Serial experiments lain torrent

Continue Also check bakabt, because the torrent that makes it there are better seeds. Recently Added Torrents. Episode Res series. Other Serial Experiments: 720p: Blu-ray: 9.3. Watch online and download anime Series Experiments Lain (Dub) Episode 4 in high quality. Various formats from 240p to 720p HD (or even 1080p). HTML5 is available for. Another Serial Experiment - Lain Iwakura, an awkward and introverted fourteen-year-old, is one of many girls from her school to receive disturbing emails from her classmate Chisa Yomoda — the same Chisa who recently committed suicide. Others have no desire or experience to handle even basic technology; however, when technophobe opens an email, it brings it directly to Wired, a virtual world of communication networks similar to what we know as the internet. Another life is turned upside down when he begins to discover a vague mystery one after the other. A strange man called Men in Black starts showing up wherever he goes, asking his questions and somehow knowing more about him than he himself knows. With the boundaries between reality and cyberspace quickly blurred, Others are plunged into more real and bizarre events where identity, consciousness, and perception are concepts that take on new meaning. Written by Chiaki J. Konaka, whose other works include Texhnolyze, Another Experiments Series is a psychological avant-garde mystery series that follows Lain as he makes important choices that will affect the real world and Wired. In closing one world and opening another, only others will realize the importance of their presence. Anime Audio Information Double Chobits 480p When the computer starts to look like a human, can love stay the same? Hideki Motosuwa is a young rural boy who is studying hard to get into college. Coming from a poor background, he can barely afford the fees, let alone the latest faded: Persocoms, a personal computer that looks exactly like a human. One night while walking home, he found an abandoned Persocom. After taking her home and managing to activate her, she seems flawed, as she can only say one word, Chii, which eventually becomes her name. However, unlike other Persocoms, Chii was unable to download information to his hard drive, so Hideki decided to teach him about the world the old-fashioned way, while studying for his college entrance exam at the same time. Along with his friends, Hideki tries to uncover Chii, who may be Chobit, an urban legend about a special unit that has real human emotions and thoughts, and a love for its owner. But can it develop between Persocom and humans? Install Microsoft Fonts Opensuse Download here. • Type: TV • Episodes: 26 • Status: Completed Airing • Airing: 3 Apr 2002 to Sep 25, 2002 • Premiere: Spring 2002 • Broadcast: Wednesday at 02:20 (JST) • • LDC • Licensors: FUNimation Entertainment, Geneon Entertainment USA • Studios: Madhouse • Source: Manga • Genres: Sci-Fi, Comedy, Drama, Romance, Ecchi, Seinen • Duration: 24 minutes . • Rating: PG-13 – Teens 13 or older Chobits 480p BD Dual Audio Dual Audio ♥ ~ Hope You Like Anime ~ ♥ Want more? Advanced embedding details, examples, and help! Overall10Story0Animation0Sound0Character0Enjoyment0 THIS REVIEW CONTAINS SPOILERS. Other Serial Experiments are paragons of many dimensions, and truly unparalleled in many more. It's a masterpiece of intellectuality, and truly unparalleled in providing mind-warping journeys into extreme psychological and philosophical themes whose impact lingers and haunts like nothing I've ever experienced. This happens without saying that Other Serial Experiments is one of the most inaccessible art creations to adorn animation media, and it is difficult to even describe its complexity. There are various ideas, all of which have great depth in their aspects, all of which can be focused as the main points. Generally, these themes involve technology that impacts society, the complete deconstruction of the internet, the psychology of the impersonal god, Etcetera. In addition, the breadth of theoretical possibilities to many open points in the plot and theme of Other Experiments Series is limitless. There is more to detail and go into detail than can ever be summed up in a simple article, especially given the more subjective aspects. What I'm going into is the realistic nature of The Other's settings and plots, the mechanics of the show, and ultimately the madness that lies in the later themes of The Other Serial Experiments. **Part 1: Exposition & Exposition Method Related Devices** Regarding the plot of the first half of the show, the delivery is very vague and mysterious. There is little aspect of the plot structure at which one definitive point is summed up, but it is always evolving, chapterless, and amorphous. Points are delivered not through clear shows and in advance, but through countless small details constantly revealed throughout the course of each episode. It's all a puzzle consisting of tiny fragments of information, bonding each piece consisting of the viewer's continuous contemplation and theory of what's going on, and what's next. Finally, without a clear and definitive point, but during the expansion of time in general, the big picture clicks into place. The second half of the show, starting somewhere in episode 6 or more, is a higher dimension of intellectual exposition. In the first half, the theme involved with every little detail conveyed will be mentioned some way or another. Philosophical ideas and ideas, as well as most psychological aspects, were found through through This side of the plot, which stores some of the most powerful ideas and content of its genre I've ever witnessed, is never expressed in any moment through the face