture 58–59 men masterless men 114 company repertories 240 master players 202, 203–205 female impersonation 207–208, 447–448

0003101650.indd 626 4/3/2017 10:01:49 AM Index 627

homosociality 449–450 wage deflation 100–101 impersonation 469–470 wit 520–522 queerness 443–455 women financiers 288 repertory 61–62, 300–301, 374–377 Montaigne, Michel Eyquem de 32, 33, 483, 491–492, 568 sodomy 444–446 Moors 92–93, 95, 474–486 see also race witchcraft 173 morality Menon, Madhavi 452–453 antitheatricality 184–189 merchants domestic tragedies 397–399 international trade 93–96 plays 42–45 London 77–85 scrutiny 128 social mobility 82–85 moral model of disability 490–492, 493 as vogue 89 More, Sir Thomas 114, 125 Merchant of Venice, The (Shakespeare) 22–24, 108–109, 446 Morison, Richard 113, 115 method acting 254 morris dancing 59, 282, 327 Michaelmas Term 76, 84 mortgages 80 microcosm 38, 164 Mother Bombie (Lyly) 488 microeconomics 102–103 Mountfort, Walter 599, 601, 603–604, 608 Middleton, Thomas 25–26, 71, 76, 84, 274 see also Mountjoy, Marie 288 individual works movement Midsummer Night’s Dream, A (Shakespeare) 252, 325, courts 310–312 331–332, 451, 569, 604 hands 201 Midsummer Watch 344 performance 200–201 military exercises 313 revenge tragedies 412–415 Millington, Thomas 566, 567 Much Ado About Nothing (Shakespeare) 28–29, 453, 525 minstrels 297, 326–327, 330 Mulcaster, Richard 270 Mirrovr of Monsters (Rankins) 186, 187–188, 189–190 Muldrew, Craig 102–103 misogyny 135, 138 multiculturalism 65–74 see also immigration moderation 149 mummers’ plays 58–59 monarchy Munday, Anthony 59, 186, 347, 532, 547 coronations 314, 338–341, 342–343, 456–458 murders, print culture 53 gender 456–459 Muscovy Company 94 pageants 314–315, 317, 456–458 musicians 326–327, 366–367 see also choristers; minstrels processional routes in London 339–340 mystery plays 36–38, 40–42 progresses 287–288, 309, 314–318, 326, 363–365 see also individual monarchs Napier, John 167 monasteries, dissolution 114–115 Napier, Richard 133 money Nashe, Thomas 21–22, 26, 286 see also individual works credit economy 100–102 natural philosophy 154–169 culture of debt 103–106 alchemy 159–162 debt 98–111 anatomy 165–166 drama of debt 106–109 astrology 158–159 early modern drama 98–100 astronomy 157–158 international trade 95 chemistry 160 macroeconomics 100–102 mathematics 167–168 market development 98–100 medicine 162–166 microeconomics 102–103 Nature (Medwall) 45 property laws 107 neoplatonism 25–34 speculation 100 New Atlantis, The (Bacon) 167

