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M a S T E R C a T a L
YOU’LL WEAR IT.TM MASTER CATALOG QUALITY | COMFORT | VALUE “” YOU’LL WEAR IT! STEPHEN ARMELLINO PRESIDENT, CEO THANK YOU FOR YOUR SERVICE. For more than 30 years, we at U.S. Armor have had the honor of outfitting the law enforcement and military communities with superior body armor and protective equipment. As former servicemen, officers or family members of both, myself and our dedicated team members take incredible pride and care in the design and construction of our armor and protective equipment. We are thankful for the opportunity to support you in serving us all. As you know, your armor is only effective if it’s worn and therefore, we have committed ourselves to producing the lightest, safest, and most dynamic armor. It is with your comfort and performance needs in mind that we select the most innovative, respected material suppliers and partners and seek to advance our offerings as applicable. While we solemnly ensure that our products are compliant with all applicable standards and requirements, our primary objective is to protect and support you, so you can focus on effectively doing your job. We thank you for your trust in us and in return, we promise to deliver superior body armor that you’ll comfortably wear. Sincerely, - STEPHEN ARMELLINO A HISTORY TO PROTECT U.S. ARMOR has provided superior body armor and He has taken his father’s protective products for more than three decades. Our designs into the 21st legacy dates back to Richard Armellino, Sr., father of century with U.S. Armor’s current U.S. -
Protective Armor Engineering Design
PROTECTIVE ARMOR ENGINEERING DESIGN PROTECTIVE ARMOR ENGINEERING DESIGN Magdi El Messiry Apple Academic Press Inc. Apple Academic Press Inc. 3333 Mistwell Crescent 1265 Goldenrod Circle NE Oakville, ON L6L 0A2 Palm Bay, Florida 32905 Canada USA USA © 2020 by Apple Academic Press, Inc. Exclusive worldwide distribution by CRC Press, a member of Taylor & Francis Group No claim to original U.S. Government works International Standard Book Number-13: 978-1-77188-787-8 (Hardcover) International Standard Book Number-13: 978-0-42905-723-6 (eBook) All rights reserved. No part of this work may be reprinted or reproduced or utilized in any form or by any electric, mechanical or other means, now known or hereafter invented, including photocopying and re- cording, or in any information storage or retrieval system, without permission in writing from the publish- er or its distributor, except in the case of brief excerpts or quotations for use in reviews or critical articles. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission and sources are indicated. Copyright for individual articles remains with the authors as indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the authors, editors, and the publisher cannot assume responsibility for the validity of all materials or the consequences of their use. The authors, editors, and the publisher have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. -
England's Armor
ENGLAND’S ARMOR: HENRY VIII’S ARMOR AND HIS WARS by James Nobukichi Ito A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art in Art History MONTANA STATE UNIVERSITY Bozeman, Montana April 2014 ©COPYRIGHT by James Nobukichi Ito 2014 All Rights Reserved ii DEDICATION I dedicate this Master’s Thesis to Donald La Rocca, Dr. Todd Larkin, and to Vaughan Judge for their support and guidance in helping me achieve my graduate goals. To Dede Taylor who gave me the Metropolitan Museum of Art Bulletin Of Arms and Men, which got me seriously interested in the topic of arms and armor as a Master’s Thesis. To my fellow graduate students; Kate Cottingham, Chelsea Higgins, Jackie Meade, and Jesine Munson. To the School of Art office staff. I dedicate the success of graduate school to my wife Stephanie, who tolerated me being away from home for these last two years researching and writing my thesis and for bringing our son Jefferson into this world while I was in graduate school. You are my greatest supporter, Stephanie. iii ACKNOWLEDGMENTS I have grown as a scholar and as a person in these last two years of graduate school and I have the art history faculty to thank for that. Todd Larkin was my committee chair and he has been my most involved mentor who pushed me to conduct active research and question all evidence of my findings to weave out any doubt that what I discovered was reliable information. He has also been an example to me as a scholar who is enthusiastic about his work and teaches in a way that keeps the class attentive and alive. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
