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Home , Abel Servien, Allen Tucker, Alvin Adams, Blackbird (violin), Carlota of Mexico, Changing Faces (group)

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## . | ' 1992 ANNUAL REPORT —

Copyright © 1993. Board of Trustees, of Art

All rights reserved. No part of this publication may be reproduced without the written permission of the , , D C. 20565

This publication was produced by the Editors Office, National Gallery of Art Edited by Tarn L. Curry

Designed by Susan Lehmann, Washington, D C. Printed by Schneidereith & Sons, , Maryland The type is Bodoni Book, set by BG Composition, Baltimore, Maryland

Photographic credits Juan del Alamo, p. 49

Sue Amos, p. 51 Christo, Wrapped Book, 1972 Richard Amt, p. 47 The and Herbert Vogel Collection, Ailsa Mellon Dean A. Beasom, pp. 20, 24, 28-30, 32-34, Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy 36, 58, 66, 102, 105, 108, 111, 113, 114, and Herbert Vogel, 1991.241.47 116, 119, 133, 136, 144 Kathleen Buckalew, p. 3 Page 3: View into the "Measuring and Mapping" Richard Carafelli, pp. 6, 10-11, 22, 26, 40, galleries in Circa 1492: Art in the Age of Exploration 77,98 Page 6: Albrecht Diirer, The Triumphal Arch of Philip A. Charles, this page and pp. 27, 42, Maximilian, 1515 (1799 edition) 74, 100, 101 Gift of P. Tunick and Elizabeth S. Tunick in honor of Lorene Emerson, pp. 27, 81 the appointment of Andrew Robison as Andrew W. Mellon Jose Naranjo, pp. 24, 89 Senior Curator, 1991.200.1 James Pipkin, cover Page 11: , The Japanese Footbridge Rex Stucky, pp. 8, 79 1899 William D. Wilson, pp. 13, 53 Gift of Victoria Nebeker Coberly, in memory of her son John W. Mudd, and Walter H. and , ISBN 0-89468-196-6 1992.9.1 Contents

President's Preface 7 Administration Message from the Director 9 Protection Services 67 Review of the Year 11 Publication Sales 68 Gallery Architect 68 Art Programs Facilities Management 69 21 Resource Acquisition 70 Paintings 21 Personnel 70 American and British Paintings 23 Equal Employment Opportunity Modern Paintings 24 Office Services 72 20th-century Art 25 Telecommunications 72 and 27 Audiovisual Services 72 Old Master Drawings 27 Old Master Prints 31 External Affairs Modern Prints and Drawings 31 Development 73 Photographs 35 Corporate Relations 75 Research on Collections 36 Press and Public Information Curatorial Records 37 Special Events 79 Registration 37 Visitor Services 80 Loans and the National Lending Horticulture 80 Service 38 Music at the Gallery 81 Conservation 39 Center for Advanced Study Exhibitions 46 in the Visual Arts 83 Design and Installation 48 Education 52 Financial Report 87 Library 58 Appendices Photographic Archives 60 Acquisitions 99 Slide Library 62 Changes of Attribution 120 Editors Office 62 Loans 124 Office of Imaging and Visual Lenders 129 Services 63 Staff Publications 132 Gallery Archives 64 Trustees and Staff 135

Donors 145 : Y™ *G« xW

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—> o^Lv . V GP& OVHTO President's Preface

The 1992 fiscal year was an historic one of its resources. Through a process of dis- for the National Gallery, with the retire- cussion and evaluation that has involved ment of J. Carter Brown as director and the National Gallery Trustees, Trustees' the arrival of Earl A. Powell III as his Council members, executive officers, and successor. "Rusty" Powell was the unani- staff in all areas of operation, we are de- mous choice of a search committee veloping a plan that articulates the Gal- headed by your president, with Robert lery's programmatic priorities and goals H. Smith as vice chairman and Ruth C. for the balance of this decade, establish- Stevenson and Alexander M. Laughlin as ing what must be done to address critical members. The Board of Trustees pays needs, to maintain momentum, and to tribute to Carter Brown for his remark- strengthen resources. The plan will iden- able leadership as director for 23 years, tify a realistic budget, reconciling aspir- and we are grateful to have his continuing ations with available resources and support in his new role as director emeri- focusing on the requirements of the Gal- tus. The Trustees also feel extremely for- lery's permanent collection, national ser- tunate and confident to have Rusty vice and outreach, educational and Powell take the helm at the Gallery. Rusty scholarly programs, and facilities. We was an outstanding director of the Los look forward to completing this plan and Angeles County of Art, and he beginning to act on it in the coming year. comes to his new job already a longtime A major accomplishment of the fiscal member of the Gallery family, through his year was the completion of the reinstalla- prior tenure here during the 1970s. tion of the Gallery's collection throughout Even amid the transition that accom- the main floor of the West Building. This panies a change of leadership, the Gal- two-year program involved complete reor- lery holds fast to its mission: to serve the ganization of the Italian, Spanish, Ger- in a national role by pre- man, Flemish and Dutch, British, serving, collecting, exhibiting, and fos- American, and French and tering understanding of works of art at the sculpture collections. Nearly 1,000 ob- highest possible museum and scholarly jects were reorganized into approximately standards. These are the uncompromis- chronological , shifting away from ing standards of quality for which the Gal- the previous arrangement that grouped lery has been known since its founding. artists by schools nationality. Galleries The 1990s are challenging times for were repainted, new lighting and labeling art , making it necessary to set were added, and architectural elements forth clear priorities and goals. Such were adapted to enhance the works of art. planning will enable the National Gallery This reinstallation has enabled us to pre- to fulfill its mission, serve its national au- sent the sweeping course of European dience effectively, and make optimum use and American art history in sharper focus The new director of the National Gallery of Art, and to illuminate relationships among ar- of the Trustees' Council. Mrs. Fisher and Earl A. Powell HI, with his wife, Nancy L. Powell, tists working during the same period. Mrs. Frost will additionally serve on the and the Gallery's new director emeritus, J. Carter Brown, at the Trustees' reception in September This year also witnessed the most wide- Trustees' Council development 1992 ranging temporary exhibition in the Gal- committee. lery's history: Circa 1492: Art in the Age The National Gallery also owes its suc- of Exploration. On the of the 500th cess to the dynamic combination of pub- anniversary of Christopher Columbus' lic and private forces that support it. We voyage, Circa 1492 presented the artistic acknowledge with gratitude the continu- and cultural achievements of the major ing commitment of funds the Gallery re- civilizations of the world during the late ceives from the federal government to 15th and early 16th centuries. This provide for day-to-day operations. We broad exhibition brought together almost were fortunate also this year to continue 600 paintings, , drawings, tap- to enjoy tremendous private philanthropic estries, works of decorative art, maps and support, sustaining the momentum of giv- scientific instruments from and ing generated by last year's 50th anniver- Africa, Asia and the Americas. Nearly sary. In this fiscal year the Gallery half a million people visited Circa 1492, received extraordinary gifts of art for its the sole venue of which was the National collections and generous gifts of funds for Gallery. a range of programs and initiatives. The National Gallery's excellence and This year the Gallery served approxi- great achievements are the product of its mately 50 million people inside and out- staff and volunteer leadership. The side its walls, through its exhibitions, Trustees work in a constructive partner- programs, and extension services. In a ship with the Gallery's senior staff, with time of renewed attention to national ser- whom I confer on a regular basis. The vice, we are reminded of the continuing Trustees also benefit greatly from the as- importance and relevance of a national sistance and involvement of the Trustees' gallery in our cultural life; the time-tested Council, led by Edwin Cox and Lois de success of the public-private partnership; Menil. This year we welcome Calvin Ca- and of the exceptional vision of the Gal- fritz from Washington, D C., Doris Fisher lery's founder, Andrew Mellon. from , Julie Folger from Washington, D C., and Camilla Chandler John R. Stevenson Frost from , as new members President

8 Message from the Director

It is an honor for me to have been chosen ment of understanding among nations by the Board of Trustees as the new through the sharing of our varied artistic director of the National Gallery of Art. heritages. As members of the interna- Andrew Mellon, with his extraordinary tional cultural community, museums play gift to the nation in 1937, inspired the a significant role in this exchange and in growth of this great institution. He has the furthering of scholarship and ideas been joined by magnanimous donors and the advancement of art education. As such as founding benefactors Samuel H. the United States' ambassador of the arts and Rush Kress, Joseph E. and Peter to the rest of the world, the National Gal- A.B. Widener, Chester Dale, Lessing lery will continue to facilitate the interna- Rosenwald, , and Ailsa tional exchange of art. Mellon Bruce to create a truly national The Gallery's first fifty years, under the gallery that ranks with the finest museums inspired leadership of lifelong trustee and in the world. I am delighted and proud to benefactor Paul Mellon and the first three return to the National Gallery to serve as directors, saw the establishment, develop- its director. ment, and growth of a superb art institu- The strength of the National Gal- tion, one that all in Washington and lery is its rich permanent collection. throughout the country have come to call Major benefactions of entire collections as their own. As the Gallery begins its next well as outstanding individual gifts from half century, the trustees, officers, and over 2,000 donors since the Gallery's staff join me in our firm commitment to opening in 1941 have more than vali- serve the people of the United States dated Andrew Mellon's belief that a through the collecting, exhibiting, and national gallery, holding to the highest preserving of great works of art. standards in its collecting and programs, The following review of the 1992 fiscal would attract and sustain national sup- year, a momentous one in the history of port. The Gallery will continue to foster the National Gallery, has been written by an appreciation and understanding of art my predecessor, J. Carter Brown. I com- by emphasizing the particular distinctions mend it to you and look forward to taking of the collections and by supporting a the nation's art gallery into a similarly wide range of educational and scholarly exciting and challenging future. initiatives, conservation activities, exhibi- tions, and publications. Distribution of Earl A. Powell III our educational resources to communities Director throughout the country will broaden our continuing service to the nation. Another critical mission the National Gallery seeks to fulfill is the encourage-

Review of the Year

The year represented by this report was moved from their pedestals or walls, an unusual one in many ways, perhaps many several times. It was a major collab- particularly for the writer, whose last year orative effort involving curatorial, design, it was at the National Gallery of Art. After conservation, education, and security 32 years here, the last 23 of them as di- staff. The Gallery's gifted deputy director, rector, the end of the fiscal year coincided Boger Mandle, was the major instigator of with my retirement from the Gallery, a de- the reinstallation as a 50th anniversary cision that involves many and mixed feel- accomplishment, with critical support ings, but that did not come without a from Gaillard Bavenel, the chief of de- certain sense of the Gallery being in good sign, and Charles S. Moffett, then senior shape, with a brilliant successor in place. curator of paintings, assisted by relevant The National Gallery received over curators in each section of the display. 5,437,000 visits in fiscal year 1992. This All of the Italian, Spanish, German, represented a 7.6 percent increase over Flemish and Dutch, British, American, 1991. and French paintings and sculpture col- The year was in many ways the year of lections on the main floor were involved. the permanent collection. It came at the The basic concept, of starting in Gallery 1 conclusion of the Gallery's 50th anniver- with our earliest paintings and moving sary, and all aspects of the Gallery fo- counterclockwise around the building to cused on the extraordinary collection that illustrate the history of western European has come here over the years to represent and American painting and sculpture the U.S.A. The entire permanent collec- since the Middle Ages, remained intact. tion of paintings and sculpture was re- However, within the various sections, installed, many new acquisitions were many adjustments were made, primarily added, and almost all of the exhibitions to emphasize chronology over geography. had in some way to do with the Gallery's For example, the early Italian galleries own holdings. The year also included the are no longer divided by city states, such Columbus Quincentennial, which in- as and Siena, but integrated volved a heroic effort on the part of the according to period, on the theory that Gallery staff in commemoration of that re- some of those distinctions had been artifi- markable milestone in world history. cial—with, for example, Duccio in Siena The reinstallation, which included working for Florentine patrons. Various 20th-century holdings in the East Build- artists who knew and were influenced by ing, was primarily a rethinking of the each other's works are now exhibited to- hanging and placement of all of the works gether. As another example, Poussin and of art on view on the main floor of the Claude are now shown with their Italian Gallery's West Building. Over 1,000 contemporaries, in view of the major works of art were unhung and rehung or thrust of their work having been done in

11 rather than in . Similarly, relabeled. Labels were taken off the pic- American painters who spent most of ture frames so as not to interfere visually their productive years in are with the frames, many of which are works now exhibited with their British col- of art in themselves, and so as to allow a leagues. (This has made consistent the more legible and informative format. New precedent that we had always observed of room graphics give a summary of the con- hanging Mary Cassatt with the French im- tents of each room as a further help to the pressionists, or with the school of visitor. , regardless of where they were The reinstallation involved many new born.) educational offerings. Laminated guides Goya could be considered as a Spanish for each gallery are being prepared in painter or as a seminal artist bridging the English, French, German, Italian, Japa- 18th and early 19th centuries. For the in- nese, and Spanish, an ongoing project stallation we chose the latter, and now he made possible by Knight Foundation. starts off the east half of the main floor Twenty-three new guides in English and and leads into the Gallery's superb 18th- five sets of translations were completed and 19th-century holdings from France. this year. In addition, self-guided tours The experiment of grouping sculpture were prepared. The first of these, The in a long series of contiguous galleries at Age of Lorenzo de' Medici, which was the far west end of the main floor had not published in conjunction with the 500th really succeeded, and the new installation anniversary of Lorenzo's death, takes visi- allowed us to go back to the National Gal- tors on a tour of the Gallery's collection of lery's original concept of rooms of sculp- art from Renaissance Florence. A series ture interspersed among the paintings of family guides supported by the Vira I. galleries, providing intermittent visual Heinz Endowment was also launched contrast. We allowed for the first time during the year, beginning with Portraits some sculpture actually to appear in and Personalities, intended for children paintings galleries where it seemed par- from age 8 to 10. ticularly appropriate, as in Gallery 2 with During the anniversary year the per- the early Italians, or in the French gal- manent collection grew with a very wel- leries with Houdon's busts of Voltaire come avalanche of gifts and other brought in to complement the 18th- splendid acquisitions, coordinated by century portrait paintings. Mellon Senior Curator Andrew Robison The design and installation staff also with the assistance of virtually every cura- made Titian's only ceiling painting in tor on the staff and the development of- America evoke its original setting in Ven- fice as well. In all, 2,444 works of art ice, placing it in a room very close to the from 224 donors, representing 22 states proportions of the one for which it had and 5 foreign countries, rained in upon been painted, in an ingenious ceiling in- us. Some gifts involved private collec- stallation that grew out of the design for tions, such as the fabulous drawings from our Titian exhibition. The department the Woodner family and the splendid se- was involved in all the visual aspects of lection of drawings from William B. installation, which resulted in the repaint- O'Neal; and some specialized in the 20th ing of virtually all of the galleries, often century, such as the Vogels' extraordinary with special glazes, and new lighting that and adventurous collection. A full ac- blends natural and artificial light ranging counting of these acquisitions is made from incandescent bulbs to high-tech fi- later in this report. Suffice it to say that ber optics. Many period frames were pur- sculpture was also included, with the chased through the Ailsa Mellon Bruce beautiful large Rodin plaster given by Iris Fund and The Circle of the National Gal- and B. Gerald Cantor, or the Houdon lery of Art, bringing new splendor to bust of George Washington from Robert Leonardo's Ginevra de' Benci, which had McNeil. recently been magnificently cleaned by Many of the acquisitions during the David Bull of our conservation depart- year combined a gift component with pur- ment. Every one of the works of art was chase from donated funds. The most

12 rectly under the Rotunda that is now oc- cupied by our Garden Cafe. Visible from a great distance, announcing the splendid collection of bronzes and other sculpture to be found in the ground floor galleries, this seductive bronze has been re- plumbed by our conservation laboratory so that water again flows naturally off Venus' tresses. A little cupid holds up a seashell to catch the water Venus is wring- ing from her hair, while a second jet arches out from the mouth of a . The sculpture collection was also enor- mously enriched, with a view to our dream of an outdoor sculpture garden, by the acquisition of Miro's Personnage Go- thique—Oiseau-Eclair, made possible by the Morris and Gwendolyn Cafritz Foun- dation; other sculptures combining gift components came from George Rickey and the estate of . For the drawings collection, the Gallery was able to acquire, by means of the Patrons' Per- manent Fund, a two-sided sheet from Vasari's book of drawings once owned by the Duke of Devonshire that contains ten Florentine old master drawings of the greatest rarity, including examples by Botticelli and Filippino Lippi, and, in ad- dition, the great Benvenuto Cellini draw- ing of a Satyr, both from the Woodner Family Collection. The permanent collection was also in- volved in many of our exhibitions. Our Sculpture curators Suzanne Lindsay and Alison spectacular was Monet's The Japanese tradition of "focus" exhibitions was con- Luchs with object conservators Judy Ozone and Footbridge, 1899, a partial bequest of Shelley Sturman examining the new bronze Venus tinued with a special grouping built and Cupid, c. 1575/1580, before its installation in Victoria Nebeker Coberly in memory of around the Gallery's Saint Anne Altar- the of the West Building's ground floor Gar- her son, John W. Mudd, combined with piece by Gerard David, reuniting for the den Cafe funds from Walter and Leonore Annen- Gift of John and Henrietta Goelet, in memory of Thomas Goelet, and first time in ninety years our work with its Patrons' Permanent Fund. 1991.242.1 berg that made possible the acquisition. It various predella panels and serving as the is the Gallery's first painting from Monet's basis of a scholarly symposium. Walker Giverny period, and after its cleaning the Evans photographs, Callot prints, and canvas has turned out to be one of the many of the drawings, prints, and photo- most beautiful of all Monet's serial works. graphs acquired during the year made Also from Mrs. Coberly came an impor- celebrations of the permanent collection tant early cubist Braque. an integral part of our exhibition pro- In sculpture, a Venus and Cupid was gram. Even shows like those devoted to purchased through the combination of a Kathe Kollwitz and Kirchner involved generous gift from John and Henrietta Gallery holdings and promised gifts. One Goelet and the Patrons' Permanent Fund. painting that had been a of the 50th This was the answer to a long-standing anniversary gifts exhibition was also fea- prayer that some day we would find a tured in the monographic show devoted work of sculpture that could go in the to the work of . The long- fountain at the very center of the West lost Lake Lucerne, given to the Gallery by Building's ground floor, in the space di- Richard Scaife and Margaret Battle, had

13 been rediscovered in the course of the at our permanent holdings with the les- preparations for this exhibition, co-orga- sons of the 1492 show in mind. nized by the Museum and the One of the most complex exhibitions National Gallery, and had been acquired this museum or perhaps any other has for the Gallery at a small auction in ever undertaken, Circa 1492 took visitors Rhode Island and cleaned by Ross Mer- on a worldwide voyage of discovery, "hor- rill. Its conservation kept it out of the pre- izontally," as it were, around the principal vious venues, but when the exhibition world cultures of the late 15th and early opened in Washington, this large-scale, 16th centuries, a time that changed for- linchpin picture, foreshadowing the ever the world's perceptions of itself. The artist's vision of Western American theme was globalism, and the exhibition grandeur, could take its rightful place in was, in fact, made possible by a global Bierstadt's oeuvre. consortium of sponsors, in addition to a Recent acquisitions by the Gallery special appropriation from the U.S. Con- were also part of the exhibition, gress. The exhibition was presented in the painting show organized by Bologna three sections—"Europe and the Mediter- on the 400th anniversary of Guercino's ranean World," "Toward Cathay," and birth. We were able to arrange the sched- "The Americas "—and the response of uling of a beautiful exhibition of Guercino visitors was most encouraging, as they drawings from Windsor Castle to coin- found their eyes being opened to the ex- cide, so that these two shows, each of traordinary creativity around the world at which were also seen elsewhere, came to- this moment in history. Jay Levenson, a gether only in Washington for a major former Finley Fellow at the Gallery, gave Guercino celebration. up his legal career to return to his original Some of our exhibitions were, of of specialization and be the guest course, without any involvement of the curator of the show, building upon the Gallery's permanent collection, although early conceptual work that Sydney Freed- they related to it either by analogy or con- berg established while still here as chief trast. Sargent's "El Jaleo" gave us the curator. Dr. Levenson headed a team of opportunity to see the newly cleaned some 30 scholars who drew up the lists masterpiece from the Gardner Museum and wrote the catalogue entries for loans in , its first time away, in a theatri- that involved fully 33 countries. The ne- cal focus exhibition of great scholarly and gotiations for loans proved long and ar- public interest. In connection with the duous, but the results were rewarding. Columbus Quincentennial, the Art of the Highlights of the more than 600 objects American Indian Frontier was beautifully in the show included the large Bosch installed in the East Building to reflect the Temptation of Saint Anthony from Lis- collecting of Milford Chandler and Rich- bon; Leonardo's exquisite Portrait of a ard Pohrt, in a celebration of the artistic Lady with an (Cecilia Gallerani) contributions of native Americans, and in lent from Poland, with 21 drawings by anticipation of the major new neighbor we Leonardo and 21 drawings and a paint- shall receive across the Mall when the ing by Durer in the same gallery for a fas- Heye Collection of indigenous art of this cinating juxtaposition of north and south; hemisphere is ensconced in the capital. a great Japanese national treasure, Ama The principal Quincentennial under- no Hashidate, by Sesshu Toyo; Shen taking was, of course, the exhibition Circa Zhou's subtle monochromatic ink paint- 1492: Art in the Age of Exploration. It ings; extraordinary Aztec sculpture and built on one of the Gallery's major codices; and a spectacular collection of On view in Circa 1492: Art in the Age of Explora- strengths, its collections of Italian Renais- pre-Hispanic gold from Colombia and tion: (counterclockwise from top) Abraham Cres- sance art, which at one point we had con- Costa Rica. ques, Catalan Atlas (detail), 1375, Bibliotheque Nationale, Paris; Leonardo da Vinci, Portrait of a sidered transferring into relevant sections The scholarly symposium in connec- Lady with an Ermine (Cecilia Gallerani), c. 1490, of the show on a large scale. Finally, how- tion with the exhibition, convened by our Czartoryski Museum, Cracow; Albrecht Durer, Rhi- ever, rather than mar the beautiful new Center for Advanced Study in the Visual noceros, 1515, Metropolitan Museum of Art, New Arts, involved 14 international scholars. York; Schliisselfelder Schiff, 1503, Germanisches reinstallation in the West Building, we de- Nationalmuseum, Nuremberg cided it wiser to suggest that visitors look In addition, the important scholarly cata-

14

Loans to Circa 1492: (this page) Aztec, Colossal Rattlesnake Head, Museo Nacional de Antropologfa, City; Inka, Human Figurine, Museo Nacio- nal de Historia Natural, Santiago; Middle Mississip- pian, Nursing Mother Effigy Bottle, 1250-1350, Saint Louis Science Center (facing page) Indian, Yashoda and Krishna, 15th century, Metropolitan Museum of Art, ; Benin, Queen Mother Head, 16th century, Nigerian National Museum, Lagos; Shen Zhou, Drawings from Life: Plants, Animals, and Insects, 1494, National Museum, Taipei; and Koei, Amida, 1472, Robert H. Ellsworth Collection, New York

16 logue and many guest lectures made the show a significant source for the increase of knowledge of this seminal epoch. The Gallery's educational program in connection with Circa 1492 included the production of a film. Masters of Illusion, which included dazzling special effects made possible by the latest advances in imaging technology, and traced the ori- gins and development of perspective as am one of the great contributions of the Re- naissance. It not only was broadcast on PBS but was shown daily at the Gallery to capacity crowds in the auditorium and also in a new high-definition video thea- ter, the first such theater in Washington. Brochures describing highlights of the ex- hibition were available in six languages: French, German, Italian, Japanese, and Spanish, as well as English. A special printed guide was produced for children ages 6 through 12, and there were two recorded tours, one for adults and one for children. Teaching packets, evenings with educators, and high school days for local students rounded out the educational ef- forts. In addition, there was a concert of early music from and the Amer- icas, and a recital of Iberian songs orga- nized by the music office.

17 For the opening days, we were hon- more than 1,000 works of art, biogra- ored by the visit of the King and Queen of phies and bibliographies for more than Spain, and also by the President of the 200 artists, and basic cataloguing infor- Italian Senate, Giovanni Spadolini, him- mation for more than 73,000 works of art self a Renaissance scholar and the found- in the National Gallery collections, in- ing minister of cultural patrimony in , cluding the Index of American Design. as well as President and Mrs. Bush. To This system is one of the most advanced close the show, the President of , of any art museum. Mario Scares, made a special trip to Technology played a major role in sev- Washington. eral educational initiatives. The Gallery Scholarship proceeded at the Gallery had in 1980 been the first to bring video- in other connections as well. Our Center discs to the museum world, and work pro- for Advanced Study in the Visual Arts ceeded briskly over the past year on a conducted an active program of seminars, new project. It combines videodisc tech- colloquia, and workshops, including a nology with computer-based digital imag- major symposium on "The Formation of ing techniques, the first time these two National Collections of Art and Archaeol- disparate technologies have ever been ogy." Curatorial research continued, with wedded together. The result will be a important progress made on the multi-vol- videodisc of all 2,600 objects in the Gal- ume systematic catalogue, allowing us to lery's various American holdings, with anticipate publication of the volumes on 2,500 videodiscs to be distributed free, German, British, and American naive on a competitive basis, to schools and ed- paintings and part of the decorative arts ucational institutions in all 50 states as collection in fiscal year 1993. A new part of the 50th anniversary observance, summary catalogue of American paint- all thanks to the generosity of the Annen- ings in the collection appeared, and prep- berg Foundation. aration was completed for a summary Work also proceeded on adapting an catalogue of sculpture. The Gallery also interactive computer program called joined in partnership with the Georgia "Perseus," developed by Harvard Uni- O'Keeffe Foundation to begin prepara- versity for the study of ancient Greek art, tion of a catalogue raisonne of the works culture, and history, for use in our Greek of that artist, which will result over the Miracle exhibition. For this exhibition, as next four years in a multi-volume for the forthcoming exhibition from the publication. , active negotiations Research continued in the conserva- and preparations progressed throughout tion department, with work completed on the year. the first issue of a new publication. Con- In addition, the Gallery's national out- servation Research, to appear in 1993. reach continued with publication of The department was also host to an inter- Teacher Programs in Art Museums, a di- national video conference on Saint Por- rectory listing resources for teachers chaire ceramics, applying technology available at more than 260 museums provided by GTE ImageSpan that allowed across the nation; this was published by for simultaneous viewing of high-resolu- the Gallery with the support of The Bau- tion digitized images and live discussion man Foundation and The Circle. The among the participating scholars at the National Teacher Institute focused on in Paris, the Victoria & Albert Renaissance art for the second year in a Museum in , and our own Na- row, responding to interest stirred up by tional Gallery in Washington. the Columbus Quincentennial. The insti- Great progress was made in imple- tute, now in its fourth year, adopts an in- menting our new computerized collection terdisciplinary approach designed to help management system, which tracks loca- teachers in different fields incorporate the tions, loans, gifts, and research on artists teaching of art into their curricula. Partic- and works of art in the collection. By year ipants this year came from more than 30 end, the system contained provenance, states; some 650 educators from every exhibition histories, and literature for state and the U.S. territories have now at-

18 tended the institute since its inception. which he and his sister and their founda- Meanwhile, maintenance, repair, and tion made possible. Dr. Franklin Murphy, renovation proceeded on our magnificent as a trustee from very shortly after I ar- physical plant, which is nonetheless get- rived at the Gallery, and currently as its ting older. Preparations have commenced gifted chairman, has also been a mentor in earnest for the replacement of 3.5 and role model of enormous influence. I acres of skylights and roofing and 40,000 cannot begin to list all the others, the square feet of laylights over the main many trustees, the talented curators, de- level galleries and public areas of the sign and other staff, including so many West Building. Work has gone forward friends on the guard force, who have this year to improve access, facilities, and meant so much. I would like in particular graphics for visitors with disabilities, with to single out the team of executive officers plans drawn up for permanent stone who made life so collegia! and effective in ramps at the 6th Street and Constitution this final year: deputy director Boger Avenue entrance to the West Building. Mandle, treasurer Daniel Herrick, secre- Technical specialists have continued work tary and general counsel Philip Jessup, on major enhancements to the security administrator Anne Evans, dean of system, and plans have also been devel- CASVA Henry Millon, and external affairs oped for automation of the building oper- officer Joseph Krakora. Any accomplish- ating system to improve the climate ments listed in this report have been pri- control for works of art. In addition, with marily their work and that of their jurisdiction over the future site of the dedicated staffs. sculpture garden now assumed by the When we invited Earl A. Powell III to National Gallery, we have taken steps this leave the University of in in year to upgrade the existing landscape 1976 and work at the Gallery, his perfor- and to preserve the two concentric rings mance here as executive curator during of linden trees that surround the pool and the high-pressure days of organizing the skating rink. Tutankhamun exhibition and opening the It was, finally, a year of changes in per- East Building earned him the admiration sonnel. We were flattered when our se- and affection of all with whom he came in nior curator of paintings and curator of contact. We were sorry to see him leave modern European painting, Charles but understood the distinction of his ap- Moffett, was selected to become the first pointment as director of the Los Angeles i non-family director of the Phillips Collec- County Museum, which he has handled tion, and again when our curator of 20th- with such eclat. When the trustees' century art, Jack Cowart, was made chief search committee recommended and the curator and deputy director of the newly board at their May meeting elected Busty revitalized Corcoran Gallery of Art. to become the new director, it was the My own retirement has brought home greatest pleasure to be welcoming him to me the extraordinary privilege of hav- back to National Gallery of Art. I know it ing worked at this institution. Everyone could not now be in better hands. connected with it is inspired by the qual- ity of its art; but beyond that, from the vantage of my fourth decade here, it has J. Carter Brown been enormously rewarding to work with Director Emeritus and meet so many wonderful people who share one's passion for our visual heri- tage. Paul Mellon, as trustee and as presi- dent and chairman of the Board of Trustees, and now an honorary trustee who makes a point of coming to the meet- ings, has been a very special factor in my life. I cherish in particular the oppor- tunity to have worked with him on the building committee of the East Building,

19 a Uveitis (fa'fvrtf-nriA fepfna - t-i\no tiud uau

Renaissance Paintings Art, an illustrated brochure accompanied the exhibition. The Saint Anne In addition to finishing the comprehen- exhibition also provided a focal point for sive reinstallation of the Renaissance a Forum on Connoisseurship and Collect- galleries this year, the department coordi- ing, addressed by the curator of northern nated preparation of a brochure in honor Renaissance painting and the conservator of the 500th anniversary of the death of of the altarpiece. Lorenzo de' Medici (1449-1492), one of In the absence of both the curator and the most celebrated art patrons and col- the assistant curator of Italian Renais- lectors of all time. The booklet leads visi- sance painting for part of the year, Ales- tors on a tour of works of art in the sandra Galizzi, former David E. Finley collection that were created in Renais- Fellow at the Center for Advanced Study sance Florence, all of which relate in in the Visual Arts, served as the Mellon some way to Lorenzo. Among the high- assistant curator. lights of the tour is the Adoration of the Magi tondo by Fra Angelico and Fra Filippo Lippi, which was the most prized painting in Lorenzo's possession. Baroque Paintings Two events this year featured the northern Renaissance master Gerard A number of important acquisitions this David's Saint Anne Altarpiece. First, the year added new dimensions to the Gal- three large panels were splendidly re- lery's collection of northern baroque stored, reframed, and returned to public paintings. Foremost among these was view in conjunction with the reinstallation Paul Mellon's generous gift of six Dutch of the permanent collection. Second, a and Flemish still lifes, including Jan small "focus" exhibition based on the al- Brueghel the Elder's A Basket of Mixed tarpiece brought together for the first time Flowers and a Vase of Flowers, dated since around 1902 predella panels be- 1615, given in honor of the Gallery's longing to the National Galleries of Scot- 50th anniversary. The other paintings land and the Toledo Museum of Art as that comprised this gift were two small well as a painting from the Art Institute of and minutely detailed pendants by Bal- that may also have been part of thasar van der Ast, Basket of Fruits and the ensemble. Information about subject, Basket of Flowers; A Hanging Bouquet of provenance, and technique was pre- Flowers by Abraham Mignon; Jan Philips sented on wall panels alongside photo- van Thielen's Roses and Tulips and Jas- graphic representations of hypothetical mine in a Glass with a Dragonfly and a reconstructions. Thanks to the generosity Butterfly; and finally, Vase of Flowers in a Benvenuto Cellini, Satyr, 1542/1543 Woodner Family Collection, Patrons' Permanent Fund. 1991.190.2 of The Circle of the National Gallery of Niche, a panel attributed to Abraham

21 Balthasar van der Ast, Basket of Flowers, c. 1625 Bosschaert. With the exception of Mig- 's The Mocking of Gift of Mrs. Paul Mellon, 1992.51.2 non, none of these artists were previously Christ, a promised gift to the Gallery; the represented in the collection. Art Museum lent Portrait of a Two paintings by David Teniers the Man in Armor by , Younger were also added to the collec- David with the Head of Goliath by Ber- tions this year: Peasants in a Tavern, a gift nardo Strozzi, The Pardon of Saint John from Mr. and Mrs. John Ely Pflieger; and Chrysostom by , and Saint Pe- Two Peasants with a Glass of Wine, a par- ter Nolasco Recovering the Image of the tial and promised gift from Mrs. Robert Virgin by Francisco Zurbaran; Guido W. Weidenhammer. Both of these delight- Reni's Saint Jerome was on loan from the ful images of peasant merrymakers dem- Detroit Institute of Arts; Juan van der onstrate Teniers' characteristically fluid Hamen's Still Life with Fruit and Glass- brushwork and his genius for expression. ware from the Museum of Fine Arts, Their addition brings to four the number Houston; Hubert Robert's Fountain from of paintings by Teniers at the Gallery. the Kimbell Art Museum, Fort Worth; Several long-term loans to the National and Bernardo Bellotto's recently con- Gallery have complemented our collec- served Pima, the Fortress of Sonnenstein tion of baroque paintings: Emile E. Wolf from a private collector. has lent an important school The curator of southern baroque paint- work. The Levite at Gibeah by Gerbrandt ing and guest curator Sir Denis Mahon van den Eeckhout; David E. Rust has lent helped organize the exhibition Guercino:

22 Master Painter of the Baroque, joining the and drawn from the Gallery's rare book Pinacoteca Nazionale, Bologna, and the collection of 17th-century Dutch vol- Schirn Kunsthalle, Frankfurt, to com- umes, examined the character of em- memorate the 400th anniversary of the blems as well as the relationship of birth of Giovanni Francesco Barbieri, emblematic images to various Dutch called "Guercino" (1591-1666). This paintings in the collection. The show was exhibition was funded by the Florence organized by students in a seminar at the Gould Foundation. Among the 59 paint- Folger Institute, offered in conjunction ings on view were masterpieces from all with the University of Maryland under the periods of the artist's career, including guidance of the Gallery's curator of north- The Martyrdom of Saint Peter from the ern baroque painting. Galleria Estense, Modena, Saint William Work has progressed rapidly on the Receives the Monastic Habit from the Pin- systematic catalogue of 17th- and 18th- acoteca Nazionale in Bologna, and The century Italian paintings in the collec- Intervention of the Sabine Women from tions. Research and important technical the Louvre. In connection with this exhi- examinations have resulted in several re- bition, the Gallery presented a one-day attributions, the most interesting of which seminar in the galleries for specialists and is Saint Cecilia and an Angel, now known graduate students, cosponsored a two-day to have been painted by Orazio Gen- public symposium with the Delaware Art tileschi and Giovanni Lanfranco. Re- Museum, and offered three lectures by search and writing also continued on the Mellon assistant curator Peter Lukehart. systematic catalogues of Dutch and The exhibition Emblemata and Dutch Flemish paintings in the collection, with Art, shown in the National Gallery library the manuscript for the Dutch volume very near completion. Research undertaken David Teniers II, Two Peasants with a Glass of Wine, c. 1645 with the assistance of paintings conserva- Gift (Partial and Promised) of Nell V. Weidenhammer, 1992.27.1 tors has brought to light new information regarding the Gallery's paintings by Rem- brandt and his followers. One conse- quence of this research is the reattribu- tion of A Girl with a Broom to Carel Fabritius, a native of Delft and one of the more talented students working in the Rembrandt studio in Amsterdam in the 1640s. Apparently Fabritius began this work around 1646-1648 but left it un- finished; the painting was then completed by an unknown member of Rembrandt's workshop in 1651.

American and British Paintings

This year was distinguished by four ac- quisitions that significantly enhance the Gallery's American paintings collection. The earliest of these is 's Sketch for the Copley Family, a gift from Richard T. York in honor of the Gallery's 50th anniversary. This is a par- ticularly welcome acquisition, for it re- unites the sketch with the finished painting, already in our collection, for the

23 first time since the two works left Copley's Museum, brought together 72 works for a studio over 200 years ago. Fitz Hugh full-scale examination of this great master Lane's serenely radiant Becalmed off of . John Singer Sar- Halfway Rock was a gift from Paul Mel- gent's "El Jaleo," in contrast, was a small lon, also in honor of the Gallery's anniver- "focus" exhibition devoted to a single sary. It is the second unsurpassed work work, the artist's 1882 masterpiece de- by this key American marine painter in picting the spirited performance of a the Gallery's collection. Two vibrantly Spanish dance. El Jaleo, never before painted works from the early years of the lent by the Isabella Stewart Gardner Mu- 20th century were also acquired: John seum in Boston, had recently undergone Singer Sargent's Valdemosa, Majorca: comprehensive conservation treatment Thistles and Herbage on a Hillside, and and was shown with the many drawings, Frank Weston Benson's portrait of Marga- sketches, and related paintings made by ret ("Gretchen") Strong, the former from Sargent in the process of its creation. the Avalon Fund and Bailey Research on the American and British Brown, and the latter a gift of Elizabeth collections made important advances. Clarke Hayes. The systematic catalogues of British The National Gallery presented two ex- paintings, by John Hayes, director of the hibitions of American painting this year. National Portrait Gallery, London, and of Albert Bierstadt: Art & Enterprise, co-or- American naive paintings were both ganized by the Gallery and the Brooklyn brought to the final stages of publication.

John Singleton Copley, Sketch for the Copley Family Work continued on the catalogue of 18th- 1776 century American paintings and the first Gift of Richard T. York, in Honor of the 50th Anniversary of the volume of 19th-century academic works, National Gallery of Art, 1991.141.1 with both manuscripts nearing comple- tion. A new summary catalogue of Ameri- Detail of the finished portrait, The Copley Family, can paintings in the Gallery's collection, 1776/1777, also in the Gallery's collection Andrew W. Mellon Fund now numbering some 1,400 examples, was published, replacing the 1980 edi- tion. Preparations progressed for a "focus" exhibition on Copley's Watson and the Shark and for major retrospective exhibitions of the works of Winslow Homer and James McNeill Whistler.

Modern Paintings

The National Gallery of Art this year acquired a major painting by Claude Monet, The Japanese Footbridge, a joint gift of Victoria Nebeker Coberly, in mem- ory of her son John W. Mudd, and of Wal- ter H. and Leonore Annenberg. Painted in Monet's garden at Giverny, this canvas is one of the most important and beautiful in the Japanese Footbridge series, which led directly to the renowned Waterlilies series from the last decades of the artist's career. The most significant project of the de- partment has been the organization of the exhibition Great French Paintings from The Barnes Foundation: Impressionist, Post-Impressionist, and Early Modem, research curator, serves as acting head of which will open at the National Gallery in the department. May 1993. At the request of the Barnes Foundation, the Gallery assembled a team of French and American curators and scholars, who selected 80 works for 20th-century Art exhibition from the collection formed by the late Dr. Albert C. Barnes. In addition The continued generosity of donors in the to paintings by Renoir, Cezanne, and completion of the National Gallery's 50th Matisse, who are especially well repre- anniversary campaign brought to the col- sented in the collection, the show will in- lection important gifts of 20th-century art. clude works by Manet, Monet, Van Gogh, Of special note were the two classic Mark Gauguin, , Seurat, Rothko paintings received from Paul Mel- Toulouse-Lautrec, and Picasso, among lon, the large Anthony Caro sculpture others. Co-organized by the National Scheherazade from Guido Goldman, two Gallery and the Barnes Foundation in powerful paintings by Alice Neel from Ar- Merion, , the exhibition will thur M. Bullowa, a striking cedar block travel to the Musee d'Orsay, Paris, the sculpture by Carl Andre as a partial and Museum of Western Art in , and the promised gift of and Daniel Museum of Art. The inter- Shapiro, and a seminal early circular national tour will coincide with renovation wooden wall piece by of the Paul Cret building in which the from Carolyn Small Alper. foundation's collection is housed. In addition, the first gifts and partial The department also selected objects purchases from the internationally re- and prepared catalogue entries for two nowned Dorothy and Herbert Vogel Col- exchange exhibitions. For one, 35 of the lection of minimal and conceptual art National Gallery's impressionist and post- came to the Gallery this year. Selected impressionist paintings and 35 of the from a collection of more than 2,000 Metropolitan Museum of Art's old master paintings, drawings, and sculpture by paintings will travel to for an exhi- more than 200 contemporary artists, this bition scheduled to coincide with show- year's transfer comprised 214 works by ings of The Greek Miracle: Classical 11 major artists: Carl Andre, Richard Sculpture from the Dawn of Democracy; Artschwager, , , the Fifth Century B. C. at the Gallery and Christo, , Sol LeWitt, Robert the Metropolitan, to which the Greek Min- Mangold, Sylvia Mangold, Joel Shapiro, istry of Culture is lending many extraordi- and Richard Tuttle. Another significant nary works of art. Then in appreciation group of 100 drawings by still other ar- for generous loans from the Portuguese tists was formally pledged. These gifts Ministry of Culture to our exhibition Circa and pledges initiated the planned transfer 1492: Art in the Age of Exploration, the of the entire Vogel Collection to the Na- Gallery will lend 40 of its 19th- and 20th- tional Gallery, which will make this ex- century paintings to the Centro Cultural traordinary resource accessible to the de Belem in . Progress continued public and scholars. on the systematic catalogue of 19th-cen- The Robert and Jane Meyerhoff Col- tury European paintings. Significant prog- lection at the Gallery was further en- ress was also made in preparation for hanced by the Meyerhoffs' donation of several longer-term exhibitions, the major modern and contemporary paint- Adolph Menzel and Edouard Vuillard ings by , Eric Fischl, Agnes retrospectives and Still-Life Painting in Martin, , and , France: 1848-1914. a sculpture by Anthony Caro, and a col- Charles S. Moffett, senior curator of lage and a box construction by Joseph paintings and curator of modern painting, Cornell. left the Gallery in September to become The distinguished record of the Collec- director of , Wash- tors Committee of the National Gallery, ington. Elizabeth P. Streicher, associate which has added important works of mod-

25 Istel, Ilya Bolotowsky's distinctive Cobalt Green as a partial and promised gift from Aaron Fleischman, Lee Bontecou's Un- titled metal and canvas as a partial and promised gift from Mr. and Mrs. Carl Gewirz, and Gene Davis' Blue Broadjump as a gift of the Florence Coulson Davis Trust. Irving Blum generously presented the Gallery with an expansive and beauti- ful painting of 1970. The friends, family, and estate of Tony Smith made it possible for the National Gallery to acquire Smith's monumental sculpture The Snake Is Out, now dramati- cally installed in front of the East Build- ing. The artist George Rickey enabled the Gallery to acquire a work in his newest format, Cluster of Four Cubes, a kinetic sculpture installed outside among trees on the side of the East Building that faces the U.S. Capitol. In both cases, fabrica- tion costs were supplied by the Patrons' Permanent Fund of the National Gallery. We are grateful for several major additions of European art. Mr. and Mrs. Arnold Saltzman made a partial and promised gift of 's expressionist painting, Two Girls under an Umbrella. Two ballet costumes designed and executed by for Igor Stravinsky's production of Le Chant du Rossignol in 1919 came to the Gallery, one given by David P. Willis and the other by Mr. and Mrs. Robert Simmons in honor of former Gallery textile conserva- tor, the late Joseph Columbus. George and Edith Rickey gave Naum Gabo's con- structivist sculpture Linear Construction in Space No. 2. Sophie Chandler Con- sagra donated a painted wood and bronze sculpture by Pietro Consagra entitled Racconto alia Strega no. 1. And finally, Joan Miro's witty, monumental sculpture Malcolm Morley, Erotic Blando Fruto, 1989 ern and contemporary art to the collec- Personnage Gothique was acquired Gift of the Collectors Committee, 1991.184.1 tion each year since 1975, was continued through the great generosity of the Morris this year. The Committee made possible and Gwendolyn Cafritz Foundation. the acquisition of two strikingly different In September Jack Cowart, curator of paintings: Malcolm Morley's explosive 20th-century art, left the Gallery to be- Erotic Blando Fruto, and Richard Dieben- come chief curator and deputy director of korn's luminous Seated Figure with Hat, the Corcoran Gallery of Art, Washington. the latter a joint gift with Mr. and Mrs. Jeremy Strick, associate curator, serves as Lawrence Rubin. acting head of the department. Notable gifts of American art of this century included 's Artist and from Yves-Andre and Christine

26 of a follower of Giovanni Bologna, this Venus was a gift from John and Henrietta Goelet, in memory of Thomas Goelet, and from the Patrons' Permanent Fund. Other smaller but very fine late Renais- sance acquisitions included a gilded bronze Saint Sebastian from the circle of Hubert Gerhard, and a powerful wax stat- uette of a Male Nude Standing in a Fear- ful Pose attributed to Niccolo Tribolo, a close follower of . Two ma- jor plaster sculptures also joined the col- lection: Houdon's George Washington given by Robert L. McNeil, Jr., and an 1898 cast of Rodin's Age of Bronze, long used as a model for art students at the Pennsylvania Academy of Fine Arts, from which the Gallery acquired it through the generosity of Iris and B. Gerald Cantor. A gift of 24 Renaissance to 19th-century medals and from Lisa and Leonard Baskin boosted the Gallery's preeminence in this area. Work on the systematic catalogue con- tinued, with progress made on the vol- Artist George Rickey putting the finishing touches Sculpture and Decorative Arts umes of plaquettes and French sculpture. on his Cluster of Four Cubes, 1992, during its instal- lation on the east lawn of the East Building A new summary catalogue of the sculp- Gift of George Rickey and the Patrons' Permanent Fund, 1992.79.1 Several important new sculpture acquisi- ture collection was prepared for publica- tions were cause for celebration this year. tion to replace the 1968 edition. The A late Renaissance bronze Venus and Cu- sculpture department also contributed to pid, with the goddess wringing water from a brochure on works in the collection re- Circle of Hans Jakob Bayr, Athena Introducing the her hair and attended by a shell-bearing lated to Lorenzo de' Medici, published in Personification of Painting into the Circle of the Liberal Arts, c. 1600 Cupid, was installed in the Garden Cafe honor of the 500th anniversary of the Gift of Lisa and Leonard Baskin, 1992.55.18 fountain in the West Building. The work death of that great patron and collector. Work proceeded on the catalogue and exhibition of medals being organized in collaboration with the Frick Collection.

Old Master Drawings

A series of extraordinary gifts and pur- chases made this a banner year for acqui- sitions of old master drawings. It began with the purchase of two of the greatest works on paper in America: a magnificent page from Giorgio Vasari's Libro de' Di- segni bearing nine drawings by Filippino Lippi and one by Botticelli; and an excep- tionally rare drawing of a Satyr by the Florentine sculptor Benvenuto Cellini. Both came from the collection of the late Ian Woodner, a longtime friend of the Gallery, who had considered them to be

27 Degas. The Woodner gift also included a fine Rembrandt and the Gallery's first Goya drawing. Another most welcome arrival at the Gallery was the collection of drawings be- longing to William B. O'Neal, professor emeritus of architectural history from the University of Virginia. In all, 88 Conti- nental drawings were given outright in honor of the Gallery's 50th anniversary; 212 British and American drawings were placed on deposit and promised as future gifts. Many of the drawings in the O'Neal gift are the first by their artists to enter the collection, including fine works by Bassano, Alberti, Ribalta, Rosselli, Fal- cieri, Wyck, Kern, Pronk, Valeriani, and Dore. Also of special importance to the Gallery are the several studies of architec- ture and stage design, including choice works by Taraval, Fancelli, Schinkel, Langhans, Nicoletti, and Galliari, none of whom were previously represented in the Gallery's collection. When placed his collection of old master and modern drawings on permanent deposit at the Na- tional Gallery in 1986, he did so with the commitment that the drawings would be given to the Gallery after his death. This year, in accordance with the late Dr. Hammer's wishes, the transfer of this marvelous collection of drawings was completed, including superb examples by Leonardo, Raphael, Correggio, Tiepolo, Watteau, Fragonard, Ingres, and Degas, to name but a few. This outstanding do- nation brings several great masterpieces to the Gallery's holdings and adds im- Page from Giorgio VasarVs Libro de' Disegni, with the jewels of his collection. At the measurably to the collection as a whole. drawings by Filippino Lippi and Botticelli probably same time, Andrea and Dian Woodner Most of the year's other gifts were executed between 1480 and 1500 made in honor of the Gallery's 50th anni- Woodner Family Collection, Patrons' Permanent Fund, 1991.190.1 graciously donated 23 other drawings from their father's collection and placed versary. These included a striking oil on deposit 121 others with the intention sketch by Castiglione, a partial and prom- that those too will eventually become part ised gift of Gilbert Butler; the Gallery's of the Woodner Family Collection at the first drawing by Sebastiano Ricci, pur- National Gallery. Among the key works in chased with funds donated by Mrs. the gift were early German drawings by Rudolf J. Heinemann; a richly worked Diirer, Holbein the Elder, Baldung Grien, early graphite drawing by Gainsborough Holbein the Younger, and Hans Hoff- from Mrs. Iola Haverstick; a handsome mann; several major drawings by such design for a stage set by Bolognese artist Italian masters as del Sarto, Carpaccio, Pietro Gonzaga given by Frederick G. Barocci, Piranesi, and Giovanni Battista Schab; a delightful red chalk study of an Tiepolo; and stellar works of the French Italian park by Hubert Robert donated by school by Delaune, Boilly, Ingres, and Mrs. John A. Pope; a charming double-

28 John Robert Cozens, Cetara on the Gulf of Salerno, sided drawing by Baron Vivant Denon chase a haunting wash drawing of Moon- 1790 purchased with funds donated by The Gift in honor of Paul Mellon by ihe Patrons' Permanent Fund with rise on an Empty Shore. This work forms a additional support from Dick and Ritchie Scaife, Catherine Mellon Christian Humann Foundation; and three centerpiece for the Gallery's growing col- Conover, Rachel Mellon Walton. Mr. and Mrs. James M. Walton, and diverse studies by the Swiss artist Fried- lection of drawings by Friedrich's con- an anonymous donor rich Salathe, given by Kurt Meissner. temporaries. Impressive in a different In addition, two partial gifts were com- way is the monumental design for a met- pleted this year: Annibale Carracci's ropolitan church by the French visionary Landscape with Figures by an Estuary architect, Etienne Boullee, which adds a with Sailing Boats from Mr. and Mrs. neoclassical masterpiece to this steadily David Tunick; and Franz Edmond improving area of the collection. The Weirotter's Weathered Boulders, given by holdings of northern mannerist drawings Andrew Robison. Other welcome gifts of were greatly enhanced by the addition of drawings came from such staunch friends a large study of The Martyrdom of Saint as Ivan Phillips, Jean and Kahlil Gibran, Sebastian by Aegidius Sadeler II, print- and John O'Brien. maker to the Holy Roman , Major purchases brought several works Rudolf II. The early German collection of exceptional quality and importance to gained the only known drawing by Master the collection. After almost 20 years of I K., Four Evangelists in a Scriptorium, a waiting for just the right drawing by the charming work by an artist otherwise great German romantic Caspar David known only through a series of heraldic Friedrich, the Gallery was able to pur- woodcuts. The baroque Italian collection

29 was strengthened by its first Alessandro and John Carter. Other purchases added Algardi drawing, one of his finest: a to the Gallery's drawings by such artists deeply emotional Christ on the Cross. The as Bernardo Strozzi, Ottavio Leoni, Gae- major addition to the collection of English tano Gandolfi, and Giovanni Battista watercolors was a magnificent work by Cipriani. John Robert Cozens, purchased in honor Many new gifts and purchases were ex- of Paul Mellon's 85th birthday through hibited in Diirer to Diebenhorn: Recent Ac- the Patrons' Permanent Fund with gen- quisitions of Art on Paper, the Gallery's erous support from several members of first such exhibition since 1978. In addi- his family. Finally, in an unexpected tion, a selection of 60 Guercino drawings coup, the Gallery was able to acquire at from the incomparable collection of the auction an unrecognized and previously Queen of England was presented in Guer- unknown study for an by the cino: Drawings from, Windsor Castle. Two young Watteau. This rare, unusually com- small exhibitions of drawings from the Ar- plete compositional drawing, is a delight- mand Hammer Collection were also pre- ful addition to the Gallery's other excel- sented, continuing a tradition that began lent studies by this great draftsman. in 1987: the first showcased the Italian Discretionary purchases included sev- drawings, including the great Raphael eral artists whose draftsmanship was not cartoon; the second centered on French Giuseppe Vasi, Sepulcher for the King of France, previously represented in the Gallery, drawings from Watteau to Seurat, with ex- c. 1739 cellent works by Fragonard, Ingres, Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniver- among them Michael Lukas Willmann, sary of the National Gallery of Art, 1991.203.23 Johan Georg Wille, Jean-Leon Gerome, Degas, and Pissarro.

30 Old Master Prints of Hollar's famous Shell etchings, given by Edward William Carter and Hannah The National Gallery acquired more than Locke Carter; and the complete set of 250 prints and illustrated books this year, Anne Allen's color-printed Chinese Ara- many of them as gifts in honor of the Gal- besques after Jean Pillement, acquired lery's 50th anniversary. An outstanding through the Ailsa Mellon Bruce Fund. selection of these gifts and purchases was Two superb impressions of Daumier litho- presented in the Diirer to Diebenkom ex- graphs were added to the collection of hibition and discussed in the catalogue. early 19th-century prints: his provocative One spectacular gift was Diirer's - and delightful Le Ventre Legislatif was a umental Triumphal Arch of Maximilian, gift from Lloyd Cutler and Polly Kraft; consisting of 42 woodcuts and 2 etchings and the rare Grrrrand Demenagement was that measure 11 by 9 feet when assem- given by Paul McCarron. bled, as they were for the Diirer to Die- The department of old master prints benkom exhibition. Commissioned by organized an exhibition in honor of the Maximilian, emperor of the Holy Roman 400th anniversary of the birth of the Empire, and completed by Diirer in famed French etcher Jacques Callot 1515, the entire work was carefully re- (1592-1635), presenting 82 of the finest printed by the Viennese print scholar, works from the Gallery's extensive collec- von Bartsch, in 1799. It is this fine tion of prints by this master. Except for edition that was given to the Gallery by one purchase, these prints were given by David Tunick. Among other significant the late Lessing J. Rosenwald and the late gifts, John O'Brien donated an extensive Rudolf L. Baumfeld. The Gallery re- group of French 17th-century portrait en- corded some 140,000 visits to the show. gravings, many by two leading portrait engravers, Michel Lasne and Claude Mellan; Henry and Judith Rice Millon made a generous gift of prints by various Modern Prints and Drawings artists, including engravings by Georg Pencz and Crispijn de Passe I as well as In another exceptional year for acquisi- etchings by Adrien van Ostade, David tions, the National Gallery received a Teniers, and Giuseppe Vasi; and the late vibrant array of modern prints and draw- Mrs. George Benjamin Green bequeathed ings. Many of the gifts came from artists to the Gallery a large group of 18th-cen- and their families, the most extensive be- tury British hand-colored naturalist en- ing three groups of prints: the Milton gravings that depict birds, fish, lizards, Avery Archive from the artist's family and the like. includes an impression of each of Avery's Among the important gifts that woodcuts, drypoints, and lithographs not strengthened the holdings of early French previously in the Gallery's collection prints, Hubert and Michele Proute and (many in variant impressions), along with family gave four large hand-colored the woodblocks and metal plates from woodcuts, two from c. 1575 that depict which they were printed; Sam Francis Judith and Holofernes, and two from donated a large, brilliantly colored c. 1820 that represent saints. Perhaps monotype as well as 54 self-portraits in the most extraordinary volume acquired lithography and etching; this year, an anonymous gift, was a fine added 25 of her lithographs to the collec- copy of the first book to be illustrated tion, and her gift was augmented by one with a print by Rembrandt, DerZee-Vaert from Lloyd Rigler that included four of Lof by Elias Herckmans, which is also the Wayne's major lithographic suites and first such book in the Gallery's collection. several individual pieces. Seven litho- The European collection was further graphs by Louis Lozowick were donated strengthened by an outstanding impres- by Adele and Lee Lozowick. sion of Diirer's woodcut Saint Jerome in a Among this year's acquisitions, several Cave, acquired through the Robert A. artists were represented in the collection McNeil Fund; brilliant impressions of two of drawings for the first time. Wayne

31 Milton Avery, Birds and Sea, 1955 Thiebaud's drawing Study of Cakes, given Boston and New York scenes, and a fas- Gift of the Avery Family, in Honor of the 50th Anniversary of the by the Thiebaud family, is a marvelous cinating sketchbook used by Cezanne National Gallery of Art, 1991.233.81 complement to the artist's Cakes painting, from 1877 to 1900 that contains 72 acquired last year in honor of the Gal- drawings by the master. Other gifts in- lery's 50th anniversary. Eric Fischl and clude our first Civil War watercolor by Mary Boone donated Fischl's , a Winslow Homer, Two Scouts, given by powerful figure composition in charcoal. Nancy Voorhees; Matisse's sinuous Re- The Gallery was also delighted to receive clining Nude from Henry and Mabel Robert Smithson's graphite and blue pen- Brandon; Arthur 's charming water- cil Moodna Quadrants and two graphite color, From Cows, given by Collectors studies for the sheet from the estate of the Committee members Mr. and Mrs. Wil- artist as well as four additional drawings liam C. Janss; Gaston Lachaise's Nude by Smithson in a variety of media from with Her Hands Raised from Mr. and Mrs. Werner H. and Sarah-Ann Kramarsky. Harry A. Brooks; and Isabel 's As part of the acquisition of the Doro- Two Girls Reading from Dr. and Mrs. thy and Herbert Vogel Collection, a group Robert Nowinski. Jim Dine's lively early of 143 drawings was added to the Gal- graphite and ink drawing Plant to Fan lery's holdings, including sheets by Rich- Growth, donated by Ruth and Don Saff, is ard Artschwager, Lynda Benglis, John a wonderful complement to Dine's cast Cage, Christo, Donald Judd, Sol LeWitt, aluminum sculpture. Metamorphosis of a , Sylvia Plimack Man- Plant into a Fan, given to the Gallery by gold, Joel Shapiro, and Richard Tuttle. the artist last year. Other drawings of the Gifts of individual drawings were led by 1960s and 1970s include Frank Stella's Paul Mellon's donation of two extraordi- Untitled (study for Kay Bearman), a gift nary reed pen drawings by van Gogh from Larry Rubin that is related to a print done at Aries in 1888, two of Pren- in our Gemini G E L. Archive; and James dergast's most appealing watercolors of Rosenquist's mysterious charcoal and

32 Sam Francis, Self-Portrait, 1973 graphite Circles of Confusion, donated by nine works to previous gifts of drawings Gift of Sam Francis, in Honor of the 50th Anniversary of the National Richard Feigen and closely related to a and collages for the Modern Masters Tap- Gallery of Art. 1991.234.25 Rosenquist screenprint in the 11 Pop Ar- estries, including the colorful Circe, the tists portfolio, which was given to the Gal- first work by to enter lery this year by Francine Schear Linde. the collection. A bequest from Esther Cattell Schmitt en- In the field of prints, the family of Sig- abled the Gallery to acquire Nancy bert H. Marcy augmented their previous Graves' important paintings on paper in donation of prints by Lovis Corinth, this the Lunar Orbiter Series, ten works in time with 129 lithographs and etchings gouache and ink dating from 1972. that Mr. Marcy had acquired directly Along with several major works of paint- from the artist. Eight lithographs and ing and sculpture, Robert and Jane Mey- woodcuts by Ernst Ludwig Kirchner were erhoff donated Joseph Cornell's mixed- added to the splendid of gifts we media collage Penny Arcade as well as have received from Ruth and Jacob our first work on paper by David Salle, an Kainen; two of these are unique proofs untitled watercolor. Regina Slatkin added with additions made by hand. Charles

33 J

ft

Nancy Graves, Julius Caesar Quadrangle of the Ryskamp gave a group of prints by mem- lection of modern illustrated books, the Moon, 1972, detail bers of William Blake's circle, including Paula Cooper Gallery gave us our first Gift of Esther Cattell Schmitt, 1992.45.5 brilliant impressions of etchings by Sam- work by Elizabeth Murray, Her Story, a uel Palmer and John Linnell. In addition volume of 13 etchings that accompany a to her own lithographs, June Wayne do- poem by Anne Waldman. nated 54 prints and portfolios by 29 ar- Among our most important purchases tists, including our first works by Elaine of prints is a rare set of James McNeill de Kooning, Yvonne Jacquette, and Whistler's lithographs entitled Notes, Michelle Stuart. Crown Point Press gave complete in the original wrapper de- an important group of 26 etchings and signed by the artist. Discretionary funds woodcuts, including many special proofs, from the Collectors Committee enabled by , A1 Held, Wil- the Gallery to acquire its first etching by liam T. Wiley, and our first prints by Pat Lucian Freud, Kai; Joan Mitchell's sump- Steir. Joshua P. Smith donated additional tuous lithographs Flower I and Bedford II; prints made at Crown Point Press as part and 11 etchings by Tony Cragg, Labora- of a gift of works by 17 contemporary Eu- tory Still Life No. 2 and two groups of ropean and American artists, including prints from the Suburbs series. our first prints by Jurgen Partenheimer In celebration of the National Gallery's and Jean-Charles Blais as well as our first Kathe Kollwitz exhibition, Dr. Richard book by Sol LeWitt, a volume of 45 color Simms donated the powerful lithograph etchings. Complementing the LeWitt by Kollwitz, Never Again War. Correlated book, Virginia Dwan donated a group of with the Kollwitz show was a focused that artist's screenprints. Also adding an Kirchner retrospective, including many important dimension to our growing col- master prints and drawings recently ac-

34 quired by the Gallery or lent by private dition to the Gallery collection, formed collectors. In addition, this department the core of our recent Paul Strand exhibi- organized the section of contemporary tion, which opened at the Gallery in De- prints and drawings in the Diirer to Die- cember 1990 and traveled this year to benkom exhibition; worked with curators Houston, New York, and San Francisco. of 20th-century art to install works on pa- Other notable gifts included the first per from the collection in the East Build- color photographs to enter the National ing concourse galleries; and worked with Gallery collections. Mr. and Mrs. David the National Lending Service on several C. Ruttenberg of The Ruttenberg Arts exhibitions. We contributed to the sum- Foundation gave the Gallery two dye mary catalogue of sculpture in the collec- transfer prints by Harry Callahan, tion, specifically with respect to edition and Providence. Mr. and Mrs. Harry H. sculptures that are part of our Gemini Lunn, Jr., gave seven color photographs G.E.L. and Graphicstudio Archives; con- by Walker Evans in honor of the Gallery's tinued to enter the 18,000 renderings in 50th anniversary. These photographs, the Index of American Design into the made between 1945 and 1972, are im- Gallery's collection management portant additions to our holdings of this database; and made progress on prepara- major American photographer's work. tions for two major exhibitions: Helen (Catherine L. Meier and Edward J. Frankenthaler: Prints, scheduled for Lenkin also significantly enriched the 1993, and The Prints of , Evans collection by donating a magnifi- planned for 1994. cent vintage print of The Breadline from The National Gallery's curator of mod- the important series of photographs ern prints and drawings, in partnership Evans made in Cuba in 1933 for publica- with the Georgia O'Keeffe Foundation, tion in Carleton Beals' study The Crime of this year began coordination of the cata- Cuba. Virginia Adams enhanced the Gal- logue raisonne of O'Keeffe's paintings, lery's collection of Ansel Adams' work watercolors, drawings, and sculpture. with her 50th anniversary gift of the ex- Barbara Buhler Lynes has agreed to con- tremely rare, mural-sized print of Coast duct the research for this important un- South of Saint Sebastian, Oregon. Finally, dertaking, with publication projected for the Dorothy and Herbert Vogel Collec- 1998. tion, which so significantly expanded the Gallery's holdings of contemporary art in general, included 14 important photo- graphs by the conceptual artist Sol LeWitt. Photographs This year the Gallery opened the ex- hibition Walker Evans: Subway Photo- The National Gallery this year received graphs and Other Recent Acquisitions. the major gift of 55 photographs by Paul The show focused on an important but Strand, donated by Southwestern Bell rarely exhibited group of photographs Corporation. This group represents Evans made on the New York subways Strand's entire career, from his highly ac- between 1938 and 1941 with a small claimed photographs of 1916 to his last 35mm camera hidden beneath his coat. studies, made in the 1970s, of his garden These photographs marked a radical in Orgeval, France. It contains such cele- change in Evans' career and predicted brated images as his Blind Woman, New the course that American photography York, a portrait of his mentor Alfred. Stieg- would take after World War II. In addition litz, his striking study Ranchos de Tews to the 33 prints from the subway series, Church, New Mexico, and the important the exhibition included 33 prints from Lusetti Family, Luzzara, Italy. Strand was both earlier and later in Evans' career. one of the most accomplished craftsmen The department also contributed several among photographers of his generation, recent acquisitions to the Diirer to Die- and the Southwestern Bell gift includes benkorn exhibition and progressed with magnificent platinum and silver gelatin organization of our Robert Frank collec- prints. These photographs, a superb ad- tion and the forthcoming Frank exhibition.

