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The Long Ryders a Conversation with the Long Ryders Mp3, Flac, Wma
The Long Ryders A Conversation With The Long Ryders mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: A Conversation With The Long Ryders Country: UK Released: 1985 Style: Country Rock MP3 version RAR size: 1169 mb FLAC version RAR size: 1308 mb WMA version RAR size: 1243 mb Rating: 4.7 Votes: 888 Other Formats: ASF DMF MP4 MP3 AC3 AU VQF Tracklist A1 Dialogue - Looking For Lewis And Clark A2 Dialogue - Lights Of Downtown A3 Dialogue - WDIA A4 Dialogue - Mason-Dixon Line A5 Dialogue - Here Comes That Train Again A6 Dialogue - Years Long Ago B1 Dialogue - Good Times Tomorrow, Hard Times Today B2 Dialogue - Two Kinds Of Love B3 Dialogue - You Just Can't Ride The Boxcars Anymore B4 Dialogue - Capturing The Flag B5 Dialogue - State Of My Union Credits Engineer – Neill King Producer – Will Birch Notes Different label to US version. Plain white cardboard sleeve with circular sticker showing The Long Ryders and State Of Our Union logos. 'A CONVERSATION WITH THE LONG RYDERS' STATE OF OUR UNION This is a promotional item. Not for sale. Labels include "Dialogue" plus the track names and writing credits. Warner Bros Music Ltd/Bug Music The Long Ryders were in conversation with Tony Michaelides of Piccadilly Radio Related Music albums to A Conversation With The Long Ryders by The Long Ryders Pyro - Voices / Dialogue Laurent Coq - Dialogue Inner Dialogue - Futuristic Pastime Rod Laver - The Dialogue - Rudolph Wayne Vs. The Man The Avener Feat. Rodriguez - Hate Street Dialogue KEI - Dialogue Johnny Cash - The Living Legend Johnny Cash Vol.9; Transcriptions & Miscellaneous Songs III: The Johnny Cash Story Liquid Waves - Jazz Dialogue EP Chicago - Dialogue (Part 1 & 2) Scarlet Soho - Analogue Dialogue. -
The Friday Morning Mjanferback Album Report
0e KAL RUDMAN PUBLISHER BILL HARD EDITOR October 19, 1984 At THE FRIDAY MORNING MJANFERBACK ALBUM REPORT TM A PROGRAMMING GUIDE EXECUTIVE MEWS • 1930 EAST MARLTON PIKE, F36 • CHERRY HILL, NEW JERSEY 08003 • (609) 424-9114 Hard Choices DYPer'evs'-aqiiefiaAîLaWreYïn'ainfiVe' ... While we re on trie subject o? tound 'ng tathers, styles and artists that first made the format g-eat, rain a little more purple on the people. The and this wonderfully panoramic love song certainly voice, the guitar, and the organ come flying out makes Henley the Eagles heir apparent. You'll play of the time machine in a fashion that would make it again and again. Rip Van Winkle proud. Hey, you loved them as a child, you'll trust them as an adult. Go for J,GULS BAND , "CONCEALED WEADONS, "Back Door" and "Perfect Strangers". Getting used to Seth Justman on ead throat is made much easier by the song's semi-novelty approach. JULIAN LENNQN. "YALOTT£". ATLANTIC... The title Maxanne made the "Coasters of '84" analogy and ../e track racked up 25 play increases this week, soaring buy that. Slightly risque subject, no risk song. 34-13, and 41 reports already show 4-5 emphasis. Do ya work with boobs alot? Also note that 14-5 jump on the Most Requested. All that tells you to go deep, young man. Raves on The DURAN DURAN. "DIE WILD BOYS", CAPITOL .. "Too Late For Goodbyes" makes that equally important. only studio cut trom the soon-to-be-released live Yo, Julian, thanks valotte. Lp "Arena" has the band at their angular best. -
Jim Henderson's Power Pop Show January 2009
