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Revista De Historiografía 32, 2019, Pp 32 NÚMERO 32 - AÑO XVI, 3.2019 ISSN 1885 - 2718 REVISTA DE HistoriografíaREVHISTO PUBLICACIÓN SEMESTRAL PVP: 23 EUROS Wittgenstein Wittgenstein y la Estética Wittgenstein y la Estética Nos ha parecido interesante revisar el material diferentes perspectivas históricas en transfor- hermenéutico de Wittgenstein desde la Estéti- mación. La lectura de estos textos servirá para ca y Teoría de las Artes con las últimas aporta- revisar la imagen que habitualmente se tiene ciones de los expertos en esta área. Ver cómo sobre una figura clave de la filosofía del siglo han cambiado los temas o las interpretacio- XX que sigue siendo fundamental en el pen- nes al cabo de las décadas permite descubrir samiento Occidental. Observará, sin embargo, no pocos hallazgos sobre los modos de hacer el lector, hasta qué punto se ha modificado el filosofía, sobre el propio pensamiento acadé- acento gracias a las interpretaciones surgidas mico y sobre la misma filosofía vista desde en las últimas décadas. Wittgenstein and Aesthetics: philosophy and the history of ideas John Hyman e Ilia Galán (Eds.) RevHisto Directores Revista editada por Jaime Alvar Ezquerra (Universidad Carlos III de Madrid) Mirella Romero Recio (Universidad Carlos III de Madrid) Revista de Historiografía (RevHisto) es una publicación científica semestral dedicada al estudio de las condiciones Secretaria y circunstancias en las que se construye la producción Laura Branciforte histórica, que sólo admite originales que contribuyan al (Universidad Carlos III de Madrid) progreso del conocimiento. Su interés interdisciplinar la convierte en un foro no sólo dedicado al análisis de Vicesecretario las narrativas históricas en sus contextos, sino también José Carlos López Gómez al estudio historiográfico de cualquier ámbito del (Universidad Carlos III de Madrid) conocimiento, generado por, y destinado a, expertos y estudiosos cualificados. Consejo de Redacción Laura Branciforte (Universidad Carlos III de Madrid), Jacobo García Álvarez (Universidad Carlos III de Madrid), * * * Montserrat Huguet (Universidad Carlos III de Madrid), Este volumen ha recibido financiación competitiva del Plan Ricardo de Molino (Universidad Externado de Colombia), Propio de Investigación de la UC3M para revistas a ella Gloria Mora (Universidad Autónoma de Madrid), José Luis de vinculadas. la Nuez (Universidad Carlos III de Madrid), Álvaro Ribagorda * * * (Universidad Carlos III de Madrid), Carolina Rodríguez López Revista de Historiografía no suscribe necesariamente las (Universidad Complutense de Madrid) premisas historiográficas desarrolladas en los artículos publicados, ni las opiniones de sus autores. Comité científico Carmine Ampolo (Università di Pisa, Italia), Jean-François * * * Brotel (Université de Rennes 2, Francia), Paolo Desideri Se permite la reproducción parcial de los artículos (Università di Firenze, Italia), Sotera Fornaro (Università di publicados en Revista de Historiografía, citando la Sassari, Italia), Patrizia Gabrielli (Università di Siena, Italia), procedencia. Fernando Gómez Redondo (Universidad de Alcalá de Henares), Antonio Gonzales (Université de Franche-Comté), Chantal Grell * * * (Universitè Saint Quentin-Versailles, Francia), Elena Hernández Revista de Historiografía ha renovado el certicado de Sandoica (Universidad Complutense de Madrid), Eduardo revista excelente y el Sello de calidad FECYT en 2019, Manzano (Consejo Superior de Investigaciones Científicas - (FECYT-025/2019). CSIC), Ignacio Peiró Martín (Universidad de Zaragoza), Juan Sisinio Pérez Garzón (Universidad de Castilla-La Mancha), José Luis Peset (Consejo Superior de Investigaciones Científicas - CSIC), Susanne Rau (Universität Erfurt), Aurelia Vargas Valencia (Universidad Nacional Autonoma de México). Edición digital www.uc3m.es/revhistoEISSN 2445-0057 ISSN 1885-2718 Depósito legal M-39203-2005 Revista semestral Redacción * * * Los contenidos de Revista de Historiografía están Instituto de Historiografía Julio Caro Baroja indizados en SCOPUS, ERIH PLUS y EBSCO, así como Universidad Carlos III de Madrid -Edificio Concepción Arenal en otras prestigiosas bases de datos como el Índice y el (14.2.10) - C/ Madrid, 126 – 28903 Getafe, Madrid Catálogo 2.0 LATINDEX, CINDOC, DIALNET, CIRC, [email protected] RESH y REGESTA IMPERII. Diseño y maquetación * * * Syntagmas (www.syntagmas.com) Admisión, envío de originales y normas de edición en www.uc3m.es/revhisto Edita Dykinson, S. L. (www.dykinson.com) revista de HistoriografíaNÚO MER 32 RevHisto I. Wittgenstein and Aesthetics: Philosophy and the History of Ideas John Hyman e Ilia Galán (Eds.) 8 Introducción 53 Wittgenstein and Modernism: An Encounter Ilia Galán of the Third Kind Anat Matar 11 Wittgenstein on Aesthetics and Philosophy Severin Schroeder 71 Using Wittgenstein’s Philosophy to Erase Conceptual Misconceptions in Dance Practice. 