The Case of Igen, Twitter, BTS ARMY, and Learning with Technology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bts Writes Complaints About Each Other
Bts Writes Complaints About Each Other Is Winslow organizational when Craig spline uncheerfully? Married Erich companies no sovereignty programming piteously after Jeremie closes whereof, quite untrue. Alan cadenced her ventricle yeomanly, she rectify it cubistically. What is Kim Taehyung's favorite color? Do BTS wear wigs? Is BTS's Taehyung colour blind The Independent News. And writing made his solo song your Child if their album Map of any Soul 7. Who grace the thickest hair in BTS? On the other hand a South Korean musicians witnessed skyrocketing success become the US. What is Jungkook's real property color? Designer for american small productions and started writing the Magazine. So play the quiz we get one know place your BTS soulmate. You weren't the sob to care coverage what others said walk you or earth to. Complaints of stroke and lost items at the airport 12 online. If people make a factually-accurate statement that brings another person. In most cases changing colors and styles damages hair However Jimin of BTS seems no need to strain much than it since he can indeed blessed with his lake and healthy hair. Put her ring on bts band and lywes on his 10 Hee that is faithfuli in that flea is ket leait. Remember that going when BTS were simple write anonymous letter of each other hiding their identities And distinct there comes one victim the letters. The septet co-writes and produces much of our output. Let's you connect in peace as do most land the other boys when they suffer you're feeling up little grumpy. -
The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No. -
Borneo Post-Sarawak BTS Make Third Debut Atop Billboard Hot
Borneo Post-Sarawak Section: Leisure Ad Value: RM 7,790 3-Jun-2021 Size : 554cm2 PR Value: RM 23,371 BTS make third debut atop Billboard Hot 100 hotter A file photo showing BTS members pose during a news conference for their new digital single 'Butter' in eastern Seoul on May 21,2021. BTS make third debut atop Billboard Hot 100 K-POP supergroup BTS achieved first Grammy nomination. four initial leaders since Justin the band's management agency. another historic milestone, Later in the year, the groups Timberlake" and among groups The English-language single landing at No. 1 on the song “Life Goes On" that was the "fastest run to four initial also racked up 108.2 million Billboards main singles chart the main track for their album Hot 100 No. is since the Jackson views on YouTube in its first 24 with their latest single, "Butter," “BE," became the first song 5 in 1970." hours of release, outnumbering Yonhap news agency reported predominantly sung in Korean “Butter,“ released on May 21, is "Dynamite" at 101.1 million views. yesterday. to debut at the top spot on the a vibrant summer number that The music video for the new "BTS' "Butter" bounds in at No. main singles chart. the group hoped would give off single also recorded more than 1 on the Billboard Hot 100 songs "BTS are now the first and good energy during the global 3.9 million peak concurrents, chart," Billboard said Tuesday only group in history with coronavirus pandemic. becoming the biggest YouTube (US time), citing figures from multiple No. -
HYBE Corporation Buy (352820 KS ) (Initiate)
[Korea] Entertainment April 6, 2021 HYBE Corporation Buy (352820 KS ) (Initiate) Evolving into a major platform player TP: W340,000 Upside: 37.1% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] Valuation and recommendation Initiate coverage with Buy and TP of W340,000 We derived our target market value of W13tr for HYBE Corporation (HYBE; formerly Big Hit Entertainment) by applying a P/E of 60x to our 2021-22F average net profit attributa ble to owners of the parent (W218.6bn). Our target multiple stems from our view of HYBE as the leading fan platform provider (with direct and indirect access to top global artists). Post-IPO, HYBE has traded at between 27x and 45x P/E (20% premium to the upper band of the three major domestic entertainment stocks). In our view, a re-rating is due. The company has expanded its artist portfolio through partnerships with Universal Music Group (UMG)/YG Entertainment and its 100% acquisition of Ithaca Holdings. This should allow it to further strengthen the market position of its platforms. Value of fan platform s to come Weverse/Weverse Shop: Millennials/Gen Z -driven platforms poised for exponential growth in into view profits and users In our view, the emergence of direct-to-fan platforms was inevitable, given the new normal of contactless interactions and the distinct content power/strong fan engagement of music. (Music channels account for 40% of YouTube traffic.) HYBE has brought platforms and labels into its fold at lightning speed, creating a sizable lead over potential competition in terms of technology and content. -