value of the events that occur, but entirely through varying degrees of connotations. There is no narrative, clear explanation, or dialogue, just the viewer's ability to string together the various implications of events into a powerful and complex system of ideas. The methods listed place Other Serial Experiments at a level of intellectual sophistication that is, on this day, unparalleled. The common tropes of exposition found in mainstream Japanese animation usually involve not only a single point of narrative or very direct dialogue, but a direct illogical stop to an event that takes place in a way to feed a tablespoon of audience information to a title that instantly kills immersion, or even breaks the 4th wall. Another Serial Experiment is this absolute anti-thesis. Through constant cryptic exposition, almost the entire burden of figuring out what is happening is placed on the viewer's intelligence. Along with the exposition method is the pacing of the events that occur. Especially in the first half of the show, pacing for the most part is slow, drawn out, and takes time with every detail presented. It's true that it goes over-board in this case at some point, however, it's not close to the success of the show's exposition method, which I'll point out in the analogy: If I present someone with a puzzle, demand it to be cut together quickly, and then throw all the pieces in that person's face, saying people won't make head or tail puzzles. Puzzles are formulated and solved one by one until the larger image is revealed. It describes the key functions of slow pacing in the show. The significance of each bit of information presented is determined only by how each scene spends its time disclosing that information. If the show really erodes this pacing in a way for faster speeds, nothing will be able to serve as a gesture of the importance of a little information versus a little irrelevant. Viewers won't be able to register enough information to form a bigger picture, and the overall exposition will simply fail. In order for the faint nature of exposition not to fall into disguise, the length of time must be utilized. *Part 2: Realism - Part I* Suspension of Disbelief is an important aspect of Other Serial Experiments. That is, a lack of cause for distrust of what once existed. Before I go on about how Other Serial Experiments achieve a sense of grounded realism, and why it's so relevant in later life anime, I will first explain a few things about disbelief, and what too much suspension of disbelief can do to the emotional impact of a work of art. Disbelief is what is naturally when viewers witness something extraordinary, fundamentally different, or super-natural in relation to the real world living in the viewer. Distrust is not always a bad thing, especially if there are many aspects of the show that are in line with our own reality, or that extra-ordinary places are developed into a kind of sensible system that is if you can present a sufficient amount of science or logic behind what is happening. However, regardless of whether it negatively affects the show in a direct sense, that can very much be done, flooding viewers with material that requires a huge suspension of distrust changes the nature of the effect. Take a show like Naruto for example, where characterization is almost absurdly dramatic and flamboyant. It's true that it's very entertaining to watch, but in fact, no one will spontaneously faint upon seeing a bowl of delicious noodle soup, or yell at someone with so much power that they are lifted off their feet and fly ten blocks away, let alone survive. A better example, which highlights the negative aspects of what distrust can do, is any kind of introduction or interlude you might find in ala standard Shonen anime. Dragon Ball Z, One Piece, or Soul Eater. In these scenes, usually, each side spends a lot of time explaining things. This explanation can be completely absurd in context (the villain explains every battle move he uses for the protagonist, or vice versa), or reaches an eye-rolling length (a rant that goes tens of minutes in length for no real reason why the battle doesn't happen. (I know it's called filler, and I don't care)) The main drawback in the consistent need for viewers to suspend their disbelief is that the long-term impact of the show is reduced proportionally. While suspending one's disbelief opens you up to a ridiculous and fantastic realm, it also increases the emotional distance from the show and the real world. A viewer may be swept off their feet by stories about forest spirits and cosmic gods, but once we return to our daily lives, the 'real world' begins to overwrite and obscure the lingering emotions of the experience. This is because the places we are targeted outside the show have nothing in common with reality. In this case, The Other Serial Experiments is amazing in the sense that not many shows I've ever seen have been achieved. This quality, which is a lack of cause for distrust, is facilitated in two main ways, the first being the characterization of the show. Just like the quality of the method (and by extension the existence of the entire plot), it is also an inaccessible part of the show. The characterization of the show, due to its lack of more interesting words, is straight forward, serious, and very ordinary in a very 'real life' way. This is It it seems like the biggest show is falling, because it lacks conventional values of humor, drama, silly/silliness, or any kind of Japanese flavor that is obviously 'weird'. However, these problems are only skin deep, because they, just like the plot, serve to ground the viewer in a sense of absolute realism when the next part of the show begins to take