Playlists: Jim Henderson’s Power Pop Show January 2009 – December 2009 Show 21 First Broadcast 29.01.09 1. 21 intro - (00:15) 2. Gone - Pete Best (02:34) 3. 21a - (00:19) 4. Don't Speak Loudly - Pilot (04:41) 5. Get in the Swing - Sparks (04:08) 6. Duchess - The Stranglers (02:30) 7. 21b - (00:19) 8. Dreamtime - Daryl Hall (04:45) 9. It's Hard to Believe I'm Not - Captain Sensible (03:11) 10. Day by Day - The Hooters (03:22) 11. 21c - (00:30) 12. Everything I Want - Pete Best (03:38) 13. I Don't Mind - Buzzcocks (02:18) 14. Wild Youth - Generation X (02:53) 15. 21d - (00:20) 16. I Stand Accused - The Merseybeats (02:48) 17. Can't help thinking about me - David Bowie & the Lower Third (02:45) 18. Six O'Clock - The Lovin' Spoonful (02:41) 19. 21e - (00:21) 20. Are You Trying To Be Lonely? - Andy Lewis & Paul Weller (03:02) 21. Daylight - Drive-By Truckers (03:36) 22. Can't Explain - Nick Heyward (02:47) 23. Red Light - Pete Best (04:01) 24. 21 outro - (00:31) Show 22 First Broadcast 05.02.09 1. 22 intro - (00:25) 2. You Say You Don't Love Me - Buzzcocks (02:54) 3. I Don't Know What to Do with My Life - Buzzcocks (02:43) 4. 22a - (00:18) 5. Looking for Lewis & Clark [Long Version] - The Long Ryders (04:01) 6. We Belong - Pat Benatar (03:42) 7. Going For The Gold - Don McLean (02:44) 8. -
The New York Law School Reporter, Vol III, No. 5, May 1986
digitalcommons.nyls.edu NYLS Publications Student Newspapers 5-1986 The ewN York Law School Reporter, vol III, no. 5, May 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter, vol III, no. 5, May 1986" (1986). Student Newspapers. 116. https://digitalcommons.nyls.edu/newspapers/116 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New York Law School Vol. mNo. 5 ALL THE NEWS WE CAN FIND • MAY, 1986 Koch Talks About Levitsky Charges Sinton Corruption at Jeffords Forced His Resignation By Glen Gentile By Robert Goldman by the board of which you are the chair Mayor Koch said "we have yet to Serge Levitsky, NYLS professor of in man, was turned into a dishonest farce.•' find a cure for evil in the human soul," ternational law, has charged his resigna as he discussed the corruption scandal tion from the faculty was forced b)I Dean In another letter to Forger, Prof. currently plaguing the city and decried Simon. Levitsky said that a faculty member the perception that corruption is a nor Prof. Levitsky said he was "summon stated to him both before and after the mal and, perhaps, necessary compo ed" to Dean Simon's office in October review that the "decision of the school's nent of government. The Mayor's and asked to submit his resignation. -
The First Thing I Thought When I Was Offered
The Popular Music Project: Listening Party at LACE Sept. 16, 2008 The Paisley Underground Notes by Alejandro Cohen The first thing I thought when I was offered to host the Paisley Underground listening party was: "What makes me qualified to do this?" after all, I was only 10 years old by the time the movement as it's known now was over. And even worse, I wasn't even born or raised in Los Angeles!!! Let alone the US. So again, what makes me qualified to do this presentation? I find it funny that someone like me, being a foreigner, originally from Buenos Aires, Argentina, is doing a presentation about a local group of friends, colleagues and bandmates that at some point connected, played and wrote songs together at a special time and place in music history. But I guess it is not uncommon for a person to go to a foreign land and find something that locals take for granted fascinating, and appreciate how amazing that something is. My first exposure to what is called Paisley Underground was in 1996, when I first moved to Los Angeles. A friend of mine owned a record by Kendra Smith, The Guild of Temporal Adventurers. And although that record technically is not a Paisley Underground record, I found the sound so unique and at the same time so connected to everything I liked, that I made it a point to find out more about who was behind this. You have to remember that this was 1996. I didn't own a computer, and the Intemet was something that only a couple of people I knew had access to. -
