Sacks DU Beowulf Handout #1
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Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R. -
Alliteration and Concrete Poetry
Alliteration and Concrete Poetry In today’s mini-lesson, we are going to look at alliteration and concrete poetry. Don’t worry if you don’t understand what those are right now – all will become clear. The first thing I want you to do is to choose one of your favourite words. Abby, my step daughter, chose the word… blob The second thing I want you to do is put your word in an alliterative sentence. Alliteration is the repetition of the same consonant sounds at the beginnings of the words. For example: Peter Piper picked a peck of pickled peppers. Alliteration is really useful as a way to stick things in our brain and has been used as a memory device in oral poetry. Beowulf, an 8th century Old English poem, uses lots of alliteration. Here’s an example: He was four times a father, this fighter prince: one by one they entered the world, Heorogar, Hrothgar, the good Halga and a daughter, I have heard, who was Onela´s queen, a balm in bed to the battle-scarred Swede. Let’s look now at what Abby did with her favourite word: blob Being a big broad blob brought Bob to breathlessly blubbering. But Bob began to become a believer beyond belief in his bodacious body, brought about by brilliant books by barely brainy bigwigs. The third thing I want you to do is to make these sentences into a concrete poem. A concrete is also called a shape poem and a visual poem. The earliest example of this type of poem comes from 3BCE! Quite simply, you write the poem in the shape of the thing you are talking about. -
British Family Names
cs 25o/ £22, Cornrll IBniwwitg |fta*g BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Hcnrti W~ Sage 1891 A.+.xas.Q7- B^llll^_ DATE DUE ,•-? AUG 1 5 1944 !Hak 1 3 1^46 Dec? '47T Jan 5' 48 ft e Univeral, CS2501 .B23 " v Llb«"y Brit mii!Sm?nS,£& ori8'" and m 3 1924 olin 029 805 771 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029805771 BRITISH FAMILY NAMES. : BRITISH FAMILY NAMES ftbetr ©riain ano fIDeaning, Lists of Scandinavian, Frisian, Anglo-Saxon, and Norman Names. HENRY BARBER, M.D. (Clerk), "*• AUTHOR OF : ' FURNESS AND CARTMEL NOTES,' THE CISTERCIAN ABBEY OF MAULBRONN,' ( SOME QUEER NAMES,' ' THE SHRINE OF ST. BONIFACE AT FULDA,' 'POPULAR AMUSEMENTS IN GERMANY,' ETC. ' "What's in a name ? —Romeo and yuliet. ' I believe now, there is some secret power and virtue in a name.' Burton's Anatomy ofMelancholy. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1894. 4136 CONTENTS. Preface - vii Books Consulted - ix Introduction i British Surnames - 3 nicknames 7 clan or tribal names 8 place-names - ii official names 12 trade names 12 christian names 1 foreign names 1 foundling names 1 Lists of Ancient Patronymics : old norse personal names 1 frisian personal and family names 3 names of persons entered in domesday book as HOLDING LANDS temp. KING ED. CONFR. 37 names of tenants in chief in domesday book 5 names of under-tenants of lands at the time of the domesday survey 56 Norman Names 66 Alphabetical List of British Surnames 78 Appendix 233 PREFACE. -
Hengest Ward
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society HENGEST By GORDON WARD, M.D., F.S.A. 1. UNWRrITEN HISTORY WHEN Hengest was alive, in what some people call the Heroic Age and others the Dark Ages, there was no thought of committing history to writing. It is true that a form of writing existed. A few wise men knew the Runic alphabet, but to most people it was a form of magic and in any case it was quite unsuitable for the common folk. The chieftains lived in great wooden halls, rather like the barns of to-day, and their retainers and servants lived around them. In these halls history was handed down by word of mouth. All the most important people were expected to be able to play the harp and to improvise alliterative poetry in honour of the giver of the feast, or in order to record their adventures. There were also minstrels particularly skilled in this form of entertainment, and these learnt all the famous deeds of their master and his house, and sang them to his guests as occasion required. In such a manner was the history of Hengest handed down for five hundred years or more before it was committed to writing or, at least, before it assumed the form that we find in the only manuscript we have left. Although we have also two small saga fragments, which we must presently notice, only one saga of the Heroic Age has come down to us complete. -
