DOCSLIB.ORG

No.74 4 Ugust201 a $ 89

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
No.74 4 Ugust201 a $ 89 0 7 No.74 August 2014 $ 8 . 9 5 1 82658 27762 8 FANTASTIC FOUR IN THE BRONZE AGE! FANTASTIC Fantastic Four and Dr. Doom TM & © Marvel Characters, Inc. All Rights Reserved. Volume 1, Number 74 August 2014 Celebrating the Best Comics of Comics’ Bronze Age and Beyond! the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Keith Pollard and Josef Rubinstein (art from the “One Minute Later” TM collection of Michael Finn) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Terry Austin Rob Kelly Jerry Boyd Sean Kleefeld Jonathan Rikard Peter B. Lewis Brown Andy Mangels Robert Brown Franck Martini Tim Brown Marvel Comics BACK SEAT DRIVER: Editorial by Michael Eury . .2 Rich Buckler Robert Menzies Jarrod Buttery Jason Shayer FLASHBACK: The Fantastic Four in the 1970s . .3 Dewey Cassell Joe Sinnott Building upon the foundation laid by Stan Lee and Jack Kirby Chris Claremont Andy Smith Gerry Conway Anthony Snyder FLASHBACK: Human Torch Solo, a No-Go . .23 Steve Englehart Andrew Standish Marvel’s kinda-sorta efforts to spin off Johnny Storm Michael Finn Roy Thomas Stuart Fischer Len Wein BACKSTAGE PASS: The Fantastic Four and Other Things . .27 Grand Comics Marv Wolfman A television history of the animated FF Database Haffner Press INTERVIEW: Marvel Comics on the Air . .33 Ben Herman Tune in to The Fantastic Four Radio Show! Heritage Comics Auctions WHAT THE--?!: The Impossible Man . .37 Joe Hollon The Bronze Age return of the pest who was never supposed to come back (Marvel Books, 1984). TM & © Marvel Characters, Inc. OFF MY CHEST: The Fantastic Four: Going Cheap . .43 If you’re viewing a Digital Rob Kelly remembers the once-plentiful Mego FF figures Edition of this publication, BRING ON THE BAD GUYS: Galactus . .45 PLEASE READ THIS: The Devourer of Worlds is not your average supervillain This is copyrighted material, NOT intended for downloading anywhere except our FLASHBACK: The Fantastic Four in the 1980s . .55 website or Apps. If you downloaded it from A time of maturity and change for the FF and friends another website or torrent, go ahead and Fantastic Four: Island of Doom read it, and if you decide to keep it, DO BACK TALK . .75 THE RIGHT THING and buy a legal down- Captain and Colonel Future, reader comments about BI #69, and some FF extras load, or a printed copy. Otherwise, DELETE IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT ANYWHERE. If you enjoy our publications BACK ISSUE™ is published 8 times a year by TwoMorrows Publishing, 10407 Bedfordtown Drive, enough to download them, please pay for Raleigh, NC 27614. Michael Eury, Editor-in-Chief. John Morrow, Publisher. Editorial Office: BACK ISSUE, them so we can keep producing ones like c/o Michael Eury, Editor-in-Chief, 118 Edgewood Avenue NE, Concord, NC 28025. Email: this. Our digital editions should ONLY be [email protected]. Six-issue subscriptions: $60 Standard US, $85 Canada, $107 Surface downloaded within our Apps and at International. Please send subscription orders and funds to TwoMorrows, NOT to the editorial office. www.twomorrows.com Cover art by Keith Pollard and Josef Rubinstein. Fantastic Four and Dr. Doom TM & © Marvel Characters, Inc. All Rights Reserved. All characters are © their respective companies. All material © their creators unless otherwise noted. All editorial matter © 2014 Michael Eury and TwoMorrows Publishing. BACK ISSUE is a TM of TwoMorrows Publishing. ISSN 1932-6904. Printed in China. FIRST PRINTING. Art by Earl Norem, from the storybook children’s FF in the Bronze Age Issue • BACK ISSUE • 1 Stan and Jack. It’s possible the comics industry might have survived without them. There’s a chance that we may be reading comics—and even magazines about comics—today, although they’d almost certainly be very different. But it is impossible to overestimate the contribution these two creators made to the industry, starting with Fantastic Four #1 (Nov. 1961). Stan Lee and Jack Kirby produced 102 consecutive issues of Fantastic Four, plus six Annuals, before Kirby left Marvel Comics. John Romita, Sr. took over as artist with issue #103 (Oct. 1970), penciling the last two installments of a three-part story featuring Magneto and the Sub-Mariner. Romita also drew the next two issues as Johnny’s Inhuman girlfriend, Crystal, leaves the team. Her physiology is no longer able to withstand the pollution of our world and she is forced to return to the Inhumans’ city of Attilan. John Buscema took by J a r r o d B u t t e r y over with FF #107, as Ben Grimm is given the ability to change back and forth into