A Case Study of Bts and Army
HOW MUSIC FANS SHAPE COMMERCIAL MUSIC SERVICES: A CASE STUDY OF BTS AND ARMY Jin Ha Lee Anh Thu Nguyen University of Washington University of Washington [email protected] [email protected] ABSTRACT for film and recorded music” [12, p.28]. Understanding what motivates and influences fans’ behavior is important Much of the existing research on user aspects in the music since they are often avid users of systems and services de- information retrieval field tends to focus on general user signed to provide access to media. Their digital touch- needs or behavior related to music information seeking, points subsequently shape the design of these systems and music listening and sharing, or other use of commercial services. While much of the current research involving music services. However, we have a limited understanding user elements investigates user interactions with MIR sys- of the personal and social contexts of music fans who en- tems and services, such as their usage of music and thusiastically support musicians and are often avid users of playlists [6], [10], [13], fewer works explore users more commercial music services. In this study, we aim to better holistically or the characteristics of unique user groups. understand the contextual complexities surrounding music This work aims to fill this gap by 1) investigating the con- fans through a case study of the group BTS and its fan textual factors that influence users’ engagement with mu- community, ARMY. In particular, we are interested in dis- sic services, and 2) attending more closely to music fans covering factors that influence the interactions of music as an important subset of users. -
HYBE-IR-PPT 2021.1Q Eng Vf.Pdf
Disclaimer Financial information contained in this document represent potential consolidated and separate financial statements based on K-IFRS accounting standards. This document is provided for the convenience of investors; an external review on our financial results are yet to be completed. Certain part or parts of this document are subject to change following review by an independent auditor. Any information contained herein should not be utilized for any legal purposes in regards to investors‘ investment results. The company hereby expressly disclaims any and all liabilities for any loss or damage resulting from the investors‘ reliance on the information contained herein. The information, data etc. contained in this document are current and applicable only as of the date of its creation. The company is not responsible for providing updates contained in this document in light of new information or future changes. 1Q FY2021 BUSINESS RESULT HYBE 1 CONTENTS • Earnings Summary - 2021 Q1 • WEVERSE Performance & KPI • HYBE Structural Reorganization • Ithaca Holdings LLC • Financial Statement Summary Earnings Summary - 2021 Q1 2021 Q1 Revenue 178.3 billion KRW: YoY +29%, QoQ -43% 2021 Q1 Operating Profit 21.7 billion KRW: YoY +9%, QoQ -61% (in million KRW) Change 2020 Q1 2020 Q4 20212021 Q1 YoY QoQ Total Revenue 138,553 312,287 178,327 29% -43% Artist Direct-involvement 88,957 154,602 67,541 -24% -56% Albums 80,848 140,838 54,472 -33% -61% Concerts 100 - - -100% n/a Ads and appearances 8,009 13,764 13,069 63% -5% Artist Indirect-involvement 49,596 157,685 110,785 123% -30% Merchandising and licensing 34,308 67,253 64,686 89% -4% Contents 8,086 80,894 37,165 360% -54% Fan club, etc. -
BRAND VS BAND Global Marketing Analysis on Two K-Pop Groups, NCT and BTS
