Vol. 15, No. 9 September 2011 You Can’T Buy It
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A Finding Aid to the Jeff Donaldson Papers, 1918-2005, Bulk 1960S-2005, in the Archives of American Art
A Finding Aid to the Jeff Donaldson Papers, 1918-2005, bulk 1960s-2005, in the Archives of American Art Erin Kinhart and Stephanie Ashley Funding for the digitization of the Jeff Donaldson papers was provided by the Walton Family Foundation. 2018 November 1 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1954-2004............................................................. 5 Series 2: Correspondence, 1957-2004.................................................................... 6 Series 3: Interviews, -
The Keep Eastern Illinois University
Eastern Illinois University The Keep 2005 Press Releases 4-5-2005 04/05/2005 - Eastern To Celebrate 50 Years Of Graduate Education.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2005 Recommended Citation University Marketing and Communications, "04/05/2005 - Eastern To Celebrate 50 Years Of Graduate Education.pdf" (2005). 2005. 78. http://thekeep.eiu.edu/press_releases_2005/78 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2005 by an authorized administrator of The Keep. For more information, please contact [email protected]. Eastern to Celebrate 50 Years of Graduate Education Apr-05-2005 Eastern Illinois University will celebrate 50 years of graduate education on April 14, 15 and 16 by welcoming 50 outstanding graduate alumni back to campus, where they will be recognized for their achievements. Eastern began its graduate education curriculum in 1951 with an initial enrollment of three students. The university currently enrolls more than 1,700 graduate students across all of its academic colleges, and confers approximately 500 graduate degrees each year. To acknowledge Eastern's 50-year achievement in Graduate Education, the Council on Graduate Studies asked that graduate programs identify 50 outstanding graduate alumni from the past five decades. These individuals will return to campus to be honored with a series of events in celebration of this milestone in the Graduate School 's history. Award recipients will be welcomed to campus by the Graduate Student Advisory Council. Recipients will be recognized informally during the annual Distinguished Graduate Students Award Ceremony at 4 p.m. -
Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper. -
NBAF Final Environmental Impact Statement
NATIONAL BIO AND AGRO-DEFENSE FACILITY FINAL ENVIRONMENTAL IMPACT STATEMENT APPENDIX H COMMENT RESPONSE DOCUMENT DECEMBER 2008 U.S. DEPARTMENT OF HOMELAND SECURITY Chapter 1 – Comment Response Document NBAF Final Environmental Impact Statement Comment Response Document, Chapter 1 PUBLIC COMMENT PROCESS This chapter of the Comment Response Document describes the public comment process for the National Bio and Agro-Defense Facility (NBAF) Draft Environmental Impact Statement (EIS) and the procedures used in responding to those comments. Section 1.1 describes the various means through which comments were acquired. Section 1.2 discusses the public meeting format used to gather comments from the public. Section 1.3 describes the organization of this document and explains how the comments were categorized, addressed, and documented. Section 1.4 provides guidance to assist readers in locating comments and DHS responses. Section 1.5 presents the major issues raised in a majority of comments. In Section 1.6, the chapter concludes with a list of significant changes to the EIS resulting from public comments. 1.1 INTRODUCTION In June 2008, the U.S. Department of Homeland Security (DHS) published the National Bio and Agro-Defense Facility (NBAF) Draft Environmental Impact Statement (EIS), which analyzed six action alternatives as well as a No Action Alternative. The action alternatives include construction and operation of the proposed NBAF at one of the following site alternatives: (1) South Milledge Avenue Site, Athens, Georgia; (2) Manhattan Campus Site, Manhattan, Kansas; (3) Flora Industrial Park Site, Flora, Mississippi; (4) Plum Island Site, Plum Island, New York; (5) Umstead Research Farm Site, Butner, North Carolina; and (6) Texas Research Park Site, San Antonio, Texas. -
OBJ (Application/Pdf)