the Thing. Fantastic Four #108 (Mar. 1971) used portions of an uncompleted Lee/Kirby story, introducing the character of Janus the Nega-Man. Kirby’s original intentions were reconstructed and documented by John Morrow in Fantastic Four: The Lost Adventure #1 (Apr. 2008). Buscema depicted the return of Annihilus in issues #109–110, followed by the rampage of the Thing—driven insane by his latest “cure” in issue #111. A crazed Thing is confronted by the Hulk, in one of their classic slugfests, in FF #112. The next four issues depicted the threat of the Overmind. Stan Lee plotted the whole story but Archie Goodwin scripted issues #115–116, becoming the first person besides Stan to write Fantastic Four. Roy Thomas explained the situation in Tom DeFalco’s book, Comics Creators on Fantastic Four (Titan Books, 2005): “Stan was going to do a movie project with Alain Resnais and he needed to get rid of the few remaining books on his plate. I wanted to write Fantastic Four [but] I took [Amazing] Spider-Man because that’s what Stan wanted me to do.” With Reed possessed by the seemingly limitless mental powers of the alien Overmind and the entire Earth about to be destroyed, Sue turns to an unexpected ally—after all, it’s Dr. Doom’s world, too. Doom initially refuses to help and Sue laments that, despite their past differences, she had always thought him noble. In one of his character- defining speeches, Doom replies, “Many demons rule Victor von Doom, but not those of pettiness or fear. Very well, I am with you.” With Doom’s (and the Stranger’s) The World’s Greatest Comic Makers! Stan “The Man” Lee and Jack “King” Kirby, co-creators of the Fantastic Four, were winding down their collaboration by the time issue #100 (July 1970) arrived in the early Bronze Age. Fans wondered, would the FF survive without stan lee jack kirby them? Cover by Kirby and Joe Sinnott. TM & © Marvel Characters, Inc. FF in the Bronze Age Issue • BACK ISSUE • 3 Bad Ben and Bad help, the Overmind is defeated in issue #116 (Nov. white supremacy upon our continent.” Therein, 1971)—the tenth anniversary of the book’s debut. This T’Challa announces that he has changed his alias to Guy by Big John was also the month that Marvel briefly flirted with the Black Leopard. When Ben inquires about the (left) Original art page increasing the size of its comics from 36 to 52 pages, change, T’Challa replies: “I contemplate a return to making this issue an extra-sized spectacular. your country, Ben Grimm, where the latter term has … from “The Thing Goodwin also wrote the following two political connotations.” Amok,” from Fantastic issues as Johnny attempts to reunite with The change didn’t last long, as T’Challa Crystal—only to find her under the reclaimed the Panther title in Avengers Four #111 (June 1971), hypnotic control of Diablo. The conclusion #105 (Nov. 1972). “Stan insisted that by Stan Lee, John in issue #118 (Jan. 1972) was only ‘Panther’ become ‘Leopard,’ to avoid 15 pages long. The comic included confusion with the Black Panthers Buscema, and Joe a six-page backup story where Ben group,” explains Thomas. “I didn’t Sinnott. Courtesy of and Lockjaw travel to an Alternate- like the idea, but saw his point. Stan Earth, meeting a Reed Richards who soon saw that ‘Black Leopard’ didn’t Anthony Snyder became the Thing. Thomas was work as well, so he wanted it (www.anthonyscomic- asked if he had any insights into the changed back.” origin of this short story: “That was Stan returned for a four-part bookart.com). (right) the time when the books had Galactus story—which also introduced jumped to 52 pages for one or two his newest herald, Air-Walker—in The same art team roy thomas issues … then publisher Goodman issues #120–123, followed by the on the cover to issue suddenly decreed that we go back two-part return of the Monster from #120 (Mar. 1972). to 36 pages. That left us having to split stories in two the Lost Lagoon. His duties calling him elsewhere, Stan and fill the back-end of the second issues with other left the title for good—handing it over to Thomas who, Courtesy of Heritage material. I did a King Kull poem in Conan and a short in issue #126 (Sept. 1972), retold the FF’s origin and first Comics Auctions story in Hulk. Archie came up with this one. I think all adventure. This progressed into a three-way subter- these things turned out rather well, considering they ranean conflict between Mole Man (from FF), Tyrannus (www.ha.com). were emergency fill-ins.” (from Incredible Hulk), and Kala (from the Iron Man TM & © Marvel Characters, Inc. Thomas wrote issue #119 (Feb. 1972), depicting story in Tales of Suspense #43, July 1963).