Naokoshiraimlittthesis1991 Original C.Pdf
University of St Andrews Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ This thesis is protected by original copyright HEROISM IN BEOWULF THE SWORD OF CAIN NAOKO SHIRAI A Thesis Submitted for the Degree of Master of Letters in the University of St. Andrews 1990 ✓<v ■b ABSTRACT The theszis surveys the role of swords in Beowulf. The sword is the supreme weapon of warriors in the poem. A distinctive characteristic of the sword, unlike other weapons and armour, is its frequent personification: exceptional swords are called by their own personal names, almost as if they were agents. The fact that Hrunting and Naegling fail to help Beowulf in battle is a further reason to examine the role of swords. Every occasion in which a sword appears in Beowulf has been examined and categorised, according to its function. The chief functions of the sword are the sword-as-treasure, the sword-as-gift, the sword as battle weapon, and the kin-killing sword. The two former are symbolic functions of the sword-motif, in which they represent honour and heroic deeds as well as their value in the world. The practical functions of the sword in battle are presented in the latter two roles, which emphasise rather the negative side of the sword in the poem: the instrument and token of revenge, and the wicked use of the sword in kin-killing. The kin-killing theme is displayed throughout the poem in many family feuds. The practical function of the sword in battle links it to the kin-killing theme, especially after the repeated mention of Cain early in the poem. -
Mytil Nndhlstory
212 / Robert E. Bjork I chayter tt and Herebeald, the earlier swedish wars, and Daeghrefn, 242g-250ga; (26) weohstan,s slaying Eanmund in the second Swedish-wars-,2611-25a; of (27-29)Hygelac's fall, and the battle at Ravenswood in the earlier Swedish war, 2910b-98. 8. For a full discussion, see chapter I l. 9. The emendation was first suggested by Max Rieger (lg7l,4l4). MytIL nndHlstory D. Niles W loh, SU*Uryt Nineteenth-century interpret ations of B eowutf , puticululy mythology that was then in vogue' in Germany, fell underthe influence of the nature or Indo- More recently, some critics have related the poem to ancient Germanic feature b*op"un rnyih -O cult or to archetypes that are thought to be a universal of nu-un clnsciousness. Alternatively, the poem has been used as a source of the poem' knowledge concerning history. The search for either myth or history in useful however,-is attended by severe and perhaps insurmountable difficulties' More may be attempts to identify the poem as a "mythistory" that confirmed a set of fabulous values amongthe Anglo-saxons by connecting their current world to a ancesfral past. /.1 Lhronology 1833: Iohn Mitchell Kemble, offering a historical preface to his edition of the poem' locates the Geats in Schleswig. 1837: Kemble corrects his preface to reflect the influence of Jakob Grimm; he identifies the first "Beowulf" who figures in the poem as "Beaw," the agricultural deity. Karl Miillenhoff (1849b), also inspired by Grimm, identifies the poem as a Germanic meteorological myth that became garbled into a hero tale on being transplanted to England. -
Sidelights on Teutonic History During the Migration Period
SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD M. G. CLARKE ^=00 ICO 'CO GIRTON COLLEGE STUDIES No, III GIRTON COLLEGE STUDIES EDITED BY LILIAN KNOWLES, LITT.D., READER IN ECONOMIC HISTORY IN THE UNIVERSITY OP LONDON No. 3 SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD CAMBEIDGE UNIVERSITY PEESS Edition: FETTER LANE, E.G. C. F. CLAY, MANAGER 100, PRINCES STREET Btrlin : A. ASHER AND CO. leipjifi: F. A. BROCKHAUS #efo 8orh: G. P. PUTNAM'S SONS Bambap. anH Calcutta : MACMILLAN AND CO., LTD. All rights reserved SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD BEING BY M. G. CLARKE, M.A. Cambridge : SEEN BY at the University F ress 1 PRESERVATION 191 SERVICES \\ PR SI PRINTED BY JOHN CLAY, M.A. AT THE UNTVEKSITY PRESS PREFACE following chapters are the outcome of two periods THEof stud}7 undertaken during the tenure of research scholarships awarded by Girton College, and form an attempt to discover the amount