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Ant Network Theory
Ant Network Theory Bodhisattva Chattopadhyay † University of Oslo and Center for Advanced Study, Oslo Geoffrey C. Bowker ‡ University of California at Irvine and Center for Advanced Study, Oslo Because SF is a thought experiment and engages in worldbuilding, this paper is a hybrid faction piece that presents a history of ants in SF (across texts and media) as one connected narrative, while working through this history as an insertion into Nature-Culture debates through the production of new SF. In constructing SF worlds, writers work with what is called the genre mega-text:1 the tropes and themes that constitute the identity of the genre. For SF however, this mega-text also involves a cluster of associations from other forms and kinds of texts, including scientific speculation, anthropological theory, STS, among others. The main storyline is based on several fiction and film pieces that structure the enquiry, from early works by H. G. Wells and Premendra Mitra, to Big Bug films, to new SF from the 21st century. The stories can be read as standalone pieces, yet we hope that the reader will read the endnotes, picking up the references which provide a glimpse into our strategies of worlding. The speakers in the endnotes are two time-travelling scholars writing from an unspecified far future, at a time when other beings rule the planet. They are using references from STS scholarship and SF that are more familiar, from our own time, in order to speak to us, even if the necessity to traverse multiple temporalities through simple language to express the Ant Network Theory (ANT) on occasion produces spatiotemporal anomalies. -
Carnival of Evolution #58: Visions of the Evolutionary Future Bradly Alicea Michigan State University
Carnival of Evolution #58: visions of the evolutionary future Bradly Alicea Michigan State University Originally published at: http://syntheticdaisies.blogspot.com on April 1, 2013 (http://syntheticdaisies.blogspot.com/2013/04/carnival-of-evolution-58-visions-of.html) Welcome to Carnival of Evolution! Now with albedo! Introduction What does the future look like? For some, the future is the place of constant progress and a place where dreams become reality. For others, the future is a scary, dystopian place. When actualized, however, future worlds fall somewhere in between these two visions. Can we make accurate projections about the future? As I pointed out in a Synthetic Daisies post from February [1], futurists and technologists have a pretty dismal track record at projecting future scenarios, and often get things notoriously wrong. UPPER LEFT: Ad from the 1982 opening of EPCOT Center, Florida. UPPER RIGHT: Dystopic future city from the movie "Idiocracy" (Inset is the cover of "Future Shock" by Alvin Toffler). BOTTOM LEFT: Bank of England Economic Forecast (circa 2011). BOTTOM RIGHT: New New York, circa 3000 (from the TV show "Futurama"). With visions of the future in mind, this month's Carnival of Evolution (#58) theme is the future of evolution. While a significant component of evolutionary biology involves reconstructing the past [2], we are actually (with error, of course) also predicting the future. Yet can we do any better than futurists or technologists? It is hard to say, and if you have opinions on this I would be glad to hear them. However, this month's CoE will address five themes that may (or may not) help us understand where the complexity of life is headed. -
Science Fictional the Aesthetics of Science Fiction Beyond the Limits of Genre
Science Fictional The Aesthetics of Science Fiction Beyond the Limits of Genre Andrew Frost University of NSW | College of Fine Arts PhD Media Arts 2013 4 PLEASE TYPE Tl<E UNIVERSITY OF NEW SOUTH WALES Tht:tltiDittorUdon Sht•t Surname or Fenily name: Frost FIRI neme; Andrew OCher namels: Abbr&Yia~lon fof" dcgrco as given in the Unlverslty caltn<S:ar. PhD tCOde: 1289) Sd'IOOI; Seh.ool Of Media Arts Faculty; Coll999 of A ne Am Title: Science Fletfonar.: The AestheUes or SF Beyond the Limit:t of Gcnt'O. Abstract 350 words maximum: (PLEASE TYPE) ScMtnce Flcdonal: The Anthetics of SF Beyond the Umlts of Genre proposes that oonte~my eufture 