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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Creative Destruction and the Music Industry
Creative Destruction and The Music Industry A Thorough approach on new technologies and their impact on the sustainability of the music market. FLAVIO SEFA SUPERVISOR Daniel Nordgård University of Agder, 2019-2020 Faculty of Fine Arts Department of Popular Music Table of Contents Introduction .................................................................................................................................................. 3 Research Question .................................................................................................................................... 4 Sub Research Question ............................................................................................................................. 4 Aim of Research ........................................................................................................................................ 4 Methodology ................................................................................................................................................. 5 Definitions ................................................................................................................................................. 7 Creative Destruction ..................................................................................................................................... 8 Creative Destruction and Disruptive innovation .................................................................................... 11 The Main Stages of The Music Industry ..................................................................................................... -
Stream-Ripping: Its Role in the UK Music Piracy Landscape Three Years On
Stream-ripping: Its role in the UK music piracy landscape three years on September 2020 PRS for Music Foreword Stream-ripping: its role in the UK music piracy landscape three years on builds on research we published with the Intellectual Property Office three years ago. The initial research, Stream-ripping: How it works and its role in the UK music piracy landscape, came at a time when little work had been done to understand the size of problem posed by stream-ripping. The previous report allowed us to map the landscape of online music piracy and to gain insight into the functioning and the business model of stream-ripping services. We found evidence to support our assumption that stream-ripping was on course to become the dominant mode of online infringement. This second wave of research shows that our expectation is now the reality: stream-ripping services account for more than 80% of the top 50 music specific piracy sites. We can see that the services are becoming more sophisticated, offering better quality downloads, evolving their revenue streams, and becoming more adept at operating beneath the radar, with many using the popular content delivery network Cloudflare to obfuscate the location of their servers. But what we can also see is that concerted efforts by the industry do work: a reduction of more than 50% of BitTorrent sites can be attributed to increased geo-blocking and enforcement efforts over the past three years. Since this research was conducted, the world has changed beyond what anyone could have imagined. Amidst the massive societal changes, the almost global lockdown caused by the COVID-19 pandemic has also accelerated the acculturation of digital services. -
Numer 2/2013
Numer 2/15/2013 ISSN 2299-5536 l UMOWA UP RP – SIPO CHRL – WAŻNA DLA PRZEDSIĘBIORCÓW I WYNALAZCÓW l PRAWO W INTERNECIE – JAK KORZYSTAĆ LEGALNIE Z ZASOBÓW SIECI l EDUKACJA = INNOWACYJNA GOSPODARKA l ROK PROF. J. CZOCHRALSKIEGO l CZY MOŻNA WIEDZIEĆ „PRZEDTEM”, CO BĘDZIE „POTEM” – PROF. E. MĄCZYŃSKA, PREZES PTE l ORZECZNICTWO TRYBUNAŁU atentowego RP SPRAWIEDLIWOŚCI UE O ZNAKACH rzędu P TOWAROWYCH l REFORMA PCT U l TROLLE PATENTOWE l PRAWO DO GENÓW l DRZWI OTWARTE UP RP WSPIERAMY MŁODYCH WYNALAZCÓW KONFERENCJE I INNE PRZEDSIęWZIęCIA UP RP W III KWARTALE 2013 r. 5-6 września w Krakowie Międzynarodowe seminarium z cyklu: WŁASNOŚĆ PRZEMYSŁOWA W INNOWACYJNEJ GOSPODARCE „WDRAżANIE INNOWACJI: PRZEKSZTAłCANIE WIEDZY W ZYSK” 16-20 września w Cedzynie XXXII SYMPOZJUM RZECZNIKÓW PATENTOWYCH SZKÓł WYżSZYCH 23 września w siedzibie Urzędu spotkanie z młodymi naukowcami i konstruktorami „NAukA JEST SUPER” Zajęcia poprowadzą dorośli specjaliści razem z dziećmi, które zaprezentują swoje pasje, konstrukcje, hodowle. l Dlaczego warto grać na komputerze? l Proste programowanie komputerów. l Bezzałogowe łodzie podwodne. l Bajeczne eksperymenty chemiczne. To główne tematy tego fascynującego spotkania. 