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{Download PDF} Goodbye 20Th Century: a Biography of Sonic
GOODBYE 20TH CENTURY: A BIOGRAPHY OF SONIC YOUTH PDF, EPUB, EBOOK David Browne | 464 pages | 02 Jun 2009 | The Perseus Books Group | 9780306816031 | English | Cambridge, MA, United States SYR4: Goodbye 20th Century - Wikipedia He was also in the alternative rock band Sonic Youth from until their breakup, mainly on bass but occasionally playing guitar. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, nine releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations. It was released in on DGC. The song was dedicated to the band's friend Joe Cole, who was killed by a gunman in The lyrics were written by Thurston Moore. It featured songs from the album Sister. It was released on vinyl in , with a CD release in Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release. It was the eighth release in the SYR series. It was released on July 28, The album was recorded on July 1, at the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth". For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation The band's songwriting on Goo is more topical than past works, exploring themes of female empowerment and pop culture. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
“Praying Angrily”
“Praying Angrily” Psalm 69 Erica Cooper Assistant Minister August 4, 2019 The Ninth Sunday of Pentecost In 1993 I attended my very first rock concert. Or concerts, I should say. In the early 90’s Lollapalooza was a budding 4-day outdoor music festival touring the U.S. with top billing bands like Sonic Youth, the Breeders and Green Day. I was thirteen years old, still in middle school, and really had no business being there, but I had some older high school friends who invited me to go, with their mom chaperoning in the background of course. It was hot and humid that day, as is always the case in Atlanta in July. I had been chugging water all afternoon to stay hydrated, and soon needed to use the bathroom. Between bands, I took my friend Nori with me as we headed out on a thirty-minute journey across the field, weaving a bobbing through 20,000 sweaty, sunburned Gen-Xers. We made it to the bathroom finally, and were delighted that the next band had not yet gone on stage, we didn’t miss out on anything. So we headed back across the field to our area where the rest of our friends were. But, somewhere in the middle of our journey, Nori and I lost one another. I looked around but couldn’t find her, and at this same time, another band started to play, so I stopped where I was to listen. This band was unfamiliar to me, a band called Rage Against the Machine. At first I didn’t notice the group of 20- something shirtless men gathering around me. -
Coolio to Perform at Rooster's in Platteville
ISSUE # 1 In This Issue of 365ink... April 6-20, 2006 New Life on Old Main: 3 Bryce’s Take On Things: 4 Featured Events: 5 & 6 The Arts: 7 & 8 Live Music Focus: 9 - 11 Budweiser True Music Live Music Calendar: 12 & 13 Wando’s Movies: 14 Art on the River: 15 Your City / Mayor Buol: 16 Dear Trixie’s Bad Advice: 17 We’ve hidden 365’s WANDO some- Dr. Skrap’s Horoscopes: 17 where in this issue of Dubuque365ink. Can you find the master of movies buried within these pages? Good Luck! Winners get a free warm fuzzy! Mattitude: 18 Family: 20 Tri-States Ink: 21 - 23 Covering Galena, East Dubuque, Platteville, Peosta & More. The Ink Well: Publisher: Bryce Parks, Dubuque365 ([email protected]) Editor: Ellen Goodmann ([email protected]) Copy Editor: Tim Brechlin ([email protected]) Writers & Content: Ellen Goodmann, Mike Ironside, Bryce Parks, L.A. Hammer, Chris Wand, Ralph Kluseman, Tim Brechlin, Roy Buol, Matt Booth, Brad Parks, Justin Kuhle, & everyone who posts content to our website, Dubuque365.com. Graphic Design & Layout: Bryce Parks, Gary Olsen, Tanya Graves, Mike Ironside, JoAnna Castaneda, Tim Brechlin. Distribution Coordinator: Robert Parks Special thank you to: National Mississippi River Museum & Aquarium, Ron Kirchhoff, Bob Johnson, Todd Locher, Everett Buckardt, Julie Steffen, Sheila Castaneda, Tom Miller, Renae Gabrielson, Christy Monk and all the wonderful friends of 365 and, of course, our advertisers, for all your support, advice and input. You are 365! Dubuque365 • 210 West 1st Street • Dubuque, IA 52001 * 563•588•4365 We welcome all submission of articles, photos and pleasant vibes. -