1$ * $pallal e)Cl>ertence dom1nS'ed by an aesane(IC or science liction and its qua,;.genefic form, the ·$dence ficdonal', The study explores the connective lines between cultural objects suet! as film, video art. painting, illustration, advertising, music, and children's television in a variety ofmediums and media coupled with research that conflates aspects of ctitical theory, art history a nd cuttural studies into a unique d iscourse. The study argues thai three types of C\lltural e ffeets reverberation. densi'ly and resonanoe- affect cultural space altering ood changing the 1ntel'l)totation and influeooe of a cuUural object Through an account of the nature of the science fictional, this thesis argues that science fiction as wo uncJersland It, a.nd how 11 has beon oooventionally concefved, is in fact the counter of its apparent function within wider culture. While terms such as ·genre~ and ·maln-stream• suggest a binary of oentre and periphery, this lh-&&is demonstrates that the quasi-generic is in fact the dominant partner in the process of cultural production, Ocelamlon ,.~ lo disposition or projoct thnlsJdtuen.tlon I htrOby grltlt t<> I~ Ul'll\IOI'IiiY Of Now SOUIJ'I WaltS or i&& agents the rlg:tlllo ard'llve anct to INike available my ttwrsl9 or di$sertabon '" whole or in 1»Jt il'lllle \Jtlivetsay lbrsrles., at IOtmS Of tnedb, rtOW or hero <~~Ot kncwn, 5tAijod:.lo lho Jl«Mdonll ol lho Co9yrlghlt Act 1968. -
Read Book After Man : a Zoology of the Future Kindle
AFTER MAN : A ZOOLOGY OF THE FUTURE PDF, EPUB, EBOOK Dougal Dixon | 128 pages | 24 May 2018 | Breakdown Press Ltd | 9781911081012 | English | London, United Kingdom After Man : A Zoology of the Future PDF Book Ne nado dumat', nado kushat'! Ili pochemu lyudi special'no edut v YAponiyu poglyadet' na cvetenie sakury? Overview "Edva uvidev ehtu knigu, ya pozhalel, chto ne napisal ee sam… EHto izumitel'naya, krasivo podannaya ideya. Julie Zickefoose on Blogspot. Lost worlds revisited Science fiction books. Ego idei o sverhcheloveke, smerti Boga, vole k vlasti i rabskoj morali postavili pod somnenie The events of the book start around years in the future, humanity has entered in a catastrophic period of crisis due to the excessive use of natural resources, the destruction of the environment, overpopulation, etc, but at the edge of the collapse of civilization, a considerably small number of humans are selected to colonize new worlds outside the solar system by the use of huge generational ships. Asia and North America would collide and close up the Bering Strait. After 5 million years of uninterrupted evolution, the descendants of those modern humans that migrate into others worlds have returned to Earth. They prey indiscriminately on mammals and reptiles, attacking them with their ferocious teeth and claws. Memory People - Homo mensproavodorum - A descendant of the Temperate Woodland-Dweller that can inherit memories from their parents and possess a form of ancestral memory. Breakdown Press has bound the book in a sturdy casewrap hardcover i. This wiki. Happily, a new edition of After Man, featuring an updated introduction from Dougal Dixon and a new cover, has just has been published by Breakdown Press , so a new generation can revel in this landmark piece of speculative biology. -
Le Plus Grand Film De Science-Fiction Jamais Réalisé Sélection Officielle Telluride
GRAND PRIX DU JURY • PRIX DU PUBLIC LES UTOPIALES SÉLECTION OFFICIELLE TORONTO LE PLUS GRAND FILM DE SCIENCE-FICTION JAMAIS RÉALISÉ SÉLECTION OFFICIELLE TELLURIDE MEILLEUR FILM • PRIX DU PUBLIC FANTASTIC FEST UN FILM DE FRANK PAVICH SYNOPSIS Sorti en 1965, "Dune", le livre de Frank Herbert est un succès mondial et devient le livre de science- fiction le plus vendu au monde. En 1975, le producteur français Michel Seydoux propose une adaptation très ambitieuse de "Dune" au cinéma à Alejandro Jodorowsky. Ce dernier, déjà réalisateur des films cultes « Le parcours d'Alejandro Jodorowsky pour réaliser sa version du roman "Dune" m'a fasciné EL TOPO et LA MONTAGNE SACRÉE, accepte. pour maintes raisons. Chaque jour, un nombre incalculable de projets de films dépérissent et Il rassemble alors ses "guerriers" artistiques, dont Jean (Moebius) Giraud, Dan