EXACTLY OPPOSITE the Newsletter of the Berkeley Historical Society Volume 35 Number 4 FALL 2017
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City of San Pablo Affordable Housing Strategy
CITY OF SAN PABLO AFFORDABLE HOUSING STRATEGY Prepared for: City of San Pablo November 9, 2020 TABLE OF CONTENTS INTRODUCTION .................................................................................................................................... 5 Effects of COVID-19 on Housing Affordability ..................................................................................... 5 Process for Developing the AHS .......................................................................................................... 6 EXISTING CONDITIONS ....................................................................................................................... 8 Housing Supply ..................................................................................................................................... 8 Existing Housing Affordability Needs ............................................................................................... 15 Existing Resources, Policies, and Programs .................................................................................... 21 RESIDENTIAL MARKET CONDITIONS IN SAN PABLO ...................................................................... 27 Residential Market Supply and Trends ............................................................................................ 27 Opportunities and Constraints for Development ............................................................................ 34 OVERVIEW OF THE IMPLEMENTATION PLAN ................................................................................. -
Soul in the Hole
Abundance marks the arrival of PPP as a band. They have UBIQUITY RECORDS PRESENTS developed a new sound that's even bigger, and an album that’s more dynamic and organic than their first. While Triple SHAWN LEE PRESENTS: SOUL IN THE HOLE P brought worldwide notoriety to the Detroit-based PPP FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 03/24/2009 production crew and their global collective of like-minded and soulful collaborators, Abundance raises the stakes. They have Andreas Stevens, aka Greyboy, born 1970, was the first artist to sign to Ubiquity. Freestylin’, his first full-length album, holds reclaimed the music of their city. The golden Motown era cult-status and is up-there with the label's all-time best sellers. Not bad for a record that cost less than $4000 to sounds that their parents played while they were growing-up make, and sold on an advertising budget of $0! He was a man in the right place at the right time. While the acid jazz have been given a thorough and respectful re-rub for a new phenomenon was brewing in Europe in the early 1990s, Greyboy became the first American producer to mix instrumental hip-hop with jazz. His chunky beat-making sensibilities earned him praise from the European crowd, century and a new generation of listeners. and his tracks were heard by crowds checking out DJs like UK-based Gilles Peterson, Marcus Wyatt (LA), and DJ Smash (NYC). "When I first started making beats, I was making hip-hop. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
By David Kunian, 2013 All Rights Reserved Table of Contents
Copyright by David Kunian, 2013 All Rights Reserved Table of Contents Chapter INTRODUCTION ....................................................................................... 1 1. JAZZ AND JAZZ IN NEW ORLEANS: A BACKGROUND ................ 3 2. ECONOMICS AND POPULARITY OF MODERN JAZZ IN NEW ORLEANS 8 3. MODERN JAZZ RECORDINGS IN NEW ORLEANS …..................... 22 4. ALL FOR ONE RECORDS AND HAROLD BATTISTE: A CASE STUDY …................................................................................................................. 38 CONCLUSION …........................................................................................ 48 BIBLIOGRAPHY ….................................................................................... 50 i 1 Introduction Modern jazz has always been artistically alive and creative in New Orleans, even if it is not as well known or commercially successful as traditional jazz. Both outsiders coming to New Orleans such as Ornette Coleman and Cannonball Adderley and locally born musicians such as Alvin Battiste, Ellis Marsalis, and James Black have contributed to this music. These musicians have influenced later players like Steve Masakowski, Shannon Powell, and Johnny Vidacovich up to more current musicians like Terence Blanchard, Donald Harrison, and Christian Scott. There are multiple reasons why New Orleans modern jazz has not had a greater profile. Some of these reasons relate to the economic considerations of modern jazz. It is difficult for anyone involved in modern jazz, whether musicians, record -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1986 Wavelength (February 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1986) 64 https://scholarworks.uno.edu/wavelength/56 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSI COS50 12/31199 BULK RATE EARL KLON6 LIBRARY tnL U. S. POSTAGE UNIV OF N.O. PAID ACQUISITIONS DEPT I N.O., LA 70148 ·VV39 Lt} COL. VIITDANS AT DAVID MON. -THUR. 1o-1 0 FRI. & SAT. 10-11 SUN. NOON-9 885-4200 Movies, Music & More! METAIRIE NEWORLEANS ¢1NEW LOCATIONJ VETmiANS ..,.~ sT. AT ocTAVIA formerly Leisure Landing 1 BL EAST OF CAUSEMY MON.-SAT. 1o-10 • MON.-SAT. 1o-10 SUN. NOON-8 SUN. NOON-9 88t-4028 834-8550 f) I ISSUE NO. 64 • FEBRUARY 1986 w/m not sure. but I'm almost positive. thai all music came from New Orleans.·· Ernie K-Doe. 1979 Features Flambeaux! ...................... 18 Slidell Blues . ......... ............ 20 James Booker . .................... 23 Departments February News . 4 Caribbean . 6 New Bands ....................... 8 U.S. Indies . ...................... 10 Rock ............................ 12 16-track Master Recorder: Movies .......................... 15 Reviews ........ ................ 17 Fostex B-16 February Listings ................. 25 Classifieds ....................... 29 Last Page . ....................... 30 COVER ART BY SKIP BOLEN Two #l hits in October. Member of NetWOfk Next? Puhlhhu. 'aun1an S S.ullt f..ditc•r . -