35 Paul Strand, Lusetti Family, Luzzara, Italy, 1953 The Gallery continued to receive visitors Research on Collections Southwestern Bell Corporation Paul Strand Collection, 1991.216.46 to the print study rooms: 802 scholars, collectors, students, and other visitors The major task of this young department came to view and study old master prints is the production of an approximately 30- and drawings in the East Building study volume systematic catalogue on the Na- room, while 396 studied modern prints, tional Gallery's collections. With two vol- drawings, and photographs in our West umes in print at the end of fiscal year Building study room. 1992, curators, outside scholars, re- search associates, conservators, and edi- tors are hard at work on the remaining catalogues, with a new goal of publishing three volumes each year through the year 2000. The publication of four volumes is anticipated in the next fiscal year, includ- ing American Naive Paintings, British Paintings, German Paintings, and West- ern Decorative Arts: Part 1. Thanks to the

36 generosity of the Starr Foundation, the up to date as reattributions and title and Gallery is planning to publish the volume date changes are made, as systematic cat- on Asian ceramics with color illustrations. alogue research is completed, and as Systematic catalogue author Timothy physical characteristics (dimensions, ma- Wilson of the Ashmolean Museum terials, inscriptions, etc.) are clarified. worked closely with National Gallery ob- Not only is access to information greatly ject conservators to host an exciting tele- expanded and facilitated, for both Gallery cast colloquium on Saint Porchaire staff and outside scholars and students, ceramics. Through the latest audiovisual but the relational structure of the technology, specialists at the Gallery, the database enables researchers to gather Victoria & Albert Museum in London, and combine information in new ways. and the Louvre in Paris were able to The department also maintains paper share research on these works and to files that contain information on all Na- view pieces simultaneously using high tional Gallery paintings, sculpture, and resolution digital imaging. decorative arts. The files include official The Gallery has made strides in its documents, publications, press clippings, efforts to serve at the forefront of this correspondence, and other materials, ground-breaking field of digital imaging, comprising an original, irreplaceable ar- ably led by contract advisor Kim Nielsen. chival resource. This year 160 outside re- After identifying the technological re- searchers consulted curatorial files, and quirements and goals of education, con- department staff responded to 45 written servation, publishing, and other staff, this and telephone inquiries from other insti- department has forged numerous associa- tutions and individuals. tions within the computer industry and For recent changes of attribution, holds under consideration many high- please see the list on pages 120-123 of profile and behind-the-scenes projects. this report. More than $3 million worth of state-of- the-art equipment and services has been donated by companies such as IBM, Apple, GTE ImageSpan, and Sharp Elec- Registration tronics. Ranging from computers, printers, and scanners to software, this Statistics will show that this was an unusu- equipment will be used to capture elec- ally busy year for the registrar's office. As tronic images of both art and art-related the National Gallery completed its 50th documents. anniversary celebrations, the total num- ber of gifts and purchases of works of art received during the fiscal year was 1,745: 56 paintings, 87 sculptures, 2 Curatorial Records decorative art objects, 1,503 works of graphic art (drawings, prints, bound vol- With the implementation of a new collec- umes, and portfolios), and 97 photo- tion management database system this graphs. This tremendous number of year, the National Gallery significantly acquisitions was exceeded only by the augmented its ability to record and make 1,864 received last year. For a complete available scholarly information on works record of art acquisitions for fiscal year of art in its collections. Incorporating the 1992, please see pages 99-119 of this Gallery's original database and a schol- report. The copyist program also contin- arly database developed by curatorial ued to flourish with 122 permits issued. records staff, this system now includes In addition, outgoing loans of works of provenance, exhibition histories, and lit- art totaled 2,313, incoming loans for ex- erature for more than 1,000 objects, bi- hibition reached 1,597, and objects re- ographies and bibliographies for more ceived for other purposes numbered than 200 artists, and basic cataloguing 1,392. The logistics of handling the pack- data on all works of art in the National ing, shipping, and installation of nearly Gallery collections. The database is kept 600 works of art borrowed from 200

37 Concurrently, the department helped complete the reinstallation of the main floor galleries in the West Building, col- laborated on a new and ongoing project to catalogue frames in the collection, and continued its support of research for the systematic catalogue. The latter project required the recall of American paintings from local government agencies for exam- ination as well as transport of medals, plaquettes, French furniture, and Chi- nese porcelains within the Gallery. Addi- tional art handlers were hired on contract to support the department's various activ- ities this year. The new collection management database system has enabled the regis- trar's office to track loans and deposits far more efficiently than in the past. It gener- ates receipts, reports, and deposit cards automatically and provides more detailed and accurate location information. This system will eventually replace entirely the old manual system. The National Gallery acquired a new state-of-the-art truck for transporting works of art locally and regionally: it is alarmed and climate-controlled, with sys- tems monitored from the cab; and it has air-ride suspension and room in the cab to accommodate couriers. Major renova- tions of the loading dock will permit 45- foot tractor trailers to back into a new bay, equipped with a lift that adjusts to meet doors of any height; other improve- ments include a new leveler next to the new bay and additional guard rails for safety. New doors in the Connecting Link Gold ornaments on display in Circa 1492 included lenders for Circa 1492: Art in the Age of that open from floor to ceiling give unob- the Diqufs and Human Bird Figure lent by the Exploration presented special challenges. structed clearance for moving large works Museo de Oro Precolombino, Banco Central de Costa Rica, San Jose; the Sinu Bird Staff Head from More than 125 couriers from around the of art and equipment from the loading the George Ortiz Collection; and the Sinu Finial world accompanied objects to Washing- dock to storage and the East Building. with Five Birds from the National Museum of the ton, requiring extraordinary coordination Sally Freitag returned to the Gallery American Indian, New York of hotel reservations, tours, and issuing from the Worcester Museum of Art to be- per diem, in addition to caring for the di- come chief registrar and head of the verse works of art. division. The registrar's office also circulated 6 exhibitions to 15 venues and coordinated the installation of 17 other in-house shows. Traveling exhibitions were The Loans and the National Sculpture of Indonesia, Paul Strand, Lending Service Guercino: Drawings from Windsor Castle, , Rembrandt's Lucretias, The National Lending Service now offers and El Jaleo. In-house shows are listed in eight small exhibitions of works from the the exhibitions office report on page 46. Gallery's collections and is organizing two

38 others: Masterprints from Graphicstudio prised 113 loans to 24 temporary exhibi- and American Naive Paintings. The NLS tions at 39 institutions as well as 271 of exhibition of early paintings by Mark the extended loans; 7 works were on tem- Rothko appeared at the Nassau County porary exchange loan at 4 museums, in- Museum of Art in New York State. Exhi- cluding 4 NLS paintings at 2 sites. Loans bitions of paintings by George Catlin were of 195 works to the Gallery for display shown at Live Oak Gardens in New with the permanent collection were also Iberia, , and at the Museums at processed by this department. For a com- Hartwick College in Oneonta, New York. plete record of loans, please see pages In addition, a booklet about George Cat- 124-129 and 131 of this report. lin was published this year, written by Donna Mann of the Gallery's education department. It is intended to be sold to museums that borrow any of the three Conservation NLS Catlin exhibitions, and it is available for sale in Gallery bookstores. The conservation division joined cur- The department promoted NLS exhibi- atorial and education departments to co- tions at the American Association of Mu- sponsor a symposium on Albert Bier- seums meeting in Baltimore and at the stadt's materials and techniques and is International Council of Museums meet- now editing the papers for publication. ing in Quebec City, . Information The division's cosponsorship last year of about the NLS and its exhibition program the International Conference on the Pack- was sent to museums in the U.S. and ing and Transportation of Paintings led to abroad and also appeared in the newslet- a series of workshops on safe packing and ter of the national association of traveling shipping procedures. This joint venture exhibition organizations. As a result of with the and the this increased publicity, many museums Canadian Conservation Institute provides have expressed interest in borrowing the a two-day course for art handlers, regis- NLS shows, and the Gallery has a list of trars, curators, and conservators. Work- 30 prospective bookings extending shops have been held at the Smithsonian through 1995. and the Museum of Fine Arts, Boston, as In addition to the NLS programs, the well as for the Association of Art Museum department administered loans for nu- Directors. Future workshops will be held merous other exhibitions: 35 graphic in , Chicago, Los Angeles, Van- works by Richard Tuttle were sent to Val- couver, Montreal, and Washington. encia, Spain, for a show of that artist's The division completed production work; 55 photographs in the Gallery's work on the first issue of Conservation Re- Paul Strand exhibition traveled to New search, a publication dedicated to pro- York City and San Francisco; 60 photo- viding conservation information on the graphs in the Gallery's Walker Evans ex- National Gallery of Art's collection. It will hibition went to Andover, ; be the principal outlet for disseminating and 133 old master prints in the Eva/Ave: research conducted by conservation fel- Woman in Renaissance Prints exhibition lows and staff. will open early in the next fiscal year at the National Gallery of Canada. At the same time, department staff planned the PAINTING CONSERVATION loans of two important groups of 19th- century paintings from the Gallery's col- The completion of 14 major treatments lections that will be traveling to Greece this year helped preserve and enhance and Portugal. the beauty of paintings in the collection. In all, the department this year admin- Rembrandt's Self-Portrait of 1659 was istered the loan of 474 objects for 92 treated, revealing even greater depth and temporary exhibitions at 130 institutions power than previously visible. Treatment and the extended loan of 273 works at 63 of Turner's early Junction of the Thames sites. Of these, works in the NLS com- and the Medway brought to light a dra-

39 followers of Rembrandt with varying de- grees of participation by the master. Work on the charming Girl with a Broom and the small Head of an Aged Woman was completed, while work on The Descent from the Cross and The Circumcision is on- going. The other major treatments in- volved Hobbema's Farm in the , Louis Le Main's French Interior, Tiepolo's Madonna of the Goldfinch, Reynolds' Lady Betty Hamilton, Derain's Charing Cross Bridge, and two fine Henri portraits, Mr. and Mrs. George Cotton Smith. In addition, 105 minor treatments and 820 minor examinations were carried out, using x-ray and infrared reflectogra- phy or visual inspection in the galleries upon request. The 187 major examina- tions completed for the ongoing systema- tic catalogue project this year included technical examinations of 15th-, 17th-, and 18th-century Italian paintings, French painting from 1800 to 1860, and half of the American academic portraits. The Circa 1492 exhibition brought many great paintings to the National Gal- lery on loan and allowed the unique op- portunity to compare two rare portraits by Leonardo da Vinci—the Gallery's own Ginevra de' Benci and the Czartoryski Museum's Cecilia Gallerani, or The Lady with the Ermine, from Cracow, Poland. The paintings were closely examined un- der microscope by the Gallery's chairman of painting conservation and by the Polish curator and conservator. The details and results were photographed, documented, and discussed. The Polish conservator A Girl with a Broom, 1651, Andrew W. Mellon Col- matic scene of stormy waters and skies, spent the three-month duration of the ex- lection, newly attributed to Carel Fabritius following which had been flat and dull in its pre- hibition as a visiting expert in the lab, and conservation vious state. Work on Rosso Florentine's much valuable exchange of information Portrait of a Man restored the original resulted. Other great masterpieces in the finely textured surface and rich, simple exhibition, such as Bosch's Temptation of coloring. The miniature-like technique Saint Anthony from the Museo del Arte and exquisite 15th-century colors of Man- Antigua in Lisbon, were examined with tegna's Judith and Holofemes can be lab equipment to provide technical infor- newly appreciated, as can the depth, at- mation to lenders without similar access. mosphere, and light impressionist colors The Gallery's new conservator for of the recently acquired Monet canvas, modern painting, Jay Krueger, has fo- The Japanese Footbridge, following treat- cused much attention on the 20th-century ment of these two works. collection, especially on numerous minor The treatment and analysis of several treatments to bring the large Rothko and paintings long doubted as being by Rem- Vogel collections into prime condition. brandt have prompted the Gallery to Painting conservators continued to work consider reattributing these works to closely with curators on questions of ar-

40 lists' techniques, to inspect incoming or painting of losses for The Shipwreck by outgoing loans for exhibitions, to serve as Elihu Vedder. couriers for paintings at home and When a dry-mounted backing was re- abroad, and to examine paintings on loan moved from a drawing in the collection to Washington area government offices attributed to Jan Linglebach, Piazza by through the National Lending Service. Moonlight, an obscured signature by Extensive work continued on improving Thomas Wyck was discovered. Further infrared imaging capabilities. research by the conservator on Wyck's The new Culpeper Fellow, Jane paintings and drawings as well as his sig- Tillinghast, began treatment of a painting nature has confirmed the reattribution of by the Venetian artist Carpaccio and un- this drawing to Thomas Wyck. dertook research into his techniques. The The department continued its study two Getty Interns for the year were Mon- and treatment of the rapidly growing pho- ika Strolz, from the Kunsthistorisches Mu- tograph collection. Photograph conserva- seum in , and Tom Learner, from tors collaborated with conservators at the the Courtauld Institute in London, who Getty Museum and the Art Institute of spent half of his time with the scientific Chicago to determine the best way to research department. monitor changes in photographic images; colorimetry, spectrophotometry, and den- sitometry are among the techniques being investigated. Conservators studied photo- PAPER CONSERVATION graphs by Alfred Steiglitz using x-ray flu- Paper conservators cared for works in the orescence to determine the processes collection this year in a great variety of employed by the artist. This research was ways. New acquisitions in the Diirer to undertaken in conjunction with examina- Diebenhom exhibition of prints and draw- tions and treatments for the Stieglitz in ings required numerous examinations the Darkroom exhibition scheduled for and treatments. One of the most notable fiscal year 1993. was the mounting and installation of This year the Gallery hired a new se- Durer's Triumphal Arch of Maximilian, nior paper conservator, Judy Walsh, and which measures 11x9 feet and is made engaged a rare book conservator on con- up of 44 separate printed sheets. These tract to implement the conservation pro- sheets, connected to one another and af- gram in that area. Treatments for rare fixed to a support that could be easily books in the library's collections will ad- disassembled for storage, formed a dra- here to the standards and protocol al- matic entrance to the exhibition. Antoine ready in place for other curatorial areas. Watteau's drawing of The Gallant Gar- Paper conservators wrote condition re- dener, very recently acquired, was a last- ports for approximately 900 works on pa- minute addition to the exhibition, and the per in temporary exhibitions, including major treatment, which included removal Walker Evans, El Jaleo, Guercino: Draw- of the backing, stain reduction, infilling of ings from Windsor Castle, Homage to minor losses, and flattening, was com- Jacques Callot, and Kathe Kollwitz. Al- pleted in time for the exhibition opening. together the department completed 103 The department treated a number of major treatments and 344 minor treat- works in the major gift of drawings from ments during fiscal year 1992. William B. O'Neal, including Bassano's Landscape with a Man and a Dog, which required removal of the backing and dis- OBJECT CONSERVATION colorations as well as mends and fills of losses. In addition, a black and white This year's major projects centered on chalk drawing of Venus on blue paper by works of art in the permanent collection. Pierre-Paul Prud'hon received exten- The department chaired the first CASVA- sive treatment to remove stains with a Conservation Colloquy, devoted to "Saint new inverted suction disc technique; and Porchaire" ceramics. The history of these conservators provided major fills and in- rare, enigmatic ceramics of the French

41 Renaissance and the circumstances of the exchange is being made by Athena their fabrication have long been debated. Muse at MIT. The international group of scholars in- Several major treatments were com- vited for the week-long meeting brought pleted during the year. The plaster relief together for the first time technical and by Elie Nadelman, Two Nudes, required a art historical findings. new structural mounting and inpainting The department also hosted the first before reinstallation. Conservators live, international digital imaging and treated two outdoor sculptures, resurfac- video conference to discuss the Saint Por- ing Wandering Rocks by Tony Smith after chaire ceramics. Applying technology 11 years of exposure to the environment, provided by GTE ImageSpan, this re- and realigning several damaged bronze markable demonstration permitted simul- elements of Tonal Sculpture by Harry taneous viewing of high resolution digital Bertoia. The 1/12-scale plaster maquette images and interaction among partici- of Henry Moore's monumental sculpture, pants at the Gallery, the Louvre in Paris, Knife Edge Mirror Two Piece, was also

Annual maintenance of Henry Moore's Knife Edge and the Victoria & Albert in London. An treated. Mirror Two Piece at the entrance to the East Building educational video taken from footage of Three important acquisitions required collaboration among conservators, cura- tors, design and installation staff, and fa- cilities management. The team installed a bronze sculpture for the Garden Cafe fountain, Venus and Cupid by a follower of Giovanni Bologna, with internal plumb- ing that permitted water to flow naturally through Venus' hair and from the dol- phin's mouth. Although this sculpture was intended to have been cast in one piece, technical study including x-radiograph and x-ray flourescence spectroscopy re- vealed that part of the base and one of the feet were cast separately as a contem- porary repair. Staff installed two other acquisitions on the Gallery grounds: a ki- netic sculpture by George Rickey, Cluster of Four Cubes, on the Gallery's eastern- most lawn; and the multi-dimensional The Snake Is Out by Tony Smith on the lawn in front of the East Building. Meet- ings with artists and fabricators during planning stages helped ensure that these two sculptures were manufactured from the most appropriate materials for contin- ual outdoor exposure. Comprehensive technical examinations completed for the systematic catalogue in- cluded study of the Gallery's large and important collection of wax sculptures by Edgar Degas, which has revealed fas- cinating aspects of the artist's working methods. Thorough examination of the polychromed terra-cotta relief of the Madonna and Child by Giovanni di Torino was completed in preparation for its major treatment. Examination of the anonymously executed Ivory Diptych, representing the Life of Christ, confirmed from conservators and curators at the Na- that it is a masterful late 19th-century re- tional Gallery and occasionally from other production of a 15th-century model. institutions. Gas chromatography and In preparation for upcoming volumes pyrolysis/gas chromatography/mass of the systematic catalogue, object con- spectrometry were used to identify the servators examined nearly 300 Renais- medium of various paintings and sculp- sance plaquettes, reviewed more than tures. Amino acid analysis was used to 200 entries on the portrait medals, con- identify proteinaceous binders and to un- tributed to the introductory essays for cover mixed-media techniques in paint- Asian Ceramics and Decorative Arts, and ings by Veneziano and by the workshop of edited nearly 200 entries on the Asian Rembrandt. The department examined ceramic collection. ancient Egyptian paint binders in collab- Funded by a Samuel H. Kress Founda- oration with the Museum of Fine Arts, tion grant, the department worked with Boston, and provided medium analyses the University of Georgia to complete the for the Phillips Collection's upcoming ex- first phase of a provenance study of hibition of works by . marble. An expanded stable isotopic Microscopic and other technical an- database is being produced that will char- alyses were performed on paintings by acterize the marbles used for Renais- Gentileschi, Gerard David, van Eyck, sance and French 18th- and 19th- Rembrandt and his workshop, among century sculpture in the collection. The others. Technical examinations of paint- new Mellon Fellow, Penelope Edmonds, ings by Albert Bierstadt contributed from the Australian Museum in Sydney, important information for the recent sym- studied the manufacture and conserva- posium on the artist and his works. The tion of Italian polychrome sculpture. department also provided pigment an- In addition to its support of the collec- alyses and other technical information for tion, the department this year was inte- the Barnes Collection. grally involved with several temporary In collaboration with fellows and in- exhibitions, including Circa 1492, Art of terns in the Gallery's other conservation the American Indian Frontier, and The departments, technical studies were car- Greek Miracle, completing approximately ried out on a polychrome terra cotta by 650 condition examinations. the circle of Giovanni di Torino, on Hob- bema's Farm in the Sunlight, and on sculpture by David Smith; technical assis- TEXTILE CONSERVATION tance was provided in a study of the for- mation of tidelines on paper; and tech- The National Gallery hired Julia Burke as nical examination of wax sculpture by the new textile conservator this year. In Degas was continued. conjunction with scientific research staff, Research proceeded on natural and she investigated the solubility of binding synthetic resins. These materials, of po- media found in the Gallery's collection of tential use to conservators, are being theorem paintings, with specific regard to evaluated by a variety of techniques. Al- future treatment techniques. Research though work is still in progress, new in- continued on the stability of dyes used in sights have been gained into the optical the conservation of tapestries, and re- properties of varnishes. Polymeric addi- search was initiated on appropriate mate- tives have been shown to improve optical rials to be used in Gallery exhibitions. as well as mechanical properties of low- The department completed 37 major molecular-weight synthetic coatings. treatments, 44 minor treatments, and Several new instruments were pur- 103 examinations of works for exhibition. chased, including a rotary microtome, a pyrolysis unit for the gas chromatography mass spectrometer, and a scanning elec- SCIENTIFIC RESEARCH tron microscope. The microtome pro- The scientific research department con- duces thin sections of paint chips to be tinued to respond to requests for analysis used for light microscopy and infrared

43 microspectrophotometry. The pyrolysis witz, Ernst Ludwig Kirchner, and the unit is used to examine the composition shows of Guercino paintings and draw- and aging behavior of polymeric mate- ings. The Greek Miracle, scheduled to rials. A simultaneous pyrolysis/methyla- open in fiscal year 1993, also required don technique is applied to the analysis of considerable attention because of the size paint binders. Scanning electron micro- and fragility of the sculpture. scopy provides additional compositional Preliminary preparations were under- information on paint chips, metallo- way for other fiscal year 1993 exhibi- graphic samples, and other artists' ma- tions, including Ellsworth Kelly, Great terials. In addition, a new computer work- French Paintings from The Bames Foun- station was purchased to upgrade the dation, and Mondrian. Conservators ex- x-ray fluorescence spectrometer, enabling amined many works of art in situ, more efficient data acquisition, analysis, assessing the condition of objects pro- storage, and transfer. posed for exhibition. In collaboration with Dr. Christopher Maines, Mellon Fel- lenders, the department has also devel- low, continued to study synthetic resins oped specifications for handling, packing, used as binding media, to quantitate shipping, and installing the works of art. physical characteristics of paints, such as Matters and framers were increasingly adhesion, color development, and work- in demand because of the growing num- ing properties, and to examine changes in ber of graphics exhibitions. Nine tempo- these characteristics during aging of the rary exhibitions, five major loans, and paints. Three Getty Interns have under- two maintenance projects required the taken various research projects: Thomas matting of 1,119 objects, the framing of Learner, serving jointly in the painting 1,444 others, the mounting of 67 books, conservation department, studied solvent and the manufacture of 119 frames. The retention and the saturation and gloss of department continues to develop unique clear coatings for several resin/solvent/ solutions for problems encountered in the paint systems; Laura Celli explored the display and storage of works of art on pa- analysis of polysaccharide gums by high per. Some of these projects included an- pressure liquid chromatography; and tique housings for works in the El Jaleo Barry Taylor will artificially age inks pre- and Diirer to Diebenhom exhibitions and pared by traditional techniques and ex- designing a very large mount for Diirer's amine the water soluble decomposition Triumphal Arch of Maximilian. products through chromatography to For frame conservators, work on the study the mechanism by which iron gall permanent collection was particularly ink degrades paper. Finally, the Gallery hectic this year because of the reinstalla- hired a research conservator for painting tion of the West Building. This necessi- technology this year, E. Melanie Gifford, tated the construction of 12 frames and who brings the department unique skills the reframing of 7 paintings with period in the study of historic painting materials frames as well as the completion of 4 ma- and techniques. jor and 145 minor treatments. In addi- tion, frame conservators have been working with the registrar's office and the design and installation staff to catalogue frames in the collection; this year 245 LOANS AND EXHIBITIONS frames were catalogued and photo- It would be difficult to match the pace graphed. Exhibition-related responsi- and intensity of preparations for Circa bilities included the design and con- 1492, which opened at the beginning of struction of 7 climate-control vitrines for the fiscal year, but the department contin- paintings on loan, the manufacture of 50 ued to participate in the planning and frames, and the completion of 43 minor organization of numerous exhibitions treatments. throughout the year. Conservators as- sisted with Art of the American Indian Frontier, El Jaleo, Alice Neel, Kathe Koll-

44 Exhibitions Walker Evans: Subway Photographs and Other Recent Acquisitions The exhibitions office oversaw the open- 24 November 1991-1 March 1992 ing of 17 exhibitions at the National Gal- coordinated by Sarah Greenough lery in the past fiscal year, for which 312 "The Saint Anne Altarpiece " by Gerard lenders from 29 states and 33 countries David lent 1,162 works of art. We are extremely 26 January 1992-10 May 1992 grateful to these lenders, who are ac- coordinated by John Hand knowledged on pages 129-131 of this re- John Singer Sargent'» "El Jaleo " port. The department also worked on 1 March 1992-2 August 1992 another 37 exhibitions scheduled to open coordinated by Nicolai Cikovsky, Jr. in the next 5 years and administered the supported by NYNEX Foundation and New tours of 6 traveling exhibitions. England Telephone

Guercino: Master Painter of the Baroque 15 March 1992-17 May 1992 TEMPORARY EXHIBITIONS AT THE coordinated by Diane De Grazia NATIONAL GALLERY OF ART supported by The Florence Gould Founda- Graphicstudio: Contemporary Art from tion, with additional support from the Federal the Collaborative Workshop at the Council on the Arts and the Humanities University of South Florida Guercino: Drawings from Windsor continued from the previous fiscal year to Castle 5 January 1992 15 March 1992-17 May 1992 coordinated by Ruth E. Fine coordinated by Andrew Robison Rembrandt's Lucretias supported by the Federal Council on the Arts continued from the previous fiscal year to and the Humanities 5 January 1992 Alice Neel coordinated by Arthur K. Wheelock, Jr. 29 March 1992-3 May 1992 Circa 1492: Art in the Age of coordinated by Maria Prather Exploration Homage to Jacques Callot 12 October 1991-12 January 1992 29 March 1992-7 September 1992 coordinated by Jay A. Levenson coordinated by H. Diane Russell supported by Ameritech, The Nomura Securi- ties Co., Ltd., The Mitsui Taiyo Kobe Bank, Kathe Kollwitz Ltd., and Republic National Bank of New 3 May 1992-16 August 1992 York; additional support from The Rockefeller coordinated by Judith Brodie Foundation and Banco Exterior de Espana supported by Robert Bosch GmbH, Daimler- (Grupo CBE), and the Federal Council on the Benz, The Deutsche Bank Group, Mannes- Arts and the Humanities mann AG, Miles Inc., Siemens, Thyssen AG, and the Federal Republic of , which Albert Bierstadt: Art & Enterprise have provided support for the Tribute to Ger- 3 November 1991-17 February 1992 many festival; also by Lufthansa German Air- coordinated by Nancy Anderson lines and the Federal Council on the Arts and supported by Philip Morris Companies Inc., the Humanities with additional support from The Henry Luce Foundation, Inc., National Endowment for the Ernst Ludwig Kirchner: Paintings, Humanities, National Endowment for the Drawings, and Prints Arts, federal agencies. New York State Council 3 May 1992-16 August 1992 on the Arts, and by Mr. and Mrs. Wilbur L. coordinated by Andrew Robison and Maria Ross, Jr. Prather

Italian Drawings from the Armand Diirer to Diebenkorn: Recent Acquisi- Hammer Collection tions of Art on Paper 17 November 1991-10 May 1992 10 May 1992-7 September 1992 coordinated by Margaret Morgan Grasselli coordinated by Andrew Robison and graphic arts curators

46 John Singer Sargent's Eljaleo, 1882, lent by the Isabella Stewart Gardner Museum, Bos- ton, was exhibited with numer- ous sketches by Sargent, such as these from the Gardner Museum (left) and the Fogg Art Museum (right)

45 Hypothetical Reconstructions Hypothetical Reconstruct

Technical Information

Perspective

Didactic labels for the focus exhibition on "The French Drawings from the Armand Saint Anne Altarpiece" by Gerard David illustrated Hammer Collection hypothetical reconstructions and provided technical 17 May 1992—8 November 1992 information on the conservation of the altarpiece coordinated by Margaret Morgan Grasselli

Art of the American Indian Frontier: The Collecting of Chandler and Pohrt 24 May 1992-24 January 1993 coordinated by Gaillard F. Ravenel supported by the National Endowment for the Humanities, and the Founders Society Detroit Institute of Arts

47 Design and Installation tuguese and Spanish to African and Islamic empires, from mapping and lin- ear perspective to representations of the Fiscal year 1992 brought new and con- human figure. The section opened with tinuing challenges for the design depart- the rare 14th-century Catalan Atlas and ment. Reinstallation of the permanent Hieronymus Bosch's magnificent Tempta- collection in the main floor galleries of the tion of Saint Anthony, and closed with the West Building proceeded without inter- exquisite Lady with an Ermine by Leo- ruption. New lighting, labeling of works of nardo. In between, objects as diverse as art, and wall signs were finished in time books and manuscripts, carpets and for summer visitors. With additional tapestries, gold and other precious metal- funding, the remaining galleries will re- work, globes and astronomical instru- ceive proper period wall finishes and will ments, along with paintings and sculpture be equipped with educational gallery were displayed in simple, understated ar- guides. Art acquisitions and changes in chitectural spaces. Highlights of the in- the works on display due to loan or con- stallation included a large carpet of servation treatment require ongoing revi- Spanish origin mounted on an inclined sion of the installations. plane in a soaring gallery illuminated by The department is collaborating with translucent clerestory windows. The last curatorial and conservation staff to review gallery in this section brought together all of the framed paintings in the Gallery works by two of the preeminent masters collections. An inventory and - of the Renaissance, Leonardo da Vinci tion of all painting frames up to the mid- and Albrecht Diirer, with works by 20th century has been undertaken and Leonardo on one side of the room and has resulted in notable reframing solu- works by Diirer on the other. Hanging tions of either period or appropriate re- overhead was a fantastic chandelier de- production frames. Funding from The signed by Leonardo from the city hall in Circle of the National Gallery of Art en- Nuremburg. abled the Gallery to begin development of The next section of the exhibition, a digital imaging system through applica- "Toward Cathay," presented works of art tion of existing photographic frame docu- from , Korea, , and India. mentation. This will allow curators and These galleries contained the greatest designers to explore reframing possi- number of fragile objects, which required bilities from the digital database and will rotation with other objects during the ex- ensure the most effective use of the Gal- hibition's run. Pottery, sculpture, armor, lery's frame collection. furniture, monochromatic ink paintings, Among the exhibitions that proved masks, and folding screens were dis- most challenging for the design and in- played on simple platforms or in large stallation department this year, Circa glazed wall cases with cedar trim and fab- 1492 displayed nearly 600 works of art ric-covered interiors designed to provide from around the world, representing the stable temperature and humidity environ- visual arts and culture of the three major ments. The division on "Ming China" was divisions of the globe during this extraor- the largest in the exhibition, since an ex- dinary period of exploration: "Europe traordinary gesture by the Chinese gov- and the Mediterranean World," "Toward ernment gave the Gallery an opportunity Cathay," and "The Americas." A mural- to show many objects from this period sized photographic reproduction of a that had never left mainland China be- Spanish explorer's map greeted visitors at fore. Spacious galleries were painted a the entrance to the exhibition on the East subtle beige with quiet lighting. The last Building mezzanine and introduced the gallery of the section was small with richly image of the compass and naviga- painted burgundy walls showing beautiful tional lines that appeared throughout the examples of the art from the subcontinent exhibition graphics. of India. For Circa 1492 the Gallery created a dramatic The first section covered a striking va- The third and last section of the exhib- display for this large Hispano- heraldic carpet, lent by the Philadelphia Museum of Art riety of cultures and themes, from Por- ition focused on the art of "The Amen

48 icas," including the Aztec, Inca, North, alone in a gallery with didactic panels that South, and Central American cultures. explained the history of this famous work. Stone sculptures, wooden drums, gold or- Two "focus " exhibitions revolved naments, mosaics, rare codices, and ce- around single works of art. The Gallery's ramics of the Aztecs were displayed recently restored Saint Anne Altarpiece under natural light in galleries painted by Gerard David was the basis for one dark earth colors; doorways were de- presentation, which reunited our three signed to evoke geometric Aztec arches large panels with three of the six smaller and covered in a dark faux stone finish, paintings thought to have been part of the along with pedestals and cases. In the original predella. The second exhibition Inca gallery a beautiful composition of tu- was centered on John Singer Sargent's nics with bold geometric designs was magnificent El Jaleo, lent by the Isabella shown with a feather tunic, ceramics, jew- Stewart Gardener Museum in Boston. elry, and a priceless 16th-century letter to Three East Building mezzanine galleries the Spanish king that pleads for better designed for this exhibition were painted treatment of the native people. The next in dark colors and joined by faux stone gallery, which combined South American archways. The first room displayed early and North American art of the period, related paintings and drawings. The sec- featured an extraordinary feather cloak in ond featured an arresting full-length a central case, while displays around the study of the central figure, entitled Span- room presented wooden, stone, bone, ish Dancer, along with other related draw- beaded, ceramic, and metal objects. The ings and sketchbooks. The third set apart final room in the exhibition, painted a the El Jaleo, seen on axis through a large dark green, was dominated by a dazzling archway reused from Circa 1492, with display of gold finials, body ornaments, "footlights" to provide dramatic lighting and figurines created as offerings to the for the composition. . Two exhibitions of works by Guercino At the exit to Circa 1492 was screened were installed in West Building galleries a mural of the famous NASA photograph just off the East Garden Court. The first of Earth Rising, illustrating that the age of consisted of 60 extraordinary drawings exploration begun in the 15th century from Windsor Castle, hung here on neu- continues today. tral-colored panels edged with fine bead- The Albert Bierstadt exhibition took ad- ing; artificial light was carefully focused vantage of the large West Building main to enhance the viewer's experience of floor galleries, with their high ceilings and these beautiful works. The second exhibi- natural light, to display 72 epic paintings tion presented 59 paintings spanning by this 19th-century American artist. The Guercino's entire career, installed chrono- walls were painted in rich, dark hues, and logically in spacious galleries adjacent to the artificial lighting was carefully con- the drawings. Because many paintings trolled to feature the remarkable use of were among the largest ever shown at the light in Bierstadt's works. Along with National Gallery, the department had to paintings lent by many public and private construct large baffles that reached collections, the exhibition included the nearly to the ceiling. With the high ceil- Gallery's recent acquisition of Bierstadt's ings in these galleries, judicious lighting, pivotal early painting, Lake Lucerne, and the walls painted in baroque period given to the Gallery by Richard M. Scaife hues, the colorful and dynamic paintings and Margaret R. Battle in honor of the by Guercino were shown to great Gallery's 50th anniversary. Restored to its advantage. original brilliance, the painting was hung Two exhibitions were part of the local at the end of a large gallery at the conclu- "Tribute to Germany" cultural festival co- sion of the European section, anticipating ordinated by the John F. Kennedy Center the artist's dramatic American Western for the Performing Arts. Kathe Kollwitz landscapes shown in succeeding rooms. displayed drawings, prints, and sculpture The last large-scale painting in the exhibi- by the artist in four galleries defined by tion, The Last of the Buffalo, was shown white walls that bore no except

50 One of the great challenges and de- lights for the department this year was the design and installation of Art of the Ameri- can Indian Frontier, with its entrance graphic adapted from the powerful design on a Potawatomi blanket. This was the largest and most complex showing of American Indian art with which the Gal- lery has been involved. It was divided into two parts, the first devoted to the Woodland Indians, and the second to the Plains Indians. Because of the fragile na- ture of most of the objects, the exhibition entrance on the upper level of the East Building was built to reduce the natural light. In the first room the Woodlands sec- tion opened with a two-sided case holding weapons of war mounted on a clear sheet of acrylic, which made the objects appear to "float" and allowed visitors to study them from either side. Wall cases and freestanding cases contained figures, smoking pipes, tools, and bowls. Large wall cases in the second gallery displayed turbans, claw necklaces, blankets, dress clothing, all stitched to fabric-cov- ered "flats" that allowed the objects to travel in specially constructed cases and to be shown in predetermined case com- positions. The Plains section began in the third gallery with displays of shields, feast bowls, clubs, coup sticks, elk antler quirts, parfleche, and a fabric winter count that recorded the history of an In- dian community. Between the third and fourth galleries another double-sided case Spectacular feather headdresses were displayed in for a baseboard. These unadorned archi- featured red stone smoking pipes and freestanding cases for Art of the American Indian tectural spaces provided a stark backdrop Frontier presentation tomahawks. Curved corners for the highly charged images on view. in the fourth room accommodated a large For the Emst Ludwig Kirchner exhibition photomural, and three large cases exhib- the artist's paintings, drawings, and prints ited early decorated clothing, beaded were installed in three galleries all baby carriers, weapon cases, bags, and painted a light gray. The lighting varied blanket strips. The fifth and final gallery between solely artificial and a combina- contained three wall cases with clothing, tion of natural and artificial light, depend- blankets, and moccasins on display and ing on the works in each gallery; one two large freestanding cases with clothing double-sided painting in the second room and an extraordinary assemblage of was mounted on a freestanding pedestal feather bonnets, each mounted to allow in the center of the room. Installed on two for close study from all sides. A small au- levels of the East Building, these two ex- diovisual theater was included in the ex- hibitions shared a common staircase, hibition space to present the history of the which promoted the sense of shared cul- Milford Chandler and Richard Pohrt col- tural understanding and allowed visitors lection from which the exhibition was to view the exhibitions without drawn. interruption.

51 Education ice visitor, including How to Look at an Altarpiece, Reading Portraiture, and The The education division makes the Na- Artists' Choices. Because of the over- tional Gallery's collections and resources whelming demand for tours of Circa on the history of art as widely accessible 1492, introductory lectures were sched- as possible by providing art information uled regularly in the East Building audi- and educational programs and materials torium. Three new audio tours of the to visitors of all ages and nationalities as permanent collection were produced: The well as to millions of people throughout Director's Tour, Impressionist and Post- this country and abroad. In 1992 the di- Impressionist Paintings, and American vision produced a great number and vari- Paintings. The department also pre- ety of programs to accompany both the sented a 24-session slide lecture survey Gallery collections and temporary exhibi- of Western art and a series of eight lec- tions; the combined efforts of the staff re- tures on the art and artists of some of the sulted in over 130,000 tours, programs, world's best-loved cities, including Ven- and publications, which reached an audi- ice, St. Petersburg, London, and Edin- ence of more than 48,700,000 people. burgh. Two summer interns contributed lectures to this series. This section and its

ADULT PROGRAMS volunteers also offer tours by appoint- ment for groups of adult visitors and VIPs. Through tours and lectures, academic programs, and films, this department pro- Academic Programs: This section creates vides adult audiences with opportunities programs for both the general public and for intellectual enrichment. Some events undergraduate and graduate students, in- are directed toward novice visitors, and cluding the Andrew W. Mellon Lectures others toward more experienced viewers. in the Fine Arts, the Sunday lectures, Several of the programs are multicultural and other special lectures, courses, and in approach, both to include broader seminars. The 1991 Mellon lectures views of traditional material and to en- were given by Willibald Sauerlander on courage greater attendance by diverse "Changing Faces: Art and Physiognomy: audiences. In fiscal year 1992 new audio A History of Representing the Passions." tours, a printed walking tour, additional Gallery seminars and public symposia guided introductory tours, and special were offered in conjunction with the Circa programs enabled 635,000 people to en- 1492, Bierstadt, Eljaleo, and Guercino joy the collections. The department con- exhibitions, and special lecture series tinued its survey of audiences, focusing were presented as part of the Circa 1492, on visitor demographics and evaluation of Guercino, and Kollwitz shows. "Conver- program quality. Survey results contrib- sations with Artists VIIl" this year fea- ute to the Gallery's long-range planning. tured , also represented in the Graphicstudio exhibition. The gradu- Tours and Lectures: This section prepares ate lecturing fellowship program offered and delivers a wide range of daily gallery 50 gallery talks by this year's two fellows. tours and lectures free of to the The office organized numerous day-long general public. This year volunteer do- meetings with Gallery staff for interna- cents led several daily introductory tours tional museum professionals visiting of the West and East Buildings as well as through the USIA program. introductory tours in French, Spanish, The academic programs office also German, and Italian. Currently there are oversees summer internships and Intern- 104 docents volunteering with the ships in the Museum Profession for Mi- department. norities, both of which match students The lecturing staff offered tours of the with various departments in the Gallery. permanent collection and all temporary This gives potential museum profes- exhibitions, short gallery talks on selected sionals an opportunity to gain practical works of art, and several introductory working experience and to study a major programs on art appreciation for the nov- collection of paintings and sculpture at

52 first hand. The Gallery concluded its col- Bierstadt exhibition, examined the use of laboration with the Spanish Ministry of landscape in Western movies; featuring a Culture on a program of grants from number of silent and early sound West- The Circle of the National Gallery of Art, erns, this series included the Washington which this year enabled three Spanish premiere of Raoul Walsh's The Big Trail museum professionals to pursue addi- (1930), lent by the Museum of Modern tional training here. All interns and fel- Art film archive and introduced by Wil- lows were offered weekly orientation liam K. Everson. Carmen, a series of sessions designed to familiarize them with eight screen adaptations of the story by all aspects of the Gallery. Prosper Merimee, culminated in the pre- sentation of the 1915 Cecil B. DeMille Film Programs: The film program has two silent version, with live orchestral accom- components: documentary films shown paniment under the direction of Gillian B. daily in support of both the permanent Anderson, music specialist for the Li- collection and temporary exhibitions; and brary of Congress and prominent film weekend film series, often arranged by music historian. Lubitsch in Germany: distinguished scholars, on topics that re- 1914-1922 and How the Worker Lived, late to exhibitions or film history. Each se- presented at the time of the Kathe Koll- ries consists of 10 to 30 films culled from witz exhibition, were both co-organized archives, collectors, or distributors all with the Goethe-Institut Washington and over the world. included a number of rare 35mm prints Brazilian Cinema Novo featured 14 from the Bundesarchiv and the Deutsche programs on a Latin American film move- Institut fur Filmkunde. The Washington ment that achieved prominence in the premiere of Cage/Cunningham was intro- late 1960s; many films in the series, duced by its director, Elliot Caplan; and which included classic works by Glauber the premiere of Wild Wheels (on Ameri- Rocha and Nelson Pereira dos Santos, can car art) was also introduced by its Education staff lecturer J. Russell Sale discusses were lent to the Gallery by archives and ' The Fall of Phaeton, a recent director, Harrod Blank. The Films of acquisition, before a group of visitors in the West museums in and Chile. Western Andrzej Wajda, an extensive retrospective Building's baroque galleries Vistas, presented in conjunction with the of works by Poland's greatest director, was jointly organized with the Polish Min- istry of Culture and Art, the Embassy of Poland, and Film Polski. On the last weekend of September, Mr. Wajda was present to discuss his films. A four-part lecture course, Decoding the Moving Image, offered viewers the opportunity to learn about film and filmmaking as an art form. This unit also helped prepare 37 radio talks and interviews to accompany the Sunday broadcasts of the National Gallery concerts on radio.

EXHIBITION PROGRAMS

The exhibition programs department pro- vides interpretive materials to enhance Gallery visitors' understanding and ap- preciation of works of art in special exhi- bitions. To reach a broad public, various materials are produced, including exhibi- tion brochures, recorded tours, explana- tory wall texts, and audiovisual programs. The staff also assists in planning exhibi- X tion-related programs such as documen- tary film series, teaching packets, family cational program being developed by the guides, lectures, performances, concerts, Gallery. Other video projects included and demonstrations of artistic techniques. "Conversations with Artists VIIl" with The fiscal year commenced with a rich Nancy Graves, the pipe ceremony and educational program offered for Circa blessing of the Art of the American Indian 1492, including extensive wall texts, an Frontier exhibition, and installations of illustrated booklet with a map and outline Miro's Personnage Gothique and Tony of the exhibition, and a separate map for Smith's The Snake Is Out. visitors with disabilities. With the support The office documented activities rang- of The Circle, the booklet was also made ing from the docent education sessions to available in a large-print version and in the annual volunteer awards program. It French, German, Italian, Japanese, and updated the Teacher Institute promo- Spanish translations. A recorded tour tional program and revised the video narrated by J. Carter Brown, then direc- transfer of the audiovisual program John tor of the National Gallery, was keyed to Russell Pope: Architect of the National sections in the booklet to provide further Gallery. Development was begun on ways information on areas of interest to visi- to recreate slide lectures in video as well tors. A second recorded tour was geared as on a video series on Renaissance toward children and made use of special painting techniques. Work was underway sound effects. The department coordi- on a 30-minute video program, supported nated a two-day public symposium for by The Bauman Foundation, based on Circa 1492 that featured ten eminent the 1990 Van Dyck exhibition. scholars and attracted capacity crowds. Educational brochures were produced EDUCATION PUBLICATIONS in regular and large-print versions for the This department writes gallery guides Bierstadt, El Jaleo, and Guercino paint- for the collection, printed on two-sided ings exhibitions. More elaborate booklets, panels and laminated for use by the pub- each supported by The Circle, were pro- lic. This project, made possible by Knight duced for The Saint Anne Altarpiece and Foundation, includes translation of the Stieglitz in the Darkroom, with The Ar- guides into French, German, Italian, Ja- cadia Foundation contributing generously panese, and Spanish. Work proceeded toward publication of the latter. Recorded ahead of schedule during this fiscal year, tours were produced for Bierstadt, Guer- with 23 new guides and 5 sets of transla- cino, and Art of the American Indian tions completed for the West Building Frontier. An audiovisual program main floor galleries. The guides were screened continuously during Art of the evaluated by an outside consultant over American Indian described the formation the course of the year, and findings are of the collection on view. being incorporated into the program. The department prepared educational The department also serves as the materials for 15 exhibitions in fiscal year editorial and production arm of the edu- 1992 and continued to respond regularly cation division. This year the office coor- to requests for educational materials from dinated production of three teaching museums, schools, and members of the packets on works in the collection, includ- public across the country. ing illustrated booklets, timelines, slides, and color reproductions for classroom EDUCATION MEDIA use; two teaching packets on special exhi- bitions; materials for docent training and This department produces original video in-house teacher workshops; calendars, and multi-image programs in a variety of brochures, and walking tours of the per- media that cover special events as well as manent collection for adults and children. exhibitions and the collection. The office made broadcast-quality video documen- EDUCATION RESOURCES tation of the entire Circa 1492 exhibition, from which was drawn publicity footage This department is composed of two sec- as well as footage for an interactive edu- tions—art information and extension pro-

54 grams—serving visitors at art information Borrower reports indicate that in this desks in the National Gallery as well as fiscal year extension programs' viewing audiences of all ages across the nation audience was 44,949,419. For the first and abroad through extension programs time, use of program materials by individ- and other educational resources. ual public and instructional television stations within the affiliate distribution Art Information: Six professional staff system outstripped the broadcast activity members recruit, train, and supervise of national educational networks. Com- over 140 art information volunteers, who mercial acquisition of The Learning serve at the five art information desks at Channel (formerly Appalachian Commu- the entrances to the East and West Build- nity Service Network) has greatly dimin- ings. Volunteers are on duty at these loca- ished use of Gallery materials by this tions during all of the Gallery's public onetime major national outlet for our pro- hours, providing an average of 1,400 grams. During fiscal year 1992 the total hours of service per month. These volun- of all program presentations was teers receive ongoing instruction from the 120,821. Videocassette distribution re- staff on the Gallery's collections and exhi- mained an important segment of total pro- bitions as well as special training in an- gram use, surpassing film distribution for swering questions posed by the public. the first time. Staff specialists and volunteers responded Within the overall audience, organiza- to an average of 7,800 visitor questions tions across the country using extension and 700 telephone inquiries per week— programs through the affiliate long-term an all-time high. The staff also responded loan system sustained a high level of pro- to a broad array of inquiries that required gram use. These borrowers—in school special research; in fiscal year 1992 a to- systems, instructional media centers, li- tal of 2,462 replies were prepared in re- braries, universities, other educational sponse to questions on works of art and settings—as well as borrowers using mate- artists. Averaging over 200 queries a rials on short-term direct loans report month, the year's total exceeds last year's showing programs many times on a single by 25 percent. order. In the past fiscal year 43 organiza- Department staff prepared a new Brief tions joined the affiliate system, most no- Guide and Plan for the Gallery, which tably the American Association of Retired provides summary information about the Persons (AARP), whose distinct and large museum as well as color-coded isometric national constituency greatly enhances floor plans of the East and West Build- the dimensions of current audiences. At ings. This new publication has been well present, 12 extension program titles— received by the public, and an average of 10 of them in closed caption format—are more than 43,000 copies a month are available on a free-loan basis through distributed from the art information AARP to their affiliates and related organ- desks. Staff are also coordinating a year- izations serving mature audiences. In an long survey of Gallery visitors concerning eight-month period beginning in January their use of resources and programs of- 1992 viewers using Gallery programs via fered by the Gallery; a corps of trained AARP were reported at well over 75,000 volunteers pretested the questionnaire persons. and are helping staff carry out the survey. A new, updated catalogue describes Extension Programs: This section over- the full inventory of extension program sees nationwide distribution of extension resources available. In addition, this year programs—color slide programs, teaching arrangements were made to include the packets, films, and videocassettes—based complete listing of extension programs in on the Gallery's collections and exhibi- the National Distance Learning Center tions. Extension programs are used in database, which provides on- infor- schools, libraries, colleges and univer- mation about the Gallery's instructional sities, civic organizations, and by public resources to educators in 47 states and 4 and educational television stations in the countries. The department continues to U.S. and overseas. provide extension programs to U.S. em-

55 bossies abroad through USIA as well as to that included lectures, gallery discus- USIS libraries around the world. In addi- sions, and tour techniques. tion, WORLDNET, USIA's satellite tele- The Bauman Foundation and The vision network, used a series of 11 Circle funded a survey of art museum- programs for 4 worldwide transmissions based teacher programs and the resulting to receiving stations in 135 countries in directory, which will be distributed free- Latin America, Western Europe, Africa, of-charge to museum professionals, the Middle East, and South Asia. The en- teachers, and teacher resource centers tire inventory of program offerings was across the country. This directory of used by Department of Defense schools Teacher Programs in Art Museums lists in the Pacific region and by in- more than 260 museums offering pro- stallations in the U.S., Europe, and in grams or resources for teachers. Asia. The department's film, The Land- A grant from the Geraldine R. Dodge scapes of Frederic Edwin Church, was Foundation was pledged to sponsor a na- screened in connection with the Montreal tional conference on art museum-based film festival, and David Smith: American teacher programs taking place at the be- Sculptor was shown at the Centre Pom- ginning of the 1993 fiscal year. pidou in Paris. The National Teacher Institute, in its Department staff, with assistance of fourth year, offered three sessions. Pri- digital imaging and other specialists, con- mary and secondary school teachers from tinued production of the Gallery's second across the country participated in this six- videodisc, supported by The Annenberg day program. Local teachers, advisors, Foundation, focusing on the collection of and principals as well as national educa- American paintings, sculpture, drawings, tion experts provided valuable feedback prints, and the Index of American De- this year during local and national advi- sign. An extensive digital archive of sory committee meetings. Support for the images and a complex database of infor- program has been provided by the Wil- mation about the works of art are being liam Randolph Hearst Foundation. created as the basis for this videodisc— The teacher workshop program, also in the first time ever that electronic images its fourth year, offers instruction, enrich- and computer-based media have been ment, and resources to area educators. used as the source for a videodisc. This year the Gallery organized 11 work- Art & Man, published by Scholastic, shops, one of which was held twice to Inc., in cooperation with the Gallery, was accommodate high demand, and one spe- renamed Scholastic Art this year. Depart- cial evening event. Overall the program ment staff continued to work with the saw a substantial increase in registration editors in reviewing content for this maga- to 760 participants. The number of zine, which is used in secondary schools teacher inservices also doubled from last across the nation. Such diverse artists as year to serve over 400 teachers, largely Michelangelo, Frida Kahlo, and Maria because of the popularity of the Circa Martinez were among those featured in 1492 exhibition. this year's issues. Subscription levels Two special high school days were or- were maintained at 200,000. ganized in conjunction with Circa 1492. Approximately 250 students from the District of Columbia and surrounding TEACHER AND SCHOOL PROGRAMS counties participated in these Circle- This department serves teachers, school- funded events, which featured artists' age children, and their families through demonstrations, a slide overview, a re- tours, programs, and publications. Ap- corded tour of the exhibition, and a view- proximately 130 volunteer school pro- ing of the film Masters of Illusion. gram docents, trained by the professional A pilot high school seminar, planned in staff, gave 2,860 tours to approximately coordination with Duke Ellington High 50,000 school children this year; and 16 School in the District, brought 14 area new volunteers accepted into the program students to the Gallery on eight Saturday completed an extensive education course mornings last winter. Students had be-

56 hind-the-scenes tours, gallery discus- Building; Shapes and Patterns, to be pub- sions, and lectures. Working with their lished in the next fiscal year, focuses on sponsoring teachers, each student com- the design of the East Building; and a pleted a final project and presented it at guide to highlights in the permanent col- an awards reception. Participating lection will follow. The Magic Picture teachers and curriculum supervisors were Frame, an activities book for children that from Duke Ellington; Suitland High is based on the permanent collection, will School and Laurel High School in Prince also be available in 1994. George's County; Watkins Mill High The Smithsonian Institution's intern- School, Montgomery County; Centennial ship project with the District and the Fox- High School and Mount Hebron High fire Foundation concluded with the pub- School in Howard County; T.C. Williams lication of A Guide for Teachers: African High School, Alexandria; and J.E.B. American Art Resources in the Washing- Stuart High School, Fairfax. ton, DC, Area. Written by Ursula Sher- The Circa 1492 family event, under- ard, intern at both the Gallery and the written by The Circle, was the first such National Museum of American Art, the program held in conjunction with a spe- guide was distributed to 100 teachers cial exhibition, and it attracted more than who attended the teacher workshop "Af- 500 students from D C. public high rican American Artists" co-organized by schools and their families. Other family the Gallery and NMAA. programs included "Great Landscapes," STATISTICAL SUMMARIES held in conjunction with the Bierstadt ex- hibition, and "Stories and Symbols," held Programs/ Estimated in conjunction with Art of the American Showings Audience Indian Frontier, which served 931 partic- Adult Programs 3,863 630,879 ipants through 17 events. tours, lectures, sym- Outreach to the D C. community con- posia, films, radio talks tinued through the Chapter One Museum Exhibition Programs 33 2,573,202 Project, which brought 779 "at risk" brochures, a/v pro- public school students to the Gallery for grams, recorded tours, wall texts multiple-visit tours. The department also Education Resources 123,698 45,528,379 continued to work with the Cultural Con- slide/film/video pro- sortium, comprised of many of the city's grams, packets; art in- cultural organizations, to encourage com- formation munity participation in Gallery programs Teacher & School Programs 2,913 51,369 and events. tours, family programs, The department completed the first workshops, institutes three in a series of teaching packets on TOTALS: 130,507 48,783,829 the permanent collection entitled The In- quiring Eye: American Painting, French and Post-Impressionism, and The European Renaissance, the latter made possible in part by The Folger Fund. They were initiated to complement the National Teacher Institute. Teaching packets were also published for special exhibitions Circa 1492 and Art of the American Indian Frontier, along with a family guide for Circa 1492. A grant from the Vira I. Heinz Endow- ment has enabled the Gallery to begin publishing a series of self guides for fami- lies and children. Portraits and Person- alities, published in September 1992 as the first in the series, focuses on the West

57 Rembrandt van Rijn, The Ship of Fortune, 1633, Library Australia, England, Italy, Nigeria, Po- detail, illustration on page 97 of Elias Herkmans' land, Portugal, , and Turkey. DerZee-Vaert Lof, published 1634 Anonymous Gift, in Honor of (he 50th Anniversary of the National The National Gallery library continued to Reader services staff compiled an in- Gallery of Art, 1991.179.1 serve both in-house colleagues and a formative brochure for visiting scholars growing number of outside readers, both and students. In addition, interlibrary in person and by telephone or mail. Visi- loan activity reached unprecedented tors came from art galleries, libraries, levels this year, surpassing previous usage and universities, but also from local gov- by 32 percent. The rise in demand for ernment agencies such as the Department borrowed materials from the National of State, the Supreme Court, and the Gallery library also increased. These in- Coast Guard as well as from Monticello, creases may be attributable to the soaring the Arena Stage, the American Associa- cost of new publications. tion of Retired Persons, and the Cana- The tremendous generosity of donors dian, Greek, Mexican, and Swiss to the National Gallery library is thus all embassies. The Circa 1492 exhibition at- the more remarkable. Almost a third of tracted an unusually large number of the items added to the collection are gifts, overseas scholars, including readers from for which we are extremely grateful. Pa-

58 tricia G. England added 241 modern fine vols. (Paris, 1990); Mercedes Rochelle, press and artists' books to her earlier Mythological and Classical World Art gifts, bringing the number of works in the Index (Jefferson, NC, 1991); and Chris- England collection to more than 300; this topher Wright, The World's Master Paint- gift was celebrated with an illustrated lec- ings from the Early Renaissance to the ture and exhibition. Helaine D. Blum Present Day (London and New York, gave a large and important group of early 1992). 20th-century German titles on aesthetics Important general acquisitions and art theory. Mrs. John A. Pope con- included: tinues to add to an impressive collection Joannes van der Goes Antonides, Gedichlen (Am- on oriental ceramics and bronzes. And sterdam, 1685); Samuel Putnam Avery, "Album of Mark Samuels Lasner continues to pre- documents and correspondence pertaining to the sent the library with interesting books on engraving of Edward Savage's The Washington Fam- ily"; F. Bastenaire-Daudenart, L'art de fabriquer la English 19th-century subjects. faience blanche, reconvene d'un email transparent Mr. and Mrs. Jacob Kainen donated a (Paris, e. 1828); George W. Bethune, The prospects large group of monographs and exhibition of art in the United States: an address before the Ar- catalogues, primarily on 20th-century art, tists' Fund Society of Philadephia (Philadelphia, some of them quite rare. David Root 1840); Lambert Bidloo, Panpoeticon batavum... (Amsterdam, 1720); Comelis de Bie, Faems Weer- added to his earlier gift of unusual 20th- galm der Neder-duytsche Poesie (Mechelen, 1670); century exhibition catalogues and art pe- Giuseppe Gaetano Bolletti, Dell' origine e de' prog- riodicals. Sarah Epstein gave translations ressi dell' Instituto delle scienze de Bologna (Bolo- of several Scandinavian articles on Ed- gna, 1769); Iacopo Alessandro Calvi, Versi e prose vard Munch. Among many other individ- sopra una serie di eccellenti pitture (Bologna, 1780); George Catlin, The lifted and subsided rocks of ual donors, Ruth Carter Stevenson, John America with their influences on the oceanic, atmo- Good, Michiko Kasahara, Professor Syd- spheric, and land currents (London, 1870); George ney J. Freedberg, and Carol Biba should Catlin, Shut your mouth and save your life (London, be singled out. Gifts also come from Gal- 1870); Jean Cousin, Livre de pourtraicture (Paris, c. 1490-1560); L'art de dessinerproprement les plans, lery staff and CASVA fellows. poifils, elevations geometrales, & perspectives, soit Each year since 1989 The Circle of de'architecture militaire ou civile... (Paris, 1697); the National Gallery of Art has funded the Caspar Ens, Deliciarum Germaniae (Cologne, purchase of books of high art historical 1609); Charles Enschede, Typefoundries in the importance, and this year The Circle en- Netherlands, from the fifteenth to the nineteenth cen- tury (Haarlem, 1978); Jan Hendrik Glazemaker, abled the library to acquire two very rare Tooneel der iwerreltsche veranderingen, door deftige, works: David Tenier's Le Theatre des vermakelijke en ware geschiedenissen afgebeelt... Peintures, a pictorial record of the paint- (Amsterdam, 1648); Galleazzo Gualdo Priorato, Re- ing collection of Archduke Leopold Wil- latione della citta di Florenza, e del Gran Ducato di helm of Austria, published in in Toscana sotto il regnante Gran Duca Ferdinando II 1660; and O-Kee-Pa by George Catlin, (Brussels, 1668); Matthias Oesterreich, Beschrei- bung des cabinets von gemaehlden verschiender be- published in London in 1867. Both vol- ruhmten Mahler des Herm Johann Gottlieb Stein umes are in superb condition. (, 1763); Benjamin Linfoot, Architectural pic- Acquisitions for the reference collec- ture making with pen & ink (Philadelphia, 1884); tion included indexes to biennials and ex- Antonio Marsand, II fore dell' arte dell' intaglio nelle stampe con signolare studio racolte (, hibitions, including those of the Whitney 1823); George-Louis Jean-Michel Papillon, Traite Museum of American Art, 1918-1989; historique et pratique de la gravure en bois (Paris, the Corcoran Gallery of Art; the Boston 1766); Giuseppe Pelli Bencivenni, Saggio istorico Art Club, 1873-1909 (all Madison, CT, della Real Galleria de Firenze (Florence, 1779); 1991); the Royal Scottish Academy Ex- Hubert Komeliszoon Pool, Het groot natuuren zedekundigh werelttoneel, of, Woordenbodk van meer hibitors, 1826-1990, 2 vols. (Wiltshire, dan 1200 aeloude Egiptische, Grieksche en Ro- 1991-); and the Royal Institute meinsche zinnebeelden of beeldenspraek... (Delft, of the Fine Arts, 1861-1989 (Glasgow, 1743-1750); Girolamo Porti, CAbigaile, pittura del 1990-). Other notable additions to the famoso pennello del Cavaliere Gio. Francesco - reference collection included the Grande bieri da Centro descritta (, 1636); Francesco Maria Torrigio, Historica narratione della chiesa par- dizionario della lingua italiana, 15 vols. occhiale et archiconfraternita del santissimo corpo di (Torino, 1961-); Musee d'Orsay: Cata- Christo posto in S. Giacomo apostolo in Borgo logue sommaire illustre des peintures, 2 (Rome, 1649); Jan van der Veen, Ian vander Veens

59 Zinne-beelden, oft, Adams appel (Amsterdam, incorporate all 90,000 of the machine- 1642); William Ware Lectures on the works and ge- readable records in the photographic ar- nius of Washington Allston (Boston, 1852); Chris- chives department. Photographic and toph Weigel, Ethica naturalis (Nuremberg, 1700); and Winsor & Newton, Manufacturing artists' col- bibliographic source information is now ourmen (London, c. 1894-1895). available to all users of the system, and the complete database will be accessible The National Gallery's first gifts and in the near future. The next phase of de- partial purchases of minimal and concep- velopment will incorporate the slide li- tual art from the Dorothy and Herbert brary into the system. Since all three Vogel Collection brought to the library a divisions are using a MARC format, the plethora of ephemeral material docu- same search commands may be used to menting the artists represented. This ma- retrieve information. Circulation of slides terial has been integrated into the vertical and photographs will be possible with the files, and individual artist files have been use of barcodes attached to each item. made accessible through VTLS, the li- Library staff were given advanced brary's in-house automated system. Verti- training in the use of the automated sys- cal files and circulation departments, tem this year, which covered specialized experiencing substantial growth in usage, searching and cataloguing techniques as have been ably assisted by volunteers well as bibliographic and reporting ser- and by students in a "stay-in-school" pro- vices. Instruction materials are being gram. In fact, greater numbers of volun- revised and enhanced, and additional teers have been working in all areas of training will soon be available for Gallery the library. staff. Together with the J. Paul Getty Center Five library exhibits were installed: for the History of Art, the library acquisi- African American Artists, by Rita Cacas; tions staff have been working since last Patricia G. England Collection, by Neal year to develop the Provenance Index Turtell; 400 Years of , by Databases. The resulting data will be- Kate Allen; Art and Architec- come an integral part of a continuing se- ture, by Caroline Backlund; and - ries entitled The Index of Paintings Sold ata and Dutch Art, by Arthur Wheelock. in the British Isles during the Nineteenth Century. The acquisitions section also LIBRARY STATISTICS produced 3,448 bibliographic records of Total volumes (monographs, 166,641 the backlog books and made available on bound serials including auction SCIPIO the entire auction catalogues catalogues, pamphlets, microforms) holdings from the Chester Dale Titles/volumes acquired with 2,220/2,397 Collection. federal funds Titles/volumes acquired with 440/1,002 The cataloguing section organized and trust funds catalogued papers from the John Marin Titles/volumes acquired by gift 1,033/1,046 family. These consisted chiefly of auto- Titles/volumes acquired by 532/544 graph correspondence from 1920 to exchange 1970 between Marin and other important Added microform titles 114 Added vertical file material 6,300 figures in American art of the period, in- Reference inquiries 20,613 cluding Ansel Adams, Dorothy Norman, Computer-based bibliographic 2,710 Georgia O'Keeffe, Duncan and Marjorie searches (RLIN, OCLC, Phillips, Alfred Stieglitz, and Paul Strand. ARTQUEST, DIALOG, The condition of many fragile items had W1LSONL1NE) Outside visitors 2,662 to be stabilized. The section also pro- Titles/volumes catalogued 4,181/5,361 duced the library's first detailed finding aid for manuscripts in the collection. Library automation capabilities in- PHOTOGRAPHIC ARCHIVES creased substantially this year. A new Hewlett-Packard 3000 Model 957 im- The photographic archives continued to proved response time for all users and al- acquire photographs and microform im- lowed expansion of the library system to ages in a broad range of areas, bringing

60 the total number of photographs in the ages through the continued generosity of collection to 1,338,427, and the total the Samuel H. Kress Foundation and its number of microforms to 4,873,882. photography subventions. The founda- Purchases included photographs of Ital- tion's support of one researcher's field ian, German, Spanish, and Netherlandish work in southern France and northern paintings in the Italy led to the Gallery's acquisition of a and, through the Courtauld Institute, sev- unique set of photographs of all of the ex- eral major British private collections tant works of the 15th-century itinerant never before photographed. An exchange artist-priest, Giovanni Canavesio. An on- of photographs was begun with the going Kress Foundation grant enabled Robert Lehman Archive of Italian majol- the Gallery to receive extraordinary pho- ica at the Metropolitan Museum of Art, tographs of baroque church architecture using our Parke-Bernet Galleries nega- in the Piedmonte. tives. The Gallery also continued to print The department also initiated photo- photographs of Russian architecture from graphic documentation of the art collec- negatives loaned by William Brumfield, tion at the Howard University Gallery of and our collection, among the largest in Art after discovering that it owned a the world, now numbers more than dozen paintings given by the Kress Foun- 7,000 images. dation in the 1940s. Howard's collection The archives this year acquired two embraces 19th-century European porce- of the first auction catalogues to be illus- lain, contemporary ceramics, European trated with photographs. These docu- and American paintings, African Ameri- mented sales held at Christie, Manson & can paintings and graphics, as well as tap- Woods in 1860 and 1864, and illustrated estries, textiles, sculpture, African masks, lots include paintings, sculpture, and ob- and other objects. The project of photo- jets now in major public collections. Inter- graphing these works will provide How- estingly, the format for illustrating sales ard University and the National Gallery's catalogues has not changed in the past photographic archives with a visual re- 130 years. Other works purchased at cord of this previously undocumented auction were an album of English and collection. Expenses are being covered Scottish architectural views by Russell by a trust fund established some years Sedgfield, George Washington Wilson, ago through the generosity of the Kress and James Valentine and a very rare two- Foundation. volume set of the Gems of the Art Trea- The photographic archives received a sures Exhibition, Manchester, 1857, with remarkable gift this year from art histo- photographs by Caldesi and Montecchi, rian Rene Huyghe, who was the Kress dedicated to His Royal Highness Prince Professor at the National Gallery in Albert. The purchase of a rare, deluxe 1967-1968. Professor Huyghe offered commemorative edition of 24 photo- the archives his working collection of pho- graphs by Neurdein Freres that docu- tographs, clippings, cuts, postcards, and ments the Exposition Universelle of 1900 so on, covering all aspects of art and the supplements a volume of photogravures fine arts, ancient through modern. This of the same world's fair already in the gift appears to consist of between 40,000 collection. and 50,000 images, and it will beautifully Microform acquisitions included a use- supplement the main body of the photo ful compilation of Pictures in National archives collections. Trust Properties, Great Britain (Bath, En- The department's database went on- gland, 1992), with an artist and location line with the library's VTLS computer sys- index. The Gallery also began to acquire tem in fiscal year 1992. After some addi- images of the holdings of the Deutsche tional modifications, our authority files Fotothek der Sachsischen Landesbiblio- and image records will be accessible to thek, Dresden, which will augment our any office in the Gallery, a major step to- holdings of the complete collection of the ward possibly making records accessible Marburger Index. to other institutions. The Gallery received a variety of im-

61 SLIDE LIBRARY staff also produced myriad brochures, pamphlets, invitations, flyers, announce- Gregory P. J. Most, formerly of the Mu- ments, advertisements, staff newsletters, seum of Fine Arts, Houston, was ap- the Circle bulletin, and the annual report. pointed chief slide librarian this year to Exhibition-related publications this oversee a collection of more than year included the catalogues Guercino: 143,000 catalogued slides. Of these, Drawings from Windsor Castle and Guer- more than 3,000 were catalogued during cino: Master Painter of the Baroque; the past year, and more than 22,000 Walker Evans: Subways and Streets; John were circulated to Gallery staff and the Singer Sargent's "Eljaleo"; Diirer to public. Borrowing by the public ac- Diebenkom: Recent Acquisitions of Art on counted for 22 percent of all circulation. Paper; Kathe Kollwitz; French, German, Groundwork was begun for adding slide and English editions of Ellsworth Kelly: information to the library's automated The Years in France; and The Architecture catalogue in the next fiscal year, which of the West Building of the National Gal- will make slide information available lery of Art. There were brochures for through terminals located throughout the seven exhibitions: for Circa 1492, in six Gallery. languages, in a large-type version, and in Special emphasis has been placed this a version describing facilities for visitors year on acquiring images of architecture with disabilities; also for "The Saint Anne and outdoor sculpture. The library pur- Altarpiece" by Gerard David; Stieglitz in chased several slide sets of sculpture the Darkroom; Watson and the Shark; and parks, principally in the U.S. but also in standard and large-type brochures for Europe and Japan, while expanding and Albert Bierstadt; Eljaleo; and Guercino. upgrading slides of American art and ar- Press kit folders, press invitations, object chitecture. As a first step in systematically labels, and wall texts were prepared for representing the collections of American each exhibition. museums, the slide library also acquired The third and fourth volumes in the slides representative of the collections of systematic catalogue, British Paintings the , the Museum and American Naive Paintings, are in the of Fine Arts, Houston, and the Menil final stages of production, with delivery Collection. projected for early fiscal year 1993. Other volumes now in production include German Paintings and Western Decorative Arts, Part 1. Six volumes of Studies in the History of Art are soon to be published. Editors Office Other publications produced under the aegis of CASVA included Center 11, Cen- The editors office collaborated with other ter 12, and Sponsored Research 11. Gallery offices and with trade and aca- Non-exhibition-related booklets were demic publishers to produce a wide range many and varied, from The Art of Art Crit- of publications that reflect the Gallery's icism for the information office to George collections and programs. Nine exhibition Catlin for the National Lending Service; a catalogues were published, along with a special report for the financial officers of new summary catalogue of American the Museum Presidents Group; and The paintings in the collection, three volumes Evolution of Seventeenth-Century Em- of Studies in the History of Art (vols. 29, blematic Literature in the Netherlands to 32, and 36) and numerous educational accompany a library exhibition. Publica- publications. Substantial progress was tions produced for the education depart- made toward the publication of several ment included The Age of Lorenzo de' volumes in the systematic catalogue of the Medici; two teaching packets for tempo- collections, catalogues of the Mark J. rary exhibitions; three teaching packets Millard Collection of architectural books, on works in the collection; "I Am Still additional volumes of Studies, as well as Learninga brochure on masterpieces forthcoming exhibition catalogues. The created by artists in their old age; and 18

62 •

Guercino's Intervention of the Sabine Women, 1645, laminated gallery guides in several IMAGING AND VISUAL SERVICES was lent by the Musee du Louvre, Paris, for the ex- languages. hibition of Guercino's paintings Copublications with trade publishers This department was renamed during the and distributors remain an important con- year as a way of demonstrating the Gal- duit for the Gallery's outreach to the pub- lery's commitment to new technologies. lic beyond the nation's capital. , The department continues to perform two Abrams, Thames & Hudson, Yohan-West- distinct but related functions. The office ern, Prestel, te Neues, and Schirmer/ of visual services coordinates photo- Mosel participated in these ventures this graphic requests from both Gallery staff year. and the public. The laboratory produces traditional photographic images in four

63 studios, two printing darkrooms, a color cluding catalogues, condition reports, duplicating lab, and a black and white ar- publicity, and slides for lectures and cur- chival darkroom. The photographic labo- atorial study. Every painting in the Bier- ratory joined the Kodak "Q-Lab" system stadt exhibition, for example, was photo- this year, which will help monitor color graphed for overall and detail slides. processing to produce more consistently In fiscal year 1992 the office of visual faithful color transparencies and slides. services added 19,334 black and white Recently a high resolution scanner and a photographs and 5,061 color transparen- high-end IBM personal computer were in- cies to the files, issued 1,632 permissions stalled for the purpose of digitizing im- for reproduction, lent 1,380 transparen- ages in the Gallery's collections. These cies for reproduction, sold 1,236 black images will eventually be incorporated and white photographs and 524 duplicate into the collection management system slides to the public, and supplied 2,423 and will be available for other programs. color transparencies and 6,948 black and The office of visual services provides white photographs to Gallery staff for offi- color transparencies, slides, and black cial use. Responding to 3,467 requests and white photographs to staff as well as for photography, the laboratory produced outside scholars, visitors, other museums 7,924 black and white negatives, 46,879 and institutions, and publishers. It autho- black and white prints, 28,544 35mm rizes reproductions of works of art in the slides, 8,916 color transparencies, 1,752 Gallery collections and coordinates all re- color negatives, and processed 616 rolls quests for work performed by the photo- of color film for other departments. graphic laboratory. The office also obtains photographs and transparencies of works of art to be loaned for special exhibitions, coordinating the needs of Gallery depart- Gallery Archives ments as well as other museums partici- pating in these exhibitions. The office During the year significant progress was recently set up a computer network to made to ensure that records documenting make files accessible at all department the history and development of the Na- workstations. A contracts system that in- tional Gallery and its buildings are pro- corporates seven databases was designed tected and preserved and made available by a member of the staff to produce con- for research use. tracts for reproductions of works of art by The oral history program received an various types of publications. important grant from The Circle of the The laboratory responded to photo- National Gallery of Art, which enabled graphic needs of Gallery staff in support consulting oral historian A. C. Viebranz of an increasing number of programs and to interview Warren Burger, Clement Con- projects this year. Photography for the ger, Kay Silberfeld, John Stevenson, and Rothko catalogue raisonne was com- John Wilmerding. Oral historian Anne pleted, as was color photography for the Ritchie also conducted interviews with E. systematic catalogue of Chinese porce- James Adams, David Bull, Elise Ferber, lains. Photography is essential to several Bill Mann, S. Dillon Ripley, Adolph W. conservation research techniques—in- Schmidt, and Sir Francis Watson. The cluding infrared reflectography, which re- oral history program is guided by an ad- quires the printing of large numbers of visory committee consisting of Richard small black and white photographs—and Bales, Elizabeth Croog, John Hand, Jo- the conservation department remains the seph Krakora, William Moss, and largest consumer of photographic ser- Frances Smyth. vices. The information office, too, re- Gallery Archives holdings were signifi- quires quantities of photographs and cantly augmented during the year by a transparencies, often under very tight number of important acquisitions. Rich- deadlines to meet the demands of the ard Bales donated several documents of press. The support of special exhibitions exceptional historical interest that relate involves photography at several levels, in- to his career as music director of the Na-

64 tional Gallery. Twenty photographs of the An increasing number of scholarly re- Gallery's installation of the Morton Neu- searchers used the archives for investiga- mann collection were received from the tions into a wide variety of other subjects, archives of the Art Institute of Chicago. from biographies of individuals such as East Building construction manager Bill Andrew Mellon, Chester Dale, Lessing Mann made available for copying his ex- Rosenwald, and I. M. Pei to historical traordinary collection of slides, which topics such as the role of museums during documents every facet of building con- World War II, travels of the Mona Lisa, struction. The Foundation for Documents development of the Gulbenkian Collec- of Architecture donated extensive files tion, and the history of museum exhibi- covering discussions and recommenda- tion installation in the U.S. Researchers tions of the Architectural Drawings Advi- also used the archives for information re- sory Group. In addition, the National lating to the Gallery's own acquisitions, Gallery's office of visual services trans- exhibitions, and programs. ferred more than 500 historical photo- Archival staff provided information graphs of the Gallery; approximately and advice concerning management of ar- 1,000 documents relating to the collec- chival and oral history programs and op- tion of Ailsa Mellon Bruce were trans- eration of archival databases to a number ferred from curatorial records and files; of institutions and individuals in the U.S. and significant records were received and abroad. Supported in part by a grant from the offices of the director, deputy from the Getty Art History Information director, secretary and general counsel, Program, the Gallery Archives also curators, public information, education, hosted the annual meeting of the Interna- exhibitions, external affairs, corporate re- tional Council on Archives working group lations, and special events. on architectural records. Working ses- Architectural records were given sions were attended by representatives of particular attention, as archival staff archives in , Canada, France, developed and refined operation of a Great Britain, Italy, Poland, Portugal, comprehensive database of architectural Spain, and the U.S. drawings. Entries were completed for all Present and former Gallery staff and drawings of original West Building con- friends joined in mourning architectural struction, and specialized searches and archivist Richard E. Saito, who died on reports relating to the more than 4,000 25 October 1991. Saito joined the staff of entries in the system are now possible. the National Gallery in 1969 and in 1984 Architectural models in archival holdings was appointed founding architectural ar- were identified and catalogued. In addi- chivist in the Gallery Archives. tion, Charles Tompkins Company office files and shop drawings that document construction of the East Building were transferred to new archival boxes, and operation and maintenance manuals and specification books were organized and inventoried. Nearly 200 conceptual sketches for the East Building from the office of I. M. Pei were placed in individ- ual, lightweight enclosures for protection and preservation. Archival holdings of architectural re- cords were used extensively for studies of the design and development of the Gal- lery's buildings and for student projects. Numerous drawings were made available for Gallery renovation projects and for development of the Gallery's computer- aided design and drafting (CADD) system.