Download the 2016 Press Release (PDF)
DROPKICK – Balance The Light Rock Indiana Records / Sound Asleep Records Available formats: Download, Vinyl (Lindi 419/ ZZZ034) and CD (Cindi 419/ ZZZ033) Album released 25th March 2016 www.dropkickmusic.co.uk Hailing from the east of Scotland, Dropkick have drawn on influences such as Wilco, Tom Petty and The Everly Brothers to produce their own blend of harmony-driven alt-county powerpop. “Songs that capture a power pop spirit tinged with a country edge, shimmering guitars and vocal harmonies recall classic California bands and more local contemporaries such as Teenage Fanclub and Daniel Wylie.” Americana UK “Their music has an originality about it that defies explanation.....blending almost equal parts alternative, indie-pop, folk and country.” Maverick Magazine “Scotland’s finest alt-country power-pop band.” Tom Morton, BBC Radio Scotland “Scotland’s 3rd best band … fabulous melodies a-plenty and more hooks than Bob Nudd’s fishing bag.” The Scotsman Newspaper Dropkick is: Andrew Taylor – Vocals, guitar Roy Taylor – Vocals, guitar Scott Tobin – Vocals, bass Ian Grier – Piano, organ, synth Mike Foy – Drums Tracklisting 1. Save Myself 2. I’m Over It 3. I Wish I Knew 4. Where Do You Think I Went Wrong? 5. Out Of Love Again 6. Wake Me In The Morning 7. Homeward 8. Slow Down 9. A Long Way To Go 10. Think For Yourself Produced, Engineered and Mixed by Andrew Taylor Mastered by Alastair Taylor Artwork and Design by Alan Lennon ‘Balance The Light’ is Dropkick’s most accomplished and creative collection of songs to date, demonstrating a growing maturity and confidence in their songwriting and arrangements. -
Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98
Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98 Jason Bianchi Kirby San Jose, California B.A. Sociology and Literature, University of California—Santa Cruz, 2002 M.A. American Culture Studies, Bowling Green State University, 2006 A dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia August 2016 Abstract This dissertation is a cultural history exploring expressions of and responses to antimodernism within country-rock and “alternative country” music, drawing on reception history, intellectual history of underground and mainstream left-wing American political movements, interview discourse with artists, and close readings of songs. In this dissertation I argue that despite styling itself as a type of purer root or “folk” form of contemporary country music, in terms of its ideologies, studio production techniques, fan and critical discourse, and business practices, alt.country is a type of rock music. It embodies some of rock’s core beliefs, particularly rock’s critique of the more bureaucratic and “rationalized” dimensions of postindustrial capitalism, particularly as this relates to the everyday impact of new technologies. I argue that this anti-modernism, emerging here from the American political left, has been different in different eras, from the back-to-the-land movement of the late 1960s, to late- ‘80s/early-‘90s expressions of left populist punk’s longing for “folk” community. In this project I look beyond contemporary scholarly understandings of alt.country as mostly ironic, as ultimately I suggest that this music illustrates what Keir Keightley calls rock’s aesthetic of “seriousness,” more precisely than it does an understanding of country music ideology. -
Notre Dame Scholastic, Vol. 128, No. 11