off. That is, in times of absolute madness, there is no point in the idea that 'this could happen to real people, or people I really know' faltering. The second key point is the plot. By the way. *Part 3: Settings, and Cable * Plot elements involving the first half of Other Serial Experiments are really important for formulating the basis, as well as the sense of logic and realism for, the second half of the show, which is where the truly transcendental madness lies. In particular, the plot about who and what else Iwakura is, what The Wired is and its functions, and what the relationship with humanity and Others is. It is important to note that The Wired's relationship with Lain and other Human races differs drastically. However, due to the fact that the development of plot lines is not found in a single event, but a small array of details scattered throughout each episode, there is a kind of obscurity to the origin of every idea presented in the show. This makes the subject very complex and difficult to approach. The initial setting of the show centers around a junior high school student named Lain Iwakura. Others are very shy, distant, and very detached individuals. She has a group of female friends who act typical in any way that junior high school kids do, and they sometimes spice up life there by going to underground nightclubs. It's all very ordinary and normal, until things turn out to be unknown when a strange occurrence revolves around something called 'The Wired' starting to happen. Initially, The Wired's appearance seemed to be on par with the internet, both technologically and sociologically. However, the nature of The Wired revealed has drastically different dimensions, especially in the distinguished between itself and the 'real world'. This is illustrated through some of the events that occurred through the first 4 episodes. In the details of the first episode, one of Your classmates commits suicide. Some time after Lain Iwakura discovered this, Lain began receiving emails from her dead classmates claiming that 'she crossed over to The Wired'. These emails show, somehow, that his ness still exists. Another sequence of events involves depictions of people undergoing strange hallucinations in episode 4. One of them mainly involves a teenage boy who appears to be experiencing what, on the surface, appears to be a severe hallucination stuck in some kind video games. In the end, the boy ends up killing a girl he believes to be some kind of dungeon monster. What follows this is very important, and has far-reaching implications. After the show, Lain is shown collecting details about the incident, and what is gathered is that the boy desires to play a video game (called Phantoma) with in The Wired. After a little detail of this, Another's father approached him and engaged in dialogue, saying that Lain should remember that The Wired's only function is to contain and transfer information, and that it will not be confused with the real world. Others responded with this denial, stating that the difference between Cable and reality is not clear at all. This dialogue, coupled with how incidents involving people playing video games on The Wired, which results in experiences that really blend in with their perception and sense of reality, begin to point toward the nature of The Wired as something capable of manipulating the ness of those connected to it. In episode 5, through a fragmented dialogue involving Lain and various floating dolls, it is revealed that the external reality is the 'Hologram' of the information contained in The Wired. Everything that 'exists' is just a centralized projection of the collective information that The Wired contains. The final development is wrapped up through two important events. The first was Mika's sister, Mika, in a car accident. Through several strange accidents involving her relationship with The Wired, Mika's mind is duplicated into two separate examples, both of which begin to have their own experiences and become their own individuals. The second point came much later in the show, where an exposition about cable's origins, and its purpose, occurred. This exposition shows that later in the development of the technology behind The Wired, a scientist named Masami Eiri began applying the ability for The Wired to become permanently connected with people at an unconscious level. The scope of this implementation is not just a single target, but everyone on Earth. This is what is referred to as the '7th Protocol cable'. So.. What does it all mean? What exactly is The Wired, in the end? It's doubly technological, and metaphysical. Regarding the technology behind The Wired, it is a kind of global array of devices that, in some way, essentially affect the soul of everyone on the planet. Through performance, the Philosophy of The Mind of Physics is a position taken as true, in particular that the human mind is an electrical impulse in the brain, which can be affected and manipulated like any other electrical system. It may involve some sort of machine that can interact wirelessly, and therefore manipulate, the brain However, there is another side of technology, and it is digitizing digitization Own. To place it deeper into the semantics used in the show, a complete translation of the human mind into the construction of information contained entirely in cables, which can exist independently of any brain or body. This seems to be mostly the case for most people later in the show, and actually what happens to other Classmates who commit suicide at the beginning of the show, so it's safe to assume that this is a universal case. The second dimension of The Wired is metaphysical. For a universal and omniscient perspective