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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Iranian Women's Quest for Self-Liberation Through
IRANIAN WOMEN’S QUEST FOR SELF-LIBERATION THROUGH THE INTERNET AND SOCIAL MEDIA: AN EMANCIPATORY PEDAGOGY TANNAZ ZARGARIAN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATION YORK UNIVERSITY TORONTO, ONTARIO December 2019 © [Tannaz Zargarian, 2019] i Abstract This dissertation examines the discourse of body autonomy among Iranian women. It approaches the discourse of body autonomy by deconstructing veiling, public mobility, and sexuality, while considering the impact of society, history, religion, and culture. Although there are many important scholarly works on Iranian women and human rights that explore women’s civil rights and freedom of individuality in relation to the hijab, family law, and sexuality, the absence of work on the discourse of body autonomy—the most fundamental human right—has created a deficiency in the field. My research examines the discourse of body autonomy in the context of liberation among Iranian women while also assessing the role of the internet as informal emancipatory educational tools. To explore the discourse of body autonomy, I draw upon critical and transnational feminist theory and the theoretical frameworks of Derayeh, Foucault, Shahidian, Bayat, Mauss, and Freire. Additionally, in-depth semi-structured interviews with Iranian women aged 26 to 42 in Iran support my analysis of the practice and understanding of body autonomy personally, on the internet, and social media. The results identify and explicate some of the major factors affecting the practice and awareness of body autonomy, particularly in relation to the goal of liberation for Iranian women. -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Sydney Film Festival Presents by Popular Demand at Palace Cinema
MEDIA RELEASE TUESDAY 14 JUNE 2016 SYDNEY FILM FESTIVAL PRESENTS BY POPULAR DEMAND AT PALACE CINEMA Sydney Film Festival announces popular festival films will be screened at Palace Cinemas in Leichhardt and Paddington, for an additional three evenings from Monday 20 to Wednesday 22 June. “By Popular Demand, at Palace Verona and Norton Street cinemas will show twelve additional screenings of Festival films, where Festival screenings have proved extremely popular,” said Festival Director Nashen Moodley. “This is the second year we will extend our run for top-selling films beyond the end of the Festival. These screenings are a wonderful way for audiences, if they missed out on Festival tickets, to see some of the most talked-about films of the year,” he said. “We are thrilled to be working with Sydney Film Festival to give audiences the chance to see these exceptional films at our cinemas” said Palace Verona and Norton Street Cinemas’ CEO, Benjamin Zeccola. “At Palace Cinemas we are focussed on delivering the best quality films with a first-rate cinema-going experience and this partnership perfectly aligns with that focus”. Eight features and three documentaries will screen again at By Popular Demand at Palace Cinemas. Features such as John Carney’s latest beguiling portrait of ’80s Dublin, complete with stone-washed denim, wild haircuts and a nostalgic soundtrack Sing Street; divisive Sundance debut film Swiss Army Man starring Paul Dano and Daniel Radcliffe, by music video directors Daniel Scheinert and Daniel Kwan; Polish romance-horror-mermaid-musical The Lure; and Kristen Stewart in a spooky ghost story by Olivier Assayas Personal Shopper. -
Southern Handbook