O'Bannon, Hans- disparaissent avant d'avoir vu le jour. En général, il n'en reste que quelques brouillons de scénario, Ruedi Giger et Chris Foss (ceux-là mêmes qui seront de toutes les aventures cinématographiques ou peut-être une hypothétique liste d'acteurs. Il est rare qu'un projet s'arrête aussi près du but. de science-fiction de la fin du siècle : STAR WARS, ALIEN, BLADE RUNNER, TOTAL RECALL…) L'histoire de Jodorowsky et de DUNE est un voyage fascinant à travers la créativité et l'imagination, Le casting réunit Mick Jagger, Orson Welles, Salvador Dali, David Carradine ou Amanda Lear, un récit sur la quête incessante d'un rêve et la nécessité de l'art. mais également son jeune fils Brontis Jodorowsky, Pink Floyd et Magma acceptent de signer Ce n'est pas l'histoire d'un échec. -
Visions of Future Evolution in Science Fiction, 1985–2015 Sub Title Author Subodhana, Wijeyeratne Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2021 Year Jtitle 慶應義塾大学日吉紀要
Title Less than human : visions of future evolution in science fiction, 1985–2015 Sub Title Author Subodhana, Wijeyeratne Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2021 year Jtitle 慶應義塾大学日吉紀要. 英語英米文学 (The Keio University Hiyoshi review of English studies). Vol.74, No.2021 (3. ) ,p.43- 82 Abstract As a genre preoccupied with the possible, science fiction has long engaged with the consequences and impact of evolution. Yet whilst phrases such as ‘the next phase of human evolution’ abound in a great many works, ‘evolution’ is often in fact, code for degeneration and devolution. This tendency is particularly pronounced at the end of the 20th and early 21st centuries, when millennial tensions and increasing concerns about the nature of the human gave rise to a series of works which utilize evolution as a mechanism through which to examine a dystopian future for the species. For some writers and film-makers, the very mechanism of selection which made us human became the vehicle of the eventual reversion of our descendants to a state of lessthan-humanness — a return to the human as beast. This paper will explore this trend by examining four works between the period 1985 and 2015 (Kurt Vonnegut’s 1985 Galápagos, Dougal Dixon’s 1990 Man after Man, Stephen Baxter’s 2002 Evolution, and the 2006 Mike Judge’s movie Idiocracy), each of which posit bleak futures for a species fated to return to the very state of nature it takes pride in setting itself apart from. Notes Genre Departmental Bulletin Paper URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?ko ara_id=AN10030060-20210331-0043 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または 出版社/発行者に帰属し、その権利は著作権法によって保護されています。引用にあたっては、著作権法を遵守して ご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. -
Artist Showcase 2014
ARTIST SHOWCASE 2014 Edited by Colin Harris and Sara Felix available now at the Forbidden Planet stand The Art of The Art of The Art of JIM BURNS JOHN HARRIS FRED GAMBINO The Art of Hardware: The Defi nitive Sirens IAN MILLER SF Works of CHRIS FOSS CHRIS ACHILLÉOS fantastic art books from titan TITANBOOKS.COM Artist Showcase - Introduction Welcome to the 2013 Worldcon Artist Showcase - with more pages and more artists represented than ever before! We are again delighted to present this year’s Art Show participants and their work. Science fiction and fantasy art has long been an important part of orldcon,W through the Art Show and Art Programme, the Artist Guest of Honour, the Best Professional and Best Fan Artist Hugos, and the Chesley Awards given by ASFA (the Association of Science Fiction & Fantasy Artists). Loncon 3 is proud to continue this tradition and to present the work of almost one hundred artists in our Art Show, from multiple Hugo Award winners to those just starting out on their own creative journeys. We are also proud to feature three Guests of Honour who between them reflect the full diversity of the art field. • Chris Foss’s ground-breaking science fiction art revolutionised paperback covers from the early 1970s. Raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science fiction art and cinema. • Graphic storyteller Bryan Talbot has been published in over twenty countries recognized with an Eisner award, the Prix SNCF and several Eagles, having worked in the medium for over thirty years. -