0003101650.indd 627 4/3/2017 10:01:49 AM 628 Index

New Custom 66 Orlando Furioso (Ariosto) 28, 32, 243, 553 New Exchange 79, 93 Osmond the Great Turk (Carlell) 234 Newington Butts 214–215 Ottoman Empire 90, 374, 375 see also Turks New Inn, The (Jonson) 465–467 outdoor playhouses 211 see also public playhouses Newman, William R. 160 Overbury, Sir Thomas 253, 362, 363 News from Bartholomew Fair (West) 89 Ovid 49, 187 Newton, Sir Isaac 167 Owlett, Sir Oliver 297, 298 Newton, Thomas 410 Oxford University 147, 168, 235, 561 New Way to Pay Old Debts, A (Massinger) 76, 84–85 Oxford, Earl of see Vere, Edward de, 17th Earl of Oxford Nine Years’ War 14 Noble Spanish Soldier, The (Dekker) 71–72 pagan traditions 58–59 nonprofessional playwrights 598–611 pageants 40–42, 314–315, 317 publishing 562–564 gendering 456–458 republishing 562–564 London Watch 344–345 rule breaking 601–602 Lord Mayor’s show 346–351 stage directions 600–601 St. Stephens 457–458 see also individual playwrights page numbering 555–556 Northbrooke, John 182, 184, 187 Palsgrave’s Men 246–247 see also Admiral’s Men; Prince Northumberland, Earl of see Percy, Henry Algernon, 5th Earl Henry’s Men of Northumberland pamphlets Northward Ho (Dekker and Webster) 274 antitheatricality 183, 185–189 Norwich court masques 317–318 pageants 315, 317 print culture 53 Red Lion Inn 298 satire ban of 1599 522 Norwood, Richard 598, 599, 609 trade 89 Novelas ejemplares (Cervantes) 427 Paracelsus 155, 164–165 No Wit, No Help Like a Woman’s (Middleton) 71, 521 parenting 137–138 N‐town cycle, the 40 Paris, seige of 14 numbers of players 201 Parliament 12, 15–19, 66, 79, 104, 113, 170, 228, 231, 235 octavo prints 554, 556 Parnassus plays 519–521 Okes, Nicholas 570–571 participation, audiences 198–199 Old Fortunatus (Dekker) 67, 95–96, 422 parts 259–261 Old Joiner of Aldgate, The (Chapman) 273 passionating 253–254 Old Law, The (Massinger, Middleton, and Rowley) 488 patents 203, 227 Old Wives Tale (Peele) 57 patriarchy 138, 459–460 O’Neill, Hugh, Earl of Tyrone 14 patronage oral culture 54, 199–200 great households 329–334 original practices movement 256–265 text acquisition 546 amounts of rehearsal 257–259 touring 298–300 common light 259 Paul’s Boys see Children of Paul’s costumes 264 Paul’s choristers 212–213, 219, 231, 245, 270–271, 273–274 director‐free processes 262–263 Paul’s School see Children of Paul’s early modern text versions 262–264 Pavier, Thomas 569–570 original pronunciation 264–265 Pavy, Salomon 275 parts, memorization and prompting 259–261 pawnbroking 288 reconstructed and extant spaces 261–262 payment, touring 297–300 single‐gendered casts 264 Peacham, Henry 105

0003101650.indd 628 4/3/2017 10:01:49 AM Index 629

Pearce, Edward 273–274 spaces 200 Peddlers Prophecie, The 69–70 styles 200–202, 253–254 Peele, George 57, 346, 347, 405, 474–475, 601 see also timings 254–255 individual works touring venues 302–304 Peers, Edward 219 training 202–203 Pembroke, countess of see Sidney, Mary voice 199–200 Pembroke, Lord Chamberlain see Herbert, William, 3rd Earl women 285–288, 468–469 of Pembroke Pericles (Shakespeare) 246, 301, 328, 420–421, 461, 569 Pembroke’s Men 242, 243–244, 297 Perkin Warbeck (Ford) 385 penal bonds 80, 104–105 Perkins, William 151 Percy, Henry Algernon, 5th Earl of Northumberland 323, personal satire 276–277 325, 327 personification 43–45 Percy, William 601 personnel of households 324–327, 329, 331 performance 195–210 perspectives, masque 363–365 acting practice 250, 253–267 persuasions, religious 143–153 amateur dramatics 607–608 Petrarch 25, 28, 384 amounts of rehearsal 257–259 phenomenology and performance 538–540 audience participation 198–199 Philip II, King of Spain 12–13 bonds 106 Phillips, Mary 289 celebrated actors 203–205 philosophers’ stone, the 160 clowning 205–206 philosophy common light 259 wit 514, 516 concepts 195–196 see also natural philosophy costumes 264 Phoenix, The (Middleton) 274 Cromwellian era 330–331 Phoenix (playhouse) 223, 278 see also the Cockpit director‐free processes 262–263 physicians 162–166 domestic tragedy 399–400 Pierce Penilesse (Nashe) 26 dual consciousness of actor and character 279 Pilgrim, The (Fletcher) 488 early modern text versions 262–264 pilgrimages 92 envisioning 195–199 Pilgrimage to Parnassus, The (anon.) 519 female impersonation 207–209, 447–448 pirates 91 great households 322–336 “plagiary” 523 kissing 208 plagues 183, 223, 242 Lord Mayor’s Show 346–351 Plato 25, 27, 28, 29, 187, 515 masque 310–312, 365–367 Platonic idealism 25 movement 200–201 Platter, Thomas 90, 93 nonprofessional direction 600–601 Players’ bonds 106 original practices 256–265 Playes Confuted in fiue Actions (Gosson) 185 original pronunciation 264–265 playhouses 211–224 parts, memorization and prompting 202, 259–261 1275‐78 212–215 phenomenology 538–540 1567 212 props 198, 252, 535–537 1587 215–216 quality 201–202 1594 216 reconstructed and extant spaces 261–262 1598‐1600 216–220 recreation 255–265 1607 220–222 rehearsal 202, 250–253 1614 222 scheduling 197 1617 223 single‐gendered casts 264 1623 223

