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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
On the Road with Janis Joplin Online
6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful. -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
Acoustic Blues Festival Port Townsend Jerron Paxton, Artistic Director
Summer FeStival Schedule CENTRUM creativity in community Fort Worden State Park, Port Townsend July 31–auguSt 7 ACOUSTIC BLUES FESTIVAL PORT TOWNSEND Jerron Paxton, Artistic Director Corey Ledet Supplement to the July 22, 2015 Port Townsend & Jefferson County Leader summer at centrum Hello friends! It is a great pleasure to welcome you all to this Welcome to Centrum’s year’s acoustic blues festival! I have been fortunate to have rd spent the last eight of my 27 years teaching at Centrum. 43 Summer Season! Growing with and learning from this festival has been one of the biggest pleasures of my life. Being made artistic director In partnership with Fort is a great honor. Worden State Park, Centrum serves as a We have plenty of friends and faculty eager to help this year gathering place for creative and it is a safe bet that it’s going to be a hoot. We’re glad you are here to join us! artists and learners of all Blues and the culture surrounding it has been a part of my life since the ages seeking extraordinary beginning. My forebears came from the plantations of Louisiana and Arkansas cultural enrichment. bringing their culture and music with them and instilling it in me. The both OUR MISSION is to foster creative experiences lively and lowdown music that was the soundtrack of their lives should not be that change lives. From exploring the roots of preserved as an old relic, but be kept as alive and vibrant as it was when it was in the blues or jazz, to the traditions of American its heyday. -
KREVISS Cargo Records Thanks WW DISCORDER and All Our Retail Accounts Across the Greater Vancouver Area
FLAMING LIPS DOWN BY LWN GIRL TROUBLE BOMB ATOMIC 61 KREVISS Cargo Records thanks WW DISCORDER and all our retail accounts across the greater Vancouver area. 1992 was a good year but you wouldn't dare start 1993 without having heard: JESUS LIZARD g| SEBADOH Liar Smash Your Head IJESUS LIZARD CS/CD On The Punk Rock CS/CD On Sebadoh's songwriter Lou Barlow:"... (his) songwriting sticks to your gullet like Delve into some raw cookie dough, uncharted musical and if he ever territory. overcomes his fascination with the The holiday season sound of his own being the perfect nonsense, his time for this baby Sebadoh could be from Jesus Lizard! the next greatest band on this Hallelujah! planet". -- Spin ROCKET FROM THE CRYPT Circa: Now! CS/CD/LP San Diego's saviour of Rock'n'Roll. Forthe ones who Riff-driven monster prefer the Grinch tunes that are to Santa Claus. catchier than the common cold and The most brutal, loud enough to turn unsympathetic and your speakers into a sickeningly repulsive smoldering heap of band ever. wood and wires. A must! Wl Other titles from these fine labels fjWMMgtlllli (roue/a-GO/ are available through JANUARY 1993 "I have a responsibility to young people. They're OFFICE USE ONLY the ones who helped me get where I am today!" ISSUE #120 - Erik Estrada, former CHiPs star, now celebrity monster truck commentator and Anthony Robbins supporter. IRREGULARS REGULARS A RETROSPECT ON 1992 AIRHEAD 4 BOMB vs. THE FLAMING LIPS COWSHEAD 5 SHINDIG 9 GIRL TROUBLE SUBTEXT 11 You Don't Go To Hilltop, You VIDEOPHILTER 21 7" T\ REAL LIVE ACTION 25 MOFO'S PSYCHOSONIC PIX 26 UNDER REVIEW 26 SPINLIST. -
Feminismusbuch
give the a cigarette feminist 1 Ein Feminismusbuch. 2 @ Februar 2001 Herausgeber. Hinweis: Es 16 Gormannstr. kulturrevolution.design Gestaltung Dörte Gutschow (V Redaktion web: www.jungdemokratinnen.de email: [email protected] Fon: 0202-4938354, Fax: 0202-451123, 29c, Kielerstr. Landesverband Nordrhein-Westfalen JungdemokratInnen / Junge Linke HerausgeberInnen givegive thethe cigarettecigarette aa konnten leider nicht sämtliche Bildrechte vollständig geklärt werden. Bei Fragen wenden Sie sich bitte an die 42107 Wuppertal Feminismus : 10119 Berlin : www.k : 10119 FeminismusFeminismushandbuchhandbuch .i.S.d.P.), .i.S.d.P.), Sarah Dellmann, Lisa Zimmermann, Hella Eberhardt ulturrevolution.de Feminismus - das ist doch Frauensache!? Ein paar Gedanken über "bewegte Männer" und andere Ein Kurzüber- und Einblick in die Geschichte der deutschen Frauenbewegung Nicht mehr schlucken, Feuer spucken - Männliches Redeverhalten Und bist Du nicht willig... - Gewalt gegen Frauen und Mädchen Geschlechter in den Medien - Sozialisation durch die Warum müssen Kinder immer Jungen oder Mädchen sein? Riot Grrrls, Revolution und Frauen im Independent Rock II Die Schöne und das Biest "Gabi hat den Tarzan lii-ii-ieb..." - "Gabi hat den Tarzan Kämpferinnen für Volk Kämpferinnen für Volk I Für den Anfang Joanne Gottlieb, Gayle Wald S. 54 Joanne Gottlieb, Gayle Muttertag: Mutti ist die Beste! - Frauenbilder Und sie bewegt sich doch! Lisa Zimmermann S. 38 Lisa Zimmermann S. 30 Melanie Schreiber S. 48 Der Mythos Schönheit Smells Like Teen Spirit Smells Like Teen Dörte Gutschow S. 29 Dörte Gutschow S. 24 Tobias Ebbrecht S. 40 Tobias Hella Eberhardt S. 16 Johannes Bock S. 21 Lars Quadfasel S. 32 Tobias Ebbrecht S.8 Tobias JD/JL Bonn S.11 8. März Täter und Vaterland TKKG 3 III Not only a woman V Staat & Sex Lesben - arme diskriminierte Minderheit? Zur gesellschaftlichen Situation von Lesben Die drei Formen des Frauenhandels Jutta Oesterle-Schwerin S. -