> * r^r>* » \?TfST SUNDAYSCtlOOLfOARB 161 EIGHTH AVENUE, NORTH -.1951 —^vmhvuxe.tennessee SOUTHERN HANDBOOK INCLUDING THE COMPLETE 1950 SURVEY BULLETIN ? • THE SUNDAY SCHOOL BOARD OF THE SOUTHERN BAPTIST CONVENTION. NASHVILLE, TENNESSEE SOUTHERN BAPTIST 1951 CONTENTS Sr-rtiori; . Page I. The Survey Bulletin for 1.950 - 5 II. Baptist Directories 41 III. The Baptist Population • HO IV. The Christian Population 110 V. The General Population 119 VI. Southern Baptist Chaplains 125 VII. Southern Baptist Historical Table 128 VIII. Index 130 Prepared by Department of Survey, Statistics, and Information PORTER ROUTH. Secretary I SUNDAY SCHOOL BOARD OF THE SOUTHERN BAPTIST CONVENTION NASHVILLE, TENNESSEE FOREWORD Southern Baptists have made history in the collection of data on churches during 1950. For the first time since the Department of Sur vey, Statistics, and Information was formed in 1920, a report has been received from every association for work done in the churches during the current year. This record involves work done by multiplied thou sands of organization’s secretaries and church clerks. Primary credit must go to the work done by the associational clerks and the state statistical officers. Reports received from Southern Baptist churches are classified in four different groups: open country churches; churches located in villages of less than 500 population; churches located in towns with Copyright, 1951 500-2500 population; and churches located in cities with more than BROADMAN PRESS 2500 population. These classifications are also separated according to Nashville, Tennessee the number of preaching services held each month, since experience has shown that there is a positive correlation between the number of service, the location of the*church and the record reported. -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
NEWSLETTER CENTER for IRANIAN STUDIES NEWSLETTER Vol
CIS NEWSLETTER CENTER FOR IRANIAN STUDIES NEWSLETTER Vol. 13, No.2 MEALAC–Columbia University–New York Fall 2001 Encyclopædia Iranica: Volume X Published Fascicle 1, Volume XI in Press With the publication of fascicle ISLAMIC PERSIA: HISTORY AND 6 in the Summer of 2001, Volume BIOGRAPHY X of the Encyclopædia Iranica was Eight entries treat Persian his- completed. The first fascicle of Vol- tory from medieval to modern ume XI is in press and will be pub- times, including “Golden Horde,” lished in December 2001. The first name given to the Mongol Khanate fascicle of volume XI features over 60 ruled by the descendents of Juji, the articles on various aspects of Persian eldest son of Genghis Khan, by P. Jack- culture and history. son. “Golshan-e Morad,” a history of the PRE-ISLAMIC PERSIA Zand Dynasty, authored by Mirza Mohammad Abu’l-Hasan Ghaffari, by J. Shirin Neshat Nine entries feature Persia’s Pre-Is- Perry. “Golestan Treaty,” agreement lamic history and religions: “Gnosti- arranged under British auspices to end at Iranian-American Forum cism” in pre-Islamic Iranian world, by the Russo-Persian War of 1804-13, by K. Rudolph. “Gobryas,” the most widely On the 22nd of September, the E. Daniel. “Joseph Arthur de known form of the old Persian name Encyclopædia Iranica’s Iranian-Ameri- Gobineau,” French man of letters, art- Gaub(a)ruva, by R. Schmitt. “Giyan ist, polemist, Orientalist, and diplomat can Forum (IAF) organized it’s inau- Tepe,” large archeological mound lo- who served as Ambassador of France in gural event: a cocktail party and pre- cated in Lorestan province, by E. -
Shiraz Dissertation Full 8.2.20. Final Format
UNIVERSITY OF CALIFORNIA SAN DIEGO The Shiraz Arts Festival: Cultural Democracy, National Identity, and Revolution in Iranian Performance, 1967-1977 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy In Music By Joshua Jamsheed Charney Committee in charge: Professor Anthony Davis, Co-Chair Professor Jann Pasler, Co-Chair Professor Aleck Karis Professor Babak Rahimi Professor Shahrokh Yadegari 2020 © Joshua Jamsheed Charney, 2020 All rights reserved. The dissertation of Joshua Jamsheed Charney is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ Co-chair _____________________________________________________________ Co-Chair University of California San Diego 2020 iii EPIGRAPH Oh my Shiraz, the nonpareil of towns – The lord look after it, and keep it from decay! Hafez iv TABLE OF CONTENTS Signature Page…………………………………………………………………… iii Epigraph…………………………………………………………………………. iv Table of Contents………………………………………………………………… v Acknowledgements……………………………………………………………… vii Vita………………………………………………………………………………. viii Abstract of the Dissertation……………………………………………………… ix Introduction……………………………………………………………………… 1 Chapter 1: Festival Overview …………………………………………………… 17 Chapter 2: Cultural Democracy…………………………………………………. -