0003101650.indd 629 4/3/2017 10:01:49 AM 630 Index

playhouses (cont’d) polygonal shape of playhouses 200 1630 223–224 poor relief 114–115 capacity 197 “popery” 147–148, 190, 537 closure 235–236 popular culture 51–64 debt 106–109 actors 203–205 definitions 195 audience appeal 60–61 design 200, 203, 211–212 class mingling 55 entrance fees 212 commercial habits 54–58 galleries 212 hits and flops 61–63 indoor 211 print culture 53–54 “infections” 121–122 public theaters 58–59 licensing 213, 228 Puritanism 58–59 mass sociability 58–59 population growth 76–77, 100–101, 114 outdoor 211–212 postlicensing authorial corrections 550–551 plague closures 223 poverty 100–101, 112–124 public playhouses power basic description 211–212 aristocratic 329–330, 333–334, 363–365 popular culture 58–61 court codes 310–311 prejudice 48–49 illusion of 310 riots 60–61 masque 363–365 private 211 progresses 314–315 boy companies 268–281 touring companies 299–300 support in London 82 see also social capital touring shows 302 Praise of Folly, The (Erasmus) 29, 33 women‐owned/leased 288 predestination 146–147 writing for 199 pregnancy 128, 137–138, 459–461 see also individual venues prejudice 48–49 playing companies see companies pre‐Marlovian plays 43–44 Play of the Sacrament 426 Presbyterians 16–17 playwrights price revolution 100 great households 331 Prince, The (Machiavelli) 25 nonprofessional 562–564, 598–611 Prince Charles’s Men 218, 222, 224, 247 women in print 576–597 Prince Henry’s Barriers (Jonson) 312, 313 see also individual authors Prince Henry’s Men 203, 246–247, 305 see also The Lord Pleasure Reconciled to Virtue (Jonson) 366–367 Admiral’s Men Plutarch 49, 582, 591 Prince Henry’s and Palsgrave’s Men 220 see also Poel, William 255–256, 399 Admiral’s Men poena conventionalis 107 Principal Navigations (Hakluyt) 88, 90–91 Poetaster (Jonson) 246, 276, 521 printing 552–557 poetics of space 310, 315 casting off 554 politics costs 556 Arden of Faversham 392–395 court plays 54 censorship 228, 229–230 female authors 576–597 English 11–20 frames 554–555 great households 329–330, 333–334 literacy 53–54 Mary Sidney 579 profits 562–564 masque 363–365 publishing 552–557, 560–575 tragicomedies/romances 427–428 sale prices 556

