Birmingham Science Fiction Group Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Science Fictional the Aesthetics of Science Fiction Beyond the Limits of Genre
Science Fictional The Aesthetics of Science Fiction Beyond the Limits of Genre Andrew Frost University of NSW | College of Fine Arts PhD Media Arts 2013 4 PLEASE TYPE Tl<E UNIVERSITY OF NEW SOUTH WALES Tht:tltiDittorUdon Sht•t Surname or Fenily name: Frost FIRI neme; Andrew OCher namels: Abbr&Yia~lon fof" dcgrco as given in the Unlverslty caltn<S:ar. PhD tCOde: 1289) Sd'IOOI; Seh.ool Of Media Arts Faculty; Coll999 of A ne Am Title: Science Fletfonar.: The AestheUes or SF Beyond the Limit:t of Gcnt'O. Abstract 350 words maximum: (PLEASE TYPE) ScMtnce Flcdonal: The Anthetics of SF Beyond the Umlts of Genre proposes that oonte~my eufture 1$ * $pallal e)Cl>ertence dom1nS'ed by an aesane(IC or science liction and its qua,;.genefic form, the ·$dence ficdonal', The study explores the connective lines between cultural objects suet! as film, video art. painting, illustration, advertising, music, and children's television in a variety ofmediums and media coupled with research that conflates aspects of ctitical theory, art history a nd cuttural studies into a unique d iscourse. The study argues thai three types of C\lltural e ffeets reverberation. densi'ly and resonanoe- affect cultural space altering ood changing the 1ntel'l)totation and influeooe of a cuUural object Through an account of the nature of the science fictional, this thesis argues that science fiction as wo uncJersland It, a.nd how 11 has beon oooventionally concefved, is in fact the counter of its apparent function within wider culture. While terms such as ·genre~ and ·maln-stream• suggest a binary of oentre and periphery, this lh-&&is demonstrates that the quasi-generic is in fact the dominant partner in the process of cultural production, Ocelamlon ,.~ lo disposition or projoct thnlsJdtuen.tlon I htrOby grltlt t<> I~ Ul'll\IOI'IiiY Of Now SOUIJ'I WaltS or i&& agents the rlg:tlllo ard'llve anct to INike available my ttwrsl9 or di$sertabon '" whole or in 1»Jt il'lllle \Jtlivetsay lbrsrles., at IOtmS Of tnedb, rtOW or hero <~~Ot kncwn, 5tAijod:.lo lho Jl«Mdonll ol lho Co9yrlghlt Act 1968. -
Le Plus Grand Film De Science-Fiction Jamais Réalisé Sélection Officielle Telluride
GRAND PRIX DU JURY • PRIX DU PUBLIC LES UTOPIALES SÉLECTION OFFICIELLE TORONTO LE PLUS GRAND FILM DE SCIENCE-FICTION JAMAIS RÉALISÉ SÉLECTION OFFICIELLE TELLURIDE MEILLEUR FILM • PRIX DU PUBLIC FANTASTIC FEST UN FILM DE FRANK PAVICH SYNOPSIS Sorti en 1965, "Dune", le livre de Frank Herbert est un succès mondial et devient le livre de science- fiction le plus vendu au monde. En 1975, le producteur français Michel Seydoux propose une adaptation très ambitieuse de "Dune" au cinéma à Alejandro Jodorowsky. Ce dernier, déjà réalisateur des films cultes « Le parcours d'Alejandro Jodorowsky pour réaliser sa version du roman "Dune" m'a fasciné EL TOPO et LA MONTAGNE SACRÉE, accepte. pour maintes raisons. Chaque jour, un nombre incalculable de projets de films dépérissent et Il rassemble alors ses "guerriers" artistiques, dont Jean (Moebius) Giraud, Dan O'Bannon, Hans- disparaissent avant d'avoir vu le jour. En général, il n'en reste que quelques brouillons de scénario, Ruedi Giger et Chris Foss (ceux-là mêmes qui seront de toutes les aventures cinématographiques ou peut-être une hypothétique liste d'acteurs. Il est rare qu'un projet s'arrête aussi près du but. de science-fiction de la fin du siècle : STAR WARS, ALIEN, BLADE RUNNER, TOTAL RECALL…) L'histoire de Jodorowsky et de DUNE est un voyage fascinant à travers la créativité et l'imagination, Le casting réunit Mick Jagger, Orson Welles, Salvador Dali, David Carradine ou Amanda Lear, un récit sur la quête incessante d'un rêve et la nécessité de l'art. mais également son jeune fils Brontis Jodorowsky, Pink Floyd et Magma acceptent de signer Ce n'est pas l'histoire d'un échec. -
Artist Showcase 2014
