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Carnival of Evolution #58: Visions of the Evolutionary Future Bradly Alicea Michigan State University
Carnival of Evolution #58: visions of the evolutionary future Bradly Alicea Michigan State University Originally published at: http://syntheticdaisies.blogspot.com on April 1, 2013 (http://syntheticdaisies.blogspot.com/2013/04/carnival-of-evolution-58-visions-of.html) Welcome to Carnival of Evolution! Now with albedo! Introduction What does the future look like? For some, the future is the place of constant progress and a place where dreams become reality. For others, the future is a scary, dystopian place. When actualized, however, future worlds fall somewhere in between these two visions. Can we make accurate projections about the future? As I pointed out in a Synthetic Daisies post from February [1], futurists and technologists have a pretty dismal track record at projecting future scenarios, and often get things notoriously wrong. UPPER LEFT: Ad from the 1982 opening of EPCOT Center, Florida. UPPER RIGHT: Dystopic future city from the movie "Idiocracy" (Inset is the cover of "Future Shock" by Alvin Toffler). BOTTOM LEFT: Bank of England Economic Forecast (circa 2011). BOTTOM RIGHT: New New York, circa 3000 (from the TV show "Futurama"). With visions of the future in mind, this month's Carnival of Evolution (#58) theme is the future of evolution. While a significant component of evolutionary biology involves reconstructing the past [2], we are actually (with error, of course) also predicting the future. Yet can we do any better than futurists or technologists? It is hard to say, and if you have opinions on this I would be glad to hear them. However, this month's CoE will address five themes that may (or may not) help us understand where the complexity of life is headed. -
Read Book After Man : a Zoology of the Future Kindle
AFTER MAN : A ZOOLOGY OF THE FUTURE PDF, EPUB, EBOOK Dougal Dixon | 128 pages | 24 May 2018 | Breakdown Press Ltd | 9781911081012 | English | London, United Kingdom After Man : A Zoology of the Future PDF Book Ne nado dumat', nado kushat'! Ili pochemu lyudi special'no edut v YAponiyu poglyadet' na cvetenie sakury? Overview "Edva uvidev ehtu knigu, ya pozhalel, chto ne napisal ee sam… EHto izumitel'naya, krasivo podannaya ideya. Julie Zickefoose on Blogspot. Lost worlds revisited Science fiction books. Ego idei o sverhcheloveke, smerti Boga, vole k vlasti i rabskoj morali postavili pod somnenie The events of the book start around years in the future, humanity has entered in a catastrophic period of crisis due to the excessive use of natural resources, the destruction of the environment, overpopulation, etc, but at the edge of the collapse of civilization, a considerably small number of humans are selected to colonize new worlds outside the solar system by the use of huge generational ships. Asia and North America would collide and close up the Bering Strait. After 5 million years of uninterrupted evolution, the descendants of those modern humans that migrate into others worlds have returned to Earth. They prey indiscriminately on mammals and reptiles, attacking them with their ferocious teeth and claws. Memory People - Homo mensproavodorum - A descendant of the Temperate Woodland-Dweller that can inherit memories from their parents and possess a form of ancestral memory. Breakdown Press has bound the book in a sturdy casewrap hardcover i. This wiki. Happily, a new edition of After Man, featuring an updated introduction from Dougal Dixon and a new cover, has just has been published by Breakdown Press , so a new generation can revel in this landmark piece of speculative biology. -
Visions of Future Evolution in Science Fiction, 1985–2015 Sub Title Author Subodhana, Wijeyeratne Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2021 Year Jtitle 慶應義塾大学日吉紀要
Title Less than human : visions of future evolution in science fiction, 1985–2015 Sub Title Author Subodhana, Wijeyeratne Publisher 慶應義塾大学日吉紀要刊行委員会 Publication 2021 year Jtitle 慶應義塾大学日吉紀要. 英語英米文学 (The Keio University Hiyoshi review of English studies). Vol.74, No.2021 (3. ) ,p.43- 82 Abstract As a genre preoccupied with the possible, science fiction has long engaged with the consequences and impact of evolution. Yet whilst phrases such as ‘the next phase of human evolution’ abound in a great many works, ‘evolution’ is often in fact, code for degeneration and devolution. This tendency is particularly pronounced at the end of the 20th and early 21st centuries, when millennial tensions and increasing concerns about the nature of the human gave rise to a series of works which utilize evolution as a mechanism through which to examine a dystopian future for the species. For some writers and film-makers, the very mechanism of selection which made us human became the vehicle of the eventual reversion of our descendants to a state of lessthan-humanness — a return to the human as beast. This paper will explore this trend by examining four works between the period 1985 and 2015 (Kurt Vonnegut’s 1985 Galápagos, Dougal Dixon’s 1990 Man after Man, Stephen Baxter’s 2002 Evolution, and the 2006 Mike Judge’s movie Idiocracy), each of which posit bleak futures for a species fated to return to the very state of nature it takes pride in setting itself apart from. Notes Genre Departmental Bulletin Paper URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?ko ara_id=AN10030060-20210331-0043 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または 出版社/発行者に帰属し、その権利は著作権法によって保護されています。引用にあたっては、著作権法を遵守して ご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. -