of historical truth under lying the allusions to persons and events in the Old English heroic poems. The essay deals with an aspect of these poems, which I has not, so far as know, been treated systematically by- anyone who has previously written on the subject. Thus, in the absence of any model, I have had to work on independent lines, especially as regards the grouping and arrangement of different traditions, and the method of discussion followed in the several chapters. The actual arrangement has been adopted for convenience of discus sion, according to the nationality of the persons concerned, except in cases where a particular section forms a complete epic narrative with a personal (as opposed to a national) interest of its own: in these cases the tradition has been discussed under the heading of the poem in which it is contained, or that of the character round whom the narrative centres. -
Co-Operation Between the Viking Rus' and the Turkic Nomads of The
Csete Katona Co-operation between the Viking Rus’ and the Turkic nomads of the steppe in the ninth-eleventh centuries MA Thesis in Medieval Studies Central European University Budapest May 2018 CEU eTD Collection Co-operation between the Viking Rus’ and the Turkic nomads of the steppe in the ninth-eleventh centuries by Csete Katona (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest May 2018 Co-operation between the Viking Rus’ and the Turkic nomads of the steppe in the ninth-eleventh centuries by Csete Katona (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2018 Co-operation between the Viking Rus’ and the Turkic nomads of the steppe in the ninth-eleventh centuries by Csete Katona (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2018 I, the undersigned, Csete Katona, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. -
The Saga of King Hrolf Kraki Free
FREE THE SAGA OF KING HROLF KRAKI PDF Jesse L. Byock | 144 pages | 03 Jun 2015 | Penguin Books Ltd | 9780140435931 | English | London, United Kingdom Hrólfr Kraki - Wikipedia The consensus view is that Anglo-Saxon and Scandinavian traditions describe the same people. Proponents of this theory, like J. Tolkien[11] argue that both the names Beowulf lit. Bodvar Bjarki is constantly associated with bears, his father actually being one. This match supports the hypothesis that the adventure with the dragon is also originally derived from the same story. When Haldan died of old age, Helghe and Ro divided the kingdom so that Ro ruled the land, and Helghe the sea. This resulted in a daughter named Yrse. Much later, he met Yrse, and without knowing that she was his daughter, he made her pregnant with Rolf. Eventually, Helghe found out that Yrse was his own daughter and, out of shame, went east and killed himself. Both Helghe and Ro being dead, a Swedish king, called Hakon in the Chronicon Lethrense proper, and Athisl in the Annales — corresponding to Eadgils — forced the Danes to accept a dog as king. The dog king was succeeded by Rolf Krage. Rolf Krage was a big The Saga of King Hrolf Kraki in body and soul and was so generous that no one asked him for anything twice. This Hartwar arrived in Zealand with a large army and said that he wanted to give his tribute to Rolf, but killed Rolf together with all his men. Only one survived, Wiggwho played along until he was to do homage to Hartwar. -
Reconsidering the Origins of the Arthurian Legend Rae Marie Marotta '00 Illinois Wesleyan University
Illinois Wesleyan University Digital Commons @ IWU Honors Projects English 2000 The oP wer of Perception and Origin Myth: Reconsidering the Origins of the Arthurian Legend Rae Marie Marotta '00 Illinois Wesleyan University Recommended Citation Marotta '00, Rae Marie, "The Power of Perception and Origin Myth: Reconsidering the Origins of the Arthurian Legend" (2000). Honors Projects. Paper 7. http://digitalcommons.iwu.edu/eng_honproj/7 This Article is brought to you for free and open access by The Ames Library, the Andrew W. Mellon Center for Curricular and Faculty Development, the Office of the Provost and the Office of the President. It has been accepted for inclusion in Digital Commons @ IWU by the faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. rmarotta: 7 1 Contemporary Theories and Arthur's Historical Prototypes "On the basic issue ofArthur's identity, there need never have been any mystery at all." -Geoffrey Ashe Riothamusl Geoffrey Ashe has made the most recent attempt to find a historical prototype of Arthur. According to Ashe, Arthur's history is more than just a medley of yams, more than just a saga in the" dream time" myth. It puts him within a definite period. It names definite places, and takes him to definite countries .... This is not to say that the official history is true. As it stands, it isn't. But its fullness and firmness, and its power of shaping a consensus, justify a search for the realities behind it. (Discovery 3) For Ashe, there is no need to consider the possibility that Arthur's roots are legendary. -