that is theoretically not connected to The Wired, The Wired is just a technology that affects the soul. However, given the truth explained about how the mind connected to the Cable is actually integrated into the Cable, the meaning of Cable when considering limited, human observers is really basic. As explained in Episode 5, all experienced by someone connected to The Wired is the projection, or 'hologram', of the information stored in The Wired. Given the fact that all mankind is connected to The Wired, this logically means that the whole of all the capable and observable realities is The Wired, and another conceivable basis for reality is equivalent to non-existence, because how the mind contained in The Wired has no way of experiencing anything beyond Cable. It doesn't stop there. Wired's fundamental relationship with all observable phenomena goes beyond what exists outside the human observer, but actually extends to the mind of every human observer itself. Not only are projections of external phenomena of information in The Wired, but every level of mental phenomenon that forms co-living is simply the construction of autonomous information as well. This key fact serves as the basis for how everything, including the human mind, can be manipulated, created, or erased in any way or way. This bond is with who Iwakura is. *Part 4: Another Iwakura* For the foreword, Another Iwakura is a very separate individual. Others are separated not just in a social way, but in an entirely basic way: She doesn't seem to really 'connect' with her own whole reality, as if there's something very subtle.. Wrong. Coupled with this is how completely lost he is with here his own mind. I find this very interesting and relatable because of how similar this behavior is to myself, because of some aspects of my own mind. I often have my attention reduced to a 'cloud' of mental noise that is usually very unsinged in reality, sometimes bordering on proper madness. This psychology is very similar to other types of wandering itself with itself. However the exact same sense of how The Wired has a very broad aspect to itself rather than its initial appearance, there is too much to another Iwakura rather than meets the eye. Actually, what the eye encounters will be completely closer to Fraud. First, the name 'Lain Iwakura' does not actually refer to one particular person, but more accurately describes some parts.. From the beginning, Iwakura's other definite identity, in that it was single-defined, was brought into confusion in the first few episodes, especially when he visited a local nightclub. In the scattered dialogue he has with various people who enjoy the nightclub scene, another Iwakura is talked about as if he were two different people. At one point a boy teases her, asking her to come back when she is her 'wild side'. Another point is when the club DJ makes some kind of question to him, only to dismiss him because 'he wants to play his shy kid's side'. During a few brief incidents, most notably involving someone who actually committed suicide in a nightclub through shooting himself, Another was shown suddenly turning to a much more assertive and aggressive stance. At first it just seems to be the ink of Split Personality Disorder. However, episodes 6 through 7 add dimension to the problem. In episode six, another Iwakura is shown wondering through landscape projection data in The Wired (different from the projections that make up Tokyo), trying to find specific scientists working on a prototype of The Wired technology. In these scenes, she is entirely in her 'aggressive' persona. At the beginning of episode 7, Lain talks to his computer, revealing that there's another wired one that's different from the shy Iwakura, which is who he sees as himself. I felt it was important to consider the events shown in episode 5, involving Mika's other sister. As discussed about what the implications of those events are, duplication of the mind is possible in The Wired, and given this, the dialogue at the beginning of Episode 7 begins to point toward problems with other identities beyond Just Split Personality Disorder. There are other aspects of who is, or rather, what is another Iwakura, and this ties directly into an identity crisis that will boil over. Specifically, what's your relationship with The Wired. Iwakura's other ink has a kind of great power from some of the nature scattered throughout the first 7 episodes. Others are usually mentioned in almost all dialogues describing the nature of Cable, as well as the existence of a kind of 'omnipotence' or 'god' in The Wired. Every time he is mentioned, he is portrayed as carrying great power, or that his will is somehow very important. Two specific incidents should be considered. The final scene of Episode 2 involves lain Iwakura and a group of his normal friends hanging out in a nightclub. At one point, a man shoots and kills a random woman. Everyone started cleaning out of the club, but Others stood up The man recognized him for a reason, insinuating insinuating Another somehow forced him to commit murder against his own brother, and referred to him as a 'scattered god' (At least in my version from Japanese subtitles to English). The second incident is around the middle of Episode 6, in which another Iwakura interrogates the scientist behind the prototype on which the technology behind The Wired is based. Shortly before the end of the discussion, the scientist claimed that Lain was very important to The Wired, and that he had unspeakable potential. This finally brings us to the smoking gun: Episode 8. Around the beginning, Lain was confronted by a group of her normal friends. His close friend, Arisu, begins to ask if Lain is guilty