DOCSLIB.ORG

Hope for 78 Miners Dims; Sitioke Keeps Outrescuers MANNINGXON, W

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hope for 78 Miners Dims; Sitioke Keeps Outrescuers MANNINGXON, W Road Work Is Seen as Slowing Down SEE STORY BELOW Partly Sunny . Partly sunny and cool to- HOME day. Chance of snow flurries tonight. Fair and milder to- morrow. "sa" FINAL (Bet Details Fag« 2) Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 104 RED BANK, N. J., THURSDAY, NOVEMBER 21, 1968 38 PAGES TEN CENTS Tonti Sees Art Center Attack Political By BOB BRAMLEY tioned from time to time as a fool of myself," he explained. know what the authority is recreational areas as contem- little and curtail such accom- WOODBRIDGE - Is some- possible Democratic guberna- Of Monday's legislation, doing," Mr. Tonti declared. plated in original parkway plishments as the Garden one trying to clip the political torial candidate. Mr. Tonti said the new bill On the arts center and planning. State Arts Center. wings 0! D. Louis Tonti, ex- Expressing dismay that "makes no difference to the jgther recreational facilities "All I've done is change the A chief supporter of the ecutive director of the N. J. some legislators apparently authority from a technical "-planned for Telegraph Hill in type of recreation," he said, newly passed bill was Sen. Highway Authority? want to make the arts center point of view." Deprecating Holmdel and other parkway adding that people would not Matthew Renaldi, R-Union. Mr. Tonti asked the ques- and other contemplated rec- the "myth about the authority sites, Mr. Tonti quoted a sec- come to Telegraph Hill to Assemblyman Kenneth T. tion yesterday as he dis- reational facilities on the not letting the Legislature tion of the statute under use, for instance, tennis Wilson, R-Essex, chairman of cussed his reaction to the parkway political issues, Mr. know what it's doing," the di- which the authority operates: courts originally planned for the legislative committee be- state Legislature's override of Tonti wondered aloud if rector said he has been to .."The state of New Jersey the site. fore which Mr. Tonti testified Gov. Richard J. Hughes' veto "those fellows up there are the Legislature innumerable does pledge and agree that Mr. Tonti scored legislative before the bill was passed, is of a Republican-sponsored bill trying to clip my wings." times "on powers that the au- the state will not limit or re- critics of the Highway Au- the legislator who alleged the requiring the authority to On rumors that he might thority doesn't hav.e." strict rights vested in the au- thority Tuesday in an address arts center construction vio- seek legislative approval for be a Democratic candidate Report Submitted thority to maintain, construct in Atlantic City to municipal lates a 1945 statute. projects — such as the Gar- for governor, Mr. Tonti add- In addition, he said, the au- or operate any project set recreation officials attending Recalling the center's over- den State Arts Center — not ed, "Well, that's very flat- thority submits a detailed re- forth, or defined in this the convention pf the League whelming success, Mr. Tonti directly related to the Garden tering, but I'm looking port of its activities to the act . ." of Municipalities. remarked, "The recreational State Parkway. around for the right time. legislature every year. Projects set forth, Mr. Ton- He classed as "mental needs of. 1945 are not the D. Louis Tonti Mr. Tonti has been men- I wouldn't want to make a "They can't say they don't ti stated, specifically include midgets" those who try to be- needs of today." Hope for 78 Miners Dims; Sitioke Keeps OutRescuers MANNINGXON, W. Va. (AP) the Mountaineer Coal Co. No. eer's parent firm. to the surface. A giant crane Company officials scheduled be made before this afternoon, —' Dense smoke and intense 9 mine which sits in the rich If the initial explosion and pulled eight others from a a news conference today when possibly later, because of the heat kept rescue teams today fields of north-central West fire didn't, get to the men, ventilation shaft. they were expected to elabo- ' intense heat. from entering a coal mine Virginia amid clusters of gas Turner said, "it's possible "We must wait until the rate on rescue plans, and Hard-hatted miners waited where 78 men were trapped wells. that cqllapses within the mine flames die down," said Wil- United Mine Workers Presi- in the nearby union hall dur- by a series of explosions and "There's almost no hope of caused by the heat and con- liam Poundstone, executive dent W. A. "Tony" Boyle of ing the night in case the situ- a.fire. getting (the trapped men) out cussion would do them in." vice president of Consolida- Washington was due in Mann- ation changed. But thick Twenty-one men