Future Evolution-- an Illuminated History of Life to Come
Images by ALEXIS ROCKMAN Foreword by NILES ELDREDGE A W. H. Freeman Book TIMES BOOKS Henry Holt and Company New York To H. G. Wells and his descendants TIMES BOOKS Henry Holt and Company, LLC Publishers since 1866 115 West 18th Street New York, New York 10011 I would like to thank the following people for various reasons: Sam Fleischman Diana Blume Rob DeSalle Jill Rowe Kirk Johnson Daniel Heiminder John Michel Kurt Keifer Carl Zimmer Niles Eldredge Andrew Vallely Alisa Tager Jean-Jacques Annaud Tom Sanford Anne Pasternak And I would like to thank my gallerists Jay Gorney, Karin Bravin, and John Lee, and especially Rodney Hill.—A.R. Henry Holt® is a registered trademark of Henry Holt and Company, LLC. Copyright © 2001 by Peter Ward (text) and Alexis Rockman (images). All rights reserved. Library of Congress Cataloging-in-Publication Data Ward, Peter Future evolution / Peter Ward; images by Alexis Rockman; foreword by Niles Eldredge. p. cm. Includes bibliographical references (p. ). ISBN 0-7167-3496-6 (cloth) 1. Evolution (Biology) I. Title. QH366.2 .W37 2001 576.8—dc21 2001003607 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets First Edition 2001 Designed by Diana Blume Printed in Hong Kong 10 987654321 IMAGES Facing page The Farm, 2000 36 The Rise of Mammals, 1; page 102 Oil and acrylic on wood, 1998 96 X 120 inches Oil and acrylic on wood, Page 12 Lystrosaurus and the 32 X 40 inches Permian, 1998 ze 40 North America, 1998 Oil and acrylic on wood, Oil and acrylic on wood, 48 X 40 inches 40 X 60 inches Page 16 Four Interpretations of Page 42 La Brea Tar Pit Drawings Gorgon Heads, Genus (clockwise from upper Rubidgea (clockwise from left): Saber tooth cat; upper left): reptilian; two American mastodon; after the fashion on a camel; La Brea condor. -
Future Evolution-- an Illuminated History of Life to Come
INTRODUCTION THE CHRONIC ARGONAUTS Nothing in biology makes sense except in the light of evolution. —THEODOSIUS DOBZHANSKY ambridge lies well east and north of London, nestled in a flat landscape softened by time. The spacious farms surrounding this ancient college city Care furrowed in white and brown, for the plows gutter into the white chalk making up this part of the British Isles. The chalk comes from a different time; it is a legacy of a long-ago tropical sea filled with the Cretaceous bestiary of a saurian world, an era when dinosaurs ruled and seemingly had all the time in the world to revel in their hegemony. In the oceans the dominant creatures were many-tentacled ammonites, relations of the modern-day octopus and squid. Now they and their world are but memories in chalk, to be disinterred each plowing season. Slender lanes lead from the center of Cambridge and its splendid University to both rustic working farms and more genteel estates, many of some age. One such manor house sits amid hedges and spacious gardens going wild; around back a large pond long ago given over to eutrophication reflects back the gray skies and slanting rain, while ancient trees afford some slight protection from the English weather for more zealous players on the croquet pitch. The ivy-covered house, stone cold in the grand English tradition, counts its age in centuries. A huge kitchen is its warmth, but the book-lined study is its heart. Like many old English houses, it is a hodgepodge of rooms and uneven floors, the results of successive 1 FUTURE EVOLUTION owners adding on here and there, burrowing amid its warrens, building a wall or tearing one down, marking the centuries with their successive versions of home improvement. -
Naishd2021art.Pdf
University of Birmingham Art, anatomy, and the stars Naish, Darren; Tattersdill, Will DOI: 10.1139/cjes-2020-0172 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Naish, D & Tattersdill, W 2021, 'Art, anatomy, and the stars: Russell and Séguin's Dinosauroid', Canadian Journal of Earth Sciences. https://doi.org/10.1139/cjes-2020-0172 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Art Show Programme Demonstrations Special Events Chesley Awards
Art at Loncon 3 Art Show Programme Demonstrations Special Events Chesley Awards Art at Loncon 3 Page 2 The Art Show The Art Show at Loncon 3 comprises the main Art Show, where works are sold to the highest bidder, and the Print Shop, where prints are available for immediate purchase at a fixed price. To buy from either display, you first need to register as a bidder and be assigned a bidder number. This can be done at the control desk just inside the Art Show entrance. To buy a print, just make a note of the item you are interested in (artist and title) and then go to the control desk to make your purchase. For the main show, each for-sale item has a bid sheet next to it, where bidders enter their offers and bidder numbers. A minimum reserve price will be listed, and you must bid more than any previous bidder. The bid sheets have room for six bids. If the sheet is full (i.e. there are six bids) when the show closes at Noon on Sunday, the item will go to the Art Auction. If there are less than six bids, then the item will go automatically to the highest listed bidder. A special “Buy It Now” option is also available for some items. This will be available on Friday and Saturday only, and enables you to buy an Art Show item instantly for a stated “retail” price - as long as there are no other bids already. This is particularly intended to help Day Members who are not able to come back on Sunday.