(IA Salmagun00irvi).Pdf

Total Page:16

File Type:pdf, Size:1020Kb

(IA Salmagun00irvi).Pdf Glass rSlan Book lAi %24 WASHHKGTOIf MOT^ rdlWtisher143 Strand- SALMAGUNDI WHIM -WHAMS AND OPINIONS OF LAUNCELOT LANGSTAFF, ESQ. ^WVVU Wj£$*1\ , AND OTHERS. In hoc est hoax, cum quiz et jokesez, Et smokem, toastfm, roastem folksez, Fee, faw, fum. Psalmcmatar. With baked, and broiled, and stewed, and toasted, And fried, and boiled, and smoked and roasted, We treat the town. fiottUoit: PK1NTED AND PUBLISHED BY J. LIMBIRD, 143, STRAND, (Near Somerset /Joit.se.) 1824. ^%u 2> few's «K ? 1 PREFACE The early productions of men of genius always possess a peculiar interest, and not unfrequently a freshness and an originality which do not belong to their more matured works. We do not mean to contend that this is the case with the following essays which were principally, if not entirely, written by Washington Irving, since so well known to the public by the " Sketch Book," " Bracebridge Hall/' and the " Tales of a Traveller." Mr. Irving is a native of the United States of America, and he has been singularly fortunate in removing the prejudices which existed against the literary talents of his countrymen. It is but a few years ago that our critics all spoke of American literature with a sneer, and as totally unworthy of notice ; indeed it was treated with so much contempt, that persons unac- quainted with the productions of the American press might be led to doubt that it yielded any thing better than a newspaper essay, or the calculations of an almanack. This ignorance, and this prejudice, have alike vanished before the talents of Mr. Irving ; it is true that some novels which displayed consi- derable genius reached England before Mr. Irving's " Sketch Book," but it was the latter work which first called the public attention to the infant re- public of letters in the United States ; and it is but justice to say, that England has made the amende honorable by a frank and honest acknowledgement of its claims. Although Mr. Irving more nearly approaches the style of our own admired Goldsmith, than any living writer, yet he has been educated in a different school. Mr. Irving's style is, perhaps, purely American ; its ground-work is, no doubt, English, but the legends of the Dutch, the rude disposition of the Indian, and the romantic scenery of his native land, have all had their influence over him. The forte of Mr. Irving lies in description, and his de- lineations are at once bold, spirited, and faithful. In the portraying of scenes ol low life, or of ludicrous situations, he is peculiarly happy, nor is he de- VI PREFACE. iicient in scenes of the tender and pathetic ; there is a freedom in his sketches which shows how naturally they are produced, and a delicacy which proves that they emanate from a well regulated mind. The " Salmagundi " was the first literary effort of Mr. Irving, and although it was sometime before it crossed the Atlantic, yet from the moment of its publication it was a great favourite in the United States, where it was sup- posed to be the joint efforts of several literati. On the merits of these sprightly essays it is unnecessary to dwell, since they have been recognized and acknowledged in both hemispheres. It may, however, be necessary to state, that the new edition now offered to the public, though more elegantly printed and embellished than those that have preceded it, is published at half the price of the cheapest. 1 — CONTENTS. Page. Pag?:. No. 1 Editor's Advertisement 1 No. 5.—Introduction to a Letter from Introduction to the Work ... 2 Mustapha Rub-a-dub Keli Khan 24 Theatrics—by Will Wizard 5 Letter from Mustapha to Abdallah New-York Assembly—by A. Ever- Eb'n al Rahab - 25 green ----- 6 Account of Will Wizard's Expedition No. 2 Launcelot Langstaff's Account to a Modern Ball—by A. Ever- of his Friends 8 green - 29 Mr. Wilson's Concert—by A. Ever- Poetical Epistle to the Ladies—from green ....-- 10 the Mill of Pindar Cockloft, Esq. 31 Some Account of Pindar Cockloft - 11 No. 6.—Account of the Family of the Poetical Address from Pindar Cockloft 13 Cocklofts-' - 32 Advertisement - - - - ib. Theatrics—by William Wizard, Esq. 37 No. 3.