were'res- alive," said Harry Turner, Thirteen of the other 21 men tion. "Rescue operations are ington. • smoke continued to curl from cued after the explosions early safety inspector for Consoli- in the mine when' the first still impossible because of the Company officials indicated the mine's entrance. yesterday thundered through dation Coal Co., Mountain- blast hit at 5:40 a.m. rushed density of the fire." no move toward rescue would Four of the men who made it out, were under observation at nearby Fairmont General Hospital. None was consid- ' ered in serious condition. "The Lord was with us," Financial Leaders in Deadlock; said Lewis Lake, 55, a mine veteran from Owings, W. Va. AMERICANISM AWARD-i^VV. Paul Stillman #f Fair "He brought us through be- Haven, right, chairman of fha board of tha Finf Na- cause we couldn't see a tional Stats Bank of New Jersey, receives the 1968 :;thiHg."i :•;••!,., • Americanism Award from Danjel M. Bernheim of Sermany Refuses to Hike "Mark Alva Vayts, p,ro( nearby Farmington, who1 also was in the Anti-Defamation League of B'nai Brith at a cere- BONN, Germany (AP) - ministers and their national hardened. Neither shall we go German sources said the sleep before returning to the the group pulled'from a venti- mony in Newark last night. •' (AP Wirephoto) The West German government bank governors met again beyond the measures we have conference yesterday failed to conference table. lation shaft, thought of the squared off today for a show- later in the morning and re- proposed." get further than discussing Strong Pressures crew's ninth man, Paul Frank down over its refusal to in- sumed their emergency dis- Strauss' government an- these German measures. They Conference sources said the Anderson, 24, who didn't make crease the value of the mark cussion of how to bolster the nounced Tuesday that it would said no other country put Germans came under strong it. as a means of solving the franc and stabilize the crisis- reduce both its taxes on im- forward any proposals. pressure — chiefly from the "Paul must have run world's latest monetary cri- racked international monetary ports and the tax rebate it U.S. Treasury Secretary French and the British — to toward the Uewellyn," Davis sis. ' system. has been paying on exports. Henry H. Fowler, British raise the official value of the said from his hospital bed, re- ; -West,German,;Finance Min- Thisv'sh^ukl reduce the. West mark. But other ministers ferring to. a mine entrance. After nine hours, of. a^gu. Chancellor of the Exchequer ment about the plight of the ister "Franz-Josef Strauss German foreign trade surplus called for devaluation of the "He left his dinner bucket be- French franc and what to do emerged from the conference that has aroused belief the Roy Jenkins and French Fi- franc, saying France's inter- hind and a dust mask on the about it, financial leaders of room after the marathon ses- mark will be revalued, a be- nance Minister Francis Xavi- nal economic situation de- ground. the West's '10 chief trading sion that started yesterday lief that is one of the chief er Ortoli were tightlipped as manded this. 'Left Him Note' causes for speculators ex- Most of the opening ses- "I left him a note in case nations adjourned in deadlock and told newsmen: "We have they left' to get a few hours early today. made clear we shall not re- changing francs for marks in sion was reported taken up in he comes back, telling him The economics and finance valuate. The fronts have huge quantities. separate consultations among where we went," Davis said. ministers and national bank "I wrote it on the coal car Allenhurst governors of the six Common with my finger in coal dust." Market countries — West Poundstone told a news con- NEWARK (AP) — A New to the city in return," he said. Germany, France, Italy, Bel- ference yesterday he had no Jersey financial leader called His remarks were prepared Goldberg Says V. S. Funds Man Killed giurn, the, Netherlands and_. way_of knowing if ihe_7JLmen last night ior_a passenger for a .meeUhg-blthe New Jer^ Luxembourg. This appeared were alive. head tax at Newark Airport. sey Region of the Anti-Defa- In Accident to Bint at some effort for "They may have barricad- W. Paul Stillman of Fair mation League of B'nai Brith concerted action within the OCEAN TOWNSHIP - Jo- ed themselves," he said. Haven, chairman of the board here, at which he received For Roads in Deep Freeze seph Russell McDede, 52, of 2 European Economic commu- Poundstone would not attempt of First National State Bank the group's Americanism Island Ave., Allenhurst, was nity. to estimate how long rescue of New Jersey, also urged Award. TRENTON (AP) — State "In other words, we can any other state because they dead on arrival at Jersey While the ministers argued operations would last.