Jodorowosky's Dune
Mongrel Media Presents Jodorowosky’s Dune Directed by Frank Pavich Official Selection Cannes Film Festival – Director’s Fortnight 2013 Toronto International Film Festival 2013 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Featured Interviews ALEJANDRO JODOROWSKY MICHEL SEYDOUX H.R. GIGER CHRIS FOSS BRONTIS JODOROWSKY RICHARD STANLEY DEVIN FARACI DREW MCWEENY GARY KURTZ NICOLAS WINDING REFN DIANE O’BANNON CHRISTIAN VANDER JEAN-PIERRE VIGNAU Filmmakers Director/Producer FRANK PAVICH Producers STEPHEN SCARLATA TRAVIS STEVENS Executive Producer DONALD ROSENFELD Co-Producer MICHEL SEYDOUX Associate Producers TRAVIS STEVENS ALEX RICCIARDI Cinematographer DAVID CAVALLO Editors ALEX RICCIARDI PAUL DOCHERTY Composer KURT STENZEL Production Audio Supervisor DAMON COOK Supervising Sound Editor JESSE FLOWER-AMBROCH Animator SYD GARON 3-D Animation PAUL GRISWOLD 3 Logline The story of legendary cult film director Alejandro Jodorowsky’s staggeringly ambitious but ultimately doomed film adaptation of the seminal science fiction novel DUNE. Synopsis In 1975, Chilean director Alejandro Jodorowsky, whose films EL TOPO and THE HOLY MOUNTAIN launched and ultimately defined the midnight movie phenomenon, began work on his most ambitious project yet. Starring his own 12 year old son Brontis alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dali, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including HR Giger and Jean ‘Moebius’ Giraud, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. -
PROGRAMME NANTES Litterature UTOPIALES FESTIVAL INTERNATIONAL DE SCIENCE-FICTION & Sciences
DU 29 octobre AU 03 NOVEMBRE 2014 LA CITE, LE CENTRE DES CONGRES DE NANTES © CHRIS FOSS PROGRAMME NANTES litterature UTOPIALES FESTIVAL INTERNATIONAL DE SCIENCE-FICTION & sciences intelligence(s) Après avoir exploré ses RENCONTRES ET TABLES RONDES propres origines, et laissé libre cours à sa passion pour les JEUDI 30 OCTOBRE JEUDI 30 OCTOBRE autres mondes, le Festival International de Science-Fiction de Nantes se lance un nouveau défi pour cette année 2014 10h00 / Scène Shayol 14h00 / Scène Shayol Le voyage interstellaire, une idée intelligente ? Langage et intelligence en science-fiction et vous propose la plus lointaine, la plus exaltante, la plus À la veille de la sortie sur nos écrans d'« Interstellar » La question du langage est très présente dans la centrale de toutes les aventures : celle de l’intelligence. La le dernier film de Christopher Nolan, l’occasion est science-fiction, qui met en scène les enjeux de trop belle de revenir sur ce qui est probablement communication et de compréhension réciproques Roland Lehoucq, astrophysicien et science-fiction et la science nous rappellent qu’il n’y a pas l’un des plus grands thèmes de la science-fiction : entre l’humanité et les machines ou des intelligences écrivain, Président des Utopiales. une, mais plusieurs formes d'intelligences : le voyage interstellaire. Pour les scientifiques, ce extraterrestres. De Babel 17 de Samuel Delany aux voyage est « pensable » à défaut d’être rapidement Langages de Pao de Jack Vance, en passant par Intelligences terriennes. Sur Terre, l’humanité a-t-elle l’apanage de l’intelligence ? Y a-t-il un modèle d’intelligence réalisable. -
Table of Contents
Innovative Technologies 1 from Science Fiction for Space Applications from Table of Contents I Introduction 2 by David Raitt I A Touch of Science in Your Fiction 5 by Jean-Claude Dunyach I The Allure of Vinyl Space Suits 6 by Billy Boy* I A Few Thoughts about Ideas and Images in Science Fiction 7 by Patrick Gyger I The Exploration of Space by Artists and Writers 9 by Arthur Woods I Summary of Science-Fiction Concepts 10 • Propulsion Techniques 11 • Colonization of Space 22 • Energy and Power 26 • Computers and Communications 30 • Robotics and Cyborgs 33 • Launch Systems 35 • Resources and Materials 38 • Other Technologies 42 I Appendices 46 2 Introduction Introduction David Raitt, ESA The idea that perhaps science-fiction (SF) literature contained innovative technological ideas that could possibly be brought to the point of development with either today's technology or technology that is just