of something, although Arisu fails to determine what exactly this is. After repeated interrogations, Arisu dropped the charges and wandered off. From this point on, Lain has some rather obvious panic attacks involving quandaries about another 'me' on The Wired, worries about what the 'other' is doing, and is confused about the issue of who she is. In the 14th minute, things became clear. Arisu is shown, in her bedroom, sexually stimulating herself to the fantasy of one of her teachers, which is clearly by her imaginary figure standing on it. Suddenly, from the corner of Arisu's eye, Lain is seen smirking at him from Arisu's bed, crumpled and physically. With a persona that is clearly different from Iwakura's other 'Shy', Another 'pervert' begins to mock Arisu for his fantasies, and laughs in response to Arisu's accusations about Lain spreading rumors about his perverted desires, which send Arisu into an emotional match. To fill in the rest of the context, Arisu initially suspects that another 'shy' started a rumor about his fantasy about this specific teacher, when another 'pervert' actually caused the initial rumors. Along with this incident, another 'shy' is shown, physically and crumpled, lying on his own bed in a state of panic. What follows can only be described as a surrealistic artistic depiction of a mental disorder, involving a conflict between another who is 'aggressive' and another who is 'perverted' at who each of them is, or who the other 'real' is, and, for his distress, the 'shy' One is forced to endure. After this is a scene somewhere beyond the projections that make up Tokyo, the other 'aggressive' is seen talking to a concious being in the form of a shape-changing sliding blob, which actually turns out to be Masami Eiri, the scientist who implemented 'The Wired's 7th protocol'. This time, the flat out states that Other is omnipresent is inside The Wired. After a series of rejections, Lain concludes that if what Eiri says is true, he can only 'delete' all information involving malicious rumors spread by Lain about Arisu. Information This means everyone's memory. Eiri agrees and asks him to give it a try. .. Dan Dan Others managed to do just that, proving Eiri right. After the scene only shows the word 'delete..', another 'Shy' Iwakura is shown walking to school, when a group of his friends greet him in a very chipper way. When they ran to him, Lain concluded that he actually did what was the equivalent of 'deleting' events surrounding rumors of existence, because no one remembered him: He erased all those memories from The Wired. Just as others attempt to return their greetings, another tangibly manifests itself from the position of 'shy' Lain, greeting her friends in a very socially appealing way clearly different from Iwakura's other 'Shy'. All of this happens as if Another 'Shy' is some kind of invisible ghost for the event, because no one really feels his presence. Another was left in denial, saying 'Stop it! I am me; I'm here. In a state of shock, she watched a group of her friends go with the others, when she was suddenly confronted by another 'pervert'. He says 'Another is Another, I am Me', and the whole scene fades to white. The episode concludes with 'Shy' Another asking his computer to confirm whether 'I am me, and that there is nothing else but me', clearly in inescapable confusion about the nature of his fundamental existence.. So what is Another? Another is the 'admin' of The Wired. Another is an understandable person to create, delete, or modify any and all information in The Wired on his behalf, and is able to exist and move to any point and place in such information. In other words, Lain is an omnipresent impersonal god of the entire universe in which humanity exists, because he can freely change all aspects of reality as if. The good question is who is actually another Iwakura? Frankly, it's obviously an open question, but from a shy perspective' Another Iwakura, Another Iwakura is a lot of people, all of whom are also 'admins' of The Wired. As to who is original or original, this is impossible to answer, since each other Iwakura essentially interferes with all the social and external functions of any other Iwakura, as well as the possibility that any other Iwakura can create or destroy other Lains, meaning each other could be the first. *Part 6: Realism - Part II* Everything says so far has paved the way for what the crown jewel of what Other Serial Experiments has to offer: philosophical themes and psychological contexts, which I kind of touch on. However, before we finally travel into the madness, I feel there must be some final teachings to cover. In philosophy, especially in the category of and as basic as metaphysics or ontology, the proper and convincing execution of any idea is an easy performance to fail. The logic behind certain conclusions can fade into many unjustified leaps and crannies, tending toward insanity, substantial, pseudo-intellectuality. degradation becomes nonsense. In general, the most common example of anything resembling abstract philosophy in modern media is highly exaggerated critical thinking, or entirely based on 'what ifs' and undisclosed presumptions. It is unfortunate that this is so because abstract and existential philosophies can create some of the most immersive experiences that can be conveyed, if done correctly. It was from that point that The Other Serial Experiment attracted its greatest virtues: despite the truly extreme levels it achieved, it was all grounded in what could reasonably be deciphered or implied from the plot place regarding the world, Lain Iwakura, The Wired, and its effect on humanity. Despite his efforts to be a solipsistic-esque idea and a deep Lovecraftian