0003101650.indd 630 4/3/2017 10:01:49 AM Index 631

signatures 555–556 Waterson, Simon 567–568 sizes 553–554 women in print 576–597 watermarks 554 Puddle Wharf 204 privacy 128–129 Pulham, George 205 Privy Council 113, 121, 227–228, 231, 311 puppetry 59 Proby, Peter 82 Purchas, Samuel 91 processional routes in London 339–340 purging 163 profits from publishing 562–564 Puritanism 144, 149–150 progresses 287–288, 309, 314–318, 326, 363–365 antitheatricality 183–188 prompting 202, 260–261 church of England 11–12 propaganda in history plays 375–377 end of touring companies 306–307 property laws 107 James I 16–17 props 198, 252, 535–537 licensing 234–236 prostitution 81, 128 popular culture 58–59 Protestantism Puttenham, George 36, 49, 57–58 Bancroft, Richard 23 Pym, John 235 Book of Common Prayer 145, 151 Calvinism 144–150 quadrivium 158, 167–168 Elizabeth I 11–15 quality of performance 201–202 history plays 375–377 quarto prints 554, 556 immigration 65–68 Queen Anne’s Men 204, 205, 221, 223, 246, 604 see also James I 16–17, 19 Worcester’s Men Puritanism 144, 149–150 Queen of Corinth, The 427 the Reformation 143–153 Queen’s Men 206–207, 227, 233, 247, 278–279, 329 stage devils 37 history plays 374–377 see also Calvinism; Church of England; Lutheranism; repertory 241–242 Puritanism touring 297–299, 302, 304 provenance of artifacts 530–531 Queen’s Revels Boys 232 Prynne, William 59, 186, 188, 189, 469–470 queerness 443–455 Ptolemaic cosmos 158–159 definitions 443–444 publishing 560–575 fetish 452 Blount, Edward 567–568 gender fluidity 447–448 Burby, Cuthbert 565–567 homoeroticism 444–447, 451–453 Cooke, William and Andrew Crooke 572 homonormativity 449–450 Creede, Thomas 565–567 homosexuality 446 Eld, George 561–562, 570–571 women 448–451 female authors 576–597 Quem quaeritis 37, 39 folios 556–557 Quintilian 27, 516 the Folio Syndicate 570–572 quitclaims 107 Marsh, Thomas 564–565 Meighen, Richard 572 race nonprofessional playwrights 562–564 critical perspectives 474–486 Okes, Nicholas 570–571 Huarte 477–478 Pavier, Thomas 569–570 Marlowe 476, 479–480 printers 561 religion 481–483 printing 552–557 Shakespeare 475, 477, 480–483 risks 562–564 social cohesion 478–480 stationers 561–562 transmission 477–478

0003101650.indd 631 4/3/2017 10:01:49 AM 632 Index

Radcliffe, Thomas 240 divorce 133–134 “railing” 276–277 drama 38–45, 325 Ralegh, Sir Walter 68, 233, 363 Dutch Church Libel 65–68 Rankins, William 185–186, 187–188, 189–190 Elizabeth I 11–16 Rawlins, Thomas 599, 605–606 faith by statute 144–147 reading of religious texts 151–152 great households 325 reality history plays 380–383 domestic tragedy 399–400 James I 16–17, 19 performance styles 253–254 mystery plays 36–38 “Real Presence” religious dramas 40 persuasions 143–153 Rebellion, The 605–606 race 481–483 Recorde, Robert 167 reading habits 151–152 Records of Early English Drama (REED) project 38 the Reformation 143–153 Civic London 322–324 remarriage 133–134 great households 322–324 sermons 147, 151–152 Inns of Court 322–324 skepticism 32–33 materiality 535–537 temperaments 147–150 spaces 509–510 tragicomedies/romances 429 touring 296–297 religious objects 535–537 women 41, 285–286 Remedy for Sedition, A 115 recreations “Renaissance men” 155 boy companies 278–279 Renegado, The (Massinger) 427, 428 costumes 264 repertory 201, 239–249f Harbage 196 Admiral’s Men 61–62 original practices movement 256–265 boy companies 273–277 original pronunciation 264–265 choristers 273–275 performances in authentic spaces 261–262 domestic tragedy 390–399 Red Bull (playhouse) 61, 196, 201, 204, 212, 220, 221, history plays of Queen’s Men 374–377 223, 246, 247, 289 touring companies 300–301 Redford, John 518–519 urban morality plays 345–346 Red Lion (playhouse) 203, 212, 398 see also individual companies REED see Records of Early English Drama reprints 562–564 Reformation, the 35–50, 143–153 retainers of great households 324–327, 329–334 Biblical usage 47–48 Return from Parnassus, The, Parts 1 and 2 520–521, 561, 562 Book of Common Prayer 145 Returns of Aliens 66 Calvinism 144–150 revenge tragedies 403–416 Dutch Church Libel 65–68 catharsis 410 faith by statute 144–147 choreography 406–409 history plays 381–383 contagion and cure 409–412 pagan traditions 58–59 ghosts 404–406 secular plays 45–48 masques 408, 413–414 temperaments 147–150 recursive elements 412–415 rehearsal 202, 250–253, 257–259 return 404–406 religion revisions to texts 550–551 antitheatricality 183–188 Rhetoric (Aristotle) 515 Charles I 18–19 rhetoric and wit 515–518, 522–523 conversion 143–144 Richard II (Shakespeare) 163–164 disability 492–493 Richard II 230

