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April 17-19, 2018 the 2018 Franklin Institute Laureates the 2018 Franklin Institute AWARDS CONVOCATION APRIL 17–19, 2018
april 17-19, 2018 The 2018 Franklin Institute Laureates The 2018 Franklin Institute AWARDS CONVOCATION APRIL 17–19, 2018 Welcome to The Franklin Institute Awards, the a range of disciplines. The week culminates in a grand United States’ oldest comprehensive science and medaling ceremony, befitting the distinction of this technology awards program. Each year, the Institute historic awards program. celebrates extraordinary people who are shaping our In this convocation book, you will find a schedule of world through their groundbreaking achievements these events and biographies of our 2018 laureates. in science, engineering, and business. They stand as We invite you to read about each one and to attend modern-day exemplars of our namesake, Benjamin the events to learn even more. Unless noted otherwise, Franklin, whose impact as a statesman, scientist, all events are free, open to the public, and located in inventor, and humanitarian remains unmatched Philadelphia, Pennsylvania. in American history. Along with our laureates, we celebrate his legacy, which has fueled the Institute’s We hope this year’s remarkable class of laureates mission since its inception in 1824. sparks your curiosity as much as they have ours. We look forward to seeing you during The Franklin From sparking a gene editing revolution to saving Institute Awards Week. a technology giant, from making strides toward a unified theory to discovering the flow in everything, from finding clues to climate change deep in our forests to seeing the future in a terahertz wave, and from enabling us to unplug to connecting us with the III world, this year’s Franklin Institute laureates personify the trailblazing spirit so crucial to our future with its many challenges and opportunities. -
Shiraz Dissertation Full 8.2.20. Final Format
UNIVERSITY OF CALIFORNIA SAN DIEGO The Shiraz Arts Festival: Cultural Democracy, National Identity, and Revolution in Iranian Performance, 1967-1977 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy In Music By Joshua Jamsheed Charney Committee in charge: Professor Anthony Davis, Co-Chair Professor Jann Pasler, Co-Chair Professor Aleck Karis Professor Babak Rahimi Professor Shahrokh Yadegari 2020 © Joshua Jamsheed Charney, 2020 All rights reserved. The dissertation of Joshua Jamsheed Charney is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ Co-chair _____________________________________________________________ Co-Chair University of California San Diego 2020 iii EPIGRAPH Oh my Shiraz, the nonpareil of towns – The lord look after it, and keep it from decay! Hafez iv TABLE OF CONTENTS Signature Page…………………………………………………………………… iii Epigraph…………………………………………………………………………. iv Table of Contents………………………………………………………………… v Acknowledgements……………………………………………………………… vii Vita………………………………………………………………………………. viii Abstract of the Dissertation……………………………………………………… ix Introduction……………………………………………………………………… 1 Chapter 1: Festival Overview …………………………………………………… 17 Chapter 2: Cultural Democracy…………………………………………………. -
SEM 63 Annual Meeting
SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S. -
Evaluation of the Role of Iran National Museum in the Cultural Tourism in Iran
EVALUATION OF THE ROLE OF IRAN NATIONAL MUSEUM IN THE CULTURAL TOURISM IN IRAN Omid Salek Farokhi Per citar o enllaçar aquest document: Para citar o enlazar este documento: Use this url to cite or link to this publication: http://hdl.handle.net/10803/667713 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). -
Society for Ethnomusicology 58Th Annual Meeting Abstracts
Society for Ethnomusicology 58th Annual Meeting Abstracts Sounding Against Nuclear Power in Post-Tsunami Japan examine the musical and cultural features that mark their music as both Marie Abe, Boston University distinctively Jewish and distinctively American. I relate this relatively new development in Jewish liturgical music to women’s entry into the cantorate, In April 2011-one month after the devastating M9.0 earthquake, tsunami, and and I argue that the opening of this clergy position and the explosion of new subsequent crises at the Fukushima nuclear power plant in northeast Japan, music for the female voice represent the choice of American Jews to engage an antinuclear demonstration took over the streets of Tokyo. The crowd was fully with their dual civic and religious identity. unprecedented in its size and diversity; its 15 000 participants-a number unseen since 1968-ranged from mothers concerned with radiation risks on Walking to Tsuglagkhang: Exploring the Function of a Tibetan their children's health to environmentalists and unemployed youths. Leading Soundscape in Northern India the protest was the raucous sound of chindon-ya, a Japanese practice of Danielle Adomaitis, independent scholar musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize an employer's business by marching through the From the main square in McLeod Ganj (upper Dharamsala, H.P., India), streets. How did this erstwhile commercial practice become a sonic marker of Temple Road leads to one main attraction: Tsuglagkhang, the home the 14th a mass social movement in spring 2011? When the public display of merriment Dalai Lama. -
Newly Opened Correspondence Illuminates Einstein's Personal Life