26-27 września FESTIWAL NAukI W URZęDZIE PATENTOWYM l 26 września wykład i panel dyskusyjny „O przeszłości i przyszłości wynalazków”, w którym wezmą udział: dr Sławomir Łotysz – Uniwersytet Zielonogórski, prof. Bolesław Orłowski – Polska Akademia Nauk, Instytut Pamięci Narodowej, Michał Szota – Prezes, Stowarzyszenie Polskich Wynalazców i Racjonalizatorów, Zbysław Szwaj, konstruktor – Leopard Automobile-Mielec l 27 września wykład i panel dyskusyjny „Jak czerpać korzyści materialne z patentów i innych praw niematerialnych?”, w którym udział wezmą: Karol Król – Prezes, Beesfund, Piotr Tomaszewski – Prezes Zarządu, Patentbroker, Dr inż. Wojciech Nawrot – Autorski Park Technologiczny oraz przedstawiciele UP RP SPIS TREŚCI Szanowni Państwo, O wartościach europejskich ......................................... -
Ummy Youtube Video Downloader V2831 Download
Ummy YouTube Video Downloader V2.8.3.1 Download Ummy YouTube Video Downloader V2.8.3.1 Download 1 / 3 2 / 3 Adobe Dreamweaver CC 2019 19.0.0 Download Crack Free2Here.. Download the full ... Ummy YouTube Video Downloader V2.8.3.1 .rarl .... 0ad (0.0.23.1-2): Real-time strategy game of ancient warfare; 0ad-data ... for toggling the power on NVIDIA Optimus video cards; bbtime (0.1.5-13+b1): Time tool for the ... bgoffice-dict-downloader (0.10) [contrib]: download dictionaries for gbgoffice ... (8.3-1+b1): XMPP gateway to connect to IRC servers; bibtex2html (1.99-2) .... This gem download stats page shows you what's being used in the ... 2009-03-01 www/rubygem–actionwebservice: from rails 2.0 ... youtube–g is a pure Ruby client for the YouTube GData API. ... You can install PQA via RubyGems by downloading the RubyGem file and ... Computer programming video …. Download any videos from YouTube as files (mp3, mp4, HD format) and save them. Ummy for ... Ummy Youtube Video Downloader V2.8.3.1 Télécharger.. ... Converter Ultimate 8.8.8 Multilingual +Serial Key downloadCRACK Ummy YouTube Video Downloader v2.8.3.1BluffTitler.DX9.iTV.v8.3.1.2.. ii. KEY WORDS. Creativity, higher education, learning and teaching, second ... 8.3.1 Illumination (with headlights on low beam). 247 ... that I could, for example, review content, download recorded lectures, visit ... with a few video and discussions boards–hardly creative or new. ... the yummy stuff that happens in my practice.”.. Evaer Video Recorder For Skype 1.8.1.22 Patch - Crackingpatchi Setup Free. -
Digital Music Business Models
School of Journalism and Mass Communications Faculty of Economic and Political Sciences Digital Music Business Models BY Esra Poryalı A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF DIGITAL MEDIA, COMMUNICATION AND JOURNALISM Specialization: Digital Media, Communication, Culture Supervisor: Prof. George Tsourvakas Prof. George Kalliris Prof. Andreas Veglis May 2019 Abstract The Internet and modern-day technologies have changed the way people connect with the world around them. The music industry is one of the areas that is undoubtedly affected by the Internet. Music technologies have faced a drastic reorganization process due to the digital revolution that changed the way people consume, source, listen, purchase, discover, experience, produce, read and learn music. These technological advancements have induced great changes for artists, listeners, and producers. This study will attempt to investigate the business models of digital music that can be profitable in the future. As previous studies suggest (Arditi, 2017), with the introduction of the technological revolution the whole revenue mechanism has shifted. This study attempts to give insight into the changing revenue mechanism of how musicians, record labels, make money from digital music by analyzing the digital music business models from the perspective of the consumer, the record labels and the artists. The fundamental questions this study attempts to address are a) how technology has changed by presenting an overview of the music industry, b) what kind of digital music business models exist by analyzing their effects from the perspective of the listeners, artists and record labels, and c) what happens if the business model does not meet the demand of the users by explaining the ‘piracy’ phenomenon. -
D3.2B Digital Library Reference Model
