Still on the Road Early 1976 Sessions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Absolute 2014 Absolute Is Published Annually by the English and Humanities Division of Oklahoma City Community College
AbsoluteAbsolute14 Absolute 2014 Absolute is published annually by the English and Humanities Division of Oklahoma City Community College. All creative pieces are the original works of college students and community members. The views expressed herein are those of the writers and artists. Editorial Board Student Editors Antonio Guardado Allen Mitchell Kim Ray Charles Redmon Tiffane Shorter Faculty Advisors Jon Inglett Marybeth McCauley Publications Coordinator/Graphic Projects Manager April Jackson Cover Art “Temperature Matrix” by Jeremy Cloud Divider Art “Shelter” by Rachael Z. Ikins Special Thanks Dr. Paul Sechrist, Dr. Felix Aquino, Greg Gardner, Kim Jameson, Michael Cline, April Mitchell, Lyndsie Stremlow, and Cathy Bowman. Contents FICTION .............................................................................................................3 “Las Nubes” . .Colton Sullivan “The Gruesome Tale of Prince Charming” . Jacqueline Campbell “Paradise” . Rachel Schutte “Tenth Christmas” . Jessica Hough “What Does the Fox Sell?” . Julian Ayar “Before the Storm” . Katie Chestnut NONFICTION ....................................................................................................30 “Sunflower and Sandstone” . Nathaniel Tucker “An Artist’s Adventure in Lima” . Stephanie Emperly “The Irishman and Kipling” . Jeremy Cloud “Dear Princess Celestia” . .Daniel Baird “Journey’s End” . .Lauren Romero “Siberia” . .Hannah Youngblood POETRY ...........................................................................................................58 -
Bob Dylan and the Nobel Prize
BOB ENNOBLED BOB DYLAN AND THE NOBEL PRIZE I am a Dylan fan and I know many of his songs by heart. I have seen him perform and have heard him mangle his own work in Birmingham, England, and then delight the Hammersmith Odeon. I have watched him forget some of the words to ‘Mr Tambourine Man’ in the Leisure Centre at Bournemouth. Indeed, since about 1963 and The Freewheelin’ Bob Dylan I have spent many leisure hours and vital pounds, first of pocket money and then of earned income, keeping up with much of Dylan’s copious output. I’ve even tried to read his ‘novel’ Tarantula. While I am aware of his vocal and musical limitations and the way he can move from brilliant to dire, I love some of his songs, his phrasing and intonation this side of idolatry and sometimes beyond. I think the first four Dylan tracks I bought were on an 1963 EP called Dylan (Extended Play: remember those?) which rotated on the turntable at 45 rpm as his astonishing twenty-one-year old-voice sang: ‘Don’t Think Twice, it’s alright’, ‘Blowin’ in the Wind’, ‘When the Ship Comes in’ and then was it ‘Corinna, Corinna’? His way with song words has long held my qualified admiration and I enjoyed reading his Chronicles (Volume One) when they came out in 2004. For me, even with Dylan at his uneven best, it’s the words that matter most and the way he delivers them in the best of his supremely memorable songs. If I had to name my current top ten of his tracks, chosen with particular attention to the words and to do so rapidly from memory, I’d probably go for the following: ‘Boots -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Audience Enrichment Guide
KEY ART: EXTENDED BACKGROUND Girl From the North Country | Study Guide Part One 1 Is created by cropping the layered extended background file. FILE NAME: GFTNC_EXT_COLORADJUST_ LAYERS_8.7.19_V3 ARTS EDUCATION AND ACTIVATION CREATED IN COLLABORATION WITH TDF EDUCATION DEPARTMENT 4 Girl From the North Country | Study Guide Part One 2 HOW TO USE THIS GUIDE This guide is intentionally designed to be a flexible teaching tool for teachers and facilitators focusing on different aspects of Girl From The North Country, with the option to further explore and activate knowledge. The guide is broken up into three sections: I. Getting to know the show, Conor McPherson story II. The Great Depression and historical context III. Bob Dylan and his music Activations are meant to take students from the realm of knowing a thing or fact into the realm of thinking and feeling. Activations can be very sophisticated, or simple, depending on the depth of exploration teachers and facilitators want to do with their students, or the age group they are working with. Girl From the North Country | Study Guide Part One 3 CONOR MCPHERSON ON BEING INSPIRED BY BOB DYLAN’S MUSIC ELYSA GARDNER for Broadwaydirect.com OCTOBER 1, 2019 For the celebrated Irish playwright Conor songs up; by setting it in the ‘30s, we could McPherson, Girl From the North Country rep- do them another way. I knew I wanted a lot of resents a number of firsts: his first musical, his vocals and a lot of choral harmonies.” first work set in the United States, and, oh yes, A guitarist himself, McPherson had always his first project commissioned by Bob Dylan been interested in Dylan’s music, but he — the first theater piece ever commissioned admits, “I was not one of those people who by the iconic Nobel Prize–winning singer/ could cover every decade of his career. -
Durham E-Theses
Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
On the Road with Janis Joplin Online
6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful. -
Johnny Cash: the Man, His World, His Music,” Tuesday, Aug