Load more

Recommended publications
  • Fine Modern Art
    FINE MODERN ART Tuesday, November 19, 2019 NEW YORK FINE MODERN ART AUCTION Tuesday, November 19. 2019 at 10am EXHIBITION Friday, November 15, 10am – 5pm Saturday, November 16, 10am – 5pm Sunday, November 17, Noon – 5pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 CONTENTS INCLUDING PROPERTY FROM THE ESTATES OF FINE MODERN ART Arthur Brandt Paintings 1001-1030 Claire Chasanoff Prints 1131-1164 A Gentleman, Park Avenue and Southampton, New York Carl Lesnor Glossary I Dorothy Lewis 2013 Irrevocable Trust Conditions of Sale II Peter Mayer Terms of Guarantee IV Ruth Schapira Information on Sales & Use Tax V Carol Schein Buying at Doyle VI Leonard and Elaine Silverstein, Bethesda, MD Selling at Doyle VIII Frederieke Sanders Taylor Auction Schedule IX Company Directory X INCLUDING PROPERTY FROM Absentee Bid Form XII A New York Corporate Collection A Private New York Collector PAINTINGS Lot 1051 1005 1006 1003 1001 1002 1004 1007 1008 1001 1002 1003 1004 1005 1006 1007 1008 Eric Aho Arman Arman Jeans Hans Arp Milton Avery Edmondo Bacci Donald Baechler William H. Bailey American, b. 1966 French, 1928-2005 French, 1928-2005 German/French, 1886-1966 American, 1885-1965 Italian, 1913-1978 American, b. 19567 American, b. 1930 Black Soil, Blue Barn Zeus Venus Untitled, 1956 Letter Writer B-8 Water Closet Drawing #1, 1985 Seated Nude, 1991 Signed Eric Aho (uc) Signed Arman, inscribed Bronze with brown patina Signed Arp twice and marked with artist’s Signed Milton Avery in ballpoint Signed Bacci (lr), inscribed Gouache on paper Signed Bailey, dated 1991 and Oil on canvas Bocquel Fd.
    [Show full text]
  • Lennart Anderson
    Interview with Lennart Anderson December 6, 2002 How did you become a painter? I guess I never entertained any other thought, other than fleeting hopes that I could be a major-league baseball player. Other than that, I never had any ambitions of doing anything else, since I was seven or eight years old. I was a fanatic. I've been a fanatic all my life about it. And it doesn't make it any easier to paint, either. I think a lot of people paint a lot more than I do. I got my mother to take me to the Detroit Museum on a Sunday afternoon. It was a long walk to get there, and after it was over, she said, "You'll have to go on your own from now on. I can't do this." I went there almost every Sunday afternoon. Many, many Sunday afternoons I spent at the Detroit Museum. I was there on Pearl Harbor Day. That's where I heard about it. I was thirteen years old then. Were there paintings there that made a particular impression on you? Anything that was painted interested me. It could be the stupidest calendar art. If it was put down with paint, I would cross the street to see it. In a paint store - and I mean a house paint store, if there was a picture in the window, I would cross the street to see it. I loved all kinds of pictures. I was interested in American painting, because the Detroit Museum had a lot of American painting.
    [Show full text]
  • Ill4 David Greene Is Named As Fired Hearing on Route
    VOL. K, NO. y KENDALl PARK, NEW JERSEY, THURSDAY, MARCH 2, 19G7 Not over 75 per cent advefti»in Ne\vsstan(i IOC pei’ copy ttiiiiiimimiiiiMiiinmiHmimiuiiimimiimiiiwiiiimiHimiHiiMe David Greene Is Named As Fired A panel of five judges announced committee planning that city's Out­ Richard J. Hughes and the South ill4 this week that it had selected David standing Young Man Award pro­ Brunswick Citizens for Rep. Ed­ M. Greene, 34, of 23 Woodbine gram. ward Patten , He was also a Road, Kendall Park, as South Mr. Greene has been active In member of the South Brunswick Brunswick's "Outstanding Young the Democratic Party'and was Citizens for Kennedy organiza­ Special Election Man of the Year". chairman of the Constitution and tion. ■ The award, sponsored by the Bylaws Committee in the South A member of the New Bruns­ Say s Verosloff South Brunswick Jaycees, will be Brunswick Democratic Club, of wick, Middlesex County, New Jer­ To Settle Pact formally presented at a banquet which he has been a meinber since sey, .-\merican Bar Association, Not Authorized in Mr. Greene''s honor on Satur­ 1961. Mr. Greene was admitted to prac­ With Authority day, March 18, at the Prlnpeton He was a chairman of both the tice law before the Supreme Court To Offer Plan Inn, Princeton. South Brunswick Citizens for Gov. (See GREENE, back page) A special election on a service Mr. Greene is a lawyer with contract between the South Bruns- the David M. Greene law firm in with Township Committee and the New Brunswick and has been the In a unanimous yote Tuesday M im ic a l Utilities Authority has South Brunswick townshlpattorney night, the South Brunswick Board been scheduled for April 14, since early last year.
