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The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship -
Blackness and Blood: Interpreting African American Identity Author(S): Lionel K
Blackness and Blood: Interpreting African American Identity Author(s): Lionel K. McPherson and Tommie Shelby Source: Philosophy and Public Affairs, Vol. 32, No. 2 (Spring, 2004), pp. 171-192 Published by: Blackwell Publishing Stable URL: http://www.jstor.org/stable/3557949 Accessed: 11/08/2010 23:59 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing is collaborating with JSTOR to digitize, preserve and extend access to Philosophy and Public Affairs. http://www.jstor.org LIONELK. -
Weatherhead Center for International Affairs
WEATHERHEAD CENTER FOR INTERNATIONAL AFFAIRS H A R V A R D U N I V E R S I T Y two2004-2005 thousand four – two thousand five ANNUAL REPORTS two2005-2006 thousand five – two thousand six 1737 Cambridge Street • Cambridge, MA 02138 www.wcfia.harvard.edu TABLE OF CONTENTS INTRODUCTION 2 PEOPLE Visiting Committee 4 Executive Committee 4 Administration 6 RESEARCH ACTIVITIES Small Grants for Faculty Research Projects 8 Medium Grants for Faculty Research Projects 9 Large Grants for Faculty Research Projects 9 Large Grants for Faculty Research Semester Leaves 9 Distinguished Lecture Series 11 Weatherhead Initiative in International Affairs 12 CONFERENCES 13 RESEARCH SEMINARS Challenges of the Twenty-First Century 34 Communist and Postcommunist Countries 35 Comparative Politics Research Workshop 36 Comparative Politics Seminar 39 Director’s Faculty Seminar 39 Economic Growth and Development 40 Harvard-MIT Joint Seminar on Political Development 41 Herbert C. Kelman Seminar on International Conflict Analysis and Resolution 42 International Business 43 International Economics 45 International History 48 Middle East 49 Political Violence and Civil War 51 Science and Society 51 South Asia 52 Transatlantic Relations 53 U.S. Foreign Policy 54 RESEARCH PROGRAMS Canada Program 56 Fellows Program 58 Harvard Academy for International and Area Studies 65 John M. Olin Institute for Strategic Studies 74 Justice, Welfare, and Economics 80 Nonviolent Sanctions and Cultural Survival 82 Religion, Political Economy, and Society 84 Student Programs 85 Transnational Studies Initiative 95 U.S.-Japan Relations 96 PUBLICATIONS 104 ANNUAL REPORTS 2004–2005 / 2005–2006 - 1 - INTRODUCTION In August 2005, the Weatherhead Center moved In another first, the faculty research semester to the new Center for Government and leaves that the Center awarded in spring 2005 International Studies (CGIS) complex. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Reviewer Fatigue? Why Scholars PS Decline to Review Their Peers’ Work
AMERICAN POLITICAL SCIENCE ASSOCIATION Reviewer Fatigue? Why Scholars PS Decline to Review Their Peers’ Work | Marijke Breuning, Jeremy Backstrom, Jeremy Brannon, Benjamin Isaak Gross, Announcing Science & Politics Political Michael Widmeier Why, and How, to Bridge the “Gap” Before Tenure: Peer-Reviewed Research May Not Be the Only Strategic Move as a Graduate Student or Young Scholar Mariano E. Bertucci Partisan Politics and Congressional Election Prospects: Political Science & Politics Evidence from the Iowa Electronic Markets Depression PSOCTOBER 2015, VOLUME 48, NUMBER 4 Joyce E. Berg, Christopher E. Peneny, and Thomas A. Rietz dep1 dep2 dep3 dep4 dep5 dep6 H1 H2 H3 H4 H5 H6 Bayesian Analysis Trace Histogram −.002 500 −.004 400 −.006 300 −.008 200 100 −.01 0 2000 4000 6000 8000 10000 0 Iteration number −.01 −.008 −.006 −.004 −.002 Autocorrelation Density 0.80 500 all 0.60 1−half 400 2−half 0.40 300 0.20 200 0.00 100 0 10 20 30 40 0 Lag −.01 −.008 −.006 −.004 −.002 Here are some of the new features: » Bayesian analysis » IRT (item response theory) » Multilevel models for survey data » Panel-data survival models » Markov-switching models » SEM: survey data, Satorra–Bentler, survival models » Regression models for fractional data » Censored Poisson regression » Endogenous treatment effects » Unicode stata.com/psp-14 Stata is a registered trademark of StataCorp LP, 4905 Lakeway Drive, College Station, TX 77845, USA. OCTOBER 2015 Cambridge Journals Online For further information about this journal please go to the journal website at: journals.cambridge.org/psc APSA Task Force Reports AMERICAN POLITICAL SCIENCE ASSOCIATION Let’s Be Heard! How to Better Communicate Political Science’s Public Value The APSA task force reports seek John H. -
Title of Article UNITY08 TALKS to INDEPENDENTS PAGE 10 FULANI
