Razorcake Issue #29 As A
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
It's the Amazing
Just when you thought it was safe to go near the mailbox... It’s the amazing... MutantMutant PopPop C a t a l o g ONCE AGAIN IN THE ULTRA-TRADITIONALIST PHOTOCOPIED FORMAT! #38 This catalog is so far over due that the phrase “late” doesn’t begin to do the matter justice. Rather than spend this entire page offering up a wave of excuses and explanations—some lame, some valid—I’ll just refer anyone who cares to the Mutant Pop website: http://www.mutantpop.com, then click INTERVIEWS and select interview no. 10. That’s as complete a recita- tion of my discouragements and failings as anything.... I’m very sorry for any inconvenience that the “18 months of sloth” has caused. I’m actually a little amazed that I’m back with full avidity doing label stuff again—orders are shipping on time, and new stuff is once again being accumulated for the inventory here. The next wave of SRCDs is, at long last, in preparation— apologies and thanks are especially due to the long-suffering SRCD subscribers who have been patiently twiddling their thumbs waiting for me to get it back in gear. I thank you for your tolerance and kindness. While I may have earned a failing grade for my (non-)effort with Mutant Pop in 2001, the year was not a total loss. There may AttentionAttention DeficitDeficit have been only two MP releases for all of 2001, but they both kicked some major boo-tay... Take, for example, the full-length compact disc by ATTENTION DEFICIT, Adventures in Laissez-Faire Eco- nomics.. -
King of Crunk Lil Jon Sets Guinness World Record™ for “Biggest Bling”
FOR IMMEDIATE RELEASE PRESS CONTACT Simone Smalls Susan Blond, Inc. 212-333-7728 x118 [email protected] KING OF CRUNK LIL JON SETS GUINNESS WORLD RECORD™ FOR “BIGGEST BLING” Rapper Makes History for His ‘Crunk Ain’t Dead’ Pendant New York, NY – (March 22, 2007) – TVT Records / BME recording artist Lil Jon is not only the King of Crunk, but he is now the King of Bling! Lil Jon just set a new Guinness World Record for the ‘Largest Diamond Pendant’ for his ‘Crunk Aint Dead’ pendant. With an appraised value of $500,000, Lil Jon’s diamond pendant is 7.5 inches tall, 6 inches wide, and 1 inch thick, weighing 5.11 pounds with a total 73 carats of diamonds. The total stone count is 3,756 genuine round-cut white diamonds set in 18-karat yellow and white gold. The piece was created by jeweler Jason of Beverly Hills. “I’m glad the Guinness World Records folks acknowledged me and my Crunk Ain’t Dead piece,” says Lil Jon. “I spent a load of money on that chain. I had no idea I would break a record and be recognized for it. It’s an honor to be included on that list. I grew up on reading and hearing about people and celebrities who break records in the Guinness World Records Book and it always fascinated me. Now that I’m on the list, it feels great. Let’s just see how many rappers try to outdo my pendant and break my record. They don’t call me the King of Crunk for nothing!” “Guinness World Records is pleased to recognize Lil Jon as a new member of our record- breaking family,” said Alistair Richards, Guinness World Records Managing Director. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Before the Show So People Can See I’M a Girl, Not Some Girly Looking Guy
Table of Contents Contest: Winners 38 First Place – The Gift P. Jo Anne Burgh 39 Second Place – Accordion Breathing Kimm Brockett Stammen 50 Third Place – Congratulations Alan Sincic 60 Fiction: Badass Pamela Stutch 5 The Violence of Creation Lauren Schaumburg 16 Driftwood Stacy A. Penner 27 Yeva and the Green Garden Charissa Weaks 72 Date with Crocodile Girl Jenny Stalter 84 A Very Small Apocalypse Elka Scott 91 Aura Jim Ryan 104 What Should Have Been Eli Ryder 113 The Light Box Ilene Dube 120 Cures Ellen Rhudy 126 Creative Nonfiction: Om Qasem Khalil AbuSharekh 32 How to be an adult. Or maybe not. Cayce Osborne 86 Poetry: Cathy Tenzo 4 Liz Adair 14 Daun Daemon 18 Siân Killingsworth 31 Donald Mitchell 65 Ken Craft 82 Robert Beveridge 101 Kristy Bowen 110 DS Maolalai 119 Lee Potts 125 Visual Art: Jing Kong Cover Fabio Lastrucci 1 Diego Luis 24 Fabrice Poussin 68 William C. Crawford 107 Bill Wolak 137 Volume 6, No. 3 Issue 18 ©2019 Typehouse Literary Magazine. All rights reserved. No part of this periodical may be reproduced in any form without written permission. Typehouse Literary Magazine is published triannually. Established 2013. Typehouse Literary Magazine Editor in Chief: Val Gryphin Senior Editors: KC Snow (Prose) Lily Blackburn (Prose) T. E. Wilderson (Prose) Yukyan Lam (Prose) Alan Perry (Poetry) Dave Midkiff (Poetry) Jiwon Choi (Poetry) Associate Editors: Hailey Hanks (Prose) Kate Steagall (Prose) Kevin Lichty (Prose) Naomi Stamps (Prose) Trish Rodriguez (Prose) Amy Scanlan O'Hearn (Poetry) Angela Dribben (Poetry) Erron Smith (Visual Arts Editor) Alina Lundholm (Social Media Editor) Jenna London (Advertising Editor) Typehouse is a writer-run literary magazine based out of Portland, Oregon. -