0003101650.indd 632 4/3/2017 10:01:49 AM Index 633

Richard III (Shakespeare) 241, 375, 487–488, 491, 496–497 school plays 278–279 Rider, William 608–609 schools of acting 202 “riding skimmington” 55, 135–137 science 154–169 see also natural philosophy riots 60–61, 67, 75–76 scold’s bridles 530 Ripa, Cesare 309 Scotland roads and touring itineraries 305 James VI/James I 11–18 Roaring Girl, The (Dekker and Middleton) 383, 448, 507–509 unification 17–18 romances 417–440 Scot, Reginald 52, 176 cultural/political aspects 427–429 scribes 549 English stage works 430–432 Second Maiden’s Tragedy, The 232 Guy of Warwick 423–424 Second Shepherds’ Play, The 325, 404 “late plays” of Shakespeare 419–421 secularization of mystery plays 36–38 performed 422–424, 429 secular plays 45–48 and tragicomedy 417–419 secular rituals in civic drama 341–346 Roman comedies 269–270 self–other dynamics 70–71 Romeo and Juliet (Shakespeare) 158, 567, 606 semiology 252, 309–310 Rose (playhouse) 99, 106–107, 197–199, 215–216, 220, Seneca 48, 371, 404–405, 410, 580 240, 242 separation 133–134 “rough music” 55, 136 Serlio, Sebastian 505–506 Rowley, William 53, 91, 178, 332, 381–382, sermons 147, 151–152 390, 391, 425, 462, 488, 521 see also individual plays Seven Deadly Sins, The 207 royal celebrations 312–316, 338–343, 456–458 sexuality 443–455 Royal College of Physicians 166 “chin chucking” 452 royal concessionary grants 82 definitions 443–444 Royal entry, London 339–340 domestic life 128, 131–132 Royal Exchange 95 fetish 452 Royal Hospitals 115 gender fluidity 447–448 royal progresses 287–288, 309, 314–316, 326, 363–365 hetero‐/homohistory 453 Royal Shakespeare Company (RSC) 255, 399 homoeroticism 444–447, 451–453 Rudolph II, Holy Roman Emperor 161 homonormativity 449–450 Russell, Lady Elizabeth 315–316 homosexuality 446 Rutter, Joseph 418 social transgression 444–447 women 448–451 St. Bartholomew’s Day Massacre 24 Seymour, Edward, 1st Earl of Hertford 325, 327 St. George’s plays 59 “shadow” economy 288 St. James Palace 312 Shakespeare’s Globe 255–256, 260–261 St. Martin‐in‐the‐Fields 78 Shakespeare, William St. Stephens pageant 457–458 alchemy 162 Salisbury Court (playhouse) 223–224, 278 antitheatricality 190–191 Salisbury, Earl of see Robert Cecil, 1st Earl of Salisbury astrology 158–159 Samwell, Richard 218 censorship 230 Sanderson, John 89 company of actors 121 Sapientia Solomonis 270 disability 487–488, 491, 496–497 satire 276–277, 522 erotic jealousy 32 Savage, Jerome 214–215 history plays 377, 378–381 scenarii 287 homonormativity 449–450 Schoole of Abuse, The (Gosson) 187 “late plays” 419–421 Schoolmaster, The (Ascham) 21 medicine 163–165