ARTIST SHOWCASE 2014 Edited by Colin Harris and Sara Felix available now at the Forbidden Planet stand The Art of The Art of The Art of JIM BURNS JOHN HARRIS FRED GAMBINO The Art of Hardware: The Defi nitive Sirens IAN MILLER SF Works of CHRIS FOSS CHRIS ACHILLÉOS fantastic art books from titan TITANBOOKS.COM Artist Showcase - Introduction Welcome to the 2013 Worldcon Artist Showcase - with more pages and more artists represented than ever before! We are again delighted to present this year’s Art Show participants and their work. Science fiction and fantasy art has long been an important part of orldcon,W through the Art Show and Art Programme, the Artist Guest of Honour, the Best Professional and Best Fan Artist Hugos, and the Chesley Awards given by ASFA (the Association of Science Fiction & Fantasy Artists). Loncon 3 is proud to continue this tradition and to present the work of almost one hundred artists in our Art Show, from multiple Hugo Award winners to those just starting out on their own creative journeys. We are also proud to feature three Guests of Honour who between them reflect the full diversity of the art field. • Chris Foss’s ground-breaking science fiction art revolutionised paperback covers from the early 1970s. Raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science fiction art and cinema. • Graphic storyteller Bryan Talbot has been published in over twenty countries recognized with an Eisner award, the Prix SNCF and several Eagles, having worked in the medium for over thirty years. -
Jodorowosky's Dune
Mongrel Media Presents Jodorowosky’s Dune Directed by Frank Pavich Official Selection Cannes Film Festival – Director’s Fortnight 2013 Toronto International Film Festival 2013 Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Featured Interviews ALEJANDRO JODOROWSKY MICHEL SEYDOUX H.R. GIGER CHRIS FOSS BRONTIS JODOROWSKY RICHARD STANLEY DEVIN FARACI DREW MCWEENY GARY KURTZ NICOLAS WINDING REFN DIANE O’BANNON CHRISTIAN VANDER JEAN-PIERRE VIGNAU Filmmakers Director/Producer FRANK PAVICH Producers STEPHEN SCARLATA TRAVIS STEVENS Executive Producer DONALD ROSENFELD Co-Producer MICHEL SEYDOUX Associate Producers TRAVIS STEVENS ALEX RICCIARDI Cinematographer DAVID CAVALLO Editors ALEX RICCIARDI PAUL DOCHERTY Composer KURT STENZEL Production Audio Supervisor DAMON COOK Supervising Sound Editor JESSE FLOWER-AMBROCH Animator SYD GARON 3-D Animation PAUL GRISWOLD 3 Logline The story of legendary cult film director Alejandro Jodorowsky’s staggeringly ambitious but ultimately doomed film adaptation of the seminal science fiction novel DUNE. Synopsis In 1975, Chilean director Alejandro Jodorowsky, whose films EL TOPO and THE HOLY MOUNTAIN launched and ultimately defined the midnight movie phenomenon, began work on his most ambitious project yet. Starring his own 12 year old son Brontis alongside Orson Welles, Mick Jagger, David Carradine and Salvador Dali, featuring music by Pink Floyd and art by some of the most provocative talents of the era, including HR Giger and Jean ‘Moebius’ Giraud, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever. -
PROGRAMME NANTES Litterature UTOPIALES FESTIVAL INTERNATIONAL DE SCIENCE-FICTION & Sciences
DU 29 octobre AU 03 NOVEMBRE 2014 LA CITE, LE CENTRE DES CONGRES DE NANTES © CHRIS FOSS PROGRAMME NANTES litterature UTOPIALES FESTIVAL INTERNATIONAL DE SCIENCE-FICTION & sciences intelligence(s) Après avoir exploré ses RENCONTRES ET TABLES RONDES propres origines, et laissé libre cours à sa passion pour les JEUDI 30 OCTOBRE JEUDI 30 OCTOBRE autres mondes, le Festival International de Science-Fiction de Nantes se lance un nouveau défi pour cette année 2014 10h00 / Scène Shayol 14h00 / Scène Shayol Le voyage interstellaire, une idée intelligente ? Langage et intelligence en science-fiction et vous propose la plus lointaine, la plus exaltante, la plus À la veille de la sortie sur nos écrans d'« Interstellar » La question du langage est très présente dans la centrale de toutes les aventures : celle de l’intelligence. La le dernier film de Christopher Nolan, l’occasion est science-fiction, qui met en scène les enjeux de trop belle de revenir sur ce qui est probablement communication et de