—Account of Mustapha Rub-a- No. 7 Letter from Mustapha Rub-a- dub Keli Khan - - - !4 dub Keli Khan to Asem Hacchem 40 Letter from Mustapha Rub-a-dub Keli Poetical Account of Ancient Times Khan to Asem Hacchem - - 15 from the Mill of Pindar Cockloft, Fashions—by A. Evergreen - - - 17 Esq 44 Fashionable Morning-Dress for Walk- Notes on the above—by Will Wizard, ing - - - - - 18 Esq. 45 The Progress of Salmagundi - - ib. No. 8—Anthony Evergreen's Account Poetical Proclamation—from the Mill of his friend LangstafF 4(i of Pindar Cockloft, Esq. - - 20 On Style—by William Wizard, Esq. 40 No. 4 Some Account of Jeremy Cock- The Editors and the Public loft the younger - - - 2 No. 9. — Account of Miss Charity Cock- Memorandums for a Tour to be enti- loft tled " The Stranger in New- From the Elbow-Chair of the Author Jersey, or Cockney Travelling," Letter from Rub-a-dub Keli Khan to by Jeremy Cockloft the younger 22 Asem Hacchem - 57 CONTENTS. Page. Poetry—from the Mill of Pindar Cock- No. 15—Sketches from Nature—by A. loft, Esq 60 Evergreen, Gent. - - - 100 No. 10.—Introduction to the Number - 61 On Greatness—by L. LangstafF, Esq. 103 Letter from Demi-Semiquaver to No. 16—Style at Ballston—by W. Launcelot LangstafF, Esq. 62 Wizard, Esq 107 Note by the Publisher - 64 From Mustapha Rub-a-dub Keli Khan No. 11.—Letter from Mustapha Rub-a- to Asem Hacchem - - - 110 dub Keli Khan to Asem Hacchem 65 No. 17 — Autumnal Reflections — by Account of " Mine Uncle John" 69 Launcelot LangstafF, Esq. - 113 No. 12.— Christopher Cockloft's Com- Description of the Library at Cockloft pany - 72 Hall—by L. LangstafF, Esq. - 116 The Stranger at Home, or a Tour in Chap. CIX. of the Chronicles of the Broadway—by Jeremy Cockloft Renowned and Ancient City of the younger - Gotham 118 Introduction to Pindar Cockloft's Poem No. 18 The Little Man in Black—by A Poem—from the Mill of Pindar Launcelot LangstafF, Esq. - 121 Cockloft, Esq. - Letter from Mustapha Rub-a-dub No. 13.—Introduction to Will Wizard's Keli Khan to Muley Helim al Plans for Defending our Harbour Raggi - - - - - 128 " Plans for Defending our Harbour" Anthony Evergreen's Introduction to —by William Wizard, Esq. the " Winter Campaign" - - 132 A Retrospect, or " What you Will" Tea, a Poem—from the Mill of Pin- To Readers and Correspondents dar Cockloft, Esq. - - - 134 No. 14.—Letter from Mustapha Rub-a- No. 20 On the New Year - - - 136 dub Keli Khan to Asem Hacchem To the Ladies—from A. Evergreen, Cockloft Hall—by L. LangstafF Gent 139 Theatrical Intelligence—by William Farewell Address - - - - 142 Wizard, Esq salmagundi; OR, THE WHIM-WHAMS AND OPINIONS OF LAUNCELOT LANGSTAFF, ESQ. AND OTHERS. In hoc est hoax, cum quiz et jokesez, Et smokem, toastein, roastem, folksez. Fee, faw, fum. PsalmanazaR. With bak'd, and broil'd, and stewed, and toasted, And fried, and boil'd, and smok'd, and roasted, We treat the town. ill-will between at No. 1. that there should be any us the commencement of our acquaintance. SATURDAY, JANUARY 24, 1807. Our intention is simply to instruct the As every body knows, or ought to know, young, reform the old, correct the town, and what a Salmagundi is, we shall spare our- castigate the age : this is an arduous task, selves the trouble of an explanation ; besides, and, therefore, we undertake it with confi- we despise trouble as we do every thing that is dence. We intend for this purpose to present low and mean—and hold the man who would a striking picture of the town ; and as every incur it unnecessarily, as an object worthy body is anxious to see his own phiz on canvass, our highest pity and contempt. Neither will however stupid or ugly it may be, we have we puzzle our heads to give an account of our- no doubt but the whole town will flock t,o selves, for two reasons ; first, because it is our exhibition. Our picture will necessarily nobody's business ; secondly, because if it include a vast variety of figures ; and Should were, we do not hold ourselves bound to any any lady or gentleman be displeased with the body's business but our own ; and even that inveterate truth of their likenesses, they may we take the liberty of neglecting when it suits ease their spleen by laughing at those of their our inclination. To these we might add a neighbours—this being what toe understand third, that very few men can give a tolerable by poetical justice. account of themselves, let them try ever so Like all true and able Editors, we consider hard ; but this reason, we candidly avow, ourselves infallible ; and, therefore, with the would not hold good with ourselves. customary diffidence of our brethren of the There are, however, two or three pieces of quill, we shall take the liberty of interfering information which we bestow gratis on the in all matters either of a public or private public, chiefly because it suits our own plea- nature. We are critics, amateurs, diletanti, sure and convenience that they should be and cognoscenti ; and as we know " by the known, and partly because we do not wish pricking of our thumbs," that every opinion B 1 ——: 2 SALMAGUNDI.