Load more

Recommended publications
  • Winter 2012-2013
    Love Grows . By Giving General The library is proud to announce that we have partnered with Toys for Tots to 2 serve as a drop-off location from now until Thursday, December 20. A donation box is located in the Youth Services Department. Friends 3 Also, the library will once again be a drop-off site for your holiday donations for the following local organizations: Families 4 • Crisis Center of South Suburbia (toys, misc. personal items, children's and women's clothing) Youth 5 • Tinley Park Food Pantry (non-perishable, non-expired, non-glass food items) Teens • Together We Cope (gift items for children and teens) 6 Separate boxes for each group will be located in the library lobby. Adults Collections run from Monday, November 26 through Friday, December 14, 2012. 7 – 10 Bookmobile Tinley Park Public Library 11 News and Program Guide General Winter 2012/2013 12 Monday – Friday 9 am – 9 pm Saturday An Afternoon with Sox Great 9 am – 5 pm Billy Pierce and author John O'Donnell Sunday Saturday, February 23 from 1:30 - 4 pm noon – 5 pm White Sox legend Billy Pierce will be appearing with John O'Donnell, author of Like Night and Day, A Look at Chicago Baseball, 1964 - 1969. John will talk about Closed: his experiences in the world of baseball as seen through the eyes of a child. Pierce Monday, December 24 will speak about his experiences with the Chicago White Sox. The program will be Tuesday, December 25 followed by an autograph session with books and photos available for purchase.
    [Show full text]
  • Marvel Universe by Hasbro
    Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities.
    [Show full text]
  • Navy DDG-51 and DDG-1000 Destroyer Programs: Background and Issues for Congress
    Navy DDG-51 and DDG-1000 Destroyer Programs: Background and Issues for Congress Ronald O'Rourke Specialist in Naval Affairs February 3, 2012 Congressional Research Service 7-5700 www.crs.gov RL32109 CRS Report for Congress Prepared for Members and Committees of Congress Navy DDG-51 and DDG-1000 Destroyer Programs: Background and Issues for Congress Summary Procurement of Arleigh Burke (DDG-51) class Aegis destroyers resumed in FY2010 after a four- year hiatus. Congress funded the procurement of one DDG-51 in FY2010, two in FY2011, and one more in FY2012. The Navy’s FY2012 budget submission calls for procuring seven more in FY2013-FY2016. DDG-51s to be procured through FY2015 are to be of the current Flight IIA design. The Navy wants to begin procuring a new version of the DDG-51 design, called the Flight III design, starting in FY2016. The Flight III design is to feature a new and more capable radar called the Air and Missile Defense Radar (AMDR). The Navy began preliminary design work on the Flight III DDG-51 in FY2012. The Navy wants to use a multiyear procurement (MYP) contract for DDG- 51s to be procured from FY2013 through FY2017. The Navy’s proposed FY2012 budget requested $1,980.7 million in procurement funding for the DDG-51 planned for procurement in FY2012. This funding, together with $48.0 million in advance procurement funding provided in FY2011, would complete the ship’s total estimated procurement cost of $2,028.7 million. The Navy’s proposed FY2012 budget also requested $100.7 million in advance procurement funding for two DDG-51s planned for procurement in FY2013, $453.7 million in procurement funding to help complete procurement costs for the three Zumwalt (DDG-1000) class destroyers that were procured in FY2007 and FY2009, and $166.6 million in research and development funding for the AMDR.
    [Show full text]
  • MEDICINE DISPOSAL PRODUCTS an Overview of Products & Performance Questions
    MEDICINE DISPOSAL PRODUCTS an overview of products & performance questions Community Environmental Health Strategies LLC March Produced for San Francisco Department of the Environment 2019 Table of Contents Executive Summary .............................................................................................................................................. 2 Glossary of Abbreviations ..................................................................................................................................................... 4 I. Overview of Products and Questions Examined ..................................................................................... 5 II. Medicine Disposal Background ................................................................................................................... 8 A. Medicine Disposal Guidelines and Regulations............................................................................................... 8 B. DEA’s non-retrievable standard for controlled substances .................................................................... 10 C. Disposal of waste pharmaceuticals from households................................................................................ 11 D. Disposal of waste pharmaceuticals by the healthcare sector and regulated generators ........... 17 III. Medicine Disposal Products: Performance Questions & Available Product Testing ............ 23 A. Performance Questions .........................................................................................................................................
