Zagreb ESSENTIAL Spring 2015 CITY G UIDES
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Production Guide 2009/2010
Editor Sanja Ravlić, Vanja Sremac Proofreading Vanja Sremac Design Šesnić&Turković Publisher Croatian Audiovisual Centre, Zagreb, May, 2010 Printed by Kolor klinika d.o.o. Print run 300 Contents 4 Croatian Audiovisual Centre 7 Production Companies 17 Production Companies - Commercials 19 Post Production Service and Rental Companies 22 Film and Art Associations 23 Distributors 25 Exhibitors 27 National Broadcasters 28 State and Public Institutions 29 Professional Associations and Guilds 31 Film Publications 32 Authors’ Rights Collecting Societies 33 Film, Television and Theatre Schools 34 Film Festivals Essential Information about the Audiovisual Industry in Croatia The Croatian Audiovisual Centre Co-productions The Croatian Audiovisual Centre is the Gov- Croatia is a signatory to the European Con- ernement-backed strategic agency for the au- vention on Cinematographic Co-production, a diovisual sector in Croatia. It aims to stimulate member of Eurimages and a member of MEDIA. a successful, vibrant audiovisual industry as Bilateral co-production agreements include well as to promote the widest possible enjoy- Canada, France, Germany and Italy. ment and understanding of audiovisual works throughout Croatia. The Law on Audiovisual Activities is available for download on www.havc.hr (About Us) As a main audiovisual agency in Croatia, we have assumed the overall responsibility for the Distribution and Exhibition growth of Croatia’s audiovisual industry. Our Two major film distributors Blitz Film and Vid- remit ranges from supporting development, eo and Continental Film dominate Croatian production, distribution, exhibition, marketing theatrical distribution market with a market and promotion, to professional training and share of almost 90%. The cinema attendance supporting national film archive through the in 2009 has stayed at the same level as in the system of public subsidies. -
Annual Report for 2018
2018 ANNUAL REPORT OF THE NATIONAL FOUNDATION FOR CIVIL SOCIETY DEVELOPMENT 15 years of support 2018 PODNASLOVI 1 2018. Annual Report Title: Annual Report for 2018 Subtitle: It’s important to have support! Publisher: National Foundation for Civil Society Development Zagreb, Štrigina 1a https://zaklada.civilnodrustvo.hr For the publisher: Cvjetana Plavša-Matić Design: Ideo dizajn d.o.o. Print run: 700 Print: Tiskara Zelina d.d. ISSN 1848-0519 Zagreb, March 2019 The National Foundation is a member of 15 YEARS OF SUPPORT IN CREATING A BETTER SOCIETY The Annual Report of the National Foundation for ro-Med Academy for Philanthropy and Social Develop- 2018, which is before you, marks 15 years of continu- ment, while the National Foundation stood out in the ous activity of the National Foundation for Civil Soci- management of the European Social Fund in its capac- ety Development in creating a better society through ity as Intermediate Body Level 2, which is manifested, civic activism, cross-sectoral cooperation, partnership for example, in the number of resolved applications for and harmonised regional development, and through reimbursement through the ESF Plus platform (292 in responsible and transparent activities for the develop- 2018) and 186 executed grant agreements. ment of the civil society in the Republic of Croatia. 2018 was also the year of measurable indicators of the It was a year of summarising the results which showed changes and impact we had achieved by investing into that in the past 15 years, through 81 published calls for -
Bauhaus Networking Ideas and Practice NETWORKING IDEAS and PRACTICE Impressum