Recommended publications
  • BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
    BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career.
    [Show full text]
  • English Song Booklet
    English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.
    [Show full text]
  • The 2001 Father's Day Fire of FDNY
    After The Fire Episode 7: Part I - The 2001 Father's Day Fire of FDNY Jon Nelson: Hello and welcome to After the Fire, a firefighter line of duty death podcast brought to you by the National Fallen Firefighters Foundation in collaboration with firefightersskills.com. I'm your host, Jon Nelson. Jon Nelson: On Father's Day, June 17th, 2001, a routine fire call in a hardware store taxpayer structure in Astoria, Queens erupted into a five alarm fire that claimed the lives of three FDNY members, Lieutenant John Downing, firefighter Brian Fahey, and firefighter Harry Ford. Additionally, this incident injured numerous others, with nearly a dozen career-ending. As heavy as this tragedy was on FDNY firefighters, their families, and the people of New York City at the time, this event was overshadowed three months later by 9/11, deeming this fire by many to be the forgotten fire of the forgotten three. We come together today 20 years later to discuss this tragic event in part one of a three-part series dedicated to the 2001 Father's Day fire. Our goals in this episode are to pay honor to the fallen, hear the perspectives of people that were there and directly related to the incident, and to glean lessons learned from the unintended outcomes of this unfortunate catastrophe. Joining After the Fire today are FDNY firefighter of Rescue 4 on that day of the incident, John Gaine. John Gaine: My name is John Gaine. I'm a retired firefighter from Rescue Company 4 that was working on that day, June 17th, 2001.
    [Show full text]
  • Irving's Posterity
    IRVING’S POSTERITY BY MICHAEL WARNER Like the narrators of all his major books—Geoffrey Crayon, Diedrich Knickerbocker, Jonathan Oldstyle, Fray Antonio Agapida—Washington Irving was a bachelor. In a sketch called “Bachelors” he wrote, “There is no character in the comedy of human life that is more difficult to play well, than that of an old Bachelor.”1 Reinventing that role was the project he took on, more or less consciously, from an early age. As a young man, he belonged to an intimate circle of bachelors (“Cockloft,” they called it) with whom he wrote Salmagundi; when the others married, he wrote with unusual passion about his abandonment. He then came to regard his writing career as an alternative to marriage. As an old man, he maintained himself at Sunnyside, his estate on the Hudson, as a surrogate patriarch to his nieces, his bachelor brother, miscellaneous dependents, and American letters in general. It was a role he played with success; before his death he was almost universally credited as “Patriarch of American literature” and “literary father of his country,” a pseudo-paternity most famously illustrated in the so-called Sunnyside portrait. When he died, he would be eulogized as “the most fortunate old bachelor in all the world.”2 Yet bachelorhood was something he consistently regarded as anoma- lous, problematic, and probably immoral. Irving claimed as early as 1820 that his natural inclination was to be “an honest, domestic, uxorious man,” and that matrimony was indispensable to happiness.3 Over twenty years later, he wrote, “I have no great idea of bachelor hood and am not one by choice.