compréhension réciproques Roland Lehoucq, astrophysicien et science-fiction et la science nous rappellent qu’il n’y a pas l’un des plus grands thèmes de la science-fiction : entre l’humanité et les machines ou des intelligences écrivain, Président des Utopiales. une, mais plusieurs formes d'intelligences : le voyage interstellaire. Pour les scientifiques, ce extraterrestres. De Babel 17 de Samuel Delany aux voyage est « pensable » à défaut d’être rapidement Langages de Pao de Jack Vance, en passant par Intelligences terriennes. Sur Terre, l’humanité a-t-elle l’apanage de l’intelligence ? Y a-t-il un modèle d’intelligence réalisable. -
Table of Contents
Innovative Technologies 1 from Science Fiction for Space Applications from Table of Contents I Introduction 2 by David Raitt I A Touch of Science in Your Fiction 5 by Jean-Claude Dunyach I The Allure of Vinyl Space Suits 6 by Billy Boy* I A Few Thoughts about Ideas and Images in Science Fiction 7 by Patrick Gyger I The Exploration of Space by Artists and Writers 9 by Arthur Woods I Summary of Science-Fiction Concepts 10 • Propulsion Techniques 11 • Colonization of Space 22 • Energy and Power 26 • Computers and Communications 30 • Robotics and Cyborgs 33 • Launch Systems 35 • Resources and Materials 38 • Other Technologies 42 I Appendices 46 2 Introduction Introduction David Raitt, ESA The idea that perhaps science-fiction (SF) literature contained innovative technological ideas that could possibly be brought to the point of development with either today's technology or technology that is just around the corner was the driving force behind a recent European Space Agency (ESA) study entitled ”Innovative Technologies from Science Fiction” (ITSF). The main objectives of the study were to review the past and present science-fiction literature, artwork and films in order to identify and assess innovative technologies and concepts described therein which could possibly be developed further for space applications. In addition, it was hoped to garner imaginative ideas, potentially viable for long-term development by the European space sector, which could help in predicting the course of future space technologies and their impact. Those involved in the study (scientists, engineers, SF writers, laymen) reviewed and brain-stormed on the technologies in SF literature and came up with a list of technologies which an expert team is assessing to see whether they might be worthy of greater in-depth evaluation. -
Full Schedule
WELCOME TO LONCON 3 This spiral-bound pocket programme is your guide to the convention: it contains everything you need to know about the programme items and participants, the main events and opening hours, and maps of our convention centre as well as maps of London Transport and the Docklands Light Railway (DLR). It also includes a restaurant guide. In addition, you’ll nd information about our Code of Conduct, plus areas like Registration, Childcare, Disabled Access, and Emergency Services, among the large number of useful things. All this information we hope will help make your visit to Loncon 3 a memorable one. We apologise for the small print in some sections of this pocket programme, but there is a lot to include, as we on the Loncon 3 team have gone out of our way to make this con really awesome. — Steve Cooper and Alice Lawson “World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC”, “Hugo Award”, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Loncon 3 is the trading name of London 2014 Ltd, a company limited by guarantee, registered in England, company number: 7989510. Registered Ofce: 176 Portland Road, Jesmond, Newcastle Upon Tyne, NE2 1DJ, UK. The Restaurant Guide was complied by Kake Pugh, Shana Worthen, Martin Petto, Lizzy Allen, Billy Abbott, and Edward James, and edited by Kake Pugh. The Programme Schedules were produced by the Programme team. General Read Me information was edited by Flick, and proofread by Janice Gelb. -
Its Mission: to Explore Strange New Fanac, to Seek out New Fandoms and New Conventions, to Boldly Go Where No Trufan Has Gone Before."
