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xxxxxxxxxxxxxxxxxx Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SlOVENICA 16|1–2 • 2011 Baroque Ceiling Painting Public and Private Devotion in the Towns of Central Europe and Northern Italy LJUBLJANA 2011 xxxxxxx xxxxxxxxxx Acta historiae artis Slovenica ISSN 1408-0419 Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History Baroque Ceiling Painting Public and Private Devotion in the Towns of Central Europe and Northern Italy Izdaja / Published by Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU / France Stele Institute of Art History ZRC SAZU Glavna urednica / Editor-in-chief Barbara Murovec Uredniški odbor / Editorial board Tina Košak, Ana Lavrič, Barbara Murovec, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Jaromir Homolka (Praha), Iris Lauterbach (München), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Paola Rossi (Venezia), Sergio Tavano (Gorizia-Trieste) Lektoriranje / Language editing Philip James Burt, Alessandro Quinzi, Anke Schlecht Prevodi povzetkov in izvlečkov v slovenski jezik / Translations of summaries and abstracts into Slovene Renata Komić Marn, Tina Košak, Ana Lavrič, Franci Lazarini, Katarina Mohar, Mina Mušinović Oblikovna zasnova in prelom / Design and layout by Andrej Furlan Naslov uredništva / Editorial office address Acta historiae artis Slovenica Novi trg 2, p.p. 306, SI-1001 Ljubljana, Slovenija Faks / Fax: +386 1 42 57 800 E-pošta / E-mail: [email protected] Spletna stran / Web site: http://uifs.zrc-sazu.si Revija je indeksirana v / Journal is indexed in BHA, FRANCIS, IBZ, ERIH Letna naročnina / Annual subscription: 35 € Posamezna številka / Single issue: 20 € Letna naročnina za študente in dijake: 25 € Naročila sprejema / Orders should be sent to Založba ZRC / ZRC Publishing Novi trg 2, p. p. 306, SI-1001, Slovenija Faks / Fax: + 386 1 42 57 794 E-pošta / E-mail: [email protected] AHAS izhaja s podporo Javne agencije za knjigo Republike Slovenije. AHAS is published with the support of the Slovenian Book Agency. © 2011, ZRC SAZU, Ljubljana Tisk / Printed by Tiskarna Present d. o. o., Ljubljana Naklada / Print run: 400 Vsebina / Contents Barbara Murovec, Uredniška beseda 5 Preface 7 DISSERTATIONES Martin Mádl Between Meditation and Propaganda Explicit and Implicit Religious Imagery in Baroque Ceiling Painting 11 Manfred Koller Ceiling Painting Techniques around 1700 Questions of Economy, Durability and Function 29 Ana Lavrič The Iconography of Saints in Baroque Ljubljana Per imagines ... sanctos, quorum illae similitudinem gerunt, veneremur 45 Sylva Dobalová The Iconography of St. Wenceslas in Early Baroque Prague The Case of the Wallenstein Palace and Baccio del Bianco 71 Andrzej Kozieł Karl Dankwart’s Pictorial Decoration in the Church of the Assumption of Mary in Kłodzko (Glatz) and the Archbishop Arnošt of Pardubice A Few Words on Marian Devotion in a Small Town in the Counter-Reformation 87 Giuseppina Raggi Collegare la terra al cielo La quadratura come “architettura dinamica” dell’anima 103 Esther Meier Der offene Himmel Theologie und Gestalt des Bildprogramms der Stiftskirche zu Waldhausen 117 Julian Blunk Der Maler und sein himmlisches Pendant Andrea Pozzos „Selbstreflexionen“ in Sant’Ignazio 127 Marinella Pigozzi Decorazione e devozione nell’Oratorio del Serraglio a San Secondo Parmense L’ architettura virtuale di Ferdinando Galli Bibiena per l’Assunzione della Vergine 143 Erika Giuliani Gioacchino Pizzoli (1651–1733) L’ eco della tradizione 157 Jozef Medvecký Praecursor Domini Der Gewölbefresken-Zyklus in der Universitätskirche des hl. Johannes des Täufers in Trnava (1700) und die Frage nach ihrer Urheberschaft 167 Michaela Šeferisová Loudová Wandmalerei um 1700 in der Stadt Jihlava (Iglau) Bürger als Mäzene, Bürger als Publikum 181 Gabriele Schmid Contemplatio und actio Die Fresken der Ursulinenkirche zu Straubing als Bildungseinrichtungen 195 Steffi Roettgen Imperium sine fine dedit Kaiser-Ikonographie am Abend des Barock Zur malerischen Ausstattung der Villa Poggio Imperiale in Florenz unter Großherzog Pietro Leopoldo von Toskana (1768–1778) 209 János Jernyei-Kiss Die performative Kraft der Deckenmalerei Religiöse Erfahrung und Bildrhetorik im Spätwerk von Maulbertsch 237 APARATUS Izvlečki in ključne besede / Abstracts and key