65 A

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Protection Services sergeant. This year Sergeant Jerome Ed- wards was promoted to the rank of lieu- This division provides 24-hour protection tenant; and officers Bernard Clemens, and security for the National Gallery's art Dona Lidner, Karen Perry, Anthony collections and facilities as well as for Thompson, and Raymond Watson were 1,100 employees and the millions of visi- promoted to sergeant. tors who come to the Gallery each year. Coordinating closely with the State De- Jurisdiction over the National Sculpture partment, Secret Service, FBI, and var- Garden site just west of the West Building ious law enforcement organizations, the was transferred from the National Park Gallery oversaw protection for around Service to the Gallery in 1991; in 1992 100 VIP visitors this year, including the the Gallery requested and received from president and vice president of the U.S. Congress an extension of its special police and other heads of state and dignitaries. authority to cover that property. Important organizational changes this Joseph Maddox became the division's year included formation of a special de- training officer this year, responsible for partment to develop and direct a compre- defining, developing, improving, and sus- hensive fire, safety, occupational health, taining quality training for the protection and environmental protection program staff. Four new first-level supervisors for the Gallery. This office instituted daily completed a 40-hour core course, 34 safety inspections to ensure compliance officers completed the basic museum with NFPA fire and life safety codes, EPA security course, 44 officers completed and NIOSH environmental laws, and advanced security training, 71 officers OSHA safety and health standards. The completed CPR and first-aid training, and office also developed procedures to mini- 56 officers attended fire arms training. A mize accidents and injuries for staff, database was developed to maintain visitors, and contractors; assumed re- training records for the entire division. sponsibility for workers' compensation; James Thompson filled another key po- and coordinated a contract with the U.S. sition as day shift captain, responsible for Public Health Service to provide profes- supervising the daily activities of the uni- sional staff for the Gallery's occupational formed security officers. He shares this health unit. A long-range plan was written responsibility with Captain Nathaniel to improve fire protection for employees, McLin, who is in charge of evening shifts. visitors, and the Gallery's collections. To improve the effectiveness of security Checkroom positions were designated as staff, a new organizational structure has security posts this year and placed under been established: three teams, each su- the supervision of the office of protection Etienne-Louis Boullee, Perspective View of the Inte- rior of a Metropolitan Church, 1780/1781 pervised by a lieutenant, are made up of services. The technical services depart- Patrons' Permanent Fund, 1991.185.1 five smaller teams, each supervised by a ment continued work on major enhance-

67 ments to the security system in the Gallery's collections. The new display in- Gallery; improvements this year were creased sales of these books by 20 per- made in access control, keying systems, cent. In addition, temporary sales desks and detection alarms. were set up near the Circa 1492, Bier- stadt, and Guercino exhibitions for the convenience of visitors. The publications sales division contin- Publications Sales ued to pursue licensing agreements in commercial markets worldwide for note The publications sales division continued cards, posters, greeting cards, puzzles, to offer a broad selection of exhibition bookmarks, and postcards manufactured catalogues, books, and reproductions of under Gallery supervision for sale in Gal- works of art, produced in collaboration lery shops. These licensing arrangements with curatorial, editorial, and product de- give broader exposure to the Gallery's velopment staff. Sales were very strong collections and generate additional reve- this year, aided in part by the popularity nue for the ongoing support of publica- of Circa 1492. Visitors purchased more tions activities. than 200,000 catalogues and other art books and more than 2 million printed re- productions, including postcards, note cards, greeting cards, posters, and Gallery Architect framed and unframed reproductions. More than 500,000 visitors were served The architect's office strives to provide in the sales shops. Best-selling catalogues functional working environments for the were Circa 1492, Bierstadt, Eljaleo, and Gallery and to ensure that modifications Kathe Kollwitz. Although temporary exhi- of public spaces are made with respect bitions contribute notably to overall sales, for the aesthetic quality of the buildings. the program's strength continues to be in In consultation with other Gallery offices, presentation of works from the the architects and interior designer pro- Gallery's permanent collections. More gram, design, prepare construction docu- than 700 works of art are reproduced on ments, and coordinate construction postcards, and more than 400 on large through completion and occupancy. and small reproductions. Both the quan- Architectural projects completed in fis- tity and quality of these publications are cal year 1992 include consolidated silk- unsurpassed by any art museum in the screen laboratories; redesigned offices for world. This program is integral to the Gal- the registrar, horticulturist, and resource lery's educational mission. acquisition staff; and improvements to the Gallery bookstores continue to be rec- audiovisual facilities. The 50th Anniver- ognized as an excellent source for books sary Gift Committee inscription panels on all aspects of art and architecture. In- were installed in the Founders' Room quiries are received from all over the area. Major renovations to the main load- world. Book sales accounted for almost ing dock—including the addition of a lev- one-fourth of the income for the year. As eler and a large platform lift to allow in the past, this income supports the sales horizontal movement from truck beds of program and provides funds for the pub- any height—will accommodate large trac- lication of exhibition catalogues and other tor trailers and improve the Gallery's scholarly works on the history of art. ability to handle art and other goods re- The division operates permanent sales ceived. Movement of art within the Con- shops on the ground floor of the West necting Link was also enhanced with the Building and on the concourse level be- installation of oversized doors. tween the East and West Buildings. This On the National Sculpture Garden site year lighting was improved throughout west of the West Building—bounded by the concourse area, where the bookstore Constitution Avenue, Madison Drive, 7th was expanded to offer a larger selection Street, and 9th Street—pavement was re- of children's books related to art and the moved to preserve two concentric rings of

68 linden trees that surround the pool and underway to improve workstation privacy skating rink. and accommodate a larger staff. Also Improving access, facilities, and under construction are expanded and graphics for visitors with disabilities is a redesigned quarters for the office of pro- priority for the National Gallery. Designs tection services to accommodate the re- are underway for permanent stone ramps cent staff reorganization and technical at the 6th Street and Constitution Avenue security changes. Other projects being entrance to the West Building, and designed for construction in fiscal year clearer directional graphics at the public 1993 include remodeled offices for the entrances are in progress. An automatic secretary and general counsel, editors, teller machine that complies with require- payroll, accounting, and publications ments of the Americans with Disabilities sales. Design work in progress includes a Act has been installed in the Connecting new office for the curator of photographs, Link. Other related improvements are be- a new frame conservation laboratory, and ing carefully assessed. modifications in the painting and paper Significant interior design projects conservation laboratories. completed this year included the repair A major project currently in design is and reupholstering of the original sofas the replacement of approximately 3.5 designed by John Russell Pope in the acres of skylights and roofing and 40,000 West Building galleries and the refurnish- square feet of laylights over main level ing and repainting of the Founders' galleries and public areas in the West Room. Other accomplishments included Building. This undertaking, to be phased the design and reinstallation of furnish- over five years, will reduce light intensity ings in the East Building's library reading in the galleries to conserve both art and room, replacement of the West Building energy but will maintain the color spec- garden court draperies, and office fur- trum as close to natural light as possible. nishings for the new director, director Architects designing the project have emeritus, deputy treasurer, chief regis- nearly completed an exhaustive survey of trar, chief slide librarian, automation existing skylight and roofing, structural, librarian, retail manager, and education HVAC, electrical, and fire and safety sys- auditorium programs office. Systems fur- tems. The preliminary report with design nishings were installed for the resource recommendations and cost projections is acquisition office and are being designed expected in fiscal year 1993. for the offices of publications sales and protection services. Much progress has been made on the computer-aided design and drafting Facilities Management (CADD) system initiated last year. Infor- mation collected from original construc- This division continued to provide quality tion drawings and subsequent renovation maintenance and services for the Gallery projects has been used to form a database facilities while working to improve the of the Gallery's architectural plans. This efficiency and effectiveness of building database of the existing physical plant will operations. The energy conservation pro- offer a coherent, easily accessible, and gram had another banner year, with even up-to-date graphic record for many ongo- greater savings than in past years. Gal- ing architectural and planning projects. lery-wide lighting systems continue to be The system has already been used to cre- retrofitted with high efficiency fixtures ate three-dimensional images and archi- and lamps to improve lighting levels while tectural drawings for several selected reducing costs. A state-of-the-art automa- projects. Through a networking program tion system, now in the final stages of de- the expanded uses of the CADD system sign, will enhance these conservation will include space management, furniture efforts. Through automation of environ- inventory, utility locations, and facilities mental controls, the operating staff will be management. able to diagnose and resolve temperature Remodeling of the education offices is and humidity problems in the galleries

69 and to review climate conditions for any Personnel Office gallery at any time. Department staff worked with the ar- Meredith Weiser joined the Gallery this chitect's office on many renovation proj- year as the head of labor, employee rela- ects and supported the external affairs tions, and training. After taking a survey office by setting up for 169 special to identify topics on which supervisors events. Collectively, the work control cen- would like more information, she estab- ter and facilities management staff re- lished a forum to provide instruction on sponded to more than 10,000 work such subjects as training, performance orders from other Gallery offices. management, attendance and disciplinary problems, and awards. As part of the Gal- lery's commitment to provide training, the top three levels of management partici- Resource Acquisition pated in a full-day management course. The Gallery also conducted two-hour The resource acquisition division pro- mandatory training for the entire staff on cessed 30 major contracts this year, for a the prevention of HIV/AIDS. total of more than $4.5 million. The divi- sion also handled more than 8,500 pur- chase requests, creating more than 5,000 Equal Employment purchase orders for over 1,800 vendors. Opportunity Office The procurement office purchased new computer hardware and software that will This office was established as a separate enable staff to prepare solicitation and department last year, with Rita Cacas as contract documents more efficiently the first full-time EEO specialist; other through a local area network that inte- staff who assist with the program on a col- grates an automated Federal Acquisitions lateral duty basis include an EEO officer Regulation with a word processing pro- and four EEO counselors. The office has a gram. The office is developing individual dual mission: first, to prevent discrimina- training plans for contract specialists, pro- tion and resolve conflicts in early stages; curement clerks, and purchasing agents and second, to help the Gallery achieve a on the staff with the goal of full certifica- work force that reflects the nation's diver- tion. The staff this year overhauled ven- sity and assume a leadership role in ef- dor files, simplified purchasing system forts to increase the diversity of the details, and completed a yearly update of museum professional and administrative the procedures manual to include a new communities. This office supports the protocol on the use of vendor quotes and Gallery's Federal Women's Program, the development of reports for tracking work Hispanic Employment Program, the Se- and managing workloads. lective Placement Program for employ- The supply office completed a guide to ment of individuals with disabilities, and assist Gallery staff in obtaining supply the Student Mentoring Programs de- services. It also increased control and ac- signed to attract minority professionals. countability of property and equipment The Gallery's Affirmative Employment within administrative departments and in- Plan, an annual report submitted to the ventoried all capital equipment as well as EEOC, measures progress against goals 85 percent of property valued between the Gallery has established for its EEO $1,000 and $5,000. The supply store program. It also reports the status of fed- was completely inventoried and reor- eral women and minorities with regard to ganized, and limits were placed on per- hiring, promotion, training, and career sonnel authorized to obtain expendable mobility; and it provides specific actions items for official use. for management to take to eliminate bar- riers. The Gallery has shown a strong commitment to diversifying its profes- sional and administrative work force in

70 Kathe Kollwitz, Municipal Shelter, 1926, private recent years. Significant progress has tory training for all staff clarified the Gal- collection, was among the prints in the Kollwitz been made in recruiting African Ameri- exhibition lery's policy on the prevention of sexual cans and Asian Americans, and the mi- harassment. nority internship program has been a With the passage of the Americans major vehicle for providing minority grad- with Disabilities Act, the Gallery under- uates with professional opportunities took a comprehensive review of its facili- within the Gallery. ties and developed a list of actions to be Mandatory EEO training for upper taken to improve accessibility for its visi- level managers and superv isors empha- tors with disabilities. In general, the Gal- sized their responsibilities for Gallery lery was found to have very few prob- EEO initiatives as well as their obligations lems, and funds have been set aside to and protections under EEO laws. Manda- address these needs.

71 Office Services Masters of Illusion film, produced in con- junction with the Circa 1492 exhibition. The office services division this year im- The new high definition television system plemented a new financial tracking sys- in the small auditorium was used to full tem that makes it possible to inform each advantage with continuous presentations Gallery department of its postage and of this film, which had been converted to transportation use as well as the cost of laserdisc in Japan for this purpose. Dem- these services. The division also pur- onstrations of the new technology were chased a computerized mail processor given to Gallery staff, colleagues from the that significantly increases the efficiency Getty Museum and the Smithsonian, of stamping, sorting, and sealing enve- members of Congress, and others. Addi- lopes. To improve use of the Gallery's tional audiovisual support for Circa 1492 vehicles, the office began systems for res- included assisting with the film's showing ervations, maintenance, tracking, and at the Tribeca Screening Room in New computerized updating of government li- York, recording the director's Acousti- censes. The transportation staff fulfilled guide tour of the exhibition, and technical around 3,200 transportation/courier re- support and recording of the press quests during the year. opening. In addition to regular support given to the Gallery's music office for the Sunday Telecommunications concerts, the staff coordinated the sound, lighting, and videotaping of a special jazz Budget tracking systems instituted this concert with George Shearing and the year identified options for reducing both BBC Big Band. Department specialists telecommunications rates and usage, with lent technical assistance for two video the result that budget increases will not teleconferences: a demonstration of the be necessary in the near future to cover GTE ImageSpan system, and the Gallery's the Gallery's expanded telecommunica- official announcement of The Greek Mira- tions services. cle exhibition on VisNews. The staff also provided theater design and soundtrack production for The Greek Miracle slide Audiovisual Services program produced by the education division. This department provides high-quality As part of a comprehensive plan for technical support for the Gallery's films, audiovisual improvements, and in lectures, audiovisual programs, recorded accordance with the Americans with Dis- tours, musical performances, special abilities Act, the department expanded events, and press conferences. It also the availability of assistive listening sys- staffs and maintains the technical systems tems for the hearing impaired. In addi- in all permanent audiovisual facilities. tion, a new high-speed audio dubbing In support of education programs, the system was implemented to provide bet- staff handled the projection of several ter support for the Gallery Archives oral film versions of Carmen in conjunction history program, the information office, with the El Jaleo exhibition, including Ce- and the lecture programs of the education cil B. DeMille's 1915 motion picture with division and the Center for Advanced live orchestral accompaniment. The de- Study in the Visual Arts. A foreign tape partment also maintained all automated conversion system for the SECAM and slide and video programs, such as the on- PAL formats was introduced to allow in- going Art Information and Introduction to house viewing and dubbing of videotapes Sculpture presentations and temporary from around the world. exhibition adjuncts like the Journey of the Chandler and Pohrt Collection laserdisc in Art of the American Indian Frontier. The staff provided technical and pro- jection support for the premiere of the

72 External Affairs

Development Donors also contributed funds for art acquisition. The Morris and Gwendolyn While public funds provide for the up- Cafritz Foundation committed a major keep and daily operations of the National grant in honor of the Gallery's 50th anni- Gallery, private philanthropic support versary for the National Sculpture Gar- builds the Gallery's collections and en- den, and a portion of these funds was hances its programs. The objective of the used to acquire the Gallery's first development office is to encourage pri- sculpture by Joan Miro, Personnage vate sector participation. Key to this aim Gothique, Oiseau-Eclair, for eventual in- are the efforts of the Board of Trustees stallation in the garden. The Gallery's col- and Trustees' Council to expand the Gal- lection of 20th-century works will also be lery's constituency. The continued vitality enhanced through a generous gift for ac- of the Gallery depends upon the tradition quisition pledged by Perry and Nancy of giving established by the Founding Lee Bass. Mrs. Howard Ross made a gift Benefactors. to help initiate the Gallery's collection of After the extraordinary support re- contemporary works from the Saff Tech ceived last year in honor of the 50th anni- archive. The acquisition of the Rodin versary, the Gallery enjoyed a sustained sculpture The Age of Bronze was made level of giving this year that brought more possible through the generous gift of Iris than $11.5 million from individuals and and B. Gerald Cantor. foundations and from corporations for The Gallery's conservation efforts en- purposes other than exhibitions. We are joyed substantial private support this extremely grateful for the support of all year. The Samuel H. Kress Foundation donors, whose names appear on pages made grants to support the restoration of 145-152 of this report. the Kress Renaissance frames collection Private citizens were tremendously and the isotope analysis of the Kress generous, with gifts of art as well as French and Italian marble collection. A funds. The Gallery accepted more than scientific research project supported in 1,700 gifts of painting, sculpture, and part by The Circle of the National Gallery graphic art this year. Especially notewor- of Art was a study to determine the opti- thy were the gifts of two superb collec- mum application of new infrared technol- tions: the Woodner Family Collection of ogy for examining paintings. old master drawings; and the Dorothy Significant grants were received for and Herbert Vogel Collection of minimal the Gallery's exhibitions program and for and conceptual American art. These gifts, research and scholarship activities. The and other works of art given this year, are Arnold D. Frese Foundation awarded a discussed in the pertinent curatorial sec- major grant for the organization of inter- tions of this report. national exhibitions at the Gallery as well

73 as for support of a scholar from Germany to visit as a senior research fellow at the Center for Advanced Study in the Visual Arts. Robert H. Smith renewed his gen- erous support of the Robert H. Smith Fel- lowships, which promote the professional development of the Gallery's curatorial staff by supporting brief sabbaticals awarded on a competitive basis for the purpose of research and special projects. Support for these fellowships, combined with an endowment created through a challenge grant from The Andrew W. Mellon Foundation to fund curatorial as- sistance and scholarly research relating to the permanent collection, helps sustain our efforts to bolster key areas of schol- arly activity at the Gallery. For its education initiatives the Gallery continued to receive substantial national support. Among the highlights were the Ahmanson Foundation's challenge grant toward production of the interactive vid- eodisc of the Circa 1492 exhibition, de- signed as an interdisciplinary learning tool for middle and high school age chil- dren; and The Elson Foundation's gift to fund a public lecture series of conversa- tions with artists, in which the public will hear from the artist who created the work given to the Gallery each year by the Col- lectors Committee. The Teacher Institute was supported by a grant from the Wil- liam Randolph Hearst Foundation. This week-long summer enrichment program for teachers each year involves lectures on a particular art historical period, gal- lery tours, curriculum discussions, and visits to other museums. Guided by Robert H. Smith and Ka- tharine Graham, The Circle of the Na- tional Gallery of Art continued to grow in its sixth year. Members contributed more than $600,000, and their renewal rate was 78 percent. Circle members support a variety of programs of consistently high quality that benefit every visitor. Among the many projects funded by The Circle this year were production of the educa- tional brochure accompanying the Gerard David Saint Anne Altarpiece exhibition and publication of a national directory of museum programs for teachers. The development office played an ac- tive part in outreach and communication

74 with several key constituencies, continu- tive national advertising campaign for the ing to work closely with members of the exhibition, the consortium included Re- Trustees' Council and its development public National Bank of New York, the committee to build awareness and garner Mitsui Taiyo Kobe Bank, Ltd., in partner- support for the Gallery. It organized the ship with Nomura Securities Co., Ltd., Forum on Connoisseurship and Collect- and European partners Banco Exterior ing, a two-day session of curatorial lec- de Espana (Grupo CBE) and Fiat S.p.A., tures and related events designed to which supported the exhibition's preview encourage younger collectors and philan- and dinner attended by Their Majesties thropists to become better acquainted King Juan Carlos and Queen Sofia of with the Gallery. As a first step in devel- Spain. Additional support for the exhibi- oping a deferred giving program, the of- tion and catalogue was provided by the fice produced various communications to Rockefeller Foundation. acquaint Gallery donors and friends with Canon U.S.A., Inc., and Canon, Inc., opportunities for giving by bequest. In contributed generous support for the film addition, with coordination by the devel- Masters of Illusion, created in conjunction opment office, the National Gallery is with the Circa 1492 exhibition. Sony Cor- communicating with major foundations poration provided in-kind assistance to and members of Congress to document the Gallery by transferring Masters of Illu- the breadth of services provided by the sion into high definition format and do- Gallery to every regional area and con- nating equipment for a high definition gressional district in the country. video theater in the East Building of the Gallery. At a special viewing and recep- tion hosted by Ambassador and Mrs. Armacost at the American Embassy in Corporate Relations Tokyo, 130 senior Japanese corporate ex- ecutives attended a premiere of the high Corporations continue to support the Gal- definition, Japanese-language version of lery in a number of ways, through spon- the film. All Nippon Airways contributed sorship of exhibitions and exhibition- in-kind transportation support, and Sony related projects such as films, videos and Corporation provided technical assis- interactive videodiscs, education pro- tance. Following the success of the film's grams, brochures, catalogues, special premiere in Tokyo, Nippon Television events, advertising and press materials. Network Corporation purchased the Japa- The corporate relations office secures nese broadcast rights for both the regular corporate funding for programs, serves as and high vision formats of the film. a liaison between the Gallery and corpo- In fiscal year 1992 Ameritech and rate representatives, and ensures that Canon, U.S.A., Inc., continued their sup- sponsor relations with the Gallery are mu- port of the Gallery through educational tually beneficial. outreach programs related to Circa 1492. Twenty-two corporations, two founda- Canon U.S.A., Inc., underwrote an ad- tions, and one foreign government made vance press screening of Masters of Illu- contributions amounting to $5,689,000 sion in New York to announce and in support of eight exhibitions and related promote the film's national broadcast on programs in fiscal 1992. Another five PBS. Ameritech contributed additional corporations committed support for nine funding for the development of an inter- exhibitions and educational materials and active Circa 1492 videodisc, designed for programs planned for October 1992 use in schools across the country, and in- through September 1993, totaling more cluding works of art from the exhibition. than $4,267,000. The international tone set by the Circa A global consortium of sponsors joined 1492 consortium was continued with con- together to provide essential support for sortium sponsorship of the Kathe Kollwitz , The Age of Bronze, modeled the monumental exhibition, Circa 1492: 1875/1876, cast 1898 exhibition, presented in conjunction with Gift of Iris and B. Gerald Cantor, in Honor of the 50th Anniversary of Art in the Age of Exploration. Led by the "Tribute to Germany" festival orga- the National Gallery of Art, 1991.183.1 Ameritech, which created a highly effec- nized by the John F. Kennedy Center for

75 the Performing Arts. Beginning with the American Express took a leadership early support of Lufthansa German Air- role in support of the Gallery's newest ed- lines, which had provided transportation ucational initiative, Micro Gallery Wash- assistance for past exhibitions at the Na- ington, by committing generous funding tional Gallery, seven new companies for the program's design and develop- came forward to sponsor Kollwitz: Rob- ment at the Gallery. Based on the highly ert Bosch GmbH, Daimler-Benz, The successful interactive computer system at Deutsche Bank Group, Mannesmann AG, the National Gallery in London, Micro Miles Inc., Siemens, and Thyssen AG. Gallery Washington would offer visitors The government of the Federal Repub- both hands-on orientation to the Gallery's lic of Germany contributed additional permanent collection and detailed infor- support, and President Richard von mation about artists, works of art, and Weizsacker attended a special tour of the themes in the history of art. exhibition where he met with senior rep- GTE continued its longstanding pa- resentatives of the corporate sponsors. tronage of the National Gallery's exhibi- Other commitments in fiscal 1992 in tion programs by committing support for support of the Gallery's future interna- Great Paintings from The Barnes Founda- tional endeavors included generous tion, its eighth exhibition at the Gallery grants to the Fund for the International since 1982. In addition, GTE agreed to Exchange of Art from Republic National support a long-lead press luncheon to an- Bank of New York and the Yomiuri Shim- nounce the exhibition, which will open in bun. Corporate contributions to this fund Washington in May 1993, and its interna- are used to support international exhibi- tional exhibition tour. tions and films as well as other programs. In fiscal year 1992 the International NYNEX Foundation and New England Corporate Circle (ICC), chaired by John Telephone cosponsored John Singer Sar- C. Whitehead, was delighted to welcome gent's "Eljaleomaking possible both 14 new members. Representing all cor- the conservation of the beloved master- ners of the global business community, piece from the Isabella Stewart Gardner the new ICC members include AT&T Museum in Boston and its presentation in France, Corning Incorporated, The Dai- a special exhibition in Washington. In re- ichi Kangyo Bank, Ltd., Daiichi Phar- sponse to high attendance and popularity, maceutical Co., Ltd., IBM Corporation, NYNEX also provided further funding to Japan Airlines Co., Ltd., Kajima Corpora- print additional educational brochures. tion, Lafarge Corporation, Milbank, For its support of Eljaleo, the Business Tweed, Hadley & McCloy, Obayashi Cor- Committee for the Arts presented NYNEX poration, Pepsico Foundation, Sony Cor- with the 1992 corporate leadership poration, the Yasuda Fire & Marine award. Insurance Co., Ltd., and Yasuda Fire & Philip Morris Companies Inc. sup- Marine Insurance Company of America ported the Albert Bierstadt exhibition and (a complete list of ICC members can be a national print advertising campaign to found on page 147 of this report). Corpo- promote the exhibition's tour. And for its rate benefits to ICC members included in- seventh sponsorship at the Gallery, Philip vitations to exhibition previews and the Morris committed support for the fiscal special screening of Masters of Illusion at year 1993 exhibition The Greek Miracle the American Embassy in Tokyo. Mem- as well as an international satellite tele- bers' contributions during the ICC's first conference to announce the exhibition, year of activity supported the production educational brochures, and a dynamic of the Masters of Illusion film as well as its print advertising campaign to increase press screening in New York, and to- public awareness of the exhibition in gether with Ameritech, the Circa 1492 Washington and New York. Additional videodisc project. support for the audiovisual presentation created in conjunction with the exhibition was generously provided by Stavros S. Niarchos.

76 Richard Diebenkorn, Seated Figure with Hat, 1967 Press and Public Information and NBC-TV "Today" all broadcast major Gift of the Collectors Committee and Mr. and Mrs. Lawrence Rubin, stories and interviews with J. Carter The National Gallery enjoyed unprece- Brown and managing curator Jay Leven- dented national and international press son. A video press release produced by coverage in fiscal year 1992. Circa 1492 the information office and sent by satellite was covered by more than 1,000 media was broadcast by dozens of local network sources, reaching a potential audience in affiliates and cable channels across the excess of 100 million in more than 100 country over the Columbus Day weekend. countries around the world. During open- AP and other newswire stories were pub- ing week NBC-TV "Nightly News" with lished in approximately 400 newspapers. Tom Brokaw, CBS-TV "Sunday Morning," Articles appeared in such magazines as

77 U.S. News and World Report, New York tor of Benjamin C. Review of Books, Paris Match, Spanish Bradlee, as well as publishers, critics, art Vogue, and Brazil's Moda y Moda. experts, and museum directors in dis- Circa 1492 also broke records for cussing topics that ranged from ethics to sheer diversity of coverage. The press conservation and the traveling exhibition. breakfast and preview were attended by Museum directors and critics from the 200 print and radio reporters from some Washington community participated in a 30 countries, along with film crews from panel on "Art Criticism in the Age of France, Italy, Austria, Germany, Japan, Globalism." This conference met two sig- Spain, , and Taiwan. Fifty televi- nificant goals: bringing together for in- sion crews and photographers from the depth discussion professionals whose in- Americas and Spain recorded the tour of fluence is very wide but often underesti- the exhibition by the King and Queen of mated; and giving critics from across the Spain. A similar gathering of Hispanic nation an opportunity to view Circa 1492, and U.S. press covered the opening din- one of the most important exhibitions the ner. USIA and the Gallery information Gallery has ever mounted. The response office collaborated on three satellite con- was enthusiastic in both respects. ferences, with Brown and Levenson meet- As the Gallery's 50th anniversary ing European and Latin American year came to a close, J. Carter Brown an- museum directors, art historians, and nounced in his "Newsmaker's Luncheon" journalists. Interviews on Voice of Amer- speech to the National Press Club that the ica and feature stories on USIA television Gallery had just recorded 500,000 visits had potential audiences of 120 million in to Circa 1492 and Masters of Illusion and 120 countries. Poland's historic loan of had received nearly 2,500 gifts in honor Leonardo da Vinci's famous Lady with an of its anniversary, notably the Dorothy Ermine (Cecilia Gallerani) drew favorable and Herbert Vogel Collection of minimal coverage on Polish television and in and conceptual art and the Woodner Newsweek, AP, and EFE (the worldwide Family Collection of old master drawings. Spanish newswire). The speech was carried by more than Two broadcasts of the film Masters of 400 National Public Radio stations and Illusion, produced by the National Gal- 4,200 cable systems affiliated with lery and Harper Films Incorporated in C-Span. The gifts of the Vogel and Wood- conjunction with Circa 1492, were seen ner collections made headlines around on some 40 PBS stations in 50 of the the world. , for ex- country's top markets this year. Syndi- ample, devoted a substantial feature to cated television's "Entertainment To- the Woodner gift; and the Vogel gift night," reaching 20 million viewers, and was covered by a wide range of publica- TV Guide, with more than 16 million tions, from Parade, with some 32 million readers, previewed and praised the show, readers, to the International as did New York magazine and numerous Tribune. daily newspapers and PBS viewer maga- Important national press coverage of zines. Special screenings for entertain- the Gallery's smaller focus exhibitions ment and art press were organized in and permanent collection was achieved New York, Los Angeles, and London. A as well. Vanity Fair devoted a six-page press screening in the Gallery's new high spread and Antiques magazine ran a definition video theater, donated and in- cover story on John Singer Sargent's "El stalled by Sony, created additional expo- Jaleo." And Walker Evans: Subway Photo- sure to promote worldwide distribution of graphs and Other Recent Acquisitions ap- the film. peared first in a preview of fall attractions As part of the Gallery's 50th anniver- in Newsweek, then on CBS-TV's "Sunday sary activities, the press office also orga- Morning," and repeatedly on CNN. nized and hosted a four-day conference A reception for the American Society on "The Art of Art Criticism." We invited of Newspaper Editors brought 800 jour- 23 critics from around the country to join nalists from around the country to the top editors such as former executive edi- Gallery to view the reinstallation of the

78 and the Georgia O'Keeffe Foundation to produce a catalogue raisonne of the works of O'Keeffe was reported coast-to- coast in major newspapers and art publications. The press office this year began pub- lication of a full-page, monthly advertise- ment for the Washington Post Weekend section, seen by some 800,000 people, to create greater awareness of the Gal- lery's activities among the Washington metropolitan audience. The advertise- ment is reproduced as a handout for Gal- lery visitors. In addition, the office continued its production of a popular monthly calendar of events, distributed to approximately 32,000 households across the country, as well as a bimonthly staff newsletter. The retirement of National Gallery di- rector J. Carter Brown and the appoint- ment of Earl A. Powell III as the Gallery's new director generated major interest in Their Majesties King and Queen Sofia permanent collection in the West Build- art and museum circles, and the press of- of Spain with the Chairman of the National Gallery's ing. J. Carter Brown extended a special fice coordinated the announcements of Board of Trustees, Franklin D. Murphy, at the gala dinner in honor of the opening of the Circa 1492 invitation to John Russell, formerly senior these important events with particular exhibition, October 1991 art critic for the New York Times, who care. Dozens of interviews with Brown wrote an insightful article about this ma- and Powell were arranged with major jor undertaking. news outlets following the announce- The press office announced plans for ments. Interviews and profiles were fea- the exhibition of The Greek Miracle: Clas- tured on National Public Radio and CBS- sical Sculpture from the Dawn of Democ- TV's "Sunday Morning" as well as in the racy, the Fifth Century B. C., via a satellite New York Times, the Washington Post, the conference between the National Gallery , and other and ERT-TV in , Greece. Some 70 publications. members of the press viewed taped mes- sages from His Excellency Constantine Mitsotakis, Prime Minister of Greece, and Special Events from Chief Justice of the United States William H. Rehnquist, with live presenta- The Gallery's national and international tions from J. Carter Brown; Philippe de role continues to make it a focus of impor- Montebello, director of the Metropolitan tant events and visits. The office of spe- Museum of Art; Lynne Cheney, chairman cial events, which is responsible for the of the National Endowment for the Hu- protocol and representational activities of manities; and Anna Psarouda-Benakis, the Gallery, this year organized an unpar- Minister of Culture, Government of alleled schedule of events. Greece. A live hook-up to the proceed- The fifth Andrew W. Mellon dinner ings was fed to three network television was given by the trustees on October 10. stations in Greece, and a video news re- The President of the United States and lease sent out by satellite across the Mrs. Bush, Vice President and Mrs. United States was broadcast by some 40 Quayle, the Chief Justice, and many television stations in major markets such members of the Cabinet, Supreme Court, as New York, Los Angeles, and Congress, and Administration joined Philadelphia. benefactors and donors to honor the News of the joint project of the Gallery founder of the National Gallery. Among

79 the foreign guests who gathered to hear El Jaleo, when Spanish guitarists played Paul Mellon's tribute to his father and his flamenco music; and the preview of Art of sister, Ailsa Mellon Bruce, were the the American Indian Frontier, when Queen of , the President of Italy, Plains Indian music was sung. the Dean of the Diplomatic Corps, and In September a series of events bade many ambassadors. farewell to J. Carter Brown and welcomed The same week saw the preview dinner Earl A. Powell III. First of the festivities for Circa 1492, which was honored by was an afternoon reception for the staff to the presence of the King and Queen of greet the Gallery's outgoing and incoming Spain, President Spadolini of Italy, and directors. Later the trustees' reception in other foreign dignitaries. During the pre- their honor gathered donors, friends, and view week the Chancellor of Austria and colleagues from around the world. the First Ladies of Costa Rica and Portu- gal also visited the exhibition. Later the exhibition was visited by the Secretary- Visitor Services General of the United Nations, the wife of the Prime Minister of Greece, the wife of This department's main function is to as- the President of Mexico, and members of sist the millions of visitors who come to the Mexican Cabinet. The President of the National Gallery each year. Staff Portugal and Mrs. Soares came to Wash- members provide individual assistance to ington for the closing reception for Circa those with special needs, make brochures 1492. easily accessible, respond to telephone Many foreign dignitaries visited the requests for information concerning cur- permanent collection during the year, in- rent events and exhibitions, receive and cluding Mrs. Bildt, wife of the Prime Min- answer comment cards from the public, ister of ; the Prime Minister of and supply crowd control for popular ex- Luxembourg; and Mrs. Boris Yeltsin. hibitions, concerts, or lectures. This of- The Collectors Committee, under the fice supports other Gallery departments chairmanship of Ruth Carter Stevenson by reporting attendance figures for spe- and Edwin L. Cox (members list on pages cific exhibitions as well as general atten- 147-148), came for a private viewing of dance at the Gallery, by circulating a Circa 1492 before going on to dinner at monthly summary of the public comment the Spanish Embassy residence. Follow- cards, and by coordinating special ser- ing the committee's annual meeting, vices for visiting VIPs. members joined the trustees at their din- Department staff assisted 568,192 vis- ner in honor of the lenders to Albert itors to the Circa 1492 exhibition and its Bierstadt. accompanying film, Masters of Illusion. Events honoring the Gallery's award- About 30 percent of the visitors used ad- winning films included both the preview vance passes, available at no charge in of Masters of Illusion and a London the East Building lobby or for a small ser- screening of it and of Voices in Celebra- vice charge through TicketMaster outlets tion, generously hosted by the United or the TicketMaster 800 number. Daily States Ambassador to the Court of St. passes were available to walk-in visitors. James', Raymond H.G. Seitz. Among the year's awards ceremonies, the trustees' presentation following the preview of Diirer to Diebenkorn honoring Horticulture additional donors to the Gallery's 50th anniversary should be singled out. In support of temporary exhibitions, the Music played an important role in sev- horticulture department provided special eral unusual events, including a potlatch plantings for Circa 1492, transforming in honor of the Haida Gwaii and the Na- the pod 1 stairwells into a Peruvian land- tive American sculptor Bill Reid, when scape that reflected the Inca art in adja- the sounds of drums and song filled the cent galleries, and the pod II stairwells East Building; the reception in honor of into a Spanish garden typical of villas or

80 ^ if:, . . i' V Z' y S- upgrading the existing landscape and im- v.V/ if plementing plans to preserve the 64 spec- i 4t'i> > / i imen linden trees on the site by removing «* t if the concrete walk that surrounded the V v trees and replacing it with mulch. The A- -v i .< % trees have also been placed on a regular ' > watering and fertilizing schedule to en- r»v" ^ ,. .* fvt sure proper growth. Other minor changes ;n v in the landscape were undertaken to im- prove circulation patterns. Plans are un- • Y derway to resod the site and install an V 5 irrigation system. Other exterior landscape improve- ^' .w ments included continuing work on the %% fountain gardens in front of the West > > Building and installing an automatic irri- gation system on the lawns of the West $ 3# Building along Constitution Avenue. Vk /V? Music at the Gallery >* af **-K r Xf\/ Forty Sunday evening concerts were pre- sented in the West Garden Court of the National Gallery in fiscal year 1992, which coincided with the 50th season of ti /» free concerts at the Gallery. Concerts ! were supported by funds bequeathed to the Gallery by William Nelson Cromwell Lk and F. Lammot Belin, with additional subvention from the Morris and Gwen- dolyn Cafritz Foundation, the Ann and Antoine Watteau, The Gallant Gardener, courtyards in the time of Columbus. The Gordon Getty Foundation, and the Em- 1710/1711 designs featured oleanders, jasmine, and Ailsa Mellon Bruce Fund, 1992.78.1 bassy of Canada. date palms. In other locations throughout The National Gallery Orchestra per- the galleries tobacco plants represented formed ten concerts under the direction the "new world" embraced by Colombus. of George Manos, including two perfor- The Bierstadt installation incorporated mances in the context of the 1991 Wash- extensive plantings throughout the gal- ington Mozart Festival. The orchestra and leries to set off the massive landscape Manos marked the openings of three Gal- paintings on display, and the staff created lery exhibitions with special concerts: a naturalistic landscape setting in the 19th-century German and American mu- pod I stairwell using many of the plants sic in honor of Albert Bierstadt; Spanish depicted in the paintings. Plants were music and music inspired by Spanish tra- also used in the designs for the El Jaleo, ditions to celebrate Sargent's "El Jaleo Kathe Kollwitz, and Diirer to Diebenkorn and works by Mahler and Hindemith in exhibitions. honor of Kathe Kollwitz. Outside, the department's activities The National Gallery Vocal Arts En- were directed primarily toward the six- semble, likewise under Manos' artistic di- acre property between 7th and 9th rection, observed the opening of the Circa Streets transferred to the National Gallery 1492 exhibition with a concert of Renais- from the National Park Service as the site sance music from Spain and the Amer- for the future National Sculpture Garden. icas, performed with the early music Horticulture staff assumed immediate re- ensemble Hesperus. The Vocal Arts En-

gl semble traveled to Europe in August JANUARY 1992 to perform in the First Scandina- 5 Tamara Smimova-Sajfar, violinist vian Music Festival, held in Kolding, 12 Joseph Smith, pianist 19 Stephen Gary, tenor , where the group was a favorite 26 Jeffrey Solow, cellist of audiences and critics alike. Their con- FEBRUARY cert was recorded and rebroadcast 2 National Gallery Orchestra throughout Scandinavia by the Danish 9 Bradford Gowen, pianist National Radio Network. 16 The Lafayette Quartet The 49th American Music Festival, 23 David Buechner, pianist which ran from 4 April through 3 May, MARCH featured a jazz concert by the BBC Big 1 National Gallery Orchestra with Beverly Benso, contralto Band with guest artist George Shearing, 8 University of Concert Choir vocalist Angela Christian, and bassist Neil 15 Paul Galbraith, guitar Swainson. This performance was re- 22 The Vienna Trio corded and later rebroadcast throughout 29 Peter Vinograde, pianist England by the BBC. The festival also in- cluded the Washington premiere perfor- 49th American Music Festival mances of works by Meyer Kupferman, April 4 through May 3 William Wolfram, and Edward Apple- APRIL baum and the world premiere of a new 4 The BBC Big Band with George Shearing, choral work by Samuel Gordon. Angela Christian, and Neil Swainson In addition to the continued live local 5 National Gallery Orchestra broadcasts of National Gallery concerts 12 William Wolfram, pianist 19 The Pennsylvania Wind Quintet on radio station WGMS, this year's season 26 The Maryland Camerata was rebroadcast nationally on a regular MAY basis on the National Public Radio pro- 3 National Gallery Orchestra with gram "Performance Today." A color bro- Andre-Michel Schub, pianist chure to announce the concerts was printed again this year and was distrib- 10 Peter Orth, pianist uted both by mail and in the Gallery 17 Paula Robison, flutist, and Charles Wadsworth, throughout the concert season. Gallery pianist concerts were the subject of 13 reviews in 24 Georgine Resick, soprano various media and 12 newspaper photo JUNE previews. The National Gallery Vocal Arts 7 National Gallery Orchestra with Ensemble's tour of Denmark received two Robert Kennedy, baritone 14 Mia Chung, pianist highly favorable reviews in Danish 21 The Philadelphia Trio newspapers. 28 Charles Rosen, pianist A complete listing of the 1991-1992 concert season follows: WORLD PREMIERES

SAMUEL GORDON OCTOBER Five Songs from the Seventh Ring, 26 April 1992 6 National Gallery Orchestra 13 National Gallery Vocal Arts Ensemble FIRST WASHINGTON PERFORMANCES 20 The Krosnick/Kalish Duo 27 Ursula Oppens, pianist CONLON NONCARROW Two Canons for Ursula, 27 October 1991 NOVEMBER ERO SI PI LA 3 National Gallery Orchestra Superflumina Babylonis, 8 March 1992 10 Jorge Chamine, baritone EDWARDAPPLEBAUM 17 Leonidas Kavakos, violinist Arioso, 12 April 1992 24 Klaus Hellwig, pianist MEYERKUPFERMAN DECEMBER Snow and Twilight Sonata, 12 April 1992

1 National Gallery Orchestra WILLIAM WOLFRAM 8 National Gallery Orchestra with members of the Work #2, 12 April 1992

National Gallery Vocal Arts Ensemble CHARLES WADSWORTH 15 The Maryland Camerata—Christmas Concert Song Without Words, 17 May, 1992

22 The Washington Camerata CARL MARIA VON WEBER 29 National Gallery Orchestra—New Year Concert March from Turandot, 7 June 1992

82 Center for Advanced Study in the Visual Arts ^fAcademicVear

At the founding of the Center in 1979 a Brandt, Institute of Fine Arts; Elizabeth four-part program of fellowships, meet- Broun, National Museum of American ings, publications, and research was in- Art; William MacDonald, Washington, stituted. The resident community of D.C.; and Larry Silver, Northwestern scholars at the Center in 1991-1992 in- University, began their terms. Six others cluded the Samuel H. Kress Professor, continued to serve: Svetlana Alpers, Uni- the Andrew W. Mellon Lecturer, eight se- versity of , Berkeley; Everett nior fellows, ten visiting senior fellows, Fahy, Metropolitan Museum of Art; two Soros visiting senior research fellows, William Loerke, Dumbarton Oaks; Jules one postdoctoral fellow, and six predoc- Prown, ; David Rosand, toral fellows. Nonresident scholars in- ; and , cluded ten predoctoral fellows and a Museum of , New York. Mem- curatorial fellow. Research by the bers of the board also comprise the selec- scholars in residence involved diverse tion committees that review fellowship media, including architecture, painting, applications. graphic arts, decorative arts, garden de- A variety of private sources support the sign, and petroglyphs, originating in cul- programs of the Center. Senior, predoc- tures ranging from that of prehistoric toral, and curatorial fellowships are peoples in North and South America to funded by endowments from the Andrew that of performance artists in the 1960s W. Mellon Foundation and the Chester in . Scholars focused on Dale bequest, and by Robert H. and various issues such as ceremonialism, Clarice Smith for the Smith predoctoral aesthetics, patronage, and the economics fellowship in Northern Renaissance paint- of still-life paintings. ing. The Samuel H. Kress Foundation The board of advisors, comprised of provides funds for the Kress Professor, art historians from academic institutions Kress senior fellowships, a Kress postdoc- and museums, meets annually to consider toral fellowship, and Kress and Davis pre- policies and programs of the Center. doctoral fellowships. The Wyeth Endow- Members of the board serve overlapping ment for American Art and Ittleson Foun- appointments, usually for three-year dation also support predoctoral fellow- terms. In December 1991 Donald Pre- ships. The Open Society Fund provides ziosi, University of California, Los An- funds for visiting senior research fellow- geles, and John Rosenfield, Harvard ships for scholars from central Europe University, completed their terms. In Jan- and the former Soviet Union. The Center uary 1992 Caroline Bruzelius, Duke Uni- has received support for scholarly meet- versity, and Lisa Golombek, Royal ings, programs, and events from various Museum, began their terms. In sources including the Arnold D. Frese September 1992 Kathleen Weil-Garris Foundation, Inc., Hyatt Hotels Corpora-

83 has been a visiting professor at the Uni- versity of Texas at Austin, Morgan Pro- fessor and later Bingham Professor at the , and Kennedy Professor at Smith College. He was a founder, first vice-president, and several times director of the Society of Architec- tural Historians. He has been vice-presi- dent and several times director of the College Art Association, and book review editor of the Art Bulletin. He has served as trustee, 1949-1975, vice-president, 1973-1975, president, and now presi- dent emeritus, of the Museum of Fine Arts, Boston, and has published numer- ous scholarly articles on Vignola, Rubens, Italian Renaissance and baroque archi- tecture, and American art museums. While at the Center, Professor Coolidge concentrated on two projects, a preface for the reedited version of his Mill and Mansion: A Study of Architecture and So- Four generations of students and teachers meet at tion, and an anonymous donor for the ciety in Lowell, Massachusetts, 1820- the Center for Advanced Study in the Visual Arts: symposium, "The Formation of National Richard Krautheimer taught John Coolidge, who 1865, and research on monumental secu- Collections of Art and ." taught the Dean of the Center, Henry Millon, who in lar interiors erected since 1850. turn taught Hillary Ballon The Center continued meetings with the Association of Research Institutes in SENIOR FELLOWS Art History, a union of 12 institutions in Clifford M. Brown, Carleton University, Ailsa North America that support advanced re- Mellon Bruce Senior Fellow, spring term search through fellowships and related 1992 programs. Incorporated in spring 1987, Anita G. Cook, The Catholic University of America, Ailsa Mellon Bruce Senior Fellow, ARIAH enables member institutions, as a 1991-1992 group, to develop and seek funding for Michael Gullick, Hitchin, Hertfordshire, jointly sponsored programs and projects England, Ailsa Mellon Bruce Senior Fellow, and to share visiting scholars. The Center fall term 1991 also took part in meetings of the Washing- John Dixon Hunt, Oak Spring Garden Library, ton Collegium for the Humanities, made Samuel H. Kress Senior Fellow, spring term up of 9 research institutions, and this 1992 year sponsored a lecture by Lynn Hollen Carolyn Kolb, University of , Samuel H. Kress Senior Fellow, 1991—1992 Lees, University of Pennsylvania, in a Debra Pincus, The University of British Collegium series entitled, "Poverty in Columbia, Paul Mellon Senior Fellow, 1991- History, Literature, and the Arts." 1992 John Abel Pinto, Princeton University, Ailsa SAMUEL H. KRESS PROFESSOR Mellon Bruce Senior Fellow, fall term 1991 1991-1992 William Tronzo, Bibliotheca Hertziana, Samuel H. Kress Senior Fellow, 1991-1992 John Coolidge, educated at Harvard Uni- versity (A.B. 1935), Columbia University, VISITING SENIOR FELLOWS and the Institute of Fine Arts, New York Jane ten Brink-Goldsmith, Stedelijk Museum University (M.A. 1939, Ph.D. 1948), be- Het Prinsenhof, Gemeente Musea Delft, Paul came a lecturer at Vassar in 1936, then Mellon Visiting Senior Fellow, winter 1992 Franca Trinchieri Camiz, Temple University, professor at the University of Pennsylva- Paul Mellon Visiting Senior Fellow, summer nia, 1946-1947, and Harvard, 1947- 1992 1983, where he is now professor emer- Anna Ottani Cavina, University of Bologna, itus. He was director of the Fogg Art Mu- Paul Mellon Visiting Senior Fellow, spring seum at Harvard from 1948 to 1968. He 1992

84 Kalpana S. Desai, Prince of Wales Museum of Dana Leibsohn [University of California, Los Western India, Ailsa Mellon Bruce Visiting Angeles], Ittleson Fellow, 1991-1993 Senior Fellow, summer 1992 Richard Lewis [Northwestern University], Millard F. Heam, Jr., University of . Wyeth Fellow, 1991-1993 Paul Mellon Visiting Senior Fellow, winter Pauline Maguire [Columbia University], Mary 1992 Davis Fellow, 1991-1993 Joan A. Holladay, University of Texas at Dominique Malaquais [Columbia University], Austin, Paul Mellon Visiting Senior Fellow, Andrew W. Mellon Fellow, 1991-1993 summer 1992 Laurie Jean Monahan [], Linda Neagley, The University of Michigan, Chester Dale Fellow, 1991-1992 Ailsa Mellon Bruce Visiting Senior Fellow, fall Kevin Dean Murphy* [Northwestern 1991 University], Mary Davis Fellow, 1990-1992 Michael E. Shapiro, The St. Louis Art Nadine M. Orenstein* [, Museum, Ailsa Mellon Bruce Visiting Senior Institute of Fine Arts], David E. Finley Fellow, Fellow, summer 1992 1989-1992 Rocco Sinisgalli, University of Rome "La Philip Hotchkiss Walsh [Harvard University], Sapienza," Ailsa Mellon Bruce Visiting Senior David E. Finley Fellow, 1990-1993 Fellow, summer 1992 Ethel Sara Wolper* [University of California, Toby Yuen, Frick Art Reference Library, Paul Los Angeles], Ittleson Fellow, 1990-1992 Mellon Visiting Senior Fellow, spring 1992

SOROS VISITING SENIOR RESEARCH FELLOWS MEETINGS Dmitri V. Shelest, Lviv Art Gallery, fall 1991- winter 1992 Colloquia Ivan Vacil'evich Aseyev, Institute of History, John Coolidge, "Great Modern Interiors from Philology and Philosophy, Novosibirsk, the Crystal Palace to the Present" spring-summer 1992 Michael Gullich, "For or Mammon: Por- traits of Medieval Artists and Scribes" AILSA MELLON BRUCE NATIONAL GALLERY OF ART SA BBA TIC A L Debra Pincus, "The Ruler in the Space of CURATORIAL FELLOW, 1991-1992 Community: The Development of the Baptis- tery of San Marco in 14th-Century Venice" David Alan Brown, Curator of Southern Anita Cook, "Paracas: A History of Domestic Renaissance Painting and Civic-Ceremonial Settlements in the SAMUEL H. KRESS NATIONAL GALLERY Lower lea Valley of Peru (500 B.C.-200 A.D." OF ART POSTDOCTORAL FELLOW, 1991- William Tronzo, "The Medieval Object- 1992 Enigma" Mitchell Merling, Department of Southern Carolyn Kolb, "Making Marvels Visible: Baroque Painting Visual Artists and Technology in the Early Renaissance" PREDOCTORAL FELLOWS John Pinto, "The Drawings of Pietro Bracci: Matthew Affron* [Yale University], Samuel H. New Light on Architecture and Sculpture in Kress Fellow, 1990-1992 18th-Century Rome" Patricia Bochi [University of Pennsylvania], John Dixon Hunt, "Representations of the Samuel H. Kress Fellow, 1991-1993 Venetian Garden and the Role of Garden Aline Brandauer [The Graduate School and History" University Center of The City University of Shop Talks New York], Paul Mellon Fellow, 1991-1994 Robert Haywood, "...and once again the art Robert Edward Haywood* [University of world will swing: Happenings and High Paint- Michigan], Wyeth Fellow, 1990-1992 ing in the 1960s" Julie Hochstrasser [University of California, Ronda Kasl, "El Rey Virtuosfsimo: Sover- Berkeley], Robert H. and Clarice Smith eignty and Salvation Miraflores" Fellow. 1991-1992 Nadine Orenstein, "Hendrik Hondius and RondaJ. Kasl* [New York University, Institute Print Publishing in the United Provinces" of Fine Arts], Paul Mellon Predoctoral Fellow, 1989-1992 Ethel Sara Wolper, "Dervish Lodges in the Construction of the Late Seljuk and Early Bey- Kenneth D. S. Lapatin [University of lik City: A Study of Dervish Lodges in Tokat" California, Berkeley], David E. Finley Fellow, 1991-1994 Matthew Affron, "Fernand Leger and the Spectacle of Objects" * in residence 16 September 1991-31 August Kevin Murphy, "Restoring : Debates in 1992 19th-century Architectural Values"

85 Incontri Seminars Catherine Gordon, Witt Computer Index, Cycles of Time and Meaning in the Mexican Courtauld Institute, "Problems of Variable Divinatory Codices, 6 December 1991 Truth: Witt Computer Index" Works of Art in Archaeological Context, 27 Fritz Koreny, Graphische Sammlung Alber- March 1992 tina, "A Colored Flower Study by Martin Kathe Kollwitz, 1 May 1992 Schongauer and the Development of the De- piction of Nature from Van der Weyden to Lectures Diirer" Lynn Hollen Lees, University of Pennsylvania, Richard Stapleford, Hunter College, City Uni- "Poverty in Pictures and in Policy: Changing versity of New York, "The Vision of Saint Representations of the Poor in England, Augustine" 1830-1910," 4 December 1991 (in conjunc- Janice Shell, Florence, Italy, "Leonardo, Salai tion with the Washington Collegium for the and the Gioconda" Humanities) Mark Strand, University of Utah, "The Loneli- Symposia ness Factor," 15 January 1992 THE FORMATION OF NATIONAL COLLEC- Donald Hansen, Institute of Fine Arts, New TIONS OF ART AND ARCHAEOLOGY York University, "Sculpture from the Temple 24-26 October 1991 of the Sumerian Goddess Inanna at Nippur," Participants: Per Bjurstrom, National Mu- 26 March 1992 seums of Sweden; Enrico Castelnuovo, Scuola Normale Superiore, Pisa; Annie E. Coombes, PUBLICATIONS Birkbeck College, University of London; Carol Duncan, Ramapo College of ; The Center annually compiles a record of Philip Fisher, Harvard University; Fraru;oise the scholarly events and research of the Forster-Hahn, University of California, River- preceding year. Center 12, published in side; Thomas W. Gaehtgens, Freie Universitat October 1992, contains general informa- Berlin; Roger Kennedy, National Museum of tion about the fellowship program, the American History, Smithsonian Institution; program of meetings, and the publication Andrew McClellan, Tufts University; Henry A. and research programs, as well as the Millon, Center for Advanced Study in the Vi- board of advisors and the members of the sual Arts; Werner Oechslin, Eidgenossische Center, and the list of activities for 1991- Technische Hochschule, Zurich; Donald Pre- 1992. Center 12 also contains summary ziosi, University of California, Los Angeles; Daniel Sherman, Rice University; Alan Wal- reports on research conducted by the res- lach, The College of William and Mary; Gwen- ident members of the Center in 1991- dolyn Wright, Columbia University. 1992 and by several fellows from the pre- vious academic year. MIDDLE ATLANTIC SYMPOSIUM IN THE Papers presented at symposia spon- HISTORY OF ART: 22ND ANNUAL SESSIONS, sored by the Center are often gathered 10-11 April 1992 and published in the National Gallery's Co-sponsored with the Department of Art His- tory, University of Maryland at College Park series of Studies in the History of Art. To date, 18 symposium volumes have ap- Participants: Jennifer Craven [University of Pittsburgh], introduced by David G. Wilkins; peared, with the most recent—National- Richard Gantt [The University of North Caro- ism in the Visual Arts (vol. 29), New lina at Chapel Hill), introduced by Arthur S. Perspectives in Early Greek Art (vol. 32), Marks; Mary Jo Aagerstoun [The George and The Pastoral Landscape (vol. 36)— Washington University], introduced by David published in fiscal year 1992; a complete Bjelajac; James C. Cooke [University of Dela- list of titles in the series is printed in the ware], introduced by Nina Athanassoglou- front of each volume. Papers from nu- Kallmyer; Lisa Salay Miller, [The Pennsylva- merous other symposia are in various nia State University], introduced by Mary stages of preparation. Another regular Louise Krumrine; Susan Houghton Libby publication of the Center is the directory [University of Maryland at College Park], in- of art history research projects supported troduced by June Hargrove; Joyce Henri Rob- inson [University of Virginia], introduced by by granting institutions in the United Christopher M.S. Johns; Robert A. Delehanty States and abroad: Sponsored Research in [The American University], introduced by the History of Art 11 lists awards for Elizabeth G. Higdon. 1991-1992.

86 Financial Report

Funds needed to operate the National U.S. to provide funds for the upkeep, ad- Gallery of Art in fiscal year 1992 ministration, and operations (including amounted to $67.4 million, of which the protection and care of works of art ac- $54.9 million in funds appropriated to quired by the Board of Trustees) so that the Gallery by Congress were utilized. the Gallery would be properly maintained The remaining $12.5 million represented and works of art exhibited regularly to the private funds, primarily in the form of in- public free of charge. come from endowment and grants from Since the Gallery opened to the public, corporations and foundations to support federal funds have supported major oper- special exhibitions and other Gallery pro- ations of the Gallery, including curatorial grams. The sources of funding 1992 op- and education departments, security, erations are summarized below: maintenance, and day-to-day functions. At the same time, all purchases of works (S millions) % of total of art have been made with private funds. Construction of the East Building was pri- Federal funds $54.9 81% vately financed. Private funds The Gallery received a 13 percent in- Income from endowment crease in its federal appropriation for and other investments 6.9 1992. This increase, while less than in Gifts and grants 5.6 previous years, was needed to offset sal- Total private funds 12.5 19% ary and other federally mandated in- Total operating funds $67.4 100% creases. Included was authorization for ten additional positions to fill important vacancies, among them a curator of The accompanying pie chart shows the American art, an attorney, and four posi- various categories of 1992 operating tions in procurement and supply opera- expenses. tions. Funds were also provided to augment existing educational programs, FEDERAL FUNDS art restoration services and supplies, se- The use of federal funds to operate the curity, facilities maintenance, and auto- Gallery stems from a 1937 Joint Resolu- mated data processing. Substantive tion of Congress, which accepted an un- funding was provided for repairs, restora- precedented gift that Andrew W. Mellon tion, and renovation of both the East and made to the people of the United States. the West Buildings. The gift consisted of his art collection, funds to construct a building (now the West Building), and an endowment fund. The Congress pledged the faith of the

87 Restricted Funds

Renovation & Equipment Special Exhibitions: During fiscal year Curatorial 1992 the Gallery mounted 12 major and several smaller exhibitions, at a total cost Administration of $11.7 million. The largest of these, Conservation Circa 1492, was supported by major grants from Ameritech; Nomura Securi- ties Co., Ltd./Mitsui Taiyo Kobe Bank, Development Ltd.; Republic National Bank of New Total York; and an anonymous donor; with ad- Operating Expenses ditional support from Banco Exterior de Fiscal Year 1992 Special Exhibitions Espana (Grupo CBE); Fiat, S.p.A.; and the Rockefeller Foundation. In addition, Security $67.4 Million $2.5 million of federal funds were specif- ically appropriated for Circa 1492. The Circle of the National Gallery of Art funded production of several versions of Editorial Fellowships the exhibition brochure; and Canon Research U.S.A., Inc., and Canon, Inc., under- wrote Masters of Illusion, the film that ac- Operations & Maintenance Education companied the exhibition. Basic support for the Gallery's exhibi- tion program was provided by appropri- ated federal funds amounting to $3.5 Fiscal 1992 federal expenditures by million. The federal government is also a functional categories are shown below. major factor in the international compo- nent of the Gallery's exhibitions through ($ millions) % of total its indemnity program, managed by the Salaries and benefits 832.4 59.0% Federal Council on the Arts and the Utilities 4.5 8.2 Humanities. Under this program, the Special exhibitions 6.0 10.9 National Gallery and other museums Renovation and throughout the country have been re- equipment 4.2 7.7 lieved of much of the burden of insuring Supplies, material, and art treasures coming to the U.S. from contracted services 6.3 11.5 abroad. During the past year four of the Other 1.5 2.7 Gallery's exhibitions, including Circa 1492, received indemnity coverage for Total $54.9 100.0% works of art coming from all over the world. Without the benefit of government PRIVATE FUNDS indemnity, many, if not most, interna- tional exhibitions would not be possible Unrestricted Funds because of prohibitively expensive insur- Unrestricted funds supporting operations ance costs. The Gallery has participated consist primarily of income from the An- in the federal indemnity program since it drew W. Mellon Endowment Fund origi- became available in the 1970s without nally established in the early years of the any loss or damage to art. Gallery. These funds were augmented by income from food services and proceeds CASVA: The Center for Advanced Study of recorded tours related to the Circa in the Visual Arts derived 80 percent of 1492 exhibition. The income from unre- its income from two Andrew W. Mellon stricted funds is used for the compensa- Foundation endowments and grants from tion of executive personnel, payment of the Samuel H. Kress Foundation, individ- professional fees, insurance, fundraising, uals, and other supporting foundations. and other operating costs not covered by Expenses are included in the operating federal funds. statement under the headings "Educa-

88 Fitz Hugh Lane, Becalmed off Halfway Rock, 1860 tional Services" ($707,032) and "Fel- Gallery's library and photographic ar- Collection of Mr. and Mrs. Paul Mellon, in Honor of the 50th Anni- lowships" ($489,251). The remaining 20 versary of the National Gallery of Art, 1992.51.8 chives. The largest single privately percent covers Center staffing and is de- funded purchase was the Lanfranchi rived from federally appropriated funds. Emblem Book Collection. The Gallery's The fellowships supported in 1992 may music department, which arranges and be found on pages 84-85 of this report. presents the regular Sunday evening con- Conservation: Conservation costs of certs, was largely funded by private re- $2.4 million were primarily (82 percent) sources at a level of $379,732 in 1992. funded by federal appropriations. Private funds of $431,903 supported eight fel- INVESTMENTS lowships, staff research, and seminars. The investment portfolio of the Gallery The Gallery has separate laboratories and grew to a market value of approximately facilities for conservation of paintings, ob- $228 million on 30 September 1992, jects, paper, textiles, and scientific 4.6 percent higher than the preceding fis- research. cal year. Common and preferred stocks Research Services and Music: Supple- comprised 47 percent of the entire port- menting federal funds, $445,704 in folio compared with 37 percent at the end designated private funds were used to of fiscal year 1991. The portfolio is made purchase books and photographs for the up of endowment funds and, to a lesser

89 extent, funds for special purposes desig- ened, however, by extraordinary charges nated by the donors. The largest single attributable to the Circa 1492 catalogue. portion of endowment funds is the Pa- The net proceeds of publication sales, trons' Permanent Fund, dedicated to the along with income earned on existing purchase of works of art. Its market value fund balances, were used to finance, amounted to $76 million at year end. The through a revolving fund, the production portfolio is supervised by the finance of catalogues, research publications, and committee of the Board of Trustees and other scholarly publications directly re- managed by an investment advisory team lated to the Gallery. During the year the made up of Scudder, Stevens & Clark, Board of Trustees mandated the alloca- and First Capital Manage- tion of $5.5 million of the principal of ment, both of New York, and Sound publication funds as a reserve to ensure Shore Management, Inc., of Greenwich, the publication of the Gallery's 30-vol- Connecticut. The custodian is the Riggs ume systematic catalogue. National Bank of Washington, D C. The early endowment fund established THE CIRCLE OF THE NATIONAL by Andrew W. Mellon has been supple- GALLERY OF ART mented over the years by endowments The Gallery is grateful to have the contin- given by the Andrew W. Mellon Founda- ued support of 380 members of The tion and Mr. Paul Mellon to operate the Circle, led by Robert H. Smith and Center for Advanced Study in the Visual Katharine Graham. From 1987 to 1992 Arts and provide for art conservation and individual contributions of Circle mem- building funds. In 1992 the Gallery's art bers have been used to underwrite a wide purchase funds were strengthened by the array of important Gallery projects. Vir- third of five gifts of $ 1 million from the tually every Gallery program has , which in turn benefited. was used to help acquire Japanese Foot- bridge by Claude Monet, in conjunction No. of $ Used, with the bequest of Mrs. Victoria Coberly. projects (in SOOO's) Many other generous individuals also made contributions for the purchase of Art acquisitions 12 $521 works of art, for fellowships, and for Films 4 381 scholarly endeavors. Education programs 11 250 Symposia and research 13 258 ART ACQUISITIONS Special exhibitions 7 193 Library acquisitions 9 123 During the year purchases of works of art 50th Anniversary activities 1 300 amounted to $21,954,782 compared All other projects 12 105 with $10,719,929 in the prior year. Pur- chases of particular significance included the Woodner Family Collection of master TREASURER'S OFFICE AND drawings, Monet's Japanese Footbridge, COMPUTER OPERATIONS and a Miro sculpture, Personnage Go- The treasurer and his staff are respon- thique, Oiseau-Eclair. Funds specifically sible for general financial management designated for the purchase of works and policy, overseeing investment man- coupled with unrestricted quasi-endow- agement, budgeting, accounting, payroll, ment funds were used to complete this and insurance. The office manages the year's purchases. systems and the controls for the security and disposition of the funds described in PUBLICATIONS FUND the accompanying financial statements. It With the surge of visitors to see Circa also has oversight of the Gallery's com- 1492, attendance at the Gallery was puter operations, both fiscal and higher than in recent years, and publica- curatorial. tion sales of $9.5 million were slightly During the past year the assistant trea- above 1991 sales; profits were damp- surer for management information and

90 his staff installed a new computerized col- CONCLUSION lection management system. Using state- of-the-art technology, the system makes It is a time of transition. At the end of the fiscal year a small office on Pennsylvania readily available a wealth of information about each work of art owned or handled Avenue was leased (with private funds) to by the National Gallery for the use of cur- provide director emeritus J. Carter Brown with a base for his role as roving goodwill ators, exhibition staff, and other personnel. ambassador for the Gallery. The new di- rector, Earl A. Powell III, is settling in, In addition, benefiting from equipment with the prospect of a new Administration and expertise provided by the IBM Cor- poration, the .Gallery has devised a sys- and new faces in Congress. Now, as much tem to produce computerized digital as ever, we feel the importance to the Gal- images of the collection with the utmost lery of friends and throughout clarity and accuracy of color. These im- the country and in Washington. Their rec- ages will be tied into the collection man- ognition of the value of this unique com- bination of public and private funding for agement system. Since digital images do not fade or scratch and can be transmit- the nation's art museum keeps us optimis- ted by wire, we have great hopes that the tic about the future. new technology will constitute a major im- provement in art communications and Daniel Herrick Ann R. Leven education. Treasurer Deputy Treasurer

Report of Independent Accountants

To the Board of Trustees of The National Gallery of Art

We have audited the accompanying balance sheet of National Gallery of Art (the "Gallery") as of September 30, 1992, and the related statements of activity of the funds for operations, and changes in fund balances for the year then ended. These financial statements are the responsibility of the Gallery's management. Our responsibility is to express an opinion on these financial statements based on our audit. We previously audited and reported on the financial statements of National Gallery of Art for the year ended September 30, 1991, totals of which are included in the accompanying financial statements for comparative purposes only.