    [Show full text]
  • Symbolism in “Rip Van Winkle” by Washington Irving
    PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University of Tlemcen Faculty of Letters and Foreign Languages Department of Foreign Languages Section of English Symbolism in “Rip Van Winkle” by Washington Irving Dissertation Submitted to the Department of English as a partial Fulfillment for the Degree of “Master” in Literature and Civilization Presented by Supervised by Miss. Fatima Zahra BERROUKECHE Dr. Wassila MOURO Mrs. Souad BERBER Academic Year 2015/2016 Dedication I dedicate this work to my precious mother, the source of kindness and tenderness, my father, and dearest friends. I Acknowledgements My extreme appreciation and gratitude are addressed to my respectable teachers and supervisors Dr. Wassila MOURO who was abundantly helpful and supplied priceless support and to Mrs Souad BERBER for her patience, advice and guidance without which I could not have accomplished this task of research. My deepest thanks go to the respectful members of the jury who offered me the honor of evaluating this work. I would like to express my sincere and warm thanks to Mr. Mustapha OUSSAR who granted me his help and advice, additionally, I would like to express my appreciation to my dearest Amel RAHMOUNI who supported me and never hesitated to stand by my side. Furthermore, I have to acknowledge all my friends for the nice times that we spent together helping each other. II Abstract In American literature, Washington Irving’s “Rip Van Winkle” (1819) is an interesting symbolic tale, in which symbolism has been touched in every single corner in it. The objective of this work is to examine symbols in this short story that are used to interpret significant historical events in the American history, which were the American society’s conditions before and after gaining its independence.
    [Show full text]
  • “The Stormy Present” Guest: Bellamy Young
    The West Wing Weekly 5.10: “The Stormy Present” Guest: Bellamy Young [Intro Music] HRISHI: You’re listening to The West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: And today we’re talking about season five episode ten. It’s called [West Wing Episode 5.10 excerpt] PRESIDENT BARTLET: The Stormy Present [end excerpt] JOSH: The Stormy Daniels. HRISHI: [laughing] Jeez. This is a special episode of The West Wing, Josh, did you know that? JOSH: Well, in the sense that they’re all special Hrishi? HRISHI: Even more special than that. This is the 100th episode of the series. JOSH: Ooooh. You know, actually now that you say it, I think we had a cake. HRISHI: [Laughs] JOSH: I’m not joking either. I'm going to dig in the archives and see whether I can find pictures. I remember out in the west wing-- portico, is that just outside? HRISHI: Ok. JOSH: We had a 100th episode celebration cake. HRISHI: And what did you get me for...Where’s my cake? JOSH: The cake is a lie. HRISHI: We had our 100th episode recently and you also didn’t get me a cake for that. JOSH: Yesterday was my wife's birthday--the lovely Melissa--and it was, as she...as she says every year, another terrible on.e HRISHI: Did you get her a cake? JOSH: Her birthdays are always terrible and mine are always great. And I think it’s because she plans mine… HRISHI: [laughs] Right JOSH: Yeah...So what I got her...she loves German chocolate cake.
    [Show full text]
  • Washington Irving
    Washington Irving This article is about the writer. For the cricketer, see each named William, died in infancy, as did their fourth Irving Washington. child, John. Their surviving children were: William, Jr. (1766), Ann (1770), Peter (1772), Catherine (1774), Washington Irving (April 3, 1783 – November 28, Ebenezer (1776), John Treat (1778), Sarah (1780) and Washington.[1] 1859) was an American author, essayist, biographer, his- torian, and diplomat of the early 19th century. He is best known for his short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent.. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and sev- eral histories of 15th-century Spain dealing with sub- jects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846. He made his literary debut in 1802 with a series of ob- servational letters to the Morning Chronicle, written un- der the pseudonym Jonathan Oldstyle. After moving to England for the family business in 1815, he achieved in- ternational fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. in 1819–20. He continued to publish regularly — and almost always successfully — throughout his life, and just eight months before his death (at age 76, in Tarrytown, New York), completed a five- volume biography of George Washington. Irving, along with James Fenimore Cooper, was among the first American writers to earn acclaim in Eu- rope, and Irving encouraged American authors such Watercolor of Washington Irving’s Encounter with George Wash- as Nathaniel Hawthorne, Herman Melville, Henry ington Wadsworth Longfellow, and Edgar Allan Poe.