SEM 63 Annual Meeting
SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S. -
Player Release Analysis CONTENTS
Player Release Analysis CONTENTS INTRODUCTION 04 KEY FACTS & FIGURES 08 CONFEDERATION ANALYSIS 12 CLUB ANALYSIS 18 APPENDIX 22 03 INTRODUCTION INTRODUCTION The AFC Asian Cup Australia 2015TM Player Release Analysis is a research study undertaken by the Research & Support Services unit from Competition Division on the AFC Asian Cup Australia 2015TM. The purpose of this particular research is to highlight the number and origin of clubs involved in releasing players for the AFC Asian Cup Australia 2015TM. *This analysis was generated at the time of player registration. 06 AFC Asian Cup Australia 2015TM - Player Release Analysis 07 KEY FACTS & FIGURES CLUBS INVOLVED IN RELEASING PLAYERS KEY FACTS & FIGURES OVERVIEW All players from China PR, Qatar, Saudi TOTAL Arabia and UAE are registered with their local clubs. Al Shorta (IRQ) has the biggest number of players released by a club (10 players) Asian 315 of players out of 367 were released from While the smallest number of European Asian Clubs players of an MA are registered with its MA League (Korea Rep. -6) 1. FSV Mainz 05 released 3 players of 2 dierent North American nationalities (1 JPN, 2 KOR) African 10 AFC Asian Cup Australia 2015TM - Player Release Analysis CONFEDERATION ANALYSIS CONFEDERATION CLUBS REPRESENTATION OVERVIEW NUMBER OF PLAYERS 315 players 48 players 2 players 1player 117 41 2 1 clubs clubs clubs club The national teams COMPETING in the AFC Asian Cup Australia 2015TM 15 CONFEDERATION REPRESENTATION % OVERVIEW 13.08 (48 players) EUROPEAN 7 36 PLAYERS registered in the Asian Cup 2015 Australia % 0.55 (2 players) NORTH % AMERICAN 85.83 (315 players) ASIAN % 0.27(1 player) AFRICAN 16 AFC Asian Cup Australia 2015TM - Player Release Analysis 17 CLUB ANALYSIS MOST REPRESENTED CLUBS EUROPEAN OVERVIEW Clubs No. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected]
Bates College SCARAB Honors Theses Capstone Projects 5-2017 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect Gabriel Francis Nott Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Nott, Gabriel Francis, "Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect" (2017). Honors Theses. 198. http://scarab.bates.edu/honorstheses/198 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Nott 1 Not a Laughing Matter: John Oliver, Burkean Frames, and the Performance of Public Intellect An Honors Thesis Presented to The Faculty of the Department of Rhetoric Bates College In partial fulfilment of the requirements for the Degree of Bachelor of Arts By Gabriel Nott Lewiston, Maine March 24, 2017 Nott 2 Table of Contents Acknowledgements 3 “Our Main Story Tonight Is…”: Introducing John Oliver 4 The Men Behind the Desk: A History of the Political Comedy News Host 10 Watching the Watchers: A Review of Existing Literature 33 Burkean Frames: A Theoretical Foundation 43 Laughing and Learning: John Oliver’s Comic Performance of Public Intellect 63 John Oliver and the Performance of Public Intellect 65 John Oliver, the Comic Comic 70 Oliver vs. the Walking, Talking Brush Fire 78 Oliver’s Barrier 84 John Oliver and the News Media 86 “That’s Our Show”: John Oliver and the Future of Civic Discourse 89 Works Cited 92 Nott 3 Acknowledgements Though mine is the only name appearing on the cover page of this thesis, it would be folly on my part not to acknowledge that this work is the product of the efforts of many people other than myself, a fact for which I am endlessly grateful.