We conducted our audit in accordance with generally accepted auditing standards and generally accepted government auditing standards. Those standards reguire that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion.

In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of National Gallery of Art as of September 30, 1992, and the results of its operations for the year then ended in conformity with generally accepted accounting principles.

Washington, B.C. December 23, 1992

91 BALANCE SHEET AS OF 30 SEPTEMBER 1992 (with comparative totals as of 30 September 1991)

1992 1991

Nonfederal Federal Totals Totals

ASSETS Cash, including amounts on deposit with U.S. Treasury and interest-bearing demand deposits (Note 2) $ 1,935,187 $13,098,988 $ 15,034,175 $ 16,538,367 Receivables (Note 3) 10,988,795 51,810 11,040,605 13,492,869

Investments (Notes 1 and 4) 227,979,767 — 227,979,767 218,012,108

Publications inventory (Notes 1 and 5) 3,320,572 — 3,320,572 5,392,683 Deferred charges (Note 1) 1,787,614 306,745 2,094,359 5,451,788 Fixed assets (Notes 1 and 6) 76,290,247 22,275,759 98,566,006 100,593,350 Total assets $322,302,182 $35,733,302 $358,035,484 $359,481,165

LIABILITIES AND FUND BALANCES Liabilities: Accounts payable, accrued expenses, and undelivered orders (Note 1) S 4,642,273 $ 9,072,131 $ 13,714,404 $ 12,351,759 Deferred grants and appropriations 7,140,189 306,745 7,446,934 13,129,218 Total liabilities 11,782,462 9,378,876 21,161,338 25,480,977

Commitments and contingencies (Note 10)

Fund balances (Note 7):

Funds for operations 887,910 — 887,910 917,298

Funds for special purposes 38,440,603 - 38,440,603 41,491,469

Endowment funds 194,900,960 - 194,900,960 185,999,420

Unobligated appropriations — 4,078,667 4,078,667 4,998,651 234,229,473 4,078,667 238,308,140 233,406,838 Capital invested in fixed assets 76,290,247 22,275,759 98,566,006 100,593,350 Total fund balances 310,519,720 26,354,426 336,874.146 334,000,188 Total liabilities and fund balances $322,302,182 $35,733,302 $358,035,484 $359,481,165

The accompanying notes are an integral part of these financial statements.

92 STATEMENT OF ACTIVITY OF THE FUNDS FOR OPERATIONS FOR THE YEAR ENDED 30 SEPTEMBER 1992 (with comparative totals for the year ended 30 September 1991)

1992 1991

Nonfederal Federal Totals Totals

SUPPORT AND REVENUE U.S. government appropriation utilized (Note 1) e $54,928,388 $54,928,388 $48,450,675 Return from endowment funds, less $795,858 and $1,258,441 for 1992 and 1991, respectively, returned to

principal (Note 1) 4,188,833 — 4,188,833 3,871,500

Grants for special exhibitions 5,398,352 — 5,398,352 3,032,010

Operating funds utilized for special exhibitions — — — 1,638,831

Special purpose funds utilized 2,738,166 — 2,738,166 2,615,305

Interest income 2,509 — 2,509 145,930

Income from food services, recorded tours, and other 231,641 — 231,641 65,783 Total support and revenue 12,559,501 54,928,388 67,487,889 59,820,034

OPERATING EXPENSES Programs:

Curatorial 2,125,256 6,454,239 8,579,495 7,021,151 Conservation 431,903 1,963,773 2,395,676 2,155,695 Special exhibitions 5,671,139 6,029,573 11,700,712 7,885,601

Editorial and photography — 1,073,740 1,073,740 965,877 Research services 445,704 2,379,765 2,825,469 2,260,589 Educational services 1,124,376 3,594,781 4,719,157 4,256,127

Fellowships 489,251 — 489,251 494,917 Music 379,732 176,352 556,084 613,114 Total program expenses 10,667,361 21,672,223 32,339,584 25,653,071

Operations, security; and administration:

Operations and maintenance 327,095 10,921,281 11,248,376 12,066,009

Security — 10,014,832 10,014,832 9,125,692 Administration, fiscal and legal 875,058 7,954,895 8,829,953 7,542,202 Development 585,935 169,359 755,294 814,572 Total operations, security, and administration 1,788,088 29,060,367 30,848,455 29,548,475

Renovation expenditures — 3,409,314 3,409,314 3,837,310

Equipment expenditures — 786,484 786,484 696,504 Total expenses 12,455,449 54,928,388 67,383,837 59,735,360 Excess of support and revenue over expenses 8 104,052 $ $ 104,052 $ 84,674 STATEMENT OF CHANGES IN FUND BALANCES FOR THE YEAR ENDED 30 SEPTEMBER 1992 (with comparative totals for the year ended 30 September 1991)

1992 1991 Nonfederal Federal No-year Funds for No-year special Funds for special Endowment One-year renovation exhibitions operations purposes funds funds funds funds Totals Totals

BALANCES, BEGINNING OF $ 917,298 $41,491,469 $185,999,420 $ 73,282 $2,709,305 $2,216,064 $233,406,838 $204,515,711 YEAR

Additions: U.S. government appropriation received 45,491,492 3,554,640 3,080,688 52,126,820 49,519,505 U.S. government funds provided for 72,414 prior years (Note 1) - - - 221,360 - - 221,360 Return from endowment funds restricted to special 5,092,112 purposes - 4,259,433 - - - - 4,259,433 Endowment fund income returned to principal (Note 1) 795,858 , 795,858 1,258,441

Investment income — 2,214,705 — — 2,214,705 2,323,733 Change in investment appreciation (Note 4) 1,355 1,437,157 12,900,743 14,339,255 24,518,028 11,678,164 Gifts and bequests — 7,356,709 3,054,083 — — — 10,410,792 Excess of support and revenue over expenses 104,052 104,052 84,674

Publications revenue — 9,583,488 — — — — 9,583,488 9,331,419 Total additions 901,265 24,851,492 15,954,826 45,712,852 3,554,640 3,080,688 94,055,763 103,878,490

Deductions: Art purchases 21,954,182 21,954,182 10,719,929 9,728,088 Publications expenses - 10,991,013 - - - - 10,991,013 Fixed asset 202,936 351,243 expenditures - 202,936 - - — Operating funds utilized for special exhibitions — - — - - - 1,638,831 Fellowships, 2,615,305 projects, and other - 2,738,166 - - - - 2,738,166 Federal operating expenses obligated — — — 45,479,490 3,409,314 4,379,360 53,268,164 49,933,967

Total deductions — 35,886,297 — 45,479,490 3,409,314 4,379,360 89,154,461 74,987,363

Transfers—In (out), net (Note 7) (930,653) 7,983,939 (7,053,286)

BALANCES, END OF YEAR $ 887,910 $38,440,603 $194,900,960 :$ 306,644 $2,854,631 $ 917,392 $238,308,140 $233,406,838

94 Notes to Financial Statements differs in some respects from generally 25 years. Upon retirement of fixed assets, the accepted accounting principles. Obligations, related cost and accumulated depreciation are such as purchase orders and contracts, are removed from the accounts (see Note 6). recognized as expenses and are carried as lia- Note 1. Summary of significant bilities even though the related goods or ser- REVENUE RECOGNITION—Grants, gifts, accounting policies vices may not have been received. Such and bequests are recognized as support and amounts are included in undelivered orders revenue or additions to funds for operations, FUND ACCOUNTING—To ensure observance and are available until expended. Nonfederal special purposes, or endowment funds on the of limitations and restrictions placed on the funds do not account for undelivered orders. accrual basis. Support and revenue received use of resources available to the National Gal- for future periods is deferred. lery of Art (the Gallery), the accounts of the ART COLLECTION— In conformity with Contributions received by the Gallery in Gallery are classified for accounting and accounting policies generally followed by art support of special exhibitions occurring at one reporting purposes into separate funds estab- museums, the value of art has been excluded or more participating museums are recorded lished according to their nature and purposes. from the balance sheet. The Gallery acquires as revenue to the Gallery to the extent that Separate accounts are maintained for each its art collections through purchase or by shared costs are incurred by the Gallery. fund; however, in the accompanying financial donation-in-kind. Only current year pur- Pledges for the purchase of works of art are statements, funds that have similar charac- chases, but not donations-in-kind, are recorded when collected. teristics have been combined into fund reflected in the statement of changes in fund groups: balances. U.S. GOVERNMENT FUNDS PROVIDED Operating funds, which include unrestricted FOR PRIOR YEARS-The National Defense and restricted resources, are those expend- INVESTMENTS—Investments are carried at Authorization Act of 1991 changed the able funds that support the Gallery's current market value based upon the last accounting for unobligated balances of past operations. reported sales price at the end of the fiscal and current years for all federal agencies. Funds for special purposes include the publica- year or, in the absence of a reported sale, Federal agencies are now required to main- tions fund, which is used to finance, in a upon the average of the bid and asked prices. tain each annual appropriation in their revolving fund manner, the production of cata- Purchases and sales of securities are reflected records for five years. At the end of the fifth logues, and other scholarly activities directly on a trade-date basis. Gain or loss on sales of year, the appropriation account is closed and related to the programs and collections of the securities is based on average historical value any unobligated balance is returned to the Gallery. Publications revenue and expenses (cost of securities if purchased or the fair mar- U.S. Treasury. are recorded as additions and deductions, ket value at the date of receipt if received respectively, in the statement of changes in by donation). Dividends and interest OPERATING INCOME FROM ENDOW- fund balances. Other funds for special pur- are recorded on the accrual basis. In MENT FUND—Income derived from invest- poses are primarily restricted to art acquisi- accordance with the policy of stating invest- ments of endowment funds is accounted for as tions, capital construction, and fellowships. ments at fair value, the net change in unre- revenue of the appropriate operating fund or, alized appreciation or depreciation for the Endowment funds require in perpetuity that if applicable, as additions to funds for special year is reflected in the statement of changes principal be invested and that only the income purposes. It is the policy of the Board of in fund balances (see Note 4). be used. Permanent endowment funds are Trustees to limit the amount of dividends and subject to restriction by donor, grantor, or interest available for expenditure in opera- PUBLICATIONS INVENTORy-Publications other outside party. Funds functioning as tions in any year and to return unused income inventory is carried at the lower of cost or endowment are subject to restriction by the to the principal of the appropriate endow- market. Cost is determined using the retail Gallery's Board of Trustees. ments. In keeping with this policy, the amount cost method. of interest and dividends available for expen- Federal funds represent appropriations from ditures is equal to 5.5% of the four-year aver- the Congress of the United States for the oper- DEFERRED CHARGES—Deferred charges age market value of the invested funds. Total ations of the Gallery. The Gallery receives represent expenses incurred in connection income generated by endowments for opera- "one-year" appropriations, which, when not with future special exhibitions and other activ- tions was 84,984,691 and $5,129,941 for obligated or expended, are retained by the ities and are recognized in the period in which the years ended 30 September 1992 and Gallery for a period of five years prior to being they occur. 1991. Of these amounts, $4,188,833 and returned to the U.S. Treasury; and "no-year" $3,871,500 was used for operating purposes appropriations, for the repair, renovation, and FIXED ASSETS—The land occupied by the and, pursuant to the trustees' policy noted restoration of its buildings and for special Gallery's buildings was appropriated and above, $795,858 and $1,258,441 was exhibitions. No-year appropriations are reserved by the Congress of the United States returned to principal for these respective retained until expended. for that purpose. No value has been assigned years. in the accompanying financial statements. UNDELIVERED ORDERS—In accordance Buildings are recorded at cost and depreci- ANNUAL LEAVE—The Gallery's employees with accounting principles prescribed by the ated on a straight-line basis over the estimated earn annual leave in accordance with federal Comptroller General of the United States as useful life of 50 years. Equipment, furniture, law and regulations. The cost of leave is set forth in the Policy and Procedures Manual and computer software are also recorded at recorded as salary expense only as leave is for Guidance of Federal Agencies, the obliga- cost and depreciated on a straight-line basis taken. tion basis of accounting used for federal funds over estimated useful lives ranging from 5 to

95 CONTRIBUTED SERVICES-A substantial Note 3. Receivables number of unpaid volunteers have made sig- As of 30 September, receivables were composed of the following: nificant contributions of their time in the 1992 1991 furtherance of the Gallery's programs. This contributed time is not reflected in these state- Grants and reimbursements S 4,644,725 $ 6,531,729 ments, since no objective basis is available for Due from brokers on sales of securities 3,586,761 4,058,135 determining the value of these services. Accrued investment income 2,023,567 2,462,491 Other 785,552 440,514 Total $11,040,605 $13,492,869 Note 2. Cash The Gallery invests its excess nonfederal cash in money market funds, which are converted into cash as needed to meet the Gallery's Note 4. Investments As of 30 September, the Gallery's endowment and other special purpose funds were invested as obligations. Federal cash of $13,088,988 is on deposit with the U.S. Treasury and repre- follows: sents appropriated amounts not yet disbursed 1991

Cost Market value Cost Market value Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obliga- tions and cash equivalents 85,744,604 90,465,149 108,245,546 112,122,737 Bonds and notes 23,697,881 25,942,562 19,842,341 20,229,862 Common and preferred stocks 92,117,326 106,572,056 69,745,515 80,659,509 Total $206,559,811 $227,979,767 $202,833,402 $218,012,108

In 1942 the Gallery, under authority of an this loan was $364,948 and $403,438 for the Act of Congress, made a $5,000,000 perma- years ended 30 September 1992 and 1991, nent loan to the U.S. Treasury. This loan respectively. interest at 'U% below the average monthly The change in investment appreciation for rate for long-term funds paid by the U.S. the years ended 30 September 1992 and Treasury (ranging from 6.625% to 7.375% 1991 is as follows: during fiscal year 1992). Interest income on

1992 1991

Net increase in market value of investments $ 6,241,251 $19,950,648 Realized gain on sale of investments, net 8,098,004 4,567,380 Total $14,339,255 $24,518,028

Note 5. Publications inventory As of 30 September inventory consists of the following:

1992 1991 Publications inventory $1,899,195 $3,208,847 Work-in-process 989,205 1,834,499 Other 432,172 349,337

Total $3,320,572 $5,392,683

96 Note 6. Fixed assets Note 8. Retirement benefits Depreciation is charged directly against "Cap- amount of $3,821,521 in 1992 is comprised All permanent employees of the Gallery, both ital invested in buildings and equipment" and of $2,480,683 of nonfederal funds and federal and nonfederal, hired prior to 1 Jan- is excluded from the statement of activity of $1,340,838 of federal funds. uary 1984, participate in the Civil Service the funds for operations and statement of Buildings and equipment consist of the fol- Retirement System (CSRS), and those hired changes in fund balances. Depreciation in the lowing as of 30 September: subsequent to 1 January 1984 participate in both the Social Security Retirement System 1991 and the new Federal Employees' Retirement Nonfederal Federal Total funds Total funds System (FERS), which went into effect 1 Jan- Buildings $123,020,918 $11,630,690 $134,651,608 $133,503,973 uary 1987. Under FERS, employees have the option to make tax-deferred contributions to a Equipment 2,595,605 26,069,779 28,665,384 27,192,780 Thrift Savings Plan and in some instances Construction-in- receive a matching portion from the Gallery. progress 1,991,987 1,991,987 2,818,049 The Gallery funds all retirement con- 125,616,523 39,692,456 165,308,979 163,514,802 tributions on a current basis and accordingly Less accumulated there are no unfunded retirement costs. Total depreciation (49,326,276) (17,416,697) (66,742,973) (62,921,452) pension expense of the Gallery was approxi- Total $ 76,290,247 $22,275,759 $ 98,566,006 $100,593,350 mately $3,385,000 and $2,956,000 for the years ended 30 September 1992 and 1991, respectively.

Note 7. Nonfederal fund balances Note 9. Income taxes Nonfederal funds include the following as of 30 September: The Gallery is a nonprofit organization exempt from federal income taxes under the provi- 1992 1991 sions of §501(c)(3) of the Internal Revenue Funds for operations 887,910 917,298 Code and the applicable income tax regula- Funds for special purposes: tions of the District of Columbia. Accumulated income, gifts, grants, and bequests available for: Note 10. Commitments and contingencies Art purchases 14,499,851 17,874,556 The Gallery has entered into two operating Capital construction 8,375,340 7,705,054 leases for warehouse space. Under these Publications 13,115,361 13,480,695 leases, the Gallery has the right to cancel Fellowships and other projects 2,450,051 2,431,164 upon 12 months' written notice to the lessor Total funds for special purposes 38,440,603 41,491,469 prior to the end of the initial lease term. Future minimum rental commitments under Endowment funds: these leases at 30 September 1992 are approximately as follows: Endowment funds, the income of which is available for:

Restricted purposes 86,251,548 80,224,498 For the year ending Federal Publications Gallery operations 80,655,541 72,011,859 30 September fund fund Funds functioning as endowment funds, the principal and 1993 $291,000 $150,000 income of which are available for: 1994 76,000 39,000 1995 58,000 30,000 Special purposes 14,707,525 21,478,016 1996 59,000 31,000 Unrestricted purposes 13,286,346 12,285,047 1997 60,000 32,000 Total endowment funds 194,900,960 185,999,420 1998 and thereafter 5,000 3,000 Total nonfederal funds $234,229,473 $228,408,187 Total $549,000 $285,000

Interfund transfers—In (out) for the year ended 30 September 1992 included: The terms of these leases include additional Funds for rent for operating expenses, real estate taxes, Funds for special Endowment utilities, and maintenance. Rent expense on operations purposes funds the above leases was approximately $390,000 Endowment fund income returned to principal $(795,858) $ — $ 795,858 for the year ended 30 September 1992. Art purchases - 7,898,939 (7,898,939) Other (134,795) 85,000 49,795 Total transfers among funds $(930,653) $7,983,939 $(7,053,286)

97

Appendices

Acquisitions Cropsey, Jasper Francis, American, 1823-1900 Warwick Castle, England, 1857, oil on canvas, 1991.142.1, Gift of Mr. and Mrs. Norman HirschI, in Honor of the 50th Anniversary of the National Gallery PAINTINGS of Art

Davis, Gene, American, 1920-1985 Albers, Josef, American, 1888-1976 Blue Broadjump, 1960, acrylic on canvas, Study for Homage to the Square: Light Rising, 1950, 1992.44.1, Gift of Florence Coulson Davis Trust oil on hardboard, 1992.28.1, Robert and Jane Meyer- hoff Collection Diebenkorn, Richard, American, born 1922 Seated Figure with Hat, 1967, oil on canvas, American 1991.176.1, Gift of the Collectors Committee and Mr. and Schooner, 19th century, oil on canvas, 1991.144.1, Mrs. Lawrence Rubin Gift of Lucy Galpin Moorhead in Memory of William S. Moorhead and the Honorable William S. Moorhead, Jr., Fischl, Eric, American, born 1948 and in Honor of the 50th Anniversary of the National Gal- Saigon, , 1985, oil on canvas, 1992.28.7, lery of Art Robert and Jane Meyerhoff Collection

Ast, Balthasar van der, Dutch, 1593/1594-1656 Kirchner, Ernst Ludwig, German, 1880-1938 Basket of Fruits, c. 1625, oil on panel Two Girls under an Umbrella, 1910, oil on canvas, Basket of Flowers, c. 1625, oil on panel 1992.58.1, Gift (Partial and Promised) of Arnold and Joan 1992.51.1 -2, Gift of Mrs. Paul Mellon Saltzman

Avery, Milton, American, 1885-1965 Lane, Fitz Hugh, American, 1804-1865 Artist and Nude, 1940, oil on canvas, 1991.192.1, Becalmed off Halfway Rock, 1860, oil on canvas, Gift of Yves-Andre and Christine Istel 1992.51.8, Collection of Mr. and Mrs. Paul Mellon, in Honor of the 50th Anniversary of the National Gallery Benson, Frank Weston, American, 1862-1951 of Art Margaret ("Gretchen") Strong, c. 1909, oil on canvas, 1992.66.1, Gift of Elizabeth Clarke Hayes Mangold, Robert, American, born 1937 Light-Neutral Area, 1966, oil sprayed on hard- Bolotowsky, Ilya, American, 1907-1981 board with flat lacquer, 1991.241.85 Cobalt Green, 1939, oil on canvas, 1991.191.1, Gift 112 W Series (Medium Scale), 1968, oil on incised (Partial and Promised) of Aaron I. Fleischman in memory wood panels, 1991.241.86 of his mother, Esther W. Fleischman 1/2 V Series (Medium Scale), 1969, acrylic on hard- board, 1991.241.87 Bosschaert, Abraham, attributed to, Dutch, 1612/1613-1643 Distorted Red Square-Circle, 1971, acrylic and graphite on hardboard, 1991.241.89 Vase of Flowers in a Niche, 1635/1640, oil on panel, 1992.51.3, Gift of Mrs. Paul Mellon Green Distorted Square-Circle, 1971, acrylic and graphite on hardboard, 1991.241.90 Braque, Georges, French, 1882-1963 Distorted Square-Circle, 1971, acrylic and Harbor, 1909, oil on canvas, 1992.3.1, Gift of Victoria graphite on hardboard, 1991.241.91 Nebeker Coberly in memory of her son, John W. Mudd Untitled, 1972, acrylic and graphite on hardboard, 1991.241.92 Brueghel, Jan, the Elder, Flemish, 1568-1625 Untitled II, 1972, acrylic and graphite on hard- A Basket of Mixed Flowers and a Vase of Flowers, board, 1991.241.93 1615, oil on panel, 1992.51.7, Gift of Mrs. Paul Model for Painting: Circle in and out of a Polygon Mellon, in Honor of the 50th Anniversary of the National II, 1973, oil on wood, 1991.241.94 Gallery of Art Untitled, 1973, oil on hardboard, 1991.241.95 Untitled, 1973, oil or acrylic and graphite on hard- Jan Brueghel the Elder, A Basket of Mixed Flowers Copley, John Singleton, American, 1738-1815 board, 1991.241.96 Sketch for the Copley Family, 1776, oil on canvas en and a Vase of Flowers, 1615 Type II, 1974, oil on hardboard, 1991.241.100 grisaille, 1991.141.1, Gift of Richard T. York, in Honor of Gift of Mrs. Paul Mellon, in Honor of the 50th Anniversary of the A Square Not Totally within a Triangle, 1975, the 50th Anniversary of the National Gallery of Art National Gallery of Art acrylic and graphite on hardboard, 1991.241.102

99 Two Peasants with a Glass of Wine, c. 1645, oil on panel, 1992.27.1, Gift (Partial and Promised) of Nell V. Weidenhammer

Thielen, Jan Philips van, Flemish, 1618-1667 Roses and Tulips and Jasmine in a Glass with a Dragonfly and a Butterfly, mid-1600s, oil on panel, 1992.51.4, Gift of Mrs. Paul Mellon

SCULPTURE AND DECORATIVE ARTS

Agrippa, Giovanni Guido, Italian, active 1501/1519 A Triumph, with Venice Crowning Leonardo Loredan as Doge, 1501, bronze, 1992.55.5, Gift of Lisa and Leonard Baskin

Andre, Carl, American, born 1935 25 Blue Deck, 1974, blued steel sheet (25-unit row, side by side) Forty-Nine Small Cardinal, 1975, copper sheet (49-unit square) Robert Mangold, 1/2 X Series (Medium Scale), 1968 Little Wide Ivory Equivalent, 1977, ivory (6 units)

The Dorothy and Herbert Vogel Collection, AiLsa Mellon Bruce Fund, Little, Long, Ivory Equivalent, 1977, ivory (6 units) Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel, Little, Long, Ivory Equivalent, 1977, ivory (6 units) 1992.7.10 Nine Steel Rectangles, 1977, hot rolled steel (9 pieces) 23 Steel Mirror Line, 1978, polished metal (23-unit line, end to end) 9 Pierced Steel Squares, 1978, plain and rusted Two Triangles within a Square #2, 1975, graphite Morley, Malcolm, British, born 1931 metal (9 units square) and acrylic on canvas, 1991.241.106 Erotic Blando Fruto, 1989, oil on canvas, Rust and Bright Ripple, 1978, rusted and unrusted Two Squares within a Square and Two Triangles, 1991.184.1, Gift of the Collectors Committee metal (8 pieces) 1976, graphite and acrylic on hard board, 1991.241.1-9, The Dorothy and Herbert Vogel Collection, 1991.241.108 Neel, Alice, American, 1900-1984 Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and A Triangle within Two Rectangles Violet, 1977, oil Loneliness, 1970, oil on canvas Gift of Dorothy and Herbert Vogel and felt-tip pen on hard board, 1991.241.109 Hartley, 1966, oil on canvas The Way North, East, South, West (Uncarved Blocks), Two Triangles within Three Rectangles, 1978, graph- 1991.143.1-2, Gift of Arthur M. Bullowa, in Honor of the 1975, western red cedar, 1992.83.1, Gift (Partial and 50th Anniversary of the National Gallery of Art ite and acrylic on hardboard, 1991.241.111 Promised) of Agnes Gund and Daniel Shapiro + Within + Painting, 1983, acrylic on hardboard, Noland, Kenneth, American, born 1924 1991.241.115 Artschwager, Richard, American, born 1923 Dawn's Road, 1970, acrylic on canvas, 1991.240.1, Gray Irregular Area with a Drawn Ellipse (model), Piano #1, 1965, formica and wood Gift of Irving Blum 1986, acrylic, crayon, and graphite on hardboard, Shadow, 1966, formica and wood 1991.241.117 Reinhardt, Ad, American, 1913-1967 Hair Sculpture—Shallow Recess Box, 1969, rubber- 112 X Series (Medium Scale), 1968, acrylic on Untitled (Yellow and White), 1950, oil on canvas ized horsehair incised hardboard, 1992.7.10 The Dorothy and Herbert Untitled (Red and Gray), 1950, oil on canvas Hair Sculpture—Shallow Recess Box, 1969, rubber- Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Per- 1992.28.2-3, Robert and Jane Meyerhoff Collection ized horsehair manent Fund and Gift of Dorothy and Herbert Vogel 1991.241.10-13, The Dorothy and Herbert Vogel Collec- Rothko, Mark, American, 1903-1970 tion, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund Mangold, Sylvia Plimack, American, born 1938 White and Orange, 1955, oil on canvas and Gift of Dorothy and Herbert Vogel Untitled, 1979, oil on hardboard Red, Black, White on Yellow, 1955, oil on canvas Untitled, 1979, oil on canvas 1992.51.13-14, Gift of Mrs. Paul Mellon, in Honor of the Barye, Antoine-Louis, French, 1796-1875 Untitled, 1981, oil on museum board with tape 50th Anniversary of the National Gallery of Art Virginia , 1831, bronze, 1992.55.23, Gift of Lisa Untitled, 1981, oil on canvas and Leonard Baskin 1991.241.126-129, The Dorothy and Herbert Vogel Col- Sargent, John Singer, American, 1856-1925 Bayr, Hans Jakob, Circle of, German 17th lection, Ailsa Mellon Bruce Fund, Patrons' Permanent Valdemosa, Majorca: Thistles and Herbage on a Hill- century Fund and Gift of Dorothy and Herbert Vogel side, 1908, oil on canvas, 1991.177.1, Avalon Fund and Gift of Virginia Bailey Brown Athena Introducing the Personification of Painting Martin, Agnes, American, born 1912 into the Circle of the Liberal Arts, c. 1600, bronze, Untitled #2, 1981, acrylic on canvas, 1992.28.6, Stella, Frank, American, born 1936 1992.55.18, Gift of Lisa and Leonard Baskin Robert and Jane Meyerhoff Collection Chodorow II, 1971, felt, paper, and canvas collage on canvas, 1992.28.5, Robert and Jane Meyerhoff Benglis, Lynda, American, born 1941 Mignon, Abraham, German, 1640-1679 Collection Untitled, 1968, beeswax and Damar resin, crys- A Hanging Bouquet of Flowers, 1665/1670, oil on tals^), and glass(?) on wood panel, 1992.51.5, Gift of Mrs. Paul Mellon Teniers II, David, Flemish, 1610-1690 Untitled, 1971, beeswax and Damar resin, crys- Peasants in a Tavern, c. 1633, oil on panel, tals^), and glass(?) on wood Monet, Claude, French, 1840-1926 1991.140.1, Gift of Mr. and Mrs. John Ely Pflieger, in Pour Daum, 1979, plaster over wire mesh, with The Japanese Footbridge, 1899, oil on canvas, Honor of the 50th Anniversary of the National Gallery gold leaf and oil paint 1992.9.1, Gift of Victoria Nebeker Coberly, in memory of of Art her son John W. Mudd, and Walter H. and Leonore Untitled, 1979, gold leaf and red and blue paint Annenberg over wire frame

100 Fool, 1980, plaster, bronze wire, and gold leaf Florentine 16th Century 1991.241.30-31, 33-35, The Dorothy and Herbert Vogel Pietro Strozzi, 1510-1588, Marshall of France Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent 1554 (obverse), Horse Pawing the Earth (reverse), Fund and Gift of Dorothy and Herbert Vogel c. 1545, silver alloy, 1992.55.10.a,b, Gift of Lisa and Leonard Baskin Bernard!, Giovanni Desiderio, Italian, 1496- 1553 Fltitner, Peter, attributed to, German, c. 1485- The Continence of Scipio, c. 1540, lead 1546 Eliezerand Rebecca at the Well, c. 1540, lead A Symbolizing the Muse Erato, c. 1540, lead, Eliezer and Rebecca at the Well, c. 1540, bronze 1992.55.16, Gift of Lisa and Leonard Baskin 1991.146.1-3, Gift of Roger Arvid Anderson Fontana, Annibale, possibly, Italian, 1540-1587 Bloc, Conrad, Netherlandish, c. 1550-active Giambattista Castaldi, d. 1562, Count Piadena, c. 1602 General of Charles V (obverse), Conquest of Tran- Henri IV, 1553-1610, King of France 1594 sylvania (reverse), c. 1562, bronze, 1992.55.9.a,b, (obverse), Royal Emblem (reverse), 1598, gilded Gift of Lisa and Leonard Baskin bronze, 1992.55.14.a,b. Gift of Lisa and Leonard Baskin Francia, Francesco, after, Italian 16th century Bologna, Giovanni (called Giambologna), Bernardo de' Rossi, d. 1527, Bishop ofTreviso 1499, Follower of, Italian 16th century Governor of Bologna 1519-1523 (obverse), Order Venus and Cupid, c. 1575/1580, bronze, Restored in Romagna (reverse), after 1519, bronze, 1991.242.1, Gift of John and Henrietta Goelet, in memory 1992.55.7.a,b, Gift of Lisa and Leonard Baskin of Thomas Goelet, and Patrons' Permanent Fund Gabo, Naum, American (born in Russia), 1890- Bonlecou, Lee, American, born 1931 1977 Untitled, 1960, metal and canvas relief, 1992.52.1, Linear Construction in Space No. 2, 1954, plastic Gift (Partial and Promised) of Mr. and Mrs. Carl S. Gewirz polymer with nylon monofilament, 1991.149.1, Gift of George and Edith Rickey Bonzagni, Giovan Federico, Italian, after 1507- Jean-Antoine Houdon, George Washington, 1588 Gerhard, Hubert, Circle of, unknown nationality, 1786/1793 Gregory XIII (Ugo Buoncompagni, 1502-1585), 16th century Gift of Robert L. McNeil, Jr., in Honor of the 50th Anniversary of the Pope 1571 (obverse), Opening of the Porta Santa Saint Sebastian, c. 1580/1585, gilded bronze, (reverse), 1575, bronze, 1992.55.12.a,b. Gift of Lisa 1992.10.1, Patrons' Permanent Fund National Gallery of Art, 1991.199.1 and Leonard Baskin Houdon, Jean-Antoine, French, 1741-1828 Caro, Anthony, British, born 1924 George Washington, 1786/1793, plaster, Scheherazade, 1974, welded steel, 1991.219.1, Gift Master AZ, South German, active third quarter 1991.199.1, Gift of Robert L. McNeil, Jr., in Honor of the of Guido Goldman, in Honor of the 50th Anniversary of the 16th century 50th Anniversary of the National Gallery of Art National Gallery of Art The Forge of Vulcan, 1573, lead, 1992.54.3, Gift of his family in memory of C. McKenzie Lewis, Jr. Piece #70, c. 1967/1968, varnished steel, Italian 16th Century, probably 1992.28.9, Robert and Jane Meyerhoff Collection A Gentlewoman in Court Finery, c. 1575, wax on Master F.D., possibly, in the style of Jacopo San- slate, 1992.55.13, Gift of Lisa and Leonard Baskin sovino, Italian Cattaneo, Danese, attributed to, Italian, Madonna and Child with Saint John the Baptist, c. 1509-1573 Jonghelinck, Jacques, Flemish, 1530-1606 probably c. 1600, bronze, 1992.54.1, Gift of his fam- Gian Lodovico Battaglia (obverse), Horse Pawing Viglius van Zuichem, 1507-1577, Provost of Saint- ily in memory of C. McKenzie Lewis, Jr. the Earth (reverse), c. 1550, bronze, 1992.39.2.a,b, Bavon 1565, Chancellor of the Order of the Golden Fleece (obverse), Memento Mori (reverse), 1571, sil- Edward E. MacCrone Fund Master H.G. (probably Hans Jamnitzer II), ver, 1992.55.11 a,b. Gift of Lisa and Leonard Baskin German, c. 1538-1603 Christo, American, born 1935 Saint John Composing "Revelation " on Patmos, Wrapped Booh, 1972, book, canvas, and twine Judd, Donald, American, born 1928 1570s, lead, 1992.55.17, Gift of Lisa and Leonard Package, 1974, tarpaulin, rope, and wood Untitled, 1965, galvanized iron, aluminum, and 1991.241.47, 1992.7.3, The Dorothy and Herbert Vogel Plexiglas Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Thirteen L Red Wooden Parallelogram, 1968, Matisse, Henri, French, 1869-1954 Fund and Gift of Dorothy and Herbert Vogel painted wood Mourner Costume, 1919, white felt with blue velvet 1991.241.49, 51, The Dorothy and Herbert Vogel Collec- applique, 1991.147.1, Gift of David P. Willis Consagra, Pietro, Italian, born 1920 tion, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund Racconto alia Strega no. 1, drawn 1960, executed and Gift of Dorothy and Herbert Vogel Mandarin Costume, 1919, saffron yellow satin with 1964, painted wood and bronze, 1992.57.1, Gift of applied gold lame disks, each surrounded by a Sophie Chandler Consagra LeWitt, Sol, American, born 1928 black, hand-painted motif; lined with hand-stitched Floor Structure Black, 1965, painted wood, cotton batting, 1991.148.1, Gift of Mr. and Mrs. Robert Cornell, Joseph, American, 1903-1972 1991.241.53 Hilton Simmons in honor of Joseph Columbus Sand Fountain, 1948 Series 1-2-3: 47 3-Part Variations on Three Differ- Miro, Joan, Spanish, 1893-1983 Les Constellations Voisines du Pole, 1961 ent Kinds of Cubes, 1968, painted wood, mixed-media constructions, 1991.218.1-2, Robert 1991.241.55 Personnage Gothique, Oiseau-Eclair, 1974, cast and Jane Meyerhoff Collection 1977, bronze, 1992.53.1, Gift of The Morris and Untitled, 1969, baked enamel on aluminum (in 3 Gwendolyn Cafritz Foundation parts), 1991.241.56 Coudray, Marie-Alexandre-Lucien, French, Untitled, 1971, painted wood, 1991.241.58 1864-after 1920 Niccolo Fiorentino, Italian, 1430-1514 Untitled, 1971, painted wood, 1992.7.6 e Girolamo Ridolfi of San Gimignano, 1465-1526, Orpheus (obverse), l Prix: Claude Debussy The Dorothy and Herbert Vogel Collection, Ailsa Mellon (reverse), c. 1893, silver, 1992.55.24.a,b, Gift of Lisa Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy Apostolic Secretary, Consistorial Advocate, and and Leonard Baskin and Herbert Vogel Knight of the Golden (obverse), (reverse), c. 1485, bronze, 1991.198.1.a,b, Gift of Dadler, Sebastian, German, active 1619/1654 Marti, Francesco, Italian, active 1489/1516 Elaine Rosenberg in Honor of Alexandre P. Rosenberg and Peace with Holland (obverse), The Navigation Acts The Virgin Mary, c. 1505, gilded bronze, 1992.54.2, the 50th Anniversary of the National Gallery of Art (reverse), 1654, silver, 1992.55.20.a,b, Gift of Lisa Gift of his family in memory of C. McKenzie Lewis, Jr. and Leonard Baskin Niccolo Fiorentino, Circle of Girolamo Savonarola, 1452-1498, Dominican Preacher (obverse), Virtue Enthroned (reverse), c. 1497, bronze, 1992.55.4.a,b. Gift of Lisa and Leonard Baskin

101 Passe, Simon de, probably, Dutch, probably Shapiro, Joel, American, born 1941 1595-1647 Untitled, 1974, bass wood James I, 1566-1625, King of England 1603 Untitled, 1975, welded steel on wood base (obverse), Prince Charles, 1600-1649, King of Untitled, 1975, steel England 1625 (reverse), c. 1625, silver, 1991.241.131-133, The Dorothy and Herbert Vogel 1992.55.19.a,b, Gift of Lisa and Leonard Baskin Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel Fasti, Matteo de% Italian, c. 1420-1467/1468 Sigismondo Pandolfo Malatesta, 1417-1468, Lord Smith, Tony, American, 1912-1980 The Snake Is Out, 1962, painted steel, 1992.21.1, of Rimini 1432 (obverse), Emblem of Authority Gift of the Tony Smith Estate and Patrons' Permanent Fund (reverse), 1447, bronze, 1992.55.3.a,b, Gift of Lisa and Leonard Baskin Sucro, Christoph, possibly, German, active

Pratt, Bela Lyon, American, 1867-1917 1677/1681 The Great Elector (?) or Don Johann of Austriaf ?) Clara and Lizzie, Daughters of Frederick and Elizabeth Shattuck, 1893, cast 1894, bronze, (obverse), Lamb of the Redeemer (reverse), 1676, 1992.80.1, Gift of John Goelet in honor of J. Carter Brown silver, 1992.55.21.a,b. Gift of Lisa and Leonard Baskin

Puryear, Martin, American, born 1941 Torre, Giulio della, Italian, c. 1480-after 1531 Noatauk, 1979, painted and stained wood, Daniele Renier, Venetian Patrician (obverse), Renier 1991.220.1, Gift (Partial and Promised) of Carolyn Small Enthroned between Justice and Prudence (reverse), Alper, in Honor of the 50th Anniversary of the National before 1534, lead, 1992.55.6.a,b. Gift of Lisa and Gallery of Art Leonard Baskin

Regnier, Pierre, French, c. 1577-after 1640 Tribolo, Niccolo, attributed to, Italian, 1500- Louis XIII, 1601-1643, King of France 1610 1550 (obverse), The New Louvre (reverse), 1624, gilded Male Nude Standing in a Fearful Pose, probably bronze, 1992.55.15.a,b. Gift of Lisa and Leonard Baskin 1530s, wax, 1992.74.1, Patrons' Permanent Fund

Rickey, George, American, born 1907 Tuttle, Richard, American, born 1941 Cluster of Four Cubes, 1992, stainless steel, Tin Arrow, 1966 1992.79.1, Gift of George Rickey and Patrons' Permanent Untitled, 1967 Fund galvanized steel, 1991.241.136, 139, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Roccatagliata, Nicolo, Italian, active 1593/1633 Patrons' Permanent Fund and Gift of Dorothy and Herbert Andiron with Putto Finial, modeled c. 1600, cast Vogel probably 17th/l8th century Venetian 16th Century Andiron with Putto Finial, modeled c. 1600, cast The Crowning of the Virgin, second half 16th probably 17th/l8th century century, bronze, 1992.60.1, Dunlevy Milbank Founda- bronze, 1991.145.1-2, Gift of Asbjorn R. Lunde, in Honor of the 50th Anniversary of the National Gallery tion Fund Cherubino Alberti, Prudence, 1596/1601 of Art Gift of William B. O'Neal, in Honor of the 50th Anniversary of the Rodin, Auguste, French, 1840-1917 National Gallery of Art, 1991.150.1a The Age of Bronze, modeled 1875/1876, cast 1898, plaster, 1991.183.1, Gift of Iris and B. Gerald Cantor, in Honor of the 50th Anniversary of the National Gallery DRAWINGS Basket, Table, Door, Window, Mirror, Rug #46, of Art 1974, pen and black ink over graphite La Douleur, 1889, cast 1983, bronze, 1992.84.1, Basket, Table, Door, Window, Mirror, Rug #50, Gift of the B. Gerald Cantor Collections Alberti, Cherubino, Italian, 1553-1615, and 1974, pen and black ink over graphite Giovanni Alberti, Italian, 1558-1601 Basket, Table, Door, Window, Mirror, Rug #23, Roman or Florentine 16th Century, after the Prudence (recto and verso), 1596/1601, red chalk; 1974, pen and black ink over graphite antique red chalk and wash, 1991.150. l.a,b. Gift of William B. Basket, Table, Door, Window, Mirror, Rug #27, The Philosopher Cato, early 16th century, bronze, O'Neal, in Honor of the 50th Anniversary of the National 1974, pen and black ink over graphite 1992.55.2, Gift of Lisa and Leonard Baskin Gallery of Art Basket, Table, Door, Window, Mirror, Rug #32,

Roman 15th or 16th Century Algardi, Alessandro, Italian, 1598-1654 1974, pen and black ink over graphite Rodrigo Borgia, c. 1431-1503, Pope Alexander VI, Christ on the Cross, 1647, pen and brown ink over Basket, Table, Door, Window, Mirror, Rug #33, 1492-1503 (obverse), Castel Sant' Angelo red chalk, 1992.42.1, Ailsa Mellon Bruce Fund 1974, pen and black ink over graphite (reverse), 1492/1503, bronze, 1992.39. l.a,b, Basket, Table, Door, Window, Mirror, Rug #39 Edward E. MacCrone Fund Allori, Alessandro, Italian, 1535-1607 (recto), Basket, Table, Door, Window, Mirror, Rug Head of a Youth, red chalk, 1991.150.2, Gift of #40 (verso), 1974, pen and black ink over graphite Roman 15th or 16th Century, after the antique William B. O'Neal, in Honor of the 50th Anniversary of the Basket, Table, Door, Window, Mirror, Rug #7 (recto), Achilles Seizing Troilus, before 1523, bronze, National Gallery of Art Basket, Table, Door, Window, Mirror, Rug #8 (verso), 1992.55.1, Gift of Lisa and Leonard Baskin Amman, Jost, Swiss, 1539-1591 1974, pen and black ink over graphite; graphite Rossi, Giovanni Antonio de', Italian, 1517- Head of a Bearded Man, 1570s, pen and black ink, Basket, Table, Door, Window, Mirror, Rug #29, in or after 1575 heightened with white, on blue prepared paper, 1974, brush and black ink over graphite Marcellus II (Marcello Corvino, 1501-1555), Pope 1991.182.19, Woodner Family Collection Basket, Table, Door, Window, Mirror, Rug #41 1555, 1555, lead, 1992.55.8, Gift of Lisa and Leonard (recto), Basket, Table, Door, Window, Mirror, Rug Artschwager, Richard, American, born 1923 Baskin #41-b (verso), 1975, pen and black ink and graph- Untitled, 1969, charcoal ite; graphite Seidlitz, Johann Georg, possibly, Austrian, active Basket, Table, Door, Window, Mirror, Rug #26, Basket, Table, Door, Window, Mirror, Rug #42, 1699/1730 1974, pen and black ink over graphite 1975, pen and black ink over graphite Joseph I, 1678-1711, Holy Roman Emperor 1705 Basket, Table, Door, Window, Mirror, Rug #39 In and Under the Mirror, 1975, pen and black ink, (obverse), Uniting Europe (reverse), 1705, silver, (recto), Basket, Table, Door, Window, Mirror, Rug felt-tip pen, and graphite 1992.55.22.a,b, Gift of Lisa and Leonard Baskin #40 (verso), 1974, graphite 1991.241.14-29, The Dorothy and Herbert Vogel Basket, Table, Door, Window, Mirror, Rug 044, Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent 1974, pen and black ink over graphite Fund and Gift of Dorothy and Herbert Vogel

102 Awsereto, Gioacehino, attributed to, Italian, Bison, Giuseppe Bernardino, Italian, 1762- black ball-point pen and computer printing on lined 1600-1649 1844 computer paper A Saint Holding a Booh, c. 1640, red chalk and A Mythological Scene with Sea Gods, brown wash 1991.241.39-46, The Dorothy and Herbert Vogel Collec- brown wash, heightened with white and incised for with pen and brown ink over graphite, heightened tion, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund transfer; verso rubbed with red chalk, 1991.150.68, with white, on brown paper, 1991.150.8, Gift of Wil- and Gift of Dorothy and Herbert Vogel Gift of William B. O'Neal, in Honor of the 50th Anniversary liam B. O'Neal, in Honor of the 50th Anniversary of the Carpaccio, Vittore, Italian, 1455/1465- of the National Gallery of Art National Gallery of Art 1525/1526 Austrian 18th Century Boilly, Louis-Leopold, French, 1761-1845 Groups of Figures (recto), Martyrdom of the Ten The Rescue of Deianeira, pen and brown ink and The Public Coming to See David's "Coronation of Thousand Christians (verso), c. 1513/1514, red brown wash over black chalk, 1991.150.79, Gift of and the Empress Josephine " in the Great chalk; red chalk with pen and brown ink, William B. O'Neal, in Honor of the 50th Anniversary of the Hall of the Louvre, 1810 or before, pen and black 1991.182.15.a,b, Woodner Family Collection National Gallery of Art ink with gray wash and watercolor, 1991.182.8, Woodner Family Collection Carter, John, British, 1748-1817 Baldung Grien, Hans, German, 1484/1485- The Erpingham Gate, Norwich, 1791, pen and black 1545 Boitard, Francois, French, c. 1670-c. 1715 ink, gray wash, and watercolor, 1992.48.1, Ailsa Mel- The Lamentation, 1515/1518, brush and brown Daniel and the Babylonian , c. 1700, pen lon Bruce Fund ink, heightened with white, on brown prepared and black ink and gray wash over graphite, Cassatt, Mary, American, 1844-1926 paper, the surface varnished, 1991.182.3, Woodner 1991.226.2, Gift of Emile Wolf, in Honor of the 50th Family Collection Anniversary of the National Gallery of Art Margot Leaning against Reine's Knee, c. 1902, graphite Bandinelli, Baccio, attributed to, Italian, Bolotowsky, Ilya, American, 1907-1981 Smiling Margot Wearing a Ruffled Bonnet, c. 1902, 1488/1493-1560 Outromer, 1979 graphite over traces of red chalk Two Nudes Fighting, pen and brown ink, Yellow Tondo 1991.217.73-74, The Armand Hammer Collection 1991.150.3, Gift of William B. O'Neal, in Honor of the tempera over graphite, 1991.169.2-3, Gift of Regina 50th Anniversary of the National Gallery of Art Slatkin Castiglione, Giovanni Benedetto, Italian, in or before 1609-1664 Barocci, Federico, Italian, probably 1535-1612 Bonnard, Pierre, French, 1867-1947 Noah Leading the Animals into the Ark, c. 1655, Head of a Bearded Man, 1579/1582, colored Girl Putting on Her Stocking, c. 1920/1930, graph- brush and oil, 1991.221.1, Partial Gift of Gilbert Butler, chalks on blue paper, 1991.182.16, Woodner Family ite, 1991.217.70, The Armand Hammer Collection in Honor of the 50th Anniversary of the National Gallery Collection of Art Boucher, Francois, French, 1703-1770 Bassano, Leandro, Italian, 1557-1622 Landscape with a Rustic Bridge, c. 1740 Cellini, Benvenuto, Italian, 1500-1571 Landscape with a Man and a Dog (after Titian), Venus Reclining on a Dolphin, c. 1745 Satyr, 1542/1543, pen and brown ink with brown c. 1580, black chalk, 1991.150.4, Gift of William B. black chalk heightened with white, 1991.217.13-14, wash over black chalk, 1991.190.2, Woodner Family O'Neal, in Honor of the 50th Anniversary of the National The Armand Hammer Collection Collection, Patrons' Permanent Fund Gallery of Art Boullee, Etienne-Louis, French, 1728-1799 Cezanne, Paul, French, 1839-1906 Batoni, Pompeo, Italian, 1708-1787 Perspective View of the Interior of a Metropolitan Sketchbook, c. 1877/1900, 71 drawings in graph- Sketches of Heads and Hands, red and black chalks Church, 1780/1781, pen and gray ink with brown ite, pen and black ink, and watercolor, 1992.51.9, on orange prepared paper, 1991.150.5, Gift of William wash over black chalk, 1991.185.1, Patrons' Perma- Collection of Mr. and Mrs. Paul Mellon, in Honor of the B. O'Neal, in Honor of the 50th Anniversary of the National nent Fund 50th Anniversary of the National Gallery of Art Gallery of Art Study of the "Ecorche" (recto), Father of the Artist Bresdin, Rodolphe, French, 1825-1885 Bayer, Herbert, American, 1900-1985 (verso), c. 1865/1870, graphite Fantasy Farmhouse, 1853, pen and black ink and Charting the Future, 1976, acrylic and pen and Mont Sainte-Victoire (recto), Bedpost (verso), gray wash with surface scraping, 1991.182.22, Wood- black ink over graphite, 1992.33.1, Gift (Partial and ner Family Collection c. 1895, watercolor over graphite; graphite and Promised) of Stephen Strickland watercolor British 18th Century 1991.217.26.a,b-27.a,b, The Armand Hammer Collection Bearden, Romare, American, born 1914 A Fantastic Bird, watercolor over graphite, Circe, collage of colored papers over graphite, 1991.163.30, Collection of Dr. and Mrs. George Benjamin Chatelain, Jean Baptiste Claude, French, 1710- 1991.169.1, Gift of Regina Slatkin 1771 Travelers on a Road in a Wooded Landscape, black Benglis, Lynda, American, born 1941 Cades, Giuseppe, Italian, 1750-1799 chalk and graphite, 1991.150.10, Gift of William B. Number 27, 1979, collage of tissue paper, fabric, Sacrifice (recto), Designs for Vases (verso), pen and O'Neal, in Honor of the 50th Anniversary of the National string, mylar, metallic paper, wash, acrylic, and felt- brown ink and brown wash; pen and brown ink over Gallery of Art tip pen graphite, 1991.150.9.a,b, Gift of William B. O'Neal, in Pani Rang 21, 1980, watercolor and acrylic with Honor of the 50th Anniversary of the National Gallery ChermayofT, Ivan, American, born 1932 stamping and stenciling of Art Desert Saw, collage of colored papers and graphite, Pani Rang 17, 1981, watercolor and acrylic with 1991.169.4, Gift of Regina Slatkin stamping and stenciling Cage, John, American, 1912-1992 Chimenti, Jacopo, Italian, c. 1554-1610 Atlas Eclipticalis (Mixer Manipulation), pen and Untitled, 1981, watercolor, acrylic, and graphite Standing Man, red chalk, 1991.150.11, Gift of Wil- black ink with stamping and stenciling liam B. O'Neal, in Honor of the 50th Anniversary of the 1991.241.32, 36-38, The Dorothy and Herbert Vogel Bassoon Chart for HPSCHD (with Lejaren Hiller), National Gallery of Art Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent pen and black ink, red and black ball-point pen, Fund and Gift of Dorothy and Herbert Vogel and blue pencil on tracing paper Christo, American, born 1935 Music for Carillon #4, Page 1, pen and black ink on Abu Dhabi Mastaba (Project for United Arab Bertoia, after graph paper Emirates), 1977, graphite and crayon and Sybil, pen and brown ink and brown Music Walk (Notation Plan), pen and black ink on Valley Curtain, Project for Rifle, , 1971, wash over graphite, heightened with white, lined paper colored crayon and graphite on collage of photostat, 1991.150.7, Gift of William B. O'Neal, in Honor of the Solo for Flute (Concert for Piano and Orchestra): fabric, and blueprint 50th Anniversary of the National Gallery of Art Sketch, graphite Running Fence, Project for the West Coast, 1972, Bishop, Isabel, American, 1902-1988 Solo for Violin (Concert for Piano and Orchestra): colored crayon, graphite, and red ball-point pen on Two Girls Reading, c. 1938, graphite and black and Sketch, graphite brown paper and paper board, with typed red chalks on tracing paper, 1992.31.1, Gift of Dr. and Solo for Violin (Concert for Piano and Orchestra): description Mrs. Robert Nowinski Sketch, graphite 1991.241.48, 1992.7.1-2, The Dorothy and Herbert Music Composed and Performed During Performance Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel of and Dance Company, 1973,

103 Cipriani, Giovanni Battista, Italian, 1727-1785 Dine, Jim, American, born 1935 Forain, Jean-Louis, French, 1852-1931 Mythological Composition with Chronos and Plant to Fan Growth, 1961, graphite and brush and Woman at a Counter, brush and black ink and black (recto), Study of Two Putti and a Draped Arm black ink on graph paper, 1991.170.1, Gift of Ruth and chalk, 1991.150.26, Gift of William B. O'Neal, in Honor (verso), red chalk; black chalk, 1992.73. l.a,b, Ailsa Don Saff of the 50th Anniversary of the National Gallery of Art Mellon Bruce Fund Dore, Gustave, French, 1832-1883 Fragonard, Jean-Honore, French, 1732-1806 Claude Lorrain, French, 1600-1682 Cleopatra, graphite The Reading, c. 1765/1775, brown wash Grove of Trees, c. 1640, pen and brown ink and gray Christian Martyrs, 1869/1871, black chalk and Grandfather's Reprimand, c. 1770/1780, brown wash, 1991.245.1, Gift of Jean and Kahlil Gibran brown washes heightened with white wash over black chalk 1991.150.18-19, Gift of William B. O'Neal, in Honor of The Little Preacher, c. 1765/1775, brown wash over Clerisseau, Charles Louis, French, 1722-1820 the 50th Anniversary of the National Gallery of Art black chalk Roman Ruins with a Sepulcher, pen and gray ink Visit to the Nurse, c. 1780/1790, gray wash over Dove, Arthur, American, 1880-1946 and watercolor, 1991.150.13, Gift of William B. O'Neal, black chalk From Cows, 1937, watercolor and pen and black in Honor of the 50th Anniversary of the National Gallery 1991.217.16-19, The Armand Hammer Collection ink, 1991.224.1, Gift of Mr. and Mrs. William C. Janss, in Honor of the 50th Anniversary of the National Gallery of French 17th Century Cornell, Joseph, American, 1903-1972 Art Study of Heads (recto), Two Reclining Figures Penny Arcade, 1970, mixed-media collage, (verso), black and red chalks, heightened with 1992.28.4, Robert and Jane Meyerhoff Collection Drost, Willem, after An Artist Holding a Book and Compass, black chalk white, on blue paper; black chalk heightened with Correggio, Italian, c. 1489/1494-1534 heightened with white on blue paper, 1991.150.35, white, 1991.150.38.a,b. Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery Study for the "Madonna della Scodella" (recto), Gift of William B. O'Neal, in Honor of the 50th Anniversary of Art Saint Matthew and Saint Jerome (verso), of the National Gallery of Art 1523/1524, pen and brown ink, brown wash, and Diirer, Albrecht, German, 1471-1528 French 18th Century red chalk, 1991.217.6.a,b, The Armand Hammer Male Nude Holding a Mirror (recto), Male Nude Ceremony of Consecration, red chalk over graphite, Collection squared and incised for transfer, 1991.150.74, Gift of with a (verso), c. 1500, pen and brown ink, William B. O'Neal, in Honor of the 50th Anniversary of the Coypel, Charles-Antoine, French, 1694-1752 1991.182.1 l.a,b, Woodner Family Collection National Gallery of Art Diana and Endymion, 1720s, black chalk and Tuft of Cowslips, 1526, gouache on vellum, Design for a Baldaquin stumping, heightened with white, on brown paper, 1991.217.1, The Armand Hammer Collection squared for transfer, 1991.150.87, Gift of William B. Design for a Catafalque O'Neal, in Honor of the 50th Anniversary of the National Dutch 17th Century pen and black and brown ink over graphite, Gallery of Art Head of a Young Man (recto), Figure Sketches 1991.203.19-20, Gift of Henry and Judith Rice Millon, in with Christ Appearing to Mary Magdalen (verso), Honor of the 50th Anniversary of the National Gallery Cozens, John Robert, British, 1752-1799 of Art c. 1650, black chalk; black and red chalks, Cetara on the Gulf of Salerno, 1790, watercolor 1991.150.14.a,b. Gift of William B. O'Neal, in Honor of A Boy Wearing a Military Cap, black chalk height- over graphite, 1992.19.1, Gift in honor of Paul Mellon the 50th Anniversary of the National Gallery of Art ened with white on blue paper, 1992.77.1, Ailsa by the Patrons' Permanent Fund with additional support Mellon Bruce Fund from Dick and Ritchie Scaife, Catherine Mellon Conover, Falcieri, Biagio, Italian, 1628-1703 Rachel Mellon Walton, Mr. and Mrs. James M. Walton, and The Council of Trent with Saint Thomas Vanquishing Freudenberger, Sigmund, Swiss, 1745-1801 an anonymous donor the Heretics, c. 1680, pen and black and brown inks Corner of a Rustic Barn, 1770, black chalk, with gray wash over black chalk, 1991.150.20, Gift of 1991.193.1, Gift of Andrew Robison, in Honor of the 50th Cumberland, George, British, 1754-1848 William B. O'Neal, in Honor of the 50th Anniversary of the Anniversary of the National Gallery of Art Scene in a Cave, watercolor, 1991.154.2, Gift of National Gallery of Art Charles Ryskamp, in Honor of the 50th Anniversary of the Friedrich, Caspar David, German, 1774-1840 National Gallery of Art Fancelli, Pietro, Italian, 1764-1850 Moonrise on an Empty Shore, 1837/1839, sepia Daubigny, Charles-Francois, French, 1817- Timotheus Playing the Lyre before Alexander and washes over graphite, 1992.11.1, Patrons' Permanent Fund 1878 Thais in the Hall of the Palace at Persepolis, A Woodland Pond, c. 1870, charcoal and gray c. 1820, pen and brown ink and gray wash over Fromuth, Charles, American, 1861-1937 wash, 1991.150.15, Gift of William B. O'Neal, in Honor black chalk and graphite, squared for transfer A Dock Harmony-Fishing Boats, 1897, pastel on of the 50th Anniversary of the National Gallery of Art Dancing Women, c. 1820, black chalk dark brown paper, 1991.194.1, Gift of Mr. and Mrs. Four Standing Warriors, c. 1820, black chalk, Robert G. , in Honor of the 50th Anniversary of Degas, Edgar, French, 1834-1917 pricked and squared for transfer the National Gallery of Art Self-Portrait, c. 1857, red chalk, 1991.182.23, Wood- Two Standing Courtiers, c. 1820, black chalk, ner Family Collection The Storm, 1908, charcoal heightened with white on pricked for transfer light brown paper, 1992.67.1, Gift of Hollis Taggart Laundress Carrying Linen, c. 1885/1895, charcoal, 1991.150.21-24, Gift of William B. O'Neal, in Honor of Galleries, Inc. 1991.217.24, The Armand Hammer Collection the 50th Anniversary of the National Gallery of Art Gainsborough, Thomas, British, 1727-1788 Delacouture, Auguste, French, 19th century Fantin-Latour, Henri, French, 1836-1904 Woods near a Village with Rabbit Catchers and Their Entablature, 1822, pen and black ink and gray Putti, conte crayon, 1991.150.25, Gift of William B. Greyhounds, late 1750s, graphite, 1991.152.1, Gift of wash, 1991.150.76, Gift of William B. O'Neal, in Honor O'Neal, in Honor of the 50th Anniversary of the National Mrs. Iola S. Haverstick in Memory of Her Father, Eugene of the 50th Anniversary of the National Gallery of Art Gallery of Art W. Stetson, and in Honor of the 50th Anniversary of the Madame Ditte, 1867, conte crayon heightened with Delaune, Etienne, French, 1518/1519-probably National Gallery of Art white, 1991.182.9, Woodner Family Collection 1583 Galliari, Fabrizio, Italian, 1709-1790 The Backplate of a Suit of Parade Armor, c. 1567, Fischl, Eric, American, born 1948 Design for the Entrance to a Hall, pen and brown pen and black ink with gray wash, pricked for trans- Untitled, 1991, charcoal, 1991.228.1, Gift of Eric ink and brown wash over graphite, 1991.150.27, Gift fer, 1991.182.20, Woodner Family Collection Fischl and Mary Boone, in Honor of the 50th Anniversary of William B. O'Neal, in Honor of the 50th Anniversary of of the National Gallery of Art the National Gallery of Art Denon, Dominique Vivant, French, 1747-1825 A Young Woman Sewing (recto), A Horseman Flemish 17th Century Galliari, Gaspare, Italian, 1761-1823 Wearing a Grande Cockade (verso), c. 1790, pen The Flagellation of Christ, c. 1600, pen and brown Stage Design, pen and brown ink and gray wash and brown ink over graphite on gray-blue paper; ink and brown wash, 1991.150.77, Gift of William B. over graphite, 1991.150.28, Gift of William B. O'Neal, graphite, 1991.215.1 .a,b. Gift of The Christian Humann O'Neal, in Honor of the 50th Anniversary of the National in Honor of the 50th Anniversary of the National Gallery Foundation, in Honor of the 50th Anniversary of the Gallery of Art of Art National Gallery of Art

104 Galliari, Giuseppino, Italian, 1752-1817 Gonzaga, Pietro, Italian, 1751-1831 Stage Design: A Piazza with a Domed Church and Egyptian Stage Design, c. 1800, pen and brown ink an Obelisk, 1783, pen and brown ink and brown with gray and brown wash, 1991.153.1, Gift of Fred- wash over graphite, 1991.150.29, Gift of William B. erick G. Schab, in Honor of the 50th Anniversary of the O'Neal, in Honor of the 50th Anniversary of the National National Gallery of Art Gallery of Art Goya, Francisco de, Spanish, 1746-1828 Gandolfi, Gaetano, Italian, 1734-1802 Mascaras crueles (Cruel Masks) (recto), Brujas a A Triumphal Procession in Ancient Rome, c. 1780, bolar (Witches about to Fly) (verso), 1797, brush pen and brown ink with brown wash over graphite and black ink and gray wash, 1991.182.10.a,b, Wood- and black chalk, 1992.12.1, Ailsa Mellon Bruce Fund ner Family Collection Gauguin, Paul, French, 1848-1903 Granet, Fran^ois-Marius, attributed to, French, A Landscape at Pont-Aven, c. 1888, brush and black 1775-1849 ink on brown paper Repairing a Dome, c. 1810, black chalk, Parau No Te Varau I no (left), Tahitian Legend 1991.226.3, Gift of Emile Wolf, in Honor of the 50th Anni- (right), c. 1890/1895, pen and brown ink, gray versary of the National Gallery of Art A wash, and black chalk Gravelot, Hubert Francois, French, 1699-1773 Tahitian Heads, c. 1891/1893, graphite Captives before a Commander, pen and black ink Breton Sketchbook, No. 16, 1884-1888, 62 <^aw- and graphite ings in various media Hob Surprised by Sir Thomas with Mr. Friendly's 1991.217.28-64, The Armand Hammer Collection Letter, pen and black ink, red chalk, and graphite, Gay, Winckworth Allan, American, 1821-1910 incised for transfer Lake George Sketchbook, 1859, 24 drawings in 1991.150.31 -32, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art graphite

New England Sketchbook, 1860/1870, 60 drawings Graves, Nancy, American, born 1940 in graphite Sabine DM Region of the Moon, 1972, gouache and 1991.196.1 -2, Gift of Robert and Margaret Hazen ink over graphite