23 Ways of Pointing to Artworks: A Fourfold Approach A Wittgensteinian Approach Carla Carmona Salvador Rubio Marco 91 Architecture and Organic Unity 35 «Die künstlerische Betrachtungsweise…», John Hyman Wittgenstein on Miracles Nicolás Sánchez Durá II. Miscelánea 107 Un paseo por las obras de Lutero 135 Una polémica olvidada: el debate político Rafael Lazcano en torno al «Edicto de Milán» en España durante el año 1913 Sobre uso y valor de la ficción en la historia Esteban Moreno Resano 119 griega y romana. Joaquín Muniz Coello La decoración vegetal de Estíbaliz «ante el 163 tiempo». Fluctuaciones en los significados iconográficos a la luz de la historiografía artística Gorka López De Munain III. Libros 185 Cartografía e Imperio. El Padrón Real y la 196 Necrópolis romana de Carmona. Un representación del Nuevo Mundo proyecto innovador de gestión cultural (1881-1930) 189 La nazione del miracolo. L’Italia e gli italiani tra Storia, memoria e immaginario 200 América Latina y lo clásico. Lo clásico y América Latina 193 Alejandro Panel (1699-1764) y la epigrafía Hispania. Un jesuita francés en el «Infierno 203 El legado de los emperadores hispanos abreviado» 211 Miradas encontradas. Sociedades y ciudadanías de España y Estados Unidos Imonográfico Wittgenstein and Aesthetics: Philosophy and the History of Ideas Monográfico Introducción Introducción Ilia Galán (Universidad Carlos III de Madrid) Una revisión del material hermenéutico de Wittgenstein se concibió como relevan- te para revisar desde la Estética y Teoría de las Artes las últimas aportaciones de los expertos en esta área. Ver cómo han cambiado los temas o las interpretaciones al cabo de las décadas permite descubrir no pocos hallazgos sobre los modos de hacer filosofía, sobre el pensamien- to académico mismo y sobre la misma filosofía vista desde diferentes y cambiantes, históricas perspectivas, como habría dicho Hegel, más todavía cuando se analiza cómo se mira el arte o se estudia desde la perspectiva de la disciplina estética en el ámbito académico. Para ello, se concibió que, bajo la dirección de John Hyman, Catedrático de Estética de Oxford y director del British Journal of Aesthetics, se hiciese un seminario bajo el títu- lo: Wittgenstein and Aesthetics: philosophy and the history of ideas. Dicho encuentro tuvo lugar los días 29 y 30 de septiembre de 2017 en el seno del Instituto de Historiografía Julio Caro Baroja, en la Universidad Carlos III de Madrid, bajo la coordinación de quien estas letras escribe, quien presentó las sesiones. Esta bienvenida se hizo con la primera ponen- cia, de Severin Schroeder, de la Universidad de Reading, con el título: ‘Too ridiculous for words’: Wittgenstein on scientific Aesthetics. En ella se proponía mostrar cómo el lenguaje usado tanto de modo común como en la filosofía era susceptible de revisión cuando el pensar filosófico resulta similar a la mirada estética. En esa revisión, el tema de fondo iba a ser entender el significado de la experiencia estética y si puede la ciencia, derivando de principios generales sobre estética, dar cuenta del gusto, así como revisar por qué ciertas obras nos impresionan. El texto que aquí se publica, lleva, sin embargo, un título más amplio: Wittgenstein on Aesthetics and Philosophy. Partiendo del periodo en que el autor del Tractatus intenta aplicar la investigación de la psicología experimental a la estética, analiza cómo llegó a la conclusión de que la estética no podía reducirse a esa disciplina, pues en tales juicios no pueden darse valores de verdad o falsedad. Por otro lado, reducirlo a la línea hedonista, del gusto, para clasificar obras, tampoco le convencía, ya que, según Wittgenstein: «La obra de arte no busca transmitir algo más, solo a sí misma». Lo que se halla en el gusto, aunque de interés, no es el principal valor para la estética o la crítica de arte. Por ello, en contra de la tradición de Hume o Kant y tantos otros, que buscaban jui- cios estéticos lo más independientes de que fueran capaces del contexto cultural, el filósofo vienés hizo todo lo contrario, hallando, además, gran similitud entre estética y filosofía, al originarse ambas por una inquietud o perplejidad que requiere ser resuelta. Pero no llegó 8 Revista de historiografía 32, 2019, pp. 8-10. EISSN: 2445-0057. https://doi.org/10.20318/revhisto.2019.4890 Ilia Galán Monográfico a considerar lo estético como una rama de la filosofía, al no hacer preguntas conceptuales y, por tanto, la estética como crítica de arte no puede ser subsumida bajo la filosofía, sino solo parecerse a ella. Este análisis de época, actualizado y comparado con diversos autores, por el experto de la Universidad de Reading, es seguido por un texto de Salvador Rubio Marco,
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