Wavelength (March 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . -
UNIVERSITY of CALIFORNIA Los Angeles Judy Baca
UNIVERSITY OF CALIFORNIA Los Angeles Judy Baca, SPARC and A Chicana Mural Movement: Reconstructing U.S. History Through Public Art A dissertation in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Juan Pablo Mercado 2018 ã Copyright by Juan Pablo Mercado 2018 ABSTRACT OF THE DISSERTATION Judy Baca, SPARC and A Chicana Mural Movement: Reconstructing U.S. History Through Public Art by Juan Pablo Mercado Doctor of Philosophy in History University of California, Los Angeles, 2018 Professor Juan Gómez-Quiñones, Chair This dissertation is about the uses and function of public art and makes the argument that public art should be viewed as an historical project. When developed within the framework of a collaborative community project with a thoughtful consideration to the experiences, values, and aspirations of community members, these projects challenge neocolonial tenets of exploitative labor conditions, racism, homophobia and sexism. By imagining public art as an innovative process that crosses the boundaries of social justice, history, and collective memory, Judith F. Baca established, and the Social and Public Art Resource Center (SPARC) employed a form of remembering that served as an essential component to understanding how communities envisioned themselves, their struggles, and their ability to transform history. Reimaging certain flashpoints in U.S. history through the historical projects of public murals urges a more nuanced consideration of the past that dislodges narratives of de jure and de facto discrimination and ii racial violence. What results from this reconsideration is a construction of multiple histories that challenge universally venerated, yet often distorted legacies of this nation. -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
Regional Oral History Office University of California The Bancroft Library Berkeley, California Joyce Rutherford Rosie the Riveter World War II Home Front Oral History Project This interview series was funded in part by a contract with the National Park Service, and with the support of individual donors. Interview conducted by Sam Redman in 2011 Copyright © 2016 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Joyce Rutherford, dated December 7, 2011. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
The 60 Year Saga of Miller/Knox Regional Shoreline
www.PointRichmondHistory.org Vol. XXXII No. 1 June/July/August, 2013 $3.00 In this issue: The 60 Year Saga of Miller/Knox Regional Shoreline The above map shows the areas that the East Bay Regional Parks folks plan to “re-vision” Miller/Knox Park Point Richmond History Association Contents of this Issue From the From the President 1 President Members 2 By Mid Dornan Editor’s Notes 3 Seeing members and guests and putting A-Mid Trivia 4 faces to their names at our Annual Point Church News 6 Richmond History Meeting in May makes the Womens Westside Improvement 10 event personal. Those attending from out-of- town are especially appreciated. At the Masquers Playhouse 13 The Board of Directors for 2013 - 2014 History of Miller/Knox Park 14 elected at the meeting are: President, Mid Dornan; 1st Vice A Day in the Park 16 President, Pat Pearson; 2nd Vice President, George Coles Brooks Island II 19 Heinz Lankford; Joint Secretaries, Tom Frank Spenger, Sr. 22 Piazza/Mary Cosby; Treasurer, Kathe Keihn. Membership; Pam Wilson and Archives, 90’s Club 24 Museum Manager and Staff Coordinator, Cards and Emails 24 Bonnie Jo Cullison. After our Editor Gary Birthdays 25 has a chance to experience and enjoy his new retirement from his business ALKO office Deaths 27 supply in Berkeley, we expect even more in Calendar 28 our great newsletter. Our knowledgeable Kaiser historian speaker, Steve Gilford, entertained us with his stories about the Richmond shipyards and ships, focusing on the S.S. Stephen Hopkins. Guests chatted with him over refreshments which included a special recipe for ‘History Bars‘ which is to be found elsewhere in this issue. -
The Last of 519 Liberty Ships
www.PointRichmondHistory.org Vol. XXXII No. 2 September/October, 2013 $3.00 THE LAST OF 519 LIBERTY SHIPS FROM THE PERMANENTE METALS CORPORATION JOINS THE FLEET Keel laid June 13, 1944 and launched July 1, 1944 PRHA photo #0869 shows a 1940’s aerial view of Shipyard #3, the SS Benjamin Warner was built at Shipyard #2 across the channel while our SS Red Oak Victory was built at Shipyard #1 Point Richmond History Association From the Contents of this Issue President From the President 1 By Mid Dornan Members 2 Is it climate change that makes Summers Editor’s Notes 3 seem shorter? Remember when August was ‘vacation’ month? Remember when school A-Mid Trivia 4 began after Labor Day? Or Admission Day? Church News 6 Not August. When you were five years old Womens Westside Improvement you began kindergarten to begin your 10 learning. Today kindergarten students are At the Masquers Playhouse 13 expected to know much more before entering New Historic Photos 14 school, including: their alphabet as well as large or small letters; identify punctuations; George Coles Brooks Island 18 count to 100; add together two basic Frank Spenger, Sr. 22 numbers; know rhymes; take oral directions; 90’s Club 24 know over/under etc. Washington School is also an immersion Birthdays 25 school which means students learn Spanish Items of Interest, 1902 26 along with English. Now, eleven states no Deaths 27 longer teach cursive. It is more than climate change in our world. Welcome to Fall. Calendar 28 Richmond Harbor PRHA archive #0870 from Laverne Rentfro was taken from a 1940’s aerial photo produced by the Richmond Chamber of Commerce Vol. -
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.