German 18th Century Riphaeus Mountain Region of the Moon, 1972, Study for an Altar and a Reredos, pen and brown gouache and ink with gold felt-tip pen over graphite ink and brown wash over graphite, 1991.150.81, Gift Fra Mauro Region of the Moon, 1972, gouache and of William B. O'Neal, in Honor of the 50th Anniversary of ink over graphite the National Gallery of Art Part of Sabine D Region of the Moon, Southwest Mare Tranquilitatis, 1972, gouache and ink over German 19th Century graphite Men Throwing Dice, graphite, 1991.150.78, Gift of Julius Caesar Quadrangle of the Moon, 1972, William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art gouache and ink over graphite Maestlin G Region of the Moon, 1972, gouache and Gerome, Jean Leon, French, 1824-1904 ink over graphite The Dead Caesar, c. 1859, graphite, 1991.187.1, Maskelyne DA Region of the Moon, 1972, gouache Ailsa Mellon Bruce Fund and ink over graphite Sabine D Region of the Moon, Lunar Orbiter Site II Francisco de Goya, Mascaras crueles (Cruel Masks), Giulio Romano, after 1797 P-6 Southwest Mare Tranquilitatis, 1972, gouache Flight of the Meriones, with Dead Geranos Being and ink over graphite Wood ner Family Collection, 1991.182.10a Dragged from the Chariot, pen and brown ink and brown wash over graphite, 1991.150.57, Gift of Geological Map of the Sinus Iridum Quadrangle of William B. O'Neal, in Honor of the 50th Anniversary of the the Moon, 1972, gouache and ink over graphite National Gallery of Art Monies Apenninus Region of the Moon, 1972, Hoffmann, Hans, German, c. 1530-1591/1592 gouache and ink over graphite Red Squirrel, 1578, watercolor heightened with Gogh, Vincent van, Dutch, 1853-1890 1992.45.1-10, Gift of Esther Cattell Schmitt white and gold on vellum, 1991.182.5, Wood ner The Magrot House, Cuesmes, c. 1879/1880, char- Family Collection coal over graphite Greuze, Jean-Baptiste, French, 1725-1805 Holbein, Hans, the Elder, German, 1460/1470- The Zandemennik House, c. 1879/1880, charcoal A Tired Woman with Two Children, 1750/1761, pen 1524 over graphite and brown ink and gray wash, 1991.217.15, The Armand Hammer Collection Portrait of a Woman (recto), Study of a Bearded Old Man Carrying a Bucket, 1882, graphite and Man (verso), c. 1510, silverpoint and black chalk gray and black washes on brown paper Grevin, Alfred, French, 1827-1892 heightened with white, on white prepared paper, Man Polishing a Boot, 1882, black chalk, graphite, Figure Dressed as a , graphite, 1991.209.7, Gift 1991.182.18.a,b, Wood ner Family Collection and gray wash, heightened with white of Professor Sydney Freed berg 1991.217.65-68, The Armand Hammer Collection Holbein, Hans, the Younger, German, Haghe, Louis, British, 1806-1885 Ploughman in the Fields near Aries, 1888, reed pen 1497/1498-1543 Interior of a Church with a Wall Tomb and Medieval and brown ink over graphite, 1992.51.6, Collection of Portrait of a Man Wearing a Hat with a Medallion, Font, watercolor and graphite, 1991.150.33, Gift of Mr. and Mrs. Paul Mellon 1524/1526, black and red chalks, 1991.182.4, William B. O'Neal, in Honor of the 50th Anniversary of the Wood ner Family Collection Harvest—The Plain of La Crau, 1888, reed pen and National Gallery of Art brown ink over graphite, 1992.51.10, Collection of Mr. Holzer, Johann-Evangelist, German, 1709- and Mrs. Paul Mellon, in Honor of the 50th Anniversary of Harpignies, Henri-Joseph, French, 1819-1916 1740 the National Gallery of Art Road at Herisson, 1911, brush and black and gray ink over charcoal, 1991.150.34, Gift of William B. A Ceiling Design with Allegorical Figures, pen and Goncharova, Natalija Sergeevna, Russian, O'Neal, in Honor of the 50th Anniversary of the National brown ink and watercolor, 1991.208.76, Gift of John O'Brien 1881-1962 Gallery of Art Costume Design, graphite, 1991.150.30, Gift of Homer, Winslow, American, 1836-1910 William B. O'Neal, in Honor of the 50th Anniversary of the HoHbauer, Charles, American, 1875-1957 National Gallery of Art Railway Station (recto), Battlefield Scenes (verso), Two Scouts, 1887, watercolor over graphite, 1992.6.1, Gift of Nancy Voorhees, in Honor of the 50th c. 1914/1918, watercolor, gouache, and graphite Anniversary of the National Gallery of Art on gray paper; graphite, 1992.68.1.a,b, Gift of Mr. and Mrs. Robert G. Cleveland

105 Ingres, Jean-Auguste-Dominique, French, Le Barbier I, Jean-Jacques-Frenvois, French, Wall Drawing No. 307, 1977, colored pencil, 1780-1867 1738-1826 1991.241.76 Wall Drawing No. 309, 1978, crayon, 1991.241.84 Philippe Mengin de Bionval, 1812, graphite, Pallas Athene in the Form of a Bird Leaving Nestor Drawing Series I, II, III, IIII/IA, 1969, black felt-tip 1991.182.21, Woodner Family Collection and Telemachus, c. 1780, pen and black ink with pen on blue paper, 1992.7.4 Mrs. Charles Badham, 1816, graphite, gray and brown washes over graphite, heightened Pen and Ink Drawing of Diagonal, Horizontal and 1991.217.20, The Armand Hammer Collection with white, 1992.61.2, Gift of Ivan E. Phillips in memory of Getty Phillips Vertical Lines, Black on White, 1969, pen and black Italian 17th Century ink over graphite, 1992.7.5 Le Brun, Charles, Follower of Red Grid, Blue Circles, Black Arcs from Four Sides Two Standing Putti (recto), Plant Study (verso), pen An Allegorical Female Figure, black and red chalks and brown ink; pen and brown ink and graphite, and Yellow Arcs from Four Corners, 1972, colored heightened with white on brown paper, 1991.150.40, felt-tip pens, 1992.7.7 1991.150.12.a,b Gift of William B. O'Neal, in Honor of the 50th Anniversary Red Lines from the Midpoint of the Left Side and Figures Carrying a Body; 1655/1665, pen and of the National Gallery of Art brown ink, 1991.150.58 Blue Lines from the Midpoint of the Bottom Side, 1975, red and blue felt-tip pens and graphite, Two Fountains, pen and gray ink and gray wash, Ledoux, Claude Nicolas, Studio of 1992.7.8 1991.150.83 Portal of the Hotel d'Uzes, rue Montmartre, Paris, Gift of William B. O'Neal, in Honor of the 50th Anniversary Red Lines from Midpoint of the Left Side and the 1768 or 1784, pen and black ink and watercolor, of the National Gallery of Art Upper Left Corner, Blue Lines from the Midpoint of 1991.150.41, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art the Bottom Side and the Lower Right Corner, 1975, Italian 18th Century red and blue felt-tip pens and graphite, 1992.7.9 Pastoral Scene, pen and brown ink and gray wash Leonardo da Vinci, Italian, 1452-1519 The Dorothy and Herbert Vogel Collection, Ailsa Mellon over black chalk, 1991.150.48 Sheet of Studies (recto), Study of a Madonna Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy Design for a Wall of a Music Room (recto), Orna- (verso), probably 1470 or 1480, pen and brown ink and Herbert Vogel mental Design (verso), watercolor, gouache, pen and over black chalk; black chalk, 1991.217.2.a,b, The Lichtenstein, Roy, American, born 1923 brown ink, and graphite; graphite 1991.150.75.a,b Armand Hammer Collection Tempio della Fortuna Virile with the Tempio di Vesta Diagram I—Amerind Landscape, colored pencil and in the Distance, gouache, 1991.150.82 Leoni, Ottavio, Italian, c. 1578-1630 black crayon over graphite, 1991.169.6, Gift of Regina Slatkin Gift of William B. O'Neal, in Honor of the 50th Anniversary Young Woman with Braided Hair and a Veil, of the National Gallery of Art c. 1610, black chalk heightened with white on blue Lozza, Raul, Argentinean, born 1911 paper, 1991.180.1, Ailsa Mellon Bruce Fund La LCnea en Funcion del Piano, 1947, gouache, Italian 19th Century graphite, and collage, 1992.32.2, Gift of the Batuz Stage Design, pen and gray ink with brown and gray Lepautre, Jean, French, 1618-1682 Foundation washes over graphite, 1991.150.80, Gift of William B. A , pen and black ink and gray wash, O'Neal, in Honor of the 50th Anniversary of the National 1991.150.42, Gift of William B. O'Neal, in Honor of the Luyken, Jan, Dutch, 1649-1712 Gallery of Art 50th Anniversary of the National Gallery of Art Battle of the Gods and Giants from Mount Olympus The Abduction of Helen of Troy, pen and black ink Judd, Donald, American, born 1928 and Mount Othrys, pen and brown ink and brown and brown wash on gray paper, 1991.226.1, Gift of wash, 1991.150.45, Gift of William B. O'Neal, in Honor Untitled, 1965, felt-tip pen Emile Wolf, in Honor of the 50th Anniversary of the of the 50th Anniversary of the National Gallery of Art Untitled, 1966-1968, felt-tip pen on yellow paper National Gallery of Art 1991.241.50, 52, The Dorothy and Herbert Vogel Collec- Manet, Edouard, French, 1832-1883 tion, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund Le Sueur, Eustache, attributed to, French, Man Wearing a Cloak (recto and verso), and Gift of Dorothy and Herbert Vogel 1617-1655 1852/1858, charcoal, 1991.217.23.a,b, The Armand A Judge and Two Gentlemen , black chalk Kern, Anton, Bohemian, 1709-1747 Hammer Collection heightened with white on gray-brown paper, A Kneeling Woman with an Incense Burner and a 1991.150.43, Gift of William B. O'Neal, in Honor of the Mangold, Robert, American, born 1937 Page Holding a Crown and Scepter (after Giovanni 50th Anniversary of the National Gallery of Art WVX Series, 1970, graphite and pen and black ink, Battista Pittoni), c. 1726, pen and brown ink with 1991.241.88 brown wash over black chalk, heightened with LeWitt, Sol, American, born 1928 Four Triangles Within a Square #2, 1974, colored white, 1991.150.53, Gift of William B. O'Neal, in Honor 123/Six Three-Part Variations Using Each Kind of pencil, 1991.241.97 of the 50th Anniversary of the National Gallery of Art Cube Once, 1968, pen and black ink and graphite Square within a Square, 1974, orange crayon and on brown paper, 1991.241.54 Kobell, Franz Innocenz Josef, German, 1749- graphite on graph paper, 1991.241.98 Wall Drawing No. 26, 1969, graphite, 1991.241.57 1822 Two Variations on Blue-Gray Painting with Light Untitled, 1971, graphite, 1991.241.59 and Dark Lines, 1974, graphite, 1991.241.99 Landscape with Trees and Craggy Rocks Alternate Ink and Pencil Straight, Parallel Lines, of A Square Not Totally within a Triangle, 1975, Landscape Random Length, Not Touching the Sides, 1972, acrylic paint and yellow pencil, 1991.241.101 pen and brown ink, 1991.150.36-37, Gift of William graphite and pen and black ink, 1991.241.60 B. O'Neal, in Honor of the 50th Anniversary of the National A Triangle and a Circle within a Square, 1975, Alternate Straight, Not-Straight and Broken Lines, of Gallery of Art graphite, yellow pencil, and gray felt-tip pen, Random Length Not Drawn to the Sides of the Page, 1991.241.103 Krushenick, Nicholas, American, born 1929 1972, pen and black ink, 1991.241.61 A Triangle and a Square within a Square, 1975, Untitled, collage of lithograph in black and yellow Short Straight Lines, Not Touching, Drawn at Ran- graphite and white pencil on orange paper, mounted onto blue paper, 1991.169.5, Gift of Regina dom and Evenly Distributed Over the Area, 1972, 1991.241.104 Slatkin graphite, 1991.241.62 An Arc and a Circle within a Square, 1975, blue Untitled, 1972, pen and black ink over graphite, and yellow pencil and graphite on blue paper, Lachaise, Gaston, French, 1882-1935 1991.241.63 1991.241.105 Nude with Her Hands Raised, c. 1928/1934, graph- Incomplete Cube, 1974, pen and black ink over Two Triangles within a Square #3, 1975, graphite ite, 1992.30.1, Gift of Mr. and Mrs. Harry A. Brooks graphite, 1991.241.64 and yellow pencil on brown paper, 1991.241.107 Incomplete Cube, 1974, pen and black ink over Langhans, Karl Ferdinand, German, 1781 — Four Paintings, 1978, watercolor, graphite, and felt- graphite on tracing paper, 1991.241.65 tip pen, 1991.241.110 1869 The Location of a Yellow, Red and Blue Circle, Untitled, 1979, acrylic paint, graphite, and felt-tip Turkish Stage Design, 1815, pen and gray ink and 1975, graphite and colored felt-tip pens, pen, 1991.241.112 watercolor over graphite, 1991.150.39, Gift of William 1991.241.66 B. O'Neal, in Honor of the 50th Anniversary of the National X within X Pink, 1980, acrylic and graphite, Map of Amsterdam with the Area between Emma- Gallery of Art 1991.241.113 Plein, Europa-Plein, Ooster Park, Nieumarkt, and Untitled, 1980, graphite and acrylic on paper Bus Station Removed, 1976, pen and black ink on collage, 1991.241.114 commercial map, 1991.241.67 Three Color Frame Painting, 1985/1986, acrylic Yellow Lines, Not Straight, Not Touching, 1978, and graphite, 1991.241.116 yellow felt-tip pen and graphite, 1991.241.75

106 Red Frame, 1987, watercolor and graphite, Norman, Joseph, American, born 1957 Prendergast, Maurice Brazil, American, 1858- 1991.241.118 Slum Gardens No. 3, 1990, charcoal, 1992.20.1, Gift 1924 Untitled, 1987, crayon and black ball-point pen, of the Sandra and Charles Gilman, Jr. Foundation in mem- The Mall, Central Park, c. 1900/1903 1991.241.119 ory of Dorothea L. Leonhardt Docks, East Boston, c. 1900/1904 Untitled, 1987, acrylic and graphite, 1991.241.120 watercolor and graphite, 1992.51.11-12, Collection of Red/Green X within X, 1981, acrylic and graphite, Niischeler, Hans Jakob, Swiss, 1583-1654 Mr. and Mrs. Paul Mellon, in Honor of the 50th Anniver- 1992.7.11 Elisha Watching Elijah in the Fiery Chariot, sary of the National Gallery of Art Four Color Frame Painting #1, 1984, acrylic and c. 1600, pen and brown ink, 1991.151.1, Gift of Eva graphite, 1992.7.12 S. Dencker, in Honor of the 50th Anniversary of the Pronk, Cornells, Dutch, 1691-1759 National Gallery of Art The Dorothy and Herbert Vogel Collection, Ailsa Mellon Ladies and Gentlemen Enjoying a Dutch Garden, Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy 1739, pen and gray ink and gray wash, and Herbert Vogel Palma il Giovane, Jacopo, Italian, c. 1548-1628 1991.150.55, Gift of William B. O'Neal, in Honor of the Figure Studies, pen and brown ink on blue paper, 50th Anniversary of the National Gallery of Art Mangold, Sylvia Plimack, American, born 1938 1991.150.50, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art Untitled, 1971, graphite Raphael, Italian, 1483-1520 Opposite Corners, 1973, watercolor Parmeggiani, Romano, Italian, born 1930 The Hosea and Jonah, c. 1510, pen and 3 Different 12" Rulers, 1975, watercolor, colored Street Scene, Venice, 1955, pen and brown ink, brown ink and brown wash over black chalk, height- pencil, and graphite 1991.150.51, Gift of William B. O'Neal, in Honor of the ened with white and squared for transfer in red Untitled, 1975, acrylic 50th Anniversary of the National Gallery of Art chalk, 1991.217.4, The Armand Hammer Collection Untitled, 1977, graphite and acrylic 1991.241.121 -125, The Dorothy and Herbert Vogel Col- Passeri, Giuseppe, attributed to, Italian, 1654- Rembrandt van Rijn, Dutch, 1606-1669 lection, Ailsa Mellon Bruce Fund, Patrons' Permanent 1714 Joseph Recounting His Dreams, c. 1642/1643, reed Fund and Gift of Dorothy and Herbert Vogel The Adoration of the Shepherds, pen and brown ink pen and brown ink and brown wash, heightened with brown wash over red chalk, heightened with with white, 1991.182.12, Woodner Family Collection Maralta, Carlo, Italian, 1625-1713 white and squared for transfer, 1991.150.73, Gift of Study of a Young Boy, red chalk on blue paper, Beggar Man and Woman, c. 1630/1635, pen and William B. O'Neal, in Honor of the 50th Anniversary of the 1991.150.46, Gift of William B. O'Neal, in Honor of the brown ink National Gallery of Art 50th Anniversary of the National Gallery of Art A Biblical Subject, c. 1655/1660, pen and brown Perronneau, Jean-Baptiste, French, 1715— ink and brown wash Marillier, Clement-Pierre, French, 1740-1808 1783 A Landscape with Farm Buildings among Trees, An Ancient Sacrifice, c. 1800, pen and black ink Portrait of a Young Man, c. 1753, pastel, c. 1650/1655, pen and brown ink and brown wash and gray wash heightened with white, 1992.61.1, Gift 1991.182.7, Woodner Family Collection 1991.217.7-8, 1991.217.75, The Armand Hammer of Ivan E. Phillips in memory of Jacqueline Getty Phillips Collection Perugino, Follower of Master I.K., German, active 1525/1550 Archer Drawing a Bow, black chalk and brown Renoir, Auguste, French, 1841-1919 Four Evangelists in a Scriptorium, 1539, pen and wash, heightened with white and squared for trans- Girlhood, c. 1890, graphite, 1991.217.25, The brown ink with brown wash over red chalk, Armand Hammer Collection fer, 1991.182.13, Woodner Family Collection 1992.41.1, Pepita Milmore Memorial Fund

Picart, Bernard, French, 1673-1733 Ribalta, Francisco, Spanish, 1565-1628 Matisse, Henri, French, 1869-1954 Male Nude with a Lamp (Diogenes), 1724, red Presentation of the Virgin in the Temple (recto and Reclining Nude, 1935, graphite, 1991.223.1, Gift of verso), c. 1620, pen and brown ink and brown Henry and Mabel Brandon, in Honor of the 50th Anniver- chalk, 1991.150.52, Gift of William B. O'Neal, in Honor wash over black chalk, squared for transfer; pen sary of the National Gallery of Art of the 50th Anniversary of the National Gallery of Art and brown ink, 1991.150.56.a,b, Gift of William B. Mestrovic, Ivan, Yugoslavian, 1883-1962 Picasso, Pablo, Spanish, 1881-1973 0 Neal, in Honor of the 50th Anniversary of the National Female Nude (recto), Young Man (verso), c. 1906, Gallery of Art Study of Judas, 1947, black and brown chalks, graphite; pen and black ink, 1991.217.71.a,b, The 1991.167.1, Gift in memory of Leonard Artur Nikoloric Armand Hammer Collection Ricci, Sebastiano, Italian, 1659-1734 Metz, Conrad, German, 1755-1827 The Ecstasy of Saint Francis (recto), Biblical Scene Piranesi, Giovanni Battista, Italian, 1720-1778 A Scene from the Life of Trajan, 1817, pen and (verso), 1720/1730, pen and brown ink and brown Monument in the Classical Taste, brush and brown wash; black chalk, 1991.172.l.a,b. Gift of Mrs. Rudolf brown ink with brown wash over black chalk, ink and brown wash over black chalk, 1991.182.17, J. Heinemann, in Honor of the 50th Anniversary of the heightened with white, 1991.150.47, Gift of William B. Woodner Family Collection National Gallery of Art O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art Pissarro, Camille, French, 1830-1903 Robert, Hubert, French, 1733-1808

Michelangelo Buonarroti, Italian, 1475-1564 Pea Harvesters (recto), The Artist's Son Georges Italian Park with a Tempietto, 1763, red chalk, (verso), c. 1880, watercolor and charcoal; graphite 1991.222.1, Gift of Mrs. John A. Pope, in Honor of the Male Nude (recto and verso), c. 1560, black chalk, 50th Anniversary of the National Gallery of Art 1991.217.3.a,b, The Armand Hammer Collection and watercolor Montmorency Road, c. 1850/1860, graphite Rosenquist, James, American, born 1933 Moncornet, Balthasar, French, c. 1600-1668 1991.217.21-22, The Armand Hammer Collection Circles of Confusion, 1965, charcoal and graphite, Portrait of a French General, red chalk, 1991.160.1, Gift of Richard L. Feigen, in Honor of the 1991.208.78, Gift of John O'Brien Pitati, Bonifacio de% Italian, 1487-1553 A Man Looking Out a Window, pen and brown ink 50th Anniversary of the National Gallery of Art Mortimer, John Hamilton, British, 1740-1779 with brown wash over black chalk, heightened with Rosselli, Matteo, Italian, 1578-1650 Oriental Heads, 1770/1775, four drawings white, 1991.150.16, Gift of William B. O'Neal, in Honor Standing Man Wearing a Cloak and Hat, 1640s, in pen and black ink, 1992.29.1-4, Gift of The Leger of the 50th Anniversary of the National Gallery of Art red chalk, 1991.150.59, Gift of William B. O'Neal, in Galleries Ltd. Honor of the 50th Anniversary of the National Gallery Plainer, Ernest Zacharias, German, 1773-1855 of Art Nicoletti, Francesco, Italian, died 1776 Christ with Apostles and a Roman Soldier, water- Design for a State Bedroom, c. 1730, pen and color over graphite, 1991.208.77, Gift of John O'Brien Rousseau, Theodore, French, 1812-1867 brown ink with gray wash and watercolor, A Flock of Sheep before a Farmhouse, graphite 1991.150.49, Gift of William B. O'Neal, in Honor of the Potter, Paulus, attributed to, Dutch, 1625- Gleaners, graphite 50th Anniversary of the National Gallery of Art 1654 Resting Horse, black chalk, 1991.150.54, Gift of Landscape, graphite Nieuwlandt II, Willem van, Dutch, c. 1584- William B. O'Neal, in Honor of the 50th Anniversary of the Landscape, black chalk 1635/1636 National Gallery of Art 1991.150.60—63, Gift of William B. O'Neal, in Honor of The Baths of Caracalla, Rome, pen and brown ink the 50th Anniversary of the National Gallery of Art and gray wash, 1991.150.86, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art

107 Sacchetti, Lorenzo, Italian, 1759-after 1834 Designs for Palatial Staircases (recto), Designs for Palatial Arches (verso), c. 1800, pen and brown ink and graphite, 1991.150.6.a,b Design for a Vaulted Hall, pen and brown ink and brown wash over black chalk, 1991.150.64 Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art

Sadeler II, Aegidius, Flemish, c. 1570-1629 The Martyrdom of Saint Sebastian, c. 1620, black chalk with brown and gray wash, heightened with white, 1992.18.1, Pepita Milmore Memorial Fund

Salathe, Friedrich, Swiss, 1793-1858 Tower of a Fortified House (recto), Study of a Tree (verso), 1814/1815, pen and black ink and water- color over graphite; pen and black ink and graphite View of the Islands of Nisida and Capri, probably 1819, graphite and brown wash Corner of a Garden Court, 1815/1821, graphite 1991.155.1-3, Gift of Kurt Meissner, in Honor of the 50th Anniversary of the National Gallery of Art

Salle, David, American, born 1952 Untitled, 1987, watercolor over graphite, 1992.28.8, Robert and Jane Meyerhoff Collection

Sarto, Andrea del, Italian, 1486-1530 Head of Saint John the Baptist, c. 1523, black chalk, 1991.182.14, Woodner Family Collection

Head of a Woman, c. 1515, black chalk, 1991.217.5, The Armand Hammer Collection

Schinkel, Karl Friedrich, German, 1781-1841 Stage Design: A Sepulchral Vault, c. 1820, pen and brown ink with gray and black washes and water- color, 1991.150.65, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art

Seurat, Georges, French, 1859-1891 Mauro Antonio Tesi, Capriccio with a Palladian Study after "The Models," 1888, pen and brown ink Villa over graphite, 1991.217.69, The Armand Hammer Gift of William B. O'Neal, in Honor of the 50th Anniversary of the

Collection National Gallery of Art, 1991.150.72

Shapiro, Joel, American, born 1941 Finger Print Drawing, 1969, black ink applied with finger tips, 1991.241.130, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Per- Stamos, Theodoros, American, born 1922 Tesi, Mauro Antonio, Italian, 1730-1766 manent Fund and Gift of Dorothy and Herbert Vogel Untitled (blue with orange lines), tempera, graphite, Capriccio with a Palladian Villa, c. 1760, pen and and ball-point pen, 1991.169.8, Gift of Regina Slatkin brown ink with brown wash and watercolor over Smithson, Robert, American, 1938-1973 graphite, 1991.150.72, Gift of William B. O'Neal, in Partially Buried Woodshed, 1970, pen and black Stella, Frank, American, born 1936 Honor of the 50th Anniversary of the National Gallery ink Untitled, c. 1965, crayon and graphite on graph of Art Mud Flow (F-14), 1969, graphite and felt-tip pen paper, 1991.197.1, Gift of Lawrence Rubin Mud Flow (1000 Tons of Yellow Mud), 1969, crayon Thiebaud, Wayne, American, born 1920 and felt-tip pen over graphite Strozzi, Bernardo, Italian, 1581-1644 Study of Cakes, c. 1965, brush and black ink and Granite Crystal, 1972, graphite and black pencil Hands Holding Empty Gloves, c. 1618, red chalk, Chinese white, 1991.227.1, Gift of the Thiebaud Family, 1991.195.1-2, 1992.38.1-2, Gift of Werner H. and 1992.26.1, Ailsa MeUon Bruce Fund in Honor of the 50th Anniversary of the National Gallery Sarah-Ann Kramarsky, in Honor of the 50th Anniversary of of Art Strozzi, Bernardo, attributed to, Italian, 1581- the National Gallery of Art 1644 Tiepolo, Giovanni Battista, Italian, 1696-1770 Moodna Quadrants, 1972, graphite and blue pencil Ecclesia Surrounded by Angels Holding the Instru- The Meeting of Anthony and Cleopatra, 1740s, pen Moodna Quadrants, 1972, graphite ments of the Passion, pen and brown ink over black and brown ink and brown wash over black chalk, Moodna Quadrants, 1972, graphite and ball-point chalk, heightened with white, 1991.150.69, Gift of 1991.182.2, Woodner Family Collection pen William B. O'Neal, in Honor of the 50th Anniversary of the Saint Jerome in the Desert Listening to the Angels, 1991.225.1-3, Gift of Estate of Robert Smithson, in Honor National Gallery of Art of the 50th Anniversary of the National Gallery of Art c. 1730/1740, pen and brown ink and brown wash Tar aval, Louis Gustave, French, 1739-1794 over black chalk, heightened with white Solimena, Francesco, Italian, 1657-1747 A Classical Temple, c. 1780, pen and black ink The Virgin and Child Adored by , Monks, The Triumph of the Trinity (The Gloria), black chalk, and colored washes, 1991.150.70, Gift of William B. and Women, c. 1735, pen and brown ink and 1991.150.66, Gift of William B. O'Neal, in Honor of the O'Neal, in Honor of the 50th Anniversary of the National brown wash over black chalk 50th Anniversary of the National Gallery of Art Gallery of Art 1991.217.9-10, The Armand Hammer Collection

Soltau, Herman Wilhelm, German, 1812-1861 Tchelitchew, Pavel, American, 1898-1957 Tuttle, Richard, American, born 1941 Renderings of an Ivory Carving of Ariadne and an Les Pecheurs, 1931, pen and brown ink and brown Drawing for Wood Piece II, 1965, watercolor over Ivory Plaque, watercolor and graphite, heightened wash, 1991.150.71, Gift of William B. O'Neal, in Honor graphite, 1991.241.134 with white, 1991.150.67, Gift of William B. O'Neal, in of the 50th Anniversary of the National Gallery of Art Drawing for Wood Piece I, 1965, watercolor over Honor of the 50th Anniversary of the National Gallery graphite, 1991.241.135 of Art

108 Drawing for Cloth Piece, 1967, watercolor over Straight Lines; Right Angle of Straight Lines, 1974, Wille, Johann Georg, German, 1715-1808 graphite, 1991.241.137 pen and black ink, 1991.241.176 A Rustic Kiln at Vernon, 1761, brown and black Study for Cloth Piece, 1967, watercolor over graph- Diagonal/Right Angle 2 Diagonal of Two Straight chalks ite, 1991.241.138 Lines; Right Angle Hand Drawn, 1974, pen and A Rustic House in the Grand Rue at Sceaux-Les- Untitled, 1967, watercolor over graphite on light black ink, 1991.241.177 Chartreux, 1766, brown chalk and brown wash brown paper, 1991.241.140 Diagonal/Right Angle 3 Diagonal of Two Hand 1992.76.1-2, Ailsa Mellon Bruce Fund Working Drawing, 1967, watercolor over graphite, Drawn Lines; Right Angle of Straight Lines, 1974, 1991.241.141 pen and black ink, 1991.241.178 Willmann, Michael Lukas Leopold, German, A Cat, 1969, watercolor over graphite, Diagonal/Right Angle 4 Diagonal of Two Hand 1630-1706 1991.241.142 Drawn Lines; Right Angle Hand Drawn, 1974, pen The Death of Priam, c. 1660, pen and brown ink E.T. on the Farm, 1969, watercolor over graphite, and black ink, 1991.241.179 and brown washes over graphite, 1992.16.1, Ailsa 1991.241.143 Pink Horizontal (Paris), 1974, watercolor over Mellon Bruce Fund Not a Window, Not a Door, 1970, watercolor over graphite, 1991.241.180 graphite, 1991.241.144 Plane Brought Back as Reflection, 1974, watercolor Wit, Jacob de, Dutch, 1695-1754 Preliminary Drawing for Schematic Drawing #3 and graphite, 1991.241.181 Study for a Ceiling: Allegory of the Harvest with Included in Dallas Show Catalogue, 1970, pen and 2; Brown Bar ft 1-10, 1981, watercolor, colored Dionysus and Ceres, pen and black and brown ink black ink over graphite, 1991.241.145 pencil, and graphite on museum board mounted with gray and brown washes, 1991.150.17, Gift of Purple Wash Drawing!First of the Group..., 1970, on wood construction, 1991.241.182-191 William B. O'Neal, in Honor of the 50th Anniversary of the acrylic, ink, and watercolor, 1991.241.146 The Dorothy and Herbert Vogel Collection, Ailsa Mellon National Gallery of Art Rendering of Cobalt Wall Painting, 1970, acrylic Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy Wyck, Thomas, Dutch, 1616(?)-1677 over graphite, 1991.241.147 and Herbert Vogel Study for 3rd Wall Painting, 1970, watercolor and Piazza by Moonlight, (?), pen and brown ink acrylic over graphite, 1991.241.148 Uden, Lucas van, Flemish, 1595-1672/1673 and brown wash, heightened with white, on blue Study for 4th Wall Painting, 1970, brush and black Study of Trees, 1640s, pen and brown ink with gray, prepared paper, 1991.150.44, Gift of William B. ink, 1991.241.149 red-brown, and yellow washes, 1991.182.6, Woodner O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art Three Triangles and Three Colors, 1970, colored felt- Family Collection tip pens on page from portfolio 2 Books, 1969, Unknown 17th Century Wyeth, Andrew, American, born 1917 1991.241.150 Henry, Duke of Lorrain, first quarter 17th century, Brandywine Valley, 1940, watercolor, 1991.217.72, Onion Sketch Treatise, 1971, felt-tip pen and graph- The Armand Hammer Collection ite, 1991.241.151 gouache on parchment mounted to wood, 1992.27.2, Gift (Partial and Promised) of Mrs. Robert M. Stacked Color Drawing with Arch of Egg Shaped Zox, Larry, American, born 1936 Weidenhammer Form Painted, 1971, watercolor over graphite, Diamond Cut, 1967, colored pencil over graphite 1991.241.152 Valerianic Giuseppe, Italian, c. 1708-1761 on graph paper, 1991.169.9, Gift of Regina Slatkin Stacked Color Drawing with Nine Pencil Lines Apollo and the Muses, pen and black ink and gray Zuccari, Taddeo, Italian, 1529-1566 Joined by Eight Colors, 1971, watercolor and graph- wash over graphite, 1991.150.84, Gift of William B. Alexander the Great and Bucephalus, c. 1550, pen ite, 1991.241.153 O'Neal, in Honor of the 50th Anniversary of the National and brown ink and brown wash, 1991.182.1, Wood- Stacked Color with Wavy and Straight Side, 1971, Gallery of Art ner Family Collection watercolor over graphite, 1991.241.154 Night, 1972, brush and white ink on black paper, Vanloo, Jean-Baptiste, French, 1684-1745 1991.241.155 The Raising of Lazarus, pen and brown ink and gray Red and Gold Hook, 1972, watercolor over graph- wash over black chalk, 1991.150.85, Gift of William B. ite, 1991.241.156 O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art Summer Notebook Drawing (July & August 1972) No. 2, 1972, watercolor and graphite, 1991.241.157 Vasari, Giorgio, Italian, 1511-1574, with draw- Summer Notebook Drawing (July & August 1972) ings by Filippino Lippi, Italian, c. 1457-1504, No. 1, 1972, watercolor and graphite, 1991.241.158 and Botticelli, Italian 1444/1445-1510 Two Triangles Intersecting, 1972, brush and white Page from "Libro de' Disegni," c. 1480/1524, PRINTS ink on black paper, 1991.241.159 album page with 10 drawings on recto and verso in 1st Rendering for Yale Piece, 1973, watercolor and graphite, 1991.241.160 various media, decorative framework by Vasari, Adam, Jacob, Austrian, 1748-1811 1991.190.1, Woodner Family Collection, Patrons' Perma- 2nd Rendering for Yale Piece, 1973, watercolor and nent Fund Marie-Therese, Holy Roman Empress (after Josef graphite, 1991.241.161 Kreutzinger), 1792 3rd Rendering for Yale Piece, 1973, watercolor and Veronese, after Louis XVI, Marie Antoinette, and Louis-Charles graphite, 1991.241.162 Christ among the Doctors, red and black chalks, (after Antoine-Frangois Callet), 1793 Acropolis, 1973, brush and black and white ink with 1991.226.4, Gift of Emile Wolf, in Honor of the 50th Anni- graphite, 1991.241.163 Johann-Michael Denis (after Johann Donner), 1781 versary of the National Gallery of Art Black & Gray with Diagonal, 1973, watercolor over Marie-Therese, Holy Roman Empress engravings, 1991.208.31-34, Gift of John O'Brien graphite, 1991.241.164 Vouet, Simon, attributed to, French, 1590- Black Diamond with Pencil Line, 1973, brush and 1649 Adams, Clinton, American, born 1918 black ink and graphite, 1991.241.165 A Bearded Man with a Staff, black chalk and graph- Birth of Venus II, from Tamarind Suite Fifteen, Blue E, 1973, acrylic, 1991.241.166 ite heightened with white, 1991.150.88, Gift of William 1976, color lithograph, 1991.205.78, Gift of June Blue, Yellow, and Red Fused under Diagonal, 1973, B. 0 Neal, in Honor of the 50th Anniversary of the National Wayne, in Honor of the 50th Anniversary of the National colored felt-tip pens over graphite, 1991.241.167 Gallery of Art Gallery of Art Dot for Dot, 1973, felt-tip pen, 1991.241.168 Marriage Mirage, 1973, acrylic over graphite, Watteau, Antoine, French, 1684-1721 Allen, Anne, French, active c. 1760 1991.241.169 Young Girl Reading, c. 1720, red and black chalks New Suite of Chinese (after Jean Pille- Red Spiral Drawing, 1973, watercolor over graph- Couple Seated on the Ground, c. 1716, red, black, ment), early 1760s, 5 color etchings, 1991.186.1-5, ite, 1991.241.170 and white chalks Ailsa Mellon Bruce Fund Rendering of 12th Spiral Drawing, 1973, brush and 1991.217.11-12, The Armand Hammer Collection black ink over graphite, 1991.241.171 Amato, Francesco, Italian, active 1650 The Gallant Gardener, 1710/1711, red chalk, Monument 13, 1973, 13 drawings in various media, Saint Christopher Giving His Hand to the Infant 1992.78.1, Ailsa Mellon Bruce Fund 1991.241.172a-l, 1991.241.173 Jesus, 1650s, etching, 1992.22.2, Ailsa Mellon Bruce Walking, 1973, graphite, 1991.241.174 Fund Black Horizontal (Aries), 1974, watercolor over graphite, 1991.241.175 Antreasian, Garo Zareh, American, born 1922 Diagonal/Right Angle 1 Diagonal of Two Fused Untitled, from Tamarind Suite Fifteen, 1976, color lithograph, 1991.205.79, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art

109 Arnoldi, Charles, American, born 1946 Fantail Pigeon, 1953, woodcut in brown and black The Lute Player, 1922, etching and aquatint Untitled, 1990 on japan paper [artist's proof] Small Fishing Boats of Berck, 1897, etching and Untitled, 1989 Fantail Pigeon, 1953, woodcut in blue and black aquatint in black and brown monoprint woodcuts, 1991.171.1-2, Gift of Mr. and on japan paper [trial proof] The Roman Studio, 1885, etching and aquatint on Mrs. K. A. Olden Night Nude, 1953, woodcut on japan paper green paper Night Nude, 1953, woodcut in blue and black on The Roman Studio, 1885, etching and aquatint in Aubry, Pierre, French, 1610-1686 japan paper [artist's proof] blue Anne of Austria, engraving, 1991.208.41, Gift of John O'Brien Nude, 1953, woodcut on japan paper [artist's proof] The Childhood of Pierre Clemenceau, 1885, etching Nude, 1953, woodcut in light blue on japan paper Iza Sleeping, 1885, etching and aquatint Avery, Milton, American, 1885-1965 [artist's proof] Iza Sleeping, 1885, etching and aquatint Nursing Baby, 1933, dry point Nude, 1953, woodcut in blue and black on japan Iza Sleeping, 1885, etching and aquatint Mother and Child, 1933, dry point paper The Murder, 1885, etching and aquatint on green Baby Avery, 1933, drypoint Nude, 1953, woodcut in gray on japan paper paper Sleeping Baby, 1933, drypoint [artist's proof] Carmen, 1885, etching with roulette work My Wife Sally, 1934, drypoint Nude, 1953, woodcut in dark green on japan paper The Rape, c. 1886, etching touched with graphite Young Girl Nude, 1935, drypoint [artist's proof] The Rape, c. 1886, etching Child Cutting, 1936, drypoint Rooster, 1953, woodcut on japan paper The Rape, c. 1886, etching Drawbridge, 1936, drypoint Rooster, 1953, woodcut in gray on japan paper Nude Woman by a Looking Glass, 1889, etching on Little Girl, 1936, drypoint [artist's proof] Rooster, 1953, woodcut in blue and black on japan green paper Self Portrait, 1937, drypoint paper [artist's proof] Nude Woman by a Looking Glass, 1889, etching on Man with Pipe, 1938, drypoint Right, 1953, woodcut on japan paper [artist's proof] green paper Japanese Landscape, 1939, drypoint Flight, 1953, woodcut in blue and black on japan Nude Woman by a Looking Glass, 1889, etching Nude Reclining, 1939, drypoint paper Woman with a Vase, 1894, etching and aquatint in Rosalie, 1939, drypoint [artist's proof] Silly Hen, 1953, woodcut in gray on japan paper brown with brown wash on brown paper Sally with Beret, 1939, drypoint [artist's proof] Woman with a Vase, 1894, etching and aquatint Summer Holiday, 1939, drypoint Silly Hen, 1953, woodcut in yellow and black on Woman with a Vase, 1894, etching and aquatint Tirca, 1939, lithograph japan paper [artist's proof] Robert de Montesquiou, 1899, etching Bathers, 1941, drypoint Trees by the Sea, 1953, woodcut on japan paper Madeleine Lemaire, 1900, etching and aquatint Standing Nude, 1941, drypoint [artist's proof] Neuilly Fair, 1885, etching and aquatint Reclining Nude, 1941, drypoint Trees by the Sea, 1953, woodcut in brown and black 1992.59.1-25, Gift of Mr. and Mrs. Daniel Bell, in Honor Helen and Lily, 1941, drypoint on japan paper [artist's proof] of the 50th Anniversary of the National Gallery of Art Window by the Sea, 1941, drypoint Sailboat, 1954, woodcut on japan paper Bewick, Thomas, British, 1753-1828 Twisted Tree, 1943, drypoint [artist's proof] Beach Birds, 1954, woodcut on japan paper [artist's Murder Scene, engraving in red, 1991.154.1, Gift of March with Babushka (Head of March), 1948, proof] Charles Ryskamp, in Honor of the 50th Anniversary of the drypoint Beach Birds, 1954, woodcut in blue on japan paper National Gallery of Art March at a Table (March on Terrace), 1948, drypoint [trial proof] Nude with Long Torso (Reclining Nude), 1948, Dancer, 1954, woodcut on japan paper Blais, Jean-Charles, French, born 1956 drypoint Dancer, 1954, woodcut in red and black on japan Untitled, 1986, lithograph with collage and painted additions, 1992.71.8, Joshua P. Smith Collection Nude Combing Hair, 1950, drypoint [artist's proof] paper Seated Nude, 1950, lithograph on green paper Hen, 1954, woodcut on japan paper Bloom, Hyman, American, born 1913 Child, 1952, color lithograph Hen, 1954, woodcut in yellow and black on japan Fish Skeletons, c. 1956, etching, 1991.209.8, Gift of Soaring Bird, 1952, lithograph on rose paper paper Professor Sydney Freed berg Dawn, 1952, woodcut on japan paper Lamb, 1954, woodcut on japan paper [trial proof] Dawn, 1952, woodcut in yellow and black on japan Lamb, 1954, woodcut in blue and black on japan Blooteling, Abraham, Dutch, 1640-1690 paper [artist's proof] paper Hendrik Casimir II, Count of Nassau-Dietz Fish, 1952, woodcut in blue on japan paper Lamb, 1954, woodcut in red and black on japan Johan de Wit (after Pieter van der Banck) mezzotints, 1991.203.10-11, Gift of Henry and Judith Pilot Fish, 1952, woodcut on japan paper paper [artist's proof] Rice Millon, in Honor of the 50th Anniversary of the Pilot Fish, 1952, woodcut in blue and black on Lamb, 1954, woodcut in yellow and black on japan National Gallery of Art japan paper paper [artist's proof] Three Birds, 1952, woodcut on japan paper [artist's Head, 1955, woodcut in blue on japan paper Boel, Coryn, Belgian, 1620-1688 proof] [artist's proof] The Cat's Concert (after David Teniers II), engraving Three Birds, 1952, woodcut in yellow and black on Birds and Sea, 1955, woodcut on japan paper and etching, 1991.203.15, Gift of Henry and Judith Rice japan paper Birds and Sea, 1955, woodcut in blue on japan Millon, in Honor of the 50th Anniversary of the National Three Birds, 1952, woodcut in blue and black on paper [artist's proof] Gallery of Art japan paper [artist's proof] Birds and Sea, 1955, woodcut in brown and black Bonnet, Louis Marin, French, 1736-1793 Two Birds, 1952, woodcut on japan paper [artist's on japan paper [artist's proof] Tete de Putiphar (Potiphars Wife) (after Jean Bap- proof] Gray Sea, 1963, transfer lithograph in black, red, tiste Henri Deshayes), 1770/1780, crayon-manner Two Birds, 1952, woodcut in green on japan paper and green engraving on blue paper, 1992.22.3, Ailsa Mellon Two Birds, 1952, woodcut in blue on japan paper 42 woodblocks and zinc and copper plates Bruce Fund Fish, 1953, lithograph on blue paper 1991.233.1-126, Gift of the Avery Family, in Honor of the Fantail Pigeon, 1953, lithograph on blue paper 50th Anniversary of the National Gallery of Art Bosse, Abraham, French, 1602-1676 Hooded Owl, 1953, linoleum cut on japan paper Odoratus, LOrdorat Bartolozzi, Francesco, Italian, 1727-1815 [artist's proof] The Valet The Tomb of Death (after Thomas Stothard), engrav- engravings, 1991.150.89-90, Gift of William B. O'Neal Strange Bird, 1953, woodcut on japan paper ing, 1991.203.21, Gift of Henry and Judith Rice Millon, Strange Bird, 1953, woodcut in yellow and black on in Honor of the 50th Anniversary of the National Gallery Burgkmair I, Hans, German, 1473-1531 japan paper of Art Pilgrims at a Wayside Shrine, 1508, woodcut, Fancy Bird, 1953, woodcut in blue on japan paper 1992.49.1, Ailsa Mellon Bruce Fund Fancy Bird, 1953, woodcut in yellow-brown and Besnard, Albert, French, 1849-1934 black on japan paper [artist's proof] Morphine Addicts, 1887, etching Butts, Thomas, Jr., British, active c. 1806/1808 Fancy Bird, 1953, woodcut in green and black on The Silk Gown, 1887, etching and aquatint with Christ Trampling Satan (after William Blake), japan paper roulette work in brown engraving on blue paper, 1991.154.3, Gift of Charles Fantail Pigeon, 1953, woodcut on japan paper The Lute Player, 1922, etching with brown wash Ryskamp in Memory of Lessing Rosenwald and in Honor of the 50th Anniversary of the National Gallery of Art

110 Cardinale, Sauro, Italian, born 1951 Female Nude Defending Herself 1913, lithograph Annegato, 1986, resin relief, 1992.71.9, Joshua P. Sick Woman, 1914, dry point Smith Collection Bacchanal, 1914, dry point Carmontelle, after Half Length Female Nude with Tambourine, 1914, dry point Daniel-Charles Trudaine, c. 1761, etching and engraving, 1991.208.19, Gift of John O'Brien Prophecy, 1914, dry point Self Portrait, 1914, lithograph Carson, Karen, American, born 1943 Heads of Children, 1914, lithograph Daily Doubles, 1978 Susanna in the Bath, 1914, dry point Morning Couples, 1978 Joseph and Potiphars Wife—I, 1914, dry point color lithographs, 1991.205.26-27, Gift of June Wayne, Harem, 1914, dry point in Honor of the 50th Anniversary of the National Gallery Rudolf Rittner in the Role of Florian Geyer, 1914, dry point Cassou, Jean (author), French, born 1897, and Odysseus and the Suitor, 1914, dry point Jean Piaubert, French, born 1900 The Knight, 1914, etching XXXIII Sonnets Composes au Secret, published Abduction—III, 1914, dry point 1950, portfolio of 31 lithographs, 1991.168.1-31, Kneeling Warrior—I, 1914, lithograph Gift of Mrs. lone Ullrich Sutton Cow Barn—II, 1914, dry point Nurse, 1914, dry point Catesby, Mark, English, 1679-1749 Nurse, 1914, dry point 69 zoological hand-colored engravings, Standard Bearer, 1915, lithograph 1991.163.16-29, 33-49, 61-98, Collection of Dr. and Boy with Dog, 1915, dry point Mrs. George Benjamin Green Boy Wearing Bathing-Trunks and Straw Hat, 1915, Chagall, Marc, Russian, 1887-1985 dry point Pokrowa Street, Vitebsk, 1922 Reclining Female Nude—Study for "Joseph and Birth, 1922 Potiphar's Wife" 1915, etching drypoints, 1992.36.1-2, Gift of Mr. and Mrs. Gerhard E. Joseph and Potiphars Wife—II, 1915, dry point in Pinkus brown Self Portrait, 1915, dry point Chicago, Judy, American, born 1939 Sketch of Two Male Heads (Self Portraits), 1915, Through the Flower, published 1972, portfolio of 6 dry point color lithographs, 1991.205.93-98, Gift of June Wayne, Assorted Heads and Self Portrait, 1915, dry point in Honor of the 50th Anniversary of the National Gallery of Art Self Portrait, 1916, dry point Study of a Model, 1916, dry point Cock, Hieronymus, Flemish, c. 1510-1570 Salome, 1916, dry point Lovis Corinth, Sigbert Marzynski, 1923 Sacrifice of Abraham, 1551, etching, 1992.4.1, Ailsa Portrait of a Man Smoking, 1916, dry point Gift of ihe Marcy Family in memory of Sigbert H. Marcy, Mellon Bruce Fund The Artist and Death—II, 1916, dry point 1991.244.2 Roses in a Glass of Water, 1916, dry point Corinth, Lovis, German, 1858-1925 Female Nude, 1916, dry point Female Nude on a Chair, 1893, dry point and roulette Seascape, 1916, dry point Bridge with Sign, 1916, dry point Standing Girl, 1896, dry point Riding-Horse, 1916, lithograph Seated Male Nude, 1908, etching Cemetery, 1916, lithograph Count Keyserling, 1919, drypoint and roulette on Young Male Nude, 1905, dry point Christ Bearing the Cross, 1916, dry point japan paper Two Nudes, 1908, dry point in brown Bathing Place, 1919, drypoint on japan paper Wife of the Artist, 1909, dry point Statue of an Amazon at the Alte Museum, 1916, lithograph Andreas Weissgaerber—I, 1919, drypoint Cows, 1910, lithograph Couple from East , 1916, dry point Andreas Weissgaerber—II, 1919, drypoint Reclining Female Nude, Half Length Portrait, 1910, The Banquet of Trimalchio: pi I, 1919, drypoint etching Horseman—II, 1916, dry point The Banquet of Trimalchio: pi II, 1919, drypoint Head of Woman, 1911, etching Grazing Sheep, 1916, dry point The Banquet of Trimalchio: pi V, 1919, drypoint Mother and Child, 191 1, softground etching Double Portrait with Skeleton, 1916, dry point Interior with Floor Lamp, 1916, dry point The Banquet of Trimalchio: pi. VII, 1919, drypoint Mother and Child in a Garden, 1911, dry point Mother-in-Law, 1916, dry point The Banquet of Trimalchio: pi. XI, 1919, drypoint Girl Reading, 1911, lithograph Nude Bending Forward, 1916, lithograph The Sacrifice of Isaac (after Rembrandt van Rijn), Self Portrait, 1912, softground etching Old Man, 1916, dry point 1920, drypoint Reclining Female Nude—I, 1912, dry point Monk Gazing Upward, 1916, dry point The Standard Bearer, 1920, drypoint Reclining Female Nude—II, 1912, dry point Interior, 1916, dry point View of the Tiergarten, 1920, drypoint Head of a Steer, 1912, lithograph Animal Studies, 1917, dry point The Poet, 1920, drypoint and roulette Calves, 1912, lithograph Animal Studies, 1917, dry point Sunday Riders, 1920, drypoint Bench in a Forest, 1912, dry point Animal Studies, 1917, dry point The Artist's Mother-in-Law, 1920, drypoint In the Country, 1912, dry point Self-Portrait, 1920, drypoint Rams, 1912, lithograph Gerhart Hauptmann, 1917, dry point Landscape with Dunes, 1917, dry point Karl Schwarz, 1920, drypoint Sleeping Woman, 1912, dry point Landscape with Cows, 1917, dry point Hermann Struck, 1920, drypoint Fruit Garden in Autumn, 1912, dry point Interior with Woman, 1917, dry point Cats, 1920, drypoint Woman with Kitten, 1912, dry point Wife of the Artist, 1918, dry point Henny Porten, 1923, soft-ground etching Woman with Needlework, 1912, dry point The Sick Child, 1918, dry point Sigbert Marzynski, 1923, lithograph Self Portrait, 1913, dry point Self-Portrait with Easel, 1918, dry point Sigbert Marzynski, 1923, lithograph Self Portrait in a Fur Coat, 1913, dry point Chess Players, 1918, dry point Sigbert Marzynski, 1923, lithograph Portrait of a Man, 1913, dry point Orchard, 1918, dry point Sigbert Marzynski, 1923, lithograph Sketches of Horses, 1913, dry point Corner of a House, 1918, dry point Sigbert Marzynski, 1923, lithograph Dogs, 1913, dry point Anneliese Halbe, 1918, dry point Sigbert Marzynski, 1923, lithograph Dog, 1913, dry point The Cat of the Prophet, 1919, drypoint Title Page for "Wallensteins Lager,1923, etching Thomas Corinth, 1913, lithograph Adhba the Camel, 1919, drypoint " Vater, es wird nicht gut ablaufen, bleiben wir von Reclining Female Nude—III, 1913, dry point dem soldatenhaufen," 1923, etching

111 "Einer dime schon gesicht muss allgemein sein wie's De Forest, Roy, American, born 1930 Delvaux, Remi-Henri-Joseph, French, 1748 or sonnenlicht," 1923, etching Untitled, 1978, lithograph on gray paper 1750-1823 "Was der blitz! Da ist ja die gustel von blasewitz," Untitled, 1978,6 color lithographs Frederick the Great, King of Prussia (after Johann Heinrich Ramberg), engraving, 1991.208.27, Gift of 1923, etching 1991.205.30-36, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art John O'Brien Kapuzinerpredigt "Hetzt sich lieber herum mit der Dim'? 1923, etching de Kock, Charles Paul (author), French, 1794- Diamantini, Giuseppe, Italian, 1621-1705 "Wohl auf kameraden, aufs pferd, aufs pferd! Ins 1871 Flora and Mercury, 1690/1700, etching, 1992.23.1, feld, in die freiheit gezogen!" 1923, etching Mustache (vol. I), published 1906, bound volume Ailsa Mellon Bruce Fund 1991.210.1-92; 1991.243.1-24; 1991.244.1-13, Gift with 1 etching by W. S. Potts and 3 photogravures of the Marcy Family in memory of Sigbert H. Marcy Diebenkom, Richard, American, born 1922 after Potts drawings Combination, published 1981, color spitbite etching Cortona, Pieiro da, after Mustache (vol. II), published 1906, bound volume and aquatint, 1991.207.1, Gift of Joshua P. Smith, in Virgin and Child with Martyrs, c. 1660, engraving, with 1 etching by W. S. Potts and 3 photogravures Honor of the 50th Anniversary of the National Gallery 1991.208.25, Gift of John O'Brien after Potts drawings of Art Frederique (vol. I), published 1907, bound volume Combination (workingproof 1), 1981, color spitbite Cragg, Tony, British, born 1949 with 4 photogravures after drawings by E. Shinn Laboratory Still Life No. 2, 1988, aquatint in red etching and aquatint with crayon Frederique (vol. II), published 1907, bound volume Combination (working proof 4), 1981, color spitbite and black with 4 photogravures after drawings by E. Shinn etching and aquatint with graphite and collage Suburbs (Softground Series) I- V, 1990, color soft- 1991.232.7-10, Gift of Mr. and Mrs. Irwin Millard Heine, Combination (working proof 10), 1981, color spit- ground etchings in Honor of the 50th Anniversary of the National Gallery Suburbs (Spitbite Series) I- V, 1990, color spitbite of Art bite etching and aquatint with crayon Combination (working proof 15), 1981, color spit- etchings 1991.188.1-11, Gift of the Collectors Committee de Kock, Charles Paul (author), and John bite etching and aquatint Sloan, American, 1871-1951 Combination (working proof 16), 1981, color spit- Cruikshank, Isaac, British, 1756-1810/1811 Andre the Savoyard (vol. I), published 1904, bound bite etching and aquatint of Equality, 1793, hand-colored etching, volume with 1 etching and 3 photogravures Combination (working proof 17), 1981, color spit- 1991.203.12, Gift of Henry and Judith Rice Millon, in Andre the Savoyard (vol. II), published 1904, bite etching and aquatint Honor of the 50th Anniversary of the National Gallery bound volume with 3 etchings and 1 photogravure Combination (working proof 19), 1981, color spit- of Art Monsieur Cherami (vol. I), published 1905, bound bite etching and aquatint Cumberland, George, British, 1754-1848 volume with 1 etching, 2 photogravures, and 1 Blue Club (working proof 7), 1981, aquatint with Reliquiae Conservatae, published 1826, bound vol- lithograph photolithograph ume with 13 lithographs, 1991.154.9, Gift of Charles Monsieur Cherami (vol. II), published 1905, bound Blue Club (workingproof 8), 1981, aquatint with Ryskamp in Honor of Paul Mellon and in Honor of the 50th volume with 3 etchings and 1 photogravure photolithograph Anniversary of the National Gallery of Art The Flower Girl (vol. I), published 1905, bound vol- 1991.235.1-9, Gift of Crown Point Press and the Artist, ume with 3 etchings and 1 photogravure in Honor of the 50th Anniversary of the National Gallery D Arcangelo, Allan, American, born 1930 The Flower Girl (vol. II), published 1905, bound of Art Landscape I, from 11 Pop Artists portfolio, 1965, volume with 4 etchings Dine, Jim, American, born 1935 screenprint, 1991.239.4, Gift of Francine Schear Linde, 1991.232.1-6, Gift of Mr. and Mrs. Irwin Millard Heine, in Honor of the 50th Anniversary of the National Gallery Awl, from 11 Pop Artists portfolio, 1965, screen- in Honor of the 50th Anniversary of the National Gallery of Art print in black and red, 1991.239.5, Gift of Francine of Art Schear Linde, in Honor of the 50th Anniversary of the Na- Dahl, Johan Christian Clausen, Norwegian, tional Gallery of Art de Kooning, Elaine, American, 1920-1989 1788-1857 Taurus V, 1973, color lithograph Norwegian Coast during a Storm, 1819, etching, Droese, Felix, German, born 1950 Jardin de Luxembourg III, 1977, color lithograph 1992.50.1, Epstein Family Fund Glockenschiff (Bell Ship), 1981, monoprint woodcut Jardin de Luxembourg VII, 1977, color lithograph in black, brown, yellow, and red on commercial Dahn, Waller, German, born 1954 on gray paper paper bag Small with Tea, 1985, screenprint in Jardin de Luxembourg IV, 1977, color lithograph Glockenschiff (Bell Ship), 1982, monoprint woodcut black and gold on brown paper, 1992.71.10, Joshua Jardin de Luxembourg, 1977, color lithograph on on red tissue paper P. Smith Collection gray paper 1992.71.11-12, Joshua P. Smith Collection Jardin de Luxembourg II, 1977, color lithograph Dasburg, Andrew, American, 1887-1979 Jardin de Luxembourg, 1977, color lithograph Duflos, Claude, French, 1665-1727 Liano Quemado I, 1974 Picador I, 1973, color lithograph Sebastian Le Clerc, c. 1714, engraving, 1992.69.2, Ranchos Valley, 1974 Arena II, 1973, color lithograph Gift of John O'Brien color lithographs, 1991.205.28-29, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery Arena I, 1973, lithograph on japan paper Dujardin, Karel, Dutch, c. 1622-1678 of Art Taurus VII, 1973, lithograph Battlefield, 1652, etching with dry point, 1992.5.1, Untitled, from Tamarind Suite Fifteen, 1975, color Ailsa Mellon Bruce Fund Daumier, Honore, French, 1808-1879 lithograph Ah! ilpretend m'empecher d'aller..., 1849 1991.205.37-47, 80, Gift of June Wayne, in Honor of the Diirer, Albrecht, German, 1471-1528 C'est-y embetant de brosser ces machines la... 50th Anniversary of the National Gallery of Art The Triumphal Arch of Maximilian, 1515 (1799 Oui, ma chere, mon mari a ravale ma dignite..., edition), 42 woodcuts and 2 etchings assembled to Delafosse, Jean-Baptiste (after Carmontelle), 1849 form one image, 1991.200.1, Gift of David P. Tunick French, 1721-1775 Ah! vous etes mon mari, ah! vous etes le maftre..., and Elizabeth S. Tunick, in honor of the appointment of M. Lambert, c. 1761 Andrew Robison as Andrew W. Mellon Senior Curator 1849 Jean-Baptiste-Franqois Durey de Meinieres, c. 1760 Inconvenient d'avoir des domestiques qui ont servi Saint Jerome in a Cave, 1512, woodcut, 1992.43.1, Gasp ar-Franco is de Fontenay 1765 Robert A. McNeil Fund chez M. Duprez, 1850 etchings, 1991.208.18, 20-21, Gift of John O'Brien lithographs, 1991.150.91-95, Gift of William B. O'Neal Dzubas, Friedel, American, born 1915 Le Ventre Legislatif 1834, lithograph, 1991.229.1, Delaunay, Nicolas, French, 1739-1792 Untitled, 1982 Gift of Lloyd Cutler and Polly Kraft, in Honor of the 50th Frederick the Great, King of Prussia (after Johann Untitled, 1982 Anniversary of the National Gallery of Art Heinrich Ramberg), engraving, 1991.208.28, Gift of colored and pressed paper pulp, 1991.171.3-4, Gift John O'Brien Grrrrand Demenagement du Constitutionnel, 1846, of Mr. and Mrs. K. A Olden lithograph, 1991.230.1, Gift of Paul McCarron, in Honor Delia Bella, Stefano, Italian, 1610-1664 of the 50th Anniversary of the National Gallery of Art Edelinck, Gerard, Flemish, 1640-1707 Title Page for "Views of the Ports of the Sea," 1647, Raimond Poisson as Crispin (after Theodor La promenade du Critique influent, 1865, litho- etching, 1991.163.9, Collection of Dr. and Mrs. George Netscher), engraving, 1991.209.1, Gift of Professor graph, 1992.14.1, Ailsa Mellon Bruce Fund Benjamin Green Sydney Freed berg

112 Francis, Sam, American, born 1923 Haas, Richard John, American, born 1936 3 Untitled portraits, 1973, lithographs The Potter Building, 1974, lithograph 1 Untitled portrait, 1975, lithograph Olana, 1974, color lithograph 1 Untitled portrait, 1976, lithograph The Hugh O'Neill Building, 1974, lithograph 32 Self Portraits, 1973, lithographs 1991.205.48—50, Gift of June Wayne, in Honor of the 9 Self Portraits, 1974, lithographs 50th Anniversary of the National Gallery of Art 8 Self Portraits, 1982, etchings Haelwegh, Adriaen, Dutch, 1637-after 1696 Untitled, 1983, woodcut monoprint 1991.234.1 -55, Gift of Sam Francis, in Honor of the 50th Cosimo II, Grand Duke of Tuscany, before 1691, Anniversary of the National Gallery of Art engraving, 1992.69.1, Gift of John O'Brien

Frelaut, Jean, French, 1879-1954 Hare, David, American, born 1917 Tree in a Landscape, 1907, etching, 1991.150.96, Untitled, from Tamarind Suite Fifteen, 1975, color Gift of William B. O'Neal lithograph, 1991.205.81, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art French 16th Century Holofemes Interrogating Achior, c. 1575 Hart, W., British, 19th century Judith Goes to the Camp of Holofernes, c. 1575 2 ornithological hand-colored engravings, hand-colored woodcuts, 1991.201.1-2, Gift of Hubert 1991.163.50, 99, Collection of Dr. and Mrs. George Benjamin Green and Michele Proute and Family, in Memory of Jean Ad- hemar and Paul Proute and in Honor of the 50th Anniver- Haynes, Nancy, American, born 1947 sary of the National Gallery of Art Untitled, 1990, monoprint in black and white French 17th Century Untitled, 1990, monoprint in black Rene Descartes, engraving, 1991.208.39, Gift of John 1991.175.1-2, Gift of Werner H. and Sarah-Ann O'Brien Kramarsky

French 19th Century Heckel, Erich, German, 1883-1970 Saint Mary Magdalene Pray for Us, c. 1820, hand- Mountain Landscape, 1924, etching, 1992.4.2, Ailsa Mellon Bruce Fund colored woodcut Richard Diebenkorn, Combination, published 1981 Saint John the Baptist Pray for Us, c. 1820, hand- Gift of Joshua P. Smith, in Honor of the 50th Anniversary of the Held, Al, American, born 1928 colored woodcut on blue paper National Gallery of Art, 1991.207.1 Pachinho, 1989, color woodcut 1991.201.3-4, Gift of Hubert and Michele Proute and Pachinho (working proof 7), 1989, color woodcut Family, in Memory of Jean Adhemar and Paul Proute and Pachinko (workingproof8), 1989, color woodcut in Honor of the 50th Anniversary of the National Gallery of Art Pachinko (workingproof9), 1989, color woodcut Straits of Pohai, 1990, etching and aquatint Freud, Lucian, British, born 1922 Straits of Pohai (working proof4), 1990, etching Farquhar, George (author), British, 1678-1707, Kai, etching, 1992.82.1, Gift of the Collectors Committee and aquatint and Jean-Emile Laboureur, French, 1877-1943 1991.235.10-15, Gift of Crown Point Press and the Artist, The Beaux Stratagem, published 1929, bound vol- Frye, Thomas, Irish, 1710-1762 in Honor of the 50th Anniversary of the National Gallery ume with 7 engravings, 1991.150.103, Gift of William Self Portrait, 1760, mezzotint, 1992.24.1, Ailsa of Art B. O'Neal Mellon Bruce Fund Herckmans, Elias (author), Netherlandish, Ferren, John, American, 1905-1970 Galle I, Cornells, Flemish, 1576-1650 1596-1644, with Willem Basse, Dutch, 1613 or Sea Forms, 1937, color woodcut and wood engrav- Louis de Blois, engraving, 1991.208.40, Gift of John 1614-1672, and Rembrandt van Rijn, Dutch, ing, 1992.72.1, Gift of Aaron I. Fleischman O'Brien 1606-1669 Fink, Aaron, American, born 1955, and Paul Gaultier, Leonard, French, 1561-1641 DerZee-Vaert Lof published 1634, bound volume Genega (author), American, born 1949 Plutarch with 17 etchings by Willem Basse and 1 etching by Perhaps, published 1985, portfolio of 7 etchings Etienne Pasquier, 1617 Rembrandt van Rijn, 1991.179.1, Anonymous Gift, in and 7 poems, 1991.162.1—7, Gift of Aaron Fink and engravings, 1991.208.36-37, Gift of John O'Brien Honor of the 50th Anniversary of the National Gallery Paul Genega, in Honor of the 50th Anniversary of the of Art National Gallery of Art Gould, John, British, 1804-1881, and Elizabeth Gould, British, 1804-1841 Hitzler, Franz, German, born 1946 Fontana, Giovanni Battista, Italian, c. 1524- Osculant Toucan (Ramphastos osculans), hand- Untitled, 1977, dry point 1587 colored engraving, 1991.163.58, Collection of Dr. and Untitled, 1977, dry point Mountainous Landscape with the Parable of the Mrs. George Benjamin Green Untitled, 1979, dry point and aquatint Sower, c. 1572/1573, etching, 1991.181.1, Ailsa 1992.71.2-4, Joshua P. Smith Collection Mellon Bruce Fund Gould, John, British, 1804-1881, and Hogarth, William, English, 1697-1764, and The Birth of the Virgin W. Hart, British, 19th Century Luke Sullivan, Irish, 1705-1771 The Annunciation 2 ornithological hand-colored engravings, 1991.163.51, 59, Collection of Dr. and Mrs. George Moses Brought to Pharaoh's Daughter, 1752, The Baptism of Christ Benjamin Green engraving and etching, 1991.203.18, Gift of Henry and The Angel Appearing to Joseph Judith Rice Millon, in Honor of the 50th Anniversary of the The Flight into Egypt Gould, John, British, 1804-1881, and National Gallery of Art etchings, 1991.209.2-6, Gift of Professor Sydney H.C. Richter, British, active 1841-c. 1881 Freed berg 6 ornithological hand-colored engravings, Hollar, Wenceslaus, Bohemian, 1607-1677 1991.163.52-57, Collection of Dr. and Mrs. George Strasbourg: A Toll House, c. 1632 Fontebasso, Francesco, Italian, 1709-1769 Benjamin Green Rudesheim, c. 1632/1636 Saint Gregoire I Delivering Souls from Purgatory Gelderspach, c. 1632/1636 (after Sebastiano Ricci), 1744, etching, 1992.22.4, Guarana, Jacopo, Italian, 1720-1808 Schenkenschanz, c. 1632 Ailsa Mellon Bruce Fund Alpheus and Arethusa, 1770/1780, etching and Roerort, c. 1632 engraving, 1992.15.1, Ailsa Mellon Bruce Fund Forrest, William, Scottish, 1805-1889 Emmerich, c. 1632/1635 Kampen, c. 1632 The Heart of the Ancles (after Frederic Edwin Haake, Hans, German, born 1936 Church), published 1862, engraving, 1992.34.1, Tiffany Cares, published 1978, photoetching, Lillo, c. 1632 Gift of A. Thompson Ellwanger III 1991.207.2, Gift of Joshua P. Smith, in Honor of the 50th etchings, 1991.163.1-8, Collection of Dr. and Mrs. Anniversary of the National Gallery of Art George Benjamin Green