·- <a Distorted. Christmas WVFI Update c: W .!!!o W(!l-. "0 .... ~«-Eo a:tiJ- ai Z .~ a..0 <It E:::: ...J <a E ::> 'a..0Qi Dl ~ CD a.. ::> .::: o Z December* 11, 1986 Notre Dame'S Student Magazine Vol. 128, No.1l. * ,i. ~ ,---------------------~------------------------------------------------------------~~----------------------- l Contents December 11, 1986 Scholastic Volume 128, No. 11 Needs You ~ Cover Stories A Distorted Christmas ~~ 4 By John Coyle and Mike Keegan \jJIfp,.ff What Do You Want For Christmas? JJK1 6 Compiled by Paula Abowd This Year's Hottest Gifts By Sara Harty A talkative baby doll and a hi-tech version of tag 8 are among this year's fastest-selling Christmas presents Departments News, 2/Editorial 14/Wired Up 11/0n Other Campuses: Men's Room Mayhem By Peggy Prosser 12/Calendar 16/Interview: 'Sex' At Stepan Center 18/Interview: Kansas City Rockers Sports 22/Music: Live Music: The Best Of '86 24/Final Word: A Time For A Courageous Stand 20/Will The Real Irish Please Stand Up? By Phil Wolf 23/Scoreboard' Cover by Maria Murphy ,---------------------~------------------------------------------------------------~~----------------------- l Contents December 11, 1986 Scholastic Volume 128, No. 11 Needs You ~ Cover Stories A Distorted Christmas ~~ 4 By John Coyle and Mike Keegan \jJIfp,.ff What Do You Want For Christmas? JJK1 6 Compiled by Paula Abowd This Year's Hottest Gifts By Sara Harty A talkative baby doll and a hi-tech version of tag 8 are among this year's fastest-selling Christmas presents Departments News, 2/Editorial 14/Wired Up 11/0n Other Campuses: Men's Room Mayhem By Peggy Prosser 12/Calendar 16/Interview: 'Sex' At Stepan Center 18/Interview: Kansas City Rockers Sports 22/Music: Live Music: The Best Of '86 24/Final Word: A Time For A Courageous Stand 20/Will The Real Irish Please Stand Up? By Phil Wolf 23/Scoreboard' Cover by Maria Murphy 4 1 Edtorial Edi tor- ill- Chief Maher Mouasher ACE IS THE PLAC~ Managing Editor WITH THE HELPFIIL HARDWARE MAN Keith Harrison Jr. -
That Magazine from CITR Fml02 Cable 100 February 1986 • FREE!
That Magazine from CITR fml02 cable 100 February 1986 • FREE! & « DISCORDER DiScORDER That Magazine from CITR fml02 cablelOO February 1986 • Vol. 4 No. 1 Editor In This Issue Chris Dafoe Contributors Don Chow, Kandace Kern BUI Mullan, Greg Potter, Larry Thiessen, 8 Love And Rockets CD, Jerry King, Kevin Smith, Don Chow sifts through the cosmic debris Michael Riches, lain Bowman, with David J. Robin Razzell, Kirby Hill Photos Moev Bill Jans, Steve Wasney Cartoons Colouring the world purple; by CD. Chris Pearson, R. Filbrant CIT"RyDiscorder Listener/ Production Manager Reader Survey Pat Carroll We ask you embarassing personal questions Design about your habits, tastes, and desires. You Harreson Atley can't help but answer. You are under our Layout Randy Iwata, Pat Carroll, power. Beverley Demchuck, Toby Thiersch, Karen Shea, David Hart, Robin Razzell Program Guide CD, PC typesetting Dena Corby Advertising Representative David Hart, Robin Razzell Distribution Manager In Every Issue Mike Johal Business Manager Airhead Mike Dennis Marsha Brady Fan Club, Punk Rawk Horror and more. DISCORDER, c/o CITR Radio, 6138 SUB Blvd., 6 Behind the Dial Vancouver, B.C, V6T2A5. Phone (604) 228-3017. Upcoming concerts, CITR conflict of interest DISCORDER Magazine is published monthly by the Student Radio Society of the University of guidelines, and other vital signs from behind the British Columbia (CITR-UBC Radio). doors of CITR. CITR f ml01.9 cablelOO.l broadcasts a 49-watt signal in stereo throughout Vancouver from Gage Towers on the UBC campus. CITR is aJso avail 14 Program Guide able via FM cable in Vancouver, West Vancouver, An easy guide to difficult listening. -