blverine April/May 1998 “Dedicated to Educating the Leaders of Tomorrow” in the AUC Les Brown to speak at Morris Brown’s 117th Commencement COLD SEASON PART II: Disability Awareness Week Les Brown By Anissa Vitalis issues of students with dis As the second semester of abilities, but we will not enoumed the 1997-98 academic year simply go away, nor will the comes to a close, eyes are issues. When the Wolverine motivational starting to open. The word Observer published our is finally getting out that article “Cold Season” earlier Jennifer Holliday speaker, there is a new organization this year, some persons came and office on campus that forward and the Challenge come a long way since last author and needs your help. I am refer Center was at least recog semester and have even had ring to the Students With nized. Now their eyes are the chance to celebrate Dis philanthropistR Les Brown Disabilities (organization) open. Because at first there ability Awareness Week will address the 117th com- and the Challenge Center seemed to be few faculty and (April 27-29). for Disabled Students. students who were deaf and The week featured a special mencement class of Morris Many persons on campus blind, people did not want to motivational convocation fea have chosen to ignore us or hear about disabled students turing Broadway star and Brown College 2 p.m., Mon have failed to deal with the or their problems. We have CONTINUED ON PAGE 2 day, May 18, 1998, at the Atlanta Civic Center. Tadpole drafted Graduating this year are an expected 250 students, by the 36 with honors. -
Table of Contents
Table of Contents Unit 1 Origin: Out of Africa Unit 1 Introduction . .1 Africa Map and Facts . .4 Africanisms in the English Language . .6 Literature Proverbs Traditional The Origin of African Proverbial Wisdom . .8 African Proverbial Wisdom . .10 The Folktale Traditional “All Stories are Anansi’s” . .14 “How Many Spots Does a Leopard Have?” . .20 “The White Man and the Snake” . .25 “Tug of War” . .26 “Talk” . .32 Religious Verse Akhenaten “Great Hymn to the Aten” . .38 Epic Poetry Bamba Suso from Sunjata. .46 The Autobiographical Narrative Olaudah Equiano “My Early Life,” from The.Interesting.Narrative . of.the.Life.of.Olaudah.Equiano. .54 Speaking and Listening Skills . .70 Writing Activities . .72 Focus on: Traditional African Music . .73 The Role of Music in Traditional African Culture . 75. The Rhythmical Complexity of Traditional African Music . 76. The Communal Role of Dance in Traditional African Culture . .77 The Call-and-Response Tradition . 79. Traditional African Instruments . 80. Musical Traditions That Survived the African Diaspora . 82. Unit 2 Let My People Go, 1619–1865 Unit 2 Introduction . 86 Historical Background: Slavery and the Slave Trade . .88 Literature The Autobiographical Narrative Olaudah Equiano “Horrors of a Slave Ship,” from The.Interesting.Narrative. of.the.Life.of.Olaudah.Equiano . .96 Nat Turner from “The Confessions of Nat Turner” . .104 Frederick Douglass from.Narrative.of.the.Life.of.Frederick.Douglass, An.American.Slave . .114 “What to the Slave Is the Fourth of July?” . .122 Harriet Jacobs from Incidents.in.the.Life.of.a.Slave.Girl . .130 Speeches and Letters Sojourner Truth “Ar’n’t I a Woman,” speech at the Akton Convention from Reminiscences by . -
Fine Modern Art
FINE MODERN ART Tuesday, November 19, 2019 NEW YORK FINE MODERN ART AUCTION Tuesday, November 19. 2019 at 10am EXHIBITION Friday, November 15, 10am – 5pm Saturday, November 16, 10am – 5pm Sunday, November 17, Noon – 5pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 CONTENTS INCLUDING PROPERTY FROM THE ESTATES OF FINE MODERN ART Arthur Brandt Paintings 1001-1030 Claire Chasanoff Prints 1131-1164 A Gentleman, Park Avenue and Southampton, New York Carl Lesnor Glossary I Dorothy Lewis 2013 Irrevocable Trust Conditions of Sale II Peter Mayer Terms of Guarantee IV Ruth Schapira Information on Sales & Use Tax V Carol Schein Buying at Doyle VI Leonard and Elaine Silverstein, Bethesda, MD Selling at Doyle VIII Frederieke Sanders Taylor Auction Schedule IX Company Directory X INCLUDING PROPERTY FROM Absentee Bid Form XII A New York Corporate Collection A Private New York Collector PAINTINGS Lot 1051 1005 1006 1003 1001 1002 1004 1007 1008 1001 1002 1003 1004 1005 1006 1007 1008 Eric Aho Arman Arman Jeans Hans Arp Milton Avery Edmondo Bacci Donald Baechler William H. Bailey American, b. 1966 French, 1928-2005 French, 1928-2005 German/French, 1886-1966 American, 1885-1965 Italian, 1913-1978 American, b. 19567 American, b. 1930 Black Soil, Blue Barn Zeus Venus Untitled, 1956 Letter Writer B-8 Water Closet Drawing #1, 1985 Seated Nude, 1991 Signed Eric Aho (uc) Signed Arman, inscribed Bronze with brown patina Signed Arp twice and marked with artist’s Signed Milton Avery in ballpoint Signed Bacci (lr), inscribed Gouache on paper Signed Bailey, dated 1991 and Oil on canvas Bocquel Fd. -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Lennart Anderson