    [Show full text]
  • Haunted Hemisphere: American Gothic Literature in the Long Nineteenth Century
    Haunted Hemisphere: American Gothic Literature in the Long Nineteenth Century Katie Richarts Bray Westminster, Maryland B.A., University of Virginia, 2007 M.A., University of Virginia, 2010 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English Language and Literature University of Virginia August, 2014 ii © Copyright by Katie Richarts Bray All Rights Reserved August 2014 iii Abstract “Haunted Hemisphere” calls attention to the hemispheric gothic as a distinct body of literature, a genre that exposes the intertwining of United States narratives with the histories of the wider American hemisphere, against the grain of a contemporary literary culture that rarely spoke directly of the nation's profound involvement in a nexus of supranational cultural and economic relations. Hemispheric gothic works—from well-known novels by authors like Poe and Melville to popular fictions like The Black Vampyre—situate literary marketplaces within the haunted spaces of their plots, and thereby model, in an uncanny microcosmic form, the mutual imbrication of ostensibly distinct markets extending across the hemisphere. The slave revolts and shipwrecks I analyze are not simply generic horrors, but invoke recent historical memories that official discourses sought to repress, such as the Haitian Revolution, and proclaim the historical interdependence of (for example) the United States and Haiti. Through gothic explorations of the uncanny spaces of ships engaged in commercial and imperialist voyages, or the complicated genealogies of early colonial settlers in the Americas, the hemispheric gothic emerges as a transnational literary phenomenon engaged in highlighting the discrepant but shared histories of the New World that propelled nineteenth-century popular and canonical fiction alike.
    [Show full text]
  • A Knickerbocker Tour of New York State, 1822: "Our Travels, Statistical
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Electronic Texts in American Studies Libraries at University of Nebraska-Lincoln 1822 A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc. Johnston Verplanck New York American Louis Leonard Tucker , editor The New York State Library Follow this and additional works at: https://digitalcommons.unl.edu/etas Part of the American Studies Commons Verplanck, Johnston and Tucker, Louis Leonard , editor, "A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc." (1822). Electronic Texts in American Studies. 61. https://digitalcommons.unl.edu/etas/61 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Electronic Texts in American Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. I iC 1\ N A D I I I 0 iI I' I ~ I A Knickerbocker tour of New York State, 1822 ~~Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and "Quizzical" Written by myself XYZ etc. Edited, with an Introduction and Notes, By LoUIS LEONARD TUCKER The University of the State of New York The State Education Department The New York State Library Albany 1968 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) 1969 JOSEPH W. MCGOVERN, A.B., LL.B., L.H.D., LL.D., Chancellor · New York 1970 EVERETT J.
    [Show full text]
  • “S.W.A.G. = Style with a Goal”: Exploring Fashion/Style As a Critical Literacy of Black Youth in Urban Schools
    “S.W.A.G. = STYLE WITH A GOAL”: EXPLORING FASHION/STYLE AS A CRITICAL LITERACY OF BLACK YOUTH IN URBAN SCHOOLS By Sherrae M. Hayes A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements of the degree of African American and African Studies – Doctor of Philosophy 2015 0 ABSTRACT “S.W.A.G. = STYLE WITH A GOAL”: EXPLORING FASHION/STYLE AS A CRITICAL LITERACY OF BLACK YOUTH IN URBAN SCHOOLS By Sherrae M. Hayes This study is a multi-method, qualitative project using Youth Participatory Action Research through ethnographic design to examine the uses of fashion/style by Black youth as a form of critical literacy. Taking place in the setting of an urban, public, Midwestern middle school, the work outlines the ways these students communicated through their fashion sense and thus made sense of their identities and the identities of others as messages critically coded and decoded daily. This work examines current texts/theories surrounding characteristics of uniform policy, critical literacy, and identity development through fashion/style. Ultimately, through this study’s action-orientation, this work highlights how students participated in student-led development of a uniform/dress code policy that incorporated their own critical fashion literacies. Critical Fashion Literacy , a particular form of critical literacy this work seeks to contribute to literacy studies at large, is centered upon the notion of how we each possibly read and write messages and meanings through fashion/style daily. Essentially, this study works to center youth voices with a potential impact on possibilities for their future as change agents in education in their own right – moving beyond fashion statements to the statements they are making through fashion.
