GODIŠNJAK Annual Review GODIŠNJAK Annual Review 2011/2012

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GODIŠNJAK Annual Review GODIŠNJAK Annual Review 2011/2012 GODIŠNJAK Annual Review GODIŠNJAK Annual review 2011/2012 Zagreb, 2013. godišnjak studija dizajna / school of design annual review 2011/2012 SADRŽAJ Contents Izdavač / publisher 7 PREDGOVOR 163 DIPLOMSKI STUDIJ 227 PROJEKTI Sveučilište u Zagrebu Foreword Graduate programme Projects Arhitektonski fakultet Studij dizajna 11 STUDIJ DIZAJNA U 2012. 167 INDUSTRIJSKI DIZAJN 247 DOGAĐANJA School of design in 2012 Industrial design Events Za izdavača / For the publisher Stipe Brčić 17 PREDDIPLOMSKI STUDIJ 177 VIZUALNE KOMUNIKACIJE 267 IZVEDBENI PROGRAM Undergraduate programme Visual communication Curriculum outline 21 INDUSTRIJSKI DIZAJN 191 TIPOGRAFIJA 289 STUDENTI Industrial design Typography Students 53 VIZUALNE KOMUNIKACIJE 195 INTERAKTIVNI MEDIJI 301 VIJEĆE STUDIJA DIZAJNA, Visual communications Interactive media POVJERENSTVA, PROGRAMSKI ODBOR School of Design Council, Committees, 115 TIPOGRAFIJA 201 FILM I VIDEO Programme Board Typography Film and video 307 AKTIVNOSTI PROFESORA 141 INTERAKTIVNI MEDIJI 209 DIPLOMSKI RADOVI Teachers Activities Interactive media Master’s thesis 311 REGISTAR 147 FOTOGRAFIJA Archive Photography Sva prava pridržana. Niti jedan dio ove publikacije ne smije se reproducirati ni na koji elektronski i mehanički način bez pisane dozvole izdavača. All rights reserved. No part of this publication may be reproduced in any form by any electronic or mechanical means without permission in writing from the publisher. ISSN 1848-7823 5 godišnjak studija dizajna / school of design annual review 2011/2012 PREDGOVOR IZV. PROF. STIPE BRČIĆ Iza nas je dvadesetitreća akademska godina. Prema postignutim voditelj Studija dizajna rezultatima sa zadovoljstvom možemo ustvrditi da je to bila još jedna Arhitektonskog fakulteta Sveučilišta u Zagrebu uspješna godina za naš studij. To će svakako potkrijepiti prezentacija koja slijedi, a koja obuhvaća oba studijska programa. Tu su studentski radovi nastali u okviru nastavnog programa, projekti koji su realizirani Rođen 1948. godine u Osijeku. 1971. diplomirao izvan nastave u suradnji studija sa drugim subjektima, sudjelovanje na slikarstvo na Akademiji likovnih umjetnosti u stručnim događanjima, izložbama kao i druge vannastavne aktivnosti. Zagrebu, u klasi prof. Miljenka Stančića. Od 1968. Kronološkim pregledom uočljivo je programirano usvajanje znanja do 1972. stalni suradnik u ateljeu arh. Vjence- slava Richtera. Od 1977. do 1989. član autorskog i vještina na preddiplomskom studiju, kao i snažno prisustvo istraži- tima Vizualne komunikacije Centra za industrij- vačke komponente na diplomskom studiju. sko oblikovanje CIO. 1983. član-osnivač Društva U svom radu studenti pokazuju izuzetnu osvještenost za civiliza- dizajnera Hrvatske. Od 1985. do 1989. predsjednik Društva dizajnera Hrvatske. 1990. osniva vlastiti cijske probleme suvremenog društva. Zastupaju kritičko-analitički studio Norma International. Od 1986. do 1988. stav prema praksama ekonomije velikih razmjera, uočavaju vrijednost član radne grupe za osnivanje i izradu okvirnog kulture i novih tehnologija te zagovaraju društvenu i ekološku odgo- programa Studija dizajna na Sveučilištu u Zagrebu na kojem, po osnivanju 1989. godine, postaje vornost dizajnera. predavač na kolegiju Projektiranje. Od 2002. do Radovi iz kolegija Projektiranje (industrijski dizajn i dizajn vizualnih 2006. voditelj Studija dizajna. Od 2004. do 2005. komunikacija), te diplomski radovi rezultat su primjene obrazovnog koordinator radne grupe za izradu studijskog programa u sklopu ‘bolonjske’ reforme i koautor procesa koji podrazumijeva povezanost formativnih i informativnih izvedbenog programa iz kolegija Projektiranje/ predmeta na jednoj razini i prožimanje umjetničkog, humanističkog i vizualne komunikacije 1–6 (preddiplomski stu- tehničkog područja na drugoj razini. dij) i Dizajn vizualnih komunikacija 1–4 (diplom- ski studij). Od 2011. godine voditelj Studija dizajna. Ovakav interdisciplinarni edukacijski koncept odredio je i organi- Osim pedagoškog rada kao profesionalni diza- zacijski format Studija od njegovog osnivanja. On na najbolji mogući, jner autor je vizualnog identiteta niza značajnih ali nažalost usamljeni način predstavlja integrirano Sveučilište. Inter- gospodarskih subjekata, institucija, manifesta- cija i robnih marki (Agrokor, Badel, Ina, Hrvatska institucionalno organiziran Studij je u sklopu ‘bolonjske’ reforme, a udruga poslodavaca, Turistička zajednica Split- na osnovu kvalitetnih programa, dobio dopusnice za izvođenje pred- sko-dalmatinske županije itd.). diplomskog i diplomskog studija. Izlagao na mnogim domaćim i međunarodnim izložbama. Uvršten u izložbu Avangardne tenden- Unatoč izvrsnim rezultatima, administrativno-birokratsko okruže- cije u hrvatskoj