Matrices of 'Love and Theft': Joan Baez Imitates Bob Dylan
Twentieth-Century Music 18/2, 249–279 © The Author(s), 2021. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi: 10.1017/S1478572221000013 Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan MIMI HADDON Abstract This article uses Joan Baez’s impersonations of Bob Dylan from the mid-1960s to the beginning of the twenty-first century as performances where multiple fields of complementary discourse con- verge. The article is organized in three parts. The first part addresses the musical details of Baez’s acts of mimicry and their uncanny ability to summon Dylan’s predecessors. The second con- siders mimicry in the context of identity, specifically race and asymmetrical power relations in the history of American popular music. The third and final section analyses her imitations in the context of gender and reproductive labour, focusing on the way various media have shaped her persona and her relationship to Dylan. The article engages critical theoretical work informed by psychoanalysis, post-colonial theory, and Marxist feminism. Introduction: ‘Two grand, Johnny’ Women are forced to work for capital through the individuals they ‘love’. Women’s love is in the end the confirmation of both men’s and their own negation as individ- uals. Nowadays, the only possible way of reproducing oneself or others, as individuals and not as commodities, is to dam this stream of capitalist ‘love’–a ‘love’ which masks the macabre face of exploitation – and transform relationships between men and women, destroying men’s mediatory role as the representatives of state and capital in relation to women.1 I want to start this article with two different scenes from two separate Bob Dylan films. -
Examensarbete
EXAMENSARBETE Musikalisk animation En studie i animation skapad för samverkan med musik Linnea Forslund Teknologie kandidatexamen Datorgrafik Luleå tekniska universitet Institutionen för konst, kommunikation och lärande Abstract Bachelor thesis about animation created for synchronization with music. A brief history is included. Part one is a report on the 3d-projection mapping project that I took part of as an intern at the digital creative agency North Kingdom. The other part consists of four analysis of different audiovisual works from various times and styles. The final part is a discussion of how animation relates to music, what music looks like and what the difference is between projections for a three dimensional objects and those for a flat surface, looking at both my project and these four analysis. Keywords: animation, visual music, projection mapping, VJ, computer graphics Kandidatuppsats om animation skapad för synkronisering med musik. En kortfattad historik är inkluderad. Del ett är en rapport från 3d-projektionsprojektet jag deltog i som praktikant på digitala reklambyrån North Kingdom. Den andra delen består av fyra analyser av olika audiovisuella verk från olika tider och stilar. Den sista delen är en diskussion om hur animation relaterar till musik, hur musik ser ut och vad skillnaden är mellan projektion för tredimensionella objekt jämfört med plana ytor, genom att titta både på mitt projekt och dessa fyra analyser. Nyckelord: animation, visuell musik, projektionsmappning, VJ, datorgrafik Innehållsförteckning Abstract..........................................................................................................................................i -
October 23, 1993 . 2.95, US 5, ECU 4
Volume 10 . Issue 43 . October 23, 1993 . 2.95, US 5, ECU 4 AmericanRadioHistory.Com START SPREADING THE NEWS. CHARLES AZNAVOUR you make me feel so young ANITA BAKER witchcraft TONY BENNETT "new york, new york" BONO i've got you under my skin NATALIE COLE they can't take that away from me Frank Sinatra returns to the recording studio for the -first time in fifteen years. And he's GLORIA ESTEFAN come rain or come shine come home to the label and studio that are synonymous with the most prolific years of ARETHA FRANKLIN his extraordinary career. what now my love KENNY G Capitol Records proudly releases DUETS. all the way/one for my baby Thirteen new recordings of timeless Sinatra (and one more for the road) classics featuring the master of popular song JULIO IGLESIAS in vocal harmony with some of the world's summer wind greatest artists. LIZA MINNELLI. i've got the world on a string Once again, Sinatra re -invents his legend, and unites the generation gap, with a year's CARLY SIMON guess i'll hang my tears out to dry/ end collection of songs that make the perfect in the wee small hours of the morning holiday gift for any music fan. BARBRA STREISAND i've got a crush on you It's the recording event of the decade. LUTHER VANDROSS So start spreading the news. the lady is a tramp Produced by Phil Ramone and Hank Kattaneo Executive Producer: Don Rubin Released on October 25th Management: Premier Artists Services Recorded July -August 1993 CD MC LP EMI ) AmericanRadioHistory.Com . -
THE CHRONICLE Bounce!