words 249 Sodelavci / Contributors 259 Viri ilustracij / Photographic credits 263 IMAGINES Barvna priloga / Color plates 268 Uredniška beseda Po petnajstih letih in petnajstih številkah znanstvena revija Acta historiae artis Slovenica spreminja svojo vizualno podobo in frekvenco izhajanja. V belo odeta bo odslej v branje ponujena dvakrat letno, poleti in ob koncu koledarskega leta. Prehod zaznamuje dvojna tematska številka, v kateri je zbranih petnajst razprav o baročnem stro- pnem slikarstvu v angleškem, nemškem in italijanskem jeziku s povzetki v slovenščini. Nastale so na podlagi referatov na mednarodnem znanstvenem simpoziju Ceiling Painting around 1700. Public and Private Devotion in the Towns of Central Europe and North Italy / Stropno slikarstvo okoli leta 1700. Javna in zasebna pobožnost v mestih srednje Evrope in severne Italije, ki je potekal v Ljubljani od 16. do 18. oktobra 2008 v soorganizaciji Umetnostnozgodovinskega inštituta Fran- ceta Steleta ZRC SAZU in Raziskovalne skupine za baročno stropno slikarstvo v srednji Evropi (Research Group for Baroque Ceiling Painting in Central Europe). Ob predsedniku skupine, akad. prof. dr. Franku Büttnerju z Bavarske akademije znanosti, sta v organizacijskem odboru sodelo- vala še dr. Martin Mádl z Umetnostnozgodovinskega inštituta Češke akademije znanosti in doc. dr. Werner Telesko iz Komisije za umetnostno zgodovino Avstrijske akademije znanosti. Avtorji člankov iz Avstrije, Češke, Italije, Madžarske, Nemčije, Poljske, Slovaške in Slovenije predstavljajo številna nova spoznanja o srednjeevropskem in italijanskem stropnem slikarstvu, tej značilni in izrazno učinkoviti umetnostni zvrsti 17. in 18. stoletja, s katerimi pomembno prispevajo k razume- vanju baročne umetnosti. Barbara Murovec Preface After fifteen years and fifteen issues, the scholarly journal Acta historiae artis Slovenica appears with a new design and publication frequency. It will now be published twice a year, in summer and at the end of the year. This transition is being marked by a double thematic volume, bringing together fifteen articles on Baroque ceiling painting in English, German and Italian, with summaries in Slovenian. They are based on papers presented at the international conference Ceiling Painting around 1700: Public and Private Devotion in the Towns of Central Europe and North Italy / Stropno slikarstvo okoli leta 1700. Javna in zasebna pobožnost v mestih srednje Evrope in severne Italije, held in Ljubljana between 16th and 18th October 2008, and organised by the France Stele Institute of Art History at the Sci- entificR esearch Centre of the Slovenian Academy of Sciences and Arts and the Research Group for Baroque Ceiling Painting in Central Europe. The President of the group, Prof. Dr. Frank Büttner from the Bavarian Academy of Sciences and Humanities, Dr. Martin Mádl from the Institute of Art History at the Academy of Sciences of the Czech Republic and Univ. Doz. Dr. Werner Telesko from the Commission for the History of Art at the Austrian Academy of Sciences collaborated on the organizing committee. The articles written by scholars from Austria, the Czech Republic, Ger- many, Hungary, Italy, Poland, Slovakia and Slovenia reveal new findings on Central European and Italian ceiling painting, a highly expressive art form typical of the 17th and 18th centuries, making significant contributions to our understanding of Baroque art. Barbara Murovec Baroque Ceiling Painting Public and Private Devotion in the Towns of Central Europe and Northern Italy DISSERTATIONES Acta historiae artis Slovenica 16|1–2 ∙ 2011, 11–28 Between Meditation and Propaganda Explicit and Implicit Religious Imagery in Baroque Ceiling Painting Martin Mádl Art history, and the history of early modern art in particular, rests on the assumption that artistic manifestations and the various types of artistic commission reflect the social and cultural environ- ment of their patrons.1 Although external structures cannot explain all the constituents of a visual culture, we could still agree that the social system influences certain aspects implicitly present in works of art. It is within the social framework that we can recognise and specify some of the principal conditions of artistic production and of the distribution and reception of art in general.2 In the