Lecenos of Lbjrn, Houp of Krncs
LecENos OF LBJRn, Houp OF KrNcs Manr-raNs Ossonx 'The words Scylding and Skjoldung (with the hybrid plural form Skjoldungs) will be used inter- changeably as adjectives throughout this essay, depending on whether the context is English or Scan- dinavian 2 For details see Bruce 2002:3L-42. The Angio-Saxon royai genealogies (and their political di- mension, or their implications for the dating of Beowulfl have been the topic of lively discussion, no- tablyby Sisam 1953, Murray 7981:1,04-6, Davis 1992, Newton 1"993:54 76, and Meaney 2003. PART III The Earliest Notices of the Skjiildung Kings The Anglo-Saxon poem Beowulf, set entirely in Scandinavia, begins with a 52 line proem cel- ebrating the "Spear Danes" and especially Scyld Scefing ("Scyld descendant of Scef"), found- er of the Scylding dynasty. Outside of Beowulf, which cannot be dated with certainty,3 the earliest mention of Scyld is in the A-text of the Anglo Saxon Chronicle, the so-called Parker Chronicle. Here under the year 855, in the course of an elaborate pseudo-genealogy of King ,€thelwulf of Wessex (the father of King Alfred the Great), Scyld is introduced as Sceldwea Heremoding ("Scyld son of Heremod") and is said to have lived some twenty-eight genera namely in tions before 6the1wu1f.a Only once in O1d English tradition outside of Beowulf - the late tenth century Latin Chronicon of .€thelweard, who takes pride in his descent from is Scyld identified as the immediate son of Scef. ,4thelweard's account of King,4thelwulf - the origins of a founding king of Denmark is similar to the story of the coming of Scyld in Beowulf. -
Farnsworth-Everhart 1 the DEATH of ALL WHO POSSESS IT
Farnsworth-Everhart 1 THE DEATH OF ALL WHO POSSESS IT: GOLD, HOARDING, AND THE MONSTROUS IN EARLY MEDIEVAL NORTHERN EUROPEAN LITERATURE By Lauren Farnsworth-Everhart April 2021 ______________________ A Thesis Presented to the Honors Tutorial College at Ohio University _______________________ In partial fulfillment of the requirements for graduation from the Honors Tutorial College with the degree of Bachelor of Arts in English Farnsworth-Everhart 2 Table of Contents Introduction ......................................................................................................................... 3 Becoming the Dragon: Monstrous Transformation and Gold in the Völsunga Saga ....... 17 Anatomy of an Extinction: Liminality, Violence, and Inevitability in Beowulf ............... 44 Afterword .......................................................................................................................... 64 Works Cited ...................................................................................................................... 69 Additional Bibliography ................................................................................................... 74 Farnsworth-Everhart 3 Introduction Now, earth, hold what earls once held and heroes can no more; it was mined from you first by honorable men. My own people have been ruined in war; one by one they went down to death, looked their last on sweet life in the hall. I am left with nobody to bear a sword or burnish plated goblets, put a sheen on the cup. The companies have departed. The hard helmet, hasped with gold, will be stripped of its hoops; and the helmet-shiner who should polish the metal of the war-mask sleeps; the coat of mail that came through all fights, through shield-collapse and cut of sword, decays with the warrior. Nor may webbed mail range far and wide on the warlord's back beside his mustered troops. No trembling harp, no tuned timber, no tumbling hawk swerving through the hall, no swift horse pawing the courtyard. Pillage and slaughter have emptied the earth of entire peoples.