CENTER FOR HISTORY OF PHYSICS NEWSLETTER Vol. XXXVIII, Number 2 Fall 2006 One Physics Ellipse, College Park, MD 20740-3843, Tel. 301-209-3165 Newly Opened Correspondence Illuminates Einstein’s Personal Life By David C. Cassidy, Hofstra University, with special thanks to Diana Kormos Buchwald, Einstein Papers Project he Albert Einstein Archives at the Hebrew University of T Jerusalem recently opened a large collection of Einstein’s personal correspondence from the period 1912 until his death in 1955. The collection consists of nearly 1,400 items. Among them are about 300 letters and cards written by Einstein, pri- marily to his second wife Elsa Einstein, and some 130 letters Einstein received from his closest family members. The col- lection had been in the possession of Einstein’s step-daughter, Margot Einstein, who deposited it with the Hebrew University of Jerusalem with the stipulation that it remain closed for twen- ty years following her death, which occurred on July 8, 1986. The Archives released the materials to public viewing on July 10, 2006. On the same day Princeton University Press released volume 10 of The Collected Papers of Albert Einstein, con- taining 148 items from the collection through December 1920, along with other newly available correspondence. Later items will appear in future volumes. “These letters”, write the Ein- stein editors, “provide the reader with substantial new source material for the study of Einstein’s personal life and the rela- tionships with his closest family members and friends.” H. Richard Gustafson playing with a guitar to pass the time while monitoring the control room at a Fermilab experiment. -
THE SPECTROGRAPH Volume 24, Number 1 Fall 2007
THE SPECTROGRAPH Volume 24, Number 1 Fall 2007 George R. Harrison Spectroscopy Laboratory Massachusetts Institute of Technology Townes gives fi rst New space for Spec Lab Dasari Lecture By Michael S. Feld “Charles Townes is the perfect per- On October 5 MIT celebrated the comple- son to inaugurate the Dasari Lectures,” tion of its two-year, more than $50 million said Harrison Spectroscopy Labora- dollar construction project in Buildings 4, tory Director Michael Feld. That his 6 and 8. The project, called PDSI because assertion was no hyperbole became ap- it was undertaken for the Physics Depart- parent as Professor Townes gave his ment, the Department of Materials Sci- lecture, “The fun of a physics career.” ence and Engineering, the Spectroscopy His invention of the maser and, with Laboratory, and for Infrastructure, pro- vides modern research facilities and much needed new space. The heart of the cel- ebration was the dedication of the Green Center for Physics, which brings many physics faculty together in Bldg 6 and the newly built Bldg 6C. For the Harrison Spectroscopy Labora- Sol LeWitt’s work of art, “Bars of Colors within tory PDSI provides a new physical plant Squares” surrounds the new space (MIT) 2007 Pho- for modern research and applications tograph by George Bouret in spectroscopy. This modernized and trum of proteins. Later during that period expanded space allows the Spec Lab to Ali Javan and Charles Townes brought continue to offer researchers the most ad- lasers into the Spec Lab and opened the vanced equipment of the day and to con- era of modern spectroscopy. -
Ostâd Mortezâ Varzi
Ostâd Mortezâ Varzi 30 December 1922 – 3 January 2004 It is with great sadness that I note the death of Ostâd (master) Mortezâ Varzi, Iranian musician extraordinaire. He was 81 years old. Mortezâ Varzi was born in Tehran, Iran, on 30 December 1922. Mr. Varzi started his music lessons on the violin at age 15 with the Ney-Dâvoud brothers, two of the greatest Persian instrumentalists of the twentieth century. After his father advised him to play music on a traditional Persian instrument, he began studying setâr with master Nasratollâh Zarrin-Panjeh, and kemenche with master Ali-Asghâr Bahâri. After finishing college with a degree in economics, Mr. Varzi was employed by the Iranian government, traveling throughout the world, conducting official business in Japan, the Philippines, India, China, the UK, and the United States. Mortezâ Varzi, 1922 – 2004. During his official duties, he represented the Iranian government at forums such as the CENTO Symposium on Decentralization of Government. He undertook post-graduate studies in Finance and Personnel Management in the United States, and in Public Administration in the UK. Later, after attaining high office at the Iranian State Railroad and at the Iranian Ministry of the Interior (where his posts included Governor of the Province of Sari, Director of Planning and Studies, Director General of Plans and Studies, Director General of Organization and Method, Consultant to the Minister of the Interior, and Executive Director of the Iran Municipal Association), he spent his free time collecting Iranian musical recordings, and researching Persian classical and folkloric music. In 1970, Mr. Varzi took up residence in the United States, promoting Persian music and culture, and instructing both Iranians and Americans in the Persian classical musical repertoire. -
Folk Music 1 Folk Music