umjetnosti, Zagreb, 2007. godine. nje i uspostavljena legislativa ozbiljno ugrožavaju ovaj model. Prema 1982. godine uvršten u stalni postav Muzeja potonjoj Studij formalno nema ni minimalno propisani broj stalno moderne umjetnosti u New Yorku. Dobitnik mno- gih nagrada i priznanja. Kao član tima Vizualne zaposlenih nastavnika da bi uopće mogao izvoditi studijski program. komunikacije CIO-a 1980. godine dobiva godišnju Nastavnici koji izvode nastavu, a zaposleni su na fakultetima koji sudje- nagradu za kulturu RH Vladimir Nazor. luju u organizaciji Studija ne ubrajaju se u propisanu kvotu!? S druge strane, Studij u užim stručnim područjima, a takvih je zbog razvoja novih tehnologija i (digitalnih) medija u posljednjem desetljeću više nego u bilo kojem drugom području, ne može zapošljavati odgovarajući kadar jer se podrazumijeva da oni postoje na navedenim fakultetima, što nije točno! Problem je dodatno eskalirao prilikom reakreditacije studijskih programa u ožujku. Ona je obavljena u sklopu Arhitekton- skog fakulteta, u tehničkom području, a sudjelovanje ostalih fakulteta uglavnom nije bilo ‘vidljivo’. 7 godišnjak studija dizajna / school of design annual review 2011/2012 godišnjak studija dizajna / school of design annual review 2011/2012 Nužno je redifiniranje organizacijskog modela Studija dizajna. Zbog Foreword prirode područja, imperativ je jačanje i širenje interdisciplinarne osno- vice, koji će ujedno osigurati kontinuitet projektu što smo ga započeli prije 23 godine. Novi model podrazumijeva optimalno rješenje kadrov- skih, administrativnih, materijalnih i prostornih problema. U cilju funkcionalnijeg korištenja postojećeg, kao i stavljanja u funk- ciju do sad nekorištenog prostora, Studij je nakon opsežnih tehničkih i proceduralnih priprema ovog ljeta pristupio rekonstrukciji prostora u Frankopanskoj 12. Njome se predviđa uređenje i tehničko opremanje ASSOCIATE PROFESSOR The twenty third academic year is behind us. According to the accom- multifunkcionalnog studija za fotografiju, video, film i elektroničku STIPE BRČIĆ plished results, we can affirm, with satisfaction, that it has been yet Head of School of Design montažu, uređenje studija za industrijsko oblikovanje, uređenje velike Faculty of Architecture another successful for our School. The forthcoming presentation, com- dvorane s ugradnjom prezentacijske tehnike (1. faza), ugradnja prezen- University of Zagreb prising both study programmes, will certainly further support this tacijske tehnike u studio za vizualne komunikacije, uređenje i oprema statement. There are also students’ works realised within the curricu- redakcije za nakladničku djelatnost. Ovaj zahvat će u novoj akademskoj Born in 1948, in Osijek. In 1971 graduated from lum, projects carried out as results of extra-academic cooperation of the godini osigurati znatno bolje uvjete, kako za izvođenje nastave, tako i the Academy of Fine Arts in Zagreb, Painting School and other entities, participation in professional events, exhibi- za ostale aktivnosti, prije svega uvođenje prakse gostujućih predavanja Department, in the class of Prof. Miljenko Stan- tions and other extra-curricular activities. čić. From 1968 to 1972 was a permanent associ- u velikoj dvorani. ate with the architect Vjenceslav Richter’s studio. A chronological overview clearly brings forward the fact that the Na kraju želim zahvaliti svim studenticama i studentima koji su nam From 1977 to 1989 acted as an authoring member knowledge and skills acquisition process on the undergraduate level is protekle akademske godine, u svakom pojedinačnom slučaju, priuštili of the visual communications design team at the a programmed activity, as much as it underlines a marking presence of Industrial Design Centre (CIO). In 1983 became a neponovljivo iskustvo, koje u edukaciji u kreativnom području već co-founding member of the Croatian Designers the explorative component on the graduate level. odavno nije jednosmjerni proces. Society (HDD). From 1985 to 1989 held the posi- In their work, students demonstrate a remarkable awareness of civi- Također zahvaljujem svim nastavnicima i suradnicima na prinosu tion of President of the Croatian Designers Asso- lisation problems pertinent to the contemporary society. They plead ciation (HDD). In 1990 established his own studio, u ostvarenim rezultatima, a upravi Arhitektonskog fakulteta na čelu s Norma International. From 1986 to 1988 acted in favour of a critical-analytical standpoint with regard to large-scale dekanom izv. prof. Borisom Koružnjakom na organizaciji Studija. as a member of the working group in charge of economies’ practice; they are responsive to values of the culture and founding of the School of Design and drafting of new technologies, and stand up for the social and ecological responsi- its educational programme framework. After the Voditelj
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