INTRODUCING THE COLUMN OF FANDOM WORLD RECORDS p.14 JEAN-CLAUDE DUNYACH ON FRENCH SCIENCE FICTION p.23 TEDDY HARVIA CARTOONS GARCHING-CON 9 - LoCol "Its mission: To explore strange new fanac, to seek out new fandoms and new conventions, to boldly go where no trufan has gone before." AND SOME MORE STUFF IN THIS ISSUE: REPORT: GARCHINGCON 9, 17-19 MAY 2013, p 5 - LETTERS OF COMMENT, page 32 RUNNING MY 1:ST CONVENTION - NASACON 1980 - AN EMBARRASSING FAILURE - page 16 VISITING THE UTOPIALES NANTES (FRANCE) WEBSITE, p 22 - HAVAM'AL SELECT VERSES COUNTERCLCK # 15 Occasionally individual sf-fans who have been So, whenever asked, I've simply stated the unaware of our sub-culture for decades find obvious: there is no fandom in Greece, there their way into fandom or are found by other sf- never was one, and there will probably never be fans. It is, however, a rare thing indeed to find one. an entire, parallel sf-fandom which has been By Ghod, was I wrong. (And I share at least some isolated from the rest of fandom ever since its of the blame, but not much of it, with those beginnings. repeating my fantra.) Bellis reports from the very cradle of human imagination itself, the country which has On the 26th of July, 2013, I got the following fascinated the world with its mythological message from my good friend Nikolétta "Nikko" creatures, with their fantastic tales of gods and Voútsa on Skype: demigods, and last but not least, the sunken "I'm going to see my cousins tomorrow at noon for continent of Atlantis. -
SF/SF #154! 1!July 2014 Science Fiction / San Francisco
Science Fiction/San Francisco Issue 154 July 2014 Clockwork Alchemy Fanime Big Wow! Westercon ...and more! SF/SF #154! 1!July 2014 Science Fiction / San Francisco Issue 154 Editor-in-Chief: Jean Martin June 25, 2014 Managing Editor: Christopher Erickson email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................Christopher Erickson.............. ........................................................................................ 3 Letters of Comment ...................................................................Jean Martin............................. ........................................................................................ 5 Alternate Empires: Performers and Writers at Clockwork Alchemy 2014................................................ Kirsten Weiss .........................Photos by Kirsten Weiss................................................. 6 Grinding Gears: Costumes and Entertainment at Clockwork Alchemy 2014................................................ Christopher Erickson.............. Photos by Christopher Erickson ...................................11 Fanime Report............................................................................ Robbie Pleasant...................... Photos by Robbie Pleasant........................................... 24 Thoughts on My First Fanime Experience ..............................Michael Boehm ......................Photos by Cindy Tsai................................................... -
Art Show Programme Demonstrations Special Events Chesley Awards
Art at Loncon 3 Art Show Programme Demonstrations Special Events Chesley Awards Art at Loncon 3 Page 2 The Art Show The Art Show at Loncon 3 comprises the main Art Show, where works are sold to the highest bidder, and the Print Shop, where prints are available for immediate purchase at a fixed price. To buy from either display, you first need to register as a bidder and be assigned a bidder number. This can be done at the control desk just inside the Art Show entrance. To buy a print, just make a note of the item you are interested in (artist and title) and then go to the control desk to make your purchase. For the main show, each for-sale item has a bid sheet next to it, where bidders enter their offers and bidder numbers. A minimum reserve price will be listed, and you must bid more than any previous bidder. The bid sheets have room for six bids. If the sheet is full (i.e. there are six bids) when the show closes at Noon on Sunday, the item will go to the Art Auction. If there are less than six bids, then the item will go automatically to the highest listed bidder. A special “Buy It Now” option is also available for some items. This will be available on Friday and Saturday only, and enables you to buy an Art Show item instantly for a stated “retail” price - as long as there are no other bids already. This is particularly intended to help Day Members who are not able to come back on Sunday.