Museum of Contemporary Art Zagreb Zagreb, 2015 Bauhaus networking ideas and practice NETWORKING IDEAS AND PRACTICE Impressum Proofreading Vesna Meštrić Jadranka Vinterhalter Catalogue Bauhaus – Photographs Ј Archives of Yugoslavia, Belgrade networking Ј Bauhaus-Archiv Berlin Ј Bauhaus-Universitat Weimar, Archiv der Moderne ideas Ј Croatian Architects Association Archive, Graphic design Zagreb Aleksandra Mudrovčić and practice Ј Croatian Museum of Architecture of the Croatian Academy of Sciences and Arts, Zagreb Ј Dragan Živadinov’s personal archive, Ljubljana Printing Ј Graz University of Technology Archives Print Grupa, Zagreb Ј Gustav Bohutinsky’s personal archive, Faculty of Architecture, Zagreb Ј Ivan Picelj’s Archives and Library, Contributors Museum of Contemporary Art, Zagreb Aida Abadžić Hodžić, Éva Bajkay, Ј Jernej Kraigher’s personal archive, Print run Dubravko Bačić, Ruth Betlheim, Ljubljana 300 Regina Bittner, Iva Ceraj, Ј Katarina Bebler’s personal archive, Publisher Zrinka Ivković,Tvrtko Jakovina, Ljubljana Muzej suvremene umjetnosti Zagreb Jasna Jakšić, Nataša Jakšić, Ј Klassik Stiftung Weimar © 2015 Muzej suvremene umjetnosti / Avenija Dubrovnik 17, Andrea Klobučar, Peter Krečič, Ј Marie-Luise Betlheim Collection, Zagreb Museum of Contemporary Art, Zagreb 10010 Zagreb, Hrvatska Lovorka Magaš Bilandžić, Vesna Ј Marija Vovk’s personal archive, Ljubljana ISBN: 978-953-7615-84-0 tel. +385 1 60 52 700 Meštrić, Antonija Mlikota, Maroje Ј Modern Gallery Ljubljanja fax. +385 1 60 52 798 Mrduljaš, Ana Ofak, Peter Peer, Ј Monica Stadler’s personal archive A CIP catalogue record for this book e-mail: [email protected] Bojana Pejić, Michael Siebenbrodt, Ј Museum of Architecture and Design, is available from the National and www.msu.hr Barbara Sterle Vurnik, Karin Šerman, Ljubljana University Library in Zagreb under no. -
Croatian Films @ 24Th Festival of Animated Films Stuttgart Studio
Friday, May 5th, 16:00, Metropol 2 studio presentation zagreb film Zagreb film is an Academy Award winning production company, founded by the city of Zagreb in 1953. The studio’s focus is on short animated and experimental films, it aims th to preserve the archive films that won over 600 awards over focus on croatia @ 24 festival the years. Zagreb film produces, distributes and sells short films and organizes animation workshops for children and of animated films stuttgart professionals. www.zagrebfilm.hr bonobostudio Bonobostudio is a Zagreb-based company specialised in production and distribution of award-winning animated and experimental films. Founded in 2008 as a hub for creativity and innovation in experimental animation passionate about expressing the filmmakers’ visions. Films produced and distributed by Bonobostudio were screened at a number of festivals all over the world winning more than 200 awards. www.bonobostudio.hr adriatic animation Adriatic Animation is a small, authors-owned studio for short animation films based in Croatia. It has so far produced more than eight commissioned videos, two short films in co-production, and has four short films in production. The studio is also developing two commercial projects for TV distribution, one for adults and one for children. www.adriaticanimation.hr croatian films @ 24th festival of animated films stuttgart international competition panorama Tuesday, May 2th, 21:00, Gloria 1 | Wednesday, May 3rd, 11:00, Metropol 2 Wednesday, May 3rd, 23:00, Gloria 1 nighthawk ghost town Špela Čadež | Slovenia, Croatia | 2016 | 8’50’’ | cut-out Marko Dješka | Croatia | 2016 | 12’15’’ | 2D A badger lies motionless on a local road. -
2020 TOYOTA US Figure Skating Championships
2020 TOYOTA U.S. FIGURE SKATING CHAMPIONSHIPS OFFICIAL EVENT PROGRAM EVENT CHAMPIONSHIPS OFFICIAL FIGURE SKATING U.S. TOYOTA 2020 Highlander and Camry Hey, Good Looking There they go again. Highlander and Camry. Turning heads wherever they go. The asphalt is their runway, as these two beauties bring sexy back to the cul-de-sac. But then again, some things are always fashionable. Let’s Go Places. Some vehicles prototypes. All models shown with options. ©2019 Toyota Motor Sales, U.S.A., Inc. 193440-2020 US Championships Program Cover.indd 1 1/1/20 1:33 PM 119901_07417P_FigureSkating_MMLGP_Style_7875x10375_em1_w1a.indd 1 5/10/19 3:01 PM SAATCHI & SAATCHI LOS ANGELES • 3501 SEPULVEDA BLVD. • TORRANCE, CA • 90505 • 310 - 214 - 6000 SIZE: Bleed: 8.625" x 11.125" Trim: 7.875" x 10.375" Live: 7.375" x 9.875" Mechanical is 100% of final BY DATE W/C DATE BY DATE W/C DATE No. of Colors: 4C Type prints: Gutter: LS: Output is 100% of final Project Manager Diversity Review Panel Print Producer Assist. Account Executive CLIENT: TMNA EXECUTIVE CREATIVE DIRECTORS: Studio Manager CREATIVE DIRECTOR: M. D’Avignon Account Executive JOB TITLE: U.S. Figure Skating Resize of MMLGP “Style” Ad Production Director ASSC. CREATIVE DIRECTORS: Account Supervisor PRODUCT CODE: BRA 100000 Art Buyer COPYWRITER: Management Director Proofreading AD UNIT: 4CPB ART DIRECTOR: CLIENT Art Director TRACKING NO: 07417 P PRINT PRODUCER: A. LaDuke Ad Mgr./Administrator ART PRODUCER: •Chief Creative Officer PRODUCTION DATE: May 2019 National Ad Mgr. STUDIO ARTIST: V. Lee •Exec. Creative Director VOG MECHANICAL NUMBER: ______________ PROJECT MANAGER: A. -
Short Films Supports in Europe
e Un programme de l’Union européenne SHORT FILMS SUPPORTS IN EUROPE Belgium Bulgaria Croatia Denmark Estonia Finland France Germany Greece Ireland Italy Lithuania Netherlands Norway Poland Portugal Romania Spain Switzerland Published in 2013 MEDIA Desk France - 9 rue Ambroise Thomas - F-75009 Paris +33 1 47 27 12 77 - [email protected] - www.mediafrance.eu SHORT FILMS SUPPORTS IN… belgium Funding opportunities Centre du Cinéma or 50000 € for animated films. et de l’Audiovisuel (CCA) Foreign projects can be eligible if all the admissibility conditions are met. The maximum amount for those projects is 15000 €. Admissibility: independent pro- CSF (Film Selection Commis- duction company, registered in sion) – Short-length Films pro- Belgium. the whole support has duction and postproduction to be spent in Belgium. The di- GENERAL OVERVIEW support - made up of profes- rector has to be Belgian or Eu- Population: 10,9 million sionals, must issue an advice on ropean citizen (or resident in Languages: French, Dutch each admissible file submitted Belgium for 5 years). The direc- and German by the candidates. This advice tor’s nationality and country of Currency: Euro is then transmitted to the com- residence play a part in the dis- Number of theatres and petent Minister, who decides tinction between a national or a screens: 491 screens on granting or not the subsi- foreign project. (144 digital screens) / dies. For short-length films, the For foreign projects: All the 103 theatres committee meets 3 times a year. admissibility conditions above The members are spread over 2 must have been met. 30% of the Average admission colleges to examine the projects: financing has to be confirmed. -
Tina GARABEDIAN ARM Simon PROULX-SENECAL
ICE DANCE Date of birth: 13.06.1997 Tina GARABEDIAN Place of birth: Montreal CAN Height: 163 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music Start sk. / Club: 2002 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Alexandre Laliberte Date of birth: 06.12.1991 Simon PROULX-SENECAL Place of birth: Lasalle CAN Height: 186 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music, biking Start sk. / Club: 1998 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Melissandre Dumas Coach: Elise Hamel, Shawn Winter Choreographer: Former Coach: Shae Zukiwsky Practice low season: 25 h / week Montreal/CAN Practice high season: 25 h / week Montreal/CAN Music Short Program / Short Dance as of season 2016/2017 Blues Swing Music Free Skating / Free Dance as of season 2016/2017 Pearl Harbour (soundtrack) by Hans Zimmer Personal Best Total Score 139.28 07.12.2016 ISU CS Golden Spin 2016 Personal Best Score Short Dance 53.94 18.11.2016 ISU CS Warsaw Cup 2016 Personal Best Score Free Dance 87.54 07.12.2016 ISU CS Golden Spin 2016 09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 Olympic Games World Champ. 27. European Champ. 18. 19. Four Continents World Juniors 16.(1) National Champ. 11.J(3) 11.J(3) 15.J(2) 9.J(1) / 11.S(4) 1.S(1) / 12.S(4) 1.S S=Senior; J=Junior; N=Novice International Competition Year Place Internation Competition Year Place ISU CS Ice Challenge 2015 Graz 2015 6. -