around the corner was the driving force behind a recent European Space Agency (ESA) study entitled ”Innovative Technologies from Science Fiction” (ITSF). The main objectives of the study were to review the past and present science-fiction literature, artwork and films in order to identify and assess innovative technologies and concepts described therein which could possibly be developed further for space applications. In addition, it was hoped to garner imaginative ideas, potentially viable for long-term development by the European space sector, which could help in predicting the course of future space technologies and their impact. Those involved in the study (scientists, engineers, SF writers, laymen) reviewed and brain-stormed on the technologies in SF literature and came up with a list of technologies which an expert team is assessing to see whether they might be worthy of greater in-depth evaluation. -
Future Evolution-- an Illuminated History of Life to Come
Images by ALEXIS ROCKMAN Foreword by NILES ELDREDGE A W. H. Freeman Book TIMES BOOKS Henry Holt and Company New York To H. G. Wells and his descendants TIMES BOOKS Henry Holt and Company, LLC Publishers since 1866 115 West 18th Street New York, New York 10011 I would like to thank the following people for various reasons: Sam Fleischman Diana Blume Rob DeSalle Jill Rowe Kirk Johnson Daniel Heiminder John Michel Kurt Keifer Carl Zimmer Niles Eldredge Andrew Vallely Alisa Tager Jean-Jacques Annaud Tom Sanford Anne Pasternak And I would like to thank my gallerists Jay Gorney, Karin Bravin, and John Lee, and especially Rodney Hill.—A.R. Henry Holt® is a registered trademark of Henry Holt and Company, LLC. Copyright © 2001 by Peter Ward (text) and Alexis Rockman (images). All rights reserved. Library of Congress Cataloging-in-Publication Data Ward, Peter Future evolution / Peter Ward; images by Alexis Rockman; foreword by Niles Eldredge. p. cm. Includes bibliographical references (p. ). ISBN 0-7167-3496-6 (cloth) 1. Evolution (Biology) I. Title. QH366.2 .W37 2001 576.8—dc21 2001003607 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets First Edition 2001 Designed by Diana Blume Printed in Hong Kong 10 987654321 IMAGES Facing page The Farm, 2000 36 The Rise of Mammals, 1; page 102 Oil and acrylic on wood, 1998 96 X 120 inches Oil and acrylic on wood, Page 12 Lystrosaurus and the 32 X 40 inches Permian, 1998 ze 40 North America, 1998 Oil and acrylic on wood, Oil and acrylic on wood, 48 X 40 inches 40 X 60 inches Page 16 Four Interpretations of Page 42 La Brea Tar Pit Drawings Gorgon Heads, Genus (clockwise from upper Rubidgea (clockwise from left): Saber tooth cat; upper left): reptilian; two American mastodon; after the fashion on a camel; La Brea condor. -
Full Schedule
WELCOME TO LONCON 3 This spiral-bound pocket programme is your guide to the convention: it contains everything you need to know about the programme items and participants, the main events and opening hours, and maps of our convention centre as well as maps of London Transport and the Docklands Light Railway (DLR). It also includes a restaurant guide. In addition, you’ll nd information about our Code of Conduct, plus areas like Registration, Childcare, Disabled Access, and Emergency Services, among the large number of useful things. All this information we hope will help make your visit to Loncon 3 a memorable one. We apologise for the small print in some sections of this pocket programme, but there is a lot to include, as we on the Loncon 3 team have gone out of our way to make this con really awesome. — Steve Cooper and Alice Lawson “World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC”, “Hugo Award”, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Loncon 3 is the trading name of London 2014 Ltd, a company limited by guarantee, registered in England, company number: 7989510. Registered Ofce: 176 Portland Road, Jesmond, Newcastle Upon Tyne, NE2 1DJ, UK. The Restaurant Guide was complied by Kake Pugh, Shana Worthen, Martin Petto, Lizzy Allen, Billy Abbott, and Edward James, and edited by Kake Pugh. The Programme Schedules were produced by the Programme team. General Read Me information was edited by Flick, and proofread by Janice Gelb.