113 Shell (Vasurn ceramicum), c. 1645 Mountains with a Mountain Hut, 1921, woodcut Shell (Murex brandaris), c. 1645 touched with ink etchings, 1992.17.1-2, Gift of Edward William Carter Portrait of a Girl (Us Daughter), 1921, lithograph on and Hannah Locke Carter, in Honor of the 50th Anniver- pink paper sary of the National Gallery of Art Pianist and Singer, 1928, woodcut on blue blotting paper Horwitz, Channa, American, born 1932 Mary Wigman's Dance, 1933, woodcut touched with 8 Series, 1978, 8 lithographs on continuous sheet of folded paper, 1991.205.99, Gift of June Wayne, in ink 1991.156.1-8, Ruth and Jacob Kainen Collection, Gift Honor of the 50th Anniversary of the National Gallery in Honor of the 50th Anniversary of the National Gallery of Art of Art Houbraken, Jacobus, Dutch, 1698-1780 Kirkeby, Per, Danish, born 1938 Portrait of a Gentleman, engraving 13 Etchings, 1991, portfolio of 13 dry points with Algernon Percy.; Earl of Northumberland (after Sir aquatint and machine work, 1992.81.1-13, Gift of the Anthony van Dyck), 1738, engraving and etching Collectors Committee James, Earl of Morton, 1740, engraving and etching 1991.203.4-6, Gift of Henry and Judith Rice Millon, in Klee, Paul, Swiss, 1879-1940 Honor of the 50th Anniversary of the National Gallery Old Man Reckoning, 1929, etching on japan paper, of Art 1991.157.1, Gift of Frank R. and Jeannette H. Eyerly, in Honor of the 50th Anniversary of the National Gallery Buret, Gregoire, French, 1606-1670 of Art Chancellor Pierre Seguier, engraving, 1991.202.1, Gift of John O'Brien, in Honor of the 50th Anniversary of Kollwitz, Kathe, German, 1867-1945 the National Gallery of Art Praying Girl, 1892 [printed 1931] The Weavers' March, 1897 (printed 1931] Jacob, Johannes, German, 18th century, and Standing Female Nude, 1900 (printed 1931] Johannes Elias Haid, German, 18th century The Downtrodden, 1900 [plate cut and printed Haemanthus (after George Ehret), hand-colored engraving, 1991.163.100, Collection of Dr. and Mrs. 1931] etchings, 1991.211.1-4, Gift of Grant and Virginia Green George Benjamin Green Never Again War, 1924, lithograph, 1992.2.1, Gift of Jacquette, Yvonne, American, born 1934 Richard A. Simms Ernst Ludwig Kirschner, Girls from Fehmarn, 1913 Brooklyn Bridge Reflected, Night, 1983, color litho- Ruth and Jacob Kainen Collection Gift in Honor of the 50th Anniver- graph, 1991.205.51, Gift of June Wayne, in Honor of the Krushenick, Nicholas, American, born 1929 sary of the National Gallery of Art, 1991.156.2 50th Anniversary of the National Gallery of Art Smokey the Bear, from Tamarind Suite Fifteen, 1975, color lithograph, 1991.205.83, Gift of June Jones, Allen, British, born 1937 Wayne, in Honor of the 50th Anniversary of the National Miss America, from 11 Pop Artists portfolio, 1965, Gallery of Art color lithograph, 1991.239.11, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Laing, Gerald, British, born 1936 Armand Jean du Plessis, Gallery of Art Compact, from 11 Pop Artists portfolio, 1965, Franqois La Rochefoucauld screenprint with mylar collage elements, Franqois La Rochefoucauld Jones, John Paul, American, born 1924 1991.239.10, Gift of Francine Schear Linde, in Honor of N. Paget, 1658 Tamstone Impression I, 1971, lithograph, the 50th Anniversary of the National Gallery of Art 1991.205.52, Gift of June Wayne, in Honor of the 50th Rene Moreau Anniversary of the National Gallery of Art Lalanne, Maxime, French, 1827-1886 Henry II, Duke of Montmorency Banks of the Tamise, etching, 1991.150.97, Gift of Jacques de Charron Jones, P., British, 19th century William B. O'Neal Charles Bernard Conscience and the Recording Angel (after William Etienne Binet (after Charles Le Brun) Landry, Pierre, French, c. 1630-1701 Blake), c. 1818, engraving, 1991.154.4, Gift of Franqois de Beauvillier, in or before 1656 Henri IV, King of France, 1662, engraving, Charles Ryskamp in Memory of Lessing Rosenwald and Henri de Beringhen in Honor of the 50th Anniversary of the National Gallery 1991.208.35, Gift of John O'Brien Anne of Austria (after Jean Nocret), in or after 1645 of Art Lane, Lois, American, born 1948 Kanemitsu, Matsumi, American, born 1922 Terrorist, 1979, aquatint with photoetching and Louis de Marillac, Duke of Beaufort Za (The ), from Tamarind Suite Fif- graphite Pierre de Marcassus (after Daniel Dumonstier) teen, 1975, color lithograph, 1991.205.82, Gift of Untitled, 1979, aquatint and graphite Louis Sieur de Maine (after Pierre-Jean Mariette) June Wayne, in Honor of the 50th Anniversary of the 1992.71.5-6, Joshua P. Smith Collection Jean Loret, 1656 National Gallery of Art Franqois de VHospital du Hallier Langlois, Francois, French, 1589-1647 Jean Charles Doria (after ), 1620 Kauffmann, Angelica, Swiss, 1741-1807 Guillaume du , engraving, 1991.208.38, Gift of Louis II de Bourbon Johann Winckelmann, 1780, engraving and etching John O'Brien in brown, 1991.203.22, Gift of Henry and Judith Rice Mathieu Mole Millon, in Honor of the 50th Anniversary of the National Lasne, Michel, French, in or before 1590-1667 engravings, 1991.164.54-87, Gift of John O'Brien Gallery of Art Nicolas Ysambert, in or after 1642 Law son, Alexander, American, 1773-1846 J.-B. A. Vignerod Ketterlinus, Christian Wilhelm, German, 1766- 3 ornithological hand-colored engravings after Alex Barthelemy Tremblay, 1639 1803 ander Wilson and 3 ornithological hand-colored Jean Saint Bonnet de Toiras Francis II, Holy Roman Emperor, 1792 engravings after Titian Ramsay Peale, Jacques Thubeuf (after Philippe de Champaigne) Leopold II, Holy Roman Emperor 1991.163.10-12, 102-104, Collection of Dr. and Mrs. Nicolas Brulart engravings, 1991.208.29-30, Gift of John O'Brien George Benjamin Green Pierre Seguier, 1633 Kirchner, Ernst Ludwig, German, 1880-1938 Pierre Seguier, 1635 Le Carpentier, Charles, French, 1744-1822 Honore Fragonard, 1806, etching, 1991.208.10, Gift Windmill near Burg on Fehmarn, 1908, lithograph Pierre de Ronsard of John O'Brien on japan paper Armand Jean du Plessis, Cardinal Richelieu Girls from Fehmarn, 1913, woodcut on yellow paper Armand Jean du Plessis, Cardinal Richelieu Lear, Edward, British, 1812-1888 Fanny Woche, 1916, woodcut on blotting paper Francois La Rochefoucauld (after Daniel White Headed (Haliaetus leucocephalus), The Wife of Professor Goldstein, 1916, woodcut on Dumonstier) hand-colored engraving, 1991.163.60, Collection of blotting paper Armand Jean du Plessis, Cardinal Richelieu Dr. and Mrs. George Benjamin Green

114 Leroy, L. Archier (author), British, and Paul ume with 10 color lithographs, 1992.56.1 Victor Le Bouthillier Nash, British, 1889-1946 Gift of Robert and Brenda Edelson, in Honor of the 50th Leonardos Philaras Wagner's Music Drama of the Ring, published 1925, Anniversary of the National Gallery of Art Raffaello Menicucci bound volume with 5 woodcuts, 1991.150.108, Gift of Ich Stand vor der Mauer aus Glas, published 1982, Raffaello Menicucci William B. O'Neal bound volume with 10 color lithographs (1 hand- Raffaello Menicucci Leu, Thomas de, French, c. 1560-c. 1620 colored), 1992.13.1, Gift of the Collectors Committee Raffaello Menicucci Louis Berryer, 1667 Louise de Lorraine (after Francois Quesnel) Mantegna, Andrea, Workshop of Henriette Anne of England, Duchess of Orleans Jeanne d'Albret, Queen of Navarre, 1597 Triumph of Caesar: The Senators, c. 1485/1490, Abel Servien, in or after 1659 Gentien Hervet, Canon of Reims engraving, 1991.178.1, Pepita Milmore Memorial Fund Charles de Gontaut, Duke of Biron Philippe Thibaud, 1638 Catherine de Medici, Queen of France Marais, Henri, French, born c. 1768 Claude de Marolies, 1633 Antoine Caron, 1599 Frederick the Great, King of Prussia (after Anton Nicolas Coeffeteau (after Daniel Dumonstier) Henry III, King of France Graff), 1788, engraving, 1991.208.23, Gift of John Jean-Francois Paul de Gondi, Cardinal of Retz Seneca O'Brien Armand Jean du Plessis, Cardinal Richelieu engravings, 1991.208.1-8, Gift of John O'Brien Henri-Louis Habert de Montmor, 1640 Marcus, Paul, American, born 1953 Mathieu Mole, in or after 1656 The Eviction, 1985, woodcut with drawn additions LeWitt, Sol, American, born 1928 Claude de Rebe on japan paper, 1992.71.13, Joshua P. Smith Collection Grids Using Straight, Not-Straight and Broken Lines Alphonse III Delbene, Bishop of Orleans in Yellow, Red 8c Blue and All Their Combinations, Marioni, Tom, American, born 1937 Pierre Seguier, 1639 published 1975, bound volume with 45 color etch- Landing, published 1977, portfolio of 6 mezzotints Vincenzo Giustiniani, 1631 ings, 1991.207.3, Gift of Joshua P. Smith, in Honor of the Landing, published 1977, mezzotint in gray Omer Talon 50th Anniversary of the National Gallery of Art 1991.207.4-10, Gift of Joshua P. Smith, in Honor of the Anne of Austria Horizontal Composite, 1970, color screenprint 50th Anniversary of the National Gallery of Art Henri de Mesmes Five Silk Screen Prints, published 1970, portfolio of Religious Picture, 1977, aquatint in gold with sur- Francois- Theodore de Nesmond 5 color screenprints face scraping, 1992.71.1, Joshua P. Smith Collection Rene de Longueil 1992.70.1-6, Gift of Virginia Dwan Cardinal Jules Mazarin Massard, Jean-Baptiste-Raphael-Urbain, Louis XIV, 1667 Lichtenstein, Roy, American, born 1923 French, 1775-1843 Allegory in Honor of Anne of Austria Moonscape, from 11 Pop Artists portfolio, 1965, Louis-Auguste, Dauphin of France screenprint on metallic plastic, 1991.239.3, Gift of Henri de Savoie, Due de Nemours Marie Antoinette Francine Schear Linde, in Honor of the 50th Anniversary Armand de Bourbon, Prince de Condi of the National Gallery of Art engravings, 1991.208.11-12, Gift of John O'Brien Armand de Bourbon, Prince de Condi Nicolas Grillet Liebermann, Max, German, 1847-1935 McCafferty, Jay, American, born 1948 til-4, 1977, 4 color woodcuts, 1991.205.53-56, Gift engravings, 1991.164.1-3, 6-53, Gift of John O'Brien Herd of Sheep under Trees, 1891, etching and soft- of June Wayne, in Honor of the 50th Anniversary of the Mellan, Claude, after ground etching on japan paper, 1992.1.1, Gift of Mr. National Gallery of Art and Mrs. Otto Donner Nicolas-Claude Fabri de Peiresc, in or after 1637 Albert Einstein, 1922, lithograph, 1992.8.1, Gift of McGarrell, James, American, born 1930 Nicolas-Claude Fabri de Peiresc, in or after 1637 Dr. Ruth Ivor Quotation with Twister, from Tamarind Suite Fifteen, engravings, 1991.164.4-5, Gift of John O'Brien 1975, color lithograph, 1991.205.84, Gift of June Kellergarten im Rosenheim, 1895 Wayne, in Honor of the 50th Anniversary of the National Merimee, Prosper (author), French, 1803-1870, Self Portrait, 1906 Gallery of Art and Jean Chariot, French, 1898-1979 etchings, 1992.47.1-2, Ailsa Mellon Bruce Fund Carmen, published 1941, bound volume with 37 McNeil, George, American, born 1908 color lithographs, 1991.150.105, Gift of William B. Linnell, John, British, 1792-1882 Acoma Mesa, 1976 O'Neal Sheep at Noon, 1818, etching Revolution, 1976 John Martin, 1817, engraving on chine colle Miger, Simon Charles, French, 1736-1820 New Mexico Landscape, 1976 1991.154.7-8, Gift of Charles Ryskamp in Honor of Paul Joseph Vien (after Adelaide Labille-Guiard), in or Mythic Head, 1976 Mellon and in Honor of the 50th Anniversary of the after 1790, engraving, 1992.22.1, Ailsa Mellon Bruce National Gallery of Art Untitled, from Tamarind Suite Fifteen, 1976 Fund color lithographs, 1991.205.57-60, 85, Gift of June Lozowick, Louis, American, 1892-1973 Wayne, in Honor of the 50th Anniversary of the National Mikus, Eleanore, American, born 1927 Breakfast, 1929, lithograph Gallery of Art Untitled, 1968, wove paper embossed by creasing, Corner of Steel Plant, 1929, lithograph 1991.205.61, Gift of June Wayne, in Honor of the 50th Mellan, Claude, French, 1598-1688 Self Portrait, 1930, lithograph Anniversary of the National Gallery of Art Self Portrait, 1635 Squash, 1930, lithograph Self Portrait, 1635 Milton, Peter, American, born 1930 Granite Quarries, 1936, lithograph Nicolas-Claude Fabri de Peiresc, 1637 October Piece, 1969, etching, 1991.236.1, Gift of Dr. Aerial Landscape, 1965, lithograph Girolamo Frescobaldi, 1619 Thomas A. Mathews, in Honor of the 50th Anniversary of Yellow Moon, 1967, lithograph in blue and yellow the National Gallery of Art Urban VIII (after Simon Vouet) 1991.204.1—7, Gift of Adele and Lee Lozowick, in Honor of the 50th Anniversary of the National Gallery of Art Virginia da Vezzo, 1626 Mitchell, Joan, American, 1926-1992 Anna Maria Vaiani Bedford II, 1981 Lozza, Raul, Argentinean, born 1911 Maddalena Corvina, 1636 Flower I, 1981 La Lfnea en Funcion del Piano, 1948, color screen- Charles I de Crequi, Duke of Lesdiguieres, 1633 color lithographs, 1991.189.1-2, Gift of the Collectors print, 1992.32.1, Gift of the Batuz Foundation Alphonse du Plessis Richelieu, Cardinal of Lyon, Committee 1636 Lucas van Leyden, Netherlandish, 1489/1494- Moncomet, Balthasar, French, c. 1600-1668 1533 Francois Le Clerc Du Tremblay Known as Pere Joseph, in or after 1638 Louis XIV Lamech and Cain, 1524 Guido Bentivoglio Jean Le Feron The Visitation, 1520 Gabriel Naude Isabella Claire Eugenie engravings, 1992.4.3, 1992.25.1, Ailsa Mellon Bruce Louis XIII, King of France Fund Henri II, Duke of Montmorency Jean-Louis Guez de Balzac, probably 1637 Jacques de la Force Liipertz, Markus, German, born 1941 Jean-Louis Guez de Balzac, probably 1637 Philippe Emmanuel, Count of Ligneville Ich Stand vor der Mauer aus Glas, published 1982, Charles de Condren Louis XIV, King of France bound volume with 10 color lithographs, 1991.238.1 Claude de Lingendes, 1661 Anne of Austria undich, ich spiele..., published 1981, bound vol- Jean Pierre Camus Louis II de Bourbon-Conde

115 Ostade, Adriaen van, Dutch, 1610-1685 ffl I It,'..;, v. inrcrrogc Achior del* force du pcuplcu'llracl.qui pour auoii dit la vcrite eft lie a vnarbrc. ffj The Pater Familias, 1648 The Spectacle Seller, c. 1646 etchings, 1991.203.1-2, Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the National Gallery of Art

Paladino, Mimmo, Italian, born 1948 Caverne Minnaccose, 1982, etching and aquatint in black and red with debossing, 1991.207.11, Gift of Joshua R Smith, in Honor of the 50th Anniversary of the National Gallery of Art

Palmer, Samuel, British, 1805-1881 The Early Ploughman, in or before 1861, etching, 1991.150.98, Gift of William B. O'Neal The Bellman, 1879, etching on japan paper The Lonely Tower, 1879, etching 1991.154.5-6, Gift of Charles Ryskamp in Honor of Paul Mellon and in Honor of the 50th Anniversary of the National Gallery of Art

Parmigianino, after The Sacrifice of Abraham, c. 1660, woodcut in gray and black, 1991.150.101, Gift of William B. O'Neal ^SLoVint^Holotcm^^oloncI dc lame; Achior (a harangue n'cut pas fi toll hmc, Intcrrogc Achior,pour Ivauoir de Iudce, Que le Princc & fes gens rcmplis dc fclonnic, Partenheimer, Jiirgen, German, born 1947 Combicn grand' elt la force,& fa munition, I .c licrent a vn ai hrc au pied dc la Cite, Book of Wanderings, published 1983, portfolio of Si entrcr v pouuoit 6n\ grandc occifion. Pour auoir ditdes Iuifs la pure vcrite. j 12 etchings, 1992.71.14-25, Joshua P. Smith Collection

Passe I, Crispijn de, Dutch, c. 1565-1637 Clio, engraving, 1991.203.13, Gift of Henry and Judith Rice Millon, in Honor of the 50th Anniversary of the French 16th century, Holofernes Interrogating National Gallery of Art Achior, c. 1575 Gift of Hubert and Michele Proute and Family, in Memory of Jean Passe, Simon de, Dutch, probably 1595-1647 Adhemar and Paul Proute and in Honor of the 50th Anniversary of Count Emest Mansfeld, 1623, engraving,

the National Gallery of Art, 1991.201.1 1991.208.13, Gift of John O'Brien

Pazzi, Pier Antonio, Italian, 1706-in or after 1766 Wolfgang Wilhelm Murray, Elizabeth, American, born 1940, and Sebastiano Ricci (after Giovanni Domenico Cam- Louis II de Bourbon-Conde Anne Waldman (author), American, born 1945 piglia), engraving, 1991.208.24, Gift of John O'Brien Francois de Venddme, Duke of Beaufort Her Story, 1988/1990, portfolio of 13 color offset Peale, Titian Ramsay, after Guido Bentivoglio lithographs with etching on chine colle and 13 Yellow-headed Blackbird (Icterus icterocephalus), Robert de Sorbon poems, 1991.161.1-13, Gift of the Paula Cooper Gallery, in Honor of the 50th Anniversary of the National Gallery hand-colored engraving, 1991.163.105, Collection of Jean-Francois de Bagni of Art Dr. and Mrs. George Benjamin Green Anne of Austria Amador de la Porte Nash, Paul, British, 1889-1946 Pearlstein, Philip, American, born 1924 Christine of France Genesis, published 1924, bound volume with 12 Nude in New Mexico, 1984, lithograph, Francois de Valois woodcuts, 1991.150.104, Gift of William B. O'Neal 1991.205.66, Gift of June Wayne, in Honor of the 50th Raymond Lulle Anniversary of the National Gallery of Art Louis XIII, King of France Noland, Kenneth, American, born 1924 Penck, A. R., German, born 1939 Louis XIV, King of France (after Henry Stresor) Poster Variation, hand-colored aquatint and etching, 1991.169.7, Gift of Regina Slatkin Standard West (K) 4 francs, 1984, dry point and Jean IV, Duke of Bragance etching, 1992.71.7, Joshua P. Smith Collection Aluaso Semedo, 1658 Norman, Joseph, American, born 1957 Hardouin de Beaumont de Perefixe Notorious, 1990, lithograph, 1992.20.2, Gift of the Pencz, Georg, German, c. 1500-1550 Gregorius Tarrisse Sandra and Charles Gilman, Jr. Foundation in memory of The Judgment of Solomon, engraving, 1991.203.3, Armand de Bourbon (after Luggert van Anse) Dorothea L. Leonhardt Gift of Henry and Judith Rice Millon, in Honor of the 50th Thomas Campanella, 1658 Anniversary of the National Gallery of Art Oliveira, Nathan, American, born 1928 Jean Pierre Camus Phillips, Peter, British, born 1939 Victor Bouthillier For the Lady, 1971, lithograph Two Heads, 1972, color lithograph Custom Print I, from II Pop Artists portfolio, 1965, Jacques-Auguste de Thou screenprint on alufoil, 1991.239.6, Gift of Francine Rainbow Head, 1972, color lithograph Anne of Austria Schear Linde, in Honor of the 50th Anniversary of the Armand de Bourbon (after Luggert van Anse) Untitled, 1982, color lithograph National Gallery of Art Pierre de Weims Acoma Hawk II, from Tamarind Suite Fifteen, 1975, engravings, 1991.208.42-75, Gift of John O'Brien color lithograph Phillpotts, Eden (author), British, 1862-1960, 1991.205.62-65, 86, Gift of June Wayne, in Honor of the and Sir Frank Brangwyn, British, 1867-1956 Moore, Henry, British, 1898-1986 50th Anniversary of the National Gallery of Art The Girl and the Faun, published 1917, bound Silhouette Figures with Border Designs, 1973, litho- volume with 3 full-page woodcuts and 90 border Orlik, Emil, German, 1870-1932 graph in yellow and black designs, 1991.232.11, Gift of Mr. and Mrs. Irwin Millard Portrait of a Man, 1930, lithograph, 1991.165.1, Gift Three Heads, 1975, lithograph in yellow, gray, and Heine, in Honor of the 50th Anniversary of the National of Erical Trust black Gallery of Art 1991.237.1-2, Gift of Cecilia W. Spearing, in Honor of the 50th Anniversary of the National Gallery of Art

116 Picasso, Pablo, Spanish, 1881-1973 Sadeler II, Aegidius, Flemish, c. 1570-1629 Stuart, Michelle, American, born 1940 Two Nudes Resting, 1931, dry point [printed 1939) The Martyrdom of Saint Sebastian, c. 1620, engrav- Untitled, 1974, color lithograph and debossing Sculptor at Rest Before a Bacchanal with a Bull, ing, 1992.18.2, Pepita Milmore Memorial Fund Suite Tsikomo, published 1975, portfolio of 5 color 1933, etching [printed 1939] lithographs with embossing and debossing Saint-Aubin, Augustin de, French, 1736-1807 Sculpture of a Young Man with Chalice, 1933, etch- 1991.205.67-73, Gift of June Wayne, in Honor of the ing [printed 1939] Louis XVI, Henri IV, and Louis XII (after Piat Joseph 50th Anniversary of the National Gallery of Art 1991.158.1-3, Gift of Lesley Ryan, in Honor of the 50th Sauvage), engraving, 1991.208.9, Gift of John O'Brien Anniversary of the National Gallery of Art Sutherland, Graham, British, 1903-1980 Scholder, Fritz, American, born 1937 The Meadow Chapel, 1928, etching, 1991.150.102, Pope, Alexander (author), British, 1688-1744, Untitled, from Tamarind Suite Fifteen, 1976, color Gift of William B. O'Neal and Aubrey Beardsley, British, 1872-1898 lithograph, 1991.205.90, Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art Teniers II, David, Flemish, 1610-1690 The Rape of the Lock, published 1896, bound vol- Interior of a Kitchen, etching, 1991.203.14, Gift of ume with 9 prints after Beardsley drawings, Schuppen, Peter Ludwig van, Flemish, 1627- Henry and Judith Rice Millon, in Honor of the 50th Anni- 1991.150.106, Gift of William B. O'Neal 1702 versary of the National Gallery of Art Price, Kenneth, American, born 1935 Pierre Ignace de Braux (after Henri Beaubrun), 1661, engraving, 1991.203.9, Gift of Henry and Judith Thiebaud, Wayne, American, born 1920 Untitled, from Tamarind Suite Fifteen, 1977, color Rice Millon, in Honor of the 50th Anniversary of the Na- Bacon and Eggs, 1964, etching, 1991.231.1, Gift of lithograph, 1991.205.87, Gift of June Wayne, in Honor tional Gallery of Art Diana Young, San Francisco, in Honor of the 50th Anniver- of the 50th Anniversary of the National Gallery of Art sary of the National Gallery of Art Seligmann, Johann Michael, German, 1720- Queverdo, Francois Marie Isidore, French, City Edge, 1988, color aquatint and etching, 1762 1748-1797, and Jean Dambrun, French, 1741- 1992.64.1, Gift of Mr. and Mrs. Charles Campbell 2 ornithological hand-colored engravings (after in or after 1808 Mark Catesby), 1991.163.14-15, Collection of Dr. and Uhl, Joseph, German, born 1877 Allegory in Honor of Henri IV, engraving, Mrs. George Benjamin Green Head of a Girl, 1911, dry point, 1992.35.1, Gift of Dr. 1991.208.22, Gift of John O'Brien Ruth Ivor Sherman, Welby, British, active c. 1827-c. 1834 Ramos, Mel, American, born 1935 Bacchante (after Edward Calvert), wood engraving, Various Artists Chic, from 11 Pop Artists portfolio, 1965, screen- 1991.154.10, Gift of Charles Ryskamp in Honor of Paul 1C Life, published 1964, portfolio of 62 color print, 1991.239.9, Gift of Francine Schear Linde, in Mellon and in Honor of the 50th Anniversary of the Na- lithographs by Jim Dine, Roy Lichtenstein, Joan Honor of the 50th Anniversary of the National Gallery tional Gallery of Art Mitchell, Claes Oldenburg, , James Rosenquist, and others, 1992.37.1, Gift of E.W. Smith, Charles William, American, 1893-1987 Rauschenberg, Robert, American, born 1925 Kornfeld, Abstract, linoleum cut on japan paper 2 impressions of Visual Autobiography, 1969, offset Fish and Bottle, linoleum cut S.M.S. (February 1968)-(December 1968), lithographs, 1992.63.1-6, Gift of Robert Rauschenberg, 1991.150.99-100, Gift of William B. O'Neal published 1968, 6 mixed-media portfolios, Milton Glaser, and Marian B. Javits 1992.62.1-6, Gift of Judith Walsh and Paul Stenzel Steir, Pat, American, born 1940 Rebell, Josef, Austrian, 1787-1828 The Direction of Water, 1991, color spitbite, soap- Vasi, Giuseppe, Italian, 1710-1782 The Waterfall near Schladming in the Steiermark, ground, softground aquatint, and dry point Sepulcherfor the King of France, c. 1739, etching etching touched with gray wash and white gouache and engraving, 1991.203.23, Gift of Henry and Judith The Direction of Water (working proof 13), 1991, on blue paper, 1992.40.1, Ailsa Mellon Bruce Fund Rice Millon, in Honor of the 50th Anniversary of the spitbite, soapground, and softground aquatint, National Gallery of Art Regnard, Valerien, French, probably 17th touched with graphite century The Direction of Water (working proof 14), 1991, Vermeulen, Cornells, Flemish, 1644-1708/1709 Section of the Church of Saint John the Baptist spitbite and soapground aquatint in black, gray, and Pierre Mignard (after Pierre Mignard I), 1690, en- Ground Plan of the Church of Saint John the Baptist pink graving and etching, 1991.203.8, Gift of Henry and engravings, 1991.203.16-17, Gift of Henry and Judith The Direction of Water (working proof 15), 1991, Judith Rice Millon, in Honor of the 50th Anniversary of the Rice Millon, in Honor of the 50th Anniversary of the Na- spitbite and soapground aquatint in gray National Gallery of Art tional Gallery of Art The Direction of Water (working proof 16), 1991, Vertue, George, English, 1684-1756 spitbite, soapground aquatint in gray and red, and Remington, Deborah, American, born 1935 William Trumbull (after Sir Godfrey Kneller), 1724, dry point in red Untitled, from Tamarind Suite Fifteen, 1975, color engraving and etching, 1991.203.7, Gift of Henry and lithograph, 1991.205.88, Gift of June Wayne, in Honor The Direction of Water (working proof 17), 1991, Judith Rice Millon, in Honor of the 50th Anniversary of the of the 50th Anniversary of the National Gallery of Art color spitbite and soapground aquatint National Gallery of Art The Direction of Water (working proof 18), 1991, Renouf, Edda, American, born 1943 color spitbite, soapground aquatint, and dry point Warhol, Andy, American, 1928-1987 Clusters, published 1976, portfolio of 8 intaglio The Direction of Water (working proof 19), 1991, Jacqueline Kennedy I, from 11 Pop Artists portfolio, 1965, screenprint in silver, 1991.239.2, Gift of Fran- prints, 1991.207.12-19, Gift of Joshua P. Smith, in color spitbite, soapground aquatint, and dry point Honor of the 50th Anniversary of the National Gallery cine Schear Linde, in Honor of the 50th Anniversary of the The Direction of Water (working proof20), 1991, of Art National Gallery of Art color spitbite, soapground, softground aquatint, and Robert, Hubert, French, 1733-1808 dry point Wamicke, John G., American, died 1818 The Portrait Bust, 1764 Rainclouds, 1991, color spitbite, soapground, and 3 ornithological hand-colored engravings (after Al- The Ancient Temple, 1763/1764 softground aquatint with dry point in blue-green exander Wilson), 1991.163.13, 101, 106, Collection of The Sarcophagus, 1763/1764 Rainclouds (workingproof 2), 1991, spitbite, soap- Dr. and Mrs. George Benjamin Green The Triumphal Arch, 1763/1764 ground, and softground aquatint with dry point in Wayne, June, American, born 1918 The Post, 1763/1764 brown The Tunnel, 1951, lithograph etchings, 1992.5.2-6, Ailsa Mellon Bruce Fund Beloved Ghost Waterfall/, 1990, Chinese The Witnesses, 1952, lithograph with debossing watercolor woodcut on mulberry paper The Travellers, 1954, lithograph Rosenquist, James, American, born 1933 1991.235.16-27, Gift of Crown Point Press and the Artist, Circles of Confusion, from 11 Pop Artists portfolio, in Honor of the 50th Anniversary of the National Gallery Memory of a Tanagra—The Man, 1958, lithograph 1965, screenprint, 1991.239.8, Gift of Francine Schear Diktat, 1970, color lithograph Linde, in Honor of the 50th Anniversary of the National Demented Tidal Wave, 1972, lithograph Gallery of Art Sterne, Laurence (author), British, 1713-1768, Tenth Wave, 1972, color lithograph and Jean-Emile Laboureur, French, 1877-1943 White Tidal Wave, 1972, color lithograph Ruscha, Edward, American, born 1937 A Sentimental Journey through France and Italy, (Deja Vu) Night Self, 1973, lithograph in black and Excuse Me, I Didn't Mean to Interrupt, from Tam- published 1928, bound volume with 6 etchings, gray arind Suite Fifteen, 1975, color lithograph, 1991.150.107, Gift of William B. O'Neal 1991.205.89, Gift of June Wayne, in Honor of the 50th Silent Wind, 1975, lithograph Anniversary of the National Gallery of Art Vio, 1975, color lithograph

117 Dawn Wind, 1975, color lithograph Wiley, William T., American, born 1937 Callahan, Harry, American, born 1912 Sea Change, 1976, color lithograph Now Who 's Got the Blue Prints, 1989, color aquatint Venice, 1957 Chinook, 1976, color lithograph and softground etching with burnishing and Providence, 1977 Time Visa, 1976, color lithograph dry point dye transfer prints, 1991.213.1-2, Gift of Mr. and Mrs. Visa II, 1976, color lithograph Now Who's Got the Blue Prints (workingproof 6), David C. Ruttenberg, courtesy of The Ruttenberg Arts The Breeze, 1978, color lithograph 1989, color aquatint and softground etching with Foundation and in Honor of the 50th Anniversary of the National Gallery of Art Glitter Wind, 1981, color lithograph burnishing and dry point Breakout, 1986, color lithograph Now Who's Got the Blue Prints (workingproof 7), Evans, Walker, American, 1903-1975 Escape II, 1986, lithograph in black and gray 1989, aquatint and softground etching with bur- Miner's Home, West Virginia, 1935, silver gelatin Sagn Eye I, 1987, color lithograph nishing and dry point developed-out print [1960s), 1991.166.1, Gift of Mr. Saghex, 1987, color lithograph Now Who's Got the Blue Prints (workingproof 8), and Mrs. Harry H. Lunn, Jr. Djuna Way, 1987, lithograph 1989, aquatint and softground etching with bur- The Breadline, 1933, silver gelatin developed-out Exoh, 1987, lithograph in black and gray with nishing and dry point print, 1991.173.1, Gift of (Catherine L. Meier and Edward collage 1991.235.28-31, Gift of Crown Point Press and the Artist, J. Lenkin Ankidor, 1987, lithograph in Honor of the 50th Anniversary of the National Gallery of Art Young Girl, c. 1936, silver gelatin developed-out Visa Monday, from Tamarind Suite Fifteen, 1976, print, 1991.174.1, Anonymous Gift color lithograph Wilson, Alexander, after Clay Kilns, c. 1972 1991.205.1-25, 91, Gift of June Wayne, in Honor of the 2 ornithological hand-colored engravings, 50th Anniversary of the National Gallery of Art Trash, 1970 1991.163.31-32, Collection of Dr. and Mrs. George Ben- Trash, 1970 The Retreat, 1950, lithograph jamin Green Connecticut Clapboard, 1945 The Sanctified, 1950, lithograph Woelffer, Emerson, American, born 1914 London, 1973 The Target, 1951, lithograph Lost 0, 1978 Truck and Hubcaps, c. 1972 Strange Moon, 1951, lithograph Blue Murder, 1978 Tractor, c. 1972 Memory of a Tanagra—The Woman, 1958, Untitled, from Tamarind Suite Fifteen, 1976 chromogenic prints, 1991.212.1-7, Gift of Mr. and lithograph 1991.205.76-77, 92, Gift of June Wayne, in Honor of the Mrs. Harry H. Lunn, Jr., in Honor of the 50th Anniversary Homage a Autun, 1959, lithograph 50th Anniversary of the National Gallery of Art of the National Gallery of Art Stellar Winds, published 1979, portfolio of 11 lithographs Worsel, Troels, Danish, born 1950 LeWitt, Sol, American, born 1928 A Day Off, published 1981, portfolio of 6 color Die Grundlagen der Arithmetik, published 1980, Photo of Florence, The Area Between Piazza San lithographs portfolio of 19 etchings and aquatints, with a copy Marco, Via Covour, Via Guelfa, Via de Ginori, Borgo Solar Flares, published 1983, portfolio of 5 color of Gottlob Frege's Die Grundlagen Der Arithmetik, S. Lorenzo, Via Roma, Via de Posinghi, Via Cal- lithographs 1992.71.26-44, Joshua P. Smith Collection garioli, Via Por. S. Maria, Piazza de Pese, Lung- My Palomar, published 1984, portfolio of 10 color uamo Archibuse, 1976, silver gelatin developed-out lithographs print 1991.206.1-38, Gift of Lloyd Rigler, in Honor of the 50th PHOTOGRAPHS A Photo of Central Manhattan with the Area be- Anniversary of the National Gallery of Art tween Columbus Circle, the McGraw-Hill Building, and Tompkins Square Cut Out, 1977, silver gelatin Weirotter, Franz Edmund, Austrian, 1730-1771 Adams, Ansel, American, 1902-1984 developed-out print with triangle cut out of center 4 etchings from Nella Venuta in Roma (after Coast South of Saint Sebastian, Oregon, 1968, sil- A Photo of Central Manhattan with the Area be- Etienne de Lavallee-Poussin), published 1764, ver gelatin developed-out print, 1991.159.1, Gift of tween the Central Park Zoo, the Main Library 1991.208.14-17, Gift of John O'Brien Virginia Adams, in Honor of the 50th Anniversary of the Branch, and the Central Post Office Cut Out, 1977, National Gallery of Art Weisberg, Ruth Ellen, American, born 1942 silver gelatin developed-out print with triangle cut Disparity among the Children, 1975, lithograph in Bohnen, Blythe, American, born 1940 out of center A Photo of Central Manhattan with the Area be- brown, 1991.205.74, Gift of June Wayne, in Honor of the Self Portrait: Triangular motion, small, 1974 50th Anniversary of the National Gallery of Art tween the Plaza Hotel, the Chelsea Hotel, and the Self Portrait: Square motion, small, 1974 Gramercy Park Hotel Cut Out, 1977, silver gelatin Self Portrait: Horizontal motion, medium, bisected Wesley, John, American, born 1928 developed-out print with triangle cut out of center by Vertical motion, medium, 1974 Maiden, from 11 Pop Artists portfolio, 1965, The Area of Manhattan between the Chebea Hotel, screenprint, 1991.239.7, Gift of Francine Schear Linde, Self Portrait: Pivotal motion from chin, medium, the Plaza Hotel, and the Gramercy Park Hotel, in Honor of the 50th Anniversary of the National Gallery 1974 1977, silver gelatin developed-out print of Art Self Portrait: Pivotal motion from chin, large, 1974 The Area of Manhattan between the McGraw-Hill Self Portrait: Pivotal motion from nose, small, 1983 Building, Columbus Circle, and Tompkins Square, Wesselmann, Tom, American, born 1931 Self Portrait: Pivotal motion from forehead, small, Cut-out Nude, from 11 Pop Artists portfolio, 1965, 1983 1977, silver gelatin developed-out print screenprint on blown vinyl mounted on heavy paper, The Area of Manhattan between 117 Hester St. and Self Portrait: Vertical motion up, medium, 1983 1991.239.1, Gift of Francine Schear Linde, in Honor of the Three Galleries where Sol Le Witt Has Had Exhi- Self Portrait: Vertical motion down, medium, 1974 the 50th Anniversary of the National Gallery of Art bitions of His Work: The John Weber Gallery, 420 Self Portrait: Vertical motion up, medium; Pivotal West Broadway, the Divan Gallery, the John Daniels Clair Nude, 1980, color screenprint and lithograph, motion, large, 1983 1992.65.1, Gift of Carolyn and Richard Susel Self Portrait: Pivotal motion, small; Vertical motion Gallery, 1977, silver gelatin developed-out print A Circle of Manhattan without a Rectangle, 1978, up, small, 1983 Whistler, James McNeill, American, 1834-1903 silver gelatin developed-out print with rectangle cut Notes, published 1887, 5 lithographs, 1992.46.1-5, Self Portrait: Pivotal motion, small; Vertical motion out of center Gift of the Fuller Foundation, Inc., and Print Purchase down, small, 1983 A Parallelogram of Manhattan without a Rectangle, Fund (R. Horace Gallatin) Self Portrait: Horizontal elliptical motion, small, 1978, silver gelatin developed-out print with rect- 1974 angle cut out of center White, Charles Wilbert, American, 1918-1979 Self Portrait: Horizontal elliptical motion, medium, Love Letter III, 1977, color lithograph, 1991.205.75, A Rectangle of Manhattan without a Rectangle, 1974 Gift of June Wayne, in Honor of the 50th Anniversary of the 1978, silver gelatin developed-out print with rect- National Gallery of Art Self Portrait: Vertical elliptical motion, large, 1974 silver gelatin developed-out prints, 1992.75.1-15, angle cut out of center Wierix, Hieronymus, Flemish, c. 1553-1619 Gift of Herbert and Paula Molner A Square of Florence without a Trapezoid, 1978, sil- Lucas van Leyden, engraving, 1991.208.26, Gift of ver gelatin developed-out print with trapezoid cut John O'Brien out of center A Square of Manhattan without a Rectangle, 1978, silver gelatin developed-out print with rectangle cut out of center

118 Walker Evans, The Breadline, 1933 Gift of Kalherine L. Meier and Edward J. Lenkin, 1991.173.1

A Trapezoid, of Manhattan without a Rectangle, Fence and Houses, Gaspe, 1929, silver gelatin devel- Tombstone, Winged Skull, 1946, silver gelatin devel- 1978, silver gelatin developed-out print with rect- oped-out print oped-out print angle cut out of center Houses, Gaspe, 1929, platinum print Town Hall, 1946, silver gelatin developed-out print A Triangle of Manhattan without a Rectangle, Perce Harbor, Gaspe, 1929, silver gelatin developed- Levens, Alpes-Maritimes, Provence, France, 1950, 1978, silver gelatin developed-out print with rect- out print silver gelatin developed-out print angle cut out of center Hacienda, near Taos, New Mexico, 1930, platinum Wheatfield, France, 1950, silver gelatin developed- 1991.241.68—74, 77—83, The Dorothy and Herbert Vogel print out print Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent City Hall, Colorado (recto), Red River, New Mexico Camargue, France, 1951, silver gelatin developed- Fund and Gift of Dorothy and Herbert Vogel (verso), 1931, silver gelatin developed-out print out print Deserted Building, New Mexico (recto), Red River, Strand, Paul, American, 1890-1976 Man, Gondeville, Charente, France, 1951, silver gel- New Mexico (verso), 1931, silver gelatin developed- Blind Woman, New York, 1916, silver gelatin devel- atin developed-out print out print oped-out print [1920s] Midi-Libre, France, 1951, silver gelatin developed- Near Ranchos de Taos, New Mexico, 1931, platinum out print Bowls, 1916, silver gelatin developed-out print print 11920s] Port, Adriatic, Italy, 1952, silver gelatin developed- Ranchos de Taos Church, New Mexico (recto), 1931, Alfred Stieglitz, 1922, platinum print out print Maine (verso), probably 1927/1928, silver gelatin Alfred Stieglitz and Rebecca Strand at Lake George, Lusetti Family, Luzzara, Italy, 1953, silver gelatin developed-out print developed-out print 1922, silver gelatin developed-out print Red River, New Mexico (recto), Deserted Building, Looking Down, New York, 1922, silver gelatin devel- Place to Meet, Luzzara, Italy, 1953, silver gelatin New Mexico (verso), 1931, silver gelatin developed- oped-out print developed-out print out print Rebecca, 1922, platinum print The Affianced, Luzzara, Italy, 1953, silver gelatin Near Rinconada, New Mexico, 1932, platinum print The Docks, New York, 1922, silver gelatin devel- developed-out print Rebecca, New Mexico, 1932, platinum print oped-out print The Market, Luzzara, Italy, 1953, silver gelatin de- Boy, Hidalgo, 1933, platinum print veloped-out print Lathe Hi, New York, 1923, silver gelatin developed- Christo, Tlacochoaya, Oaxaca, 1933, platinum print out print Alex MacDonald, South Uist, Hebrides, 1954, silver Man with Sombrero, Mexico, 1933, platinum print Apartment Repainted, New York (recto), Untitled gelatin developed-out print Man, Tenancingo (recto), 1933, Hacienda, New (verso), 1925, silver gelatin developed-out print Ewan MacLeod, South Uist, Hebrides, 1954, silver Mexico (verso), probably 1931, platinum print Driftwood (recto), Broken Twigs, Georgetown, Maine gelatin developed-out print Virgin, San Felipe, Oaxaca (recto), Virgin (verso), (verso), 1927, platinum print Loch, South Uist, Hebrides, 1954, silver gelatin de- 1933, platinum print Rock (recto), Cobweb in Rain, Georgetown, Maine veloped-out print Iron Latch, East Jamaica, Vermont, 1943, silver gel- (verso), 1927, silver gelatin developed-out print Tide Going Out, South Uist, Hebrides, 1954, silver atin developed-out print Rock, Georgetown, Maine, 1927, silver gelatin gelatin developed-out print Mr. Bennett, Vermont, 1944, silver gelatin devel- developed-out print The Market, Aswan, Egypt, 1959, silver gelatin oped-out print developed-out print Woods, Maine (recto), Woman (verso), 1927, plat- inum print Burying Ground, Vermont, 1946, silver gelatin Orgeval, 1974, silver gelatin developed-out print developed-out print 1991.216.1-55, Southwestern Bell Corporation Paul Driftwood, Dark Roots, Georgetown, Maine, 1928, Strand Collection silver gelatin developed-out print Parlor, Prospect Harbor, Maine, 1946, silver gelatin developed-out print Driftwood, Maine, 1928, platinum print Toadstool and Grasses, Georgetown, Maine, 1928, Side Porch, 1946, silver gelatin developed-out print silver gelatin developed-out print

119 Changes of Attribution PAINTINGS

The following changes of attribution are Number and title: Attribution: Changes to: the result of scholarly research using the 1954.1.4 Anonymous unknown Attributed to Adolph-Ulrich Portrait of a Man nationality 18th century Wertmiiller latest art historical investigations and sci- c. 1790 Portrait of a Quaker entific examinations. It is the policy of the 1795 National Gallery of Art to publish these 1947.17.24 Henry Benbridge European 18th century, Portrait of a Man 1771 c. 1770 changes regularly. The following changes 1947.17.37 Asher B. Durand American 19th century of attribution were made and approved Portrait of a Man by the Gallery's Board of Trustees during 1961.9.73 Orazio Gentileschi and Giovanni the 1992 fiscal year. The list is arranged Saint Cecilia and an Angel Lanfranco 1961.9.21 Hans Holbein, the Younger Attributed to Hans Holbein, the in alphabetical order according to former Portrait of a Young Man Younger attribution. 1947.17.71 Attributed to John Mare European 18th century Robert Monchton c. 1750 Portrait of a Man c. 1745 1952.5.70 Giovanni Battista Guiseppe Angeli Elijah Taken up in a Piazzetta Chariot of Fire 1937.1.74 Rembrandt van Rijn Carel Fabritius and workshop of A Girl with a Broom Rembrandt van Rijn 1970.17.132 Attributed to Marco Ricci After Marco Ricci View of the Mall from Saint c. 1710 View of the Mall in Saint James's James s Park Park after 1709/1710 1960.6.39 Attributed to Titian Pietro della Vecchia Self-Portrait Imaginary Self-Portrait of Titian 1946.7.17 Antoine Watteau French 18th century "Sylvia" (Jeanne-Rose- Portrait of a Woman Guyonne Benozzi) First half 18th century c. 1720

SCULPTURE

1964.8.4 Anonymous Ethiopian Probably Ethiopian The Nativity 18th/19th century 18th/20th century 1942.9.105 Benedetto da Maiano Giovanni Bastianini Pietro Talani (1442-1497) (1830-1868) 1952.5.94 Elia Candido Attributed to Francesco Righetti Apollo of Lycia (2nd half 16th century) Apollino of the Villa Medici c. 1775/1820 1974.8.1 After Antonio Canova After the antique Hercules Slaying Lichas c. 1795 19th/20th century 1957.14.26 Circle of Vincenzo Danti After Michelangelo Bacchus 16th/l 9th century 1942.9.114 Donatello Attributed to Lucas Faydherbe Cupid(?) (c. 1386-1466) (1617-1697) model c. 1640/1650, cast 18th/19th century 1943.4.83 Donatello Style of Desiderio da Settignano Saint John the Baptist (c. 1386-1466) 15th/l9th century 1942.9.119 Attributed to Francesco Paduan 16th century Hercules and Antaeus de Sant'Agata c. 1525 c. 1530 1960.5.9 Tommaso Fiamberti After the Master of the Marble Madonna and Child (c. 1480-1524/1525) Madonnas c. 1860/1900 1957.14.30 French 15th century Probably French 19th century The Virgin of the Annunciation 1983.66.1 French 16th century Probably French 17th century Woman Bathing Her Foot c. 1575/1600 (possibly Barthelemy Prieur) early 17th century 1957.14.51 Hellenistic Roman 1st century B.C./ Winged Child Carrying a 2nd century B.C.-1st century A.D. 1st century A.D. Torch 1957.14.52 Hellenistic Roman 1st or 2nd century Striding Eros 2nd century B.C.-1st century A.D.

120 Number and title: Attribution: Changes to: 1957.14.76 Attributed to Italian Probably Italian 16th/19th century Object with Sphinx Head 16th century 1957.14.42 Attributed to the Master Attributed to a follower of A Child on a Dolphin of the Apollo Fountain Peter Flotner c. 1525-1550 1957.14.24 Netherlandish 16th Probably French 17th Woman Cutting Her Nails century century (possibly Barthelemy Prieur) 1957.14.15 Attributed to North Probably North Italian 15th century A Dancing Faun Italian 15th century 1957.14.16 North Italian 15th Probably North Italian 15th century Saint George and the century Dragon

1943.4.74 Antonio del Pollaiuolo Imitator of Antonio del Pollaiuolo Bust of a Warrior c. 1475 1850/1870 1975.6.1 Guglielmo della Porta Probably Neapolitan Paul III (Farnese), Pope c. 1545 19th/20th century 1957.14.74 Andrea Riccio Workshop of Severo da Ravenna A Sea Monster 1957.14.7 Roman 18th century Roman 18th/19th century Lion 1775/1799 c. 1780/1885 1957.14.17 Attributed to Severo da Severo da Ravenna Saint Sebastian Ravenna 1985.65.1 Venetian 16th century Style of Venetian or Paduan 16th Female Figure with Raised century Arms (A Niobid?) 1942.9.143 Venetian 17th century Italian 17th/l9th century Andiron with Figure of Jupiter 1942.9.144 Venetian 17th century Italian 17th/19th century Andiron with Figure of Juno 1942.9.139 Agostino Zoppo Attributed to Agostino Zoppo Incense Burner

DECORATIVE ARTS

1942.9.329 Salimbene di Pietro Workshop of Maestro Giorgio Dis/i floral border; Andreoli Andreoli of Gubbio in the center, shield of arms of the Saracinelli of Orvieto 1942.9.330 Giorgio Andreoli Workshop of Maestro Giorgio DtsA with scene of Andreoli of Gubbio Hercules overcoming Antaeus before the mouth of a cave, with an extensive landscape beyond 1942.9.331 Giorgio Andreoli Workshop of Maestro Giorgio Large plate with floral Andreoli of Gubbio border; in center, shield of arms of the Vigeri of Orvieto 1942.9.332 Giorgio Andreoli Workshop of Maestro Giorgio Large plate with border of Andreoli of Gubbio floral ; in center, shield of arms of the Vigeri of Savona 1942.9.333 Giorgio Andreoli Workshop of Maestro Giorgio Plate with landscape scene Andreoli of Gubbio; painting of reconciliation of Minerva attributed to the Painter of the and Cupid Three Graces 1942.9.334 Giorgio Andreoli Workshop of Maestro Giorgio Flat plate with landscape Andreoli of Gubbio; painting scene of a battle between attributed to the Painter of the Romans and Carthaginians Three Graces 1942.9.335 Giorgio Andreoli Workshop of Maestro Giorgio Plate with floral border; Andreoli of Gubbio in center, shield impaling arms of Burgundy with those of Fregoso of

121 Number and title: Attribution: Changes to:

1942.9.280 Attributed to anonymous Probably English or Aquamanile in the Form of English 13th century Scandinavian 13th century a Horseman 1942.9.276 Anonymous French 15th Probably French 19th Reliquary in the form of century century, c. 1850 an Arab's head 1942.9.282 Anonymous German 12th Probably Rhenish and Crucifix century or anonymous Mosan Mosan 12th century c. 1150/1175 1942.9.337 Francesco Xanto Avelli Attributed to Francesco Xanto Avelli Plate with scene of Hero and a collaborator, in Urbino; leaping from her tower to probably lustered in the workshop of join the drowned Leander; Maestro Giorgio Andreoli of Gubbio, in center, a shield of or by Vincenzo Andreoli, Urbino arms 1942.9.338 Francesco Xanto Avelli Attributed to Francesco Xanto Dish with landscape scene Avelli, Urbino, possibly with of the death of Laocoon assistants; lustered in the workshop and his sons of Maestro Giorgio Andreoli, of Gubbio, or possibly in Urbino 1942.9.316 Caffagiolo Probably Tuscan or Faentine 16th Bowl with floral border; in century center, laureate bust of a youth, to left 1942.9.313 Castel Durante Probably Urbino district Plate with border of putti and trophies amid grotesques; in center, Cupid standing armed, in a landscape 1942.9.321 Deruta 16th century Probably Deruta 16th century Large dish with border of floral motifs, cornucopiae, and crown; in center, griffin supporting a shield of arms, to left, amid roses 1942.9.327 Deruta 16th century Deruta, or possibly Gubbio 16th Dish with border of century flowers and petals with mounded hills; in center, a fowl to left, between flowered plants 1942.9.347 Attributed to Francesco Urbino or Urbino district 16th Small dish with Leda and Durantino century the Swan in a wooded landscape; Jupiter repeated above; at left, Eros and Anteros(?) 1942.9.314 Faenza 16th century Probably Faentine or Venetian 16th Plate with border of century grotesques and shields of arms; in center, putti holding another shield with arms of the Gritti of Venice 1942.9.342 Faenza 16th century North or Central Italian 16th century Plaque with fruited wreath enclosing a shield of arms 1942.9.395 Florentine 14th century Probably Tuscan 14th century Cassetta with gilded Cassetta pastiglia decoration 1942.9.286 Franco-Flemish 15th German, Netherlandish, or French Pax: The Annunciation century 16th century c. 1500 (shell cameo) Italian or German 16th century c. 1500/1600 (setting) 1942.9.351 French 16th century French 16th century, probably Coupe with the arms Saint-Porchaire Saint-Porchaire (Deux-Sevres), or of France Paris region 1942.9.352 French 16th century French 16th century, probably Candlestick with masks Saint-Porchaire Saint-Porchaire (Deux-Sevres), or and cupids Paris region 1942.9.353 French 16th century French 16th century, probably Salt cellar Saint-Porchaire Saint-Porchaire (Deux-Sevres)

122 Number and title: Attribution: Changes to: 1942.9.326 Gubbio 16th century Probably workshop of Maestro Small plate with border of Giorgio Andreoli of Gubbio floral motifs, cornucopiae, and geometric panels; in center, bust of Saint Paul with raised sword 1942.9.328 Gubbio 16th century Deruta, or possibly Gubbio, 16th Dish with floral border, century and geometric panels on well; in center, bust of a man in armor, to left 1942.9.340 Gubbio 16th century Probably painted and lustered in the Dish with marine scene of workshop of Maestro Giorgio Clio carried on the bach Andreoli of Gubbio of a swan 1942.9.336 Niccolo da Urbino Attributed to Nicola da Urbino or a Plate with the Triumph of follower or a close associate; Venus and Cupid, in a probably lustered in the workshop of radiant cloudscape Maestro Giorgio Andreoli of Gubbio 1942.9.341 Niccolo da Urbino Painted by Nicola da Urbino Plaque with scene of the Adoration of the Magi, in an extensive landscape 1942.9.356 North Italian, Probably Milanese, "The Morosini " 2nd half 16th century c. 1550/1600 1942.9.339 Urbino 16th century Painted in the Urbino district or Plate with a landscape Gubbio 16th century; lustered in the scene of Jupiter, Juno workshop of Maestro Giorgio and Io transformed into a Andreoli, Gubbio, or possibly in the workshop of Vincenzo Andreoli, Urbino 1942.9.343 Urbino 16th century Probably Urbino district 16th Dish with border of century and delphigriffs; in center, bust of a youth, to left 1942.9.344 Urbino 16th century Urbino district 16th century Dish with border of urns and cherubs heads; in center, armorial device of bird on bale 1942.9.349 Urbino 16th century Painting attributed to Francesco Dish with landscape scene Xanto Avelli, place of production of the conversion of Saul uncertain 1942.9.350 Urbino 16th century Probably Urbino district 16th Plate with scene of century Hercules, Omphale, and Cupid in an extensive landscape 1961.9.195 Venetian 15th century Probably Venetian or Lombard 16th Silver and enamel chest c. 1400 century c. 1550/1600

GRAPHICS

1983.49.152-203 Charles-Louis Clerisseau Joseph Marie Vien Fifty-Two Views of Rome and Its Environs 1987.20.1 Italian 15th century Francesco Marmitta Head of Saint John the Baptist 1983.74.17 Messer Ulisse Severino Gherardo Cibo View near Rosora di Serra da Cingoli San Quirico

123 Loans Frank Weston Benson, Portrait in White; Francis URUGUAY Cotes, Miss Elizabeth Crewe; Jacob Eichholtz, Wil- Montevideo, United States Ambassador liam Clark Frazer; Thomas Gainsborough, William George Catlin, 4 paintings of Indian life; Thomas EXTENDED LOANS FROM THE Yelverton Davenport; George Peter Alexander Healy, Chambers, The Hudson Valley, Sunset GALLERY'S COLLECTIONS Roxanna Atwater Wentworth; Michiel van Miere- veld, Portrait of a Lady with a Ruff; John Singer VENEZUELA Sargent, Miss Grace Woodhouse; Gilbert Stuart, Luke All works are part of the National Lending Service Caracas, United States Ambassador White; , Self-Portrait (returned) unless indicated byt American 19th century, Interior Scene; Little Miss Wyckoff; Twenty-two Houses and a Church; George AUSTRALIA FRANCE Catlin, 2 paintings of Indian life Canberra, United States Ambassador Paris, Musee du Louvre American 19th century, Indians Cooking Maize, Severo da Ravenna, The Christ Childt YUGOSLAVIA

George Catlin, 2 paintings of Indian life Paris, United States Ambassador , United States Ambassador American 19th century, Washington at Valley Forge; Charles S. Humphreys, Budd Doble Driving Gold- AUSTRIA Thomas Eakins, Louis Husson; A. A. Lamb, Eman- smith Maid at Belmont Driving Park (returned) Vienna, Unites States Ambassador to the Conference cipation Proclamation; John Singer Sargent, Mrs. and Security Commission of Europe Joseph Chamberlain; James McNeill Whistler, Head UNITED STATES Attributed to J. W. Audubon, Long-Tailed Red Fox; of a Girl; Benjamin West, Mrs. William Beckford and A Young Bull; Alexander Liberman, Omega IV; ALABAMA , Untitled; Allen Tucker, Bizarre GERMANY Birmingham Museum of Art Vienna, United States Ambassador to the Negotia- Bonn, United States Ambassador Anders Zorn, Hugo Reisinger tions on Conventional Armed Forces in Europe George Catlin, 2 paintings of Indian life CALIFORNIA Thomas Chambers, Storm-Tossed Frigate GUATEMALA Oakland Museum of Art BELGIUM Guatemala City, United States Ambassador Mark Rothko, 2 Untitled paintings Brussels, United States Ambassador to NATO George Catlin, 5 paintings of Indian life CONNECTICUT Gilbert Stuart, George Pollock; Mrs. George Pollock; , Ann Biddle Hopkinson; Francis Hop- Hartford, Wadsworth Atheneum kinson; The Leland Sisters , United States Ambassador Mark Rothko, Untitled American 19th century, The End of the Hunt; The DISTRICT OF COLUMBIA BOLIVIA Start of the Hunt; George Catlin, 2 paintings of In- Le Paz, United States Ambassador dian life; Joseph Goodhue Chandler, Girl with Kit- The Architect of the Capitol George Catlin, 5 paintings of Indian life ten; Leonid, Derrynane Harbor, Ireland; Gilbert Franklin C. Courter, Lincoln and His Son, Tad Stuart, Counsellor John Dunn; John Bill Ricketts Blair House BRUNEI John Singleton Copley, Harrison Gray; Georgia Tim- ITA LY Bandar Seri Begawan, United States Ambassador ken Fry, Flock of Sheep; Joseph Bartholomew Kidd, American 19th century, Lexington Battle Monument Florence, Ente Casa Buonarroti after , Black-Backed Three- (returned); George Catlin, 3 paintings of Indian life After Michelangelo Buonarroti, Damned Soul Toed Woodpecker; Orchard Oriole; attributed to (returned); Karl Knaths, Marble Mantle (returned) Benjamin Marshall, Race Horse and Trainer; Fritz THE NETHERLANDS Muller, Capture of the "Savannah" by the U.S.S. CHINA The Hague, United States Ambassador "Perry"; Gilbert Stuart, William Hartiganf?); Beijing, United States Ambassador George Catlin, Two Sioux Chiefs, A Medicine Man, Thomas Wilcocks Sully and Thomas Sully, Major American 19th century, New England Farm in and a Woman with a Child (returned); Frederick Thomas Biddle Winter; Marguerite Zorach, Christmas Mail Carl Frieseke, Memories (returned); , Department of State, Diplomatic Reception Rooms Volendam Street Scene (returned); Walt Kuhn, George Catlin, 6 paintings of Indian life COLOMBIA Pumpkins (returned); Thomas Sully, John Quincy Bogota, United States Ambassador Adams (returned) Library of Congress, Lessing Rosenwald Room American 19th century, Miss Ryan (returned); Carl Milles, Head of Orpheus PARAGUAY George Catlin, 9 paintings of Indian life (4 returned) Director, Office of Management and Budget Asuncion, United States Ambassador , Regatta at Henley CZECHOSLOVAKIA George Catlin, 4 paintings of Indian life National Museum of American History, Smithsonian , United States Ambassador Institution George Catlin, 3 paintings of Indian life (returned); SPAIN Charles Peale Polk, General Washington at Mark Rothko, Untitled (Man and Woman Holding Barcelona, Fundacio Joan Miro Princeton Hands); Untitled (Three Figures); Untitled (Still Life Mark Rothko, Untitled National Museum of Health and Medicine of the with Vase) Madrid, United States Ambassador Armed Forces Institute of Pathology George Catlin, 5 paintings of Indian life DENMARK C. Gregory Stapko, Dr. John Brinton (returned)

Copenhagen, United States Ambassador SWITZERLAND National Portrait Gallery, Smithsonian Institution American 19th century, Horizon of the New World; Geneva, United States Ambassador to the Arms Chester Harding, Self-Portrait; Daniel Huntington, George Catlin, 3 paintings of Indian life; Mark Control and Disarmament Agency Dr. James Hall; Henry Theodore Tuckerman; John Rothko, Untitled (Two Seated Women) American 19th century, Brother and Sister; Steam- Wesley Jarvis, Thomas Paine; Irving R. Wiles, Miss ship Erie; George Catlin, 2 paintings of Indian life; Julia Marlowe EGYPT attributed to Reuben Rowley, Dr. John Safford and National Trust for Historic Preservation Cairo, United States Ambassador Family Bernard Hailstone, David E. Finley Leila T. Bauman, U.S. Mail Boat; Walt Kuhn, Green Apples and Scoop; Mark Rothko, 2 Untitled paint- Geneva, United States Ambassador to the United The Octagon, The American Institute of Architects ings; James Twitty, Blue Water Nations Mission Foundation American 19th century, A braham Lincoln; T. Gilbert Stuart, William Thornton; Mrs. William ENGLAND Davies, Ship in Full Sail; George Catlin, Falls of the Thornton Snake River; Gilbert Stuart, Ann Barry; Mary Barry London, United States Ambassador Sir William Beechey, General Sir Thomas Picton;

124 The Secretary of Agriculture Mr. Justice David S outer NATIONAL GALLERY LOANS TO Thomas Hart Benton, Trail Riders (returned); Rembrandt Peale, George Washington; Gilbert TEMPORARY EXHIBITIONS George Catlin, 4 paintings of Indian life Stuart, Captain Joseph Anthony, after Gilbert Stuart, James Lloyd; William Constable; Vincent The Secretary of Commerce Works in the National Lending Service marked* , Stairs in the Artist's Garden; Tack, Harlan F. Stone Thomas Chambers, New York Harbor with Pilot Mr. Justice John Paul Stevens RELGIUM Boat "George Washington "; Raoul Dufy, Music and American 19th century, Portland Harbor, Maine; , Koninklijk Museum voor Schone Kunsten the Pink Violin; Philip van Kouwenbergh, Flowers in George Catlin, Scene from the Lower Mississippi; Ed- Antwerpen a Vase ward Gaertner, City Hall at Torun; Alphonse Legros, FLANDES Y AMERICA: THE SOUTHERN NETHERLANDS AND LATIN AMERICA. 500 The Secretary of Education Hampstead Heath; , Queen YEARS OF CULTURAL EXCHANGE, 25 January- Maurice Utrillo, Street at Corte, Corsica Victoria 24 May 1992: After Ludwig van Schoor, America The Secretary of Health and Human Services The United States Trade Representative George Catlin, A Small Crow Village; Andre Derain, American 19th century, Imaginary Regatta of Amer- CANADA Abandoned House in Provence; Still Life; Leonid, ica's Cup Winners; Mounting of the Guard; View of Montreal Museum of Fine Arts Faraduro, Portugal; Allen Tucker, Madison Square, Aberdeen, Washington; Thomas Chambers, Bay of THE GENIUS OF THE SCULPTOR: THE ART OF Snow New York, Sunset; Boston Harbor MICHELANGELO, 12 June-13 September 1992: Gio- vanni Desiderio Bernard!, The Fall of Phaeton; The Rape of The Secretary of Housing and Urban Development The Vice President s House Ganymede; Caradosso, Julius 11 (Giuliano delle Rovere) (ob- French 19th century, Melon and Lemon; Charles American 19th century, Girl with Toy Rooster; verse), View of Saint Peter's (reverse); follower of Michel- Henry Granger, Muster Day; Walt Kuhn, Zinnias; George Catlin, 3 paintings of Indian life; Lydia angelo Buonarroti, Apollo and Marsyas; Leone Leoni, George Ropes, Mount Vernon; Douglas Volk, Field , Olivia; after Jean-Baptiste Greuze, Michelangelo Buonarroti, 1475-1564, Florentine Artist Abraham Lincoln ; Charles S. Humphreys, The (obverse), Blind Man with a Staff and Water Flask Led by a Trotter The Secretary of Labor Dog (reverse); Roman 15th century, Apollo and Marsyas American 19th century, Portrait of a Lady; "We Go Preservation Office, The White House ENGLAND for the Union "; Winslow Homer, Sunset; George American 18th century, Attack on Bunker's Hill with Benjamin Luks, The Bersaglieri; Mark Rothko, Un- the Burning of Charles Town; A. Hashagen, Ship London, Hayward Gallery titled (Subway) "Arkansas" Leaving Havana; John Wesley Jarvis, RENE MAGRITTE, 19 May-2 August 1992; Rene Commodore John Rogers; John Neagle, Colonel Au- Magritte, La Condition Humaine; The Blank Signature*; The Secretary of Transportation gustus James Pleasonton; John Vanderlyn, John circulated to the Metropolitan Museum of Art, New York, 9 Sep- Style of Hendrick van Anthonissen, Ships in the Sudam tember-22 November 1992 Scheldt Estuary; L.M. Cooke, Salute to General London, National Gallery Washington in New York Harbor; follower of Claude The White House MANET AND THE EXECUTION OF MAXI- Lorrain, Harbor at Sunset; Hugues Merle, Children George Catlin, 11 paintings of Indian life; John MILIAN, 1 July-27 September 1992; Edouard Manet, Frederick Kensett, Landing at Sabbath Day Point, Playing in a Park; Rene Pierre Charles Princeteau, The Dead Toreador Horses Lake George; Thomas Sully, Andrew Jackson; Jean- Baptiste-Camille Corot, The Eel Gatherers; Jules London, Royal Academy of Arts The Secretary of the Treasury Dupre, The Old Oak; Dietz Edzard, Flowers in a M ANTEGN A, 17 January-5 April 1992: attributed to George Catlin, 7 paintings of Indian life Vase; Three Flowers in a Vaset Antonio da Brescia, Two Peasants; Andrea Mantegna, Bird Supreme Court of the United States Perched on a Branch with Fruit; Christ Child Blessing, The Mr. Chief Justice William H Rehnquist FLORIDA Entombment; Judith and Holofem.es; Portrait of a Man; Tri- umph of Caesar: The Senators; circulated to the Metropolitan American 19th century, Boy and Girl (returned); St. Petersburg, Museum of Fine Arts Museum of Art, New York, 28 April-12 July 1992, with Man- Boy in Blue (returned); Memorial to Nicholas M.S. Studio of Gerard Terborch II, The Concert tegna's Descent into Limbo Catlin (returned); Pink Roses (returned); Chinese, NORTH CAROLINA Ch'ing , Archery Contest; unknown 18th cen- FRANCE tury, Portrait of a Man; George Catlin, 3 paintings of Charlotte, Mint Museum of Art Colmar, Musee d'Unterlinden Indian life; George Cuitt the Younger, Easby Abbey, Mark Rothko, Untitled (Black and Gray) (returned); MARTIN SCHONGAUER, 13 September-27 October Near Richmond; Andre Derain, Road in Provence; Georges Rouault, The Breton Wedding (returned) 1991: Martin Schongauer, Bust of a Monk Assisting at Com- Jean-Louis Forain, Behind the Scenes; attributed to munion; Young Woman Wearing a Scarf Sturtevant J. Hamblin, Little Girl with Pet Rabbit TEXAS Montpellier, Musee Fabre (returned); Edward Molyneux, Chapel in Provence; Austin, Archer M. Huntington Gallery, University of FREDERIC BAZILLE, 11 July-4 October 1992: Fre- Ammi Phillips, Jane Storm Teller (returned); Texas at Austin deric Bazille, Edmond Maitre*; Claude Monet, Bazille and Thomas Sully, Thomas Alston; Augustus Vincent Mark Rothko, Untitled Camille Tack, Charles Evans Hughes; Frits Thaulow, River Scene; John Toole, Skating Scene (returned); Eu- VIRGINIA Nancy, Musee Historique Lorrain JACQUES CALLOT, 1592-1635, 15 June-15 Sep- gene Laurent Vail, The Flags, Saint Mark's, Venice- Fairfax, George Mason University tember 1992: Jacques Callot, Studies of Horses; Tree of Fete Day Alfredo Halegua, America; , Antecedent Saint Francis; Jacques Stella, The Fair of Impruenta Mr. Justice Anthony Kennedy Paris, Galeries nationales du Grand Palais French 19th century, Race Course at Longchamps; AMOURS DESDIEUX, 15 October 1991-13 January Jean Beraud, Paris, rue du Havre; Dutch 17th cen- 1992: Jean Honore Fragonard, Diana and Endymion*; tury, Flowers in a Classical Vase; John Femeley, In circulated to the Philadelphia Museum of Art, 20 February- the Paddock (returned); , Siberian Dogs 26 April 1992, and the Kimbell Art Museum, Fort Worth, in the Snow; Henri Moret, The Island of Raguenez, 23 May-2 August 1992 Brittany GERICAULT, 26 September 1991-6 January 1992: Mr. Justice Thurgood Marshall* Theodore Gericault, Flayed Horse //; Trumpeters of American 19th century, Leaving the Manor House; Napoleon s Imperial Guard Enrique Castro, Untitled; imitator of van Gogh, Paris, Musee du Louvre Landscape CLODION, 17 March-29 June 1992: Clodion, Model for Mme. Justice Sandra Day O Connor "Poetry and Music " George Catlin, 5 paintings of Indian life Sceaux, Musee de 1 He de France, Chateau de Sceaux LES PEINTRES DE LA SEINE, 30 September- 15 December 1991: Claude Monet, Bridge at Argenteuil *deceased on a Gray Day; Auguste Renoir, Regatta at Argenteuil