Interview with Lennart Anderson December 6, 2002 How did you become a painter? I guess I never entertained any other thought, other than fleeting hopes that I could be a major-league baseball player. Other than that, I never had any ambitions of doing anything else, since I was seven or eight years old. I was a fanatic. I've been a fanatic all my life about it. And it doesn't make it any easier to paint, either. I think a lot of people paint a lot more than I do. I got my mother to take me to the Detroit Museum on a Sunday afternoon. It was a long walk to get there, and after it was over, she said, "You'll have to go on your own from now on. I can't do this." I went there almost every Sunday afternoon. Many, many Sunday afternoons I spent at the Detroit Museum. I was there on Pearl Harbor Day. That's where I heard about it. I was thirteen years old then. Were there paintings there that made a particular impression on you? Anything that was painted interested me. It could be the stupidest calendar art. If it was put down with paint, I would cross the street to see it. In a paint store - and I mean a house paint store, if there was a picture in the window, I would cross the street to see it. I loved all kinds of pictures. I was interested in American painting, because the Detroit Museum had a lot of American painting. -
Jeannine Falino's CV
JEANNINE FALINO Curator, writer, and lecturer examining the intersection of design, craft and society CURATORIAL PROJECTS Exhibition Curator Curator, Betty Cooke: The Circle and The Line, Walters Art Museum. Exhibition forthcoming fall 2021; catalogue forthcoming September 2020. Curator, Gilded Chicago: Portraits of an Era, The Richard H. Driehaus Museum. A companion exhibition to Beauty’s Legacy, Gilded Age Portraiture in America, focusing on prominent Chicago citizens and the portraits they commissioned to advance their social standing and proclaim their affluence. September 2018 to January 2019 Curator, New York Silver, Then and Now, Museum of the City of New York. Twenty-four metalsmiths, artists, and designers create new works inspired by the Museum’s renowned collection of New York silver. June 2017 to May 2018 Curator, L’Affichomania: The Passion for French Posters, The Richard H. Driehaus Museum, Chicago, Illinois. Five grand masters of the medium (Jules Chéret, Eugène Grasset, Théophile- Alexandre Steinlen, Alphonse Mucha, Henri de Toulouse Lautrec) are featured, with one gallery devoted to performances advertised in this new art form, and accompanied by Acoustiguide script. For catalogue, see publications. February 2017 to January 2018 Curator, What Would Mrs. Webb Do? A Founder’s Vision, Museum of Arts and Design, New York. Focus on Aileen Osborn Webb as an advocate and philanthropist in American craft. September 2014 to February 2015 Co-curator, Gilded New York, Design, Fashion & Society, Museum of the City of New York. Exhibition devoted to luxury goods and paintings in New York’s gilded age. For catalogue, see publications. March 2012 to May 2017 Co-curator, Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York. -
A Finding Aid to the Parish Gallery Records, 1940-2013, Bulk 1991-2013, in the Archives of American Art
A Finding Aid to the Parish Gallery records, 1940-2013, bulk 1991-2013, in the Archives of American Art Rayna Andrews and Rihoko Ueno Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization of this collection was provided by the Roy Lichtenstein Foundation. 2019/06/24 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Exhibition Files, 1940-1944, 1971-2013................................................... 4 Series 2: Administrative Files, 1991-2013............................................................. -
March 2015 Vol
Serving ATLANTA & Suburban Areas Enjoy Crossword and Information For Ages Sudoku Puzzles at www.seniornewsga.com! 50 PLUS! TurkishTurkish artistartist keepskeeps cultureculture springingspringing forward!forward! Story on page 7 March 2015 Vol. 29, No. 3 Page 2 • March 2015 • Senior News • Atlanta Child Predator Scam preys on parents’ fear by KELVIN COLLINS Living Near You!" The email claims to But this spam isn't actually affili- linked text will say one thing, but the President/CEO, BBB of Central be a notification that "a registered- ated with Kids Live Safe. Sending link will point somewhere else. Georgia & the CSRA, Inc. child-offender has just moved into users to that website appears to be a Scammers either set up fake websites your area," and this information is way to lend credibility and distract or hack into third-party sites and use based on your "local area zipcode." from the actual scam. Clicking on the them to host malware. Keep on the lookout for an But you don't remember signing up for other link (the scam link) is enough to • The email claims to have infor- email scam that pretends to be a "com- such a service. infect your machine with malware, mation about you, but you never munity safety" alert. The email looks The email provides a link and even if you ultimately end up at a signed up for it. Scams often pretend like a warning for parents about a instructs you to click and "learn more legitimate site. Once it's on your to be personalized for you, but they child predator in the area, but it's real- about this predator-alert." If you click, machine, the malware will attempt to are actually blast emails.