Wavelength (April 1986)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1986 Wavelength (April 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1986) 66 https://scholarworks.uno.edu/wavelength/58 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. C0550 ARL K. LONG LIBRARY CQUISITIONS DEPARTMENT UNIVERSITY OF NEW ORLEANS NEW ORLEANS LA 70148 (4\l t. ~ .. ~ PROUD SPONSOR 1986 JAZZ FESTIVAL. ISSUE NO. 66 • APRIL 1986 u/'m not sure. but l'rn almost positive. that all music came from New Orleans ... Ernie K-Doe, 1979 Features Aaron Neville .. ............ ...... 23 MADE THE Charles Connor .... ............... 25 Philip Glass ...... ............. ... 28 AMERICAN WAY Departments April News .. ............. ......... 4 Jazz Fest Update .... .............. 7 Boogie Beat Jive .................. 10 Cabaret . ........ ."12 Film...... ................ 14 Caribbean ................ ...... 16 Rock.. .......... ......... 18 U.S. Indies. : . ........ 20 April Listings . ............ 30 Classifieds ....................... 37 Last Page . ....................... 38 COVER OF AARON NEVILLE BY RICO A1tzmberof NetWCSfk Publisher. Nauman S. Sc::on . Editor, Connie Zcanah Atkinson. Associate Editor. Gene Scar.tmuuo. Of'tk« Manager. Diana Rrnoenberg. Art Director. Eric Gemhau\Cr. Typography. Devlin/Wen(!.cr As:-ociates. Advertising. Eli zabeth Fontame. Eileen Sc:mcntelh. Kate Riedl. Contributors. Ivan Bodley. St. Get'fg_t: Bryotn. Bob Catali()l!l, Rick Coleman. Caml Gniady. Gina Gucctone. Ntck Munncllo. Melody Minco. Rick Olivier. Diana Ro:.enberg. Gene Scar amuZL.o. -
PDF of CD Booklet
FSLN 26 8/21/06 2:30 AM Page 1 20O7 UPDATE Let’s start by listening to two of the most lasting voices to come out of punk. “Sandinista! would have been better as a double album … or a single album … or an EP.” — Joe Strummer “Most benefit albums are crappy, tossed-together, artistic botch-jobs that guilt you into coughing up for causes no one could really disagree with anyway – a feel-good rush of righteous concern that quickly fades to complacency and amnesia.” — Jon Langford FSLN 26 8/21/06 2:30 AM Page 3 There you have it, from two people who, in different ways, are heroes of this record: Strummer for lead- ing the band whose original work December 12, 2005, made this modest tribute possible, was the 25th anniversary Langford for going overboard of the release of Sandini- (recording two tracks, suggest- sta! In early 2003, trying ing other performers, painting the to avoid doing what I cover) in supporting the package was supposed to be doing in your hands. These two geniuses for a living, I spent way are warning against this project. Yet too much time thinking here we are. about doing something to On December 12, 1980, The Clash celebrate the anniversary. released Sandinista!, one of the most A party didn’t seem like ambitious records in the history the right thing. Someone of rock’n’roll. It wasn’t their best suggested I write a book record, their best-selling record, or about it. Only a few thou- even their most enjoyable record, sand words in, it was clear but it is an exciting, sprawling mess that I shouldn’t inflict that that I return to constantly. -
Country Music Annual 2001
University of Kentucky UKnowledge Music Arts and Humanities 2001 Country Music Annual 2001 Charles K. Wolfe Middle Tennessee State University James E. Akenson Tennessee Technological University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Wolfe, Charles K. and Akenson, James E., "Country Music Annual 2001" (2001). Music. 5. https://uknowledge.uky.edu/upk_music/5 Country Music Annual 2001 Country Music Annual 2001 Edited by unanes K. wane and James LAkensen THE UNIVERSIIY PRESS OF KJSNTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 05 04 03 02 01 5 4 3 2 1 ISBN 0-8131-0990-6 (pbk: alk. paper) Contents Introduction 1 Charles K. Wolfe and James E. Akenson Having the Franchise: Country Music TV from the Third Coast 4 David Black The Country Music-NASCAR Connection 26 Lawrence E.