The Virtual Armory
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects July 2013 The irV tual Armory Jeffrey M. Bardon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Bardon, J. M. (2013). The Virtual Armory. Retrieved from https://digitalcommons.wpi.edu/iqp-all/2532 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. 48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ Jeffrey Bardon June 25th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project developed a QR system to provide an interactive experience at the Higgins Armory Museum. I developed a web page that gives interesting facts on a medieval European helmet. When scanned, a QR Code next to the helmet brings up a mobile- friendly web page with information on the object, randomly selected from a pool of information, and an HTML-based game involving matching Greek, -
The Evolution of Plate Armor in Medieval Europe and Its Relation to Contemporary Weapons Development
History, Department of History Theses University of Puget Sound Year 2016 Clad In Steel: The Evolution of Plate Armor in Medieval Europe and its Relation to Contemporary Weapons Development Jason Gill [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/history theses/21 Clad in Steel: The Evolution of Plate Armor in Medieval Europe and its Relation to Contemporary Arms Development Jason Gill History 400 Professor Douglas Sackman 1 When thinking of the Middle Ages, one of the first things that comes to mind for many is the image of the knight clad head to toe in a suit of gleaming steel plate. Indeed, the legendary plate armor worn by knights has become largely inseparable from their image and has inspired many tales throughout the centuries. But this armor was not always worn, and in fact for most of the years during which knights were a dominant force on battlefields plate was a rare sight. And no wonder, for the skill and resources which went into producing such magnificent suits of armor are difficult to comprehend. That said, it is only rarely throughout history that soldiers have gone into battle without any sort of armor, for in the chaotic environment of battle such equipment was often all that stood between a soldier and death. Thus, the history of both armor and weapons is essential to a fuller understanding of the history of war. In light of this importance, it is remarkable how little work has been done on charting the history of soldiers’ equipment in the Middle Ages. -
WFRP Equipment
Name Damage Group Traits Range (Yards) Reload Buckler d10+SB-2 Parrying Balanced, Defensive, Pummelling Dagger d10+SB-2 Ordinary Balanced, Puncturing Flail d10+SB+2 Flail 2h, Impact, Unwieldy, Fast Knuckleduster d10+SB-2 Ordinary Pummelling Great Weapon d10+SB+2 Two-Handed 2h, Impact Zweihander d10+SB+1 Two-Handed 2h, Defensive, Impact, Stances: Half-sword, Mordschlag Longsword d10+SB Two-Handed 2h, Impact, Defensive, Stance: Hand Weapon, Half-sword, Mordschlag Polearm d10+SB+1 Two-Handed 2h, Impact, Fast, Stance: Half-sword Hand Weapon d10+SB Ordinary None Improvised d10+SB-2 Ordinary None Lance d10+SB+1 Cavalry Fast, Impact, Special Main Gauche d10+SB-2 Parrying Balanced, Defensive, Puncturing Morningstar d10+SB Flail Impact, Unwieldy, Fast Staff d10+SB Ordinary 2h, Defensive, Impact, Pummelling Rapier d10+SB-1 Fencing Fast, Precise (2) Shield d10+SB-2 Ordinary Defensive (Melee & Ranged), Pummelling Spear d10+SB-1 Ordinary Fast, Stance: 2h Spear 2h d10+SB+1 2h, Fast Sword-Breaker d10+SB-2 Parrying Balanced, Special Unarmed d10+SB-3 Ordinary Special Stances Halfsword d10+SB 2h, Defensive, Armour Piercing (2), Precise (1) Mordschlag d10+SB 2h, Impact, Pummelling, Armour Piercing (1) Bola d10+1 Entangling Snare 8/16 Half Bow d10+3 Ordinary 2h 24/48 Half Crossbow d10+4 Ordinary 2h 30/60 Full Crossbow Pistol d10+2 Crossbow None 8/16 Full Elfbow d10+3 Longbow Armour Piercing, 2h 36/72 Half Improvised d10+SB-4 Ordinary None 6/- Half Javelin d10+SB-1 Ordinary None 8/16 Half Lasso n/a Entangling Snare, 2h 8/- Half Longbow d10+3 Longbow Armour -
Ffib COSTUME of the Conquistadorss 1492-1550 Iss
The costume of the conquistadors, 1492-1550 Item Type text; Thesis-Reproduction (electronic) Authors Coon, Robin Jacquelyn, 1932- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 16:02:18 Link to Item http://hdl.handle.net/10150/348400 ffiB COSTUME OF THE CONQUISTADORSs 1492-1550 iss ' ' " Oy _ , ' . ' Robin Goon A Thesis Submitted to the Faculty of the DEPiRTMENT OF DRAMA In Partial Fulfillment of the Requirements For the Degree of ■ MASTER OF ARTS v ' . In the Graduate College THE UHIFERSITI OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to bor rowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. " / /? signed i i i Q-'l ^ > i / r ^ t. -