Title of Article FULANI SAYS: “ W H O D E C I D E D H I L L A R Y I S B E S T F O R T H E BLACK COMMUNITY?” PA G E 3 3 THE KUCINICH FACTOR: MANGIA BUILDS A BRIDGE PA G E 2 3 U N I T Y 0 8 TA L K S TO INDEPENDENTS PA G E 1 0 N E W H A M P S H I R E INDEPENDENTS SPEAK OUT PA G E 1 7 G R I F F I N A N D O B A M A : CHANGE IS IN THE AIR $6.95 PA G E 1 4 WINTER 2007/2008 THE NEO-INDEPENDENT I WINTER 2007 / 2008 V o l 4 . N 0 . 2 $6.95 TH E P OL ITI C S O F B ECOM I N G New Hampshire Goes Independent Dennis Kucinich At The Threshold Barack Obama On The Move Ron Paul Against the Odds GW Addresses Major Party Doug Bailey On Unity08 Corruption It’s Those Parties! (And I’ll Cry If I Want To) JACQUELINE SALIT Title of Article adj. 1 of, or pertaining to, the movement of independent voters for political recognition and popular power __ n. an independent voter in the post-Perot era, without traditional ideological attachments, seeking the overthrow of bipartisan political corruption __ adj. 2 of, or pertaining to, an independent political force styling itself as a postmodern progressive counterweight to neo-conservatism, or the neo-cons WINTER 2007/2008 THE NEO-INDEPENDENT III IT’S A SNORE By the time you read this note, the 2008 presiden- out that way. -
The Social Construction of Social Capital and the Politics of Language
POLITICSSMITH and & KULYNYCH SOCIETY It May Be Social, but Why Is It Capital? The Social Construction of Social Capital and the Politics of Language STEPHEN SAMUEL SMITH JESSICA KULYNYCH Although the referents of the term social capital merit sustained inquiry, the term impedes understanding because of the historical association of the word capital with economic discourse. As a result of this association, applying the term social capital to civic engagement blurs crucial analytic distinctions. Moreover, there are important ideological consequences to considering things such as bowling leagues to be a form of capital and urging citizens to become social capitalists. The term social capacity, the authors argue, provides the same heuristic benefits as the term social capital without extending illusory promises of theoretical parsimony with the financial/human/social capital trinity. The word Capital had been part of legal and business terminology long before economists found employment for it. With the Roman jurists and their successors, it denoted the “prin- cipal” of a loan as distinguished from interest and other accessory claims of the lender....Thus the concept was essentially monetary, meaning either actual money, or claims to money, or some goods evaluated in money. Also, though not quite definite, its meaning was perfectly unequivocal, and there was no doubt about what was meant in every Both authors contributed equally to the writing of this article; our names are listed in random order. An earlier version of this article was presented at the 1999 annual meeting of the American Political Science Association, Atlanta, GA. Smith’s work on the article is part of a larger project on urban edu- cation in Charlotte, North Carolina, that is funded by grants from the Spencer Foundation, the Parker Foundation, and the Winthrop University Research Council. -
Hip-Hop & the Global Imprint of a Black Cultural Form
Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University. -
THE CINCINNATI MYTH by Eliana Johnson Saturday Night Massacre, and IRS Discrimination Wasn’T Just the Work of Rogue Agents
2013_07_01 subscribe:cover61404-postal.qxd 6/11/2013 8:18 PM Page 1 July 1, 2013 $4.99 JAY NORDLINGER: The Left’s Racial Putdowns KEVIN D. WILLIAMSON ON RAND AND STEINBECK JOHN J. MILLER HENRY OLSEN: IS RAND PAUL THE ANSWER? ON HARRY JAFFA Daniiel Foster w eliiaannaa Johnson w roobb lloonngg $4.99 tthhee eeDDittoorss 26 0 74820 08155 6 www.nationalreview.com base:milliken-mar 22.qxd 6/10/2013 2:27 PM Page 1 TOC:QXP-1127940144.qxp 6/12/2013 2:33 PM Page 1 Contents JULY 1, 2013 | VOLUME LXV, NO. 12 | www.nationalreview.com ON THE COVER Page 16 The Cincinnati Myth John J. Miller on Harry V. Jaffa p. 32 Two Cincinnati employees have told the House Oversight Committee that BOOKS, ARTS they were taking orders from Washington. One of those employees told & MANNERS the committee he began singling out tea- 41 LINCOLN’S PATH, STILL Jay Winik reviews Lincoln party applications at the request of a Unbound: How an Ambitious supervisor who told him “Washington, Young Railsplitter Saved the American Dream—And D.C., wanted some cases.” Eliana Johnson How We Can Do It Again, by Rich Lowry. COVER: ROMAN GENN 42 GREATNESS IN A DARK TIME ARTICLES Charles J. Cooper reviews Saving Justice: Watergate, the 16 THE CINCINNATI MYTH by Eliana Johnson Saturday Night Massacre, and IRS discrimination wasn’t just the work of rogue agents. Other Adventures of a Solicitor General, by Robert H. Bork. 18 ONE-PARTY TAXMEN by Daniel Foster Is it time to un-reform the civil service? 45 EPIC OF A NATION Daniel Johnson reviews Flight of 21 BUREAUCRATIC ROT by Rob Long the Eagle: The Grand Strategies A government, like a fish, decays from its guts. -
Imagination and the Practice of Rapping in Dar Es Salaam