    [Show full text]
  • Sport-Scan Daily Brief
    SPORT-SCAN DAILY BRIEF NHL 11/7/2019 Anaheim Ducks Dallas Stars 1160165 Ondrej Kase struggles to find balance between his 1160199 How a five-person committee shaped the Stars’ Winter fearless style and staying healthy Classic uniforms 1160200 Inside how the Stars and Predators designed their 2020 Arizona Coyotes Winter Classic jerseys 1160166 'Boring' hockey? Arizona Coyotes fire back at Canadian columnist after controversial story Detroit Red Wings 1160167 We’re sorry that the Coyotes are too ‘boring’ for you 1160201 Steve Yzerman brings former 1st rounder Robby Fabbri to Detroit Red Wings in trade Boston Bruins 1160202 Detroit Red Wings blasted again, this time by the New 1160168 Tuukka Rask’s awful Tuesday in Montreal still feels like an York Rangers, 5-1 outlier 1160203 'The Russian Five': NBC Sports will show documentary 1160169 A questionable replay marred a fast and physical after Wednesday's Red Wings game showdown between the Bruins and Canadiens 1160204 Game recap: Detroit Red Wings fall to New York Rangers, 1160170 Zdeno Chara enjoys rare nice moment in Montreal 5-1 1160171 Zach Senyshyn could be an NHL player for Bruins yet 1160205 Rangers use big second period to extend Wings' losing 1160172 Bruins still atop NHL Power Rankings in Week 6 skid to 12 of 13 1160173 Chara praises 'very classy' Habs fans' for ovation in his 1160206 Red Wings send de la Rose to Blues for Fabbri 1,500th NHL game 1160207 Red Wings' Dylan McIlrath fired up about return to NHL, 1160174 Tuukka Rask: 'Puck felt like it was a golf ball out there' facing
    [Show full text]
  • EDUCATION Rhode Island School of Design, Providence, RI - Bachelor of Fine Arts, Film/Animation/Video (FAV)
    EDUCATION Rhode Island School of Design, Providence, RI - Bachelor of Fine Arts, Film/Animation/Video (FAV) PROFESSIONAL EXPERIENCE PRODUCTION DESIGN FEATURES: DIRECTOR: COMPANY: 2012 Finding Harmony Dagen Merrill LCR Productions 2011 Strike One David Meiselman Boricua Films 2011 The Millionaire Tour Inon Shampanier Hanged Man Pictures 2010 The Diary of Preston Plummer Sean Ackerman Wonder Entertainment 2010 Murder in the Dark Dagen Merrill Regernerate Films 2010 Nesting (Set Decorator) John Chuldenko Danger Train Films 2009 Take Me Home (Art Director) Sam Jaeger Wonder Entertainment TELEVISION: DIRECTOR: COMPANY: 2012 Chosen Ben Ketai Sony / Mesquite Productions 2011 Turbo Dates Terry Rossio Walk the Road Productions MUSIC VIDEOS DIRECTOR: COMPANY: 2011 Hot Rod ft. 50 Cent “Hot Girl” Donlee Brussell ZooFx 2011 Foo Fighters “Dear Rosemary” Karl Richter Wendel 2010 Rich Girl ft. Rick Ross “Swagger Right” Colin Tilley Riveting Entertainment (Set Decorator) 2010 Chris Brown “The Matrix” Colin Tilley Riveting Entertainment (Set Decorator) 2010 Ciara “Speechless” (Set Decorator) Colin Tilley Riveting Entertainment 2009 Laura Jansen “Single Girls” Brooke Hansen Universal Music (Art Director) COMMERCIALS: DIRECTOR: COMPANY: 2012 Shoe Dazzle George Roux ZooFX 2012 Tike Stix Michael Younesi Concrete Media, LLC 2011 DoubleMySpeed.com George Roux ZooFX 2010 Wing Stop George Roux ZooFX 2010 Mylife.com George Roux ZooFX 2010 Olego Samah Tokmachi Christopher Coppola Productions SHORT FILMS: DIRECTOR: COMPANY: 2012 The Gingerbread Girl Ed Bates Gigantic
    [Show full text]