DL.org: Coordination Action on Digital Library Interoperability, Best Practices and Modelling Foundations Funded under the Seventh Framework Programme, ICT Programme – “Cultural Heritage and Technology Enhanced Learning” Project Number: 231551 Deliverable Title: D3.2b The Digital Library Reference Model Submission Due Date: September 2010 Actual Submission Date: April 2011 Work Package: WP3 Responsible Partner: CNR Deliverable Status: Final DL.org www.dlorg.eu Document Information Project Project acronym: DL.org Project full title: Coordination Action on Digital Library Interoperability, Best Practices & Modelling Foundations Project start: 1 December 2008 Project duration: 24 months Call: ICT CALL 3, FP7-ICT-2007-3 Grant agreement no.: 231551 Document Deliverable number: D3.2b Deliverable title: The Digital Library Reference Model Editor(s): L. Candela, A. Nardi Author(s): L. Candela, G. Athanasopoulos, D. Castelli, K. El Raheb, P. Innocenti, Y. Ioannidis, A. Katifori, A. Nika, G. Vullo, S. Ross Reviewer(s): C. Thanos Contributor(s): (DELOS Reference Model Authors) L. Candela; D. Castelli; N. Ferro; Y. Ioannidis; G. Koutrika; C. Meghini; P. Pagano; S. Ross; D. Soergel; M. Agosti; M. Dobreva; V. Katifori; H. Schuldt Participant(s): CNR, NKUA, UG Work package no.: WP3 Work package title: Digital Library Models and Patterns Work package leader: CNR Work package participants: CNR, NKUA, UG Est. Person-months: 6 Distribution: Public Nature: Report Version/Revision: 1.0 Draft/Final Final Total number of pages: 273 (including cover) Keywords: Reference Model; Content Domain Model; User Domain Model; Functionality Domain Model; Policy Domain Model; Quality Domain Model; Architecture Domain Model; Conformance Criteria; Conformance Checklist; Page 2 of 273 D3.2b The Digital Library Reference Model DL.org – No. -
SYSTEM ABSICHERN Ausbruchsichere Sandbox Für Unsichere Programme
DVB-T/C: Drei LAN-taugliche COMMUNITY-EDITION TV-Tuner im Vergleichstest S. 82 Frei kopieren und beliebig weiter verteilen ! 02.2014 Y t Daten verschlüsseln, unsichere Anwendungen einsperren, Portscans abwehren SECURI SYSTEM ABSICHERN Ausbruchsichere Sandbox UNER • • UNER für unsichere Programme t aufsetzen mit AppArmor S. 26 VB- d • • Offene Ports finden und Angreifer abblocken mit ORING Shodan und Portspoof S. 30, 32 t ONI Partitionen transparent verschlüsseln und Dateien Truecrypt-kompatibel bequem in der GUI chiffrieren S. 38, 42 ING • LAN-M • ING d Überraschende Einblicke in Valves SteamOS S. 16 Debian statt Ubuntu, voller Gnome-Desktop, UEFI und Nvidia als Voraussetzung Jubiläum: Fedora 20 S. 6 Digitale Offline-Tagebücher Rundes Release zum 10. Geburtstag Lebensbeichte mal ohne Facebook & Co. S. 46 Top-Distris auf zwei Heft-DVDs E-BOOKS • CROWdFUN • E-BOOKS EUR 8,50 EUR 9,35 sfr 17,00 EUR 10,85 EUR 11,05 EUR 11,05 02 www.linux-user.de Deutschland Österreich Schweiz Benelux Spanien Italien 4 196067 008502 02 Editorial Hört die Signale Sehr geehrte Leserinnen und Leser, dass der Netzbürger von der Großen Ko- alition nichts Gutes zu erwarten hätte, ließ schon der Entwurf des Koalitionsver- trags vermuten (siehe Editorial der letz- ten Ausgabe). Inzwischen steht die Gro- ße Koalition, und deren erste Maßnah- men in Richtung Netzpolitik und Daten- Jörg Luther schutz lassen sich nur als desaströs be- Chefredakteur zeichnen. So setzte der 18. Bundestag zwar nicht weniger als 22 ständige Aus- schüsse sofort ein, einen Ausschuss für Internet und Digitale Agenda aber legte Wie es richtig geht, das macht der deut- Mein Vorschlag: Die Bundesrepublik man auf Eis, mindestens bis Februar û. -
GOOD MONEY GONE BAD Digital Thieves and the Hijacking of the Online Ad Business a Report on the Profitability of Ad-Supported Content Theft
GOOD MONEY GONE BAD Digital Thieves and the Hijacking of the Online Ad Business A Report on the Profitability of Ad-Supported Content Theft February 2014 www.digitalcitizensalliance.org/followtheprofit CONTENTS Contents .............................................................................................................................................................i Table of References .....................................................................................................................................ii Figures .........................................................................................................................................................................................ii Tables ...........................................................................................................................................................................................ii About this Report ..........................................................................................................................................1 Executive Summary .................................................................................................................................... 3 Three Key Relevant Growth Trends .................................................................................................... 4 Methodology .................................................................................................................................................. 4 Sites Studied .......................................................................................................................................................................... -
Bulgaria International Intellectual Property Alliance (Iipa) 2014 Special 301 Report on Copyright Protection and Enforcement
BULGARIA INTERNATIONAL INTELLECTUAL PROPERTY ALLIANCE (IIPA) 2014 SPECIAL 301 REPORT ON COPYRIGHT PROTECTION AND ENFORCEMENT Special 301 Recommendation: IIPA recommends that Bulgaria remain on the Watch List in 2014.1 Executive Summary: The year 2013 for Bulgaria was marked with disruptive political upheaval and prolonged reorganization that prevented any meaningful signs of improvement in Bulgaria’s intellectual property (IP) regime. Enforcement difficulties that IIPA’s members faced in 2012 persisted and, in some cases, worsened. Cases brought against the notorious torrent trackers arenabg.com and zamunda.net still have not been fully resolved, and in the meantime the number and reach of Bulgaria’s hosted pirate sites, infringing peer-to-peer (P2P) services and networks, and even services hosting open and notorious pirate sites and uploaders continues to expand. Bulgaria’s Cyber Crime Unit at the General Directorate was once an important ally for the initiation of investigations into Bulgaria’s copyright criminals, but the Unit has been inactive since it was transferred to a new independent agency and pending cases under its review were transferred to regional police forces. An important casualty of this reorganization was the work begun in late 2012 by the Cyber Crime Unit against uploaders at the popular video streaming service VBox7.com , which provides hosting services to hundreds of thousands of sound and video recordings without authorization. The case now appears stalled. The Cyber Crime Unit was also an important ally in cases against enterprise end-user software piracy, an effort that is now severely hindered for rights holders, mainly due to the structural changes that were ongoing in 2013. -
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Quantifying the Heterogeneous Effects of Piracy on the Demand for Movies
Quantifying the Heterogeneous Effects of Piracy on the Demand for Movies Zhuang Liu∗ University of Western Ontario February 10, 2019 Latest Version: http://publish.uwo.ca/~zliu328/jobmarketpaper.pdf Abstract The debate on digital piracy has attracted significant public attention. An accurate estimate of the loss due to piracy relies crucially on correctly identi- fying the substitution between pirated and paid consumption. Using a novel dataset of weekly piracy downloads collected from the BitTorrent network, I estimate a random-coefficient logit demand model of movies to quantify the effect of movie piracy on movie revenue from two distribution channels: box office and DVD sales. Counterfactual results reveal that digital piracy has het- erogeneous effects on different channels of sales. When all piracy is removed, US box office revenue will only increase by 2.71% ($ 231 million) while US DVD sales will increase by 36% ($ 527 million) over 40 weeks in 2015. In addition, the effects on sales differ substantially by quality of pirated videos. I find strong evidence that one movie's piracy have negative indirect effects on other movie's revenue. Decomposition exercises show that the magnitude of piracy's indirect effects is much larger than the direct effects on its own rev- enue. Lastly, I allow piracy to have potentially positive effects on sales through word of mouth (WOM). The positive WOM effects from all pirated consump- tion have relatively moderate contributions to the industry revenue amounted to $ 68.7 million over 40 weeks in 2015. ∗This paper was previously titled \A Structural Model of Movie Piracy with Word-of-mouth", \Estimating the Effects of fil-sharing on Movie Box office".