    [Show full text]
  • Vol. 15, No. 9 September 2011 You Can’T Buy It
    ABSOLUTELY FREE Vol. 15, No. 9 September 2011 You Can’t Buy It Gospel Morning, 1987, Collage of watercolor, paper, and fabric on board, 28 x 31 1/4inches American Masters Collection I, managed by The Collectors Fund, Kansas City, Missouri Folk Musicians, 1942, Gouache with ink and graphite on brown paper, 35 1/2 x 45 1/2 inches Photography Courtesy of Hollis Taggart Galleries, New York, New York Curtis Galleries, Minneapolis, Minnesota Art©Romare Bearden Foundation/Licensed by VAGA, New York, New York Art©Romare Bearden Foundation/Licensed by VAGA, New York, New York Art©Romare Bearden Foundation/Licensed by VAGA, New York, New York Mother and Child on Shore, 1979, 9 5/8 x 12 5/8 inches, Watercolor on Paper Photo Courtesy of Jerald Melberg Gallery, Charlotte, North Carolina Photograph ©Frank Stewart Photography Art©Romare Bearden Foundation/Licensed by VAGA, New York, New York Grand Case Boat - St. Martin, 1984, 25.5 x 19.25 inches, Watercolor on Paper Photo Courtesy of Jerald Melberg Gallery, Charlotte, North Carolina Photograph ©Frank Stewart Photography Romare Bearden (1911-1988), Dreaming About Miss Anne & Lulu Belle, 1981, Collage on Board, 5 7/8 x 9 7/8 inches Romare Bearden (1911-1988) Evening,1985 Collage and Watercolor on Board 14 x 12 inches These images are from the exhibits: “Romare Bearden: Southern Recollections,” on view at the Mint Museum Uptown (top), from Sept. 2 - Jan. 8, 2012; “Paper Trail: Romare Bearden Works on Paper,” on view at the Harvey B. Gantt Center for African-American Arts + Culture (middle), from Sept.
    [Show full text]
  • Brick Walk & Harvey
    BRICK WALK & HARVEY catalog of works for sale Summer 2 0 0 9 Front cover: Earl Kerkam Head (Self-Portrait with Head on verso) 1950 (detail) Oil on canvasboard 28 x 22 inches Peter Acheson Lennart Anderson Richard Baker Chuck Bowdish Katherine Bradford Gandy Brodie Pat de Groot John Heliker Peter Joyce Earl Kerkam Kurt Knobelsdorf Robert Kulicke Sangram Majumdar Ruth Miller Graham Nickson Seymour Remenick Paul Resika EM Saniga Stuart Shils BRICK WALK & HARVEY Catalog of Works for Sale summer 2009 All right. I may have lied to you and about you, and made a few pronouncements a bit too sweeping, perhaps, and possibly forgotten to tag the bases here or there, And damned your extravagance, and maligned your tastes, and libeled your relatives, and slandered a few of your friends, O.K., Nevertheless, come back. - Kenneth Fearing from Love 20 cents the First Quarter Mile All works are for sale, please inquire to: BW&H .......Contact Kevin Rita BW&H .......Contact Steven Harvey Steven Harvey Steven Harvey Fine Art Projects LLC 780 Riverside Drive, #5aa New York, NY 10032 212-281-2281 [email protected] www.shfap.com or Kevin Rita Brick Walk Fine Art 322 Park Road West Hartford, Ct 06119 860-233-1730 [email protected] www.artnet.com: Brick Walk Fine Art Welcome to the second Brick Walk & Harvey catalog of works for sale. Brick Walk & Harvey is a collaboration between Steven Harvey of steven harvey fine art projects in New York and Kevin Rita of Brick Walk Fine Art in West Hartford, Connecticut. Our mission is to bring works of interest to your attention.