0003101650.indd 633 4/3/2017 10:01:49 AM 634 Index

Shakespeare, William (cont’d) social inversion 313 patron–player interactions 331–332 social mobility 82–85, 116 playhouses 218–220 Soddered Citizen, The (Clavell) 551, 601, 604 print culture 54 sodomy 444–446 race 475, 477, 480–483 Somerset Masque, The (Campion) 365 revenge tragedies 403, 406, 413–415 sotie tradition 46 sexuality and gender 446–453 Southwark 122 wit 513, 516, 518, 519, 523–527 spaces witchcraft 176–178 comedies 505–509 see also individual works critical approaches 501–512 Sharpe, Lewis 606–607 digital turn 510 Shepherd’s Paradise, The (Montagu) 469 gender 503–505 Sherley brothers 91 histories 502–505 shipbuilding 77 in homes 128–129 Shirley, James 89, 278, 363, 514, 572 position‐taking 522–523 Shoemaker’s Holiday, The (Dekker) 61, 69–71, 383, 533 present 509–510 Short and Sweet (Wilson) 207 urban 505–509 Shrove Tuesday riots 61, 183, 197, 223 Spanish Armada 13–14, 148–149 Shylock 22–24, 108–109 “Spanish Match” 18–19, 150 Sidney, Mary 577, 579–583 Spanish Tragedy, The (Kyd) 405–406 Sidney, Sir Philip 25, 27–29, 36, 48, 57, 409–410, 422, 425 Spanish Viceroy, The 225–226 Silent Woman, The (Jonson) see Epicoene Spanish Wars 12–14, 148–149, 225–226 Singer, John 206–207 Spencer, Sir John 83 single‐gendered cast recreations 264 Spenser, Edmund 28, 55, 479 Sir John Van Olden Barnavelt (Fletcher and Massinger) spousals 131–132 232–233, 385, 550 Stafford, Edward, 3rd Duke of Buckingham 298, Sir Thomas More 75–76, 122, 230, 381, 382 323, 324 Sir Thomas More and His Family (Holbein the stage devils 37 Younger) 126 stage management 252 Sir Thomas Wyatt 382 stages Six Court Comedies 54 city spaces 505–509 Skelton, John 46, 330 civic drama 505–509 skepticism 32–33 comedies 503–509 “skimmington ride” 55, 135–137 concepts 196 Slater, Martin 221 depth effects 504–577 slavery, vagrants 113 feminist perspectives 285 Smith, Sir Thomas 83–84 great households 325–326 Smith, Winifred 284 touring companies 302–304 Sociable Companions, or Female Wits, The (Cavendish) standard of living 15–16 591–592 Stanley, James, 7th Earl of Derby 299, 305 social capital 128, 299–300 Stanley, William, 6th Earl of Derby 245, 299, 304, 305 social conflict stationers as publishers 561–562 classes 75–82, 85 Strange’s Men 56, 206, 215, 242–243, 244, 601 London and Westminster 75–87 Stuart, Princess Elizabeth 312 social inclusion Stubbes, Philip 59, 112–113, 186, 187, 189 court culture 82 “sturdy beggars” 113–115 Lord Mayor’s show 346–351 Subsidy Act 15 race 478–480 subversion of censorship 229–230