sense of Karl R. Popper’s Open Society and its Enemies, European towns were examples of enclosed societies with a kind of collectivistic society for a long time. In the past, urban society was based on inner cohesion and personal relationships. Social life in urban communities was distin- guished by sharing and struggling for common goals and values, as well as by participation in their defence against common threats and interventions. In general, an enclosed society tends to behave as a kind of homogenous body, restraining personal initiatives, individual decisions and autonomous criticism. In consequence, supporting assimilation and integration and intervening against plural- ity is characteristic of an enclosed society. Although Popper’s concept was developed as a critique of modern totalitarian and authoritative
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    78 EL ESPACIO ILUSORIO BARROCO EN Los métodos de la perspectiva “di sotto in sù” hicieron una representación LAS PERSPECTIVAS ARQUITECTÓNICAS rigurosa del espacio ilusorio, cuyos DE GIROLAMO CURTI Y ANGELO caracteres están presentes en esta investigación. MICHELE COLONNA EN EL PALACIO DE PALABRAS clave: Perspectiva LA CIUDAD DE BOLONIA ARQUITECTÓNICA. Espacio ILUSORIO. Cuadratura. Levantamiento THE ILLUSORY BAROQUE SPACE IN STRUCTURE FROM MOTION. GIROLAMO CURTI. ANGELO MICHELE COLONNA. THE ARCHITECTURAL PERSPECTIVES Ayuntamiento DE BOLONIA OF GIROLAMO CURTI AND ANGELO MICHELE COLONNA AT THE TOWN The research describes the HALL OF BOLOGNA projective principles of illusory space of the Bolognese School through the representation of the architectural Giuseppe Amoruso perspectives of GirolamoCurti (1575- doi: 10.4995/ega.2018.10389 1632) and Angelo Michele Colonna (1604-1687) at the town hall of Bologna. In 1627 Cardinal Bernardino Spada was commissioned by Pope La investigación describe los Urban VIII to drive the Bolognese principios proyectivos del delegation; he started the renovation espacio ilusorio de la escuela of his apartments through the illusory boloñesa a través del dibujo de las artifice of perspective. In addition perspectivas arquitectónicas de to the sala Urbana and the sala del Girolamo Curti (1575-1632) y Angelo Dentone, Colonna, a pupil of Curti, Michele Colonna (1604-1687) en el will become the protagonist of a long Ayuntamiento de Bolonia. En 1627 artistic season; he was also active in Bernardino Spada, fue designado Spain where at the initiative of Diego por el Papa Urbano VIII para Velázquez, he worked at the Court of conducir la delegación boloñesa Philip IV. Returned from Madrid he y comenzó la renovación de los left his last masterpiece painting on apartamentos a través del artificio the ceiling of the Council Hall.
  • Da Padova a Monselice

    Da Padova a Monselice

    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea Promuovere un turismo di qualità. Strategie per rivalutare il ruolo della navigazione in acque interne: da Padova a Monselice Relatore Ch.mo Prof. Francesco Vallerani Correlatore Ch.mo Prof. Bruno Bernardi Laureanda Angelica Bassan Matricola 840046 Anno Accademico 2013 / 2014 Alla mia famiglia PROMUOVERE UN TURISMO DI QUALITÀ. STRATEGIE PER RIVALUTARE IL RUOLO DELLA NAVIGAZIONE IN ACQUE INTERNE: DA PADOVA A MONSELICE INDICE INTRODUZIONE.....................................................................................................p. 1 Capitolo 1..................................................................................................................p. 4 La rete fluviale dal Bassanello a Monselice 1.1 Cenni storici sul territorio 1.1.1 Padova............................................................................................p. 5 1.1.2 Abano-Montegrotto Terme...........................................................p. 10 1.1.3 Battaglia Terme............................................................................p. 11 1.1.4 Pernumia......................................................................................p. 13 1.1.5 Monselice.....................................................................................p. 15 1.2 Il territorio e il sistema idrografico.......................................................p. 18 1.2.1 Il canale Battaglia e le sue strutture idriche.................................p.