David Kerr THUGS AND GANGSTERS: IMAGINAtiON AND THE PRACtiCE OF RAppiNG IN DAR ES SALAAM abstract Since the arrival of hip hop in Tanzania in the 1980s, a diverse and vibrant range of musical genres has developed in Tanzania’s commercial capital, Dar es Salaam. Incorporating rapping, these new musical genres and their associated practices have produced new imaginative spaces, social practices, and identities. In this paper, I argue that rappers have appropriated signs and symbols from the transnational image of hip hop to cast themselves as ‘thugs’ or ‘gangsters’, simultaneously imbuing these symbols with distinctly Tanzanian political conceptions of hard work (kazi ya jasho), justice (haki) and self-reliance (kujitegemea). This article examines how the persona of the rapper acts as a nexus for transnational and local moral and ethical conceptions such as self-reliance, strength, and struggle. Exploring the complicated, ambiguous, and contradictory nature of cultural production in contemporary Tanzania, I argue that rappers use the practice of rapping to negotiate both the socialist past and neo-liberal present. Drawing on the work of De Certeau and Graeber, I argue that rappers use these circulating signs, symbols, and concepts both tactically and strategically to generate value, shape social reality and inscribe themselves into the social and political fabric of everyday life. Keywords: hip hop, popular music, Tanzania, Ujamaa, value INTRODUCTION as well as our individual hopes and ambitions. Octavian and Richard, who as rappers adopt It is mid-morning in June 2011 and I am sat with the names O-Key and Kizito, are both students two ‘underground’ rappers, Octavian Thomas and live close to where we meet. -
How Propaganda Works How Works
HOW PROPAGANDA WORKS HOW WORKS PRINCETON UNIVERSITY PRESS JASON STANLEY Princeton Oxford Copyright © 2015 by Princeton University Press Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu Jacket design by Chris Ferrante Excerpts from Victor Kemperer, The Language of the Third Reich: LTI, Lingua Tertii Imperii, translated by Martin Brady © Reclam Verlag Leipzig, 1975. Used by permission of Bloomsbury Academic, an imprint of Bloomsbury Publishing PLC. All Rights Reserved ISBN 978– 0– 691– 16442– 7 Library of Congress Control Number: 2014955002 British Library Cataloging- in- Publication Data is available This book has been composed in Sabon Next LT Pro and League Gothic Printed on acid- free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This will always remain one of the best jokes of democracy, that it gave its deadly enemies the means by which it was destroyed. — JOSEPH GOEBBELS, REICH MINISTER OF PROPAGANDA, 1933– 45 CONTENTS Preface IX Introduction: The Problem of Propaganda 1 1 Propaganda in the History of Political Thought 27 2 Propaganda Defined 39 3 Propaganda in Liberal Democracy 81 4 Language as a Mechanism of Control 125 5 Ideology 178 6 Political Ideologies 223 7 The Ideology of Elites: A Case Study 269 Conclusion 292 Acknowledgments 295 Notes 305 Bibliography 335 Index 347 PREFACE In August 2013, after almost a decade of teaching at Rutgers University and living in apartments in New York City, my wife Njeri Thande and I moved to a large house in New Haven, Connecticut, to take up positions at Yale University. -
Sång Inom Populärmusikgenrer Daniel Zangger Borch Zangger Daniel Populärmusikgenrer Inom Sång
2008:59 DOKTORSAVHANDLING Sång inom populärmusikgenrer Daniel Zangger Borch Sång inom populärmusikgenrer Daniel Zangger Borch Luleå tekniska universitet 2008:59 Musikhögskolan i Piteå Universitetstryckeriet, Luleå 2008:59|: 02-544|: - -- 08 ⁄59 -- Sång inom Populärmusikgenrer Konstnärliga, fysiologiska och pedagogiska aspekter Daniel Zangger Borch Distribution Institutionen för musik och medier/Luleå tekniska universitet Box 744 941 28 Piteå Telefon: 0911-72600 Fax: 0911-72610 Publicerad elektroniskt på http://epubl.ltu.se ISSN: 1402-1544 ISRN: LTU-DT – 08/59 – SE © Daniel Zangger Borch 2008 Abstract This dissertation consists of five parts dealing with three areas: voice science, voice pedagogics and musical expression. The overall aim was to contribute to a scientific basis for improved singing technique within genres of popular music. Scientific analyses of vocal expression are used as a complement to a vocal teaching method that is suitable for the vocal ideals used in the popular music genres, considering also current scientific knowledge in the areas of physiology, acoustics and rehabilitation. Part I analyzes a classically trained singer’s voice and some frequently used types of accompaniments as well as the voices of five popular music singers. The results suggested that boosting the frequency range 3500 Hz in the popular music singer’s monitor system could be beneficial. Part II analyzed how the vocal “dist” ornament, commonly used by rock singers, is generated in my rock singer’s voice. A high-speed video recording combined with simultaneous voice source analysis revealed that this ornament was produced by adducting the supraglottal structures such that they were brought to vibration by the airstream.