Dragon Magazine #158
S PECIAL ATTRACTIONS Issue #158 Vol. XV, No. 1 9 Weve waited for you: DRAGONS! June 1990 A collection of lore about our most favorite monster. The Mightiest of Dragons George Ziets Publisher 10 In the D&D® game, no one fools with the dragon rulers and lives for James M. Ward long. Editor A Spell of Conversation Ed Friedlander Roger E. Moore 18 If youd rather talk with a dragon than fight it, use this spell. The Dragons Bestiary The readers Fiction editor Barbara G. Young 20 The gorynych (very gory) and the (uncommon) common dragonet. Thats Not in the Monstrous Compendium! Aaron McGruder Assistant editor 24 Remember those neutral dragons with gemstone names? Theyre 2nd Dale A. Donovan Edition now! Art director Larry W. Smith O THER FEATURES Production staff The Game Wizards James M. Ward Gaye OKeefe Angelika Lokotz 8 Should we ban the demon? The readers respondand how! Subscriptions Also Known As... the Orc Ethan Ham Janet L. Winters 30 Renaming a monster has more of an effect than you think. U.S. advertising The Rules of the Game Thomas M. Kane Sheila Gailloreto Tammy Volp 36 If you really want more gamers, then create them! The Voyage of the Princess Ark Bruce A. Heard U.K. correspondent 41 Sometimes its better not to know what you are eating. and U.K. advertising Sue Lilley A Role-players Best Friend Michael J. DAlfonsi 45 Give your computer the job of assistant Dungeon Master. The Role of Computers Hartley, Patricia and Kirk Lesser 47 The world of warfare, from the past to the future. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Arboretum August 18 - 23, 2014 | Ottawa Music Festival Ottawa’S Festival of New Music + Best Kept Secrets
ARBORETUM AUGUST 18 - 23, 2014 | OTTAWA MUSIC FESTIVAL OTTAWA’S FESTIVAL OF NEW MUSIC + BEST KEPT SECRETS MONDAY WEDNESDAY FRIDAY SATURDAY AUG 18 AUG 20 AUG 22 AUG 23 ST. ALBANS CHURCH $20/AA/ OTTAWA ART GALLERY $0/AA OTTAWA ART GALLERY $0/AA ARTS COURT OUTDOOR MAIN STAGE $30 ADV/AA/ 18:30 FESTIVAL LAUNCH & KEYNOTE 19:30 BOSVELD 08:30 CREATIVE MORNINGS 18:45 PANEL DISCUSSION: WHY I LEFT OTTAWA? 20:00 EVENING HYMNS “Where’s the Cultural Press?” 14:00 PONY GIRL Panelists: Kathleen Edwards, Olivier Fairfield 21:00 JULIE DOIRON & THE WOODEN STARS Panelists: Marie-Claire LeBlanc, Allan Wigney, Peter Emmanuel Sayer, Rémi Thériault. Simpson, Lesley Marshall. Presented by Arboretum Festival + Megaphono 15:00 WEAVES OTTAWA SHOWBOX Secret Shows Presented by Downtown Rideau BIA & Ottawa Art Gallery Presented by Downtown Rideau BIA Happening at undisclosed locations MAVERICKS $15/19+/ 16:15 LOWELL on the main stage grounds. MANX PUB $0/AA ARTS COURT $25 ADV/AA/ OUTDOOR MAIN STAGE 17:15 Secret Show #1 21:30 ADAM SAIKALEY TRIO 21:00 TROPICAL DRIPPS MURRAY STREET x TOWN Performing Beastie Boys “Ill Communication” 19:00 THE YIPS 17:30 STEVE ADAMYK 22:00 PS I LOVE YOU BAND Video projections: MELODY MCKIVOR 20:00 HILOTRONS BBQ 18:15 23:00 FROG EYES Backlot Secret Show #2 Presented by Asinabka Film and Media Arts Festival & National Indigenous Media Arts Coalition 21:30 KEVIN DREW Video projections: 18:30 CHAD Presented by SpectraSonic + Bruised Tongue of Broken Social Scene HARD SCIENCE VANGAALEN Presented by Manx Music 19:45 Secret Show #3 BABYLON NIGHTCLUB -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
The Sneak Preview Official Biography
The Sneak Preview Official Biography The Sneak Preview was a melodic punk rock band from Maple, Ontario. They formed in the summer of 2000, after Joel Bath (drums) and Mike Mucci (guitar) broke up their band “Then Who Is the Liar?”. The duo started writing new songs alone in Joel’s parent’s basement in Thornhill, Ontario, with influences from Dinosaur Jr., Elliot, Sunny Day Real Estate and a few more local Ontario bands. They then invited Mark “Augie” Petja, to join as bassist as he had previously played in Five Finger Discount with them. The final addition would be Marco Fardella on vocals. Now a complete band, they moved their rehearsal space to Mike’s parent’s house in Maple, Ontario, where they continued to practice until the end. With their first few songs composed, The Sneak Preview were invited to play at a field party somewhere north of Toronto. The details of this have faded with time. But their second should would be well documented. Mike and his girlfriend (now wife) Vicki Bonanno had been booking a few shows for local bands at The Masonic Lodge in Maple, Ontario. It was there that they had booked one of Then Who Is the Liar?’s show in May of 2000 with The China White. The Sneak Preview at their first real show, September 30th 2000 at The Masonic Lodge in Maple, Ontario. Photo courtesy of Vicki Bonanno Eager to play with Chris Gray again, the couple contacted him to book his new band, Zyon, with The Sneak Preview at The Masonic Lodge on September 30th. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly.