BRT Past Schedule 2006
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Nora Kindness
ISSUE 19 / SPRING ’13 THE NEWSLETTER OF THE CALEDONIAN SOCIETY OF CINCINNATI Nora Kindness Support the Caledonian Pipe Band Ceilidh—April 13th at Sycamore Senior Center!!! ISSUE 19 / SPRING ’13 Bill Parsons, Editor 6504 Shadewater Drive Hilliard, OH 43026 513-476-1112 [email protected] THE NEWSLETTER OF THE CALEDONIAN SOCIETY OF CINCINNATI In This Issue: Burns Outstanding!!! 1 BURNS* IS GROWING-$uccessful Event! AGM Minutes 2 *Schedule of Events 2 or those that missed this Burns Night Dinner and Celebration, Oldest Continual Scty. 3 Fguess you missed out this year, CSHD 3 better make plans for 2014! We had Cinti Highld Dancers 3 a wonderful evening of food, fun, A Different Note 4 entertainment, dancing and drink! *Resource List 4 Receptions in Loveland was beautifully decorated and the attentive staff took Nora Kindness 5-7 very good care of all our guests. The *Email PDF Issue only* food was delicious and plentiful Spring Cover C* and the bar reasonably priced. The entertainment for the evening was Nora Kindness 7* outstanding (as always from our Glasgow, WWII 8* local Scottish groups) Kicking off the Out of the Sporran 9-10* evening with the posting of the colors by the Losantiville Highlanders and the anthems by Katelyn Wilshire, she also sang the all-time favored, PAY YOUR DUES! My Hearts in the Highland. We also Don’t forget to pay your current had an informative, ‘The Immoral dues. Memory’ to give a little back ground The Caledonian Society of Cincinnati, on Burns, plus the ‘Toast to the Mike Brooks, Secretary Lassies’ and the ‘Lassies Reply’ which 4028 Grove Ave were done in the most entertaining Cincinnati, OH 45212-4036 way, by a great couple (Louise and happy, although I’m sure some were Once again Recep- myself!) The Cincinnati Scots and the If you have any questions please even happier than others as we had a tions provided a contact Mike at: Cincinnati Highland Dancers both great assortment of raffle prizes given simply stunning event. -
Vocal Grade 4
VOCAL GRADE 4 Introduction Welcome to Grade 4 You are about to start the wonderful journey of learning to sing, a journey that is challenging, but rewarding and enjoyable! Whether you want to jam with a band or enjoy singing solo, this series of lessons will get you ready to perform with skill & confidence. What will you learn? Grade 4 covers the following topics : 1) Guruvandana and Saraswati vandana 2) Gharanas in Indian Classical Music 3) Pandit Vishnu Narayan Bhatkhande 4) Tanpura 5) Lakshan Geet 6) Music & Psychology 7) Raag Bhairav 8) Chartaal 9) Raag Bihag 10) Raag and Time Theory 11) Raag Kafi 12) Taal Ektaal 13) Bada Khyal 14) Guessing a Raag 15) Alankar 1 What You Need Harmonium /Synthesizer Electronic Tabla / TablaApp You can learn to sing without any of the above instruments also and by tapping your feet, however you will get a lot more out of this series if you have a basic harmonium and a digital Tabla to practice. How to Practice At Home Apart from this booklet for level 1, there will be video clippings shown to you for each topic in all the lessons. During practice at home, please follow the method shown in the clippings. Practice each lesson several times before meeting for the next lesson. A daily practice regime of a minimum of 15 minutes will suffice to start with. Practicing with the harmonium and the digital Tabla will certainly have an added advantage. DigitalTablamachinesorTablasoftware’sareeasilyavailableandideallyshould beusedfor daily practice. 2 Lesson 1 GURUVANDANA SARASWATI VANDANA & Guruvandana Importance of Guruvandana : The concept of Guru is as old as humanity itself. -
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7'tie;T;e ~;&H ~ t,#t1tMftllSieotOg, UCLA VOLUME 3 1986 EDITORIAL BOARD Mark E. Forry Anne Rasmussen Daniel Atesh Sonneborn Jane Sugarman Elizabeth Tolbert The Pacific Review of Ethnomusicology is an annual publication of the UCLA Ethnomusicology Students Association and is funded in part by the UCLA Graduate Student Association. Single issues are available for $6.00 (individuals) or $8.00 (institutions). Please address correspondence to: Pacific Review of Ethnomusicology Department of Music Schoenberg Hall University of California Los Angeles, CA 90024 USA Standing orders and agencies receive a 20% discount. Subscribers residing outside the U.S.A., Canada, and Mexico, please add $2.00 per order. Orders are payable in US dollars. Copyright © 1986 by the Regents of the University of California VOLUME 3 1986 CONTENTS Articles Ethnomusicologists Vis-a-Vis the Fallacies of Contemporary Musical Life ........................................ Stephen Blum 1 Responses to Blum................. ....................................... 20 The Construction, Technique, and Image of the Central Javanese Rebab in Relation to its Role in the Gamelan ... ................... Colin Quigley 42 Research Models in Ethnomusicology Applied to the RadifPhenomenon in Iranian Classical Music........................ Hafez Modir 63 New Theory for Traditional Music in Banyumas, West Central Java ......... R. Anderson Sutton 79 An Ethnomusicological Index to The New Grove Dictionary of Music and Musicians, Part Two ............ Kenneth Culley 102 Review Irene V. Jackson. More Than Drumming: Essays on African and Afro-Latin American Music and Musicians ....................... Norman Weinstein 126 Briefly Noted Echology ..................................................................... 129 Contributors to this Issue From the Editors The third issue of the Pacific Review of Ethnomusicology continues the tradition of representing the diversity inherent in our field. -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Mohawk Valley Irish Cultural
MOHAWK VALLEY IRISH CULTURAL Volume 13, Issue 11 EVENTS NEWSLETTER Nov 2016 Enter the Haggis Comes Back Home November 5th is no doubt going to be a long day for Toronto Celtic Rockers Enter the Haggis. Beginning at 10 AM at the F.X. Matt Brewery’s 1888 Tavern, they’ll be hosting a listening party for their latest release, “Broken Arms,” and then at 7 PM they’ll be giving a concert in MVCC’s Schafer Theater. Since 1995, Enter the Haggis has led the charge among Celtic Folk Rock bands, with their most recent album debuting at No. 9 on the U.S. national Billboard Heatseekers charts. And while their ambitious touring schedule has earned them fans around the globe, they seem to have a special affinity for the folks in this area. Their first trip here was in April 2005 to perform at Utica’s legendary club, the Devereux, and they’ve returned at least once a year ever since then. Besides their several appearances as headliners at the Great American Irish Festival and playing at every “festival eve” Saranac Thursday since 2009, they have also included Utica as one of only two cities to hold listening parties for their last two CD releases (the other being a small Irish town called Boston). The band’s new album, “Broken Arms” is their third EP (fourth if you include the one the released as Jubilee Riots) to go along with their eight studio, five live and one compilation CDs (and if that wasn’t enough, guitarist/vocalist Trevor Lewington just released a new solo album, “Lion of Grace,” while House of Hamill -- the duo made up of bandmate Brian Buchanan and his fiancée, Burning Bridget Cleary’s Rose Baldino -- has just released an album called “Wide Awake”). -
MUS 115 a Survey of Music History
School of Arts & Science DEPT: Music MUS 115 A Survey of Music History COURSE OUTLINE The Approved Course Description is available on the web @ TBA_______________ Ω Please note: This outline will not be kept indefinitely. It is recommended students keep this outline for your records. 1. Instructor Information (a) Instructor: Dr. Mary C. J. Byrne (b) Office hours: by appointment only ( [email protected] ) – Tuesday prior to class at Camosun Lansdowne; Wednesday/Thursday at Victoria Conservatory of Music (c) Location: Fischer 346C or Victoria Conservatory of Music 320 (d) Phone: (250) 386-5311, ext 257 -- please follow forwarding instructions, 8:30 a.m. to 8:00 p.m. weekdays, 10:00 to 2:00 weekends, and at no time on holidays (e) E-mail: [email protected] (f) Website: www.vcm.bc.ca 2. Intended Learning Outcomes (If any changes are made to this part, then the Approved Course Description must also be changed and sent through the approval process.) Upon successful completion of this course, students will be able to: • Knowledgeably discuss a performance practice issue related to students’ major • Discuss select aspects of technical developments in musical instruments, including voice and orchestra. • Discuss a major musical work composed between 1830 and 1950, defending the choice as a seminal work with significant influence on later composers. • Prepare research papers and give presentations related to topics in music history. 1 MUS 115, Course Outline, Fall 2009 Mary C. J. Byrne, Ph. D. Camosun College/Victoria Conservatory of Music 3. Required -
Spring Season 2020
The Mall, Waterford Box Office: 051 874 402 www.theatreroyal.ie SPRING SEASON 2020 Follow us on: BOOKINGS CARERS POLICY The Theatre Royal accepts bookings in person, by phone A carers discount is applicable on certain performances or online. All ticket prices include €1 transaction fee for and on presentation of a carers card. 3rd party charges. REFUND POLICY 051 874 402 PHONE: A refund can be made no later than close of business, Payment is accepted by cash, cheque, laser, IN PERSON: 4pm, on the day before the event. A refund will be debit or credit card. made in the form of credit for Theatre Royal events. You can book your tickets online at ONLINE: No refund can be issued on the day of the event or You can also select your seat from www.theatreroyal.ie following an event. the seat map. THE STAGE DOOR BAR BOX OFFICE OPENING HOURS Why not relax and enjoy a pre-show drink. Select wines, MONDAY-FRIDAY: soft drinks, bottled beers, tea and coffee are available 10am – 4pm (10am – 8pm on performance days) an hour before performance. SATURDAY: Pre-order your interval drink before the performance. 12pm – 4pm (12pm – 8pm on performance days) Our Front of House team will be on stand-by to take your SUNDAYS & BANK HOLIDAYS: order. Box Office opens one hour before the performance for ticket sales & collection SESSIONS CONCESSIONS During a Session, the Stage Door Bar will remain open until 8pm; theatre Concessions for Seniors, Students, Unwaged and customers have the option to bring Stage Children are available for selected productions. -
Smith Alumnae Quarterly
ALUMNAEALUMNAE Special Issueue QUARTERLYQUARTERLY TriumphantTrT iumphah ntn WomenWomen for the World campaigncac mppaiigngn fortififorortifi eses Smith’sSSmmitith’h s mimmission:sssion: too educateeducac te wwomenommene whowhwho wiwillll cchangehahanngge theththe worldworlrld This issue celebrates a stronstrongerger Smith, where ambitious women like Aubrey MMenarndtenarndt ’’0808 find their pathpathss Primed for Leadership SPRING 2017 VOLUME 103 NUMBER 3 c1_Smith_SP17_r1.indd c1 2/28/17 1:23 PM Women for the WoA New Generationrld of Leaders c2-50_Smith_SP17.indd c2 2/24/17 1:08 PM “WOMEN, WHEN THEY WORK TOGETHER, have incredible power.” Journalist Trudy Rubin ’65 made that statement at the 2012 launch of Smith’s Women for the World campaign. Her words were prophecy. From 2009 through 2016, thousands of Smith women joined hands to raise a stunning $486 million. This issue celebrates their work. Thanks to them, promising women from around the globe will continue to come to Smith to fi nd their voices and their opportunities. They will carry their education out into a world that needs their leadership. SMITH ALUMNAE QUARTERLY Special Issue / Spring 2017 Amber Scott ’07 NICK BURCHELL c2-50_Smith_SP17.indd 1 2/24/17 1:08 PM In This Issue • WOMEN HELPING WOMEN • A STRONGER CAMPUS 4 20 We Set Records, Thanks to You ‘Whole New Areas of Strength’ In President’s Perspective, Smith College President The Museum of Art boasts a new gallery, two new Kathleen McCartney writes that the Women for the curatorships and some transformational acquisitions. World campaign has strengthened Smith’s bottom line: empowering exceptional women. 26 8 Diving Into the Issues How We Did It Smith’s four leadership centers promote student engagement in real-world challenges. -
Enter the Haggis - BIO
Enter The Haggis - BIO TER ACE BE OK IKE ND BAND BIO Trevor Lewington – vocals, guitar Brian Buchanan – vocals, fiddle, keyboards, guitar Craig Downie – bagpipes, harmonica, whistle, vocals Mark Abraham – bass, vocals Bruce McCarthy – drums CLICK HERE FOR THE PRESS KIT Over the past three albums and five years, Toronto’s Celtic rock band Enter The Haggis has found itself at the center of a grassroots success story ever teetering on the brink of mainstream success. From playing Celtic festivals to headlining them, and from the festival circuit to selling out multiple nights in rock venues, ETH has blazed a path with heavy and almost constant touring up and down the East Coast, to Canada, the West Coast and back again, winning over success one fan, one town, one region at a time. The band has made waves in the genre, landing high Billboard and iTunes World Music chart positions as well as major television appearances on shows like Live With Regis And Kelly, A&E Breakfast With the Arts and PBS’ popular program Out of Ireland, with its multi-influence style of Celtic rock. It’s the kind of overall sound and devotion package that has created not only die-hard fans, but “Haggis Heads” that follow the band from gig to gig. The band has been together in its current incarnation since members met in the early 2000s in Toronto, where more than half the band was studying its craft in the city’s colleges and universities. With that kind of classically trained background Enter The Haggis is constantly honing and evolving its sound – blending elements of rock and pop with traditional Celtic fare, an art school eclecticism and a keen sense of arrangement. -
Woodwind Family
Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute. -
Area Irish Music Events
MOHAWK VALLEY IRISH CULTURAL Volume 14, Issue 2 EVENTS NEWSLETTER Feb 2017 2017 GAIF Lineup: Old Friends, New Voices The official lineup for the 2017 Great American Irish Festival was announced at the Halfway to GAIF Hooley held January 29th at Hart’s Hill Inn in Whitesboro, with a broad array of veteran GAIF performers and an equal number of acts making their first appearance at the festival, and styles ranging from the delicate to the raucous. Headlining this year’s festival will be two of the Celtic music world’s most sought-after acts: the “Jimi Hendrix of the Violin,” Eileen Ivers, and Toronto-based Celtic roots rockers, Enter the Haggis. Fiery fiddler Eileen Ivers has established herself as the pre-eminent exponent of the Irish fiddle in the world today. Grammy awarded, Emmy nominated, London Symphony Orchestra, Boston Pops, guest starred with over 40 orchestras, original Musical Star of Riverdance, Nine Time All-Ireland Fiddle Champion, Sting, Hall and Oates, The Chieftains, ‘Fiddlers 3’ with Nadja Salerno-Sonnenberg and Regina Carter, Patti Smith, Al Di Meola, Steve Gadd, founding member of Cherish the Ladies, movie soundtracks including Gangs of New York, performed for Presidents and Royalty worldwide…this is a short list of accomplishments, headliners, tours, and affiliations. Making a welcome return to the stage she last commanded in 2015, Eileen Ivers will have her adoring fans on their feet from the first note. Back again at their home away from home for the 11th time, Enter the Haggis is poised to rip it up under the big tent with all the familiar catchy songs that have made fans of Central New Yorkers and Haggisheads alike for over 15 years. -
Critical Engagement: Irish Republicanism, Memory Politics
Critical Engagement Critical Engagement Irish republicanism, memory politics and policing Kevin Hearty LIVERPOOL UNIVERSITY PRESS First published 2017 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2017 Kevin Hearty The right of Kevin Hearty to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available print ISBN 978-1-78694-047-6 epdf ISBN 978-1-78694-828-1 Typeset by Carnegie Book Production, Lancaster Contents Acknowledgements vii List of Figures and Tables x List of Abbreviations xi Introduction 1 1 Understanding a Fraught Historical Relationship 25 2 Irish Republican Memory as Counter-Memory 55 3 Ideology and Policing 87 4 The Patriot Dead 121 5 Transition, ‘Never Again’ and ‘Moving On’ 149 6 The PSNI and ‘Community Policing’ 183 7 The PSNI and ‘Political Policing’ 217 Conclusion 249 References 263 Index 303 Acknowledgements Acknowledgements This book has evolved from my PhD thesis that was undertaken at the Transitional Justice Institute, University of Ulster (TJI). When I moved to the University of Warwick in early 2015 as a post-doc, my plans to develop the book came with me too. It represents the culmination of approximately five years of research, reading and (re)writing, during which I often found the mere thought of re-reading some of my work again nauseating; yet, with the encour- agement of many others, I persevered.