Folk music 1 Folk music Folk music Béla Bartók recording Slovak peasant singers in 1908 Traditions List of folk music traditions Musicians List of folk musicians Instruments Folk instruments Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. This music is also referred to as traditional music and, in US, as "roots music". Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction.[1] This type of folk music also includes fusion genres such as folk rock, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. Traditional folk music Definitions A consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions. They are extensions of the term folk lore, which was coined -
ARC Music CATALOGUE
WELCOME TO THE ARC Music CATALOGUE Welcome to the latest ARC Music catalogue. Here you will find possibly the finest and largest collection of world & folk music and other related genres in the world. Covering music from Africa to Ireland, from Tahiti to Iceland, from Tierra del Fuego to Yakutia and from Tango, Salsa and Merengue to world music fusion and crossovers to mainstream - our repertoire is huge. Our label was established in 1976 and since then we have built up a considerable library of recordings which document the indig- enous lifestyles and traditions of cultures and peoples from all over the world. We strive to supply you with interesting and pleasing recordings of the highest quality and at the same time providing information about the artists/groups, the instruments and the music they play and any other information we think might interest you. An important note. You will see next to the titles of each album on each page a product number (EUCD then a number). This is our reference number for each album. If you should ever encounter any difficulties obtaining our CDs in record stores please contact us through the appropriate company for your country on the back page of this catalogue - we will help you to get our music. Enjoy the catalogue, please contact us at any time to order and enjoy wonderful music from around the world with ARC Music. Best wishes, the ARC Music team. SPECIAL NOTE Instrumental albums in TOP 10 Best-Selling RELEASES 2007/2008 our catalogue are marked with this symbol: 1. -
Sam Goudsmit: Physics, Editor, and More FHP Session at the APS 2010 March Meeting
HistoryNEWSLETTER Physics A FORUM OF THE AMERICAN PHYSICALof SOCIETY • VOLUME XI • NO. 2 • WINTER 2011 The Laser: Its History and Impact on Precision Measurements (joint session with the FIAP) at the 2010 “April” meeting, Washington D.C. By Daniel Kleppner, Forum Chair At the “April” 2010 meeting (held in February to be joint with the American Association of Physics Teachers),the FHP and the Forum on Industrial and Applied Physics sponsored “The Laser: Its History and Impact on Precision Measurement” (Ses- sion X4). The speakers were Joseph Giordmaine, Frederico Capas- so, and John Hall. Dr. Giordmaine, completed his Ph.D. with Charles Townes at Columbia University, on the use of the maser amplifier in planetary astronomy. Later at Bell Labs he worked with ruby lasers, harmonic generation, and nonlinear optics, and is now retired vice president of physical science research at NEC Labs. Dr. Capasso pioneered band structure engineering through molecular beam epitaxy, resulting in electronic and photonic devices dominated by mesoscopic scale quantum effects, includ- ing the quantum cascade laser. Dr. Hall, currently a NIST Senior Fellow Emeritus and Fellow at the Joint Institute for Laboratory Astrophysics (JILA), won the 2005 Nobel Prize in physics (with Theodor W. Hnsh) for his work on laser-based precision spectros- copy and the optical comb technique. oseph Giordmaine traced the pioneering advances made in the laser during the years 1960-1964, in his Jtalk “The Laser: Historical Perspectives and Impact on Precision Measurements.” The seminal concept, stimu- Fig. 1. Charles Townes (left) and J. P. Gordon standing with the lated emission, introduced by Albert Einstein in 1917, took second ammonia beam maser at Columbia University, 1955. -
Statesmen and Public-Political Figures
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CONTENTS STATESMEN, PUBLIC AND POLITICAL FIGURES ........................................................... 4 ALIYEV HEYDAR ..................................................................................................................... 4 ALIYEV ILHAM ........................................................................................................................ 6 MEHRIBAN ALIYEVA ............................................................................................................. 8 ALIYEV AZIZ ............................................................................................................................ 9 AKHUNDOV VALI ................................................................................................................. 10 ELCHIBEY ABULFAZ ............................................................................................................ 11 HUSEINGULU KHAN KADJAR ............................................................................................ 12 IBRAHIM-KHALIL KHAN ..................................................................................................... 13 KHOYSKI FATALI KHAN ..................................................................................................... 14 KHIABANI MOHAMMAD ..................................................................................................... 15 MEHDİYEV RAMİZ ...............................................................................................................