The Markets of Mediterranean
N A E THE MARKETS OF THE N A R R E T I MEDITERRANEAN D E Management Models and Good Practices M E H T F O S T E K R A M E H T THE MARKETS OF THE MEDITERRANEAN Management Models and Good Practices This study, an initiative of the Institut Municipal de Mercats INSTITUT MUNICIPAL DE MERCATS DE BARCELONA de Barcelona, has been possible thanks to the support of Governing Council the European Union through the Med Programme that has Raimond Blasi, President funded the MedEmporion project, promoted by the cities Sònia Recasens, Vice-President of Barcelona,Turin, Genoa and Marseilles. Gerard Ardanuy Mercè Homs Published by Jordi Martí Institut Municipal de Mercats de Barcelona Sara Jaurrieta Coordination Xavier Mulleras Oscar Martin Isabel Ribas Joan Laporta Texts Jordi Joly Genís Arnàs | Núria Costa | Agustí Herrero | Oscar Martin | Albert González Gerard Navarro | Oscar Ubide Bernat Morales Documentation Salvador Domínguez Joan Ribas | Marco Batignani and Ursula Peres Verthein, from Alejandro Goñi the Observatori de l’Alimentació (ODELA) | Research Centre Faustino Mora at the Universitat de Barcelona Joan Estapé Josep Lluís Gil Design and Layout Eva Maria Gajardo Serveis Editorials Estudi Balmes Lluís Orri Translation Jordi Torrades, Manager Neil Charlton | Pere Bramon Manel Armengol, Secretary Antonio Muñoz, Controller Photographs Jordi Casañas | Núria Costa Managing Board Jordi Torrades, Manager Acknowledgements Francisco Collados, Director of the Economic and Financial Service The Institut de Mercats de Barcelona wishes to thank all the Manel -
Non-Aligned Modernity / Modernità Non Allineata
Milan, 16 September 2016 , FM Centro per l'Arte Contemporanea, the new center for contemporary art and collecting inaugurated last April at the Frigoriferi Milanesi, reopens its exhibition season on 26 October with three new exhibitions and a cycle of meetings aimed at art collectors. NON-ALIGNED MODERNITY / MODERNITÀ NON ALLINEATA Eastern-European Art and Archives from the Marinko Sudac Collection / Arte e Archivi dell’Est Europa dalla Collezione Marinko Sudac 27 October – 23 December 2016 Curated by Marco Scotini, in collaboration with Andris Brinkmanis and Lorenzo Paini 25 October 2016, 11 am - press preview 26 October 2016, 6 pm - opening event 27 October 2016, 7 pm - exhibition talk Under the patronage of: Republic of Croatia, Ministry of Foreign and European Affairs Consolato Generale della Repubblica di Croazia, Milano Ente Nazionale Croato per il Turismo, Milano After L’Inarchiviabile/The Unarchivable , an extensive review of the Italian art in the 1970s, FM Centro per l’Arte Contemporanea’s exhibition program continues with a second event, once again concerning an artistic scene that is less known and yet to be discovered. Despite the international prestige of some of its representatives, this is an almost submerged reality but one that represents an exceptional contribution to the history of art in the second half of the twentieth century. Non-Aligned Modernity not only tackles art in the nations of Eastern Europe but attempts to investigate an anomalous and anything but marginal chapter in their history, which cannot be framed within the ideology of the Soviet Bloc nor within the liberalistic model of Western democracies. -
Hellozagreb5.Pdf
v ro e H s B o Šilobodov a u r a b a v h Put o h a r r t n e e o i k ć k v T T c e c a i a i c k Kozarčeve k Dvor. v v W W a a a Srebrnjak e l Stube l St. ć č Krležin Gvozd č i i s ć Gajdekova e k Vinogradska Ilirski e Vinkovićeva a v Č M j trg M l a a a Zamen. v č o e Kozarčeva ć k G stube o Zelengaj NovaVes m Vončinina v Zajčeva Weberova a Dubravkin Put r ić M e V v Mikloušić. Degen. Iv i B a Hercegovačka e k Istarska Zv k u ab on ov st. l on ar . ić iće Višnjica . e va v Šalata a Kuhačeva Franje Dursta Vladimira Nazora Kožarska Opatička Petrova ulica Novakova Demetrova Voćarska Višnjičke Ribnjak Voćarsko Domjanićeva stube naselje Voćarska Kaptol M. Slavenske Lobmay. Ivana Kukuljevića Zamenhoova