    [Show full text]
  • Fine Modernmodern Artart
    FINEFINE MODERNMODERN ARTART Wednesday, March 6,2, 2019 NEW YORK FINE MODERN ART AUCTION Wednesday, MARCH 6, 2019 at 10am EXHIBITION Saturday, March 2, 10am – 5pm Sunday, March 3, Noon – 5pm Monday, March 4, 10am – 6pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com FINE PAINTINGS AUCTION Tuesday, MARCH 12, 2019 at 10am EXHIBITION Saturday, March 9, 10am – 5pm Sunday, March 10, Noon – 5pm Monday, March 11, 10am – 6pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com FINE MODERN ART INCLUDING PROPERTY FROM THE ESTATES OF Hilda U. and Rudolph Forchheimer FINE MODERN ART Jeanne Frank A Gentleman, Park Avenue and Southampton, New York Sidney B. Jacques Wednesday, March 6, 2019 at 10am Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Peter Mayer CONTENTS A Distinguished New York Collector J. Robert and Gladys Rosenthal FINE MODERN ART - MARCH 6 1001-1155 Bernice and Jules Teck FINE PAINTINGS - MARCH 12 2001-2127 INCLUDING PROPERTY FROM A Beekman Place Apartment A Collector Glossary I A Short Hills, New Jersey Private Collector Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII FINE PAINTINGS INCLUDING PROPERTY FROM THE ESTATES OF An East Hampton Collection David Follett A Gentleman, Park Avenue and Southampton, New York Sidney B. Jacques Property of a Lady Peter Mayer Lucille and Charles Plotz Romulo M. Prudente Marianne Schaller INCLUDING PROPERTY FROM A Bedminster, New Jersey Collector Property to be Sold for the Benefit of the Philanthropic Programs of the Heckscher Foundation for Children A New York Collector The Collection of Faith Stewart-Gordon A Short Hills, New Jersey Private Collector Lot 1034 1001 1005 1006 1003 1002 1008 1007 1004 1001 1002 1003 1004 1005 1006 1007 1008 Carol Anthony David Aronson Sally Michel Avery Sally Michel Avery Theresa Bernstein Jean-Charles Blais Oscar Bluemner Angel Botello American, b.
    [Show full text]
  • Contemporary American Painting and Sculpture
    ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARCHITECTURE MUSk^ UBWRY /W»CMITK1t«t mvimu OF aiwos NOTICE: Return or renew all Library Matarialtl The Minimum F*« tor each Loat Book it $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli* nary action and may result in dismissal from the University. To renew call Telephone Center, 333-6400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L161—O-1096 IKilir^ >UIBRICiil^ I^Aievri^^' cnsify n^ liliiMttiK, llrSMiiRj tiHil \' $4.50 Catalogue and cover design: RAYMOND PERLMAN / W^'^H UtSifv,t- >*r..v,~— •... 3 f ^-^ ':' :iiNTi:A\roiriiitY iiAii<:irii:AN I'iiiKTiNrp A\n kciilp i iikb I!k>7 UNIVERSITY OF ILLINOIS MAR G 1967 LIBRARY University of Illinois Press, Urbana, Chicago, and London, 1967 IIINTILUIMHtAirY ilAllilltlCAK I'AINTIKi; AKII KCIILI* I llltK l!H»7 Introduction by Allen S. Weller ex/ubition nth College of Fine and Applied Arts, University of Illinois, Urbana «:«Nli:A\l>«ltilKY AAIKIMCAN PAINTINIp A\» StAlLVTUKK DAVID DODDS HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Director, Krannert Art Museum Ctiairmon, Festivol of Contemporory Arts JURY OF SELECTION Allen S. Weller, Choirman James D. Hogan James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Ctiristison, Associate Director Deborah A. Jones, Assistant Curator James O. Sowers, Preporotor Jane Powell, Secretary Frieda V. Frillmon, Secretary H. Dixon Bennett, Assistant K. E.