125 GERMANY Florence, Palazzo Strozzi GUSTAV KLIMT, 30 November 1991-16 March 1992: Berlin, Crosse Orangerie Schloss Charlottenburg Gustav Klimt, Baby (Cradle) (organized by Berlinische Celeries) SCHWERELOS, 9 November 1991-22 January 1992: Florence, Galleria degli Uffizi , Falling Man* UNA SCUOLA PER PIERO: LUCE, COLORE E PROSPETTIVA NELLA FORMAZIONE FIOREN- Berlin, Berliner Festspiele GmbH TINA DI PIERO DELLA FRANCESCA, 26 Septem- PATTERNS OF JEWISH LIFE, 12 January-26 April ber 1992-10 January 1993: Domenico Veneziano, Saint 1992: Mark Rothko, Untitled (Two Women Before a Francis Receiving the Stigmata; Saint John in the Desert Cityscape)* Genoa, Galleria Nazionale della Liguria, Palazzo Spinola Kunsihalle Bremen isfw. di Pelliceria GENIUS RODIN-EROS UND KREATIVITAT, GENOVA NELL' ETA BAROCCA, 29 April-29 July 3 November 1991-12 January 1992: Auguste Rodin, The 1992: Sir Anthony van Dyck, Marchesa Balbi; Marchesa Kiss; Rear View of Female Figure in Action; circulated to Elena Grimaldi, Wife of Marchese Nicola Cattaneo Stadtische Kunsthalle, Dusseldorf, 24 January-22 March 1992 Genoa, Italian Pavillion, Esposizione Intemazionale LESS1NG ROSENWALD'S COLLECTION AT Specializzata Genova 1992 THE NATIONAL GALLERY OF ART, 19 May- CRISTOFORO COLOMBO: SHIPS AND THE 9 August 1992: Albrecht Altdorfer, The Beautiful Virgin of SE A, 15 May-15 August 1992: Giovanni Battista Tiepolo, Regensberg; Mary Cassatt, four graphics from The Fitting The World Pays Homage to Spain series; Master of 1515, Allegory of Fortitude; Rembrandt , Museo Poldi-Pezzoli van Rijn, Christ Crucified Between the Two Thieves (The LE MUSE E IL PRINCIPE-LO STUDIOLO DI Three Crosses) BELFIORE A FERRARA, 19 September-1 December Cologne, Wallraf-Richartz-Museum 1991: attributed to Jacopo Bellini, Profde Portrait of a Boy, DIE ANTWERPENER MALERSCHULE 1550- Matteo de' Pasti, Guarino da , 1374-1460, Human- 1650, 3 September-22 November 1992: Sir Anthony ist (obverse). Fountain Surmounted by a Nude Male Figure van Dyck, ; Peter Paul Rubens, Decius Meus (reverse); follower of Cosimo Tura, Saint Francis Receiving Addressing the Legions the Stigmata Museum Folkwang , Soprintendenza per i Beni Artistici e Storici di DIE WAHRHE1T DES SICHBAREN, 21 June-27 Napoli with Museo e Galleria Nazionali di Capodimonte at September 1992: Edward Hopper, Cape Cod Evening* Castel St. Elmo Schirn Kunsthalle Frankfurt JUSEPE MARIA R1BERA, 27 February-17 May KUNST IN DER REPUBLIK GENUA, 1528- 1992: Jusepe Maria de Ribera, The Martyrdom of Saint 1815, 29 August-9 November 1992: Sir Anthony van Bartholomew; circulated to Museo del Prado, Madrid, Dyck, Marchesa Balbi; Anton Maria Vassallo, The Larder 28 May-9 August 1992 Forum des Landesmuseums, Niedersachsisches Landes- , Lingotta S.r.L. museum Hannover ARTE AMERICANA 1930-1970, 11 January- VENDIGS RUHM 1M NORDEN, 3 December 1991- 31 March 1992: Claes Oldenburg, Glass Case with Pies 2 February 1992: Bernardo Bellotto, The Castle of Nymph- (Assorted Pies in a Case) enburg; Sebastiano Ricci, The Last Supper ; circulated to the Urhino, Galleria Nazionale dello Marche, Palazzo Ducale Kunstmuseum Dusseldorf, 16 February-26 April 1992 PIERO E URBINO, 24 July-31 October 1992: Master Munich, Stadtische Galerie im Lenbachhaus of the Barbarini Panels, The Annunciation; workshop of GABR1ELE MUNTER, 29July-l November 1992: Piero della Francesca, Saint Apollonia Gabriele Munter, Christmas Still Life JAPAN Hiroshima Museum of Art Jerusalem, The Israel Museum MATISSE RETROSPECTIVE EXHIBITION, WILLIAM BLAKE'S ILLUSTRATIONS FOR THE 5 October-4 November 1991: Henri Matisse, Woman BOOK OF JOB, 7 April-29 June 1992: William Blake, Seated in an Armchair; circulated to Kasama Nichido Mu- 6 drawings seum of Art, 9 November-8 December 1991 Yokohama Museum of Art ITALY GAUGUIN ET SES AMIS PEINTRES, 11 April- Bassano del Grappa, Museo Civico 31 May 1992: , Pair of Wooden Shoes; circu- Sesshu Toyo, A ma no Hashidate, c. 1503, Japanese JACOPO BASSANO, 5 September-6 December 1992: ated to Hiroshima City Museum of Contemporary Art, 6 June- National Treasure lent by the National Mu- Jacopo Bassano, The Annunciation to the Shepherds; The 5 July 1992, and Kyoto Municipal Museum of Art, 11 July- seum for exhibition in Circa 1492 Mocking of Christ 16 August 1992 Bologna, Museo Civico Archeologico MEXICO GIOVAN FRANCESCO BARBIERI, ILGUER- CINO (1591-1 666), 6 September-10 November , Centro Cultural Arte Contemporaneo A C 1991: Guercino, paintings: Amnon and Tamar; Joseph and ETCHINGS OF JACQUESCALLOT. . AROUND Madrid, Centro de Arte Reine Sofia Potiphars Wife; drawings: Amnon and Tamar ; The Angel of THE MISERIES OF WAR, 23 June-10 October ANDRE BRETON, LA BEAUTE CONVULSIVE, the Annunciation; Madonna and Child with Saints; Rest on 1992: Jacques Callot, 18 etchings from The Large Miseries 1 October-2 December 1991: Arshile Gorky, One Year the the Flight into Egypt; circulated to the Schirn Kunsthalle of War series Milkweed Frankfurt, 2 December 1991-9 February 1992 Seville, Monasterio Santa Maria de las Cuevas, Exposi- SCOTLAND Pinacoteca Civica di Cento tion Universal de Seville 92 IL GUERCINO E LA BOTTEGA, 6 September- Edinburgh, National Gallery of Scotland ART AND CULTURE AROUND 1492, 18 May- 10 November 1991: Guercino, Cardinal Francesco Cen- DUTCH ART AND SCOTLAND: A REFLECTION 12 October 1992: Neroccio de' Landi, Portrait of a Lady OF TASTE, 13 August-18 October 1992: Rembrandt nini; circulated to the Schirn Kunsthalle, Frankfurt, 2 Decem- EL PA1SAJE MEDITERRANEO. 28 May-12 Octo- van Rijn, Self Portrait ber 1991-9 February 1992 ber 1992: Annibale Carracci, Landscape Florence, Ente Casa Buonarroti SPAIN Seville, Pabellon de Espana, Exposition Universal de IL GIORDINO DI SAN MARCO, 30 June-19 Octo- Barcelona, Sevilla '92 ber 1992: Andrea Mantegna, Judith and Holofernes 1905-1906, 5 February-19 April TESOROS DEL ARTE ESPANOL, 20 April-15 Au- 1992: Pablo Picasso, Jester ; Lady with a Fan*; circulated to gust 1992: Bartolome Esteban Murillo, Two Women at a Kunstmuseum Bern, 8 May-26 July 1992 Window

126 Toledo, Museo de Santa Cruz Kunsthaus Zurich Malibu, The J. Paul Getty Museum REYES Y MECENAS, 13 March-31 May 1992: Juan GUSTAV KLIMT, 11 September-13 December 1992: TWO LIVES: O'KEEFFE BY STIEGLITZ, 30 de Flandes, The Temptation of Christ; Michel Sittow, The As- Gustav Klimt, Baby (Cradle) June-13 September 1992: Alfred Stieglitz, 22 photographs sumption of the Virgin; Portrait of Diego de Guevara(?); cir- Newport Beach, Newport Harbor Art Museum culated to Schloss Ambras, Innsbruck, 3 July-20 September UNITED STATES BOTH ART AND LIFE: GEMINI AT 25, 20 Sep- 1992 CALIFORNIA tember-29 November 1992: , Figure 0; Figure Valencia, IVAM Centre Julio Gonzalez 4; Figure 6; Figure 8 THE POETRY OF FORM, 25 June-30 August 1992: Los Angeles, The Museum of Contemporary Art : THE SCULPTURE, 9 July-6 Septem- Richard Tuttle, 35 graphic works AD REINHARDT, 13 October 1991-5 January 1992: ber 1992: Max Ernst, Capricorn Ad Reinhardt, Black Painting No. 34*; Untitled SWITZERLAND The Fine Arts Museums of San Francisco, M.H. de Young Los Angeles County Museum of Art Memorial Museum Lugano, Museo Cantonale d arte THE PAINTINGS OF , WILLIAM STANLEY HASELTINE, 20 June- LYON EL FEININGER, 6 September-10 November 16 February-10 May 1992: George Bellows, Little Girl in 29 September 1992: William Stanley Haseltine, Natural 1991: Lyonel Feininger, Zirchow VII* White (Queenie Burnett); New York; circulated with Bellows' Arch at Capri; Venetian Lagoon Club Night* to Whitney Museum of American Art, New York, 5 June-30 August 1992

127 CONNECTICUT LOUISIANA PAUL STRAND, 13 March-17 May 1992: Paul Strand, 55 photographs; circulated to the Fine Arts Museums of San New Haven, Yale University Art Gallery New Iberia, Gallery of the Gardens, Live Oak Gardens Francisco, M.H. de Young Memorial Museum, 14 June-16 Au- FtiLIX VALLOTTON: A RETROSPECTIVE, VOYAGES OF DISCOVERY: HISTORY gust 1992 24 October 1991-5 January 1992: Felix Vallotton, EAcci- PAINTINGS BY GEORGE CATLIN, 1 May-31 July dent; LAverse; The Church of Souain; La Modiste-, Le 1992: George Catlin, 26 paintings of Indian life* One on la, The Museums at Hartwick College Monome; The Wind* ; circulated to the Museum of Fine Arts, SOUTH AMERICAN INDIAN PAINTINGS BY MAINE Houston, 31 January-29 March 1992; The Wind and The GEORGE C AT LIN, 6 September-30 November 1992: Church of Souain also circulated to the Indianapolis Museum of The Museum of Art of Ogunquit George Catlin, 35 paintings of Indian life* Art, 25 April-21 June 1992, and the Rijksmuseum Vincent van WA LT KU H N, 1 July-15 September 1992: Walt Kuhn, Roslyn, Nassau County Museum of Art Gogh, Amsterdam, 27 August-11 November 1992 The White Clown* MARK ROTHKO: THE SPIRIT OF MYTH, EARLY PAINTINGS FROM THE 1930s AND DISTRICT OF COLUMBIA MASSACHUSETTS 1940s, 3 August-3 November 1991: 26 paintings by The Corcoran Gallery of Art Andover, Addison Gallery of American Art Mark Rothko* SPORT IN ART FROM AMERICAN MUSEUMS, WALKER EVANS: SUBWAYS AND STREETS, 21 September-8 December 1991: George Bellows, Tennis 8 September-20 December 1992: Walker Evans, 60 NORTH CAROLINA photographs Tournament; circulated to IBM Gallery of Science and Art, New Wilmington, St. John s Museum of Art York, 14 January-28 March 1992 Boston, Museum of Fine Arts CASSATT, DEGAS, AND PISSARRO: A STATE National Portrait Gallery THE LURE OF ITALY: AMERICAN ARTISTS OF REVOLUTION, 6 February-12 April 1992: Ca- RALPH EARL: THE FACE OF A YOUNG RE- AND THE ITALIAN EXPERIENCE, 16September- mille Pissarro, Chestnut Vendors (Marchands de Marrons); PUBLIC, 1 November 1991-1 January 1992: John 13 December 1992: William Stanley Haseltine, Marina circulated to Gibbes Museum of Art, Charleston, 18 April- Singleton Copley, Mrs. Adam Babcock; Ralph Earl, Daniel Piccola, Capri 28 June 1992, and Pennsylvania Academy of the Fine Arts, Philadelphia, 15 July-30 September 1992 Boardman; Dr. David Rogers*; Martha Tennent Rogers* ; FRA BART0L0ME0 DRAWINGS, 15 January- Thomas Earle*; four Ralph Earl paintings circulated to 12 April 1992: Fra Bartolomeo, Two Friars on a Hillside OHIO Wadsworth Atheneum, Hartford, 2 February-5 April (recto) Bare Tree (verso); circulated to Kimbell Art Museum, 1992, and Amon Carter Museum, Fort Worth, 16 May- Fort Worth, 9 May-2 August 1992, and the Pierpont Morgan 12 July 1992 Library, New York, 11 September-29 November 1992 GUERCINO: MASTER DRAFTSMAN: WORKS FROM NORTH AMERICAN COLLECTIONS, GROUP PORTRAIT: THE FIRST AMERICAN MICHIGAN 27 August-13 October 1991: Guercino, A Grain Merchant; AVANT-GARDE, 10 May-3 November 1991: Alfred Landscape with a Waterfall; Shepherds Peering into a Stieglitz, Georgia O'Keejfe: A Portrait—Head; Picabia; Ann Arbor, The University of Michigan Art Museum Chasm Marsden Hartley; Brancusi Exhibition at 291; The Last SYLVIA PLIMACK MANGOLD: WORKS ON Days of "291Marius De Zayas; Paul Haviland; Arthur G. PAPER, 1968-1991, 11 April-7 June 1992: Sylvia Oberlin, Allen Memorial Art Museum Dove; Marcel Duchamp; John Marin Plimack Mangold, Study for "Opposite CornersUntitled FROM STUDIO TO STUDIOLO: FLORENTINE 1975; Untitled 1977; circulated to the Institute of DRAFTSMANSHIP UNDER THE FIRST MEDICI Supreme Court of the United States Arts, 4 July-6 September 1992, and Grunwald Center for the GRAND DUKES, 14 October-1 December 1991: Jac- EXHIBIT COMMEMORATING THE CENTEN- Graphic Arts, Los Angeles, 27 September-15 November 1992 opo Ligozzi, Martyrdom of St. Apollonia; Jacopo Zucchi, NIALOFTHEBIRTHOFEARL WARREN, Avarice; circulated to Bowdoin Museum of Art, Brunswick, 27 18 March 1991-18 September 1992: Gardner Cox, MINNESOTA January-15 March 1992 Earl Warren* The Minneapolis Institute of Arts Youngstown, The Butler Institute of American Art GEORGIA REMBRANDT'S LUCRETI AS, 18 January-30 April THE ARTIST AT RINGSIDE, 29 March-10 May Atlanta, The 1992: Rembrandt van Rijn, Lucretia 1992: George Bellows, Club Night* : MASTER PRINTS FROM NEW HAMPSHIRE PENNSYLVANIA THE EPSTEIN FAMILY COLLECTION, 17 Au- gust-10 November 1991: Edvard Munch, The Kiss; Ma- Hanover, Hood Museum of Art, Dartmouth College Chadds Ford, Brandywine River Museum donna; Women on the Shore; Girl with a Heart THE AGE OF THE MARVELOUS, 14September- THELANDOFTHEBRANDYWINE, 6 June- 24 November 1991: , The Veil of Veronica; 7 September 1992: Andrew Wyeth, Field Hand; Snow HENRY OSSAWA TANNER: 1859-1937, 17 Sep- Jan Davidsz. de Heem, Vase of Flowers; Albrecht Durer, Flurries tember-14 November 1991: Henry Ossawa Tanner, The The Monstrous Pig of Landseer ; circulated to the Museum of Seine*; circulated to the Fine Arts Museums of San Francisco, Philadelphia, Pennsylvania Academy of the Fine Arts Fine Arts, Houston, 19 May-9 August 1992 M. H. de Young Memorial Museum, 15 December 1991- THOMAS EAKINS REDISCOVERED, 26 Septem- 1 March 1992 NEW YORK ber 1991-5 April 1992: Thomas Eakins, Study for "Negro Boy DancingThe Banjo Player*; Study for "Negro Boy MAX WEBER: THE CUBIST DECADE, 1910- New York, Frick Collection Dancing": The Boy* 1920, 10 December 1991-9 February 1992: Max NICOLAS LANCRET: 1690-1743, 19 November Weber, Interior of the Fourth Dimension; Rush Hour, New 1991-12 January 1992: Nicolas Lancret, La Camargo TEXAS York*; circulated to the Museum of Fine Arts, Houston, Dancing; The Picnic after the Hunt; Seated Figure and 8 March-3 May 1992, and Corcoran Gallery of Art, 31 May- Standing Figure COROT TO MONET: THE RISE OF LANDSCAPE 9 August 1992; Rush Hour, New York, also circulated to the Al- POLLAIUOLO AND HERCULES, 3 February- PAINTING IN FRANCE, 1830-1870, 3 November bright-Knox Art Gallery, Buffalo, from 12 September-25 Octo- 29 March 1992: Antonio del Pollaiuolo, Battle of the Nudes 1991-5 January 1992: Eugene Boudin, Coast of Brittany, ber 1992 New York, The Metropolitan Museum of Art circulated to High Museum of Art, Atlanta, 28 January- SEURAT, 9 September 1991-12 January 1992: Georges 29 March 1992 The Art Institute of Chicago Seurat, The Lighthouse at Honfleur ; Seascape at Port-en- Fort Worth, Amon Carter Museum TOKENS OF AFFECTION: THE PORTRAIT Bessin, Normandy*; Study for "La Grand JattePoseuse 19TH CENTURY PHOTOGRAPHY, 26 October MINI AT U RE IN AMERICA, 21 September-17 No- debout 1991-5 January 1992: Alfred Stieglitz, Night—The , vember 1991: Jacob Eichholtz, James P. Smith* JUSEPE DE R1BERA, 16 September-22 November Winter—Fifth Avenue; Savoy Hotel—New York; circulated to 1992: , The Martyrdom of Saint the Mead Art Museum, Amherst, 1 February-29 March 1992 IOWA Bartholomew Nacogdoches, Stephen F. Austin Gallery, Stephen F. Cedar Rapids Art Museum New York, Austin State University ONE-HUNDREDTH BIRTHDAY ANNIVERSARY HENRI MATISSE, 16 September 1992-12 January IMAGES OF WORLD WAR II, 28 March-29 May EXHIBITION, 15 December 1990-31 October 1991: 1993: Henri Matisse, Beasts of the Sea; Oceania—The Sea; 1992: Mark Rothko, Antigone*; The Omen of the Eagle* Grant Wood, Haying; New Road Oceania—The Sky, Pianist and Checker Players; Still Life with Sleeping Woman; Young Girl with Long Hair

New York, Whitney Museum of American Art THE STIEGLITZ CIRCLE AND IN AMERICA, 25 February-1 May 1992: Alfred Stieglitz, 7 photographs

128 WISCONSIN Daisen-in, Kyoto The Warner Collection of Gulf States Paper Milwaukee Art Museum Dr. Howard P. Diamond Corporation, Tuscaloosa, Alabama PAINTERS OF A NEW CENTURY: THE EIGHT, Dojo-ji, Wakayama Edward T. Wilson 6 September-3 November 1991: William Glackens, Fam- Her Majesty Queen Elizabeth II, Royal Library, Nicholas Wyeth ily Group*; circulated to Denver Art Museum, 7 December Windsor Castle Matsudaira Yasuhara 1991-16 February 1992, and the , 26 June- Elliott Galleries Hasebe Yasuko 1 September 1992 R. H. Ellsworth Ltd. Yoho-ji, Kyoto FERDINAND BOL, 20 December 1991 -8 March En'o-ji, Kamakura Shinagawa Yoichiro 1992: Ferdinand Bol, 6 etchings and 1 drawing Fellowship of Friends, Incorporated Zedelius Family Mrs. Ernst Fischer The Galerie St. Etienne, New York TEMPORARY LOANS TO MUSEUM Jo Ann and Julian Ganz, Jr. COLLECTIONS Garzoli Gallery PUBLIC COLLECTIONS Herbert M. and Beverly J. Gelfand Edward C. Goodstein Vienna: Graphische Sammlung Albertina; Museupi POLAND Dr. and Mrs. William Hayden fur Volkerkunde; Kunsthistorisches Museum Cracow, Zbiory Czartoryskich, 12 June-13 September Mrs. Philip Herzig and Family Belgium 1992, El Greco, Laocoon Arthur Holzheimer Collection Brussels: Musees Royaux d'Art et d'Histoire Mrs. Charles W. Ireland UNITED STATES Ghent: Library of Sint-Baafskathedral Jofuku-ji, Kyoto Jose Maria Jorge Canada DISTRICT OF COLUMBIA Kagoshima-jingu : National Gallery of Canada Washington, National Museum of African Art, 1 Octo- Ruth and Jacob Kainen Chile ber-1 March 1992, Nigerian, Court of Benin, Fowl Kencho-ji, Kamakura Santiago: Museo Nacional de Historia Natural GEORGIA Koho-an, Kyoto People s Republic of China Dr. Eberhard Komfeld Cartersville, Etowah Mounds State Historic Site, Beijing: Palace Museum Navin Kumar Gallery 12 October 1991-12 January 1992, George Catlin, 2 Kuromori-jinja, Iwate Huaian County Museum paintings of Indian life* Boris and Sophie Leavitt Nanjing Museum MONTANA Jose da Silva Lico Shanghai: Museum of Art and History Billings, Yellowstone Art Center, 1 November-29 Decem- The London Gallery, Ltd. Hong Kong ber 1991, follower of , The Courtyard, The Doge's Sir Denis Mahon Hong Kong Museum of Art, Urban Council Palace, with the Procession of the Papal Legate *; A Fete Brian and Florence Mahony Day, Venice*; Polidoro Lanzani, Madonna and Child and Mr. and Mrs. Robert Manning Columbia the Infant Saint John in a Landscape Manoogian Collection Bogota: Museo del Oro, Banco de la Republica Matsuo-dera, Nara Costa Rica The Reverend Lauriston H. McCagg San Jose: Museo Nacional de Costa Rica; Museos Gil Michaels del Banco Central de Costa Rica Mr. and Mrs. Leonard L. Mil berg Denmark Hosomi Minoru : The Royal Library Lenders to Special Exhibitions Jan Mitchell and Sons Museo Parroquial de Pastrana Dominican Republic Museo Parroquial de Santa Eulalia, Paredes de Santo Domingo: Museo del Hombre Dominicano PRIVATE COLLECTIONS Nava England The Warden and Fellows of New College Birmingham Museum and Art Gallery Mr. and Mrs. Warren Adelson Dr. August Oetker Zentralverwaltung Liverpool: Liverpool Museum, National Museums Alfonso Jimenez Alvarado George Ortiz Collection and Galleries on Merseyside Fundacion Garcia Arevalo, Inc. Chris Petteys Basildon Pictures Settlement, Sudeley Castle The Phelan Collection London: The British Library Board; The Trustees of Berry-Hill Galleries, Inc. Mr. and Mrs. Richard A. Pohrt the ; The Trustees of the National Roger Brunei The Putnam Foundation, Timken Museum of Art Gallery; Percival David Foundation of Chinese Excmo. Cabildo Gatedral, Burgos The Rabenou Charitable Settlement, Number One Art; The Board of Trustees of the Victoria and Mr. Gilbert Butler Johnston L. Redmond Albert Museum Cassa di Risparmio di Cento Rifaat Sheikh El-Ard Germany The Century Association Saidai-ji, Nara Basel: Museum fur Volkerkunde Mr. and Mrs. Alan Chandler Arnold A. Saltzman Family Berlin: Kathe-Kollwitz-Museum; Staatliche Museen Mrs. H. Wendell Cherry Mimi Saltzman zu Berlin Chiesa parrocchiale di San Sebastiano, Cento Sata-jinja, Shimane Chiesa del Rosario, Cento Kunsthalle Bremen Se Patriarchal de Lisboa Church of Nossa Senhora da Ourada, Aviz Cologne: Kathe Kollwitz Museum Koln; Museum fur Shinju-an, Kyoto Church of the Ognissanti, Florence Ostasistische Kunst; Rautenstrauch-Joest Shirayamahime-jinja, Ishikawa Church of San Domenico, Gubbio Museum fur Volkerkunde der Stadt Koln Shonen-ji, Kanagawa Church of San Pietro in Vincoli, Rome Richard A. Simms Wessenberg-Gemaldegalerie, Stadtische Museen Chuson-ji, Iwate Mr. and Mrs. Philip A. Straus Konstanz Viscount Coke and the Trustees of the Holkham Suwasugi-jinji, Fukui Staatliche Kunstsammlungen Dresden Estate Taima-dera, Nara Hamburg: Hamburger Kunsthalle; Museum fur Collegiata di San Biagio, Cento Mr. and Mrs. David S. Tartakoff Kunst und Gewerbe Confratemita della B.V. Addolorata dei Servi, Cento Tesoro di San Marco, Venice Convento de Santo Domingo el Real, Segovia Hannover: Sprengel Museum Sze Tak Tong Ryan M. Cooper Felisa Vanoff Kassel: Hessisches Landesmuseum, Staatliche Mr. and Mrs. Warren Cox Kunstammlungen Visual Equities Inc. Credito Romagnolo Furstlich zu Waldburg-Wolfegg'sche Museum fiir Kunst und Kulturgeschichte der Daio-ji, Kyoto Kupferstichkabinett Hansestadt Liibeck

129 Munich: Bayerisches Nationalmuseum; Staatliche The Netherlands National Museum of American Art; National Graphische Sammlung; Staatliches Museum fur Haarlem: Teylers Museum Museum of American History; National Museum Volkerkunde The Hague: Haags Gemeentemuseum of the American Indian; National Museum of Natural History; National Museum of Women in Nuremberg: Germanisches Nationalmuseum Nigeria the Arts; The Textile Museum Staatsgalerie Stuttgart Lagos: Nigerian National Museum Florida France Peru Sarasota: The John and Mable Ringling Museum Montpellier: Musee Fabre Museo Pachacamac of Art Paris: Bibliotheque de Vlnstitut de France; Poland Georgia Bibliotheque Nationale; Institut de France; Cracow: Muzeum Narodowe W Krakowie, Oddzial Atlanta: Etowah Mounds State Historical Site, Musee Jacquemart-Andre; Musee des Arts Zbiory Czartoryskich; Muzeum Uniwersytetu Georgia Department of Natural Resources; High Decoratifs; Musee de THomme, Palais de Jagiellonskiego Collegium Maius Museum of Art Chaillot; Musee du Louvre; Musee National des Portugal Arts Asiatiques-Guimet Lisbon: Arquivo Nacional da Torre do Tombo; Academy of Arts Rennes: Musee des Beaux-Arts Museu Nacional de Arte Antiga; Palacio Nacional Illinois India da Ajuda Chicago: The Art Institute of Chicago; Field Bijapur: Archeological Museum Viseu: Museu de Grao Vasco Museum of Natural History; The Newberry Ireland Puerto Rico Library Dublin: National Museum of Ireland; The Trustees Rfo Piedras: Museo de Antropologfa, Historia y Maryland of the Chester Beatty Library Arte, Universidad de Puerto Rico Baltimore: The Baltimore Museum of Art; The Scotland Walters Art Gallery Jerusalem: The Israel Museum Edinburgh: National Galleries of Scotland Massachusetts Italy Spain Boston: Isabella Stewart Gardner Museum; Museum Bologna: Biblioteca Universitaria di Bologna; Madrid: Biblioteca Nacional; Museo de America; of Fine Arts Pinacoteca Nazionale Museo del Prado; Patrimonio Nacional : Fogg Art Museum, Harvard University Pinacoteca Civica di Cento Toledo: Museo de Santa Cruz Art Museums Florence: Ente Casa Buonarroti; Galleria Palatine, Valladolid: Museo Diocesano Catedralicio; Museo New Bedford: The Whaling Museum Palazzo Pitti; Galleria degli Uffizi; Museo Bardini, Nacional de Escultura Williamstown: Sterling and Francine Clark Art Commune di Firenze; Settore Musei e Patrimonio Sweden Institute Artistico; Museo di Antropologia e Etnologia; Goteberg: Rohsska Konstslojdmuseet Museo degli Argenti; Museo Nazionale del Michigan : Nationalmuseum Bargello Bloomfield Hills: Cranbrook Institute of Science Genoa: Civica Galleria di Palazzo Rosso Switzerland Detroit: The Detroit Institute of Arts; Fort Wayne Zurich: Museum Rietberg Military Museum of the Detroit Historical Milan: Pinacoteca di Brera Taipei Museum Modena: Galleria Estense National Palace Museum Flint Institute of Arts Naples: Biblioteca Nazionale di Napoli, Museo e Gallerie Nazionali di Capodimonte Turkey Minnesota Istanbul: Askeri Miize; Topkapi Sarayi Muzesi; Turk The Minneapolis Institute of Arts : Biblioteca Palatina ve Eserleri Muzesi Rome: Musei Capitolini; Museo Nazionale Kansas City: The Nelson-Atkins Museum of Art Preistorico e Etnografico Luigi Pigorini United States Alabama The Saint Louis Art Museum; Saint Louis Science Turin: Armeria Reale; Biblioteca Reale; Galleria Birmingham Museum of Art Sabauda; Museo Civico Center Tuscaloosa: Museum of Natural History; University New Hampshire Venice: Biblioteca Nazionale Marciana; Gallerie of Alabama delTAccademia Manchester: The Currier Gallery of Art Urbino: Galleria Nazionale delle Marche New Jersey Art Museum The Newark Museum Japan Arkansas Hakutsuru Museum of Fine Art New York Fayetteville: The University of Arkansas Museum Kyoto: ; Ryukoku The Brooklyn Museum California University Library Buffalo: Albright-Knox Art Gallery Los Angeles County Museum of Art Nara: Yamato Bunkakan New York: American Museum of Natural History; The Oakland Museum The Okayama Prefectural Museum of Art The Asia Society; The Hispanic Society of : Timken Art Gallery America; The Metropolitan Museum of Art; The Osaka: Fujita Art Museum San Francisco: The Fine Arts Museums of San New-York Historical Society; The New York Seto City: Aichi Prefectural Ceramic Museum Francisco; Asian Art Museum Public Library Tokyo: Eisei Bunko; Mitsui Bunko; Nezu Art Stockton: The Haggin Museum North Carolina Museum; Seikado Bunko; Suntory Museum of Colorado Chapel Hill: Ackland Art Museum (on extended Art; ; Tokyo University of The Denver Art Museum loan from Gilbert J. and Clara T. Yager) Fine Arts and Music Durham: Duke University Museum of Art Connecticut New Britain Museum of American Art Raleigh: North Carolina Museum of Art Kyunggi-do: Ho-Am Art Museum New Haven: Peabody Museum of Natural History, Ohio Seoul: Horim Art Museum, Sungbo Cultural Yale University; Yale University Art Gallery Cincinnati Art Museum Foundation; National Museum of Korea District of Columbia The Cleveland Museum of Art Mexico The Corcoran Gallery of Art; Dumbarton Oaks Columbus: Ohio Historical Society Mexico City: Museo Nacional de Antropologfa; Research Library and Collections; Hirshhom Museo Templo Mayor The Toledo Museum of Art Museum and Sculpture Garden; Library of Youngstown: The Butler Institute of American Art Congress; National Museum of African Art;

130 Oklahoma Dr. and Mrs. Arnold D. Kerr David E. Rust Tulsa: The Thomas Gilcrease Institute of American Milton Avery, White Sea Hendrick Ter Brugghen, The Mocking of Christ History and Art Kimbell Art Museum, Fort Worth Collection of Candida and Rebecca Smith Pennsylvania Hubert Robert, The Fountain David Smith, Agressive Character, Black-White Philadelphia: Philadelphia Museum of Art; The Collection Boris and Sophie Leavitt Forward; Blue Construction; Construction University Museum of Archeology and , Hurlou; La Petite Sirene; William December II; Construction with Forged Neck; ; Baziotes, Tropical; Adolph Gottlieb, Coalescence; Gondola II; Lunar Arcs on 1 Leg; Ninety Father, Ninety Son; Personage from Stove City; Personage Rhode Island , Beggar's Joy; , of August; Portrait of a Painter, Sentinel; Sentinel Providence: The John Carter Brown Library Woman; , with Cerulean Blue Stripe V; Tank-Totem VI; Tank-Totem IX; Untitled (December 12); Voltri XVI; Woman Bandit; Zig V Musee du Louvre, Reunion des Musees Nationaux, Paris Austin: Archer M. Huntington Art Gallery, The Venetian School, Cupid on a Dolphin White House Collection University of Texas Manoogian Collection Paul Cezanne, Still Life with Skull; House on the Dallas Museum of Art George Caleb Bingham, The Jolly Flatboatmen Marne; The Forest; House on the Hill Fort Worth: Amon Carter Museum; Kimbell Art Collection of Mr. and Mrs. Paul Mellon Collection David Whitney Museum Richard Diebenkom, Ocean Park No. 50; Ocean Jasper Johns, Light The San Antonio Museum Association Park No. 61; Ocean Park No. 87; Mark Rothko, Emile E. Wolf Virginia White and Greens in Blue; No. 20, 1950 Gerbrandt van den Eeckhout, The Levite at Gibeah Norfolk: The Chrysler Museum The Metropolitan Museum of Art, New York Erving and Joyce Wolf Francis A. Silva, Indian Rock, Narragansett Bay Wisconsin Francisco di Giorgio Martini, The Nativity Milwaukee Art Museum Museum of Fine Arts, Houston Mr. and Mrs. Sidney R. Yates Juan van der Hamen, Still Life with Fruit and Joan Mitchell, Piano Mechanique Wyoming Glassware Anonymous Cody: Buffalo Bill Historical Center National Museum of Health and Medicine of the Armed Bernardo Bellotto, Pima, The Fortress of Forces Institute of Pathology, Washington, DC Sonnenstein; Botticelli, Portrait of a Young Man Thomas Eakins, Dr. John H. Brinton Holding a Medallion; Burgundian or northern Morton G. Neumann Family Collection French, 15th century, Heraclius I; central or Alberto Burri, Red Accent, Robert Delaunay, The northern Italian, 16th century, Madonna and Lenders of Works of Art Windows; Jean Du buffet, Antonin Artaud aux Child with Saint John; German or south Displayed with Gallery Houppes; The Ceremonious One; Leader in a Netherlandish, 17th century, Triumph of Wealth; Collections Parade Uniform; Lucio Fontana, Concetto Jean Leon Gerome, Bashi Bazouk; Arshile Gorky, Spaziale Attese; , Seated Grey Painting; The Limit; N. T. Head; Portrait of Woman; Observing Head; Juan Gris, Banjo with Akko; Self-Portrait; Still Life on the Table; Glasses; , The Blue Night; Femand Portrait of Master Bill; Italian, 16th century, Roger Arvid Anderson Collection Leger, Still Life; Roy Lichtenstein, Live Ammo; Hercules; Ellsworth Kelly, Black Square with Florentine School (Circle of Michelangelo), Head of Rene Magritte, Underground Fire; Francis Blue; Roy Lichtenstein, Cosmology; Girl with Christ Picabia, Amorous Parade; Pablo Picasso, Hair Ribbon; Rouen Cathedral, Set III; GRRR; Sally Michel Avery Compote Dish, Glass Bottle and Pipe; Young Girl Still Life with Goldfish Bowl; Yellow Brushstroke Milton Avery, Advancing Sea; Sand Dunes and with Left Arm Raised; Nude; Robert Ryman, II; Edouard Manet, Jeanne—Le Printemps; Yellow Sky; Sunset Sea Register, Gino Severini, The Argentine Tango Thomas Moran, Green River Cliffs, Wyoming; Netherlandish, second half 16th century, Birmingham Museum of Art, Alabama Collection of Robert Rauschenberg Albert Bierstadt, Looking Down Yosemite Valley, Robert Rauschenberg, Barge Amorous Couple; Frank Stella, Zeltweg; Thomas California Sully, Queen Victoria Irving Blum Andy Warhol, 32 Soup Cans Jean-Christophe Castelli Jasper Johns, Fool's House; Roy Lichtenstein, George Washington Cincinnati Art Museum Anthony van Dyck, Portrait of a Man in Armor, Mattia Preti, The Pardon of Saint John Chrysostom; Bernardo Strozzi, David with the Head of Goliath-, Francisco de Zurbaran, Saint Peter Nolasco Recovering the Image of the Virgin ; Guercino, Mars with an Amoretto The Detroit Institute of Art Guido Reni, The Angel Appearing to Saint Jerome Helen Frankenthaler, Mountains and Sea Jo Ann and Julian Canz, Jr. Eastman Johnson, On Their Way to Camp John R. Gaines Gian Lorenzo Bernini, Saint Bibiana Collection of Mr. and Mrs. Raymond J. Horowitz Robert Henri, Cafe Terrace Peter Jay Gilbert Stuart, John Jay Collection of Jasper Johns Jasper Johns, Between the Clock and the Bed; Field Painting; No; Target; White Flag

131 Staff Publications ture." International Council on Archives Archival , coauthor. Diirer to Diebenhorn: Recent Acqui- Review: Janus (1992): 31-34. sitions of Art on Paper. Exh. cat., National Gallery of Art. Washington, 1992. De Grazia, Diane. "Guercino as a Decorator." In Alexis, Karin. "Orrefors" (Sweden) and "National Guercino: Master Painter of the Baroque. Exh. cat., Greenough, Sarah. Walher Evans: Subways and museum, Stockholm." In Sweden and America. Min- National Gallery of Art. Washington, 1992. Streets. Exh. cat., National Gallery of Art. Washing- neapolis, 1992. de la Rie, E. Rene. "Stability and Function of ton, 1991. , coauthor with Per Bjurstrdm. National Coatings Used in Conservation." In Polymers in Con- , coauthor. Diirer to Diebenhorn: Recent Acqui- museum. English edition. Stockholm, 1992. servation, ed. N. S. Allen, M. Edge, and C. V. sitions of Art on Paper. Exh. cat., National Gallery of Art. Washington, 1992. Anderson, Nancy. " 'Curious Historical Artistic Horie, pp. 62-81. Royal Society of Chemistry. Data': Art History and Western American Art." In Cambridge, 1992. Halpine, Susana M "Amino Acid Analysis of Pro- Discovered Lands, Invented Pasts: Transforming Doumato, Lamia. "Cataloguing of Architectural teinaceous Media from Cosimo Tura's The Annun- Visions of the American West. New Haven and Drawings: Discussion." AAL Newsletter (spring/sum- ciation with St. Francis and St. Louis of Toulouse.'" London, 1992. mer 1992): 8. In Studies in Conservation 37 (1992): 22-39. , coauthor. "Ancient Egyptian Paint Binders." Berrie, Barbara, coauthor. "Investigations on a . Review of Somewhere Waiting: The Life and Mediaeval Spanish Enamelled Ciborium." In Conser- Art of Christiane Pflug by Ann Davis. Choice (May Preprints of the American Institute for Conservation vation of the Iberian and Latin American Cultural 1992): 86. Annual Meeting, p. 17. Buffalo, NY, 1992. Heritage, pp. 11-15. London, 1992. . Review of American Women Painters of the Hand, John Oliver. The Saint Anne Altarpiece by . "Understanding Art through Technical 1930's and 1940's by Robert Henkes. Choice (Janu- Gerard David. Brochure, National Gallery of Art. Analysis: Inferences from Pigment Identification." ary 1992): 98. Washington, 1992. Materials Research Society Symposium Proceedings, Edmonds, Penelope. "Enzymatic Breakdown . Review of Early German Painting 1350- vol. 267. San Francisco, 1992. and Decolourisation of Black Fungus Embedded in 1550: The Thyssen-Bornemisza Collection by Isolde Bowron, Edgar Peters. Review of The Later Ital- Acrylic Paints: A Progress Report." Australian Insti- Liibbecke. The Burlington Magazine 134 (July ian Pictures in the Collection of Her Majesty the tute for the Conservation of Cultural Material Bulle- 1992): 447-448. Queen by Michael Levey. Burlington Magazine 134 tin \1 Hirschauer, Gretchen. "La fortuna di Raffaello in (February 1992): 127-128. America nel XVIII e nel XIX secolo." In Raffaello e . " 'The most wonderful sight in Nature': Vol- Feigenbaum, Gail. "When the Subject Was Art: I'Europa, pp. 799-817. Atti del IV Corso Inter- aire's Eruption of Vesuvius, commissioned by Henry The Carracci as Copyists." II luogo ed il ruolo della nazionale di Aha Cultura, Accademia Nazionale dei Blundell." North Carolina Museum of Art Bulletin citta di Bologna tra Europa continental'e e Mediter- Lincei. Rome, 1990. 15(1991): 1-12. ranea. Papers from the Colloquium of the Interna- tional Congress of the History of Art, 1990. Kelly, Franklin. " 'So Clean and Cold': Bellows Brodie, Judith, coauthor. Diirer to Diebenhorn: Re- Bologna, 1992. and the Sea." In The Paintings of George Bellows. cent Acquisitions of Art on Paper. Exh. cat., National Exh. cat., Amon Carter Museum. Fort Worth and Gallery of Art. Washington, 1992. Fine, Ruth E. "James Abbott McNeill Whistler, New York, 1992. . "Larry Day." In Urban Spaces. Exh. cat., Venice, Second Series: Manuscript and Proofs of the Belk Art Gallery, Western Carolina University. Catalog, Dated 17 February 1883." In Vision of a Kryder-Reid, Elizabeth, coauthor. "The Rational- Cullowhee, NC, 1992. Collector: The Lessing J. Rosenwald Collection in the ization of Sound in Mid-Eighteenth-Century An- Library of Congress. Washington, 1991. napolis, Maryland." In The Art and Mystery of Brown, David Alan. "The Cenacolo in Venice: . "Private and Public: The Art of Collabora- Historical Archaeology: Essays in Honor of James The Initial Phase of Its Reception," and object en- tion." In Subject(s): Prints and Multiples by Jonathan Deetz. Boca Raton, 1992. tries. In Leonardo & Venice. Exh. cat., Palazzo Borofsky 1982-1991. Exh. cat., Hood Museum of , coauthor. "Critical Perspectives on Work Grassi, Venice. Milan, 1992. Art, Dartmouth College. Hanover, NH, 1992. Concerning Charles Carroll of Carrollton." In Repre- . "The Master of the Madonna LittaV In . "Patterns across the Membrane of the sentations in Archaeology. Bloomington, 1992. I leonardeschi a Milano: fortuna e collezionismo, ed. Mind." In The Prints of Sam Francis: A Catalog Rai- . Review of American Landscape Architecture: Maria Teresa Fiorio and Pietro C. Marani. Milan, sonne 1960-1990. New York, 1992. Designers and Places, ed. William Tishler. Winter- 1991. , coauthor. Diirer to Diebenhorn: Recent Acqui- thur Portfolio 26, no. 2/3 (summer/autumn 1991): . "Raphael, Leonardo, and Perugino: Fame sitions of Art on Paper. Exh. cat., National Gallery of 203-205. and Fortune in Florence." In Leonardo, Michel- Art. Washington, 1992. angelo, and Raphael in Renaissance Florence from Lewis, Douglas. "Genius Disseminated: The Influ- 1500 to 1508, ed. Serafina Hager. Washington, Garberson, Eric. Review of Die Exotismen des ence of Michelangelo's Works on Contemporary 1992. Kurfursten Max Emanuel in Nymphenburg by Ulrika Sculpture," and object entries. In Michelangelo: The Kiby. Journal of the Society of Architectural Histo- Genius of the Sculptor in Michelangelo's Worh. Exh. diallings worth, Christine. "The Academy of rians 51, no. 1 (March 1992): 99-100. cat., Montreal Museum of Fine Arts. Montreal, Arts and Sciences: A Paper Building Type of the 1992. Eighteenth Century." In An Architectural Progress in Gibbons, Robert. OF DC. Charlestown, MA, , coauthor with Walter Boyne. Art in Flight: the Renaissance and Baroque: Studies in Architec- 1992. The Sculpture of John Safer. New York, 1991. tural History Presented to Hellmut Hager. University Giffbrd, E. Melanie. "Technical Notes on an Al- Park, PA, 1992. Lomax, Suzanne Quillen. "The Removability and tarpiece by Jacob de Punder." Journal of the Walters Solubility of Aged Synthetic Picture Varnishes." In Cikovsky, Nicolai, Jr. " 'Servile Mechanics' and Art Gallery 49/50 (1991/1992): 99-105. Preprints of the American Chemical Society, Poly- Monkey Talents': The Illusionistic Tradition." In . "Alma-Tadema's Drawings Revealed." Bul- mers in Museums Symposium 33, no. 2, pp. 654- William Michael Harnett. Exh. cat., Metropolitan letin of the Walters Art Gallery (February 1992). 655. Washington, 1992. Museum of Art. Fort Worth and New York, 1992. Grasselli, Margaret Morgan. Review of From . "£/ Jaleo and the Cult of Spain." In John Maines, Christopher. "Chemical and Physical Fontainebleau to the Louvre: French Drawing from Singer Sargent s "El Jaleo." Exh. cat., National Gal- Stability of Thermoplastic Polymers Used as Paint the Seventeenth Century by Hilliard Goldfarb. Draw- lery of Art. Washington, 1992. Binders in the Restoration of Paintings." Preprints of ing 13, no. 4 (November-December 1991): 86- the American Chemical Society, Polymers in Mu- Daniels, Maygene F. "Computer-Aided Design 87. seums Symposium 33, no. 2, pp. 648-649. Wash- and Drafting Systems and the Records of Architec- ington, 1992.

132 Master I.K., Four Evangelists in a Scriptorium, 1539 Pepila Milmore Memorial Fund, 1992.41.1

Mann, Donna. "Digital Imaging: An Introduction Robison, Andrew. "Componimenti poetici per Sturman, Shelley. "Obtaining Professional Con- to the New Technology." ICOM News 45, no. 3 Vingresso solenne alia dignita di procuratore de servation Services." In Caring for Your Collections, (June 1992): 14. S. Marco per merito di sua eccellenza il signor pp. 194-201. New York, 1992. . George Catlin. National Gallery of Art. Lodovico Manin." In Vision of a Collector: The , coauthor. "Investigations on a Mediaeval Washington, 1992. LessingJ. Rosenwald Collection in the Library of Spanish Enamelled Ciborium." In Conservation of Mansbach, Steven. Two Centuries of Hungarian Congress. Washington, 1991. the Iberian and Latin American Cultural Heritages, Painters: 1820-1970. Washington, 1991. , coauthor. Diirer to Diebenkorn: Recent Acqui- pp. 11-15. London, 1992. sitions of Art on Paper. Exh. cat., National Gallery of O'Malley, Therese "Appropriation and Adapta- Walmsley, Elizabeth, coauthor with Colin Fletcher Art. Washington, 1992. tion: Early Landscape Gardening Literature in and John Delaney. "Evaluation of System Perfor- America." Huntington Library Quarterly 55, no. 3 Schmidt-Burkhardt, Astrit. Sehende Bilder. Das mance of Near-Infrared Imaging Devices." In (summer 1992). Augenmotiv seit dem 19. Jahrhundert. Berlin, 1992. Studies in Conservation 17 (1992). . "Art and Science in the Design of Botanic Springer, Julie. Review of Georgia O'KeeJfe by Wheelock, Arthur K., Jr. "Trompe roeil Painting: Gardens, 1730-1830." Landscape and Garden His- Charles Eldredge. Belles Lettres 7, no. 3 (spring Visual Deceptions or Natural Truths?" In The Age of tory: Issues, Approaches, and Methods. Dumbarton 1992): 2-3. the Marvelous, ed. Joy Kenseth. Exh. cat., Hood Oaks Colloquium on the History of Landscape . Review of Women in Art by Edith Krull. Museum of Art, Dartmouth College. Hanover, NH, Architecture. Washington, 1992. Belles Lettres 7, no. 3 (spring 1992): 3. 1991. . Review of Painted Love: Images of Prostitu- Perlin, Ruth R. "North American Perspectives: Ziglar, Katie M. "Art in the Age of Exploration." tion in French Art of the Impressionist Era by Mollis Using Digital Imagebases in Education Programs: Hali 60 (December 1991): 118. The New National Gallery Videodisc on American Clay son. Belles Lettres 7, no. 3 (spring 1992): 15- Art." Proceedings of the Third International Confer- 16. ence on Electronic Imaging and the Visual Arts I. London, 1992.

133 John R. Stevenson, President William H. Rehnquist, The Chief Justice of the United States

James A. Baker III, Nicholas F. Brady, Robert McCormick Adams, The Secretary of State The Secretary of the Treasury The Secretary of the Smithsonian Institution

Ruth Carter Stevenson Robert H. Smith Alexander M. Laughlin Paul Mellon, Honorary Trustee

134 Trustees, Committees and Officers

Board of Trustees Art and Education Committee Frederick C. Mayer (as of September 1992) John R. Stevenson, Chairman Louise Mellon Franklin D. Murphy, Chairman Franklin D. Murphy Diana Prince John R. Stevenson, President Ruth Carter Stevenson Jill Sackler William H. Rehnquist, Robert H. Smith James S. Smith The Chief Justice of the United States Alexander M. Laughlin Benjamin F. Stapleton III James A. Baker III, Earl A. Powell III The Secretary of State John C. Whitehead Nicholas F. Brady, Andrea Woodner The Secretary of the Treasury Trustees' Council Dian Woodner Robert McCormick Adams, Edwin L. Cox, Chairman Eleanor Wood Prince The Secretary of the Smithsonian Institution Lois de Menil, Vice Chairman Ruth Carter Stevenson Perry R. Bass Executive Officers Robert H. Smith Robert M. Bass John R. Stevenson, President Alexander M. Laughlin Donald M. Blinken Earl A. Powell III, Director Paul Mellon, Honorary Trustee W. L. Lyons Brown, Jr. Roger Mandle, Deputy Director Carroll J. Cavanagh Henry A. Millon, Audit Committee Louisa Duemling Dean, Center for Advanced Franklin D. Murphy, Chairman James T. Dyke Study in the Visual Arts Nicholas F. Brady, Edward E. Elson Anne B. Evans, Administrator The Secretary of the Treasury Robert F. Erburu Daniel Herrick, Treasurer John R. Stevenson Thomas M. Evans Philip C. Jessup, Jr., Ruth Carter Stevenson John C. Fontaine Secretary and General Counsel Robert H. Smith John R. Gaines Joseph J. Krakora, Alexander M. Laughlin Jo Ann Ganz External Affairs Officer Evelyn D. Haas Finance Committee Gordon Hanes Directors Emeriti John R. Stevenson, Chairman Pamela C. Harriman John Walker J. Carter Brown Nicholas F. Brady, Lore Heinemann The Secretary of the Treasury Teresa Heinz Robert McCormick Adams, The Secretary of the Smithsonian Institution R. L. Ireland III Franklin D. Murphy George F. Jewett, Jr. Ruth Carter Stevenson Ruth Kainen Robert H. Smith Stephen M. Kellen Alexander M. Laughlin Peter Kimmelman Richard A. Kirstein Leonard A. Lauder Judith Laughlin Sydney Lewis Richard A. Manoogian

135

Staff (as of March 1993)

OFFICE OF THE Senior Research Assistant, PRINTS, DRAWINGS, DIRECTOR Southern Baroque PHOTOGRAPHS, AND Eric Garberson Director SCULPTURE Staff Assistant Earl A. Powell III Andrew W. Mellon Senior Curator Margaret Teare Deputy to the Director Andrew Robison Carol Kelley Murphy American and British Paintings Office Manager Executive Assistant to the Director Curator and Deputy Senior Susanne L. Cook Angela M. LoRe Curator of Paintings Staff Assistant for Curators Secretaries Nicolai Cikovsky, Jr. Tom Parrette Debra S. Tatman Curator Staff Assistant for Exhibitions Ann M. Wieman Franklin Kelly Eleanor Thomas Internal Auditor Associate Curator Old Master Prints Larry L. Lewis Nancy Anderson Auditor Curator and Head of Department Assistant Curator H. Diane Russell Orin Wolf Deborah Chotner Associate Curator Exhibitions Assistant Virginia Clayton Charles Brock Assistant Curator OFFICE OF THE Staff Assistant Gregory D. Jecmen DEPUTY DIRECTOR Jennifer Friel Old Master Drawings Deputy Director Modern Paintings Roger Mandle Curator and Head of Department Associate Research Curator and Administrator for Policy and Margaret Morgan Grasselli Acting Head of Department Programs Associate Curator Elizabeth P. Streicher Elizabeth Driscoll Pochter Judith A. Brodie Assistant Curator Staff Assistants Assistant Curator Florence E. Coman Rachael Arauz Ann MacNary Research Associate, Systematic Jean Stensland Catalogue Modern Prints and Drawings Jeffrey S. Weiss PAINTINGS AND Curator and Head of Department TWENTIETH-CENTURY ART Twentieth-Century Art Ruth E. Fine Assistant Curators Senior Curator of Paintings Associate Curator and Acting Carlotta J. Owens Edgar Peters Bowron Head of Department Charles M. Ritchie Jeremy A. Strick Renaissance Paintings Associate Curator Research Associate Curator, Italian Renaissance Maria Prather Mary Lee Corlett Research Assistant David Alan Brown Mark Rothko catalogue raisonne Victoria Foster Curator, Northern Renaissance author Staff Assistant John Oliver Hand David Anfam Thomas H. Coolsen Assistant Curator, Italian Research Assistant Renaissance Isabelle Dervaux Photographs Gretchen Hirschauer Exhibition Assistant Curator and Head of Department Staff Assistant Sally Shelbume Sarah Greenough Renee Fitzpatrick Staff Assistant Exhibition Assistant Kim Bockhaus Baroque Paintings Julia Thompson Staff Assistant and Office Manager Research Assistant Curator, Southern Baroque Sara Kuffler Diane De Grazia Paul Roth Curatorial Records and Files Curator, Northern Baroque Sculpture and Decorative Arts Arthur K. Wheelock, Jr. Head of Department Visiting Curator and Acting Head Leonardo da Vinci, Sheet of Studies, probably 1470 Mellon Assistant Curator, Northern Nancy H. Yeide of Department or 1480 Baroque Assistant Suzanne Glover Lindsay The Armand Hammer Collection, 1991.217.2a Dennis P. Weller Anne L. Halpern

137 Curator Paper Conservation Secretary to the Chief of Cataloguing and Processing Editors Tam L. Curry Douglas Lewis Conservator and Head of Exhibition Programs Head of Cataloguing Jane Sweeney Associate Curator and Acting Department Jennifer Fletcher Roger C. Lawson Head of Department (sabbatical) Shelley Fletcher Cataloguers Managing Editor, CASVA Alison Luchs Conservator DESIGN AND Jane D. Collins Publications Mellon Assistant Curator Judith Walsh INSTALLATION Trudi W. Olivetti Carol Eron Designers Donald Myers Assistant Conservator Senior Curator, Chief of Design Cathy F. Quinn Phyllis Hecht Staff Assistant Yoonjoo Strumfels Gaillard Ravenel Julia G. Rubenstein Cynthia Hotvedt Willow Johnson Matter/F ramer Deputy Chief of Design Marsha D. Spieth Assistant for Program David Shen Mark Leithauser Paula Zech Management, Systematic REGISTRATION AND LOANS Conservation Technician Head of Lighting Design and Bindery Assistant Catalogue Office of the Registrar Susan Clay Production Jane E. Higgins Cataloguing Assistants Barclay A. Gessner Chief Registrar Gordon Anson Object Conservation J. Bryan Lane Production Assistant Sally Freitag Production Coordinators Conservator and Head of Sharon Millman Kathryn Mayer Registrar for Collections William Bowser Production Editor, CASVA Department Anne Kelley Mary Suzor Reader Services Shelley Sturman Publications Assistant Registrar for Loans John Olson Conservator Head of Reader Services Ulrike Mills Judith Cline Architects Judy L. Ozone Lamia Doumato Assistant Editor Associate Registrar for Exhibitions Linda Heinrich Associate Conservator Reference Librarian Julie Warnement Michelle Fondas Donna Kwederis Daphne Barbour Frances P. Lederer Assistant for Project Management Assistant Registrar for Exhibitions Maquette Production Associate Conservator for the Reference Assistant Maria Tousimis Lauren Mellon Cluverius Jane Rodgers Systematic Catalogue George (Ted) T. Dalziel, Jr. Secretary Secretary Staff Assistant, Office Manager Albert Marshall Interlibrary Loan Assistant Samantha Williams Eileen McCabe Sarah Sibbald Thomas F.J. McGill, Jr. Supervisory Art Services Specialist Staff Assistants Imaging and Visual Services Textile Conservation Vertical Files Librarian John Poliszuk Gina Cinquegrana Conservator Roberta Geier Head of Department Assistant Supervisory Art Services Alison Stansbury Julia Burke Circulation Assistants Richard C. Amt Specialist Head of Silkscreen Ariadne Y. DuBasky Supervisory Photographer Andrew Krieger Scientific Research Department Barbara Keyes Robert M. Gibbons William Wilson Lead Art Services Technicians Silkscreen Production Head of Department Margo L. Hyde Coordinator of Visual Services Johnnie Mizell Lisa Farrell Rene de la Rie Kathleen Suhmann Ira Bartfield Paul Glenshaw Daniel Shay Conservation Scientist Photographers Glenn Perry Gary Webber Barbara Berrie Photographic Archives Dean Beasom Jeff Wilson Art Services Technicians Organic Chemist Curator Richard Carafelli Head of Exhibits Shop Robert Cwiok Suzanne Quillan Lomax Ruth R. Philbrick Philip Charles, Jr. Floyd Everly Ellen Evangeliste Biochemist Administrator Lorene Emerson Carpenters Lowell Gilbertson Susana Halpine Jerry M. Mallick Archives Photographer Richard Bruce Goven Martinez Conservation Scientists Cataloguer of English and French David Applegate Lester Dumont Pierre Richard E. Melanie Gilford Art Museum Specialists Thomas Holland John Spurlock Lisha Glinsman Richard W. Hutton Barbara Bernard Miller Mack Michael Palmer Cataloguer of Architecture Sara Sanders-Buell Loans and the National Lending Thomas Piddington Laboratory Assistant Andrea R. Gibbs Laboratory Technicians Head of Lighting Shop Glenn Gates Cataloguer of Italian Art Susan Amos James Spicknall Head of Department Karen H. Weinberger Kristin Hansen Loans and Exhibitions Electricians Stephanie T. Belt Cataloguer of Twentieth-Century James Locke Conservation Robert Benoit Loan Officer Art Museum Technician William Mahan Lisa E. Mariam Head of Department and Deputy Meg Melvin Margaret Cooley Benjamin McKinnie Chief of Conservation Cataloguer for Special Projects Secretary Head of Paint Shop CONSERVATION Mervin Richard Barbara Chabrowe Desiree M. Miller Frank Figgins Chief of Conservation Coordinator of Matting/Framing Circulation Desk Technician Painters/Finishers Ross Merrill Services Wendy A. Cole EDUCATION DIVISION Hugh Phibbs Robert Barnett Conservation Administrator Secretary Head of Education Associate Conservator Dennis Bult Michael Skalka Debra K. Massey Linda Downs Michael Pierce Joseph Richardson Editorial Assistant Clerk Typist Division Administrator Matter/F ramer Janice Gruver Geneva Rosenboro Margot E. Grier LIBRARY Staff Assistant Jenny Ritchie Slide Library Staff Assistants Frame Conservator Executive Librarian Mary Jo Malarkey Mary Hill Stephan Wilcox Neal T. Turtell Chief Slide Librarian Secretaries C. Carter Schmitt Assistant Frame Conservator Staff Assistant Gregory P.J. Most Karen Dennis Division Receptionist and Staff Richard Ford Kate M. Allen Associate Slide Librarian Heather Imboden Assistant Automation Nicolas A. Martin Elizabeth Murphy Marta Horgan EXHIBITIONS Susan Chickering Assistant Slide Librarians Painting Conservation Daniel Nolting Adult Programs Chief of Exhibition Programs Collection Development Thomas O'Callaghan, Jr. Chairman, Painting Department D. Dodge Thompson Head of Department Librarian Mary S. Wasserman David Bull Exhibition Officers Lynn Russell Caroline H. Backlund Conservator and Head of Cameran G. Castiel Coordinator of Tours and Lectures Department EDITORS OFFICE Naomi R. Remes Acquisitions Eric Denker Sarah Fisher Ann Bigley Robertson Editor-in-Chief Staff Lecturers Head of Acquisitions Conservators Patricia W. Waters Frances P. Smyth Frances Feldman Anna M. Rachwald Carol Christensen Office Manager Production Manager Philip Leonard Serials Assistants Ann Hoenigswald Kathleen McCleery Chris Vogel Robin Ptacek Bruce B. Hebblethwaite Jay Krueger Secretaries for Loan Senior Editor, and Manager of the J. Russell Sale Inge F. Newstead Catherine Metzger Administration Systematic Catalogue Coordinator of Adult Program Acquisitions Technicians Michael Swicklik Stephanie Fick Mary Yakush Docents Mark L. Langston Associate Conservator for the Diane T. Martini Wilford W. Scott Mary Masters Systematic Catalogue Beatrice D. Poindexter Elizabeth Walmsley

138 Curator of Film Programs Coordinator of National Teacher Staff Assistants Masonry Shop Utility Systems Operators Leaders Margaret Parsons Institute Anne Campion Supervisor Frank Bauer Assistant to Curator of Film Julie A. Springer Sandra Dean Roland Martin Oscar Riley Programs Coordinator of Teacher Workshops Masons Anthony Thomas Victoria Toye and Materials EEO OFFICE Michael Proctor Donald Young Janna Eggebeen Curator of Academic Programs EEO Officer Joseph Sandleitner Utility Systems Operators Coordinator of School Docents Gail Feigenbaum Cathy Yates Joe Thomas Noel Ashton Mary Ellen Wilson Coordinator of Academic EEO Specialist William Turner Lester Barry Programs Program Assistant, Teacher Rita Cacas Housekeeping Nathaniel Bethune Amy McCampbell Programs George Brooks Foreman Staff Assistant Laurie Lee Larry Brown FACILITIES MANAGEMENT Charles Boone Maury Pully Tour Scheduler Walter Cochins Work Control Center Manager Secretary Docent Liaison Susan LaFiandra Roger Dunning Dan C. Hamm Barbara Stevens Kathleen Campbell Staff Assistant Eugene Guthrie Planner/Estimator Supervisors Heather Peeler James Hamilton Education Exhibition Programs Paul D. Heath James Abraham Robert Hamilton Production Coordinator of Program Assistant Mary Battle Head of Department Gary Hancock Susan M. Arensberg Interactive Technologies Linda Hilliard Willie Cook Frank Lim Assistant Curators Donna Mann Work Control Coordinator Frank Ford James Miller Lorraine Karafel Michael Brown Sally Reeves Manager, Micro Gallery Harvey Moore Marcia Kupfer Vernon Richardson Special Projects Clifton Mutts Washington Leaders Production Coordinator of Supervisors John Ott Audiovisual Programs Vicki Porter Paul Cotton Philip Collins Jesus Pena Shenaz Malik Geraldine Crawford Darrell Waytes Larry Smith Project Coordinator Bemessa Drain Staff Presley Rand Roily T. Strauss S. Harris Shawn Sizemore CENTER FOR Maurice Anderson Eva Harrison James Stevens Education Publications ADVANCED STUDY IN Kenneth Betts Housekeepers Alexander Tonic Head of Department Lamont Brown Catherine Brown THE VISUAL ARTS Anthony Walker Barbara Moore James Clark Gerald Carthorne Dean John Wert Writer-Editors Louis Dobbs David Clark Henry A. Millon Elevator Mechanic Foreman Carla Brenner James Hardy Raymond Frazier Acting Associate Dean Welden Daugherty William J. Williams Kwaku Johnson J. Hallamon Steven A. Mansbach Elevator Mechanic Katie Ziglar Brock Hawkins Associate Dean Central Store Willie Parker Staff Assistant Dorothy Johnson Therese O'Malley Supervisor Machinists Deborah N. Lawrence Angela Lee Research Assistants Michael Warrick T. McCard Robert Diehr Karin Alexis Wayne Valentine Education Resources Attendants Sheldon Moore Christine Challingsworth Head of Department Christopher Baumann Betty Rufus James Wilson Isabelle Frank Ruth R. Perlin Antonio Boomer D. Smith Instrument Mechanics Elizabeth Kryder-Reid Eugene Givens Resource Production Specialist David Duggin Angela Sutton Astrit Schmidt-Burkhardt Edward Heffner Leo J. Kasun Maintenance James Wells Project Assistant William Sutton Coordinating Curator of Art Workers Boreth Ly Manager Information George Briggs Energy Conservation Specialists Staff Assistant Craig A. MacFarlane Christopher With Geraldine Drayton Dennis Donaldson Helen Tangires Planner/Estimators Supervisory Art Information Isaac Graham Charles Gillespie Assistant to the Program of Special Allan Riggles Specialist Brenda Handy Meetings James Washington Planner/Estimator Carol Boyes Carolyn Harvey Randi Nordeen Fred Crickenberger Senior Art Information Specialist Carpentry Shop Carroll Jamison Assistant to the Program of John Cogswell Supervisor Ruth Johnson Electrical Shop Fellowships Art Information Specialists Alvin Adams Paul Kelly Electrician Foremen Deborah Gomez Margaret Baucom Secretary Gail Max field Stephen Bradish Assistant to the Program of Elisa Patterson Judith Williams Evelyn Scott Paul Kimbal Regular Meetings Mary Anne Probus Wood Crafter Leaders R. Stevenson Electrician Leader Elizabeth Kielpinski Program Assistant Dorson Abney Mable Stokes Daniel Smith Secretary to the Kress Professor Pamela Chewning George McDonald Elsie Thompson Electricians and Mellon Lecturer Supervisor, Booking and Shipping Wood Crafters Sheila Tyler Melvin Klugh Susan Borkenhagen Carol F. Lippitt Diane Driscoll Margaret Wallace Electrician Workers George Britt Lead Audiovisual Shipping Clerk Sponsored Research in the Willard Menson Diana Wells Willams Carlton Roland Young History of Art John Rogers Z. Wright Affiliate Loans System Coordinator Peter Urban David Cole Project Head Operations Kendrick Ashton Carpenter Helpers Electrician Helper Claire Sherman Lead Booking Clerk Francis Dyson, Jr. Manager Leslie Raspberry Program Assistant Martha H. Aspron Anthony Givens Robert Jannone Sheet Metal Shop Curtis Millay Secretaries Booking and Shipping Clerk Paint Shop Sheet Metal Mechanics Cassandra Raspberry Gwen Harriston Supervisor Sterling Fisher Program Shipping Technicians Sherry Johnson Rhonda McCord Sidney Griffin Michael G. Bryant Utility Systems Operations Acting OFFICE OF THE Glazer Mark Teed Jennifer A. Cross General Foreman ADMINISTRATOR Edwin Butler Plumbing Shop Chuckie L. Harris Joseph Barnes Painters Pipefitter Leader Dion Redman Administrator Utility Systems Repairer Acting Thomas Hartswick Paul Dale Anne B. Evans General Foreman Teacher and School Programs Alphonso Holt Pipefitters Deputy Administrator Zery C. Mingo Tommy Pope Marc Breau Head of Department Darrell Willson Lester Smith Operating Engineers Shop Kathleen Walsh-Piper Special Projects Manager Gregory Evans Painting Worker Utility Systems Operating Foremen Senior Educator for School Gregg Reynolds Levem Jacobs Joseph Copeland Juan Delano Programs Assistant to the Administrator Conrad Glade Anne Henderson Andrew McCoy