Mletač. Radićeva T The closest and most charming Radnički Dol Posil. stube k v Kosirnikova a escape from Zagreb’s cityŠrapčeva noise e Jadranska stube Tuškanac l ć Tuškanac Opatovina č i i is Samobor - most joyful during v ć e e Bučarova Jurkovićeva J. Galjufa j j Markov v the famous Samobor Carnival i i BUS r r trg a Ivana Gorana Kovačića Visoka d d andJ. Gotovca widely known for the cream Bosanska Kamenita n n Buntićeva Matoševa A A Park cake called kremšnita. Maybe Jezuitski P Pantovčak Ribnjak Kamaufova you will have to wait in line to a trg v Streljačka Petrova ulica get it - many people arrive on l Vončinina i Jorgov. -
Zivot Umjetnosti, 7-8, 1968, Izdavac
ivan picelj kompozicija 15/1, 1952./1956. 50 vlado kristl varijanta, 1958./1962. 51 igor zidić apstrahiranje predmetnosti i oblici apstrakcije u hrvatskom slikarstvu 1951/1968. bilješke aleksandar srnec kompozicija, 1956. 52 Opće je mjesto kritičke svijesti da pojam apstraktne umjetnosti ne znači više ono što je značio prije pola stoljeća, pa ni ono što je značio još prije dvadeset godina. Da je razvoj ove umjetnosti tada prestao, da se ona uslijed iscrpljenja urušila u se svejedno bi smo bili u prilici da zapazimo oscilacije značenja pojma. Domašaj svijesti u naporu da razumije i od redi pojavu ne može izbjeći ograničenjima same svi jesti. Zato se pred različitim očima svaka pojava raspada u toliko različitih pojavnosti koliko je razli čitih promatrača; ni jedan vid ne govori o gleda nome toliko koliko o viđenome — što će reći, da se, u svemu što gleda, oko i samo ogleda: vid je, tako đer, dio viđenoga. Ne treba, stoga, pomišljati da je 1918. ili 1948. po stojala apsolutna suglasnost o značenju pojma ap straktne umjetnosti ili pak, da će ikad i postojati. Ali činjenica da apstraktna umjetnost nije do sada »potrošila« oblike svog postojanja kaže nam da se pojam o njoj mora izmijeniti već i zbog toga što se ona mijenjala. Slikovito će nam otvoriti put razumijevanju naravi njezina početka jedan nedovoljno iskorišten aspekt predobro poznate priče o izvrnutoj slici u ateljeu Kandinskoga. Zatomimo li znatiželju povjesnika, koji u datumu događaja (1908.) vidi razlog pričanja, obratit ćemo pozornost okolnostima u kojima je vi đena pseudoprva pseudoapstraktna slika, u kojima je ta i takva slika — ni prva među apstraktnim, ni apstraktna među figurativnim — bila, dakle, pse- udoviđena. -
Guide for Expatriates Zagreb
Guide for expatriates Zagreb Update: 25/05/2013 © EasyExpat.com Zagreb, Croatia Table of Contents About us 4 Finding Accommodation, 49 Flatsharing, Hostels Map 5 Rent house or flat 50 Region 5 Buy house or flat 53 City View 6 Hotels and Bed and Breakfast 57 Neighbourhood 7 At Work 58 Street View 8 Social Security 59 Overview 9 Work Usage 60 Geography 10 Pension plans 62 History 13 Benefits package 64 Politics 16 Tax system 65 Economy 18 Unemployment Benefits 66 Find a Job 20 Moving in 68 How to look for work 21 Mail, Post office 69 Volunteer abroad, Gap year 26 Gas, Electricity, Water 69 Summer, seasonal and short 28 term jobs Landline phone 71 Internship abroad 31 TV & Internet 73 Au Pair 32 Education 77 Departure 35 School system 78 Preparing for your move 36 International Schools 81 Customs and import 37 Courses for Adults and 83 Evening Class Passport, Visa & Permits 40 Language courses 84 International Removal 44 Companies Erasmus 85 Accommodation 48 Healthcare 89 2 - Guide for expats in Zagreb Zagreb, Croatia How to find a General 90 Practitioner, doctor, physician Medicines, Hospitals 91 International healthcare, 92 medical insurance Practical Life 94 Bank services 95 Shopping 96 Mobile Phone 99 Transport 100 Childcare, Babysitting 104 Entertainment 107 Pubs, Cafes and Restaurants 108 Cinema, Nightclubs 112 Theatre, Opera, Museum 114 Sport and Activities 116 Tourism and Sightseeing 118 Public Services 123 List of consulates 124 Emergency services 127 Return 129 Before going back 130 Credit & References 131 Guide for expats in Zagreb - 3 Zagreb, Croatia About us Easyexpat.com is edited by dotExpat Ltd, a Private Company.