'Host Event Zone' Developments of the Heavy Metal Festival Wacken Open
Annals of Leisure Research ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/ranz20 Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air Dorothee Bohn & Cecilia de Bernardi To cite this article: Dorothee Bohn & Cecilia de Bernardi (2020): Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air, Annals of Leisure Research, DOI: 10.1080/11745398.2020.1825972 To link to this article: https://doi.org/10.1080/11745398.2020.1825972 © 2020 The Author(s). Published by Informa View supplementary material UK Limited, trading as Taylor & Francis Group Published online: 14 Oct 2020. Submit your article to this journal Article views: 165 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ranz20 ANNALS OF LEISURE RESEARCH https://doi.org/10.1080/11745398.2020.1825972 Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air Dorothee Bohn a and Cecilia de Bernardi b aDepartment of Geography, Umeå University, Umeå, Sweden; bCentre for Tourism and Leisure Research (CeTLeR), School of Technology and Business Studies, Dalarna University, Falun, Sweden ABSTRACT ARTICLE HISTORY Although respective research has proliferated, little attention has Received 21 August 2020 been given to the processual nature of festivals. By drawing upon Accepted 3 September 2020 the concept of host event zones, we examine how different KEYWORDS spectators perceive the development of the heavy metal festival Music festival; host event Wacken Open Air (WOA) with respect to the dynamics between zone (HEZ); Wacken Open Air the festival as a temporary place in which visitors enjoy spectacle Festival; heavy metal; neo- and ritual, a commercial site and the everyday living space of tribes local inhabitants. -
Read an Excerpt
The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality. -
Lee Ranaldo Jazzmaster®
ARTIST LEE RANALDO JAZZMASTER® Part Number Description MSRP excl. VAT Lee Ranaldo Jazzmaster®, Rosewood Fretboard, Sap- 011-5100-727 phire Blue Transparent €1,895.00 LEE RANALDO JAZZMASTER®: Thurston Moore and Lee Ranaldo. Jazzmaster® guitars slung across seminal shoulders. In the hands of both men, the sound of Sonic Youth is the sound of that guitar used as part paintbrush and part cluster bomb. If anybody ought to have a signature Jazzmaster® model, it’s those two guys. Done. Fender® introduces the new Thurston Moore Jazzmaster® and the Lee Ranaldo Jazzmaster® guitars. Classic Jazzmaster® gestalt, Youth-fully stripped down and hot rodded right through the roof. 727 (Saphire Blue Transparent) www.fender.com Prices and specifications subject to change without notice. Fender ARTIST LEE RANALDO JAZZMASTER® COLORS: (727) parent Saphire Blue Trans- SPECIFICATIONS: Body Alder Finish Satin Nitrocellulose Lacquer Finish Neck Maple w/ Satin Black Painted Headstock, “C” Shape Fingerboard Rosewood, 7.25” Radius (184 mm) Frets 21, Vintage Style Scale Length 25.5” Nut Width: 1.650” Hardware Chrome Tuning Keys Fender® Vintage Style Tuning Machines Bridge American Vintage Jazzmaster® Tremolo with Mustang® Bridge and Tremolo Lock Button. Pickguard Anodized Black Pickups 2 New Fender® Wide Range Humbucking Pickups Re- Voiced to Original Vintage Spec, (Neck/Bridge) Pickup Switching 3-Position Toggle: Position 1. Bridge Pickup Position 2. Bridge and Neck Pickups Position 3. Neck Pickup Controls Master Volume (Neck and Bridge Pickup) Strings Fender® Standard Tension™ ST250R, Nickel Plated Steel, Gauges: (.010, .013, .017, .026, .036, .046), (p/n 0730250206) Incl. Accessories Case: Standard Tolex Case Accessories: Strap, Cable, Jazzmaster Strings®, Sonic Youth ‘Zine, Sticker Sheet Unique Features Satin Lacquer Finish, Satin Black Painted Headstock, Single 727 (Saphire Blue Transparent) Master Volume, Mustang® Style Bridge, Re-Voiced Wide Range Humbucking pickups, Black Anodized Aluminum Pickguard, Sticker Sheet. -