139 Marvin Mallard Technical Services PROTECTION SERVICES Marlene Tucker Ronald Webster-Bey Rodney Mathew Edward Watson Linda West Deputy Chief Valarie Mathis Office of the Chief of Protection Raymond Watson Alfred Williams David Schott Eunice McQueen Services George Wood all Mark Wilson Foreman Sheila Wright Richard Wood John Miles Chief of Protection Services Angelo Catucci Gallery Protection Officers Roddie Worthington Leroy Miller Jay W. Chambers Electronic Mechanic James Allison, Jr. Ralph Wright Antonio Mitchell Secretary Scott Rasmus Rodney Alston Wayne Wright Edward Moon Carol Palmer Nathaniel Stroman Daniel Bailey Willie Wright Ricardo Moore Donnie Mercer Administration/Special Gwendolyn Bell James Yancey Leroy Moreno Locksmiths Operations Ludwig Bendar Gallery Security Officers Jimmy Myers Robert Brown Jerry Napier Deputy Chief Vander Blount Rukan Ahmed David Ihrig Timothy Nicholson George S. Martin Ronald Brown Altina Bailey William Shaw Willie Norman Staffing Samuel Brown Latina Bailey Console Operator Leaders John Norris Ronald J. Lowe Otis Butler Sammy Bardley Frank Ebb Darrell Oldham Training Officer Bruce Carter Dora Barksdale Walter Queen Joyce Palmer Joseph Maddox Clifton Clark Juanita Batson Console Operators Leslie Parks Computer Specialist Luther Clark Ludwig Bendar, Jr. Robert Brooks James Phillips Chris Caldwell Edwin Cluster, Jr. Trevor Bennett Cleven Brown Willie Pugh Office Automation Assistant James Collins Anthony Bledsoe Derrick Hairston Eldridge Ramsey Saundra Williams Robert Conyers William Britton Stanley Harley Gary Reed Supply Clerk Michael Copeland Steven Brock Ernest Reynolds Robert Rice Amos Lynch Edwin Cox Annette Brown William Richardson Venus Cristwell Willie Brown ADMINISTRATIVE Fire and Safety Dana Roberson John Davis Milan Bryant SERVICES Gary Ross Deputy Chief Ronald Estes Wayne Buckner Kenneth Rowe Chief of Administrative Services Harold Michael Robert Evans Benjamin Burgess Ronald Sewell Cathy Yates Occupational Health Specialists Virtus Evans David Caldwell Administrative Officer Joseph Harchick Gregory Ford George Caldwell John Sherrill Sharlene Mobley Russell Grice Robert Gayleard Michelle Cameron Gregory Shorter Maxine Simmons Staff Assistant Secretary Emanuel Goddard James Canada Willie Sims Russell Palmer Anne Rogers Francis Goler Joe Card well Earl Singleton George Hamilton Albert Carr, Jr. Mail & File Operations William Smallwood Darrell Harley Jesus Castro Mail Clerks Deputy Chief Andre Smith Barbara Height Willard Catlett Felton Byrd James Davis John Smith Gus Henderson Ellis Caudle Greg Hill Captains of the Guard Milton Sochor, Jr. Peter Henderson, Jr. Walter Colbert Jose Vallecillo Nathaniel McLin Alexander Stephens Donna Hinton Michael Cooper Grady Williamson, Jr. James Thompson Reathel Stewart Prise ilia Hopkins Leslie Copeland Clerk Typist Executive Officer Donnie Sutton Edgar Hopson Lewis Dickens Christy Allen Nathaniel Anderson Frank Johnson Dennis Diggs Thaddeus Talasta Investigation Yamashita Johnson David Duggins Robert Tinsley Printing & Duplicating Enis Pinar James Townsend Nathaniel Jones Roby Ellis Offset Press Operators Lee Turk Office Automation Assistant Willie Joyner Neil Floyd Patrick Beverly Margaret Meyers David Tyler Stinson Kelly David Fobbs Frank Schiavone Raymond Tyndle Office Automation Clerk Joe Lewis Paul Fortune Equipment Operator Juanita Walker Jesus Jimeniz Robert Lewis Carlton Gaines Joseph Leftwich Security Drivers George Mackie Johnnie Gallop John Washington Transportation Joshua Mewborn Frank Meyers Antone Gatewood Gregory Watson James Tasker Joseph Midgette Harry Groce Michael Webster Transportation Assistant Security Lieutenants Ronald Miles Luis Guadrado Michelle West Barbara Caldwell Richard Allen Charles Moody Burley Harris Sandra White Drivers Quentin Arnold Jimmy More-Head James Harris Verda Whitlow Ron Dudas George Boomer Jasper Morris Boyd Harrison Celia Whitney Robert Harris John Cantey Dexter Moten Tawania Harvey La Verne Whitted Supply & Property Milton Cox Justina Page David Hodges Ronald Wilkins Jerome Edwards Vincent Parker Fred Holmes Barry Williams Supply Management Officer James Plush Joe Peterson Herman Howard James Williams Ed Harrison Supervisory Sergeants Jeroboam Powell Tyrone Howard Lynn Williams Property Manager Hajji AI-Hadith Ronald Randall John Jackson Rita Williams Ted Harper Dianne Allison Jerry Reaves Andre Johnson Andre Wilson Store Clerk Willie Barnes Darrell Rhoades Edward Johnson Derek Wilson Leon Wyatt Louis Carroll Floyd Rhoades Ivy Johnson Demetrio Yabes Property Clerks Bernard demons Edward Roberts Way man Johnson Clerks Darnell Brandon Armando Hartley Andrew Robinson Felisha Jones Dora Barksdale Kevin Brown Maurice Johnson Thomas Savoy Kenneth Jones Felisia Burgess Anthony Sean Hilliard William Johnson Calvin Simmons Ronald Jones Ernestine Coleman David Klimaszewski Paula Gaither Alonzo Kennedy Franklin Smalls Veronica Jones James Morris Roger Kraft Quellan Josey Betty Harper Leroy Smith Supply Warehouse Alice Holloman Donna Linder Timothy Smith Crystal Kelly Warehouse Manager Ricky Manuel Vernon Smith Antonio Kilpatrick Fransonia Littles Tom Briscoe Lawrence Marshall Gregory Stevenson Scott Klocke Kim Reed Kathy Sutton Warehousemen Daniel Miller Michael Strong Shirley Lee Sam Baugh John Palmer William Thome Charles Leggett Dale Washington Melvin Burnett Willie Parker Larry Turner Benjamin Leonard Carolyn Windear Tom Harris Karen Perry Eugenio Velazquez Franklin Lewis Ann Wyder Nathan Howell Anthony Thompson Alvester Warren Tyrone Lewis

140 Paul Rodriques Shirley A. Roberts Assistant Managers General Accounting OFFICE OF EXTERNAL Scott Stephens Jeannette V. Rogue Deborah A. Barclift Comptroller AFFAIRS Purchasing Agents Louise Coward Dale C. Rinker External Affairs Officer TELECOMMUNICATIONS Rodney Covington Book Sales Specialists Systems Accountant Joseph J. Krakora Telephone Systems Administrator Mamie L. Gordon David Petersen Carol Ann Proietti Assistant to XAO for Special Ira Bozeman Clerk Typist Ethel Devan Supervisory Operating Accountant Projects Head Telephone Operator Samantha M. Creighton Cashiers Kelly Liller Pamela Jenkinson Minnie Barbour Systems Coordinators Christopher Duvall Operating Accountants Assistant to XAO and Chief of Operators Jenmarie Dewberry Kelly Mayle Julianne Ehrman Visitor Services Barbara Coleman Julie A. Fetter Michael Mullennex Ruth E. Lewis Sandra Creighton Brenda Daniels Supply Cataloguer Amy Newens Linda K. Smith Administrative Assistant Zewdie Simms Derry Martin Jin Seo Accountant Lisa Scalzo-Hamm Data Input Clerk Harold Washburn Adele Stevens External Affairs Associate AUDIOVISUAL SERVICES E. R. Johnson LaJuan Williams Accounting Technicians Angela Casey Jina Yi Chief of Audiovisual Services Roberta Bellofatto PUBLICATIONS SALES Merchandise Stock Clerks Thomas Valentine Cynthia W. Czubat DEVELOPMENT Terry W. Gibson Assistant Chief of Publications Sales Brenda M. Fogle Linda A. Hunt Development Officer Dorian Breau R Keith Webb Dyann Nelson-Reese Laura S. Fisher Recording Engineer Assistant Chief/Merchandise Mail Order Stephanie L. Thorpe Assistant Development Officer John Conway Manager Valerie M. Wright Mail Order Clerks Lisa Claudy Projectionists Ysabel L. Lightner John Brady Payroll Senior Development Associate Jeannie Bemhards Betty J. Brown Merchandising Civilian Pay Technicians Patricia A. Donovan Paavo Hantsoo Denise C. Graves Graphics Buyer Eric Humphrey Program Specialist Carolyn L. Messineo Judy C. Luther Emma G. Moses Elizabeth A. Hutcheson GALLERY ARCHITECT Development Associates Graphics Designer & Buyer Warehouse Operations Data Processing Gallery Architect Noriko K. Bove Keira M. Ellis Manager James M. Grupe Book Buyer Assistant Treasurer/Management Melissa B. McCracken Steve Richardson Assistant Gallery Architect Charles Taylor Information Systems Missy Muellich Lead Warehouseman Carl M. Campioli Assistant Book Buyer Richard C. Snyder Membership Coordinator Interior Design Specialist Doug Bishop Dennis Callaghan Supervisory Computer Specialist Patricia C. Tobin Warehousemen Susan Ritterpusch Henry B. Clark Membership Assistant Retail Systems Michael Bailey Architects Computer Systems Analysts Juliet L. Jones Raymond M. Earp Bruce D. Condit Manager Dolorace D. Bowman Program Assistant Terrence Smith William H. Cross, Jr. Michael C. Metallo Robin D. Dowden Rita M. Plath Marvin M. Walton Don E. Harris Systems Programmer/Analyst Susan E. Fan- Driver Denise M. Lind G. Lee Cathey Robert S. Reintges CORPORATE RELATIONS Program Assistant Sales Audit Supervisor James B. Everett Jack M. Tucker Corporate Relations Officer Mary E. Johnson Earlene Bright Marketing Specialist Computer Programmer Analyst Elizabeth Weil Perry Secretary Inventory Analyst Carroll A. Thomas Susan Y. Hsia Deputy Corporate Relations Janet E. Maxim Martin J. Drake Visual Presentation Computer Programmer Officer Daryl A. Murphy Karen D. Canada Manager Elisa Buono Glazer PERSONNEL Accounts Payable and Receivable Computer Operators Richard Mancini Corporate Relations Administrator Personnel Officer Michael J. Chapman Marquita E. Dewald Technician Carole A. Burton Michael Bloom Jennifer Sauer Karen J. Martin Richard J. Lambriola Corporate Relations Associates Assistant Personnel Officer John H. McNeil Operations Susan E. Davis Meredith Weiser Office Management Mary Ellen Connor Fraser Manager Systems Specialists Manager Executive Assistant Karen L. Boyd Michele Caputo Laura A. Fitzgerald Catherine C. Labib Darryl Cherry West Building Shop Assistants OFFICE OF Program Assistant Personnel Specialists Manager Dawn M. Barclift SECRETARY-GENERAL Jeanette Crangle Lucia Pollock Nancy G. Vibert Robin K. DeBosky COUNSEL Terrence Snyder Assistant Managers Mary Hamel-Schwulst PRESS AND PUBLIC Secretary and General Counsel Staffing Specialists Craig Himmons INFORMATION Rick Decuir Steve McKevitt Philip C. Jessup, Jr. Press and Public Information Linda Pettiford Book Sales Specialists Deputy Secretary and Deputy OFFICE OF THE Officer Employee Relations Advisors Stephen Bjomeboe General Counsel TREASURER Ruth Kaplan Mark Adelman Mary J. Powell Elizabeth A. Croog Deputy Information Officer Loraine Kovach-Padden Cashiers Treasurer Assistant General Counsel Deborah Ziska Staff Assistants Diane Butler Daniel Herrick Nancy Robinson Breuer Publicist Tammy Bennett Kim Frietze Deputy Treasurer Legal Assistant Tina Coplan Gwendolyn Hines Robert Jacobs Ann R. Leven Sarah E. Fontana Program Specialist Staffing Clerk Vicki James Assistant to the Treasurer Assistant Secretary Lila W. Kirkland Karen Schwartz Phil Lee Nancy E. Frey Kathryn K. Bartfield Staff Assistants Dana Leibovitz Assistant Treasurer/Financial Staff Assistant Abby Daniels RESOURCE ACQUISITION J. P. McGranahan Management Carol A. Christ Anne Demo Michael W. Levine Secretary Chief of Resource Acquisition Kim C. Peacock Kathleen Suhmann Budget Officer Montrue V. Connor Joseph E. Brown SPECIAL EVENTS William H. Roache Assistant Chief/Procurement Bill Wossowski Operating Accountant GALLERY ARCHIVES Assistant to the Director for Manager Merchandise Stock Clerks Nancy Hoffmann Special Events Carolyn A. Perry Charles Baity Chief of Gallery Archives Budget Analyst Genevra 0. Higginson Secretary Sheldon B. Edelin Maygene F. Daniels Jean Krevinas Staff Assistant Veronica F. Nash Cecil Miller Archives Specialist Accounting Technician Pauline M. Watona Contract Specialists Concourse Book Store Anne G. Ritchie Rosa E. Jackson Assistants Terry Vann Ellis Manager Archives Technicians Secretary Amy Ahlberg Claudine A. Lewis Calvin 0. Roebuck Martha J. Shears Anne Davy-Harbison Laurie E. Meister Albert G. Wagner Mamey Faesy

141 Danielle Launais INTERNS VOLUNTEER DOCENTS Marta Madrid de Horgan Melissa Home Sarah Marsten Northern Renaissance Painting Jan Adamson Sandy Horowitz M. Schuyler Rideout Nancy E. Zinn Karin Akerson Liz Silva Marilyn Horwood Italian Renaissance Painting Doris Alexander Betsy Welch Anne Allen Anne Irving Donald Beebe Edie Izenberg Molly Welsh Marilyn Amerman Stefania Celli Miriam Jacobson Patricia A. White Puchi Angoso Cristina Biltchik Lisa Jaeger Hannah Aurbach Francesca Janni VISITOR SERVICES Northern Baroque Painting Barbara Baker Aliza Edelman Marilyn Jenkinson Deputy Chief of Visitor Services Rosalie Baker Quint Gregory Joan Jordano Nancy Rice Susi Baranano Olivier Massot Renate Kaplan Statistical Information Specialist Jean Barquin Evelyn Katz Jo Ann Purnell American and British Painting Jane Barton (Catherine Kavanaugh Senior Exhibition Supervisor Maureen McKenna Heinz Bauer Carolyn Kelloff Frances Winston B. J. Beers Sculpture and Decorative Arts Betty Kendrick Exhibition Supervisors Lisa Ann Bell Maria Gindhart Mamey Kennedy Barbara Nails Gail Briggs Jay Kempen Ilze King Dorothy Wortman Florence Brodkey Michael Koller Gunter Koenig Exhibition Aides Ana Maria Brown Old Master Drawings Patricia Kraemer Vrej Armenian Roberta Buchanan Julia Dabbs Carol Kuehl Jean Langley Donna Burnett Cordula Grewe Brigit Bush Barbara Kurtz Marie Kux HORTICULTURE Old Master Prints Nancy Cammack Katherine La Buda Stacy Bates Karen Campbell Chief of Horticulture Jean Langley Ann 0 Connell Sheila Campbell Donald Hand Anne Lanman Lee Ann Younger Silvia Canessa Assistant Horticulturist Marie Capalaces Daniele Lantran Dianne Cina Modern Prints and Drawings Daniel Casse Jo Ann Larsen Horticulturists Susan Funkenstein Pat Cassity Christine La Telia Deidre Armstrong Randi Lynn Kent Lynette Chambers Brigitte Le bedel Cynthia Burton Alison Pace Anne-Marie Lee Phyllis Cochran Juli Goodman Photographs Leslie K. Cohen Anne Marie Lemaire Gardener Foreman Rachael Arauz Elizabeth Corbin Jeannette Leopold Milton Vick Catherine Leigh Culver Jeannette Cox Rosalie Lesser Gardener Leaders Amy Freedman Robert D Annucci Peter Levitt Ulysses Greatheart Wendy Grossman Elizabeth Daoust Marilyn Lindsay James Stewart Carrie Suhr Kitty Davis Yodia Lo Gardeners Vivien DeLima Doris Loftness Franklin DeFreece Curatorial Records and Files Graciella Dourojeanni Kay Looney Edmund Manigault Dara Busch Robert Duncan Jean Loper Ronald McGill Design and Installation Alice Ellington Brenda Lowe Willie Mullen Marie Watt Hope Emerling Anne Lowenstein Michael Peters Education Erika Englemann Ana Maria Macchetto Ronald Terrell Karen Croff Karen Epelbaum Barbra Mann Mollis Koons Sylviene Le Polles Experton Anne Marchais MUSIC Elizabeth Levine Mary Ellen Fahy Patricia Martin Assistant to the Director for Music Margarita Moreno Elizabeth Farrell Rose 11a Matamoros George Manos Pilar de Navasquez Sharon Feldman Terry Matan Music Program Assistant Pilar del Valle Paula G. Ferdinand Virginia Mayo Juliana Munsing Andrew McCready Library Virginia N. Flavin Music Specialist Rebekah McKenna Jacalyn Mignogna Phyllis M. Freirich Stephen Ackert Beba Gaines Ursula McKinney Slide Library Music Librarian Joyce Gamse Virginia McQuoid George Gillespie Joan Mavity Mary Gibb Betty Mezines Rose Trippi Thomas A. Gilday Emma Michaels Gallery Archives Betty Ann Gilmore Renee Mikus Alice Killian Pauline Gilstrap Caroline Miller Elaine Miller Equal Employment Opportunities Irya Gittelson Lucy Goss Lorraine Mills Office Jonathan W. Gray Eleanor Monahan Heather Peeler Kathy Green Richard Monsen Music Beth Griffith Meredith Moore Colleen M. Boyle Jodie Guy Robbie Anne Morris Richard Kemp Nancy Hafer Joan Morton Geoffrey Wayne Florence Hall Joanne Muir Ludwine Hall Judith M. Newton Carol Hallene Elizabeth Niederman Melissa Harris Saka Noma Nadine Harth Nur Nossuli Florence Heller Mary Catharine O'Connell Melvin Hendry Giovanna Orzalesi Barbara Herz Gail H. Ostergaard Shannon Hobbs Cecilia Ouspensky Jane Hochberg Weezie Owen Mimi Hodsoll Patty Owens Sharon Holtzman Anne Padelford Adriana Hopper Martha Parker

142 Mary Partington Deborah File Alicia Golden Cecile West Hedwig Pasolini Marianne Freudenthal Annette Goldschmidt Saralee West Connie Patrick Elizabeth Grantham-Friedsam Charlotte Greathouse Eleanor Williams Joy Peabody-Ogden Carol Hallene Helena Gunnarsson Eileen Winkelman Annabel Perlik Anne James Marylee Hair Fran Winston Maxie Phillips Carolyn Jasperson Mary Hanrahan Dot Wortman Miriam Piers Ida Kemper Betty Hatch Tony Yared Lily Pineiro Mary Lou Kenary Becky Holthaus Rubye Youngblood Kathy Plowman Margaret Kunz Dru Hopper Gregory Poole Anne Lancaster Claire Horowitz VISITOR SURVEY Anne Prange Fanny Le Nam Eileen Hurley VOLUNTEERS Anastasia Pratt Florence Imburg Beth Loixeaux Elizabeth A liner Carmen Iribarren Rolf Preisendorfer Sharon Love-Palumbo Eleanor Augustine Jane Irvin Christine Pritchard Blanche Miller Mary Barry Maria Amelia Ramaciotti David Iverson Herlene Nagler Jane Barton Nancy Rankin Edie Izenberg Maijorie O'Neil Barbara Behr Peggy T. Rice Miriam Jacobson Nicole Polti Mary Bell Rutgera de Rivera Barbara Jensen Judith Pomeranz Marian Binder Malkia Roberts Jill Kasle Lorrie Samburg Nelly Bley Isabel Rodriguez Ginger Vanderver Nancy Cohen Kotz Marlene Conner Wynefred Rogerson Stephen Lake Jane Weems Robert D Annucci Jo Roland Ellen Horiuchi Williams Shirley Lavine Sarah Echols Eileen Romano Mary Lawler Jean Wolf JoAnne Fanelli Deborah Rucci Elinore Lawrence Sue Fretts Sheila Ruffine Marion Lebanik VOLUNTEER ART Charles Gandji Marie Noelle Scaduto-Mendola Ilse Lewy INFORMATION Jean Gerhardt Mary Schaad Susan Lightsey SPECIALISTS Mary Hanrahan Martha de Schmertzing Lyle Lipschultz Claire Ackerman Josephine D. Hearld Helga Schuecktanz Marty Longan Cynthia Adler Florence Imburg Mary Leigh Shepard Eileen Mandle Elsie Aranda Lisa Jaeger Iris Silverman Don Markle Mary Anne Arbo Lydia Jarmulowicz Joan Silverman Geri Markle Eleanor Augustine Jacqueline Klein Beatriz Slotkoff Sarah Marsten Rosalie Baker Marion Lebanik Antonia Smiley Peggy Maughlin Edith Ball Mary Jane Lloyd Anne Louise Smith Rebekah McKenna Valerie Ballard Ilse Lewy Eric Snyder Virginia McQuoid Susana Baranano Erin Martin Marlies Solomon Emilou Melvin David Bartlett Betty Matthews Chris Stakenborg Barbara Mered Eleanor Bateman Virginia McCormick Gabriele Steers Christine Monsen Georgienne Bednar Lynne Middleton Celia Steingold Dale Moran Barbara Behr Ina Milton Gladys Stifel Barbara Morris Elaine Berson (Catherine Molloy Mary Ann Sures Betsye Chen Mustain Catherine Frick Beyer Alexandra Neustadt Karen Telis Oscar Naumann Janet Boccia Barbara Neustadt Gale Templeton Terry Neves B.J. Boudreau Jean Nida Susan Toerge Jean Nida Joyce Bourke Maureen Onuigbo Nicole Tordjman Darvine Noel Cynthia Brown Maxie Phillips Susan Van Nice Suzanne Odom Kay Brown Ann Proctor Suzanne Vegh Ursula Pariser Laina Bush June Ramey Joy Vige Roberta Peel Mario Cader-Frech Deirdre Reid Joanne Vinyard Fran Pelton Marian Carroll Howard Sanders Mary Visscher Diane Powers Patricia Casson Carl Shugaar Josephine Wang Annette Rich Joan Chapin Michele Tilley Judith Rich Julie Warnement Kimball Clark Suzanne Vegh Sara Roberts Maria Elena Weissman Simone Clarke Nancy Wallace Anne West Carol Robie Jean Cohen Eleanor Williams Kate Weston Chris Rowsome Marlene Conner Fred Yamada William F. Whalen Margit Ruben Maureen Cook Sue White Cherry Sand Marcia Corey LIBRARY VOLUNTEERS Elizabeth Wildhack Howard Sanders Sherry Cross Peter Adams Betty Wilson Audri Schiller Abby Daniels Edith B. Hebblethwaite Amparo C. Wing Roberta Schneidman Jennifer Darnell Diane Horowitz Fran Winston Marilyn Schwaner Paula De Michele Jeanette M. Hussey Ursula Wolfman Fay Shong Liz des Cognets Carolyn Jasperson Dorothy Wright Carl Shugaar Teri Des Rosiers Mary Keating Fred S. Yamada Michelle Simon Verda Deutscher Maryellen Lenz Lois D. Young Esther Slaff David Dominey Ruth M. MacDonald Joan Zeizel Diane Soucy Janet Donaldson Joan Mavity Gianna Zucchi Linda Stamp Donna Edmondson Joan Steigelman Joni Meyers Estelle Eisendrath Reserves Debra Strickland Barry Purrington Barbara Fisher Chrisanne Albers Bonnie Sweet Doris Rauch Marianne Freudenthal Bunny Baker Jeanette Davis Szoradi Lilly Rosen Marguerite Fry Kathleen Battle Kay Thomas Rose Trippi Susan Harper Fuller Mary Lou Bremner Maria Tousimis Agnes Gavin Mary Anne Clancy Grace Tull Nancy Gelman Barbara Eberhardt Ward Van Wormer Jean Gerhardt Alessandra Figliuoli Fran Walls

143

Donors

Donors During Fiscal Year 1992 (1 October 1991 to 30 September 1992)

Abramson Foundation, Inc. Henry and Mabel Brandon Florence Coulson Davis Trust C. F. Adams Charitable Trust The Family Foundation John Harlan Davis Virginia Adams Mr. and Mrs. Harry A. Brooks Mr. and Mrs. Marvin Dekelboum The Ahmanson Foundation J. Carter Brown The Charles delMar Foundation All Nippon Airways Co., Ltd. Robert L. Brown The Gladys Krieble Delmas Gerardine M. Albers Louise E. Bruce Foundation Carolyn Small Alper Arthur M. Bullowa Eva S. Dencker Alliance of American Insurers Gilbert Butler The Deutsche Bank Group Alsdorf Foundation The Morris and Gwendolyn Cafritz Bertha T. Donahue American Express Foundation Mrs. Otto Donner American Express Philanthropic Mr. and Mrs. William N. Cafritz The Douglass Foundation Program Charles Campbell The Max and Victoria Dreyfus American Security Bank B. Gerald Cantor Foundation, Inc. Ameritech B. Gerald and Trust The Driggs Corporation Ameritech Foundation Oliver T. Carr, Jr. The Dunlevy Milbank Foundation, In memory of Robert Amory, Jr. Mr. and Mrs. Edward W. Carter Inc. Roger Arvid Anderson The Catesby Foundation Virginia Dwan The Annenberg Foundation March Avery Cavanagh Mr. and Mrs. James T. Dyke Anonymous Anna Cavine Ebsworth Foundation ARCO Foundation, Inc. Dorothy Jordan Chadwick Fund Brenda and Robert Edelson The Art Seminar Group, Inc. Chapman Foundation Mercedes H. Eichholz Charles J. and Elizabeth E. Aulicky Chevy Chase Savings Bank, F.S.B. A. Thompson Ellwanger III Sally Michel Avery Man Lau Chi Elson Foundation, Inc. May Irvin Badt CIGNA Foundation The Charles Engelhard Foundation Ermanno Balestrieri The Circle of the National Gallery Patricia England Banco Exterior de Espana of Art Sarah G. Epstein (Argentaria) The Clark Construction Group/The Erical Trust Lisa and Leonard Baskin George Hyman Construction The Excelsior Fund Perry R. Bass, Inc. Company/OMNl Construction, Inc. Frank R. and Jeannette H. Eyerly The Batir Foundation, Inc. Mr. and Mrs. Robert G. Cleveland Joy L. Fanning Batuz Foundation Victoria Nebeker Coberly* The William Stamps Farish Fund Bell Atlantic Charitable Foundation Melvin S. Cohen Federal Republic of Germany Mr. and Mrs. Daniel Bell The Collectors Committee of the Richard L. Feigen Berger Foundation National Gallery of Art Fein Foundation Bergman Family Charitable Trust Sophie Chandler Consagra Ebria Feinblatt Diane and Norman Bernstein Paula Cooper Gallery Dmitriz Fheleft Foundation, Inc. Coopers & Lybrand Fiat S.p.A. Robert Hunt Berry in memory of Coordination Council for North Aaron Fink Richard King Mellon American Affairs Diana J. Firestone Charitable Trust Carol Biba Ed Cox Foundation Roger S. Firestone Foundation Helaine Blum Crown Point Press First Interstate Bancorp Irving Blum Catherine Gamble Curran and Family Eric Fischl Mary Boone John T. and Mary K. Cusack James Fish Botwinick-Wolfensohn Foundation, Lloyd Cutler and Polly Kraft Mr. and Mrs. Donald G. Fisher Hans Holbein the Elder, Portrait of a Woman, Inc. Daimler-Benz Aaron I. Fleischman c. 1510 Ethel & Joseph Danzansky The Aaron I. Fleischman Foundation Woodner Family Collection, 1991.182.18a Foundation, Inc. Lawrence A. Fleischman

145 Bjarne Flolo Mrs. H. John Heinz III The Litho Shop, Inc. Mr. and Mrs. K. A. Olden The Folger Fund Vira I. Heinz Endowment LLS Foundation, Inc. Margaret D. Olsen Mr. and Mrs. John C. Fontaine The William & Flora Hewlett Frances and John L. Loeb Foundation William B. O'Neal The Foundation for the National Foundation Louisville Community Foundation Open Society Fund, Inc. Capital Region High Meadow Foundation, Inc. Depository, Inc. The James H. Ottaway, Jr. Mrs. Daniel Fraad Devereux Green Hill Adele and Lee Lozowick Revocable Trust The Rita & Daniel Fraad Foundation, Mr. and Mrs. Norman Hirschl The Henry Luce Foundation, Inc. Ourisman Chevrolet Co., Inc. The Overbrook Foundation Inc. The Margaret Mellon Hitchcock Lufthansa German Airlines The Franklin Mint Foundation for the Foundation Asbjorn R. Lunde Alfredo de Palchi Arts Hobby Foundation Mr. and Mrs. Harry H. Lunn, Jr. The Perkin-Elmer Corporation Sydney J. Freed berg Hoechst Celanese Foundation, Inc. Mannesmann AG Mr. and Mrs. John Ely Pflieger Arnold D. Frese Foundation, Inc. Kirsti Holmquist Alex and Marie Manoogian Philip Morris Companies Inc. David M. Frost Janet A. Hooker Foundation Ivan E. Phillips Jo Ann and Julian Ganz, Jr. Janet A. Hooker Charitable Trust S. Michael and Joan Marcy Pierce Associates, Inc. The Jo Ann and Julian Ganz, Jr. The John Jay Hopkins Foundation Stephanie N. Marcy Enzo Pinci Foundation Trust Mr. and Mrs. Raymond J. Horowitz Toni G. Marcy Pine Level Foundation, Inc. Fernando Garzoni Fend Hudhri Marks Family Foundation Mr. and Mrs. Gerhard E. Pinkus Pizzuti Family Foundation Paul Genega Mary S. Humelsine The Mars Foundation Gerry Brothers & Co. Brian Ingram Thomas A. Mathews, M.D. Morton and Judith D. Pomeranz The Ann and Gordon Getty I. A. Ingram Foundation The May Department Stores Company Mrs. John A. Pope Foundation Yves-Andre and Christine Istel Foundation, Inc. Potomac Electric Power Company Gordon P. and Ann G. Getty Ruth Ivor Peter McBean Alan L. and Louise B. Potter The Abbie Norman Prince Trust The J. Paul Getty Trust Mr. and Mrs. William C. Janss Paul McCarron Mr. and Mrs. Carl S. Gewirz Janss Foundation The Eugene McDermott Foundation Pritzker Foundation Morris and Frances Gewirz Marian B. Javits McGhee Production Company Vladimir Ivanovitch Prokoptsov Foundation, Inc. Eun-Hee Jeon Thomas and Frances McGregor Hubert and Michele Proute and Mrs. Kenneth R. Giddens George F. Jewett, Jr., 1965 Trust Foundation Family Sondra & Charles Gilman, Jr. Jewish Community Federation Charles L. and Debra H. McLafferty R & S Associates Foundation, Inc. James A. Johnson, Jr. Robert L. McNeil, Jr. The Raphael Foundation Inc. Emanuela Girardi Josten Fund, Inc. Katherine L. Meier RasterOps Corporation Glen Eagles Foundation Joseph John and Pamela J. Jova Kurt Meissner Eleanor C P Read John Goelet J. W. Kaempfer, Jr. The Andrew W. Mellon Foundation Henry S. & Anne S. Reich Family Foundation Guido Goldman Ruth and Jacob Kainen Paul Mellon Horace W. Goldsmith Foundation Panayiotis Kalorkoti R. K. Mellon Family Foundation Republic National Bank of New York Lynda and Stewart Resnick and the John Good Caroline Karpinski Robert and Jane Meyerhoff Gordon/Rousmaniere/Roberts Fund Michiko Kasahara Miles Inc. Franklin Mint Foundation Herbert Gordon Kaufman Americana Foundation Estate of Mark Millard for the Arts Calvin C. and Harriet R. Gould Anna-Maria & Stephen Kellen Barr C. Miller Richardson Foundation, Inc. Charitable Trust Foundation Edward S. and Joyce I. Miller George and Edith Rickey The Florence Gould Foundation The Elbrun and Peter Kimmelman J. Irwin and Xenia S. Miller Renah Blair Rietzke Family Grant and Virginia Green Foundation, Inc. Henry and Judith Rice Millon Foundation, Inc. Janet Green* Richard A. Kirstein Mitsui Taiyo Kobe Bank, Ltd. Lloyd Rigler Monica & Hermen Green berg Elizabeth L. Klee Charitable MLKA Foundation Robert Bosch GmbH Foundation Foundation, Inc. Mobil Foundation, Inc. Andrew Robison David Greenwalt Patricia H. Klotz Herbert and Paula Molner The Rockefeller Foundation GTE Corporation E. W. Komfeld James Starr Moore Memorial Felix G. Rohatyn Foundation GTE Foundation Werner H. and Sarah-Ann Kramarsky Foundation, Inc. David Root Guest Services, Inc. T. Peter Kraus Isaac Monteiro Susan and Elihu Rose Foundation, Gulf States Paper Corporation Mrs. Rush Kress Lucy Galpin Moorhead Inc. Agnes Gund Samuel H. Kress Foundation Robert W. Morey & Maura Burke Daniel and Joanna S. Rose Fund, Inc. Thomas Michael Gunther The Stefano La Sala Foundation, Inc. Morey Charitable Trust Lilly Rosen Ronald J. Haan Foundation Leonard and Evelyn Lauder Fund of Katharine B. Morgan Elaine Rosenberg Evelyn & Walter Haas, Jr. Fund The Lauder Foundation, Inc. William Mosteller Nanette Ross Evelyn A.J. Hall Charitable Trust Alexander M. Laughlin Muchnic Foundation Lawrence Rubin Elizabeth B. Hamilton Alice Lawrence Foundation Inc. Muller Foundation David E. Rust Armand Hammer Foundation Greta Brown Layton Charitable Trust J. Peter Murphy, M.D., and Barbara Mr. and Mrs. David C. Ruttenberg Armand Hammer Living Trust Helen Sperry Lea Foundation F. Murphy Lesley Ryan Philip G. and Jane R. Hammer The Leger Galleries Ltd. Richard W. and Anne Cook Murphy Charles Ryskamp The Hanes Foundation Leighton-Oare Foundation, Inc. Juan-Lorenzo de Navascues y de Ruth and Don Saff Elodie Hanson Marc E. Leland Foundation Palacio Saff Tech Arts Edward Haremza The Lemon Foundation Evelyn S. Nef Mitsutu Sakamoto Charles U. and Janet C. Harris Mrs. Harry Lenart Louise H. Neuhoff Mrs. Walter Salant Enid A. Haupt H. F. and Marguerite Lenfest Neutrogena Corporation Arnold A. and Joan Saltzman Iola S. Haverstick Edward J. Lenkin New England Telephone Mark Samuels Lasner Elizabeth Clarke Hayes Irvin L. and Meryl P. Levy Family NHK Television Frederick G. Schab Robert and Margaret Hazen Foundation of Communities Stavros S. Niarchos The Scheidt Family Foundation William Randolph Hearst Foundation Foundation of Texas, Inc. Mary S. Nikoloric Esther Cattell Schmitt* The Hechinger Foundation Jerome Levy Foundation The Nomura Securities Co., Ltd. Gustav and Mary Schwab Family Trust Elizabeth Heffeman C. McKenzie Lewis III Robert Nowinski H. Marshall Schwarz Mr. and Mrs. Irwin Millard Heine The Sydney & Frances Lewis NYNEX Foundation Scurlock Foundation Mrs. Rudolf J. Heinemann Foundation John O'Brien 1718 Investments Francine Schear Linde Ralph E. Ogden Foundation, Inc. Daniel Shapiro * deceased Michelle Smith Liss Ohrstrom Foundation, Inc.

146 Robert F. and Anna Marie Shapiro Emile Wolf International Corporate Circle Collectors Committee Family Foundation, Inc. Linda Wolk-Simon (as of 30 September 1992) (as of 30 September 1992) Paul M. and Deane Lee Shatz Mary G. Wooten Charitable Foundation Eleanora M. Worth All Nippon Airways Co., Ltd. Mr. Robert E. Abrams Siemens Wrightson-Ramsing Foundation Inc. Ameritech New York Signet Bank/Virginia James Yarnell Arthur Andersen & Co. Mrs. James Alsdorf Mr. and Mrs. Robert Hilton Simmons Yomiuri Shimbun AT&T France Illinois Richard A. Simms Richard T. York Banco Exterior de Espana Mrs. Anne H. Bass Esther Simon Charitable Trust Diana Young (Argentaria) New York Regina Slatkin Loren Zentai Canon, Inc. Mr. and Mrs. Robert M. Bass Albert H. Small Richard S. Zeisler Canon U.S.A., Inc. Texas David Bruce Smith Chatam Inc. Mr. and Mrs. Sid R. Bass Joshua P. Smith Coming Incorporated Texas Robert H. Smith Family Foundation The Dai-ichi Kangyo Bank, Ltd. Mr. and Mrs. Jack Blanton Estate of Robert Smithson Daiichi Pharmaceutical Co., Ltd. Texas Virginia L. Snider Eastman Kodak Company Mr. and Mrs. Eli Broad Rudolf and Barbara R. Sobemheim Fannie Mae Foundation California Sony Corporation Fiat S.p.A. Ms. Catherine M. Conover Sotheby's Inc. Ford Motor Company District of Columbia Southwestern Bell Corporation Fortune Magazine Mr. Edwin L. Cox Gretchen M. Sowle Galileo Industrie Ottiche, S.p.A. Texas Cecilia W. Spearing GTE Corporation Mr. and Mrs. Ralph P. Davidson Barbaralee Diamonstein-Spielvogel IBM Corporation District of Columbia and Carl Spielvogel Japan Airlines Co., Ltd. Mr. and Mrs. John R. Donnell Natalie Davis Spingam Kajima Corporation Ohio Benjamin F. Stapleton III Lafarge Corporation The Honorable and Mrs. Robert W. Paul Stenzel Martin Marietta Corporation Duemling Jane Stem Family Foundation, Inc. Mellon Bank Corporation District of Columbia Courtney B. Stevenson Milbank, Tweed, Hadley & McCloy Mr. and Mrs. Barney A. Ebsworth Mary Alice Stoddard Mobil Corporation Missouri Florence S. Stone The Nomura Securities Co., Ltd. Mr. and Mrs. James A. Elkins, Jr. The Philip A. and Lynn Straus Obayashi Corporation Texas Foundation, Inc. Paine Webber Mr. and Mrs. Edward E. Elson Stephen Strickland PepsiCo Foundation Georgia Robert D. Stuart, Jr. Foundation Philip Morris Companies Inc. Mrs. Charles W. Engelhard Carolyn and Richard Susel Republic National Bank of New York New Jersey lone Ulrich Sutton The Riggs National Bank of Mr. and Mrs. Thomas M. Evans Andrew Szegedy-Maszak Washington, D C. New York Mollis Taggart Galleries, Inc. The Sakura Bank, Ltd. Mr. and Mrs. John D. Firestone The Thiebaud Family Salomon Inc. District of Columbia Merle Thorpe, Jr. Schlumberger Foundation, Inc. Mr. and Mrs. Donald G. Fisher Thyssen AG Sony Corporation California Times Mirror Southwestern Bell Corporation Mr. and Mrs. James A. Fisher The Times Mirror Foundation Statoil Pennsylvania , The Truland Foundation The Washington Post Company Mr. Aaron Fleischman District of Columbia David P. Tunick The Yasuda Fire & Marine Insurance Camealia Perm Tyler Company, Limited Mrs. Julius Fleischmann Ohio United Technologies The Yasuda Fire & Marine Insurance Vaughn Foundation Fund Company of America Mr. and Mrs. Julian Ganz, Jr. Dorothy and Herbert Vogel California Nancy Voorhees Dr. and Mrs. Phillip T. George Walker & Dunlop Florida Judith Walsh Mr. and Mrs. Gordon P. Getty Mr. and Mrs. James M. Walton California Mrs. John F. Walton Mr. and Mrs. Carl S. Gewirz Warner News Media Maryland The Virginia Warner Fund of the Tides Mrs. Katharine Graham Foundation District of Columbia June Wayne Mr. George Gund III Nell V. Weidenhammer California Alberto Weissmuller Mr. Leo S. Guthman The Whitehead Foundation Illinois Betsey Cushing Whitney Mrs. Melville W. Hall Malcolm Hewitt Wiener Foundation, New York Inc. Mr. and Mrs. Frederic C. Hamilton The Dave H. and Reba W. Williams Colorado Foundation Mrs. Joseph H. Hazen The Williams Companies, Inc. New York David P. Willis Mrs. Susan Morse Hilles Edward Foss Wilson Trust Massachusetts William R. Wilson Mr. and Mrs. Lee Hills Florida The Honorable Oveta Gulp Hobby Texas

147 Mrs. James Stewart Hooker Mrs. Carolyn Skelly The Circle of the National Mr. and Mrs. Arthur Johnson New York New York Gallery of Art Maryland Mr. and Mrs. Raymond J. Horowitz Mr. H. Peter Stem and Dr. Margaret (as of 30 September 1992) Ms. Lisa Jorgenson and Mr. David New York Johns Doniger District of Columbia Mr. and Mrs. R. L. Ireland III New York Co-chairs Georgia Mrs. Ruth Carter Stevenson Mrs. Katharine Graham Mr. and Mrs. J. Howard Joynt III District of Columbia The Honorable and Mrs. John N. Texas Mr. Robert H. Smith Irwin II Mr. and Mrs. James M. Vaughn, Jr. Dr. and Mrs. Henri Keyzer-Andre New York Texas Florida Sustaining Members Mr. and Mrs. William C. Janss Mr. Thomas Walther The Honorable and Mrs. Randolph A. New York Mr. Joseph Allen and Ms. Rhonda Kidder Roland Shearer District of Columbia Mr. and Mrs. George F. Jewett, Jr. Mr. and Mrs. David K. Welles New York California Ohio Mr. and Mrs. Martin Kimmel Ms. Gillian Attfield Mr. and Mrs. Keith Wellin New York Mr. and Mrs. George M. Kaufman New York Virginia Texas Mr. and Mrs. James M. Kline Mrs. Patti Cadby Birch District of Columbia Mr. and Mrs. Stephen M. Kellen Mrs. John Hay Whitney New York New York New York Mrs. Alvin A. Kraft Patricia Bauman and John L. Bryant, District of Columbia Mr. and Mrs. Peter Kimmelman Mr. and Mrs. Dave H. Williams Jr. Mr. and Mrs. John L. Loeb New York New York District of Columbia New York Mr. and Mrs. Robert P. Kogod Mr. and Mrs. William Wood Prince Mr. and Mrs. Calvin Cafritz The Honorable and Mrs. John D. District of Columbia Illinois District of Columbia Macomber Mr. and Mrs. Werner H. Kramarsky Major General (Ret.) and Mrs. Daniel District of Columbia New York S. Campbell The Honorable and Mrs. Leonard H. Maryland Mr. and Mrs. Judd Leighton Marks Indiana The Honorable and Mrs. William T. District of Columbia The Honorable and Mrs. Marc E. Coleman, Jr. Mr. Frederick P. Mascioli Leland Virginia District of Columbia District of Columbia Mr. and Mrs. Clement E. Conger Mr. and Mrs. Edward J. Mathias Virginia Mr. Irvin L. Levy Maryland Texas Mrs. Catherine G. Curran Mr. and Mrs. David 0. Maxwell New York Mr. and Mrs. Sydney Lewis District of Columbia Virginia Mr. and Mrs. James T. Dyke Mr. and Mrs. Frederick R. Mayer Mr. and Mrs. Edward C. MacEwen Arkansas Colorado Connecticut Mr. and Mrs. Paul Flicker Mrs. James R. McAlee Maryland Mr. and Mrs. Frederick R. Mayer Maryland Colorado Mr. and Mrs. Jonathan England Mr. and Mrs. Raymond L. McGuire Mrs. Eugene McDermott District of Columbia District of Columbia Texas Mr. and Mrs. Robert F. Erburu Mr. and Mrs. Paul Mellon Mr. and Mrs. Paul Mellon California Virginia Virginia Mr. and Mrs. Bernard Fein Mr. and Mrs. Richard M. Merriman New York Mr. and Mrs. Edwin Van R. Milbury District of Columbia Pennsylvania Mr. Walter Fitch III Mr. and Mrs. A. Fenner Milton Mrs. 0. Ray Moore California District of Columbia Georgia Mr. and Mrs. Lee M. Folger Dr. and Mrs. Franklin D. Murphy District of Columbia Mr. and Mrs. Sumner Pingree III California District of Columbia Mr. and Mrs. George Frampton Mrs. John U. Nef District of Columbia Mr. and Mrs. Ronald A. Pizzuti District of Columbia Ohio Mr. and Mrs. John French III Commander and Mrs. Lester Edwin The Honorable and Mrs. Leon B. New York Ogilvy Polsky Mr. and Mrs. John T. Gibson District of Columbia New York District of Columbia Mr. and Mrs. Ricard R. Ohrstrom Mr. and Mrs. Frederick H. Prince Mr. and Mrs. Michael L. Glassman Virginia District of Columbia Maryland Mr. and Mrs. Michael Ovitz Mrs. A. N. Pritzker Mr. and Mrs. Calvin C. Gould California Illinois Massachusetts Mr. and Mrs. C. Wesley Peebles Mr. and Mrs. Thomas J. Pritzker Mr. and Mrs. Hermen Green berg Virginia Illinois District of Columbia Mrs. John A. Pope General Dillman A. Rash Mr. and Mrs. Gilbert C. Greenway District of Columbia District of Columbia Mr. and Mrs. Norman S. Portenoy Mr. and Mrs. Stewart A. Resnick Mr. and Mrs. Hugh Halff, Jr. District of Columbia California Texas Mr. and Mrs. Charles P. Price Mrs. Howard Ross Mrs. Iola S. Haverstick Virginia New York New York Mr. and Mrs. Milton Ritzenberg Mrs. Madeleine H. Russell Mr. and Mrs. Randolph A. Hearst District of Columbia California New York Mr. Mark Samuels Lasner Mrs. Louisa Stude Sarofim Mr. and Mrs. Charles T. Hellmuth District of Columbia Texas Maryland Mr. and Mrs. Roger Sant Mr. and Mrs. Alfred R. Shands III Mr. and Mrs. Joseph H. Hennage District of Columbia Kentucky Virginia Mrs. Stanley J. Samoff Mr. and Mrs. Robert F. Shapiro Mr. and Mrs. James Scott Hill Maryland New York New Jersey Rear Admiral and Mrs. Tazewell Mr. William Kelly Simpson Mr. and Mrs. R. L. Ireland III Shepard, Jr. New York Georgia District of Columbia

148 Mrs. Muller Sheppard Mr. and Mrs. Michael Gelman Mr. and Mrs. Irwin Schneiderman The Honorable and Mrs. W. Tapley Virginia Maryland New York Bennett, Jr. Mr. and Mrs. Richard S. Smith Mr. and Mrs. Herbert A. Goldstone Mr. and Mrs. Stephen F. Sherwin District of Columbia Pennsylvania New York District of Columbia Mr. and Mrs. Irving D. Berger Mr. and Mrs. Edward F. Swenson, Jr. Mr. Albert H. Gordon Mr. and Mrs. Clyde E. Shorey, Jr. District of Columbia Florida New York District of Columbia Mrs. Edwin A. Bergman Mr. and Mrs. Jonathan W. Warner, Sr. Mr. and Mrs. Peter E. Haas, Sr. The Honorable and Mrs. George P. Illinois Alabama California Shultz The Honorable and Mrs. Max N. Mrs. Robert M. Weidenhammer Mr. and Mrs. William M. Hackman California Berry Maryland Virginia Mrs. John Fair Simmons District of Columbia Mrs. Thomas Lyle Williams, Jr. Mrs. Elisha Hanson District of Columbia Mr. and Mrs. James I. Black III Georgia District of Columbia Mrs. Jane Stem New York Dr. and Mrs. Edward T. Wilson Mrs. B. Lauriston Hardin, Jr. District of Columbia Mrs. James H. Blackwell Maryland District of Columbia Mr. and Mrs. Terence P. Stewart New York Mr. and Mrs. Frank L. Wright The Honorable and Mrs. John W. District of Columbia The Honorable and Mrs. Philip W. Virginia Hechinger The Honorable and Mrs. Robert D. Bonsai Mr. and Mrs. Sidney S. Zlotnick District of Columbia Stuart District of Columbia District of Columbia Mr. and Mrs. Louis J. Hector Illinois Mrs. B. Rionda Braga Florida Mr. and Mrs. Hollis C. Taggart Virginia District of Columbia Mr. and Mrs. Thomas H. Broadus, Jr. Supporting Members Mr. and Mrs. J. Dean Herman Virginia The Honorable and Mrs. Russell E. Maryland Mr. and Mrs. James Adler Train The Honorable and Mrs. William E. Maryland Ms. Olga Hirshhom District of Columbia District of Columbia Brock III Mr. M. Bernard Aidinoff The Honorable and Mrs. Alexander B. District of Columbia New York Mrs. Thomas Hitchcock, Jr. New York Trowbridge Mrs. Harding Brown Ms. Carolyn Alper District of Columbia District of Columbia District of Columbia Mr. and Mrs. S. Roger Horchow Texas Mr. and Mrs. Robert Truland Mr. and Mrs. W. L. Lyons Brown, Jr. Mrs. Louise Steinman Ansberry Virginia Kentucky Pennsylvania Mr. R. Bruce Hunter Virginia Mrs. Robert D. van Roijen Mrs. Wiley T. Buchanan, Jr. Ms. Gwen Baptist District of Columbia District of Columbia Maryland The Honorable and Mrs. R. Tenney Johnson Mr. and Mrs. Henry B. Weaver The Honorable and Mrs. Philip W. The Honorable and Mrs. Robert 0. Maryland Virginia Buchen Blake, Sr. Mr. Melvin R. Weaver District of Columbia District of Columbia Mr. Peter Josten New York California Mrs. Arthur F. Burns Mr. and Mrs. Huntington T. Block Mr. P. Devers Weaver II District of Columbia District of Columbia Mr. and Mrs. Richard Kaufman District of Columbia Virginia Mr. and Mrs. Frank P. Butler The Honorable and Mrs. Daniel J. Mr. and Mrs. David R. Williams, Jr. District of Columbia Boorstin Mr. and Mrs. Jack Kay Oklahoma Mrs. Charles Pearre Cabell, Sr. District of Columbia Maryland Mr. and Mrs. Alan F. Wohlstetter Virginia Mr. and Mrs. George M. Brady, Jr. Mr. and Mrs. William E. Kimberly Virginia Maryland The Honorable John Thiers Calkins Maryland District of Columbia Mr. and Mrs. Harry A. Brooks Mr. and Mrs. Norman V. Kinsey Mr. F. Davis Camalier New York Louisiana Contributing Members District of Columbia Mr. and Mrs. Louis Byron Mr. and Mrs. Anthony A. Lapham Mr. and Mrs. William S. A bell Mr. and Mrs. Carroll J. Cavanagh District of Columbia District of Columbia Maryland District of Columbia Mr. Albert G. Lauber and Mr. Craig Mr. and Mrs. Charles F. Adams The Honorable and Mrs. John E. Mrs. Harold W. Cheel Chapoton Hoffman Massachusetts District of Columbia New Jersey District of Columbia Mrs. Ann Pendleton Alexander Mr.* and Mrs. Blair Childs The Honorable and Mrs. Robert H. Mr. and Mrs. Sperry Lea Virginia District of Columbia District of Columbia Charles Dr. and Mrs. David W. Ailing District of Columbia Mr. and Mrs. Joseph B. Led better Maryland Miss Alice W. Clement Tennessee District of Columbia Mr. C. Thomas Clagett, Jr. Mr. and Mrs. Samuel Alward District of Columbia Mr. William J. Levy District of Columbia Mrs. H. Dunscombe Colt District of Columbia District of Columbia Ms. Susan Cullman The Honorable and Mrs. Richard S. District of Columbia Mr. and Mrs. Sydney Lewis Arnold Mr. and Mrs. David F. Condon III Virginia Virginia Mr. and Mrs. Donald de Laski Arkansas Mr. Lloyd E. Cotsen Virginia Mrs. Jean C. Lindsey Mrs. Edwin Ashcraft III California The Honorable and Mrs. C. Douglas Mississippi District of Columbia Mrs. Shirley lone Cowell Dillon Mrs. Virginia C. Mars Mrs. John W. Auchincloss Florida New York Virginia District of Columbia Mr. Marshall B. Coyne Mr * and Mrs. Gaylord Donnelley Mr. Edward P. Morgan* Mr. Richard Brown Baker District of Columbia Illinois Virginia New York Mr. and Mrs. Earle M. Craig, Jr. Mr. and Mrs. Richard England Mr. and Mrs. Lucio Noto Mr. Dwight H. Barnes District of Columbia Virginia California Mr. and Mrs. J. Wendell Grain Mr. and Mrs. Thomas D. Fingleton Mrs. Roy Nutt Dr. and Mrs. Jordan Baruch District of Columbia Virginia Washington District of Columbia Major General and Mrs. Willis D. Mr.* and Mrs. William T. Finley, Jr. Mr. and Mrs. Donald R. Osborn Mr. and Mrs. Edwin S. Bell Crittenberger, Jr. District of Columbia New York Texas Virginia Mr. and Mrs. Wolfgang Flottl Mrs. Jefferson Patterson Ms. Claudia Cooley and Mr. L. The Honorable and Mrs. Lloyd N. New York District of Columbia Graeme Bell III Cutler Mr. and Mrs. Benjamin T. Pierce District of Columbia Mr. and Mrs. Peter Forster District of Columbia District of Columbia District of Columbia Mr. and Mrs. Howard M. Bender Mrs. Joseph B. Danzansky Mr. and Mrs. Lewis T. Preston Maryland District of Columbia Maryland * deceased

149 Dr. W. Morgan Delaney The Honorable and Mrs. William R. Mrs. Violet B. McCandlish The Honorable and Mrs. John D. Virginia Haley District of Columbia Rockefeller IV District of Columbia Mr. and Mrs. Mou-shih Ding District of Columbia The Honorable and Mrs. George C. Maryland Ms. Ann G. Hanes McGhee Mr. and Mrs. Rodman C. Rockefeller New York Mr. and Mrs. Michael D. Dingman District of Columbia District of Columbia New Hampshire Mr. John R. Hauge and Ms. Debra Mr. and Mrs. Chester B. McLaughlin Mr. and Mrs. Felix G. Rohatyn New York Mr. and Mrs. Fitz Eugene Dixon, Jr. Valentine Florida Pennsylvania District of Columbia Mrs. Robert B. Menapace Mr. and Mrs. Daniel Rose The Honorable and Mrs. Richard M. New York Mr. and Mrs. Donald J. Douglass District of Columbia Helms Texas Dr. and Mrs. Robert Mendelsohn Mr. and Mrs. Elihu Rose District of Columbia New York Mr. and Mrs. Robert E. Eberly Maryland Mr. and Mrs.* Henry C. Hofheimer II Pennsylvania Mr. and Mrs.* William R. Merriam Ms. Helen G. Ross Virginia Virginia Mrs. Jerome W. Eberts District of Columbia Mr. and Mrs. George Horkan, Jr. Florida The Honorable and Mrs. Charles A. Mr. and Mrs. James W. Rouse Virginia Meyer Maryland Mr. and Mrs. Julian Eisenstein Mr. John C. Howland Illinois District of Columbia Dr. and Mrs. Paul S. Russell Virginia Massachusetts Mr. and Mrs. Lloyd H. Elliott Ms. Julienne M. Michel Mr. and Mrs. R. Bruce Hughes District of Columbia District of Columbia Mr. David E. Rust District of Columbia The Honorable and Mrs. G. William District of Columbia Mr.* and Mrs. Norman Farquhar Mr. and Mrs. Allan R. Hurwitz Miller District of Columbia Mr. and Mrs. Derald H. Ruttenberg Maryland District of Columbia New York Dr. and Mrs. James J. Ferguson, Jr. Mr. and Mrs. E. Bronson Ingram Mrs. Edward P. Moore Maryland Mrs. Victor Sadd Tennessee District of Columbia Virginia Mr. and Mrs. Hart Fessenden Mr. John Peters Irelan Mr. and Mrs. Robert Morey New York Mr. James J. Sandman and Ms. District of Columbia California Elizabeth D. Mullin Mr. and Mrs. Bertram Firestone Mr. and Mrs. Marshall Jacobs Mr. and Mrs. Patrick Munroe District of Columbia Virginia Maryland Maryland Mr. and Mrs. Rudi E. Scheidt Mr. and Mrs. James A. Fisher Mr. and Mrs. Hugh Newell Jacobsen The Honorable Paul H. Nitze Tennessee Pennsylvania District of Columbia District of Columbia The Honorable and Mrs. James H. Mr. and Mrs. Max M. Fisher Lady Margretta S. Jamieson Mr. Gerson Nordlinger, Jr. Scheuer Florida District of Columbia District of Columbia District of Columbia Mr. and Mrs. John H. Fitzpatrick Mr. and Mrs. William S. Janes Mrs. Bamet Nover Mrs. C. Porter Schutt Massachusetts Virginia District of Columbia Pennsylvania Mr. and Mrs. William J. Flather III Mr. and Mrs. Samuel C. Johnson Mr. and Mrs. John L. Oberdorfer Mrs. Gustav Schwab District of Columbia Wisconsin District of Columbia Florida Mr. and Mrs. F. David Fowler Mr. and Mrs. Edward G. Kaufman Mr. and Mrs. James Ottaway, Jr. Mr. and Mrs. Charles R. Schwab Maryland Florida New York California Mrs. Daniel J. Fraad, Jr. Mr. Lawrence Kirstein Dr. and Mrs. David B. Mr. and Mrs. W. H. Shapley New York District of Columbia New York District of Columbia Mr. and Mrs. Lance Friedsam Mrs. Elizabeth L. Klee Mrs. D. Williams Parker Mr. and Mrs. Paul Shatz District of Columbia District of Columbia Georgia District of Columbia Mrs. Stanley Garber Dr. and Mrs. Ross C. Kory Mr. and Mrs. Thomas A. Parrott Dr. and Mrs. Richard A. Simms District of Columbia Virginia District of Columbia California Mr. and Mrs. Darryl Nolan Garrett Mr. and Mrs. W. Loeber Landau Sandra Payson Mr. and Mrs. Sanford Slavin District of Columbia New York Virginia Maryland Mr. John A. Geissman Mr. and Mrs. Edward W. Lane, Jr. Mr. and Mrs. Nathan W. Pearson Mr. Charles L. Smith III District of Columbia Florida Pennsylvania California Dr. and Mrs. Leon Gerber Ms. Alice Lawrence Mr. and Mrs. C. E. Peck The Honorable and Mrs. Samuel Maryland New York Maryland Spencer Mr. and Mrs. Edward H. Gerry Mr. James H. Lemon, Jr. The Honorable and Mrs. Charles H. Maryland New York District of Columbia Percy Mrs. Frederick M. Stafford Mr. and Mrs. William T. Gibb Mr. and Mrs. Herbert J. Lemer District of Columbia New York Maryland District of Columbia Mrs. Malcolm Price Mr. and Mrs. Irwin Stelzer Mr. and Mrs. Kenneth W. Gideon Mr. and Mrs. R. Robert Linowes District of Columbia Colorado Virginia Maryland Mr. and Mrs. Thor H. Ramsing Drs. Joan K. and Edward J. Stemmler Mrs. Charles C. Glover Mrs. John A. Logan Florida District of Columbia District of Columbia District of Columbia Dr. and Mrs. Coleman Raphael Mr. and Mrs. Philip A. Straus Mr. and Mrs. Robert E. Goldsten Mr. and Mrs. Walter P. Lukens Maryland New York District of Columbia Virginia Mr. and Mrs. Earl C. Ravenal Mrs. Raymond F. Tartiere* Mr. Bernard Gordon Mrs. Stephenson Mahoney District of Columbia District of Columbia District of Columbia District of Columbia Miss Berenice Anne Reed Mrs. Benjamin W. Thoron Mrs. Gordon Gray Mr. and Mrs. Frank L. Mansell Maryland District of Columbia District of Columbia New York Mr. Steven M. Reich Mr. John Edward Toole Mr. and Mrs. William H. Greer, Jr. Mr. and Mrs. E.A.G. Manton District of Columbia District of Columbia District of Columbia New York Mr. and Mrs. Donald H. Richardson Mr. and Mrs. Thurston Twigg-Smith Mr. and Mrs. Henry B. Griswold Mrs. Thomas Marston District of Columbia Florida Virginia Mr. and Mrs. Frank E. Richardson III Colonel A. Ray Tyrrell Mr. and Mrs. Corbin Gwaltney The Honorable and Mrs. William New York District of Columbia Maryland McC. Martin Mrs. Eugene Henry Rietzke Mrs. Herbert A. Vance Mr. and Mrs. Ronald J. Haan District of Columbia District of Columbia Illinois District of Columbia Mrs. Jack C. Massey Mr. and Mrs. David Rockefeller, Jr. Mr. and Mrs. C. Woods Vest, Jr. Tennessee New York District of Columbia

* deceased

150 Mr. and Mrs. Mallory Walker Benefactors of the National Gallery of Art District of Columbia FOUNDING BENEFACTORS David Edward and Margaret Eustis The Avery Family Mr. and Mrs. Robert Wallick District of Columbia Andrew William Mellon Finley Victoria Nebeker Coberly Samuel Henry Kress Morris and Gwendolyn Cafritz Jo Ann and Julian Ganz, Jr. Mr. Charles B. Walstrom Virginia Joseph E. Widener in memory of Katharine Graham Catherine Gamble Curran Peter A.B. Widener The Andrew W. Mellon Foundation Ms. Virginia S. Warner Chester Dale The Woodward Foundation PATRONS' PERMANENT FUND Massachusetts Lessing J. Rosenwald Robert H. and Virginia Pratt Thayer The Honorable and Mrs. Caspar FOUNDING PATRONS Weinberger Paul Mellon Georgia O'Keeffe John Hay Whitney District of Columbia Ailsa Mellon Bruce John and Louise Booth Walter H. and Leonore Annenberg Mrs. John Campbell White Rush Harrison Kress Gemini C.E.L. Paul Mellon Maryland Grace Vogel Aldworth Robert H. and Clarice Smith FOUNDING BENEFACTORS- John Hay Whitney Mrs. John K. White PRINTS AND DRAWINGS Ian Woodner The Kresge Foundation Virginia Lessing J. Rosenwald The A.W. Mellon Educational and Ms. Jaan W. Whitehead W.G. Russell Allen Lois and Georges de Menil Charitable Trust District of Columbia Joseph E. Widener Stavros S. Niarchos Dorothea Tanning Ernst The Honorable and Mrs. Charles S. Mrs. Walter B. James Mrs. Charles W. Engelhard Doris Dick Havemeyer Whitehouse R. Horace Gallatin In honor of Beuford and Teden Cole Virginia Walter H. and Leonore Annenberg Samuel H. Kress Foundation The Andrew W. Mellon Foundation David Rockefeller Professor John Wilmerding Ruth K. Henschel Arnold D. Frese Foundation New Jersey Samuel H. Kress Foundation The Woodward Foundation Eugene L. and Marie-Louise Garbaty Mr. and Mrs. Robert E. Wood II Robert H. and Clarice Smith John Davis and Olivia Stokes Hatch Richard King Mellon Foundation New York Georgia O'Keeffe The Mark Rothko Foundation Guest Services, Inc. Stavros S. Niarchos Mr. David Woodham The Mark Rothko Foundation Jill and Arthur M. Sackler District of Columbia Dorothy J. and Benjamin B. Smith Dorothy J. and Benjamin B. Smith Mrs. Max Beckmann PATRONS Ms. Jeanne R. Zeydel Julia B. Engel District of Columbia John R. Stevenson Paul and Bunny Mellon Julia B. Engel Samuel H. Kress Foundation John C. Marin, Jr. Arnold D. Frese Foundation Mrs. Charles W. Engelhard Philip L. Graham Fund The Armand Hammer Foundation Richard King Mellon Foundation Ruth Carter Stevenson Edith G. Rosenwald Family of Constance B. Mellon Robert P. and Arlene R. Kogod Ruth and Jacob Kainen In memory of Mrs. George R. Brown Family of William Larimer Mellon BENEFACTORS (1941-1992) Lila Acheson Wallace Amon G. Carter Foundation Frieda Schiff Warburg The Ahmanson Foundation Mrs. George Angus Garrett Adaline Havemeyer Frelinghuysen Amon G. Carter Foundation Joe L. and Barbara B. Allbritton Duncan Phillips John C. and Jaan Whitehead Eugene and Agnes E. Meyer Kate Seney Simpson Joe L. and Barbara B. Allbritton Foundation Harris Whittemore Robert M. and Anne T. Bass Gordon and Copey Hanes Barbara Hutton Hallmark Educational Foundations John C. and Jaan Whitehead Ralph and Mary Booth The Barra Foundation IBM Corporation William Nelson Cromwell Ruth K. Henschel The Leonard and Evelyn Lauder Benjamin E. and Regine S. Levy Mark J. Millard Fund Adolph Caspar Miller University of South Florida Walter and Elise Haas Fund Sam A. and Margaret Lewisohn Foundation Anne Burnett and Charles Tandy Therese K. and Herbert N. Straus Jill and Arthur M. Sackler Foundation William Robertson Coe John Marin, Jr. David Rockefeller Horace Havemeyer Robert and Jane Meyerhoff Thomas M. and Betty B. Evans Bemice Chrysler Garbisch The Armand Hammer Foundation Stephen M. and Anna-Maria Kellen Edgar William Garbisch Edith G. Rosenwald Lucille and George F. Jewett, Jr. Syma Aaron Busiel Family Petschek (Aussig) Hallmark Educational Foundations Eugene and Agnes Meyer T. Jefferson Coolidge, Jr. Robert Wood Johnson, Jr., Charitable Edith Stuyvesant Gerry Mary Hemingway Trust Lillian S. Timken Charles E. Culpeper Foundation, Inc. The Florence and John Schumann Ferdinand Lammot Belin Knight Foundation Foundation Adele R. Levy William Stamps Farish Fund Jo Ann and Julian Ganz, Jr. Alvan T. Fuller Sydney and Frances Lewis Melvin S. and Ryna G. Cohen Horace Havemeyer, Jr. The J. Paul Getty Trust Richard A. and Lee Kirstein Harry Waldron Havemeyer Southwestern Bell Corporation Arthur A. and Alison B. Bimey Josephine Bay and C. Michael Paul Guest Services, Inc. Norma Lee and Morton Funger Arthur Sachs Reader's Digest Association William and Eleanor Wood Prince W. Averell Harriman, in memory of Annalee Newman B. Francis Saul Marie N. Harriman Mrs. John D. Rockefeller 3rd The Artery Organization, Inc. Robert H. and Clarice Smith Rita Schreiber Milton J. and Carroll Petrie Oscar L. Milmore, in memory of Robert Frank William Stamps Farish Fund Pepita Milmore Betsey Gushing Whitney Family of Oliver T. Carr, Jr. Angelika Wertheim Frink The Riggs Bank of Washington, D C. Burton G. and Emily Hall Tremaine Pamela C. Harriman Potomac Electric Power Company Herbert N. and Nannette F. Arnold and Mildred Glimcher The George Hyman Construction Rothschild Richard A. and Lee G. Kirstein Company David K. E. Bruce The Woodner Family Seymour H. Knox Cornelius Van Schaak Roosevelt Dorothy and Herbert Vogel The Ahmanson Foundation Enid Annenberg Haupt Diane and Norman Bernstein

151 Kathrine D. Folger Henry J. Heinz II Janet A. Hooker Robert W. and Louisa C. Duemling Gifts and Alcoa Foundation Perry R. and Nancy Lee Bass Annelise and William H.G. FitzGerald Sydney and Frances Lewis The Charles A. Dana Foundation Edwin L. Cox Bequests George W. Wyckoff George M. and Linda H. Kaufman Averell and Pamela Harriman Edward G. Kaufman and Ann Claire In memory of Ella Milbank Foshay Kaufman The Times Mirror Foundation Gerald J. and Judith Miller The buildings, collections, and many of Family of Constance B. Mellon Frederick R. and Jan Mayer Alletta and Peter McBean Mobil Foundation, Inc. the programs of the National Gallery are Alexander M. and Judith W. Laughlin Ronald S. and Jo Carole Lauder largely the result of private generosity, as Charles U. and Janet C. Harris In memory of Mrs. George R. Brown the Gallery must rely on private support Reader's Digest Association Brady Foundation Laurance S. and Mary Rockefeller Sarah Scaife Foundation to fund art acquisition and many special GTE Corporation Knight Foundation projects. The Board of Trustees has full Dorothy Rodgers in memory of Mars Foundation authority to receive funds and property, Richard Rodgers E. I. du Pont de Nemours and Andrew P. and Geraldine Spreckels Company both real and personal, for the general Fuller The Barra Foundation purposes of the National Gallery of Art. John and Susan Gutfreund William Randolph Hearst Foundation Exxon Corporation George H. and Tessie A. Hurwitz Gifts may be made by check payable Charles E. Culpeper Foundation, Inc. Gordon and Ann Getty to the Trustees of the National Gallery Alice and John B. Rogers Katharine Graham Edwin Van R. and Cassandra Mellon Robert M. and Anne T. Bass of Art. Milbury Richard A. and Jane Manoogian Donations of works of art to the Gallery's collection are subject to approval by the Board of Trustees. Offers of such gifts should be discussed in advance with the Secretary and General Counsel (tele- phone 202 842-6363). Offers of gifts of books of art historical importance should be discussed in advance with the Execu- tive Librarian (telephone 202 842- 6505). Deferred gifts, by which a donor makes a commitment to benefit the Gallery at a later date, can enable many donors to make substantially larger contributions than by an outright gift and can maximize tax benefits and cost-effectiveness of making a gift. You may indicate that the National Gallery of Art is to receive a cer- tain sum of money, property, works of art, or a percentage of your estate. If you are considering a bequest or other form of deferred gift, we encourage you to dis- cuss confidentially how you would like your intended gift to be used by contact- ing the Development Officer (telephone 202 842-6372).

All gifts and bequests are deductible, within the limits prescribed by law, for applicable federal tax purposes. I

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