epistemological theme, not once was there a huge gap in substance that spawned such extreme quandaries. Unlike most artistic creations about abstract philosophies that are deeply disturbing, Other Serial Experiments actually provide a satisfying sense of logic to a degree that really gets in the way of doubt. Not only is the logic of such extreme ideas solid, but the place that exists says logic is realistic and scientifically feasible. Much of what happens in terms of philosophical and psychological horror is entirely based on a highly advanced level of wireless technology, an absolute understanding of how conciousness works in the brain, which enables its manipulation, and global-scale virtual reality. It is true perhaps that this level of extreme technology is offset by the infinite range of scientific advances that we have not yet revealed, no idea that emerged seems so far away that I will begin to reject it. The 'fiction' part of Science Fiction behind the Other Serial Experiments is highly questionable whether it really deviates from reality. On a good example: I'm not sure that the manipulation of consciousness through electronic interfacing with the brain qualifies as fictitious directly. This key point, that 'fiction' behind philosophical themes may not be all fictitious; that there is consistent feasibility, solid logical progress, and realism leading up to, and present inside, the incomprehensible periphery that the Lains Serial Experiments fired, is the destruction of the haunting and traumatic effects of unforgettable. These ideas are not something that can simply be dismissed as wild pseudo-intellectual propaganda, or as an emotional drivel. Wakakak. It could really become a reality someday. *Part 7: Metaphysics, Ontology, and Mind* .. and so we finally arrived at a monolith of unspeakable size that is the philosophical and psychological context of Other Serial Experiments. Philosophical ideas and themes, and all psychological contexts that is ultimately centered by performances, performances, Categories of thought on a comprehensive scale: Philosophy of thought, freedom of will, self-concept, reality, metaphysics, and even epistemological-esque ideas. This is to say that Other Serial Experiments attack all angles of how we conceptual the true nature of the fact that psychological self must function. The direction of horror chooses every aspect of how we think and feel about existence itself, which, based on these feelings and thoughts being the basis on which we interact mentally about the world, really affects one's feelings and thoughts on anything imaginable. The structure of philosophy also has great responsibility. The way ideas are presented, and how they connect, is as if one is approaching a vast web of complexity with no obvious starting or end point. Every idea presented is a seamless progression of, directly bound to, or direct implications of, another idea. The first theme to develop is the basic metaphysical and ontoological thinking surrounding The Wired. As I have explained in the sections at The Wired & Another Iwakura, the definition of The Wired and a mixture of 'real world' until they are completely indistinguishable. The mind connected to The Wired is transformed into digital information in the process. This means that The Wired isn't just virtual reality that coats a person's perception of understanding, because it means that the observer's mind will be rooted in another 'reality' outside of virtual reality: There are clear ontotological differences. When a connection occurs, the observer's mind becomes separate from Cable itself, making The Wired the only reality that exists, and thus the final reality. Of the many different examples in the show, this idea is progressively framed into a complex network of more specific and creepy ideas. Much of the thinking following the basic ideas mentioned above blends with Epistemology and further reflection on what reality is in human observers in The Wired. Other Serial Experiments in deep introspection on what it means for something in reality to exist, or in particular, to something in the past have actually happened, and meditate on how humans can know the existence of such objects. The whole event in episode 8, in which Lain is revealed to be a group of impersonal gods for humanity, as well as much dialogue before and following that episode, shows the case of one ontotological idea of the existence of events and objects: The basis on which each happens occurs, or pn that there is any object, is human memory. Tampering with collective memory, and curved reality, or even destroyed. Further illustrations that will distinguish this idea are present in the 8th and 13th episodes. As happened earlier in episode 8, Lain information from the human mind on a large scale. In episode 13, after a traumatic traumatic event causing a moment of climate distress for Lain, which involves Arisu's sanity flicking under the weight of such traumatic events (watch the episode to find out why), another Iwakura removes all of The Wired's memories and records, by extension his own memory, from existence. Carefully examining the results of these two important events raises tremendous confusion with the answer to a terrible undercurrent: It will be a fragile reliance on the human soul for objects or events to exist. If, somehow, any physical trace of an event were to be erased, say, the existence of a person, an important part of one's life, or a discovery that brought monumental changes to society, and then after that, the destruction of all records that preserve information on the subject, could it still be asserted that it actually happened? If, given this condition, all the memories and