Castle & Knight
Eye Wonder LONDON, NEW YORK, MUNICH, Contents MELBOURNE, and DELHI 4-5 What is a castle? 6-7 Early castles 8-9 Written and edited by Fleur Star A castle grows Designed by Jacqueline Gooden and Laura Roberts 10-11 Publishing manager Susan Leonard Who lived there? Managing art editor Clare Shedden Jacket designer Bob Warner 12-13 Jacket editor Carrie Love Jacket copywriter Adam Powley Food glorious food Picture researcher Liz Moore Production Luca Bazzoli 14-15 DTP Designer Almudena Díaz Consultant Christopher Gravett Time out 16-17 First published in Great Britain in 2006 by Dorling Kindersley Limited Under siege 80 Strand, London WC2R ORL A Penguin Company 18-19 2 4 6 8 10 9 7 5 3 1 Tricks of defence Copyright © 2005 Dorling Kindersley Limited, London 20-21 A CIP catalogue record for this book is available from the British Library. Lock ’em up All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted 22-23 in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior The knight written permission of the copyright owner. ISBN 1-4053-0983-0 24-25 Colour reproduction by Colourscan, Singapore Knight school Printed and bound in Italy by L.E.G.O. Discover more at www.dk.com 26-27 All wrapped up 28-29 In shining armour 30-31 Weapons of war 32-33 Joust for fun 34-35 Heraldry 36-37 The Crusades 38-39 Moorish castles 40-41 Asian castles 42-43 Towering strengths 44-45 Castles today 46-47 Glossary 48 Index and acknowledgements What is a castle? There are hundreds of amazing castles all over the world. -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration -
Armour & Weapons in the Middle Ages
& I, Ube 1bome Hnttquarg Series ARMOUR AND WEAPONS IN THE MIDDLE AGES t Digitized by the Internet Archive in 2014 https://archive.org/details/armourweaponsinmashd PREFACE There are outward and visible signs that interest in armour and arms, so far from abating, is steadily growing. When- ever any examples of ancient military equipment appear n in sale-rooms a keen and eager throng of buyers invariably | assembles ; while one has only to note the earnest and ' critical visitors to museums at the present time, and to compare them with the apathetic onlookers of a few years J ago, to realize that the new generation has awakened to j j the lure of a fascinating study. Assuredly where once a single person evinced a taste for studying armour many | now are deeply interested. t The books dealing with the subject are unfortunately ' either obsolete, like the works of Meyrick, Planche, Fos- broke, Stothard, and others who flourished during the last L century, or, if recent, are beyond the means of many would-be students. My own book British and Foreign Arms and Armour is now out of print, while the monographs of I Charles ffoulkes, the Rev. Charles Boutell, and | Mr Mr Starkie Gardner are the only reasonably priced volumes j now obtainable. It seemed, therefore, desirable to issue a small handbook which, while not professing in the least to be comprehensive, would contain sufficient matter to give the young student, y the ' man in the street,' and the large and increasing number of persons who take an intelligent interest in the past just j that broad outline which would enable them to understand more exhaustive tomes upon armour and weapons, and 5 ARMOUR AND WEAPONS possibly also to satisfy those who merely wish to glean sufficient information to enable them to discern inac- curacies in brasses, effigies, etc., where the mind of the medieval workman—at all times a subject of the greatest interest—has led him to introduce features which were not in his originals, or details which he could not possibly have seen. -
Codex Martialis: Weapons of the Ancient World
Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis : Weapons of the A ncient World Par t II : Ar mo r an d Mi ss il e We ap on s 1 188.6.65.233 Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis: Weapons of the Ancient World Part 2 , Ar mor an d Missile Weapo ns Versi on 1 .6 4 Codex Ma rtia lis Copyr ig ht 2 00 8, 2 0 09 , 20 1 0, 2 01 1, 20 1 2,20 13 J ean He nri Cha nd ler 0Credits Codex Ma rtia lis W eapons of th e An ci ent Wo rld : Jean He nri Chandler Art ists: Jean He nri Cha nd ler , Reyna rd R ochon , Ram on Esteve z Proofr ead ers: Mi chael Cur l Special Thanks to: Fabri ce C og not of De Tail le et d 'Esto c for ad vice , suppor t and sporad ic fa ct-che cki ng Ian P lum b for h osting th e Co de x Martia lis we bsite an d co n tinu in g to prov id e a dvice an d suppo rt wit ho ut which I nev e r w oul d have publish ed anyt hi ng i ndepe nd ent ly.