    [Show full text]
  • David Fertig 2012
    David Fertig 2012 Bonaparte, 2011, huile sur panneau / oil on panel 13 ½ x 13 1/8 inches G A L E R I E D E B E L L E F E U I L L E The life and times of the late 18th Century, especially The surface and handling of paint is perhaps the most the pomp and pageantry of the military have been the remarkable aspect of Fertig’s work. .As a young artist focus of David Fertig’s work for the last decade. While in the early 1960s, Fertig absorbed the ethos and it is tempting to see Fertig as a history painter, yearning approach of Abstract Expressionism, another heroic to resurrect the ancient dichotomy of Academicism moment in history, which was the dominant style at the versus Romanticism, this viewpoint is not correct. Fertig’s time. His brushstrokes and facture relate directly to ambition is to engage a much more current moment in the Post-War painting especially as practiced by John history of painting, namely the New York School, its Graham and Nicolas de Stael. While this movement is antecedents and aftershocks, especially as it relates to the usually associated with abstraction, Fertig prefers to figurative tradition. look at the figurative impulse within it. From his swirling impasto and scumbling emerge entirely convincing His use of ships and soldiers as subject matter stems illusions of space and figures, much like Fertig's mentor, from his deep interest in the period about which he is a Robert Kulicke. Furthermore, Fertig does not dismiss self-taught authority.
    [Show full text]
  • Harald Szeemann Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8ff3rp7 Online items available Finding aid for the Harald Szeemann papers Alexis Adkins, Heather Courtney, Judy Chou, Holly Deakyne, Maggie Hughes, B. Karenina Karyadi, Medria Martin, Emmabeth Nanol, Alice Poulalion, Pietro Rigolo, Elena Salza, Laura Schroffel, Lindsey Sommer, Melanie Tran, Sue Tyson, Xiaoda Wang, and Isabella Zuralski. Finding aid for the Harald 2011.M.30 1 Szeemann papers Descriptive Summary Title: Harald Szeemann papers Date (inclusive): 1800-2011, bulk 1949-2005 Number: 2011.M.30 Creator/Collector: Szeemann, Harald Physical Description: 1998.3 Linear Feet(3882 boxes, 449 flatfiles, 6 crates, 3 bins, 24 reels) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Swiss art curator Harald Szeemann (1933-2005) organized more than 150 exhibitions during a career that spanned almost five decades. An advocate of contemporary movements such as conceptualism, land art, happenings, Fluxus and performance, and of artists such as Joseph Beuys, Richard Serra, Cy Twombly and Mario Merz, Szeemann developed a new form of exhibition-making that centered on close collaborative relationships with artists and a sweeping global vision of contemporary visual culture. He organized vast international surveys such as documenta 5; retrospectives of individual artists including Sigmar Polke, Bruce Nauman, Wolfgang Laib, James Ensor, and Eugène Delacroix; and thematic exhibitions on such provocative topics as utopia, disaster, and the "Plateau of Humankind." Szeemann's papers thoroughly document his curatorial practice, including preliminary notes for many projects, written descriptions and proposals for exhibitions, installation sketches, photographic documentation, research files, and extensive correspondence with colleagues, artists and collaborators.
    [Show full text]
  • Contemporary Frames Robert Kulicke, Creator of the Metal Section
    By Patrick Sarver AA Master'sMaster's Robert Kulicke, creator of the metal section frame and Plexi box, raised period frame restoration to new heights and enjoyed a successful career as an artist and jewelry designer o aim at originality directly head on is the only cer- speaking, in the frame-making world you get people who tain way of never arriving there,” noted frame are very careful and respectful of the uniqueness and quali- Tmaker Robert Kulicke once said. “Such an effort ty of old frames or people who do modern frames or can only result in a self-conscious novelty. True origi- those who do cheap reproductions. No one else Tnality is always a byproduct of the search for a ever had Bob's high standards in combining technical-esthetic solution to a technical- all three.” esthetic problem.” This philosophy was one of Contemporary Frames the driving principles behind the “Bob's contemporary frames great creative talents of Kulicke, evolved as a result of the nature the twentieth century's most impor- of the work he was framing,” says tant framer, who passed away Roy Davis, a partner at Davis & December 14, 2007, at the age of 83. Langdale, the gallery that represent- He was best known in the framing ed Kulicke since 1974. “He couldn't world as the designer of the welded put a Louis XV frame on a Rothko.” aluminum frame, the metal section The welded aluminum frame frame, the Plexi box, the frameless was created in 1956 when the glass or trap frame, and the crackle Museum of Modern Art asked finish.