  • TESI DI DOTTORATO DI RICERCA DI G PANCANI.Pdf

    TESI DI DOTTORATO DI RICERCA DI G PANCANI.Pdf

    UNIVERSITÀ DEGLI STUDI DI FIRENZE – DIPARTIMENTO DI PROGETTAZIONE DELLʼARCHITETTURA RILIEVO E RAPPRESENTAZIONE DELLʼARCHITETTURA E DELLʼAMBIENTE TESI DI DOTTORATO DI RICERCA - D.P.R. 11 luglio 1980 XVIII CICLO Dott. Giovanni Pancani I QUARTIERI ESTIVI DI PALAZZO PITTI, gestione di una banca dati di rilievo integrato Firenze - Dicembre 2005 Dottorato di Ricerca - Rilievo e Rappresentazione dellʼArchitettura e dellʼAmbiente I QUARTIERI ESTIVI DI PALAZZO PITTI, gestione di una banca dati di rilievo integrato XVIII Ciclo - UNIVERSITÀ DEGLI STUDI DI FIRENZE Giovanni Pancani Dottorato di Ricerca in “Rilievo e Rappresentazione dellʼArchitettura e dellʼAmbiente”, XVIII Ciclo Dottorando: Giovanni Pancani CoordinatorCoordinatore:e: Prof. Emma Mandelli Collegio dei Docenti: Il dottorando: Giovanni Pancani Proff. Maria Teresa Bartoli, Stefano Bertocci, Marco Bini, Marco Cardini, Giancarlo Cataldi, Giuseppe Conti, Roberto Corazzi, Marco Jaff, Roberto Maestro, Emma Mandelli; Dott. Barbara Aterini, Carmela Crescenzi, Il coordinatore: Prof. Emma Mandelli Enrico Puliti, Paola Puma, Marcello Scalzo, Marco Vannucchi Tutor: Prof. Stefano Bertocci Stampato e riprodotto in proprio, Firenze, dicembre 2005. Dottorato di Ricerca - Rilievo e Rappresentazione dellʼArchitettura e dellʼAmbiente I QUARTIERI ESTIVI DI PALAZZO PITTI, gestione di una banca dati di rilievo integrato XVIII Ciclo - UNIVERSITÀ DEGLI STUDI DI FIRENZE Giovanni Pancani INDICE I. Introduzione IV. La restituzione integrata dei rilievi dei Quartieri Estivi « 55 1. La schedatura e la classifi cazione della banca dati « 59 II. Palazzo Pitti e i Quartieri Estivi pag. 5 2. Il rilievo topografi co « 61 1. Dalla costruzione del primo impianto all’insediamento dei Savoia a Firenze « 9 2.1. Il montaggio del rilievo topografi co « 62 2. La realizzazione dei quartieri estivi « 18 3.
  • Klára Garas (1919–2017)

    Klára Garas (1919–2017)

    KLÁRA GARAS (1919–2017) IN MEMORIAM Art historian Klára Garas, retired director-general of Budapest are all following in Klára Garas’ footsteps, the Museum of Fine Arts, Budapest, as well as inter- continuing her life’s work together with other Central nationally the best known Hungarian researcher of the European researchers of the baroque. baroque, died at the age of 98, on 26 June 2017. Fate favoured her with a long life. At 90 she was sitting at the opening event of the exhibition Maulbertsch and Winterhalder staged in her honour and to celebrate her birthday in the Hungarian National Gallery in Budapest (Fig. 1), listening to Maulbertsch’ great con- temporary Joseph Haydn’s piano trio with the famous “Rondo all’ongarese” movement. The exhibition of the Hungarian National Gallery in tribute to her was a merger of two showings. One was about Maulbertsch’ most important pupil, Winterhalder’s work. It was organized by Czech art historians under Lubomir Slavícˇek’s guidance, with the participation of Central European researchers. It was first put on display in Langenargen, the native town of Maulbertsch, and brought to Budapest via Olomouc. The other exhibi- tion was the work of Hungarian art historians led by Anna Jávor. It centred on the activity and works of Maulbertsch and Winterhalder in Hungary, with sig- nificant pieces also loaned from abroad(Fig. 2).1 It was a worthy homage to Klára Garas, who published her monumental monograph of Maulbertsch half a century earlier, in 1960. It was undoubtedly her chef d’oeuvre, which has been the foundation of research into the art of Maulbertsch and his circle and into eighteenth- century Central European painting until today.