0003101650.indd 634 4/3/2017 10:01:49 AM Index 635

Suckling, Sir John 602 tirewomen 288 suicide 581–582 ’Tis Pity She’s a Whore (Ford) 166 Sullivan, Mary 284 Titus Andronicus (Shakespeare) 475–476, 477 Suttill contra Suttill 388–389, 395 Tom a Lincoln (anon.) 419 Sutton, Thomas 80 Topcliffe, Richard 231 Swaggering Damsel, The (Chamberlain) 602 touring 296–308 Swan (playhouse) 197, 203, 216–217, 222, 241, 247, company sizes 301–302 262, 604 costs 297–298 end of activities 305–307 Tamburlaine the Great, Parts 1 and 2 (Marlowe) great households 329 208–209, 479 income 297–300 Tamer Tamed, The (Fletcher) 234 infrastructure 305 Taming of the Shrew, The (Shakespeare) 163, 332, 530 itineraries 304–305 Tarlton, Richard 56–57, 206–207 licensing 298–299 taste and commercialization 54–58 patronage 298–300 taxation 18, 101 performance spaces 302–304 Technogamia or The Marriages of the Arts (Holyday) 168 power relations 299–300 Tempe Restored (Townshend) 469 purposes 297–300 Tempest, The (Shakespeare) 33, 89, 91–92, 403, repertory 300–301 413–415, 483 women 285–286, 289–291 texts Towneley cycle, the 40 acting companies 549–552 Towne, Thomas 205 clean copies 549 Townshend, Aurelian 469 creation 546–549 trade 88–97 early modern versions 262–264 credit relations 102–103 “foul” papers 547–549 Elizabeth I 15–16 masques 316–318 global 533–535 nonprofessional playwrights 598–611 London 77–78 printing 552–557 materiality 533–535 publishers see publishing venture capitalism 93–96 religious 16, 23, 47–48, 145, 151–152 see also commerce revisions 550–551 tragedies transmission 545–559 domestic 388–402 women in print 576–597 Arden of Faversham 388–390, 392–395, 399 theaters see playhouses definitions 390–392 Theater without Borders research collective 285 Heywood 397–399 Theatre (playhouse) 61, 106, 184, 213–214, 216, performance 399–400 218–219, 242 repertory 390–399 theorizing disability 489–493 revenge 403–416 Thirty Years’ War 19–20 catharsis 410 Thomas Lord Cromwell 382 choreography 406–409 Thorndike, A. 421 contagion and cure 409–412 Three English Brothers, The 91 ghosts 404–406 Throckmorton Plot 12–13 masques 408, 413–414 Thucydides 591 recursive elements 412–415 Tias, Charles 53 return 404–406 Tillyard, E. M. W. 378–379 Senecan 404–405 Tilney, Edmund 227, 228 see also tragicomedies

0003101650.indd 635 4/3/2017 10:01:49 AM 636 Index

Tragedy of Mariam, The (Cary) 462–463, 584–587, Two Lamentable Tragedies 396, 399–400, 599, 600 588, 590 Two Noble Kinsman, The (Fletcher and Tragedie of Thierry and Theodoret (Fletcher, Beaumont, Shakespeare) 424–425 and Massinger) 408 Tragicall History of the Life and Death of Doctor Faustus, Udall, Nicholas 269–270 The (Marlowe) Unfortunate Traveler, The (Nashe) 21–22, 33 antitheatricality 190 unhistoricism 452 clowns 205 unification of England and Scotland 17–18 magic 198 university curricula 158 materiality 536–537 University Wits 519–521 title page 198 urban morality plays 345–346 witchcraft 177 urban spaces 505–509 tragicomedies 417–440 usury 106 clowns 205–206 Utopia (More) 114 continental influences 31–33 cultural/political aspects 427–429 vagrancy 112–124 economy 99 acts of law 112–113 English works 433–437 crime 114, 116–119 “late plays” of Shakespeare 419–421 “deserving” poor 113, 114–115 performed 424–429 favorable representations 119–120 popular culture 57–58 future developments 122–123 and romance 417–419 historical contexts 113–115 spaces 503–505 as kings 119–120 structure 418–419 representations 115–120 translatio studii 479–480 in theaters 120–122 transmission touring 298–299 acting companies’ texts 549–552 women 118 licensing 549–551 venture capitalism 93–96 printing 552–557 Venus and Adonis (Blow) 366 race 477–478 Venus and Adonis (Shakespeare) 453 texts 545–559 Vere, Edward de, 17th Earl of Oxford 271, 272, 329 transvestitism 447–448, 463–470 Vesalius 165 travel 88–97 Villiers, George, 1st Duke of Buckingham 19, 233, 310, 364 Travels of the Three English Brothers, The (Day, Rowley, violence 55, 80–82, 104, 135 see also riots Wilkins) 91 Virgil 49, 55 Treatise wherein Dicing, Dauncing, Vaine playes or Enterluds … Visitatio Sepulchri 39–40 are reproved (Northbrooke) 184, 187 vulgarity, popular culture 57–58 trials, witchcraft 171–176 Triumph of Peace (Shirley) 363 wage deflation 100–101 see also inflation trivium 158, 168 Wager, William 43–44 troth‐plight 131–132 Wakefield Group 41 Turks 88, 89, 92–93, 95, 312, 375, 481, 591 see also Wallace, Charles William 284 Ottoman Empire Wallace, Hulda 284 Turner, Robert 400 Walsh, John 171–172 Twelfth Night (Shakespeare) 28–30, 158, wardship 132 447–451 Warning for Fair Women, A (anon.) 395–396, 404–405 Two Gentleman of Verona (Shakespeare) 449 Warwick’s Men 215, 239, 240–241