A.S. 'Moshing Ban Still in Place
& , , ','I .~. '.' Archives LD729.6 c5 075 Orion. vol. 40 rll). 12 How will 23 MeriEtn\ Libl:.'Etl::Y- -CSU chico The page you score? The Orion's unofficial knowledge quiz uncovers little -literally page :11 ,', , '~" 'w'., \ I Volu'me 40, Issue. 12 California State University, Chico Wednesday, April 22, 1998 .~ Matt Notley MlI!~~lging Editor A.S. 'moshing ban still in place II'if over . R. Elrlk Ott for a quorum, the report ing when YOll have moshing; by a lurge crowd of mosh-pitters The only reason I'm glad A.S. Staff Writer Lamutl1ba would huve presented therefore A.S. Programming will when the ska-punk bund abruptly elections are over is so that I Ajamu firmly slaled that the bun on not allow bands 10 perform here took the stage after a break. dOl1~t have to keep reading letters The Associated Students is Lamumba moshing was still in effect. that have a history of mashing." The incident led A.S. and fliers that bash candidates. holding fast to its campus ban on Director of A.S. "Thcrc\ just no way you can A ban on moshing - the Prograrnming to research And there were a few this elec moshing bands. Programming prevent moshing from happen sometimes violent whirlpool or the problems moshing has tion."First a letter, slamming pres- AS. events coordinator ing. and because of that, there's slamming sweaty bodies that caused on other campuses. The . ident elect Richard Elsom's sup Ajamu Lamumba was on hand at ings of 1110sh pit liabilities. no way you can be sure no one appears at ):ome concerts - first ban hus been in effect ever since. -
Thehard DATA Summer 2015 A.D
FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X. -
THE CHRONICLE Bounce!
F ANNUAL SEND-HOME EDITION Bounce! The 1994 American, Dance Festival brought some ofthe hottest names in modern dance THE CHRONICLE to campus this summer. See Arts, page 6. 4* WEDNESDAY. JULY 27. 1994 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 21,000 VOL. 90. NO. S8 Clinton Dickerson vetoes IFC-sponsored keg ban By ALISON STUEBE changed a rule that prohibited University has consistently has not been able to reach all Fraternity kegs could be back students from sharing alcohol rolledback the number of nights the presidents yet. may visit on campus this fall. stored in refrigerators on week- student groups are allowed to Bown said Dickerson's deci Janet Dickerson, vice presi nights. The Alcohol Policy Com host parties. sion undermines student efforts campus dent for student af mittee endorsed No one seems to know what to address issues on campus. fairs, has vetoed a changes to the re Dickerson's decision will mean "We try to make a change, and By RUSS FREYMAN plan that would have frigeration policy for social life on campus this it's rejected," he said. "I think Clinton may be coming ended open distribu in a meeting April fall. Without the changes, it's going to make people ex after all. tion of alcohol in ex 21. "We're back to square one," said tremely cynical." This time, however, it change for bring- Dickerson Trinity senior Mike Bown, IFC However, Dickerson re would be the president your-own-beverage turned down the president. marked, "If people are cynical himself. parties six nights a recommended Bown says he plans to sched because we're questioning cer President Clinton was week at most frater policies in a June ule a meeting with fraternity tain features of a policy that invited by President Nan nity parties. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
DISTRIBUXIOIM TOPINDIESINGLES 1 . T 1 SHOULD BE SO LUCKY Kylie Minogue PWL PWL(F|8 (P) 2Mi BEAT DIS Mister-Ron/Rhythm King/ Bomb
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