    [Show full text]
  • Fine Paintings Fine Modern Art
    FINE PAINTINGS FINE MODERN ART Tuesday, March 10, 2020 NEW YORK FINE PAINTINGS FINE MODERN ART AUCTION Tuesday, March 10 at 10am EXHIBITION Saturday, March 7, 10am – 5pm Sunday, March 8, Noon – 5pm Monday, March 9, 11am – 6pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalog: $25 FINE PAINTINGS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Fine Paintings 1-105 The Collection of Gary Combs Fine Modern Art 106-186 A Gentleman, Park Avenue and Southampton, New York Virginia Strub Kelly Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Laura M. Mako Glossary I Frank Mayo Conditions of Sale II A Palm Beach Heiress Terms of Guarantee IV Patricia Patterson Information on Sales & Use Tax V Miriam K. Rothenberg Buying at Doyle VI A Westchester Private Collector Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM A Florida Lady Ronald P. Marshall A Private Collector, New York A South Carolina Collector Lot 55 5 7 1 3 8 4 6 2 1 2 3 4 5 6 7 8 Attributed to Leon Jean Basile Perrault François Rivoire Paul Louis Martin des Amoignes Léon Richet Rosa Bonheur François Charles Cachoud Robert Russ René Charles Edmond His French, 1832-1908 French, 1842-1919 French, 1850-1912 French, 1847-1907 French, 1822-1899 French, 1866-1943 Austrian, 1847-1922 Mid Day Rest The Young Musician, Hollyhocks Le Cabinet de l’Amateur, Farm in Autumn, circa 1880 Young Alpine Ibex Farmhouse by Moonlight Farmhouse Signed HIS (ll) Paris, 1890 Signed Rivoire (ll) Jeune Femme Examinant Signed Léon Richet (lr); inscribed Initialed RB (ll) Signed F.
    [Show full text]
  • LA JOYERÍA CONTEMPORÁNEA COMO ARTE. Un Estudio Filosófico
    UAB UNIVERSIDAD AUTÓNOMA DE BARCELONA DEPARTAMENTO DE FILÓSOFÍA TESIS DOCTORAL LA JOYERÍA CONTEMPORÁNEA COMO ARTE. Un estudio filosófico DOCTORANDA Ana Maria Cabral Almeida Campos DIRECTOR DE TESIS Dr. Gerard Vilar Roca 2014 FIG. 1 – Anell d’Aigua, Ramón Puig Cuyàs, 1999. Acuarela sobre papel: 15x10 cm. LA JOYERÍA CONTEMPORÁNEA COMO ARTE. Un estudio filosófico 2 Para Madalena Cabral y Harry Holtzman 3 LA JOYERÍA CONTEMPORÁNEA COMO ARTE. Un estudio filosófico Revisión: Castellano: Laura Benítez Valero Inglés: Isabelle Machado Aires 4 AGRADECIMIENTOS Gerard Vilar ha sido un director de tesis que me ha inquietado el pensamiento, empujándome hacia un proceso de búsqueda y de investigación, de leer y releer. persiguiendo el objeto elegido. Agradezco a la Fundación Roy Lichtenstein el envío de documentación sobre sus joyas ya catalogadas. A propósito del estudio de caso sobre Onno Boekhoudt (1944-2002), debo agradecer al Museo CODA de Apeldoorn, Holanda, donde está depositado un inmenso archivo sobre su obra, entre notas, documentos escritos y piezas. Han funcionado como identificaciones- interpretaciones de las intenciones de Boekhoudt. Los contactos para investigar en este museo se los debo a Liesbeth den Besten, historiadora de joyería contemporánea. También cabe destacar una colaboración realmente importante, la de Joke Brakman, joyera y colega de Boekhoudt en la academia Gerrit Rietveld. Boekhoudt escribía en holandés, alemán e inglés. A veces en las mismas notas constaba en las tres lenguas. Mi colega Dirk Loyens, a veces dejando de lado la escritura de su tesis, ha hecho traducciones del holandés y alemán al portugués. Manuel Vilhena también colaboró, enviando textos sobre Boekhoudt. Joke Brakman se ha convertido en una gran amiga.
    [Show full text]