THESIS - BACHELOR'S DEGREE PROGRAMME SOCIAL SCIENCES, BUSINESS AND ADMINISTRATION BRAND VS BAND Global Marketing Analysis on Two K-pop Groups, NCT and BTS A u t h o r / s : Petra Jääskeläinen SAVONIA UNIVERSITY OF APPLIED SCIENCES THESIS Abstract Field of Study Social Sciences, Business and Administration Degree Programme Degree Programme in Business Administration, International Business Author(s) Petra Jääskeläinen Title of Thesis Brand VS Brand: Global Marketing Analysis on Two K-pop Groups, NCT and BTS Date 09.12.2019 Pages/Appendices 40 Supervisor Virpi Oksanen Client Organization /Partners - Abstract K-pop as a music industry has gained a lot of attention in 2019 in the U.S. and globally. K-pop has experi- enced two decades of expansion from South-Korea to global markets, becoming one of the leading music industries in the world. The purpose of this thesis was to study the marketing activities of two case compa- nies, SM Entertainment and BigHit Entertainment, and two of their boy music groups, NCT and BTS respec- tively. The focus of this thesis was to showcase the groups’ promotional activities in the U.S. and to study the usage of marketing mix. The thesis is compiled of an empirical study of the K-pop industry and its international activities in the U.S., organized into 3 sections explaining different time periods and the market changes internationally. The mar- keting strategies of the case companies were explained to describe the key concepts the businesses focus on, and the 4Ps of the marketing mix were analyzed in the two groups of BTS and NCT. -
1 the Real K-Pop Idols of Fanfiction
The Real K-Pop Idols of Fanfiction: Reclaiming “Real Person” Fanfiction as K-Pop Industry Practice Sooyun (Clara) Hong East Asian Studies, Faculty of Arts McGill University, Montreal June 2020 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Sooyun Hong, 2020 1 Table of Contents Abstract 3 Abrégé 4 Acknowledgements 5 Introduction 6 Chapter 1 – What’s in a (Stage) Name? Public Personas, Private Selves, and the Transgression of Authenticity 33 Chapter 2 – “Characterizing” K-Pop Idols: Alternate Universe Fanfiction and the K-Pop Concept 56 Chapter 3 – Believing in the Unusual: Slash Fanfiction and Homoerotic Fan Service 75 Conclusion 94 Works Cited 99 2 Abstract RPF, or “real person fiction,” is a genre of fanfiction that writes about real people rather than fictional characters. Over the past decade, the number of RPF works written about K-pop idols has steadily increased, but RPF remains a controversial practice even within fanfiction communities. The purpose of this thesis is to understand the influence of fictional media practices such as fanfiction in the construction of the celebrity text. This thesis compares three practices found in K-pop RPF to three practices found in the K-pop industry in order to argue that K-pop fanfiction writers and the K-pop industry perform similar practices in pursuit of broader fan desires. Ultimately, the K-pop idol embodies a new model of celebrity that consciously moves between the “public” and the “private” in order to generate affective value. This movement is grounded in images of the idol’s physical body and given meaning through the idol group’s network of interpersonal relationships. -
Big Hit Entertainment Job Application
Big Hit Entertainment Job Application Is Vladamir teleological or arrested when dure some philhellene bake rearward? Which Patsy alkalify so flauntingly that Chanderjit universalising her longhorns? Fonzie reactivated her unimaginableness indefinably, she intuits it shockingly. Asian culture and hit entertainment can be in the same javascript directory for all times Big Hit Entertainment is amazing in fans' eyes but her about the right's opinion. Big chill also plans to sign a dedicated team to provide shine and investment in BTS and car career Shortly after the grin was announced the excitement. Do Kpop Trainees Go between School Mecenatetvit. Big hit entertainment salary Custom Express. New Kpop Girl Groups 2020 fisrmarcheit. Big Hit Entertainment supports you in striving for your dreams We look. Big Hit currently has job openings for Director of A R Artist PR. In 2012 Bang Si-hyuk CEO of pee Hit Entertainment misfired with a giant female group called GLAM Searching for a fixture to screech he decided to pee from. SM Entertainment couldn't pass bridge on his talent and signed him pee a trainee immediately. Louis City Posted 10 5 Sep 2019 Big Hit Entertainment is scouting for new members. Who flash the BTS Members Dating in 2020 POPSUGAR Celebrity. Bts Symbol 201 MBT Outlet. My praise is Aria I have done my research for first past 3 months on ally Hit Entertainment I have searched the internet to sound something incredible most BTS fans want. Burn the Stage The whisper of BTS and Korean Boy Bands. PDF Is no Hit Entertainment manufacturing talent A case. -
View the Thesis