mental information around it says the subject is made void, and any awareness of the deletion of such information, that is, the awareness of one's own ignorance, is permanently deleted, how can one say if there is something or not? For human observers, what would be the difference between this condition surrounding an object or event, and saying an object or event never even existed? In omniscient, beyond my perspective addressing this problem, this seems unscinged. However, to human observers connected to The Wired, with the fallout and the limited scope of perception coming with our human brains, what would then be the situation? What will be the result for someone who not only has their knowledge limited to the information that is in The Wired, which will include a bundle of information consisting of thoughts & their consciousness, but also having the scope of their consciousness, especially in terms of their own ignorance, is limited to that information as well? The answer, with all its terrible implications, is that the comprehensive annihilation of all human records and memory will result in an indistinguishable state of not only the absence of such objects or events, but the permanent state of unsple awfulness of all mankind in terms of the subject. It's really going to be as if it's never even been conceived before.. From now on it is when things become much more complex intertwined, split into two main aspects. When taking into account the events of episodes 8 and 13, as well as the fact that the thoughts in The Wired are just as many projections & build information as the object that forms the world of The Wired, the undercurr arus of the epistemological idea that previously described bubbles into another extraordinary quagmire. *Part 8: Quagmires at the Apposite observations to be made given all these mind-bog on thoughts are subtle Lovecraftian tones. Smooth. is, tonality that, somehow, a sense of human reality is highly sheltered: Fragile and insignificant in relation to the immeasurable nature of reality, whose ink may all but destroy a sense of sanity or well-being. It's a theme that is slowly creeping into one's mind at the unraveling of every idea talked about so far. I feel the last nail in the coffin lies within the epitome of these ideas. Enter the boundaries of Free Will, and its implications on the concept of The Self. Return one last time to the climax of episode 8. It is shown that Others are able to remove events from reality due to the ontoological nature that the existence of events can only be facilitated by the memory record of the human mind.. But what did the events of that episode really imply about what a soul is? The idea that it is a bundle of information with an unspecified level of complexity has been emined, but human souls of this nature will find the terrible truth for their existence. This truth is in the ontology behind what ultimately builds one's mind, which is the experience that shapes their life. In particular, that construction is sourced ontologically from the other self, and ultimately its desire. Take a moment and reflect on what each ideal might hold in life? Experience with abuse that leads to a desire for mercy in society? A certain kind of wisdom that might lead you from acting on selfishness and hatred, perhaps? Or contemplate the achievements one has achieved? Pass? Someone you mean intimate with: A mother, best friend, or such a partner? How exactly are these things there for you, and how do they shape your mind? This, inevitably, is based on memory records. Everything that has happened to us is memory, and therefore, everything that not only dictates our behavior, but dictates our self-image, the concept of who we are, and the way of thinking, is destined entirely from memory. .. So, with the flick of your fingers, any understanding of ideals will be lost. In terms of mannerisms, your warmest memories of your mother's love, your best friend's friendship, or of all the good deeds that have been done, will turn out to be nil. The most mind-breaking idea is that any change or annihilation of aspects of one's mind will completely go unnoticed; The change itself becomes erased by such ignorance. You can go from a loving saint to a bloodthirsty psychopath, or have one's mind returned to an infantile state with a previous life all but erased, and you wouldn't even know there was a difference. Every taste the independent will, choice, or even freedom of thought, be just an illusion on the consequences of another prolonged absence. An illusion that can be destroyed at any time from his intervention. It destroys the illusion of the spell of a free spirit Madness: That you can't escape this ontology, because the nature of your mind binds you to it, and the only alternative is none of which doesn't exist. However, the most terrible disappointment is not for the human observer, but for the impersonal god himself, Lain. This Lovecraftian sense of The Wired ontology is a double-edged sword, with the show climaxing on a punch dealt to Another.. The realization of solipsm is almost perfect. The underlying instinct of our human nature is that we exist in an external world for us. For something to be significant to us, the consequences must be beyond meer mental desire. Etched into the logical route to a meaningful example of events is that their independence from us, less they become an absolute delusion. Our minds have to rely on something, or everything that happens is just an absurd form of nothing. There has to be a line in the sand between what has happened, and hasn't happened, and the idea of object independence is what draws that line. It's this fundamental trait - this line in the sand - that Others