For Immediate Release Contacts: P.O.V. Communications: 212-989-7425. Emergency contact: 646-729-4748 Cynthia López, [email protected], Cathy Fisher, [email protected] P.O.V. online pressroom: www.pbs.org/pov/pressroom P.O.V. Revives Classic 1969 Portrait of “Johnny Cash: The Man, His World, His Music,” Tuesday, Aug. 5 on PBS Film Captures Cash on the Road, on Stage and Behind the Scenes Fresh on the Heels of His Breakthrough “Folsom Prison” Album; June Carter Cash, Bob Dylan, Carl Perkins Featured “…a rousing masterpiece.” – Rolling Stone Magazine When the Man in Black died in September 2003, he closed an original and captivating chapter in the great American songbook. Even as death approached, Johnny Cash displayed the hardscrabble grit, authentic individualism and knack for doing the unexpected that had made him an American icon — his powerful video cover of Trent Reznor’s “Hurt,” showing him visibly ailing but resolute, was nominated for six MTV Video Music Awards that year. It had been a long, maybe improbable, certainly American journey for a sharecropper’s son from Kingsland, Ark., and it had more ups and downs and surprising turns than a country road. In 1968, Robert Elfstrom (who went on to an award-winning career as a cinematographer and director) had the insight to make a documentary on Cash — and the luck to strike up a warm and candid rapport with the temperamental singer. By then, Cash, who had begun his career in the late ‘50s, had won over country music audiences with his uniquely intense "underdog" ballads, and was experiencing the first of several crossover successes with Johnny Cash at Folsom Prison. -
The Byrds' Mcguinn at Joe College by Kent Hoover Rock in That Era
OUTSIDE WEATHER Temperatures in the 70s Baseball team loses to for Joe College Weekend, The Chronicle li ttle chance of rain today. Duke University Volume 72, Number 135 Friday, April 15,1977 Durham, North Carolina Search reopened for Trinity dean By George Strong to his discipline," Turner observed. The University is again searching for a "There is a real sense in which a staff replacement for David Clayborne, the as position is a detour for someone who is sistant dean of Trinity College who re getting started." signed last summer. In late March, Wright informed John George Wright, the history graduate Fein, dean of Trinity College, of Ken student hired several months ago to be an tucky's offer. "I felt obliged — though assistant dean beginning this fall, has ac regretful — to release him from his ob cepted a faculty position at the University ligation to Duke," Fein said. of Kentucky, his alma mater. "I don't know whether I expected this or His decision leaves Trinity College once not," commented Richard Wells, associate again without a black academic dean. dean of Trinity College. 1 thought maybe Wright maintained that neither qualms it would work out But good people are about the Duke administration nor finan always in demand" cial considerations had entered his de Wells is heading up the screening com cision. mittee for applicants to the vacated posi Couldn't refuse tion. Fein and Gerald Wison, coordinator 1 knew I would eventually move into for the dean's staff, join Wells on the com "What kind of kids eat Armour hot dogs?" Harris Asbeil, Joe College chef, my academic field," he said, "and once the mittee. -
Scobie on I'm Not There
I’M NOT THERE (1956-2007) Stephen Scobie Je est un autre—Arthur Rimbaud I’m Not There (2007) In this autumn season of 2007, I can see that I am going to be thinking a lot about the Bob Dylan song known as “I’m Not There (1956).” At least, that is the title given to it on most of its early, bootleg appearances. Now that it has finally been officially released, the sub-title date has been dropped—which is a pity (since it added an element of mystery to the song) but also understandable (since no good explanation of the date has ever been given). “I’m Not There” is perhaps the ultimate Dylan bootleg, and has always been a subject for cult idealization as the most obscure of Dylan’s “lost” songs: a major master- piece that almost no one knows, and which indeed seems to conspire actively against being known. Now, it has become the title of Todd Haynes’s movie I’m Not There, “inspired by the music and many lives of Bob Dylan”—“many” being the operative word. The film is already famous for casting six different actors to play aspects of Dylan at different points in his career. If this strategy is a gimmick, it is a successful one: the film is generating vast amounts of advance publicity, much of it based on the photographs of Cate Blanchett looking, uncannily and androgynously, like 1966 Bob. The film is not due for North American release until late November, though it has played in prestigious festivals like Toronto, New York, and Venice. -
The Eight of Swords Sandra L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Eight of Swords Sandra L. Giles Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE EIGHT OF SWORDS By SANDRA L. GILES A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Sandra L. Giles on 6 February 2008. _________________________ Virgil Suarez Professor Directing Dissertation _________________________ Susan Nelson Wood Outside Committee Member _________________________ R. M. Berry Committee Member _________________________ Deborah Coxwell-Teague Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS Deep and sincere thanks go to my committee members: Virgil Suarez, R.M. Berry, Deborah Coxwell-Teague, Susan Nelson Wood. Thanks also go to the members of Mark Winegardner’s Fiction Writing Workshop in Fall of 2002, in which this novel began as a short story and received thoughtful critique. I received valuable advice and information from Mavis LaBounty, Sissy Taylor-Maloy, and other members of the “Goddess Group” in Tallahassee, Florida, as well as from Officer Tom King of the Tifton Police Department, the Tiftarea Writers Haven writing group, and my sister, Debra