    [Show full text]
  • A Chilling Look Back at Jeph Loeb and Tim Sale's
    Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch .
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc.
    [Show full text]
  • Fantastic Four Compendium
    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
    [Show full text]
  • Katalog Zur Ausstellung "60 Jahre Marvel
    Liebe Kulturfreund*innen, bereits seit Ende des Zweiten Weltkriegs befasst sich das Amerikahaus München mit US- amerikanischer Kultur. Als US-amerikanische Behörde war es zunächst für seine Bibliothek und seinen Lesesaal bekannt. Doch schon bald wurde das Programm des Amerikahauses durch Konzerte, Filmvorführungen und Vorträge ergänzt. Im Jahr 1957 zog das Amerika- haus in sein heutiges charakteristisches Gebäude ein und ist dort, nach einer vierjährigen Generalsanierung, seit letztem Jahr wieder zu finden. 2014 gründete sich die Stiftung Bay- erisches Amerikahaus, deren Träger der Freistaat Bayern ist. Heute bietet das Amerikahaus der Münchner Gesellschaft und über die Stadt- und Landesgrenzen hinaus ein vielfältiges Programm zu Themen rund um die transatlantischen Beziehungen – die Vereinigten Staaten, Kanada und Lateinamerika- und dem Schwerpunkt Demokratie an. Unsere einladenden Aus- stellungräume geben uns die Möglichkeit, Werke herausragender Künstler*innen zu zeigen. Mit dem Comicfestival München verbindet das Amerikahaus eine langjährige Partnerschaft. Wir freuen uns sehr, dass wir mit der Ausstellung „60 Jahre Marvel Comics Universe“ bereits die fünfte Ausstellung im Rahmen des Comicfestivals bei uns im Haus zeigen können. In der Vergangenheit haben wir mit unseren Ausstellungen einzelne Comickünstler, wie Tom Bunk, Robert Crumb oder Denis Kitchen gewürdigt. Vor zwei Jahren freute sich unser Publikum über die Ausstellung „80 Jahre Batman“. Dieses Jahr schließen wir mit einem weiteren Jubiläum an und feiern das 60-jährige Bestehen des Marvel-Verlags. Im Mainstream sind die Marvel- Helden durch die in den letzten Jahren immer beliebter gewordenen Blockbuster bekannt geworden, doch Spider-Man & Co. gab es schon lange davor. Das Comic-Heft „Fantastic Four #1“ gab vor 60 Jahren den Startschuss des legendären Marvel-Universums.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Secret Wars II Free
    FREE SECRET WARS II PDF Jim Shooter,Al Milgrom | 264 pages | 28 Dec 2011 | Marvel Comics | 9780785158301 | English | New York, United States Secret Wars II () Values & Price Guide Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Al Milgrom Illustrator. Last time Earth's heroes encountered the Beyonder, they fought for their lives. This time, they fight for all existence! A year after kidnapping the most powerful beings on Earth and pitting them against one another in a "Secret War" on a distant world, the omnipotent Beyonder comes to Earth Secret Wars II continue his study of humanity. As the Beyonder's understanding slowly grows, so too do his own desires - and even the lord of lies, Mephisto, fears what the Beyonder might finally decide he desires. Because if the Beyonder decides he wants to end all that is, even the combined might of Secret Wars II universe's Secret Wars II powers might not be enough to stop him! Get A Copy. Paperbackpages. Published December 28th by Marvel first published March More Details Secret Wars 2Marvel Universe Events. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To Secret Wars II other readers questions about Secret Wars IIplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3.
    [Show full text]
  • Brendan Lacy M.Arch Thesis.Indb
    The Green Scare: Radical environmental activism and the invention of “eco-terror- ism” in American superhero comics from 1970 to 1990 by Brendan James Lacy A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2021 © Brendan James Lacy 2021 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract American environmentalism became a recognizable social move- ment in the 1960s. In the following two decades the movement evolved to represent a diverse set of philosophies and developed new protest methods. In the early 1990s law enforcement and govern- ment offi cials in America, with support from extraction industries, created an image of the radical environmental movement as danger- ous “eco-terrorists.” Th e concept was deployed in an eff ort to de-val- ue the environmental movement’s position at a time of heightened environmental consciousness. With the concept in place members of the movement became easier to detain and the public easier to deter through political repression. Th e concept of “eco-terrorism” enters popular media relatively quickly indicated by the proliferation of superhero comics in the ear- ly 1990s that present villainous environmental activists as “eco-ter- rorists.” Th is imagery contrasts comics from 1970 which depicted superheroes as working alongside activists for the betterment of the world.
    [Show full text]
  • ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
    DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI.
    [Show full text]