slowly find themselves bereft of. Every other time Iwakura changes the environment and history of The Wired, something wanders. At each demonstration of the ontoological nature of iwakura's other events, there were shouts. Cries that cannot be mistaken for a lanjek, or derived from any visual perception, therefore stem from the rupture of the mind: The unexpected and terrible lament of a thousand leagues of emptiness, sinking all the way to meaning. It is the realization that, having looked at the truth of its reality, there is no real distinction between your own imagination, and the 'world' that should be around it. It is well represented in the final episode of the series. In the last confrontation between Lain and Masami Eiri, an incident occurred: Arisu witnessed the incident. After what should lead to some abject realization of what the world around him really is, Arisu descends into the incomprehensible state of the annoying wail. Despite other attempts at placation, Arisu sneaks into cattonia under the weight of the inescapable truth. In absolute desperation to fix the only thing he really cares about, Another hopes everything back to the point is The Wired doesn't exist.. Again, reality follows his wishes. All memories of Another's existence were erased, and Masami Eiri was fired before he ever instigated the 7th Protocol Cable (which created 'Admin Cable': Other). It seems as if everything is back to normal, and it seems as if The Wired is no more, except for one slight difference.. Others are still there. Now in what appears to be a kind of Limbo in the form of Tokyo, all falsehoods are settled. a world in which Others care, in particular, all the thoughts in which he has a relationship is just a bundle of information that only exists in his words. No 'other person', or object. There is no ontotological substance to have 'friends', 'family', 'people', or any conception that will lead to a meaningful life. Each of The Wired's configurations will score the same result: All experiences that might be on par with other imagined illusions of thought, which are kept only in the inevitable. From here, Another's mind cracks as the finalization of his Solipsism-esque existence is revealed. That is, until he is visited by God, or some other thing that is completely independent of the content of iwakura's other amaatan. Whatever happens after another thought snaps, the series closes something very absurd. Another finally realizes the true 'depth' of his omni presence, namely that the ontology of time itself is based on the current memory and awareness of the environment around the human observer, both of which are easily understood by Other commands. This is demonstrated by his meeting with his old friend Arisu, who is now an adult and married, and is completely unaware of the events he experienced with Lain in his teenage years. They briefly exchanged words, with Arisu confused by the familiarity of the Other visage. When they split up, Arisu commented that he was sure they would see each other again. Others agree: They'll meet again. 'Anywhere, anytime'. That is, until he is visited by God, or some other thing that is completely independent of the content of iwakura's other amaatan. Whatever happens after another thought snaps, the series closes something very absurd. Another finally realizes the true 'depth' of his omni presence, namely that the ontology of time itself is based on the current memory and awareness of the environment around the human observer, both of which are easily understood by Other commands. This is demonstrated by his meeting with his old friend Arisu, who is now an adult and married, and is completely unaware of the events he experienced with Lain in his teenage years. They briefly exchanged words, with Arisu confused by the familiarity of the Other visage. When they split up, Arisu commented that he was sure they would see each other again. Others agree: They'll meet again. 'Anywhere, anytime'. *Conclusion* What the end of Another Serial Experiment means is probably the most thought-provoking aspect of it all. The last thought I left behind was about how another 'Shy' originally appeared? What does the existence of 'the other' mean? Perhaps the original 'Other' born early in the 7th protocol only saw no meaning or motivation in anything because his mind was completely blank, and the creation of 'Other than flesh', which is what other 'shy' had in the referee, was a means of understanding what was emotion and meaning are all about. What is the nature of God visiting Another? Is he part of your imagination? Are there other levels for The Wired that haven't been explored yet explored Which level do others not know? There may be many parallel cables, each with the same thing as The Other, beyond the higher watch, and perhaps enjoy, let these Other play out their existence? These are just a few inspired ideas but the absurd open cliff hangers that this series is championing.. The whole experience that shaped the Other Serial Experiments is completely nonpareil. Not only unparalleled in terms of sheer genre, but from any medium across the board. This is in such a way that The Other Series Experiment is a journey, not just for the characters in a show, but for the viewer's own mind. It falls into a monolithic black hole of madness that is truly unimaginable, and plunges beyond the absolute periphery of existential madness. It is gloriously epiphanous, yet attackingly crippling, abject horror deep into my soul. It's absolutely amazing, yet it haunts me to the bone weeks after just mentioning his name. In The Wired, we are all connected as one, and there is no way out.. Escape..

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