Fannish Healing and “the Tentative Step Forward”: Musical Affect and Parasocial Directionalities in BTS Fan Narratives by Tvine Donabedian B.A., Concordia University, 2018 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Tvine Donabedian 2021 SIMON FRASER UNIVERSITY Summer 2021 Copyright in this work is held by the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Declaration of Committee Name: Tvine Donabedian Degree: Master of Arts Title: Fannish Healing and “the Tentative Step Forward”: Musical Affect and Parasocial Directionalities in BTS Fan Narratives Committee: Chair: Frederik Lesage Associate Professor, School of Communication Dal Yong Jin Supervisor Professor, School of Communication Milena Droumeva Committee Member Associate Professor, School of Communication Chuyun Oh Examiner Assistant Professor, School of Music and Dance San Diego State University ii Ethics Statement iii Abstract Situating itself within the frameworks of musical affect and relational labour, this research examines the healing practices of BTS fans from all around the world. As the biggest Korean musical act to enter the global stage to date, BTS as a group have fostered a unique iteration of the parasocial relationship with their fans and, in doing so, redefined the structures and potentials of the fan-artist relationship. Both through their music and public image, the resulting expansion has allowed fans to create individual networks for affective healing. The purpose of this research is then to establish relational networks as a conceptualization of fannish healing as it is transformed and reappropriated into the lives of individual fans. -
Armed in ARMY: a Case Study of How BTS Fans Successfully
Armed in ARMY: A Case Study of How BTS Fans Successfully Collaborated to #MatchAMillion for Black Lives Mater So Yeon Park Nicole Santero Stanford University University of Nevada, Las Vegas Stanford, CA, USA Las Vegas, NV, USA Blair Kaneshiro Jin Ha Lee Stanford University University of Washington Stanford, CA, USA Seattle, WA, USA ABSTRACT 1 INTRODUCTION Music fans strategically support their artists. Their collective eforts Fans of celebrities, movies, characters, sports teams, and other pub- can extend to social causes as well: In 2020 for example, ARMY— lic fgures are increasingly growing in size and impact, as evident the fandom of the music group BTS—successfully organized the from such tangible examples as the crowdsourced fan series “Star #MatchAMillion campaign to raise over one million USD to sup- Trek Continues” [55, 63] and the work done by the Harry Potter Al- port Black Lives Matter. To better understand factors of fandoms’ liance, a non-proft run primarily by Harry Potter fans who fght for collaborative success for arguably unrelated social goals, we con- human rights.1 Similarly, music fandoms have become prominent ducted a survey focusing on ARMYs’ perceptions of their fandom in the current landscape of social media, collaboratively accom- and their social efort. Most ARMYs viewed the fandom as a com- plishing goals on these platforms on a regular basis [39, 47]. Due to munity, loosely structured with pillar accounts. They reported trust fandoms’ massive size and infuence, it is often the negative aspects, in each other as well as high team composition, which mediated the such as toxic behavior (e.g., bullying or doxxing), that garner media relationship between their neutral psychological safety and high attention [12, 33, 51, 64]. -
K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses Spring 5-17-2020 K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live Amanda Xiong Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/student_honors Part of the Korean Studies Commons, and the Music Commons Recommended Citation Xiong, Amanda, "K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live" (2020). Dickinson College Honors Theses. Paper 379. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. K-Pop Connection: Maintaining Fandom Loyalty in K-Pop and V Live Amanda Xiong Senior Thesis Department of East Asian Studies Dickinson College May 6, 2020 Xiong 2 Introduction “It’s almost like a drug—companies keep giving just a little bit more to maintain interest and fans always come back.” - Alice, female 23-year-old K-pop fan from America Korean popular music, more commonly known as K-pop, is a smaller branch of the Hallyu Wave. Hallyu refers to the international success of Korean popular cultural products such as film, music, television, radio, fashion, and computer games.1 In recent years, K-pop has seen a tremendous rise in global popularity as more and more K-pop artists attempt to leave their mark on the Western music scene. However, the reasons for this success continue to elude scholars. Some, such as Solee Shin, believe that the answer lies in the way K-pop companies conduct their business and marketing strategies to appeal to fandoms.