F ANNUAL SEND-HOME EDITION Bounce! The 1994 American, Dance Festival brought some ofthe hottest names in modern dance THE CHRONICLE to campus this summer. See Arts, page 6. 4* WEDNESDAY. JULY 27. 1994 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 21,000 VOL. 90. NO. S8 Clinton Dickerson vetoes IFC-sponsored keg ban By ALISON STUEBE changed a rule that prohibited University has consistently has not been able to reach all Fraternity kegs could be back students from sharing alcohol rolledback the number of nights the presidents yet. may visit on campus this fall. stored in refrigerators on week- student groups are allowed to Bown said Dickerson's deci Janet Dickerson, vice presi nights. The Alcohol Policy Com host parties. sion undermines student efforts campus dent for student af mittee endorsed No one seems to know what to address issues on campus. fairs, has vetoed a changes to the re Dickerson's decision will mean "We try to make a change, and By RUSS FREYMAN plan that would have frigeration policy for social life on campus this it's rejected," he said. "I think Clinton may be coming ended open distribu in a meeting April fall. Without the changes, it's going to make people ex after all. tion of alcohol in ex 21. "We're back to square one," said tremely cynical." This time, however, it change for bring- Dickerson Trinity senior Mike Bown, IFC However, Dickerson re would be the president your-own-beverage turned down the president. marked, "If people are cynical himself. parties six nights a recommended Bown says he plans to sched because we're questioning cer President Clinton was week at most frater policies in a June ule a meeting with fraternity tain features of a policy that invited by President Nan nity parties. -
Discorder Interview HE1L
^aruiaity #144 PIS- cover Unlike Santa, we busy little elves at DiSCORDER haven't liad time to stand around putting our fingers up our noses. Gracing our Yuletide mag thus month is a swell bit of original art by Holly Anderson. EDITOR Dylan Griffith ADVERTISING REP Kevin Pendergraft PRODUCTION ASSISTANTS Inn Patter*,,,,, Mike Walkey, Kevi Pendergraft, Tarn CHARTS Megan Mallelt START YOUR NEW YEAR ON THE RISE LOCAL DISTRIBUTION Matt Steflkh at the PIT PUB! VON'S DISTRIBUTION DIS-contents (anil the rest of America, loo) Tnco Bell Tania & Double Manhattan LIVE BANDS EVERY VERUCA SALT // DAYTONA /2 THURSDAY NIGHT! SPEEDBUGGY /<? ADMISSION IS FREEH NERDYGIRL /4 IE GRAMES BRO AND IE ROOTEBEGGEfl INTERVIEW HELL tf CLASSICAL BEAT & E STOLE MY BEE I CAN READ /6 AND SEVEN INCH /7 CINNAM*. yAN 311 No.tni.tr 15. U JAf smm « REAL LIVE ACTION 20 UNDER REVIEW 22 THRILL SQUAD CHARTS 24 H ON THE DIAL 2f, THEW GOOD BA DATEBOOK 26' BANDSSTART@9:30 , B.C. CANADA WT IZl A SMALL RAY OF LIGHT £/ Sara^;Ti-r-ar\ Poor Br'\ct3'it, it wasobviou When vje $ot bacv^, r bought us a Married \">fe wasn't as "idyllic as she had very litMe ta\ent house on a beaut;fo\ piece of X had hoped. Bridgit --oas careV* * such silly idea.s about ocear\ front property- home, and wh«*- I 3\d see her it being frorv* outer space \was only to askfor more money. .and since Br.dgit was always 1 ...it was almost as if x was i Although "TWe was ceria<nl-y oo out pursuing her own interests j rn.arr.ed noi" to Tx.dgjt b u t"J J^AA*U<*<.