0003101650.indd 636 4/3/2017 10:01:49 AM Index 637

watermarks 554 familiars 174–175 Waterson, Simon 567–568 family 173–174 wealth future research directions 178–179 actors 204–205 gender 173–174 wit 520–522, 524 onstage 176–178 wealthy households 129 representations 176–178 Webster, John 22, 26, 31, 158 see also individual works see also alchemy weddings, royal ritual 312 Witchcraft Act 52, 170–173 Westcott, Sebastian 213, 270–271 Witch of Edmonton, The (Rowley, Dekker, Westminster 75–87 and Ford) 53, 178, 390, Court of Burgesses 79 397, 425 tensions with London 79–82 Witt, Johannes de 197, 217 West, Richard 89 Wit without Money (Fletcher) 513–514, 521 Westward Ho! (Dekker and Webster) 274 Woman Killed with Kindness, A (Heywood) 129, 398–400, Wheaton, Elizabeth 289 503–505 wheel of Fortune, de casibus 24–25, 31, 46, 392, 564 Woman’s Prize, The (Fletcher) 234 When You See Me You Know Me (Rowley) 381–382 women 282–295 Whetstone, George 80 Cary 577, 583–587 Whitefriars 197, 221–222, 243, 277 Cavendish 577–578, 587–592 Whore of Babylon, The (Dekker) 381 Chambers 283–284 widows 55, 127, 561 comedy 286–287 “willing” poor 115 cultural transmission 286–287 Willis, R. 298 Elizabethan culture 52 Wilson, Robert 206–207 finance activities 288 Wilson, Thomas 183–184 Graves 282–285 Winchester College 303, 305 great households 329–331 Windsor Castle choristers 213 guild membership 41 Winter’s Tale, The (Shakespeare) 27, 32, 496 impersonation 207–209, 447–448 wit 513–528 licensing 288–289 civility 518–519 London 77 as a commodity 519–522 male impersonation 469–470 concepts 513–515 marriage 130–137 education 518–521 masque 287–288 euphuia 515 minstrels 330 evolution of 518–522 performance 285–288, 468–469 gender 524–525 pregnancy 128, 137–138, 459–461 materiality 525–527 in print 576–597 matter of 522–525 “riding skimmington” 55, 135–137 money 520–522 scold’s bridles 530 rhetoric 515–518, 522–523 sexuality 448–451 underpinnings 515–518 Sidney, Mary 577, 579–583 women 524, 591–592 touring 285–286, 289–291 in the world 518–522 vagrancy 118 Wit and Science (Redford) 518–519 wit 524, 591–592 witchcraft 52–53, 170–181 witchcraft 173 definition in context 170–176 see also Elizabeth I demonology 173, 174 Woodford, Thomas 221–222, 273

0003101650.indd 637 4/3/2017 10:01:49 AM 638 Index

Woodliffe, Oliver 218 xenophobia 68, 72 Worcester’s Men 203, 231, 245–246 see also Queen antitheatricality 189 Anne’s Men see also immigration Wright, John 561 writing Yarington, Robert 599–601 for popular appeal 60–61 York cycle, the 40 process 547–549 Yorkshire Tragedy, A (Middleton) 396–397 wunderkammer 533 Young Company 279 Wynn, Sir John 78 Youths Glory and Deaths Banquet (Cavendish) 589–590

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